#most of the examples I've heard are more extreme?

[glimblshanks]

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[homunculus-argument]

Hi! I'm trying to learn Finnish and I have a grammar question (probably several questions). Finding access to an in-depth language-learning program or class has been extremely difficult and I have weird gaps in my knowledge that I've tried to overcome with grammar workbooks and immersing in Finnish media. Given that Finnish media/native speakers often don't use kirjakieli, and the programs & grammar books I've used have taught exclusively kirjakieli... I keep finding that what I'm learning still isn't *super* helpful in understanding. Like. I'm over here having "Minä olen..." drilled into my brain, while I've never watched a video, listened to a song, etc where anything but "Mä oon..." has been used. I was BAFFLED when I finally learned they meant the same.

Anyway!

In your recent post about Riihimäki, you started it with, "Mulla ei oo"

I am *pretty* sure that in kirjakieli that would be "Minulla ei ole".

So. This is probably a silly question. But. Does "Minulla on" similarly become "Mulla oon" or "Mulla on"?

Also... Any tips for recognizing shortened/informal forms of formal phrases?

Anyway. I've taken enough of your time.

Kiitos!

One of my friends teaches finnish to immigrants for a living, and she can attest that her students are frequently frustrated by the way that spoken finnish and written finnish are completely different dialects, if not downright two different languages. Also fun fact, one of the most distinct ways that different finnish dialects can be identified is what word they have for "minä/sinä". The "mä" you have heard is mainly southern finnish dialects, in some regions people say "mää", "mie" etc, there's surely ones I haven't even heard of.

You're correct that in your assessment, "mulla ei oo" does indeed mean "minulla ei ole", and "minulla on" is indeed "mulla on". I have no idea how to help with recognising shortened informal forms, but one thing that I only consciously observed after someone asked me "soitatko jotain soitinta?" ("do you play an instrument?"), and it caught me off-guard because it never occurred to me that the grammatically correct written way to shorten "do I/do you/etc" questions is completely different from the spoken finnish.

For example, a question of "are you - ?" is written in kirkakieli as "oletko sinä - ?", but since the -ko suffix already clarifies who is being addressed, the word "sinä" is almost redundant. So to ask "oletko sinä tulossa?" (Are you coming?), a character in a book or a play would say "oletko tulossa?" but in spoken finnish, the "you" word used in that dialect is just glued to the end of the verb. So someone who says "sä" says it as "oletsä tulossa?" - which itself shortens to "ooksä" - and someone who uses "sie" asks "oletsie tulossa?" - shortening to "ootsie/ooksie tulossa?"

Speaking finnish is like learning to draw - trying to aim for perfect photorealism isn't necessary to be understood, you can pretty much draw stick figures and it's good enough if people will understand what you're trying to depict. If you've heard someone say that a non-native speaker can never really learn to speak truly flawless finnish, don't be discouraged by that. Finnish is more like japanese than french when it comes to foreign learners - people are impressed that you make an effort at all.

I've met people who have lived in Finland for decades, whose adult children are fluent bilinguals, and you can tell that someone's lived here for 30 years by the way they make more advanced and nuanced mild grammar mistakes.

In conclusion, good luck.

[elexuscal]

I watchrd the murder bot show. I heard some book fans think it’s nonbinary and some argue it likes it pronouns. Why? Isn’t it dehumanizing? And is the guy who forced it to Murderbot to make eye contact, via orders ableist? I can see why book readers think it is autistic coded. I feel weird calling a nonbinary-coded, autistic-coded lifeform it. Does it really prefer those pronouns? I read on tumblr thay apparently it does. I personally don’t prefer it/it’s pronouns, but not all enbies are the same.

Hiya!

I suppose it's not surprising that an ask like this would show up, if not in my inbox, than somebody's! Murderbot's pronouns are something I've consistently seen lots of questions about over the years, and with an influx of new folks being introduced due to the show, there's going to be more than ever.

First of all: thanks for asking these questions. I think when first being introduced to a new idea, such as a set of pronouns you're unfamiliar with, asking open and honest questions shows great intellectual curiosity and interest in understanding others.

There's a few different questions in this ask, so I'm going to try and break this down into sections, and to tackle them one by one. (And for the record, most of my answers here will be in reference to the books, not the TV show, because a) I haven't seen the show [yet] and b) there's only 2 episodes of it out right now anyway. I have no idea how closely the two texts are going to align, but I certainly hope it doesn't take away the book series' queer themes and representation.)

1. What's Murderbot's gender, and what pronouns does it use?

Murderbot is agender/non-gendered, and uses it/its pronouns.

For the record, I don't think this is just a reading or an interpretation. Rather, this is canonical, and on the same level as saying, "Bruce Wayne is a man who uses he/him pronouns."

Admittedly, there's never a place where the character says "My name is Murderbot, I'm non-binary, and I use it/its pronouns." In my opinion, one of the the strengths of the books is that it has much more subtle worldbuilding than that, both in general and in regards to casual queerness. However, throughout its first-person narration, Murderbot consistently uses "it" to refer to itself, and shows a general alienation and distaste for gender stuff in general. Its friends/allies, even after long acquaintance, continue using it/its.

Textual examples include:

Book 1: Yes, talk to Murderbot about its feelings. The idea was so painful I dropped to 97 percent efficiency. Book 2: To initiate the meeting, I’d had to make an entry on the social feed, too. The system was extremely vulnerable to hacking, so I had backdated my entry to look like I had come in on an earlier passenger transport, listed my job as “security consultant,” and my gender as indeterminate. Book 5: "No, it says it's fine," I heard her relaying to others on the comm. "Well, yes, it's furious." Book 6: I posted a feed ID with the name SecUnit, gender = not applicable, and no other information. Book 7: I was as indifferent to human gender as it was possible to be without being unconscious.

And while I think it's unnecessary, given the textual evidence, we can bring in Word of God too, courtesy of the book's author Martha Wells:

So, okay, Murderbot uses it/its pronouns! Which leads into the next question...

Why does Murderbot use 'It/Its' pronouns? Isn't that dehumanizing?

Yes, and that's just the way Murderbot likes it!

I think the reason this is often a stumbling block for folks is that a main focus of the early series-- especially book 1, or as the case may be, first episodes of the new adaptation-- is establishing that Murderbot Is A Person. From there, it's an easy leap to go: Therefore, Murderbot Is Human. After all, it has a human face.

But the second part of the central theme is: Murderbot is a person, but not a human person.

It is half-bot, half-human, all SecUnit. It has things in common with both of those halves, and emergent properties unique to itself. More than that, Murderbot is deeply alienated from the human experience. It spent the majority of its life being treated like an object, and appliance, and a weapon.

Murderbot chooses to embrace those aspects of its identity by continuing to use it/its pronouns. And yeah, it's clear that this often makes other folks feel uncomfortable. But that's a big part of it too. Murderbot's arc is about learning how to exist, as itself, unapologetically. It doesn't need to sand off those uncomfortable parts of its existence that make the humans around it uncomfortable. They just have to deal.

Okay, but that's Murderbot, a fictional character. What about actual real people?

That's a great point! And indeed, I don't care so much about Murderbot's pronouns for its own sake. It's a fictional character, it can't and doesn't care what real world people call it. But I think respecting its pronouns is an extension of respecting real living folks who DO use it/its pronouns, so let's talk about it!

(And for the record, I am not nonbinary. I'm also not not nonbinary? But I'm a sapphic butch with an often masc gender presentation, so it's like, an Overlap. My point being I'll do my best to speak to this perspective, but really, you're best seeking out the perspectives of actual it/its users and nonbinary folks.)

Various non-binary, agender, and other gender queer folks use it/its pronouns. The reasons vary hugely. Explanations I've seen are:

Generally feeling alienated from the human experience

Feeling a greater connection to non-human identities, like animals or robots

Connection to the many beautiful things exist in the world which (in English) have it/its pronouns applied to them-- think the ocean, or food, or celestial bodies.

A gender neutral pronoun that doesn't introduce the plural ambiguity of 'they/them' and isn't a neopronoun set folks need to learn.

Reclamation of insults they've received

and idk, they just sort of like it? Sometimes things aren't that deep.

And probably a whole bunch more reasons!

And really, at the end of the day, it doesn't matter what I think of it. While we can get deep into the theory of pronouns, at the end of the day, using the pronouns people prefer is just common courtesy. You can personally find it weird and uncomfortable, and you can work through it in your own time... But if someone asks, just use the pronouns they want!

Was the guy who forced it to Murderbot to make eye contact via orders ableist?

Okay, again, I haven't seen the show yet, so I don't have full context. But was the guy Gurathin? I bet it was Gurathin. While he didn't do that specifically in the book, he did pull some similar stunts.

In short, yeah, probably. It's a dick move regardless.

In long, I don't think he was being deliberately ableist. The guy is viewing the situation through a very different framework, namely, 'this SecUnit is a threat and a danger, and I am trying to control the situation'. Very likely, if he met a human colleague or acquaintance who asked not to make eye-contact, or just very clearly didn't like it, he probably would be chill and accommodating.

But the thing is, plenty of folks are ableist in day-to-day life without meaning to be ableist! You'll see folks be like "this person is so annoying because they do 'X thing', and it's not like they have an autism diagnosis or anything", as if the formal diagnosis is a magic wand to make certain behaviours okay. In general, things would be better if we just got better at accommodating benign behaviours that exist outside the norm without explanation.

[And frankly, my bigger concern here is less "ableism", and more "using his social power to force somebody who is a slave to follow his orders", but that's neither here nor there.]

Is it ableist to call a non-binary coded, autistic coded lifeform it/its?

Well, I mean, context matters?

A lot of shitty people will use it/its in a cruel way to various neurodivergent and queer people. They are deliberately intending to demean and dehumanize. That's shitty. Whether that's ableist or queerphobic would depend on the context, but it would be deliberately shitty.

And indeed, if you were to take another similar character... say Data from Star Trek, or Peridot from Steven Universe, and call either of them 'it', then again, depending on the context, I might call that shitty too! Their canonical pronouns are he/him and she/her respectively, and refusing to use those pronouns because "they're not really people" or "it's not a man/woman" would be a deliberately provoking move.

But if someone-- be it a fictional character, and even more so, a real person-- asks to be called "it"? That's their choice. The context has changed. It's not ableist, it's not queerphobic. That's just respecting them.

[ahgasegotarmy116]

Desiring Defiance | Kim Taehyung | One Shot | Teaser

Summary: Taehyung as a Mafia Lord takes care of his own, but when his priority becomes you, imagine his surprise...and delight when he figures out you want nothing to do with him. Pairing: f!reader x Yandere Mafia Lord Taehyung (Contract Marriage) (Taehyung's pov) Word Count: TBD Warnings: Smut, Explicit Language, Weapons, Drugs, Violence etc. (I haven't finished it so I'll add more warnings when the full fic comes out) A/N: I wanted to get this out to see if there's any interest in this story since I usually write fics for Jungkook but I'll be writing it regardless. Just wanted to have an opportunity to get a taglist going if possible p.s. This is my first Mafia fic and it's barely edited so pls have mercy on me 🥲 Requested by @bluehaven143 💜

"I've scheduled the jet for your birthday and have alerted the local staff to be ready for your arrival" my assistant relays, my men and I having a leisurely meeting and therefore feeling comfortable sharing in front of them since they're usually a part of those plans.

"You should book this new stripper I found while we're there. I've heard that she leaves her patrons thoroughly…satisfied" one of them says, wiping his nose off after inhaling a line of a white powder that we all know leads to no good.

I wave him off, knowing if I let him run his mouth the suggestions will go from crude to vulgar if left unchecked.

"No stripper?" one of the guys chimes in, feeling as though he got a toy he was entitled to taken away from him.

