#not kind of. i did this week

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[soosoosoup]

Fluffy rearing

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 4: Deranged Bedfellows

(Part 1, Part 2, Part 3, Part 4.5)

[booasaur]

Renegade Nell (2024) - 1x06

[wis-art]

I was busy doing commissions and dealing with chronic pain, but it's still lesbian visibility week so i hope you all feel seen :)

Both characters are trans women (she/her)

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[egophiliac]

Ace with us!

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[pencap]

the coward's way out

if the fates conspire that only one of us may live, then lover, it must be you.

i will save you the grand speeches about how you are good and deserving. you are. you are. you are, but in the end, that is not the reason why.

the world may call me brave or strong or selfless but lover, you know the truth don't you?

in the end, i am only more afraid of facing a world without you than i am of facing death of facing anything.

in the end, i am only too weak to be the one left behind to pick up the pieces of a broken life a broken promise a broken heart and keep on bleeding when the blood in your heart is already dry.

i'm sorry. i'm sorry. but will you let me be selfish one last time?

can i ask you to live for me? to face what i feared most so that i might find peace in my eternal sleep with a smile upon my face?

if it is cruel of me to ask, then i beg you to forgive me. or curse my name and hate me if you must, only live.

only live, my lover so that my life and my death and all that came in between may mean something. may mean everything.

[somegrumpynerd]

It's interesting to think about how, to me at least, Dust and Killer are like mirror versions of each other.

One who joins a villain enthusiastically, jumps at the chance to leave his past behind and have a purpose again, and the other who has to be dragged in, would rather rot in the consequences of his own actions.

One who needs orders, needs the distraction and the action and the thrill, can't sit alone with his thoughts for too long lest he hear them clearly, and the other who can't bring himself to ignore the ghost over his shoulder, would rather sit in place and listen to his own self loathing parroted back at him than stand up and find a way to drown it out.

One who doesn't associate with his past anymore, that wasn't me and I wasn't him, and cannot stand the thought of going back from where he came, and the other who wants nothing more than to be his old self again but feels so strongly that he doesn't deserve to return to the life he tore down himself.

They both wear their new names like dog collars, but one is a gift given by someone else because he's theirs, he has somewhere he belongs that he's expected to return to, and the other is a choker tying him to a post, warning others of his danger while never allowing him to get out of arm's reach of his past.

And getting them both back-to-back while trying to understand mortals was probably enough to give Nightmare whiplash

[marblerose-rue]

click for better quality!

it's this way! / squirrelpaw and leafpaw

[m4lexxx67]

I did it, I'm done!!! I finished what is probably one the coolest projects I have ever done and it turned out SO COOL, I'm so excited!!! Everyone come look at it cause I made a fucking killjoys shirt collection!!!

Everyone of the Fab Four got their own type of shirt that I think fits them and they're all the same concept (logo on the back, name in the front, most of the design in their color plus some smaller detail in another color that's kind of in their pallet (taken from their ray guns), words associated with the character) but the font and placement of the writing changes and all that and I really love that they obviously belong together but still look so different!

Also fun fact it took fucking FOREVER to paint Ghoul cause it's sooo many lines and painting lines takes so much time cause you can't just carefully draw a sharp edge and then quickly fill in the rest (like for example Jet's logo) because basically everything is edge! And the design for Kobra's name? Such a pain in the ass, there's so many sketches that were all scrapped. Like in total it took me maybe one and a half to two hours to come up with all of the designs, except for Kobra's stupid fucking name, I kept going back to it for literal weeks!! But honestly so worth it, it turned out exactly as I wanted and just all in all feels very Kobra to me

(As for the different shades of blue/green on Jet's and Ghoul's shirts... The shirts have been done for a while and were lying around my room without being folded or anything, so that's just folds and light reflections, the colors are actually very even)

[linferry]

Pick up, Qui Gon... P I C K U P . . .

[fear-no-mort]

i cant get over the whole time in the real world rick just sat there watching over morty and when he woke up finally rick sounded SO happy the way he just yelled his name excitedly the second he woke up,,,

[seagull-scribbles]

Taxidermy fingerprints, taxonomies our differences

[Part 2 here]

[r0b0t1me]

nightmares suck. luckily familys always around to help