#no one can live up to fiction

[hanniesunshine]

I love fictional characters they will never let me down and they’re safe to fall in love with

[vasito-de-leche]

;R1999 FORGET ME NOT - General Headcanons

Compilation of headcanons and analysis on Forget Me Not as a character and other related things.

this post was brought to you by me, procrastinating on the second part of the Cover analysis and those yandere Pavia headcanons, and ALSO because mister lawrence cavendish jr is the second target for my brainrot

warning for suicide and self-harm themes!

On the subject of Forget Me Not's name and past.

It's Lawrence Cavendish Jr. Forget Me Not's real name is confirmed to be just that, as seen in this specific excerpt:

"Cavendish Jr, who was still alive and once sat in front of you [...]" which alludes to the dinner Vertin had at the Walden with Druvis III and Forget Me Not, and "'Forget Me Not', what a hilarious, stupid name". I only included this because I've seen people wonder about it.

What I mean to tackle in this point is the relationship between Forget Me Not, his origins and his current chosen name. Despite his calm and collected appearance, it becomes clear that Forget Me Not is one hair away from becoming entirely deranged, especially when confronted with the possibility of getting revenge. But why is Forget Me Not so focused on revenge specifically?

His backstory is not as openly laid out for us to read, but we can gleam some bits and pieces from all the documents and dialogue he has. To understand Forget Me Not, we also need to look at Druvis III.

All throughout chapter 02, we see parallels and connections being drawn between Forget Me Not and Druvis III - both of them appear to be extremely aloof, cold and collected, only to be revealed to be very emotional deep down, for better and for worse. Druvis III is initially defined by the neutrality and inertia that comes with being stuck in the past, while Forget Me Not is initially defined by the neutrality of the Walden and his ties with Manus Vindictae, an organization that rejects the future.

Druvis III is a disgraced, fallen noble whose life wasn't ruined by the fire that took her family, but the perception the world had of her, an image they forced onto her due to their hatred towards arcanists. And Forget Me Not has a family surname "buried in the dust, shot dead in history". A disgraced, fallen noble implied to have struggled with poverty, battling hunger and suicide countless of times. In the "··· Formula: 1920s" document, we can see a few pieces from various people and their opinions on Forget Me Not from the Big Mouth Bulletin. 3 out of 4 want him dead or think of him as a monster - entirely because of his existence as an arcanist.

The similarities are obvious. Hell, both share the theme of flora and plants, too. There is an even more subtle dynamic here too, alluding to the game's prominent religious imagery - Vertin's suitcase being compared to an ark that will brave the "Storm", the last supper moment, Arcana's offering, the orange, being a replacement for the apple of Eden...

And then, Forget Me Not association with snakes, rumoured to have a body covered in scales, with an arcanum skill that allows people to indulge in alcohol during the Prohibition Era - the snake that tempted Adam and Eve. Druvis III is associated with forests, trees, as well as a link between Vertin (the good guys) and Manus Vindictae (the bad guys) - the Tree of Knowledge of Good and Evil. The two go hand in hand and are linked together.

The big difference between them is that their respective quests to set things "right" are entirely different - their "revenge" is not the same. Druvis III was hellbent on finding out who set the fire that killed her family, not because she wanted them to face the consequences, but because in doing so, people would finally leave her alone and let her mourn. She could finally move on from something that she knew the truth of. Forget Me Not does it to feel satisfied with himself and get back at everyone who ever looked down on him or wronged him. To inflict as much as pain unto others as he had received before. It's a powerplay fantasy in which he finally wins, against all odds.

It's unclear what truly happened to the Cavendish that caused Forget Me Not to end up in such conditions, to the point where he'd go as far as make sure no one can trace him back to his family, to the point where not even the Foundation has a proper report on him.

But there is one line in particular that lives rent free in my head when it comes to the Cavendish and Forget Me Not's potential relationship with them.

This takes place after Druvis III loses her forest, after she loses her eternal branch because of Vertin's intervention during their dinner. They're talking about how to use her forest to build a refugee camp.

There's the possibility that Forget Me Not is simply alluding to that forest - something that used to belong to her is now something that he should have for the sake of Manus Vindictae's goals.

But! Indulge me for a second! There's a noticeable pause, there's a subtle tone to his voice. Reverse 1999's writing might be confusing at times due to the translation, but it's easy to see that it's loaded with metaphors, hidden meanings and so much more, to the point where reading deeply into everything most characters' say is pretty much the norm.