"You guys aren't coming this year" I say after telling my assistant we'll discuss this matter later.

"What do you mean we're not coming?" another chimes in, looking utterly betrayed. "I have other plans in mind this year" I inform, loosening my tie, it suddenly feeling a little too tight.

"Who are you going with if not us?" another asks, the notion completely ridiculous from their self centered viewpoint.

"My wife" I say, pulling out my phone to check her location, seeing that she's still at the office when she was supposed to be home an hour ago making me sigh and stand up, the group raising to their feet as a sign respect.

"You mean the woman you paid to marry you?" one of them mumbles, making a bold statement leaving me chuckling darkly while shaking my head, my pace slow but deliberate as I walk up to him, resting my hand on his shoulder before drawing my gun seconds later and placing the barrel against his temple.

The cold steel on his skin makes him shudder, the implications of what just one single pull of it's trigger could do to his life. His very well being dancing in the palm of my hand, oh so tempting to snuff out but I show some restraint and press the gun a little harder against his temple making him lean over, trying to get away from the no doubt painful pressure.

All the rest of my men are frozen in place, knowing better than to intervene, very well aware that any sign of fear or questioning of my judgement could result in the intent to kill being pointed towards them.

"I suggest you watch your fucking mouth when you talk about my wife" I growl and he nods, apologizing profusely, sinking further and further down onto the floor, practically shaking in fear.

When I cock the gun I can see the way his body tenses up as he forgets to breathe, holding back the wince he no doubt wants to let out.

I stand there for a while, debating whether or not I should make an example out of him in the most extreme way possible, the sound of a pin dropping would resound through the whole room.

I ultimately decide to withdraw my gun, placing it back on my person, fixing my suit jacket and running my fingers through my hair, letting out a sigh.

"Take him out back" I say and turn to walk away, leaving his pleas for mercy to fall of deaf ears.

He should know better.

They all should know better than to question me, my wife or my judgement. Leaving me turning back to address the rest of the group once the guilty party has been taken away, his wails for mercy soon being exchanged for wails of pain, muffled by the door now separating us.

"My business with my wife is none of any of your concern. Plus, it's not like many of you remember the reason we go abroad at the end of the year anyways. So there's no need for you to be included" I sigh and they all turn their eyes down, disappointed but not surprised that this fate was cemented as a result of one man's sin.

"Make sure there aren't any loose ends I need to tie up while I'm gone…or when I get back" I say giving a pointed look to all of them, resulting in a unanimous sound of intent to do as they're told.

"Clean up my office. I don't want to see a single crumb or anything out of place when I get back" I say looking at one man in particular that has been crunching on a bag of chips since I walked in leaving him closing and setting it aside.

I leave with a unison farewell from all as I head to my car that's been pulled around front, waiting for me.

"Where to sir?" my driver Andrew asks once I get in the back seat, the only one I let speak freely in front of me. "My wife's office" I say leaving him humming.

"You don't approve?" I ask, cocking my brow at him through the rear view mirror, but he finds no fear in it.

"She's requested not to be disturbed until she's called for a ride home sir" he relays leaving me sighing, debating on whether or not I should respect her wishes.

She's always so stubborn when it comes to work and does everything she can to keep my claws from sinking into it.

I don't feel like listening tonight though, especially not after what happened.

I want to see her. I need to see her.

"Sir?" he asks, trying to see if I've changed my mind given the new information. "My wife's office" I repeat and sit back, knowing I'm making the wrong choice but I won't let anyone keep me from getting what I want.

