#no one else knows how to feel

[little-pondhead]

Classic "promised-at-birth-to-the-Ghost-King" story, except the contract never states how, exactly, the King is to use the offered soul. Usually, one would be offered as a bride or sacrifice. But with Pariah Dark sealed away, his retainers got a little lazy in the last few millennia. They just made some generic contracts and practically handed them out like candy.

When Danny took over as king via conquest, that included all the weird and messed up soul contracts the previous retainers had signed. And since ghost magic was a thing and seemed to have it out for Danny personally, many of these contracts updated their terms and conditions as soon as that crown hit Danny's head, reflecting the new King's subconscious desires and personality.

This caused many issues with those still around to profit from these contracts. Some people lost their power, some gained more, and some were unbound and kicked to the curb. A few special people found themselves dropping dead after their less-than-ethical abilities disappeared.

Danny was unaware of the chaos he had unintentionally caused for quite a while. It was only brought to his attention when a letter arrived on his desk one day with a copy of someone's valid contract enclosed. The new changes have been highlighted, and a separate note is attached.

It seems that in exchange for blessings of near-immortality for her infant son, a mother had offered Pariah Dark both their souls in order to ensure her child's survival during harsh times. (The souls were to be collected upon death and were to be used as soldiers in the King's Army.) The mother's soul had returned to the Keep decades ago and was recently assigned to tend to the gardens, while her son seemed to have grown into a fine gentleman and was still alive. He used his mother's gifts to serve his country and loved ones well, it seemed.

At first, Danny didn't see what any of this had to do with him. If the mother was already a part of his kingdom, and the son would be eventually, why was a letter about the whole thing showing up before him?

Then he read the revised contract, which bore his magical signature. A signature that overruled the power of Pariah and binding it to him.

'...and as such, in return for the abilities stated above, [Mary Pennyworth] and [Alfred Pennyworth] will fulfill the conditions detailed below, upon pain of Ending.

[Mary Pennyworth], when returned to the Kingdom of Dark Kingdom of Stars, will work as a lieutenant in the Skeleton Army caretaker in the Gardens of Pluto.

STATUS: COMPLETED

[Alfred Pennyworth], when returned to the Kingdom of Dark Kingdom of Stars, will work as a general in the Skeleton Army caretaker of the King and his Court.

STATUS: PENDING'

Danny had to re-read the contract several times to understand what it was saying. He now had a caretaker? What did a caretaker do? Was it like a ghost parent? Could this guy ghost-ground him??

He sighed and pressed the speed dial on his phone for Tucker. Time to find out who the hell this Alfred Pennyworth guy was, and how to break a magic contract when it wasn't even fulfilled yet.

Meanwhile, Alfred had just found the original copy of the contract amongst his mother's belongings after it glowed and drew him in. The paperwork cleared up a lot of mysteries he'd always wondered about himself, even if he disapproved of his mother's methods. Nonetheless, he smoothed out the aged paper with dark green ink, noted the fresh (sloppy, a teenager?) signature, and began preparing to meet this supposed new King and his Court.

It wouldn't hurt to make introductions before he died, after all.

[alicenpai]

two lonely rabbits, two hearts beating as one 🐇🖤🤍 (animated gif) now on inprnt !

old sketch from march I decided to finish <3 usually when one of my sketches (intending to become a completed drawing) gets put on the backburner, it never surfaces. I usually have to prioritize other drawings and then months or years pass and once I have time, I lose interest and start other drawings in their place... but I'm glad I mustered up the energy to finish this one, ESPECIALLY since I strongly felt I needed more gothic pieces in my gallery hehe

the relationships between characters in this series are so interesting, because there are so many character parallels. I actually had to change the personality of white alice from the sketch to the final, since I .. think I misinterpreted her story! (so I think it turned out less gothic horror than desired but you know what I'll take this <3) I first read this story when I was 14 and I 1000% BET I'll still be finding nuances and new details in the writing years into the future...

I had a lot of fun with the animation albeit just being a blink animation 😩👍 but blinks can be animated in a variety of ways! in terms of my animation skills, I do consider myself on the weaker side. so if i can integrate more animation frames into my illustrations, it'll help me become more familiar and comfortable with the medium. I especially like the difference in how many frames it takes for dark Alice vs white Alice to blink. I think the blinks came out fluidly and I'm quite satisfied with how this drawing came out!

[stuckinapril]

megan thee stallion is the perfect example of unbothered energy. nicki has repeatedly vagueposted about her, gone on unhinged rants about her, gone so far as to mention her dead mother (such a classless low blow), threatened her on live, and has now released the tackiest diss track in history. and what has megan done? literally nothing. she straight up ignored her, aside from that one ig story where she posted herself laughing (which was perfect btw). she is the epitome of “i will not dignify that w a response.” i love it.