The dialogue that precedes that specific line is Forget Me Not insisting that he can transfer the ownership of the woods over to Druvis III anytime, because she has always been and will always be the only owner, no matter what. He does this to convince her to go through with Manus' plans, that's his main goal, he doesn't care about the woods. But that single line pictured above? It could mean so much more.

Again, the two share many, many similarities. So when Forget Me Not talks about what Druvis III once had - a prestigious family business, a name people can recognize, an assured future - is what he should have, it evokes a sense of entitlement and lingering resentment. Almost as if Forget Me Not's desire to go back to the past doesn't stem from nostalgia like her, but to reclaim something that was denied to him.

Which is incredibly ironic to me because both of them carried their family in their names - Druvis THE THIRD. Lawrence Cavendish JUNIOR. And yet, the one that worked so hard to obscure his origins and changed his family name was him.

Neither of these characters can be recognized nor traced back to their families by appearance alone - people need a name or a really good memory to truly recognize them. The only one with enough courage to continue carrying such burden is Druvis III. Forget Me Not wants something that he willingy lost the right to the moment he allowed Lawrence Cavendish Jr. to die and fade into obscurity.

The name "Forget Me Not" begins to sound more ironic. Like an order, a threat or the promise of his return - his desire for revenge and his hypocrisy become clear once you begin to dissect his character. Like the narrator in the "To Lawrence Cavendish" document says: "He is patiently waiting... to put his meanness, craziness and quivers under the sun". He's waiting to reveal himself.

The "stage" is shown when he makes people explode from inside out, a lot of people who recognized him as Forget Me Not, the mixologist. This is when we finally see his true intentions and the main difference between him and Druvis III, all in their respective reactions to the journalists.

She's terrified, thinking about the day of her family's funeral. On the other hand, he's ordering them to watch and record as he "takes everything he has been deprived of".

This is why the thing that breaks Forget Me Not is hearing that Druvis III does not care about the man who started the fire, that it's not important anymore. He believed them to be on the same page, that she would love to torture the single person responsible for all of her grief. The guy is projecting heavily onto Druvis III.

In the end, I don't know if Forget Me Not resents his father, his family name, if he had some sort of business to inherit and a "future" that was taken from him, or if they actually might've been a happy family.

What I do know is that Forget Me Not's desire for revenge was absolutely amplified and fueled by Manus Vindictae's own agenda. And that's why he works perfectly as both a victim of their MO and a willing member within their ranks.

He clings so hard to the past because there is no future worth fighting for, because everything would be much better if it was rebuilt from scratch with only those that won't oppose him and repeat history. He clings so hard that his new name and identity are, in the end, a plea for the world not to forget who he used to be and, at worst, an order because he sure as hell hasn't forgotten all the things others have done or said Back when Lawrence Cavendish Jr was around. Once his family outlived their usefulness or relevance within society.

TLDR: THIS is the cold-blooded, numb murderer who is actually very sad, empty and broken deep inside that some people wanted Pavia to be. Like, he's even sopping wet and sad and asking Vertin to kill him next time they meet.

Which leads us to my next point!

On the subject of Forget Me Not's self-destructive and suicidal mindset.

We've talked about Forget Me Not's views and relationship with the Cavendish - but what exactly is the end goal? He feels entitled to a better life, one he was supposed to have, and then what?

The "???" narrator mentions a woman who made a promise to Forget Me Not, as well as leaving a "sarcoma" behind which he then adapted and turned into his own. This woman is implied to be Arcana, as we see her talk to Vertin about being able to see the truth, to not be blinded - there's an emphasis in the way she recruits people by opening their eyes to reality. The sarcoma is the city (apparently "Windy City" is used to refer to Chicago, I had to google that but hey, that's pretty neat!). It's the world he lives in and that wants him gone. She focused Forget Me Not's grief towards it because in doing so, it would help Manus Vindictae's ideals of a world exclusively for pureblooded arcanists.

And even so, he remained suicidal. There was at least one more attempt at taking his own life, and that's when he saw "what had been on his mind". Whatever that might've been, no doubt influenced by Arcana and his situation, is what pushed Forget Me Not to "allow himself to revenge, revenge, re-re-re-revenge, and to die".

Ultimately, Forget Me Not's goal is to die at the end of it all - even after he gets his revenge, earns the life he wanted, takes back everything that was meant for him. This is why, after he's fully defeated, his last words to Vertin are to show no mercy next time they meet. To kill him.