Not even her.

~~~~

Please let me know what you think and comment or click the link to join the taglist <3

Taglist: @jkslipppiercing @trina864 @kaitieskidmore97 @goddesofimortality @coolbluedude @coralmusicblaze @whoa-jo @pastelpinkjoon @joonwater Taglist continued in the comments 💜

[poisondionaea-art]

For anyone who wants to write fanfics or comics, ect about characters from Louisiana (Gambit, alastor, ect.) with accuracy to Louisiana and any French we speak here.

⚜️There's a lot of information after the phrases just an FYI ⚜️ I add a few things that I forgot about.

Common phrases used in Louisiana are:

Sha

(pronounced like it's spelled) this is a gender neutral term used for all ages, it's a friendly term used to address someone, most people use it for everyone. Inflections and sentences can change it to be more familial or romantic but it's often just used when addressing someone else. A lot of people use this term and say it for everyone they meet. This is used to replace cher and cheri, no one uses cher and cheri ever, have never heard a single person in Louisiana use those terms in my entire life.)(commonly said at the beginning or end of a sentence when addressing someone also typically accompanied my 'oh' or 'mais/man'

Examples :"oh sha, can you grab me that bottle right there." " How you been sha" "man sha, you seen what that man did over there" "oh mais sha, eat, you must be starving"

beaucoup

(boo•coo) very much, plenty/ plentiful, very, much, an exuberant/ large amount of something. Each of these can be used it just depends on the context, it is often used in 'thank you' or in jest or exasperation to emphasize that someone has a large amount of something. Sometimes people also use it in a jesting manner to make fun of how little someone has when they are trying to pretend like it's a lot. Extremely common to hear in New Orleans slightly less use in the rest of the state but is still used often. Commonly said as "beaucoup much" (younger generation born late 90s to present mainly use this one) or by itself

Examples: "did you see the amount of bread loafs that guy had in his buggie, he had beaucoup things of bread"

Merci also "merci beaucoup" or "beaucoup merci"

(mer•see) thank you, thank you very much, plenty thanks, very thanks. Still widely used across Louisiana rather commonly. Not everyone says it but it's just a personal preference, the people that do use it often still say thank you in English from time to time, they just also like using these terms as well. These phrases are also used for everyone it doesn't need to be reserved for special times/ people.

Example: " merci, have a nice day" kinda self explanatory

Adieu

(a•doo) kinda like goodbye I think I've heard a some people say it but it's definitely not the most common. They said it in place of good bye so I've just always assumed that's what it meant.

Petite

(pa•teet) small, little, tiny. This is already used in the English language show I don't really have to explain it much but it is commonly used among Cajuns and other Louisianaians to address a person affectionately especially when you add another word behind it. Sometimes people will say "mon petite ___" or "petite ____" sometimes shortcutted to "te" sometimes just say patite if it's an nickname the additional thing will most likely be in French and be something that the person likes or enjoys. I've rarely heard it used otherwise unless talking about clothing.

Examples: my grandmothers used to call me "Mon petite papillon" (my tiny butterfly) and "petite minou" (small kitty) because one grandmother's favorite animal was a butterfly and the other's is a cat.

Nanny and parrin

(nan•ee) (pah•ra) god mother and god father, most people call them by these terms so if you here someone from Louisiana talk about their nanny they don't mean someone their parents hired to look after them they mean their god mother.

Couyon

(coo•yaw) fool or idiot. Typically used in rather jest or scolding but typically when joking around. More common in Cajun areas than New Orleans. Sometimes if someone does something foolish especially after being told not to or is just being really clumsy or acting stupid/ rude then people will just call them couyon and walk away or laugh at them.

Example: " will you stop acting like a couyon? We need to get a move on."

Mais

(mah) but . See Sha for example of use mainly used with Sha .

Allons also "allons dan ser"

(ah•law) (ah•law don say) let's go and the phrase commonly used with it is "let's go dancing" more Cajun area use then New Orleans.

Beb also bébé

(pronounced like it's spelled) babe or baby also typically used in a neutral manner when talking to people, can be used for anyone but is most commonly used among family or close friends especially for people younger than you. Can also be used in a romantic connotation like babe or baby usually it is generally affectionate no matter how it's used. Can be used for strangers typically said by women but men do say it.

Example: "bébé can you go to the kitchen and get me a soda"

Just please please don't use cher or cheri no one says that around here it's almost always specific nicknames rather of things the person talking likes or the person listening likes. Please see petite for example.

Gambit is likely to say card related nicknames since he likes gambling, I know a few people who like playing cards who call people things like king and queen quite often as well as like 'my heart', 'little diamond'

In French those would be "reine" (Queen) or "dame" (lady/ queen) , "roi" (king) , "Mon cœur" (my heart/my core), " petite diamant" (little diamond)

For Alastor I'm not sure that there's anything radio related that people would use, my family has been in the radio business for a while and I've never heard any from any of my family members or my parents. He is likely to use deer related ones especially if they are puns.

Examples: " Mon biche" (feminine) or "Mon cerf" (masculine) (both mean my deer) , and "petite biche" (fem) or "petit cerf" (masc) (both mean little deer). He also likes music and that would be more like "Mon musique" (my music).

Any of these can just be said in English not every nick name or pet name is said in French.

Everyone is different so some people throw in more French some people less, nowadays people don't really speak fluent French unless they're old or rich.

Gambit was raised in a cult basically so he does get somewhat of a pass to speak more French if you want him to but it's not super common in New Orleans.

Alastor would have spoken French being from 1920s but being a radio host he probably would have also learned English and went through vocal training to get rid of his accent. ( My family has been in the Louisiana radio business for decades and they all had to train to get rid of their Cajun accents when they started working for the radio stations) Also Alastor is creole not Cajun I will explain the difference more towards the end.

If you want to add the characters speaking French you can just use Parisian French (French spoken in France) no one is gonna be upset if you do there are also no translators on the internet that I know of that have Cajun or Creole (Canadian is also acceptable if your Canadian or know Canadian)

There are a lot of different accents in Louisiana not just Cajun (called flat talk by locals most of the time) .

Some people speak with southern accents, some have Cajun but most talk like stereotypical Americans or have an accent that comes along with speaking AAVE.

Creole accents are like French and Jamaican accents combined it's pretty rare for people to have the accent nowadays though and for some people it can be slightly different

You don't have to write out accents if you don't want to.

Which leads to my next point most people in Louisiana speak in AAVE (African-American Vernacular English) especially closer to and in New Orleans.

The farther away from the 1930s-1940s the character(s) are the less French they will naturally speak and put into everyday encounters. Most people in present day Louisiana especially in areas like New Orleans don't speak French and only add in what few words they do know or are still within common use in day to day conversations.

After this point it is random facts about Louisiana ⬇️

Why did people stop speaking French in Louisiana after this specific period of time?

Great question, the answer is that there had been a law put in place at the time, that declared that everyone had to learn English as it was assigned as the official language of the United States. From what I've been told by my grandparents the law makers cited that they wanted Louisiana to be more welcoming to tourists and the large incoming crowd of refugees and migrants as the reason for the law being inacted.

My grandparents stated that it was probably so that the refugee and migrant crowds wouldn't isolate themselves to only people who spoke their languages. In order to keep unsavory groups from forming (if there were any n@zis among the German crowd, other axis power supporters among the Italians or Japan's crowds as well) they forced everyone to learn English.

I don't actually know what this law was but my grandparents have talked about it since I was little. They were forced to learn English when they hit elementary school and my great grandparents were forced to learn English or possibly lose their jobs, in some cases they were threatened with arrest or their children getting taken away.

This created fear that caused parents to decide to stop teaching their kids French. When my parents were born my grandparents barely taught them any French and mainly taught them English. Rarely anyone in my parents generation could speak or understand full French.

Some parents didn't want to teach their children French only for them to never be able to speak it outside the house.

I also have a feeling that this law was also partially put in place because of Quebec, Canada as they fought for their right to keep speaking French and threatened to become their own country if forced to conform to English like the rest of Canada. So the U.S. was probably trying to stop that from happening with Louisiana.

Also New Orleans has been regularly speaking English since before the rest of Louisiana was mandated to, because it is a port and always has been. It's also been a high tourism area for quite a while as well.

What is the difference between Cajun and Creole ?

Creole means French or Spanish settlers that came directly from the "motherland" (France or Spain) originally this term was more or less used to establish elite status as most of these people were from rich families and paid a lot of money to secure their position in the new colonies belonging to France the term was extended to the Spanish when they had control over Louisiana.

This term eventually came to blanket over slaves and their descendents as well that were under the control of these people, the current Creole culture was mainly shaped by these families as well as the families of Haitian slaves and their descendents that were also brought into Louisiana to serve the Creole people.

This is where voodoo and hoodoo become a part of creole culture because the enslaved persons brought their culture and religion with them from Africa to Haiti and then to Louisiana when they were forced to change location again.

Creole people lived mainly in New Orleans and the surrounding area, most of them owned farmland slightly farther out from the city but lived in the city center while things were tended to by enslaved persons and a person or persons designated to watch over their daily activities

Creoles didn't just enslave Africans they also enslaved impoverished European using manipulation tactics, most of these Europeans became freed people before African Americans and at some point we're given their own slaves which kept them from revolting surprisingly but in surprisingly. Creoles enslaved Cajuns when they first got to Louisiana by order of the king and then freed them when they realized they knew how to farm but gave them their own enslaved persons.

Most Creoles now are African Americans and lead an intricate culture different from Cajun culture that is mainly a mix of French and various African cultures with a little bit of Spanish culture as well.

Creole food and Cajun food aren't too different but some Cajun food has okra bases as to where creole dishes have a tomato base for most dishes as it was an over abundant resource of the New Orleans area.

Cajun people are from a French group of settlers that were originally supposed to create their own nation in Nova Scotia, Canada. They were a bunch of farmers sent there for the purpose of creating an agricultural specific nation using Canadian soil and plants.

Their county was called Acadia and they were called the Acadian people, they technically were not ruled by the king of France and were their own nation, this in fact caused problems especially because they were a young nation and were composed of farmers with no military or combat training and little to no weapons.

With no support from the king or way to form their own military, England forced them to pledge allegiance to rather the king of England or the king of France so they knew where Acadia stood, Acadia asked for help from France, France refused because they were their own nation and they didn't want to pledge allegiance to the king of England

So in true English fashion they burned the nation of Acadia to the ground and forced the Acadian people to leave, the Acadians went to Louisiana in hopes that they would help, the Creoles enslaved them and stuck them where they believed the land was uninhabitable and they would perish because of the order of the king of France

The Acadians being farmers were able to pick up on how to properly farm the land after being shown by natives (my tribe yay) and when the Creoles checked on them and found them alive the king of France made them free people's and gave them land from Acadiana, their new area of living in Louisiana to the what is now the lafourche parish area.

They were given enslaved persons and were put in charge of helping make Louisiana's exports a larger market. Cajun culture and dishes come from a mixture of Acadian, native American and African culture put together with the resources of the area, these dishes spread to the Creoles and were changed to match the resources of the New Orleans area and imported goods.

Cajuns are called Cajuns because the English misheard the name Acadian and so everyone started calling them Cajuns.

Cajun and Creole today doesn't nearly have as many connotations as the past, it mainly just means your family is from this Acadiana area or from New Orleans and you're a descendent of one of these groups

Do Cajuns and Creoles have beef with each other?

Nope, any beefing is mainly joking, and is specifically about the differences in the same dishes between the two cultures.

Does it matter if someone is Cajun or Creole?

Once again nope, Louisiana is a big mixing pot of cultures so no one really cares, everyone loves celebrating the different cultures in Louisiana especially of the newer groups that have joined over the decades through immigration.

I only specified with Alastor because I've seen people call him Cajun when vivzy has stated multiple times that he's Creole.

Enough about Cajuns here's some info on Mardi Gras:

Mardi Gras is one day at the end of the carnival season.

It's on a different day each year because it is a Catholic holiday and goes by the Catholic calendar which changes every year.

Mardi Gras means "fat Tuesday" which is the Catholic holiday the day before ash Wednesday which is a day of fasting and sobriety.

You don't have to be Catholic to celebrate.

Even though it's a Catholic holiday all of the parades are based on Greek and Egyptian mythology

The carnival season is different every year and lasts between 1-2 months before Mardi Gras day, Brazil has a similar celebration at the same time called carnival as well for the same reason.

The carnival season is typically in January- February or March.

All bars close at midnight on Mardi Gras day once it hits ash Wednesday and very few of them are open on ash Wednesday later in the day.

There are family friendly Mardi Gras parades which are most of them and specific parades for adults, typically at night, please don't flash your boobs that's illegal and makes people uncomfortable, the adult parades mean that they might give out alcohol and beads or other float throws that will contain adult symbols like marijuana or nudity. Some of these they throw things like purses and shoes and that's why it's classified as adult.

Anyone can join the parade even people not from New Orleans you just have to pay a fee for whichever parade you want to be in to secure a spot on a float and buy the beads and stuff that you throw, some parade you have to have a specific amount of items, to be allowed on the float

Some people go to other parades to get beads and other stuff for them to throw at their own parades (my family does this with the radio station vans lol)

People on floats throw beads, plushies, party favors, hand clappers, cups, dablooms , recorders and other plastic instruments, bouncy balls, other types of balls, inflatables, candy, chips , ramen, hair clips, plastic swords and plastic tomahawks

Most of the balls for specific parades are closed events for people on the committee but there are masquerade and non masquerade balls and parties held across the city throughout the carnival season, there is even one specifically for Neuro divergent people.

There is a kink parade, that is called "southern decadence" it is a gay pride parade that focuses on sex, kinks, drag burlesque and finding people to hook up with this happens typically around august. If you tell people your going to a gay pride parade they will side eye you because they assume it's this one and not the family friendly ones that happen in June.

The only other parades outside of carnival season and pride are a Christmas parade (krampus), a Halloween parade and st Patrick's Day parade (Irish and Italian American heritage parade)

