#not so much of a parallel but still

[spicylove4ever]

Stolitz's phone emotional moments.

[lotus-pear]

yeah sure therapy is nice but teen soukoku is faster and a lot cheaper

[batfamhyperfixation]

New Robin Tim: *Just sitting there happily watching the Incredibles with Dick and Bruce*

Dick and Bruce: *secretly watching Tim and glancing at each other every time Syndrome comes on screen*

[candyje11yfish]

parallel

[swordsandflowercrowns]

charlie bushnell the actor that you ARE. the pain and resentment and horror on his face throughout that scene. his hesitation when he was about to kill percy. the simultaneous regret and determination. the fact that he hated annabeth seeing who he had become but like charlie said in an interview, is willing to do anything. luke is supposed to be an empathetic character. the way he narrated "look, I know you didn't want to be a halfblood" at the beginning of the episode paralleling percy, showing us just how easy it would have been for percy to end up like luke. both percy and the audience are supposed to understand exactly where luke is coming from, to empathise deeply with his disappointment in the gods and the desperation that resulted from it. and my god did charlie bushnell achieve that

[thesweetnessofspring]

There's a quality of goodness that's hard to overlook, but still...and then I think of it, what Peeta can do so much better than the rest of us. He can use words. He obliterated the rest of the field at both interviews. And maybe it's because of that underlying goodness that he can move a crowd--no, a country--to his side with the turn of a simple sentence.

I realize only one person will be damaged beyond repair if Peeta dies. Me.

HungerTown 10/?

[suntails]

7.3

[transmascutena]

the fact that he spends all his time grooming kids into believing they're mature enough to consent and then turns around to condescend to them about how young and stupid they are and how they actually don't understand anything makes my fucking blood boil. i need to kill him

[beaulesbian]

I was once again thinking about this goofy Luffy moment after his Lucci punch™ and i had to see it frame by frame.

first the force of it throws them both away, and while Lucci is seen on screen tumbling for a long moment, Luffy is just away in a blink of an eye.

and then his funny scene - his legs are like jelly that he tries to get under control,

he stumbles, falls, rolls into a mix of all his limbs and eyes,

and then only the cloud behind him cushions his fall

- which would be interesting if he can subconsciously control that while he tries to regain the control over his movements - that the environment around him still adapts to his awakened Devil Fruit abilities and morphs to help him. Where others would probably fall through that cloud, for Luffy that cloud backs him up like a trampoline.

It's just fascinating!

[waterghostype]

i have so much to say about them not in a good way not in a bad way but a secret third thing way.

[autistic-daniil-dankovsky]

remember this? well. let's go!

both ena and an have pretty famous fathers, and it was always somewhat expected of them to be worthy of their legacy, in some way. both of them were told, "of course you're good at art - you're shinei's daughter!" and "of course you're good at singing - you're ken's daughter!" respectively.

they were always perceived via their fathers, not allowed to step outside their shadow and be seen for themselves. they couldn't be ena or an.

and, you know, for a time, they went along with it. i mean, they were good at what they were doing.

but then... all comes crashing down.

for ena, there's the obvious bullshit that's going on with shinei. completely destroying her. because she admired her father, because he was the reason she wanted to do art to begin with, and he told her to her face that she would never be good enough.

her entire world fell apart, that day.

because no matter what she says, ena wants the approval of her father more than anything else. she wants him to tell her that she's worthy of being his daughter, that all her hard work amounts to something; anything.

but then, there's the eventual revelation that she wasn't anything, actually. she wasn't special.

everyone was better than her.

before, ena was a fish in a small pond, and of course, she was among the best. but now she's been dropped in a vast ocean, and she's small, and insignificant.

devoured by all the other fish.

one of them - and admittedly, the most important of them all - being futaba. she joined after ena, but she proved herself in much less time than her. and, even succeeded where ena failed - she never gave up, even when she was harshly criticised. never regressing artistically. never running away from art.

and there's something else, somewhere deep down - a fear. a fear that nightcord will abandon her when they realise she can't keep up with them. that she's not as good as they thought she was.

what will happen of her, then? she'll be all alone. unloved.

an goes through something similar.

she meets kohane, and she decides that this person is going to be her partner. that they're going to surpass THE rad weekend together, that no one could be better for this task but her.

but when she starts that relationship, it's with the assumption that she'll always be the teacher and that kohane will always be the student.

not in a mean, or pretentious way, no, not at all. simply, an was always told there was no way she couldn't surpass rad weekend, since she was ken's daughter. in her small pond, she was also among the very best.

but then, an realises something, too.

kohane is much better at everything than she is.

very similarly to ena's situation with futaba, kohane made much more progress in barely a year than an has in years. taiga - one of the old RADers, and somewhat of an uncle for an - recognised her potential, and asked to train her. not an, but kohane.

and of course, an is happy to know that! because that's her partner and friend, and an is happy to see her grow more confident and get better every day. because she cares. because she loves her.

but there's something in her chest - something that hurts and aches. she has to face the fact that she's not as good as she thought she was, that she isn't worthy of her father's legacy. that she isn't worthy of being kohane's partner, that she might be holding her back.

that she might be abandoned. left behind to rot.

what will happen of her, then? she'll be all alone. unloved.

to me - ena and an are two kids suffering under the weight of a legacy that's too heavy for them to carry, but that they can't let go of. they're also struggling with seeing their peers succeed where they repeatedly fail. they're all about being terrified of being abandoned because they're not good enough.

they're both confronted by this fact.

and it terrorises them.

[samanthamulder]

THE X-FILES (1993-2018)

SEASON FOUR — The truth will save you, Scully. I think it'll save both of us.

[inkerii]

So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

[quietbirdee]

and I love you, and I'm glad, and I'm grateful you were here for me, you were kind to me, and I love you, I love you, I love you

[etoilesombre]

[id: a set of eight images from Black Sails. The first image shows Mrs. Hudson speaking to Woodes Rogers, with the text "She said you should trust that her commitment to you remains inviolable." The second image shows Flint and Silver together in Madi's house after her presumed death. The third image shows Eleanor in the fort firing on Rogers' ship, with the text "and that this is no betrayal..." The fourth image shows Flint taking the cache ashore on Skeleton Island, viewed through a spyglass. The fifth image shows Eleanor and Rogers talking in bed, with the text "...but an act of love." The sixth image shows Flint's face during the Dragons speech. The seventh image shows Eleanor lying dead in Flint's arms, with the text "An act she is determined to see through to its end." The eighth image shows Silver pointing a pistol at Flint on Skeleton Island. /end id]

[sasukeless]

mmmmyeah