This is not only a long and convoluted plan of revenge, it's Forget Me Not willingly marching into his own demise. And just like before, he's not strong enough to pull the trigger himself. Now that he has no solid argument to justify his anger - all because Druvis III has shown him that people can, in fact, move on - his only option is to have someone else end his life. He's shown tired, and the phrase "Don't save it no more" might indicate that even if there was someone who could repeat what Arcana did to him - give him a sense of purpose and a target for his grief - he simply doesn't have the energy for that.

Forget Me Not's self-destructive tendencies can also be seen in other ways. His job at The Walden is to cater to all the people who shunned him - he welcomes everyone and anyone for the sake of creating a network of secrets, he attends fancy parties and events full of those who call him a drug dealer, Satan's spawn and so much more. And he pretends to be someone else entirely while wishing for others to remember him. He willingly surrounds himself with all the things that hurt him.

His arcanum being related to alcohol is rather poetic to me - since Forget Me Not is said to have spiraled into decadence and into this extreme mindset, it makes sense that his main skill is related to being intoxicated and to drown into something that is largely hated but at the same time, desired and coveted. The Prohibition Era does have a very similar mentality to religion, namely western ideologies - you're meant to openly reject and loathe something, but the constant repression causes you to yearn for it instead. And at some point, this repression can become an addiction in itself, leading some to indulge in it. This loops back to Forget Me Not's association with the snake in the Garden of Eden.

It makes sense to me that he indulges in something so painful, while cohercing others into indulging in forbidden alcohol. That he later uses this very same arcane skill to kill all those people who, in his eyes, represent everything he loathes about the current state of the world. It's like a sarcoma that he now leaves behind, that kills from inside out.

And this is the last time I'll bring up Druvis III in a Forget Me Not post, but notice their choice of flower/plant? She has a mistletoe bouquet - a parasitic and toxic plant which represents positive things such as fertility, life and protection in many different cultures. Forget Me Not has black roses, roses being immediately recognized as one of the most beautiful flowers but, in this context, symbolizing things such as death and rebirth, remembrance, mourning. Their duality, contrast and the "two-faced" aspect is prominent there. And not to get very deep about character design, but Druvis III holds the bouquet very carefully and carries it around with her willingly, whereas the black roses that Forget Me Not wears wrap around his neck not unlike a noose.

To really drive home how Forget Me Not sees himself, here's the description they gave him for his boss fight.

They boil down his character perfectly, to all the little traits that make up his whole emotional baggage.

And to also put more emphasis on how Forget Me Not truly doesn't expect to live and "win" at the end of this whole revenge trip, here's his ultimate - "Heavengazing from Hell". He's fully aware that he's going to be destroyed by his own actions and that the only thing left for him will be to look up at heaven from hell. That all the good things will forever be out of his reach.

Now, onto proper headcanon territory, since I'm running out of media to analyze!

On the subject of Forget Me Not's scales.

As established before, Forget Me Not is associated with snakes - one of the segments from the Big Mouth Bulletin comments on this. "[...] he had scales under those long sleeves, one next to another embedded in his flesh."

And this can actually be seen on his in-game sprite! It's very faint, but there's absolutely some sort of texture peeking out from under his collar and sleeves that resemble scales. They can also be seen on the trailer animations. The only time these scales don't appear or peek out from his clothes are in The Walden illustration, with the other members of Manus Vindictae, but that can easily be explained as him covering up properly and the angle he's drawn in.

Originally I thought that they could be burn scars, as it would mean a stronger connection between him and Druvis III. But upon closer inspection, they don't look like burn scars at all.

I like to headcanon that it's a side-effect from his own arcanum, similar to how Rabies is implied to look like a scarecrow because of his involvement treating rabies. Being something "self-inflicted" - in the sense of him having the choice to stop and heal, but refuses to - also lines up with Forget Me Not's suicidal tendencies, the whole sarcoma metaphor and the fact that by carrying on like this, he's doing nothing but destroy himself and add to his suffering.

As for how far the scales have extended, I don't have a set favorite idea! Part of me really would love it if the scales coiled around his body like actual snakes, but also the idea of him having different patches of scales scattered throughout (again, like a sarcoma) and the third secret option of him being MOSTLY covered in them to the point where it becomes grotesque, something that he can't even look at.

They're not just a tattoo or pattern embedded onto his skin either - they're actual scales, cold and rough to the touch. The areas affected by this have grown numb, making it hard for Forget Me Not to feel any warmth or pressure applied onto them. This adds to that otherworldly and sinister vibe he's got going on, even if the lack of proper tactile sense irritates him. It's extremely uncomfortable if they're brushed or rubbed in the wrong direction, however!