A king cake is basically a cinnamon roll log that doesn't get cut into individual cinnamon rolls and gets formed into a ring and baked then has vanilla icing with colored sugar on top. There is a baby inside but if you pre order it you can ask for the baby to be put on the side or not included at all. The baby means you buy the next king cake and you will have luck.

It's encouraged to wear costumes to parades but you don't have to, it does get you more beads.

Have a bag or something to put your beads in if you wear them throughout the parade it will be painful and it will get you less stuff thrown at you.

Other random things about Louisiana I think are important:

It's warm throughout the year because this is a sub tropical area, in the summer it is constantly between 89°-115° please don't put characters in long sleeves or tons of layers in the summer.

It rains a lot like 50% of the year it rains

Not every part of Louisiana is swamp

There is no deep woods of massive swamps in the middle of the city of New Orleans, there are a few in the surrounding area but those are an hour -hour and a half out of your way by car at minimum

Hoodoo is magic , voodoo is a religion they are connected but not the same thing not everyone that practices voodoo practices hoodoo and vice versa. PLEASE DON'T MESS WITH THESE RELIGIOUS OR MAGICAL ARTIFACTS WITHOUT SOME WORKING KNOWLEDGE OF IT OR CONSENT/ PERMISSIONS, PLEASE FOLLOW THE RULES IN THE SHOPS.

There are also many practicing pagans and wiccans in New Orleans same rules apply.

Yes there are second lines (marching bands for parties) constantly going through the city but most of them are for funerals don't join them unless you're told you can.

Most people from Louisiana have pretty bad seasonal allergies

There is way more to the city of New Orleans then the French quarter, the French quarter is only like 10 streets

We have a ferry that goes from Algiers (west bank New Orleans) to New Orleans proper (east bank, actually main part to the city) it lets out at the aquarium. There is another one that goes from Algiers to Chalmette (part of the greater New Orleans area)

The greater New Orleans area is the area around New Orleans where most of the people that work and hangout in New Orleans actually live, this includes Jefferson parish and st. Bernard parish. There is still a high population of people who live in the city itself.

Baton Rouge is the capital of Louisiana it is about an hour and a half west of New Orleans by car

People go to Grand Isle, Louisiana or to Biloxi, Mississippi to go to the beach

There is a water park outside of Baton Rouge called blue bayou that's really popular the other water park in the area is Jellystone but most people call it yogi bear because it's a yogi bear theme park

Fairs happen in Louisiana between May - June and then again in September - October

Around Christmas most parks have Christmas lights displays that you can drive or walk through or Christmas villages

People actually play jazz music on street corners in New Orleans, it's not every street corner and most of them are concentrated to being closer to the French quarter

Most bars have a mixture of live music and a dj more upscale places with stick to jazz but most other places have rock, hip hop, r&b, rap and bounce, closer to Lafayette they play zydeco more often then jazz

Louisiana is the state with the second highest gambling rate behind Nevada, there are multiple casinos in Louisiana and even private gambling clubs that you have to know someone to get into

Street cars are like busses on set rails, basically an above ground subway system. You have to pay a fee to ride and can find out the various paths that these take through the RTA (New Orleans public transportation) system or station

You can get electrocuted if you stand on the street car rails if the street car is close by and not stopped, if you see one coming towards you get off of the rails so you don't get hit it takes a little while to stop the car.

Hurricane season begins in May and ends at the beginning of November

People in New Orleans keep pet chickens and some of them just let them roam the neighborhood. So it's not uncommon to see a chicken walking around in a residential neighborhood

Some people in Louisiana have houses raised on stilts because of flooding, their are stairs to get to the house (I've had tourists ask me about this before that's why I'm mentioning it)

Yes we can tell when you're a tourist it's pretty obvious (typically it's because they try to hard to fit in or they wear beads outside of Mardi Gras and get drunk at 12 pm)

New Orleans is the largest city in Louisiana

You will find many different cultures in Louisiana not just Cajuns and Creoles because of immigration, these cultures are all very much celebrated in Louisiana

The most common non English languages spoken in New Orleans are Spanish, Vietnamese and Arabic as currently.

Here's some food from Louisiana:

A quarter of New Orleans (not the French quarter) smells like coffee because of the community coffee plant and during certain times of the year with strong winds the whole city smells like coffee

We eat red beans and rice on Monday's to honor deceased enslaved persons as they would typically eat red beans and rice once a week because they were only allowed to eat protein once a week. Not everyone knows that, I learned about this from Whitney plantation they might have information about it on their website. Not everyone eats red beans and rice every Monday or only on Monday's that's just tradition.

For creole version remember to add tomatoes

Seasoning blend is onions, red bell pepper, celery, parsley, and garlic

Jambalaya:

A dish where you cook down meat and seasoning blend and seasonings, typically the meat is chicken and sausage together then add rice and water into the pot and cook until rice is soft.

Sometimes people add cubed pork or beef, peeled shrimp, peeled crawfish, or other left over meats they have on hand.

Gumbo

A thinned brown stew with seasoning blend, at least chicken and sausage and seasonings, served over rice with fíle (a ground sassafras seasoning)

Other meats included peeled shrimp, peeled crawfish , deshelled or soft shell crab, and oysters

Cajuns sometimes add smothered okra Creoles typically add stewed / smothered tomatoes, I've seen some people add both it's up to preferences and family recipes.

Often served with potato salad

Étouffée

Peeled shrimp or peeled crawfish, seasoning and seasoning blend served in a cream shellfish flavored gravy served over rice

Sauce Piquante

Chicken, shrimp or catfish stewed in a mixture of seasoning blend, seasoning, Rotel , crushed tomatoes, diced tomatoes and tomato sauce, served over rice

One of few dishes that have no changes between Cajun and Creole recipes

Boudin

Rice dressing in a sausage casing, typically steamed or smoked

Cracklins

Extra crispy fried pork skins with some meat still attached covered in spices

Po-boy

Warm deli meats or fried seafood, sometimes in gravy on French bread (not baguettes) with mayo, lettuce and tomatoes

Sometimes has cheese, pickles or mustard typically left to customer preference on this one

Beignet

Square fried donuts covered in powdered sugar

Typically eaten with coffee, tea, hot chocolate or chocolate milk

King cakes

Cinnamon roll log made into a ring formation with vanilla icing and colored sugar on top, has a baby inside that means you buy the next king cake if you get it and good luck

Can have different fillings

Seasonal to January through March

Natchitoches meat pie

Pie dough filled with ground beef or crawfish baked into a hand held pie.

Sorry that this is so much information I hope this is helpful for people who want to write about characters from Louisiana.

Hope this helps @lifes-line sorry it's so long.

[fillinforlater]

On her jeans (Part 1 of 3)

Male Reader x Kim Minji

Length: 3128 words

Tags: backstory, sex as payment, degradation, all things blowjob: face fuck, deep throat, gagging, chocking, throat bulging, rough face sex, training, passive hand job, master/daddy kink, desperate_trainee!Minji

TW: Minji is selling herself here kinda (oh no)

Credit: @sooyadelicacies for co-writing this crazy series with me. Mad lad!

-Part 1- -Part 2- -Part 3-

(A/N: Hey you! I know you're reading this. Get ready for your favorite girls to get defiled one-by-one. Goon or go (or something like that, sounded cooler in my head). For everyone else, have fun!)

"Huh? Minji? What are you doing here?" 

Kazuha asks, surprised to see the still-trainee on this floor of the HYBE building, knocking on an unoccupied training room that she has nothing to do with usually.

"I-I came here to ask you about something,” the younger stutters. “I heard you were personally selected for LE SSERAFIM—and that there is some backer for your success. Even th-the group's scandal went away without a hitch. 

“Who is helping you, who is he?"

"What are you talking about?" Kazuha responds, face in scrunches. 

"I know that you know, Unnie," Minji says and catches the door before Kazuha can close it again. "I need answers, please. I-I've seen their plans, this is going to blow up, we'll be a failure, HYBE's loving stock.

"I can't fail this."

Kazuha looks at the determined young girl, her face loosening up a bit, turning from trying to defend her future spot at your side from a new rival to worrying for Minji. She curls her finger and Minji enters the otherwise empty training room.

"You have some dangerous knowledge," the Japanese woman then says. "Asking for this—I think you have no idea what you might get into."

"Doesn’t everyone say this about the industry?" Minji responds with wit and looks at Kazuha's sweaty body in the mirror. "Everyone always shares their doubts, from the moment you start. And now we are here, ready to debut. I know I have talent, but will it be enough?"

"You really want this, Minji?"

"Yes, Unnie, more than anything."

"How old are you?"

"Eighteen. Why do you—"

"I'll give you his number." Kazuha sighs deeply, but nonetheless, her words have Minji in a delighted dance. "I'll tell him that you are good, so be good, be honest to him. I'm doing you a favor here."

"Thank you so much, Unnie!"

"But be careful: he is greedy, he wants more than you can imagine, so be ready to give him everything. And also—" 

Kazuha pinches Minji's chin, tilts it towards her piercing eyes and whispers in the most kind yet threatening voice: 

"Never try to get between him and me."

# 

"Oh my—your concept, these plans. They are fucking terrible. It's going to take a lot to salvage this, even you seem to know that, Minji." There is no need for you to hold back. If you think a plan is bad, you better tell someone before they fail. You’ve seen your fair share of bad plans, but not by HYBE and not to this extreme.

"I-I know. I tried to tell them, but the managers just shut me down.” Minji puts her arms back on her thighs. They were just dramatically cast into the air to get her point across, but the young girl saw your unimpressed gaze and quickly got professional again. “They are running us straight into a brick wall."

"I've seen many examples like this. A lot of companies think they can do no wrong, especially when a lot of time has passed since their latest failure." 

You give Minji her tablet back and rest your chin on one hand, the other tapping the giant desk before you. You are deep in thought, at least Minji should believe that. Instead you are looking into her eyes, mariana trenches of passion, hopefulness, determination. Minji has a pretty face, leadership qualities, all the skills of a superstar but most importantly, she has some thick lips that will be perfect for cock sucking. 

Okay, you are getting ahead of yourselves. The other big thing she has is the willingness to trade everything for her dream, for hope, maybe for fame too. She will give her dignity for glory—and you will make her do it right fucking now.

"This is a difficult case," you say slowly, watching her expression shift a bit, not yet gloomy but getting there. "Luckily, I and HYBE still have the time and resources to make your debut a success. People will talk about it for a long time. I can even guarantee you a music show win from the get go."

"Really? Oh my God, thank you so much, sir. You are way too kind." Minji jumps from her seat and takes a deep, formal bow. "I hope I can lay all of this in your hand?"

"You sure can, Minji, but you know this comes with a price, a hefty one at that. This cannot be solved with two phone calls and some convincing. Hell, I barely have any time." You stand up from your chair and look at the young woman, upper body still tilted but her huge eyes fixed on you, now you’re in front of her. You still dwarf her and she only now knows that she is completely outmatched and will pay up.

"I-I will give you everything, as soon as I can," she stutters. "I only need some time and, and—"

"But I need it now, Minji. Right fucking now.

"Get on your knees."

"Sir?" Minji asks, shocked. "On my knees? Do-do you want me to beg?" 

You snort. “I thought you were smarter. What did Zuha tell you exactly?” 

“H-how did you know—?”

“Minji, what you're asking for requires a complete 180. Your entire concept will have to be changed. From what I’ve heard, you need some new songs too. I have someone in mind who can spearhead your group but she's a wildcard, batshit insane really, but the right kind of crazy needed for something like this. But all of this will take a lot of fucking effort, time and money. And I need you to prove your worth, now."

Push down on Minji's shoulders until she winces and sinks to the floor. Black tiles, hard, cold and somewhat reflective. You know that for a moment all of them hesitate when seeing the rough outline of their head mirrored back to them. Are they really going to do it? Is this what they have to sell? Is it worth it? 

Those that stayed are now superstars and because Minji somehow knew about it and had the guts to look for you, there is not a single doubt in you that she will devote herself to you.

"I can make your dreams come true," you proclaim calmly, yet your words put Minji under unbearable pressure. "Fame, money, success are all guaranteed, out of question, beyond that everything is possible. When you just stay there, on your knees and open your pretty mouth—"

A zip and your semi-hard cock is released, to the absolute shock of Minji, whose mental image of her face is replaced by the first phallus she has ever seen before her eyes. 

"—I'll fulfill your desires."

Minji looks up at you and gulps. She thought the auditions and training evaluations were the final tests respectively, but now her entire career comes down to this one huge cock right in front of her. She curses the producers, the managers, those idiots at Ador—their mistakes have to be redeemed by her sucking dick and lowering to the level of a desperate whore.

Minji has no option. Idols are born from hardship and this is just another step, she believes. So her lips part a little, and when she locks eyes with you, they part a lot more. With a satisfied groan, you shove your cock deep into her throat.

"From now on, you'll call me Master. Later will be Daddy, but not until you've proven worthy. Your next few weeks will be rough, new people, new songs, new choreos." The first tears form in Minji's gorgeous eyes as gags bounce through your office. "I don't care how tired or sweaty you are, when I call you, you come to me right after practice, no excuses. You will obey every fucking wish, especially because I have so much work with you."

You drag your balls over her chin, let your cock rest at the top of her mouth and open it wide. Minji is clumsy with her teeth and with the way she tries to dodge your thrust, be it intentionally or out of fear. This is of course vastly inferior compared to a blowjob from all those second and third gen stars you've made big after giving them your big cock.

The only redeeming, already great quality, are her lips. Natural, not a talent or skill. She'd be a lot better just not moving, not thinking, a fleshlight, but how should such a young woman know?

"I assume you're smart enough to understand all this," you tell her expectantly and pull out. Minji leans forward and coughs up her saliva on your floor. You grab her hair and pull it back, get ready to spit at her, but she has wit.

"Ye-yes, Master. Excuse my incompetence, I—you're so big."

"No crying? No regrets? Well, that's more impressive than your blowjob skills. How about you clean up your incompetence?"

You take a step back and pull her face down, down by the hair, onto the tiles where her spurts of saliva lay. Minji hisses out in pain, you know she stares down angrily, shocked at how rude you are to her. She grits her teeth—

"Yes, Master, sorry, Master."

—and begins to lick the floor, slowly and only with the tip of her small tongue.

You are mildly impressed that she adjusted to her situation rather quickly. It is the sign of a prodigy in bloom. 

"I am curious, baby girl. I was informed you didn't really set out to become an idol. So why put yourself through all of this?" You muse and question her. Minji's eyes widened a little, finally shifting from their bristling anger. "Oh, I know everything about you, Kim Minji. It is my job to know and then some. So tell me: what is your ambition? What is your desire?"

"Who doesn't dream of being famous?" Minji says, determination in her eyes which she has pointed at you like sharp, pointy arrows. "I want to be a star, the idol that all my classmates, parents, grown-ups have never seen in me. I want to show them how wrong they were."

"Too bad that even after joining the great and successful HYBE, you are about to be their first blunder," you taunt her and slap her forehead with your cock. "Good thing you're ready to suck cock for some adjustments of their mistakes."

Minji puckers her lips and a bit carelessly gets your cock back onto them, spreading small licks on your cockhead. "This is nothing, I know hardship."

"Oh, 

"You call this nothing?"

You tsk and slap her face with your cock.

"You know hardship? Do tell, Minji..." You grip her head and begin to plunge into her mouth. "Hardship? We haven't even started yet. I'm not even at full size, stupid girl!" 