[canon-gabriel-quotes]

Transcript:

[out of character] Gabriel is the type of angel to say-

[in character] I'm sorry, daddy. I've been naughty.

[out of character] Completely straight faced instead of-

[in character] Forgive me, father, for I have sinned.

Audio source

[moeblob]

So does he, Gallagher.

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[nightlocked-in]

“peeta is bisexual” you guys are losing the vision. peeta isn’t even straight. katniss INVENTED sexuality for him. whatever katniss identifies as, he’s like “yeah, i’ll take that one” no questions asked

[gulducock]

look at this pic i found on twitter

[ryllen]

You know I am surprise Sebek that is never jealous to anyone who is close to Yuu. It is a boys school and I can imagine some have crushes on her.

[thisismisogynoir]

I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[kittyandco]

does anyone else get so upset when you think about all the things that happened to your f/o... all the things they went through? all the things they haven't healed from? the pain that they may still be enduring? how you can do your best to help them but you can't protect them from everything. so you just love them the ways they needed before, how they deserved. and you see them happy because they finally accept, at least in some ways, that they do deserve it. they deserve love like all beings do

[almea]

[inkskinned]

oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.

oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.

oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.

which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.

but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.

which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.

and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!

and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.

the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!

and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -

what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.

and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.

[art-that-fucks-you-up-tournament]

SET SIX - ROUND ONE - MATCH THREE

"Electric Fan (Feel it Motherfuckers): Only Unclaimed Item from the Stephen Earabino Estate" (1997 - John Boskovich) / "Untitled" (Portrait of Ross in L.A.)" (1991 - Félix González-Torres)

ELECTRIC FAN (FEEL IT MOTHERFUCKERS): it makes me literally insane that’s all that’s left of him and he made sure it would stay remembered, something something the last trace of a breath immortalized the only way it could be. Feel it, motherfuckers. (courfeyracs-swordcane) (also submitted by callixton and weeweewhirlwind)

UNTITLED (PORTRAIT OF ROSS IN L.A.): It fucks me up SO MUCH. The artist's partner was named Ross, and died of AIDS in the same year this was created. The ideal weight is roughly the average of an adult man. The allegory there... people taking the candy, decreasing the weight, the same way people took away from Ross and every other victim of the AIDS crisis by refusing to help, to do anything at all. Except this has an "endless supply" of candy. People can take and take and it keeps coming back. They can't get rid of us forever. We will prevail and we will rebuild and I WILL be fucked up about this forever (ceaseless-rambler)

("Electric Fan (Feel It Motherfuckers): Only Unclaimed Item from the Stephen Earabino Estate" is an electric fan encased in plexiglass with vinyl faux etching and a plexiglass base with casters by gay American artist John Boskovich--Stephen Earanbino's partner. It was the last item left in Stephen Earabino's estate after his death by AIDS and measures 56 7/8 x 22 3/4 x 12 1/2 in. (144.5 x 57.8 x 31.8 cm). It is held by The Museum of Contemporary Art in Los Angeles.

"Untitled (Portrait of Ross in LA)" is a modern art installation consisting of wrapped candies (constantly removed and replaced) by gay Cuban-American artist Félix González-Torres after the death of his partner, Ross, by AIDS. The weight is equivalent to a healthy human male - approximately 175 lbs (79kg). It is located at the Art Institute of Chicago, Chicago.)

[baldursgarbage]

i’ve been thinking about Astarion being protective in battle and i simply don’t think he’s capable of it because of how AVOIDANT he is. getting emotionally close to someone is painful for Astarion. at least in the early stages of his freedom, being protective of someone means something he isn’t willing to admit… even to himself!

Tav gets downed in a battle and Astarion, without thinking, cries out “No! You can’t die, get up damn you!” Once the levity of what he has said sinks in he immediately retreats within himself.

When the battle is over he lets Shadowheart tend to Tav as he slinks stone faced back to camp. There’s a heavy ball of worry, shame, and fear tearing up his chest. he sulks in his tent until nightfall spending the hours berating himself for caring, and simultaneously not caring enough to have stayed and helped. He gets up to go to Tav before turning back around over and over again until he’s able to gather the courage. He slides through camp silently, into Tav’s tent, and kneels by their bedroll. Astarion takes their hand, cursing them the entire time. Cursing them for getting hurt, cursing them for making him want to learn to care for someone besides himself. He checks their bandages, making sure they’re taught enough, and sits a silent vigil over Tav the entire night. He’s gone before Tav stirs in the morning, leaving only the faint smell of rosemary and bergamont behind!