Sometimes, Forget Me Not might pick at the scales, as if deciding whether he loves or hates them. In particularly bad days, he picks them out. I like the idea that, once picked, the scales grow faster and stronger, as well as in broader areas, making it a perpetual loop of picking them off from his skin.

Overall, it would be extremely easy to conceal them - he only needs a shirt with a higher collar and gloves or some make-up, but I like to think that Forget Me Not loves the idea of someone catching a glimpse of them, a reminder that he's dangerous and so much more than meets the eye.

As much as he he's been affected by the stigma against arcanists, he now thrives in their hatred for him and his existence - sneaking into places he knows he's not welcome is addictive, especially knowing everyone tolerates him because he's their only access to alcohol. The way everyone will turn around and talk shit about him once they're out of The Walden is fun, because it reinforces his views on why this current era deserves to be rebuilt from the ground up.

Forget Me Not has extremely poor eyesight.

I know the glasses look thin and pretty standard, but I just like to think that Forget Me Not can't see shit without them.

He has this habit of taking them off to "clean" them whenever he's talking with those he loathes - mostly humans - just so he doesn't have to look at them directly. Sometimes, he might just close his eyes and dissociate, pretending to pay attention if the situation calls for it. Yes, he's petty and hateful enough to feel physically sick when talking to people he hates.

If you pay enough attention, it becomes clear that eye contact becomes scarce, as if just looking at them will send him into a fit of rage (but he conceals it extremely well when needed).

Forget Me Not's poor eyesight is not a secret, and he often likes to make patrons nervous by making their drinks without his glasses - of course, he knows his way around drinks and potions, there's no chance of him messing up, he could do this with his eyes closed. But seeing customers squirm is such a delight. Because now, they must choose between making a scene in HIS territory or risk being poisoned with a poorly-made drink.

I like to think that he also just has a very fine ear, since he does play instruments (all of his attacks being related to music and him using a piano as his wand during the boss fight). So really, Forget Me Not couldn't care less about his eyesight.

Forget Me Not enjoys floral arrangement.

This is just based on his association with the actual forget me not flower. I think he enjoys creating bouquets or putting up vases full of flowers around his home, even if all of them may end up creating a very gloomy and decadent atmospere - they're perfect for funerals, and he simply may be preparing for his own.

And he leaves them out on display long after they've wilted. "They're more beautiful this way", he'd say.

It's not rare to find Forget Me Not on rainy afternoons with a pair of scissors on hand, absentmindedly cutting every leaf and petal off from all these roses, as if he had a personal vendetta against their colorful hues. Sometimes, he just twirls the stem around, pressing hard on the thorns to feel anything while he looks out the window. He's so very fucking dramatic and volatile.

Basically, I like to picture Forget Me Not as the type of person who has dedicated so much time into something as empty as revenge, that he absolutely has no idea what to do outside of that.

Everything he does is just a way to pass the time until he can go back to dedicate every waking second of his life into his and Manus Vindictae's plans, every "little pleasure" is just a façade, he doesn't get any real enjoyment from anything. Sometime he worries that revenge won't help him climb out of this apathetic life he's built for himself, but he can't afford to dwell too much on that possibility. Everything that he does is muscle memory, he's forcing himself to try and do it, because otherwise he could simply sit still in an empty room for hours on end, with the lights turned off, waiting and waiting - all alone with his thoughts.

[lunarharp]

things.. uh... Gentry era au

[forestofsprites]

sometimes, life is truly dreadful. just really, really awful! but then there are FRIENDS, and STORIES, and with them, the suggestion that perhaps the bleak may not be so daunting, nor so lonely, as previously thought!!

[tarotmantic]

i will never justify why i like deh bc i don’t have to actually. i can just like it no qualifier needed

[terrainofheartfelt]

is it because i'm getting older and gayer or is there really a surge of self-help books happening around me? and am i a curmudgeon to say that they're bullshit?

[dcviline]

h.otd is really the only fandom where you'll have people calling characters "narcissists" for making choices with their bodily autonomy that don't entirely align with what society demands of them

[charleslee-valentine]

Hand in hand, two little boys walk down the dusty Texas backroads.

They’re almost identical, except the boy with the wine colored birthmark across his left cheek has his choppy hair in a tiny braid, while his slightly taller brother, who is like his mirrored opposite, has his dark brown hair hanging loose and messy.