You see her eyes widening as tears begin to form with your rough treatment. Thinking back to Minji's words, you read her well. People doubted her—you could too. She wasn't so different from the others you've trained. All they needed was education to rely on you, devotion to you and love for you and only you.

"Make sure to keep your fucking teeth off of it," you growl while your fingers search for new ways to pull at her hair, to push her away and then slam her back down on your cock which is finally hardening at the arousal her fearful face brings. The inside of Minji's mouth grows wetter, sloppier, warmer, until suddenly—

The annoyance of her teeth returns and it stings. To start with blowjobs has both been a disaster for your pleasure but intense fuel to introduce Minji to the harsh reality that is you; you and the success that you bring. Everything she has ever wanted, you can bring her, and so she fights trough the tears and accepts that you press her flat on the floor and fuck down into her mouth like it's a pussy.

"Open wide, open wide," you repeatedly command, a hand on Minji's jaw to help her make this command come true. "You useless slut, don't waste your lips on such pathetic blowjobs. Fucking hell, when I'm done with you, you better deepthroat like a mid porn star.

"Fucking waste of my time, you stupid stupid girl. This is the standard HYBE is accepting now? Fuck, maybe we can't even blame the company for your group's future failure—it will all just be on you. If you don't fucking step it up, this is the last time you will ever contact me." 

Gaze still intensely focused on her, you pull out your cell phone and unlock it. You don’t really use it for much, except for phone calls, but this alone makes this device insanely valuable. You however don’t need to make a phone call now. You only need to show Minji one thing: your contact list.

She can see you scrolling past the names of tons of people, all in the industry. Well known producers, managers, executives, staff members, but most importantly, all highlighted by a colorful array of yellow, orange, red and pink: 

The full names of hundreds of female idols. Minji scans through the list, recognizing one Unnie after the other, from nugu second gen groups to absolute super stars.

You pull out of Minji's mouth, give her time to cough up all leftover spit and wipe her tears away. Ultimately, you help her up from the cold hard floor, the only thing still laying on the floor is her pride.

"Do you get it now?" you ask and look at her, eyebrows raised with the highest of expectations.

"Yes, Master."

"Then you know what you have to do."

"De-deepthroat like a p-porn star."

"Can you do that?"

Minji hesitates, something you cannot stand for the love of everything. You grab her hips and throw her on your desk, spin her until her head is hanging off of the table. With no further warning, because she does not deserve those anymore, you press your cock on her lips and fill more than her mouth. Minji's throat starts to visibly bulge from the massive width of your cock. 

Of course she is gagging, kicking her feet but that isn't even a flight response. There is no need for you to pin her down. She wants to stay, wants to become a good slut, a stupid girl that can suck your entire cock. Sadly, her newfound eagerness isn't rewarded with success. She needs training and stretching and so you stretch Minji's throat with lazy thrust and train her nose to accept your balls on them.

"You're so silly, but finally, we have some effort, Minji," you growl and reach into the top of her shirt. "We can work from here."

You fondle her breasts, run your hands down her soft stomach. 

"Good, I can definitely work with this. You remind me of—" 

But you pause, not wanting to divulge any advantages for her to pick up on. She looks like an absolute fuck doll as her head continues hang off the table. Even upside down, it was pretty when stuffed with your cock, your balls now touching her lips with each plunge. 

"Minji, it's not enough to deepthroat like a porn star. You'll learn to deepthroat like one of my perfect sluts, whores. Porn star is a start, but it will soon be an insult to you.”

She had no idea that her consideration as a future perfect whore meant you already took a liking to her. As of now, all she knew—no, all she could think of—was your cock and that she needed to keep her teeth off of it. It needed to fuck her throat if she wanted any chance at a great career. 

And so Minji takes it, acts like a whore who willingly gets gag induced drool over her face, then fat, filled balls on her nose and accepts the greedy hands all over her midriff. Minji always thought that she needs this tight, perfect form for the approvement of the public—now it's you who decides if her body is acceptable and ripe for a fucking. 

Your seal of approval is the frantic way you tear open her shirt, then her bra and start to knead her breasts, while her tongue movements become actually enjoyable. You thrust harder, making Minji's face pale as she struggles to get air. She looks gorgeous like that, so you slap her tummy and before the choking is too hard, you back off and pull your pants up.

"That's it for today," you say as Minji still gasps for air. "From now on, you'll be here everyday after practice."

Short silence, disbelief in her eyes. "H-huh—yes, Master."

"The door will be open. Walk in and lay down on the table, just like this. You will wait until I return or have time for you. It doesn't matter what happens, you will lay there until I am finished with you."

"Yes, Master."

"A lot will change." You rub sweat and spit off her temple with a gentle hand and look at her glassy eyes. "You might not get any sleep at all. Now you will learn true adversity.

"Okay, fuck it. You don't deserve this, but I don't care."

Pull your pants back down and lower your balls onto Minji's mouth. This time, there is no hesitation, and she opens her fuckable lips wide. Her tongue starts to twirl around your sac while you begin to jerk yourself off. When Minji finally starts to suck, you feel a satisfying conclusion to this messy meeting arriving. But—

"Why would I do it myself? Get your hand here!"

You find one of Minji's hands and start to spit on each finger. Like a waterfall, it runs down until you deem it lubricated enough. Then you put them around your manhood and begin to thrust. It's a lot colder than a pussy, but Minji seems to instinctively know how to tighten the gap, the grip, her hand-pussy suddenly becomes worth cumming in.

Take a final breath and climax, each pump sending long streaks of pearly white on Minji's body. You cover her in seed until one long line, from her navel to her throat, forms and you admire how carefully she worships your balls. Wipe your cockhead clean on her hand and make a mental note to have this soft palm be a useful masturbation aid for another time.

"Who would've thought that you're already in love with my balls?" You almost crack a smile through your stone cold facade. "A good sign that you're already a whore."

"M-Master, I..."

"Shut the fuck up.

"Tomorrow, after practice. No underwear, no questions, no one is allowed to know."

[a-s-fischer]

That friend on another site that I told you about a while ago said that the feminists who first started worshiping Lilith did blame Western religious systems in general for sexism, but they didn't have any ill will towards Jews specifically. Are you willing to buy that?

I am very willing to say that the first 20th century feminists to bring Lilith into the conversation were not being antisemitic, because those feminists were Jewish. Their work is confronting, nuanced, and interesting. I don't always agree with their conclusions, but I certainly wouldn't call this examination of the place of Lilith in Jewish thought antisemitic or unwarrented.

However, almost immediately, once Gentile feminists (and specifically Gentile feminists of a Christian cultural background) got their hands on Lilith, it was a different story, and one that requires an examination of what is meant by "Western religions".

"Western religions" are contrasted with "Eastern religions", or more tellingly "Eastern Spirituality", a framing which posits two diametrically opposed worldviews and approaches to spirituality. This framing by its nature flattens such disparate traditions as Zoroastrianism and Shintoism, and applies what might be termed an orientalizing lens. It is, in other words, a bad model which expresses the biases and assumptions of its proponants, and leads to misunderstanding and bad scholarship, and also kind of racist. It was also a popular model in the mid 20th century.

It's important to note here that feminist spirituality and neo-Goddess worship were becoming a thing at exactly the time when a Western curiosity about "Eastern Spirituality" was hitting the mainstream. And because of a complicated stew of historical and cultural factors, almost all of these Western spiritual seekers approached "Eastern Spirituality" not as disparate living traditions, which are part of their own cultural contexts, and which are the traditions and worldviews of actual societies, which, as human societies, are far from perfect examples of enlightenment, but instead approached "Eastern Spirituality" as a single entity which could be stripped of context and turned into something to be consumed by a western audience, and also as the antidote to a spiritually bankrupt western capitalistic society. These Eastern teachings are just soooo enlightened, maaaan. This very much informed the framework of Western vs Eastern religions.

As for Western religions, this is a category I often see expressed in slightly different ways. I've neen this grouping called "Western religions" or even "Western religion", or Abrahamic religions (by which the speaker typically means the Abrahamic religions they have heard of, given that most don't seem to realize that there are in fact quite a few Abrahamic religions, not just Islam, Christianity, and Judaism) or sometimes it's monotheism or the monotheistic religions. These are all the same group, but the rhetorical focus is slightly different. Western religions are contrasted with Eastern religions or sometimes "non-Western religions,", monotheism with polytheism, and the Abrahamic religions with everything else. And a most cases, which goes up to nearly all cases where a value judgment is being made, what the person doing the grouping really means is "Christianity and the religions I assume are basically just Christianity." It's a framework that makes a lot of incorrect assumptions about what Judaism is, and assumes that anything the speaker objects to in Christianity is present in, and ultimately comes from Judaism. It's also a framing that by contrast assumes that these things which are bad about "Western religions" or "monotheism" are not broadly present in other religions, and are unique to Judaism and its descendents.

That last consideration is extremely important, because it's hard to argue that "Western religions" are responsible for x bad thing, when that bad thing is far from exculsively found in "Western religions" Most polytheistic traditions currently and historically have practiced some form of patriarchy. Worship of powerful goddesses does not seem to make these societies less oppressive for human women. Another popular argument I see is that monotheism brought religious intolerance into the world, but again, the idea that polytheistic societies are inherently religiously tolerant, and we have no evidence of religious persecution until monotheism came on the scene, is a myth. It's also with seeing these other terms for the same goup, and the comparisons people are using this grouping to make, that it becomes possible to understand why Hellenistic or Norse paganism, for example, are not part of the umbrella of "Western religions."

It's important to note here that it's a standard part of the Christian intellectual tradition that goes back almost to the creation of Christianity, that all the good parts of Christianity are from Jesus, and are "True Christianity" and all the bad parts are Jewish things that were insufficiently purged. Judaism-and-the-Jews-as-responsible-for-all-of-Christianity's-flaws is an old antisemitic trope, and one which has gained purchase among critics of Christianity globally.

The 20th century feminists who pioneered so-called feminist spirituality and neo-pagan Goddess worship latched onto an anthropological theory popular in the 19th century, that before the rise of patriarchy, societies went through a matriarchal, fertility, focused goddess worshipping phase. It's really really important to note here that by the time 20th century feminists got their hands on this idea, it had been already widely discredited. Anthropologists and archeologists no longer took it seriously, because after a certain point, it became really obvious that it did not fit the evidence.

Also in its original formulation it was really racist, as almost all anthropological theories popular in the 19th century were. See, the original idea was that societies progressed through stages, and that fertility focused matriarchal goddess worship was an early primitive phase, that societies passed through on their way to "higher civilization". The best and most civilized societies were (obviously) 19th century Western European ones, so societies closest to that were further along and more advanced, while societies further from that could be grouped according to which "stage" they reached.

20th feminists took this debunked, discredited formulation and flipped it on its head. Instead of matriarchal fertility-focused goddess worship being a phase societies passed through on their way to higher (patriarchal) forms of civilization, it was actually the natural state of humanity that we had fallen from, and needed to reclaim. It became a feminist Eden.

And who was the serpent in this feminist Eden, offering the fruit of the tree of patriarchy? Why, it was those first monotheists, the Ur-Abrahamic* religion, Judaism.

It's likely that a lot of the people reading this saying, hey, you are going way too far and reading way too much into this. Christianity is included in "Western religions", and nobody is being singled out, and that's a whole lot of well-meaning and progressive people that you are accusing of deliberate antisemitism. To which I say, I'm not actually accusing anyone of deliberate antisemitism here. I am saying that in a society where antisemitic tropes are a bulwark of the intellectual tradition, it's easy to accidentally and unconciously incorporate those tropes and narratives into any new, or not so new, ideas. As for whether Judaism was singled out, the fact that all these gentile feminists picked Lilith, a figure not present in Christianity, or Islam, but only in Judaism, shows who, consciously or not, they were holding responsible for patriarchy in "Western religions".

*According to the Torah, Abraham came from the city of Ur. This is a joke. I am very funny. Please take this opportunity to chuckle in a sensible and dignified manner.

[drdemonprince]

Read the cop post you reblogged. Apologies if I’m being too literal. I’ve had ppl break into my house before. What am I supposed to do in that situation? Shoot the person? Let them shoot me? Genuinely asking for an alternative bc I don’t want to call the cops ever. It just feels like it’s often ppl who don’t live in areas with higher crime who post stuff like that and it feels out of touch with the reality some are living in. Most ppl in my neighborhood don’t want to abolish the police. It’s white liberals, leftists, anarchists who get to live that out more. Idk if this makes sense, but would love to hear others thoughts.

I have also had people break into my home, I've heard drills run on my block multiple times in just the past year, I've witnessed multiple shootings, violent domestic assault outside my home, etc. I also live in a racially diverse area and speak regularly with my neighbors and yeah, a 70-year-old Black grandmother in Chicago is far more likely to be a pro-cop Trump supporter than she is to be a radical anarchist. Your average person of any identity group is unlikely to be an abolitionist or anarchist... because those are still extremely fringe political positions in this world. Now it is also experience that the majority of actually committed abolitionists are Black & brown people, but that doesn't mean a majority of people from those identity groups in general are abolitionists at all. The white leftie abolitionists...mostly aren't actually abolitionists in practice from all that I've seen. Give them a roommate who doesn't pay the bills and has a mental health episode and they'll wield the tools of the state just as readily as anybody.

And that kinda brings me to one of my questions. Has calling the cops worked for you when you have had to deal with a home invasion, robbery, attack, etc? I just mentioned this in another post, but in my case *threatening* to call the cops has helped sometimes. The existence of the police state as a threat did help keep my stalker from going further when he broke into my apartment. But when a person (especially a person in a non-wealthy, majority-nonwhite area) calls the cops, how often do they show up soon enough to be helpful? How often do they confuse the attacker and the victim? How often do they blame the victim and refuse to file a report? How often do they attack or kill the wrong person? How often does their presence escalate things and cause people to panic, causing more violence?

I'm not trying to be a little shit here, I know that the answer is not "100% of the time". Sometimes, in the present world, a person is overpowered and in danger and they have no support network around them and they call the cops and the sirens or the sight of big dudes with guns scares their attacker away. I have, once or twice, witnessed some version of that too. It didn't do anything to get the victim away from their abuser or prevent harm from happening in the long term, but it did cause people to scatter.

Of course the long term abolitionist answer is that we need community networks of support to keep one another safe, to prevent crimes motivated by need, to deescalate conflict, and maybe even to secure justice and safety by scaring abusers and rapists etc off. In the absence of those things formally existing, I think we should all do what we can to build those networks of support in our communities, and thinking about how we can address problems without using the police. I wrote about some examples of that I witnessed and lived through here:

I don't think there are many great options right now if a person is attacked. I know that I minimize my involvement with the police as much as I humanly can. Again, only you can decide for yourself what you believe, what you can do, what you need, what you think is right.

[bonefall]

I have a question about cows! Do you know if Holsteins produce milk with higher amounts of lactose? Because I know tons of people that eat dairy back in the home country but develop some strange lactose intolerance in the States, and I've been trying to figure out why. Thank you!

For a REALLY solid answer I'd need to know what your home country is so I could compare it to the US! There's a LOT of variation between the cattle and dairy production of different regions, from the sorts of breeds used down to the very way that milk sold on the shelf is preserved and classified.

As examples, Italy uses different preservation methods that assume the consumer is buying less milk at a time so it can be fresher, Kenya's market is mostly small producers using traditional open-pasture methods (though this is changing and please for the love of god do not move towards holsteins it's a fucking trap), India's milk mostly comes from native cow and buffalo breeds, etc.

But I can say for certain;

Holsteins typically produce slightly less lactose than other breeds because their milk is practically boob water. There are also studies that show that crossing cattle with holsteins makes their milk less nutritious.

Milk taste and nutrition is influenced by a TON of factors, including diet, exercise, mental health, and even time between milkings.

American food safety standards are terrible, and are about to get even worse because of the current administration.

Anecdotally, I've heard a LOT of stories about American milk making visitors and returning travelers sick. I can also confirm that milk in the UK just plain tastes better.

In fact as a personal story, here in the states I only ever buy Lactaid brand milk, which has lactASE added to break down the lactOSE. Regular milk here gives me problems when I drink more than a glass of it.

(store brand lactose-free milk works too, and is cheaper, but this is one of those situations where the off-brand stuff doesn't taste as yummy imo.)

While I was with my partner overseas, I was drinking regular whole milk from the regular convenience store with ZERO problems. Straight chugging it daily AND adding it to every cup of tea I had. I'm already a milk fiend here but I was a milk SUPERVILLAIN over there.

So I recommend trying lactose-free, to see if it works. I'm not even lactose intolerant, but it helped me.

There's also a budding discussion about a protein structure found in the milk of certain northern dairy breeds, including the holstein, called A1 beta-casein. This protein is extremely common in American milk, and there is evidence that some people have a negative reaction to it.

but PLEASE BE VERY CAREFUL WHEN YOU RESEARCH THIS TOPIC.

It's one of those nutritional subjects that's still being heavily researched, but snake oil salesmen and brain worm warriors are trying to turn A1 milk into the newest Hash Slinging Slasher. Y'know. The autism-causing, diabetes-making, heart-attack inducing boogeyman which is the reason why we should all be afraid UNLESS you buy my product.

SO, be very skeptical of the "health benefit" claims, and keep an eye on study bias with the knowledge that a lot of research was funded by organizations trying to sell milk without A1.

THAT SAID, a type of milk that's A1/A2 (has some A1 beta-casein) or A2/A2 (contains absolutely no A1 beta-casein) might help. MOST traditional breeds produce A2/A2 milk-- unless, of course, they were outbred to certain European cattle breeds. Non-cattle animals, like goats and camels, also produce A2/A2.

TL;DR

Try lactose-free milk or A2/A2 milk, those might fix the issue.

(Also this is NOT a raw milk friendly space. If anyone attempts to respond to this post with the endorsement of raw milk, I will unzip you throat to tail in front of all four Clans of the forest. Brainworm Bobbies DNI)

[radioactive-earthshine]

Hi! Im sorry if this is a silly question but I was wondering if you know what the Flash diabetes thing is? I've seen it around occasionally but never found out if it was a canon one off thing or a fanon group theory because on one hand I can kinda see it making sense although it would probably have to be re-worked to fit a speedsters bodily profile (in terms of their hyper-metabolism and all) but then on the other hand I'm reminded of the times I've read YJ fanfic and out of nowhere Bart is taking ADHD medication and I'm like.. he would not be able to take ADHD meds and actually feel a difference for more than maybe 3 seconds as seen with general painkillers and medication when he had the knee surgery with nothing. I just can't help but feel like, in canon, neither of these theories/situations would be possible but then again fanon is meant to be fun,, not serious etc. How do you draw the line?

Hello!

I have NEVER heard of it phrased as "Flash diabetes" but looking over the meat of your question it appears this is more about their metabolism, so I am approaching this as a metabolism question rather than a blood-sugar question.

When it comes to speedsters and their metabolism in the comics, it is very inconsistent and it honestly depends on the writer and what would be most exciting or inconvenient the most in any given scenario.

On one hand, the prevailing canon is that speedsters heal FAST. Their metabolism is so high they can get over broken bones, lacerations, even gunshots very quickly. We even have instances of them getting over drugs very quickly or drugs just not impacting them the way they should, because they metabolize them too fast for them to work.

The biggest in-comic example of this is Bart's famous knee surgery in Teen Titans v.3 when they were unable to put him under ANY anesthetic because his metabolism would negate its effectiveness.

Teen Titans (2003) #3

(Side note, the amount of laws broken in this scene would have probably shut that entire hospital down, licensees would have been lost, and Cyborg probably should have done jail time or at least been kicked out of the tower because holy shit the ethics.)

Teen Titans (2003) #4

This scene is one of the more poignant and famous examples of speedster metabolism being a medical foil as much as it is an advantage in combat and it is extremely dramatic.

We also have a more recent example of drugs just not working properly on speedsters, from Bart yet again in more recent publication history.

Young Justice (2019) #16

Sedatives or maybe even some sort of anti-psychotics only stayed in Bart's systems for so long before they wore off well before they should have and he was able to just leave.

If these are pushed out of his system prematurely, then it is extremely unlikely any ADHD medication would work on him unless they were specially made for speedsters which is not outside of any realm of possibility in a comic.

However... because these are comics and because these sorts of foils are variable and depend on whoever is writing them we also have some evidence that certain things do work on speedsters... but in heightened ways such as caffeine which makes no sense and yet...

The Flash (2011) #3

Barry had an espresso and got so hopped up and jittery he lost control of his vibrating for a while and ended up through multiple floors. How caffeine works on them, and in extreme ways, but other drugs don't, is something maybe a biochemist can answer which I am not.

We also have decades of publication going back to the silver age of Barry and other speedsters interacting with drugs, poisons, alcohol and them not working or not working properly and the above examples are just those I knew I could cite easily because I think about them a lot.

So returning back to the question of if ADHD medication would work... I feel like again in the comics they wouldn't work how they are supposed to unless they are specialized because even the caffeine did not work how it is supposed to.

But again this is fanfic and fanon so anything is possible and with this particular subject it wouldn't be too outside of canon to have ADHD meds work. Again any writer could also explain them as special speedster-strength medication then it is good to go.

I hope this sort of answers your question?

This is for the comics and the comics alone, no other form of media.

[babyseraphim]

1910's music: Edwin Payne style

Hi ya’ll! Friendly music teacher/opera singer here to answer a question that pretty much no one has asked (except me): what music would Edwin have listened to/enjoyed when he was alive?

I’ve separated this into three different genres (classical, jazz, and pop), so the entire thing is pretty long. I've also tried to give references for any additional information provided, but most of it is coming straight from my brain after years of music history classes, so feel free to correct me if I get anything wrong.

Classical Music

So, the first thing to know about me is that I’m a big pianist!Edwin truther, and I'm going to be talking about it a lot in this post. It was extremely common for families (especially wealthy families) to have their children train in some sort of instrument from an early age back then, so learning music was something that Edwin likely would have been forced to do.

There are some classical pieces that I have already heard mention of amongst the fandom, so I will stick them in the 'honorable mentions' section, but I want to feature some music that I haven't seen mentioned in conjunction with Edwin's character yet. 1. Erik Satie's Trios Gnosiennes (1893)

So, I've always associated the first three Gnosiennes with Edwin not only because they're so hauntingly beautiful, but also because they're rhythmically very different than a lot of other classical music of his time. The Gnosiennes are largely played in 'free time' (with no time signatures or bar lines), which is a bit unusual for the genre (though modern classical music has a lot more of it). Satie's music really pulled away from a lot of musical customs, spurning traditional forms and tonal structures in favor of more creative options, and I think Edwin would have really enjoyed it.

Edwin's possible interest in breaking musical customs will come back a lot throughout this post, but given that he is often characterized as going against the social grain (whether he was trying to or not), I think he really would have enjoyed Satie's works as a whole. However, Trios Gnosiennes just really speak to me for his character.

2. Igor Stravinsky's The Rite of Spring (premiered in 1913)

The Rite of Spring was a Russian ballet that Stravinsky was commissioned to write for the Ballet Russes company. The work was known for its dissonance and barbarity, and the dancing was described as 'jerky' and 'hedonistic'.

Now, do I think that Edwin would have particularly enjoyed the sound of the the Rite of Spring? Maybe not, but I imagine he likely would have respected its departure from the musical decorum of his time (the piece later went on to be considered one of the the earliest examples of modernism in music). The first public showing of The Rite of Spring caused the theater to break out into a riot partially due to the fact that they thought the music/dancing was a work of blasphemy, and I just think Edwin would have found that hilarious.

3. Gaetano Donizetti's Lucia di Lammermoor (1835), particularly Spargi d'amaro pianto (the famous 'mad scene' aria)

I don't think Edwin would have been a fan of opera as a whole, but I do think that this work's entertaining twists, literary origins, and technically challenging composition might have caught his eye (I even went so far as to sing through this aria a few nights ago because I was curious, and yeah, its really fucking hard).

Lucia di Lammermoor is a tragic opera based on the 1819 novel The Bride of Lammermoor by Walter Scott, which was based on the real life story of a woman named Janet Dalrymple. Lucia was performed at the Met nearly every season from 1903-1972, and I imagine that if it was doing well in America, it must have been doing numbers in Europe.

Honorable Mentions - Claude Debussy's Clair de Lune and Deux Arabesques - Frédéric Chopin's Noctures (particularly Op. 9, No. 1) and Études (particularly Op. 25, No. 11) - Erik Satie's Trios Gymonepdies

Jazz Music

So, this is where my pianist!Edwin headcanon starts to diverge from the pretty much all of the other music-related headcanons I've seen.

Technically speaking, 'jazz' as we know it didn't really exist when Edwin was alive; he died literally one the cusp of the the Golden Age of Jazz, which is a huge fucking bummer. Jass (as it would've have been referred to in the 1910's) mostly consisted of ragtime and early blues, and was considered to be a 'fringe' style of music (pretty much entirely due to racism). As far as acceptability went, being a teenager with a love for 'jass' in the 1910's would have been the social equivalent of being a teenager with a love for ska or punk music in the 80's (the parallels!!!)

I think its pretty well argued within the fandom that Edwin is a bit rebellious when it come to authority and societal standards, and even though I think he was probably less of a little shit while he was alive, there's no way he was just totally fine with living inside the lines. I posit that, as a rebellion, he would have spurned classical music and became a ragtime pianist (which was one of the main precursors to jazz as we know it today). I actually wrote a fic about this way back when I first joined the fandom, for anyone who's interested!

1. Scott Joplin's Sugar Cane Rag (1908), Fig Leaf Rag (1908), and Paragon Rag (1909)

Scott Joplin (the King of Ragtime) was the most famous ragtime pianist of all time, and one of the driving forces behind creating the jazz genre as we know it. I guarantee that you guys have heard his most famous song, The Entertainer, at least once, and have probably heard his Maple Leaf Rag as well. If Edwin was into ragtime, then its a sure thing that he would have been a big fan of Scott Joplin's rags. I picked the three that I thought suited him best.

2. James Scott's Frog Legs Rag (1906) and Sunburst Rag (1909)

James Scott was also a famous American ragtime composer, and both of the listed songs would have been released when Edwin was pretty young. He probably wouldn't have been old enough to play them for a few years, depending on his training, but thinking of a little 12 year old Edwin learning to play these (as well as Scott Joplin's rags) in his free time just fucking tickles me. I love it so much.

3. Davy Peyton and Spencer Williams' I Ain't Got Nobody, recorded by Marion Harris in 1916

I Ain't Got Nobody was an early jazz standard from 1915 that eventually developed into a multi-genre standard (meaning that it was considered a standard for multiple genres, ranging from jazz to pop to country). I don't have a lot of reasoning for this one other that I think that Edwin would have just really liked Marion Harris' voice.

Honorable Mentions - Euday L. Bowman's Twelfth Street Rag (aka the Spongebob song) - Artie Matthews' Weary Blues

Pop Music

So, a disclaimer here. My music degree required me to take jazz and classical music history classes, which did not cover pop music of the 1910's, so I have fewer historical insights to offer about this genre. However, whenever I think about these songs, I always picture Edwin listening to them through a phonograph while doing homework on his bed, like a teenage girl listening to Sabrina Carpenter or Chappell Roan while studying (I know that's silly, but I think its just such a fun visual). 1. Leo Friedman's Let Me Call You Sweetheart, recorded by the Arthur Clough in 1910

Let Me Call You Sweetheart was one of the highest charting songs throughout the early 1910's, and the most popular version was recorded by a group called the Peerless Quartet. Edwin doesn't really strike me as a quartet enjoyer, though, and this version by Arthur Clough was released the same year. I think he would have enjoyed the tonal quality of Clough's voice much more.

2. Grace Le Boy's The Good Ship Mary Anne, recorded by Nora Bayes in 1914

Nora Bayes was a very famous vaudeville performer of the 1920's, and lot of her biggest hits were recorded shortly after Edwin died (like, literally 1917-1925). I wrote a snippet for a fic that got left on the cutting room floor a while back about the song itself providing a positive association with the term 'Mary Anne', and I still stick by that. In this song, the name 'Mary Anne' only refers to a ship.

3. Irving Berlin's Alexander's Ragtime Band, recorded by Arthur Collins and Byron G. Harlan in 1911

So, this song could technically go under the jazz section, but I'm going to put it here, and I'll explain why. Jazz is an art from that was created and popularized by black musicians, which is why it was seen as such an undesirable art form for such a long time. People liked the music, but they didn't like that it was made by black artists. Alexander's Ragtime Band originated in Tin Pan Alley and was one of the top charting songs for much of 1911 (first in America, then overseas), but it was created by a white artist that was simply 'jumping a trend'. Strictly speaking, genre-wise, its not even a ragtime song—it's a march. It's just about ragtime.

I honestly don't really even like this song that much, and I'm not sure Edwin would have very strong feelings about it either. However, it was an extremely pivotal song for the time period, and likely would have been inescapable (or as inescapable as music could be back in the 1910's, given that music required either records or live performances). Think of it as the equivalent of a pop song that you could really do without, but its so popular that it keeps winning awards and playing in every Forever 21 and H&M within a ten mile radius.

Honorable Mentions - Gus Edwards' By the Light of the Silvery Moon, recorded by Ada Jones - Percy Wenrich's Moonlight Bay, recorded by Dolly Connolly