The tiny baby they carry with them, in an old potato sack with straps attached and holes cut in it for his legs, looks almost the same, though his hair curls are different, and his top lip permanently curls up to show his gums and budding little teeth.

Just the three of them are running away from home.

It’s hot, but it’s always that way out here in the middle of nowhere Texas, even in the pitch darkness they’re currently navigating. The twins have grown used to it, their priority mostly giving the baby a bit of water on his head every now and again to keep him cool.

That, and one of them, the twin that walks a little more stiffly, and carries a knife with him everywhere, just in case, his goal is to make sure they aren’t being followed.

Every few feet he turns and walks backwards, looking behind them at the long and dark stretch of road.

“Y-You sure does wor-worry a lot, there Nu-Nubbins.” The shorter brother chimes out of nowhere, though that’s not to say that he’s been quiet before per se. He’s been humming and singing and laughing at nothing the whole way, noises the way he shows his excitement.

The one called Nubbins speaks fast and frantic, like he’s desperate to be understood, “C-C’a’int help it, Bobby. A-Ain’t ya scare..scared?”

“Nope.” Is Bobby’s simple reply, his nose turned up high in the air with confidence that has his brother jogging for a moment to keep up with.

It embarasses Nubbins, to think that maybe he’s the problem. His twin is his idol, and he wants nothing more than to be like him. His little brain rationalizes that there’s got to be a reason why they feel differently, “It’s.. it’s cause you ain’t c-carryin’ the baby.”

But Bobby misunderstands what he means, “Yer’ scared ‘a lit-little B-Bubba?”

Nubbins takes it personally, bad at reading tone, especially over the sound of all the darned cicadas and crickets and katydids chirping away in the fields and trees they walk past.

“I w-wish you weren’t so me-mean to..t-to me.”

And now, caught in a cycle, Bobby takes that personally.

“H-Hey now listen p-pipsqueak. I ain’t mean. I-I’m the best brother. Th-The best.”

If it wasn’t for baby Bubba snoozing on Nubbins’ chest in the homemade bag, he’d have turned and started picking a fight with his brother. Meanness and hatred and spite are all they know. Bloodshed and mayhem and hiding under the bed from their big brother. Squeezing their eyes shut and crying so so quietly while they listen to their twin being beaten just across the room, or down the hall. It didn’t matter. Violence was everywhere.

It’s why they’re leaving now. Nubbins feels kind of bad for thinking about tearing out Bobby’s hair in patches, or biting him on the arm, or kneeing him in the chest over and over and over ‘til he coughed up blood. Actually, really bad.

He looks over at Bobby, with his balled up fists, and reaches out with words, tries to make a connection from a different place, ‘cause he loves his twin. “Can..can you t-tell me what I-I oughta do?”

Bobby doesn’t need guilt to change his mind, he needs to vent. He kicks some dust up and punches the air for a minute, and then he answers all calmly, “‘Bout what?”

“I ‘unno. D-Don’ want Drayton t’ fi..find us.” Nubbins worries aloud. Usually he isn’t this nervous, usually he loves adventures! But this one is extra scary, and they’re only so small, and-

Bobby doesn’t share his fears.

“A-As if! You..You ‘n me both knows ‘at o-old fart won’ e-even know we’re g-gone ‘til tomorrow mor..mornin’ at least.”

“O-Oh alright… But..but if we get in tr-trouble I’m’a gonna be r-real ma-mad at’cha.” Nubbins threatens, a smile growing on his face as relief sets in. If Bobby says things will be okay, then they will. He just knows it.

“Deal.” Bobby agrees to accept his brother's future fury, quickly forgetting the topic and moving on to his next subject of interest, “Gimme..gimme Bubba!”

Happily. Nubbins takes off the makeshift baby carrier and helps his twin get into it, loosening the straps since Bobby’s got slightly bigger shoulders. Drayton always said that he was a parasite and sucked all of Nubbins’ life away when they were in mama’s womb.

Drayton would swear, with his fists or a broomstick raised up over his head, that that’s why he was so weak.

They work together to get the baby carrier in place, by now Bubba awake in there and reaching his chubby little hands up for attention. Bobby heaves him up by his diapered bottom and exclaims, “Shee-oot, B-Bubba’s gettin’ he-heavy!”

It reminds Nubbins of something else their big brother used to say. He was always commenting on Bubba's weight or making mean faces when the baby would steal a little fistful of food. That was always too mean for Nubbins. The baby was just that. A baby! Just a little six month old guy!