~~~~

I hope you guys enjoyed this! I also made a playlist, if you'd like to take a look (I couldn't find all the songs, and not all of them are time period accurate, but I tried my best).

If ya'll liked this, I might make one for Charles and dive into ska and Rude Boy culture a little bit. Feel free to send me any questions or ideas you have about all this stuff, too! I love talking about it.

For the people who asked to be tagged: @likemmmcookies @edwinspaynes @asnottoldbyginger @rexrevri

@l-nightmare @ricebees @aroacespacerock @haledamage

(plus i'm tagging you, @laiqualaurelote, because I feel you would appreciate this)

[pleasantspark]

VivziePop might be a (Neo Nazi) and here's why.

Disclaimer

I usually don't make high claims about these types of things and this is actually based on vibes I got, until she properly actually comes out with a explanation these are mere speculation and not concrete.

This is a more transcript coded post for my upcoming video and series I will be making titled the VivziePop Chronicles.

Now if you disagree or find this completely false it's fine. But I'm no Lily Orchard who based things off of ONE thing that they created in the sense of coincidences.

Once again. Here's a reminder to not send hate to ANYONE talked about.

What are Nazis

Nazis are a hate group symbolized by specific hate towards Jewish people in particular. They are a group of people who mainly hate on everything but their own kind.

Led by Adolf Hitler. Nazis had committed grave crimes in the name of being seen as superior to the Jewish Race. Sending Jewish people to concentration camps where they were either gassed or straight up experimented on.

There was some Jewish people that escaped before Hitler did anything and or hid (The well known case in Anne Frank.)

But as of now Hitler is dead and had committed suicide. But don't let that fool you. Just because the main ringleader of this extreme hate crime is dead doesn't mean Nazi symbolism had died out.

What are Neo-Nazi's?

Neo-Nazi's are a hate group subgroup of the main Nazi's, the reason why it's called Neo-Nazi's is to seperate the main group from this group. Neo-Nazi's are Post-Nazism and wanting to bring back that sentiment thus neo-nazi.

An example of a Neo-Nazi is the Furry Raiders, a group lead by Foxlr Nightglove who (and I shit you not.) has an armband of a paw.

Neo Nazi's oftentimes spreads racist, sexist, xenophobic and uses harmful rhetroic in order to insult the people they hate, this and combined with the Alt-Right makes a terrible mix.

Incident One: Nazi OC's

In around the early 2010s Sausage Party took everyone by surprise. People assumed (if they never heard of it before or atleast saw the box cover.) that it was for kids but when you open it and placed it in the disk tray, you're in for a surprise.

Sausage Party is an ezample of "Animation is for everyone." so this relates to VivziePop, around that time. I presume possibly before or during Sausage Party's release, Viv created the Nozz-Arts Blog.

Currently, the Blog was not archived but images made during that time we're screenshotted. Such as:

(Note the art trade she did with this person is called and I kid you not, ihatejewce.)

Then to tie it all here's something I found that compared the two.

And finally here's her talking about the Sausage Party Studio.

Before you say. "Oh this has happened ONCE!" well...

Incident Two: Mimzy and Confrontation

Around the time of the full release of Hazbin Hotel, a Jewish User had decided to speak out against the blatant Anti-Semitism. Posting information about Viv's obvious anti-semtism and (releasing the screenshots regarding NozzArts) and pointing out Mimzy being an offense charactiure on Jewish People (Not to mention Rosie who is a jewish stereotype that is a cannibal.)

(Also as a bonus have a yellow racist charactiure of Niffty.)

Another thing that people seldom doesn't realize is Mimzy's design BEFORE the integration into Hazbin.

This is her current design.

Old Design.

Viv has responded to the Allenazations by stating:

She was uncomfortable which is BS, because she doesn't care about people being uncomfortable so why should WE?

Incident Three: "Subhuman"

The final nail in the coffin was Viv liking a tweet that referred to Criticals as "Subhuman"

Before you ask why it's linked to Nazism, here it is.

These things are limited but not include:

Mentally Disabled People

Handicapped People

People who don't fit Hitler's Critera

Speaking of Hitler's Criteria, this might be a stretch butttt.

I've noticed the red and blonde things too often and I realized that most characters (I.E. Abel, Lilith, Charlie and Lucifer) all have blonde hair, Lucifer and Charlie has red eyes, and what's a inverse of red?

Blue, and when you put blonde and blue together?

Hitler. He loved them.

But then again Viv couldn't have done this shit on purpose because everyone KNOWS Color Theory and it's awfully close to Blue.

Conclusion

This is an allegation, not a full scale proof she is one, but as I say

"Once is by chance. Twice is a coincidence. Three times is a pattern."

You don't wake up one day and decide to unironically make a Nazi OC, you don't decide to subconsciously make a character be obsessed with money, have a tattoo of Mammon (Symbolism of greed and also whose fat, considering OG Bible's Jewish then we can also count that as Anti-Semitism) and blantly say she's a chicken and you certainly DON'T just like a tweet calling most of the critical (Some are Jewish and Mentally ill) subhuman. You tried to save face by stating all those bad guys cease to exist but we all know that's false, now is it.

[amerricanartwork]

Since I've drawn Gourmand quite a few times as of recently, I realized I wanted to get a bit clearer on his volumes. Specifically, I wanted to know each of the separate parts of his body and a clearer reference for the flow of it all. So, since I'm realizing I quite enjoy making visual note pages working out the particularities of characters' designs, I spent some time yesterday making this ref for him! Feel free to use it as well, if you'd like!

Also, since it's been on my mind recently, there are some longer thoughts of mine on character design down below!

-.-.-.-.-.-.-.-.-

After doing the iterator silhouettes, I'm realizing that, in addition to shape language, there's another element I find important which I'm going to call "shape rhythm" for now. Rather than the basic shapes a character is made of, the rhythm refers to how those shapes flow into each other to guide the viewer's eye along the character. I've said before that I enjoy pleasing shapes, so by extent I enjoy when a character has a nice, pleasing rhythm where all of their features flow into each other really neatly!

There's also this other term I use called "weight distribution", that I think is useful too! It's basically where the mass of a character is focused and what it might show or symbolize. I also wanna specify it doesn't necessarily have to be actual, heavy mass too; I'm more so using "weight" to describe the size of things and how much volume they appear to have. For example, if a character wore a big, baggy jacket and had thinner legs, I'd say the "weight" is focused in their upper body, even if the jacket itself isn't literally heavy and their actual upper body underneath is also thin.

Even characters with more extreme body mass, like Gourmand (or Five Pebbles, as I imagine him), could still have the majority of their weight centered at a specific point. This could show what feature that character uses most often, what they think is their most valuable asset (both literally and in terms of what that feature may represent), or perhaps what the people around them notice about them first. Alternatively, you could also hint at a character's internal traits through what parts of their body don't have a lot of mass or emphasis, and perhaps show what they use very little or what is ignored about them. I think what isn't very prominent in a character design could show just as much about who they are as what is very obvious and noticeable about them.

Playing with the distribution of weight and combining it with how each feature guides the viewer's eye to another I believe can be used to make more pleasing character designs, since these elements together can imply a natural flow of energy from one point to another that can be pretty cool to look at, if you ask me! And then again, I just love how it can be used symbolically too, showing what's significant both through what is and isn't given lots of emphasis!

Now, technically, both of these could be considered sub-categories or elements of shape language. Regardless, I wanted to talk about them because I've recently come to the discovery that they can be quite influential in-and-of themselves, and I think they go beyond the general explanations of shape language I've heard so far, to the point they deserve their own terms. I at least am definitely gonna be using them going forward!

-.-.-.-.-.-.-.-.-

If you read all of this, thank you for checking out these ideas! What are your thoughts on these concepts?

[10underoot2]

Character Study - The chilling warmth of Haein

Haein is a really misunderstood character. She has dark humour. She cares immensely but doesn't show it very openly. She hides her feelings cause she doesn't like to be vulnerable. She's very quick to say things that protect her emotions and she bites with her words just to protect herself. But all of this assertive feistiness comes at a cost. People tend to misunderstand and write Hong Haein off as mean, rude, cold and difficult to live/work with.

Her personality and tendency to appear uncaring has a lot to do with the lack of warmth she received by her family especially her mother. When she meets Hyunwoo she's no different, she puts on no pretences. Over time she warms up to him and shows him her softer more vulnerable side - all of which I'm sure aided in him falling for her deeply. But then that damned chasm occurs, and Hyunwoo much like the rest of the world forgets Haein's soft heart and soul that live underneath the iron clad armour she wears. It hurts me when I think about the pain she experienced realising she's misunderstood even from the man who once showered her with unyielding love and warmth.

Some incidents of Hyunwoo misunderstanding her are so interesting:

- The scene where Haein requests/orders Hyunwoo to accompany her to the hospital.

I love that it was shot from both perspectives. In her mind she sounds extremely soft and worried. It was a request meant to be delivered that way. I'm sure Haein couldn't register what her tone was because her intention were so soft. Why would he reject my request, He's free I'm just asking him to accompany me? But Hyunwoo had just heard about the will. That paired up with the continuous blows he's received the past two years were too much for him to take a moment and understand that this is how she's always spoken.

-The rain scene after their Yongduri night stay (I hold the belief that Haein did indeed often wait up for him).

Haein says: 'I really wasn't waiting for you.' to which Hyunwoo replies 'I know better than anyone, you're not the kind of person who would wait up for me.' In the scene you can see Haein slightly taken aback and offended by that. Because she is the kind of person who waits up for him. Her offence seems so justified. Because why can't Hyunwoo of all people see the real her. When did he forget to understand her? It must be so hurtful for her to think Hyunwoo's forgotten how warm she was with him. I imagine she used to wait up for him before the miscarriage but here she's listening to her husband say she's not that kind of person. (That little scene where Haein sits on the sofa waiting but Hyunwoo chose not to ask her if she was okay is my evidence! There was a post on this as well a while ago!)

It's also evident in her desire to run a hand over his shoulder to remove the dampness there. Her screaming at him to hold the umbrella properly. But he's so oblivious and deaf to her love that it hurts to witness.

- The bar after their day at the Lavender field in Germany at their honeymoon

Haein smiles and says, she wasn't angry after he told her that he had noticed no one else and that his eyes were only on her. But Hyunwoo remembers her being angry for another two hours. This scene was such a small example of it. What if Haein's anger did immediately dissipate but Hyunwoo just interpreted it as her still being angry. I can't offer any evidence as we don't see this scene but their different accounts make me think what if she was just feeling down but he assumed it was a continuation of her anger.

There are so many other examples sprinkled throughout the show as well. I started off really disliking her character but I've grown to really appreciate it. Because once you see how warm Hong Haein is in love, you'll see just how fierce, loyal and undying her conviction and mind is. She'll show and tell you in the most beautiful ways just how much she cares without ever telling you she loves you. She's not cold, she's just misunderstood.

Unfortunately though, life isn't a drama. So when people like this do exist, they tend to be written off as cold, harsh, unlovable. Humans have the potential to be infinitely complex creatures which is why it's been so interesting to see Haein's multi faceated character these past 8 weeks.

Just an additional thought: I also love the difference between Haein and Hyunwoo's business ideologies. Haein is sharp, to the point, efficiency, money and loyalty oriented. While Hyunwoo is soft, caring, warm and people oriented.

We see Hyunwoo's ideology against his father in law. When the FIL wanted to stab his long serving employee it was unfathomable for Hyunwoo. Hyunwoo's ties with the past employees of Queens got him so much information and support. His logical request to the manager of maintenance to make it snow comes after a long, good relationship - it's pretty evident in that scene. I loved how the show displayed Hyunwoo's ability to make deep and good relationships and how it ended up helping them to get Queens back. It's a hugeee contrast to how things run in the Hong Family. It was very fresh to see him show from his actions 'You can be nice and still get the job done'.

But even Hae-in's contacts, though acquired differently, are just as instrumental. The employee she took a stand for, the juice guy and Secretary Na. None of them would call her warm or soft but they would sing her praises if you ever ask them. It's such an interesting parallel between their characters. It also goes to show Haein is a good person, she just tends to show it very selectively and rarely. I do think the 1 Trillion club made her think of only money and efficiency for a while, but I still do believe she had been doing good away from public eyes, changing people's lives - it's just that no one was there to witness or publicize them.

[devilstrapinthepanicroom]

I'm so extremely tired of the fuckass take that there needs to be no resolution to Cas's confession. I'm completely serious when I say that every time the writers/actors repeat this, we as a queer community get pushed back decades in terms of representation.

For the sake of clarity and self-preservation, I'm prefacing this by mentioning that I'm a destiel shipper and that I love both Jensen and Misha. This is in no way meant to bash Jensen, but I can't ignore that I've seen a lot of con clips lately that have been burrowing under my skin and it's been sewing seeds of discontent. Simply put, Jensen is just being used as a singular example here of what I'm trying to convey.

"It doesn't need to be talked about," and "Dean accepted it, he took it in, it doesn’t need a resolution," are Jensen's favorite way of skirting around the destiel issue when he's asked about it at conventions. On the surface, it's the perfect non-answer. There was a love confession, one character wasn't able to react at all due to Reasons™, and now everyone can be happy because it's finally out in the air (just don't ever talk about it again because we won't acknowledge it). Alright fine, it's not the worst thing that could've happened with Dean and Cas.

But there's something about the wording of "resolution" that sits wrong. The words resolved and reciprocated are not interchangeable, but that almost seems to be how Jensen and the writers use it. "It doesn't need to be resolved," and "It doesn't need to be reciprocated," have two wildly different meanings. It would be okay if Dean didn't reciprocate Cas's feelings, because that would just be Dean. Yes it would be disappointing, especially considering how the entire last seasons were building up to the confession, but it would at least provide some closure for Cas right before he died. For Cas to know that he was heard and understood, that his feelings were validated despite Dean not feeling the same way.

But that's not what happened. Cas's confession was never resolved. Meaning, he as a character and we as an audience both never got any sort of closure for the 11 season long build-up of their relationship. Cas laid his flayed heart bare for Dean to see, in his most emotionally vulnerable moment throughout the entirety of his time with Dean, and Dean didn't react at all. There was no concrete confirmation one way or the other that Cas's words had reached Dean. There was zero reflection from Dean on his how his relationship with Cas evolved over the years, radio silence on how he felt about knowing he changed Cas's life, and there was even no acknowledgement that Dean took his confession seriously. For all the audience knows, Dean could've dismissed everything that Cas had said with romantic intent as a brotherly love, and if there's room for doubt then there is no true resolution.

To this day, a significant portion of the fanbase writes off the confession as platonic PURELY BECAUSE the scene itself had no closure. Even a simple difference such as changing "I love you," to "I'm in love with you," could've allowed for a more shocked emotional reaction from Dean, and Cas would be positive that Dean understood his true intentions. But Cas can't be positive that Dean knows. And it’s horribly invalidating. It's heartbreaking. Cas had died not ever having a response or acknowledgement to the love that killed him.

And the lesson the he, and we as the queer audience, are supposed to take away from this? Be grateful because at least you got to say it. You should just be happy that you were even allowed to express your love. You shouldn't expect to have your feelings validated in any capacity if you're queer.

You can say I'm exaggerating but I'll leave these lines and you can interpret how you will:

"The one thing I want is something I know I can't have."

"Happiness isn't in the having, it's in just being. It's in just saying it."

The general spn staff's attitude towards Cas and their queer audiences here is just deflection, manipulative gaslighting, and the barest minimum amount of representation they could spare without becoming "woke". And I'm done pretending that this was a breakthrough for queer fandom culture when in fact it's just vaguely shitty.

[tobydandelion]

Disabled Villainy isn't Ableism, it's Realism, or; Some People are Wrong about Nessa.

[Some 'Wicked' stage musical/Movie part 2 spoilers]

So I've been seeing a lot of takes about Nessa, (mostly on YouTube since that's the best social media platform for my current neurological needs), and there's a somewhat common one that I have the strong urge to dispute into the void. Some folks seem to misunderstand Nessa's role in the deconstruction of 'Evil'.

The Wizard is Systemic Evil, Glinda is Complacent Evil, and Nessa is Socially Traumatized Evil.

Because Wicked isn't just deconstructing society's perception of evil, but also Evil in practice- which comes from not only bias, misunderstanding, apathy, and greed- but also, the cycle of abuse. And a lot of disabled people don't like to hear this, because there's that lovely statistic that we can point to that says we're "more likely to be victims"- and that's true of abuse that reaches the level of criminality- but I dont think that's true of day-to-day, average, 'just plain mean' abuse. That kind of abuse is a learned behavior that comes from trauma. And, emotional neglect from your peers is trauma. Feeling like a burden is trauma. Watching all the other children playing and feeling left out is trauma. Being made to feel different over your entire life, is trauma.

Nessa isn't an ableist character, she's realistically Borderline for being disabled in a world without Dialectical Behavioral Therapy. Her character literally feels like she was written with BPD/NPD in mind- lashing out the most when she's feeling abandoned by a person she perceives as "hers", feeling the need to control the people around her, not caring how she hurts people in the process of that attempt to control their affection- she's literally my ex wife. They're both very extreme examples, but, with an understandable pathology. And the less extreme version of that is someone a lot of us need to actively fight against becoming every day. It's not fair that that's our burden, but it is. It's the thick line between healthy self-loving disabiltyPunk, or just being a dick. And it's a part of our extra personal labor that 'Entitles' us to an extra amount of grace that I don't think I'll ever really be able to properly quantify, because that line can be hard to see in the heat of the moment, through years of gaslighting and guilt and shame and resulting internalized ableism that we have the urge to fight against. The only way we can really see that line is in hindsight.

And while media that more thoroughly deconstructs this cycle is neccessary, so is simple media like Wicked. Especially in the context of an example of another traumatized marginalized character who made the decision to start actively trying to follow their ethics over their emotions despite their trauma. And, once again, the solution isn't limiting the options for marginalized characters, it's just making more marginalized characters in general.

A lot of folks also take issue with the entire concept of depicting disability being 'cured' in media at all, but, and thankfully I have actually seen this rebuttal: nothing about her life gets better once she becomes abled. And that's because she still has all that trauma from those years of severe marginalization that resulted in ostracization and feelings of powerlessness. She's still disabled- just only neurologically so, now. This is a terrific example of how different disabilities can intersect, and be exacerbated, or even created, by the neurological impact of marginalization.

In fact, that brings up another criticism that I've heard- that the characters are realistically ableist... in a society falling to fascism... in a story all about marginalization. I'm pretty sure that's intended, you guys.

Maybe I'll turn this into a script to film for shortform content next year when Part 2 comes out- I hope I'm out of Postpartum Depression by then. But I couldn't get this out of my head until I got it into words this morning. I think that's probably a good sign I'm starting to feel more like myself. Thankfully I had time to sit down and rock and type this morning, since my partner is taking care of our baby in the other room right now. (Not just babysitting, either- he's washing bottles.❤) He's 6 months now, and the most beautiful, funny, amazing person in the world. Meeting the new version of him every day as he gets stronger and brighter has been the light keeping me going. And we're already doing PHONICS. 💪🧠