He loves him, almost as much as he loves Bobby, and wants to take care of him.

There’s just one problem. “How.. How we gon’ f-feed ‘im?”

Bobby thinks about it, skipping excitedly when an idea hits him, “I-I know! He-He really likes th-them funny lookin’ p-purple berries that grows by.. behind the gas station! O-On them little bush-bushes! A-An’ Drayton’s always s-sayin’ ~get the-them things out yer’ m-mouth boy!~ an’ make-makes Bubba spit em’ out! B-B-But we can fee-feed ‘im as many as..as he wants!!”

All that rambling inspires Nubbins.

They’ve gotten this far, why not! It’s up to them to seize fate and leave behind their isolated farmhouse. They won’t let little Bubba hurt the way they have.

“Y-Yeah alright!! Just.. jus’ gotta f-find some!”

“I-I th-think ther’s some dow-down by the str-stream!!” Bobby remembers, taking his brother by the hand, and taking off running.

[obsessive-dumpling]

Chapter 395 is the equivalent of moving van lesbians a la Horikoshi.

[dandyshucks]

blinks tiredly. i decide "hm maybe i should try to expand my circle and step outside of it a little, lets go look at the main community tags" and im just greeted with a bunch of edgelords who think saying "fiction doesn't affect reality, don't like don't read" is peak activism and "fighting censorship". head in my hands. this is partially why i do not ever go into the community tags, my nervous system cannot handle blocking fifty weirdos every single day just so i can have a normal experience in the community tags hfdsjkl

[lanshappycorner]

Sometimes I look outside my scope of mutuals and I'm like.....I'm glad I'm not them (whole essay in the tags)

[firefly-sky]

legitimate question

am i good enough?

[deathsmallcaps]

Ok I’m probably not the best person to say this, but I’ve been seeing a lot of (as of right now) accurate insults on how the CGI approach for the Live Action Little Mermaid movie, but please be mindful that you don’t take things too far, and *especially* don’t start going after Halle Bailey (Ariel’s actress) and to a lesser extent, Ariel the character.

Antiblackness is still an issue in a lot of fandom spaces, and it doesn’t just come out as using nasty slurs or stereotypes. It manifests as drawing Black characters lighter and/or with more white features, it comes out as removing Black partners from ships, and it starts out as plausibly deniable insults that get the door open to microaggressions and outright nasty comments.

I’m not saying that all discussion of the movie should be stalled, or even if it turns out to be an artistic failure, that it doesn’t merit discussion. I’m saying that you shouldn’t extend your vitriol to the characters and actors.

If you really feel the need to insult her, it might be worth a little introspection. Ask yourself, “Do I resent that they changed Ariel, or that they changed Ariel in this way?”. You’re not irredeemable if your personal answer isn’t kind. Just be more careful, try and observe how that sort of world view affects your behavior to others, and then course correct.

A lot of little kids would love to see another Black Princess. A lot of little kids would love to have a Black mermaid as a main character. Hell, a lot of adults would love those too. Black fantasy characters have long been excluded, transformed, killed, merely in the background, relegated to stereotypes, villainized and have hardly ever in the spotlight, especially in major productions.

Don’t make it harder for kids (and adults!) to see themselves on screen. Don’t ruin their wonder. So don’t make unkind comments. Keep it to yourself. Frankly, Halle looks beautiful, and I can’t wait to see the sparkles in her fans’ eyes as she swims across the screen.

[euyrdice]

i don’t think the opinion that rei and shigaraki’s mom played a role and have some responsibility in their children’s abuse and trauma is wrong. i think its hard to understand if you haven’t been the child/been in a similar position to dabi, shoto ect

[motoroil-recs]

I suppose this counts as a kinfession. I just wanted to state how sometimes it gets really frustrating to see sentients who are kin with a not binary character that uses they/them (see Kris from Deltarune) and them then using he/him. I get that it is their own memories and literally them, but I suppose after a while it feels like some sort of erasure to me? I hope that makes sense, and if anybody could explain more to make me more comfortable with this specific thing, that would be lovely as well. I always want to keep an open mind.

🏎️‼️

[rainbowresurrection]

I ended up reading The Price of the Phoenix and while it didn't make me want to bleach my eyes like Killing Time, I still didn't like it as much as I hoped I would. Don't get me wrong, the homoeroticism was intriguing to me, but the actual writing and storyline itself left me with a headache. I think I get my hopes up with these books, given all of the possibilities that the written word has for Trek, and it inevitably sets me up for disappointment lol