#oh. youre making a joke

[weaselishmcdiesel]

fucking christ rant in tags

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[soranker]

DEEP💥SPACE💥PLANET💥FUTURE💥GUN💥ACTION❗️

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[noodles-and-tea]

👀

[erinwantstowrite]

will peter be like an older brother to miles in lof ?

absolutely he is

there's about an 11 year difference between them (Miles is 14, Peter is 25), so it's a lot more like the older brother type of relationship that Peter has with Tim (despite Tim being his uncle). Peter has mentored(ish) other young heroes by this point (mostly in the Bats' universe) but since Miles is another Spider-Man, Peter takes up most of the responsibility in making sure Miles is safe and teaching him the ropes. That's HIS sassy child genius, thank you, and he's not a sidekick, he's Spider-Man.

He was also adamant that Miles tell his parents immediately, and gets along great with Rio and Jeff.

Which is HILARIOUS to me because at this point in time, Peter has built up a persona for the public eye just like the Bats did. In Rio and Jeff's eyes, they're gobsmacked that the clumsy, scatterbrained, and "scaredy-cat" kid that Tony Stark adopted a while ago is Spider-Man. (Technically, none of this is a lie. Because Peter is a terrible liar unless it's For the Jokes, and often comes across this way even if he hadn't meant to.) They're wondering how he pulled that off since he's the same age as Spider-Man, who is known to be an Avenger, and associates in the same circles as Peter. It helps that Peter and Spider-Man have been in a social media war, and that Peter works at the Daily Bugle that is known for disliking Spider-Man. Peter's been taking lessons for years atp to keep his identity safe. Which is also bonus points to Peter, because the two can tell that secret identities mean everything to him, but he told them who he was in a heartbeat (literally the very first thing he did when he found Miles).

In other words: Peter was ecstatic to become a teacher for his own matching superhero kid and it's one of the most important bonds in his life. That's his baby brother now!!

[mixmangosmangoverse]

The discussion around the fandomization of the I/P conflict is so fucking relevant because why did I just see someone in a discord for a reaction channel that reacts to musicals and cartoons suggest them to react to the Columbia ""protests"" with a heart emoji as if it's another episode of their favorite show and SIX other people agreed with that

[mobius-m-mobius]

Loki 1x02 // 2x06 (anon requested parallels between Loki stealing hearts jobs 😉)

[holy-reference-in-a-username]

Look out for magic mirrors~!

Congratulations you activated my trap card. Take a comic.

Ell: Holy shit they're idiots.

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[deoidesign]

Hm... I'm feeling benevolent...

[aroaceleovaldez]

im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.

It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.

And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.

[ahalliance]

antoine + étoiles insane moments, p.2. aka the ass saga. p1 here

transcript + context for some of the clips below

[Video Transcript:

[First clip plays.]

Rivenzi: You want to see Etoiles’ ass, of course…

Antoine: Yeah, I’m gonna stare at your ass, Etoiles…

Etoiles: Fuck, what dread, during Popcorn [a talkshow Etoiles had been invited on the previous week], when I went up to the map and you said that, and I thought ‘whoa—‘

Antoine: Sorry

[Second clip plays: the moment during Popcorn]

PA/Domingo: Antoine Daniel has posted a tweet for us: ‘I wanted to look at this map of Africa, but Etoiles’ ass in the shape of a standing bell is driving me crazy. Smiley face with eyes in the shape of hearts.’

[Third clip plays: a continuation of the first clip.]

Antoine: Sorry, bro…

Ponce: Oh but that tweet, besides

Rivenzi: A standing bell…

Antoine: What’s more is that I never tweet and when I do it’s to tweet this sort of shit

Ponce: That’s exactly what I told myself. When PA read the tweet, I thought to myself, ‘but he never tweets!’ And he tweets to talk about Etoiles’ ass

Antoine: There needs to be a good reason, you see

[Fourth clip plays: a clip from the Team du Lundi’s minecraft server.]

JDG: Someone (in chat) said, ‘I can’t tell whether the atmosphere is good tonight or—‘

Antoine: It sucks, it sucks

Florence: You don’t need to ask every time, it always sucks

Baghera: Always sucks. Especially when Etoiles talks about ass [which had been a previous topic of discussion for him that night]

Antoine: Stooop, I enjoy it

Mynthos: You enjoy it?

JDG: It’s true tonight that it’s more weird than bad

Antoine: I like it when Etoiles talks about ass….

[Fifth clip plays: a second and different clip from Popcorn.]

Etoiles: —you’re not allowed to tell me that [Xari claimed to not know much about cinema]. I know you, I studied, because you’re my rival [in pop culture]. I really enjoy what you do in life, Xari, and you’re really knowledgeable about cinema

Antoine: What do you mean he’s your rival? And I’m just shit?

Etoiles: You, you’re my lover

Antoine: Oh yeah, sorry, my bad

PA/Domingo: One of the three is gonna die soon. There’s a whole situation, there’s a whole lore

[Sixth clip plays: a clip from the QSMP.]

Antoine: Don’t you want to get married, dude?

Etoiles: Well, I don’t have the time to fuck

Antoine: What the fuck?!

Etoiles: I don’t have time to fuck, dude. I just need to kill everyone

Antoine: No but just a marriage, you see. You’ve watched Game of Thrones— you haven’t watched Game of Thrones, you can’t know how marriages work in that series

Etoiles: I’ve watched it, but I’m married to the street, dude. I can’t give out my heart that quickly

Antoine: Yeah but you can give out your ass quickly, no?

Etoiles: No, frankly, my ass—

Antoine: What the fuck?!

Etoiles: Giving out your ass takes time, dude

Antoine: What the fuck…

Etoiles: Then again, I need to think about it. I’ll give you my answer. I need to discuss, and everything

Antoine: I’m tired of getting betrayed. You get married with someone else—

Etoiles: Never in a million years!

Antoine: —it’s like yesterday. Apparently Maximus got the mic from his ass removed while I wasn’t there. I was supposed to be the one to do it

Etoiles: Oh okay, so I’m your second choice?

[Overlapping]

Antoine: No! It was just to help him—

Etoiles: No, but, okay

Antoine: He got— listen—

Etoiles: There’s no problem!

Antoine: Fuck, nevermind

Etoiles: There’s no issue! Oh, so you’re opening my chest and stealing?

Antoine: I was just looking! Out of curiosity

Etoiles: Yeah, that’s it

Antoine: I don’t even understand what’s in it

Etoiles: Yeah, out of curiosity. Dude, your opinion on my cave?

Antoine: Well frankly it’s big

end Video Transcript.]

[carnivalcarriondiscarded]

i am asleep much in the way that Wally is asleep. that is to say, I Am Not Sleeping

[heybiji]

Roshan walks with the two Potts, gazing around at the fields and forests painted in warm colors by the setting sun. He remarks, "It is a lovely view from here."

Gazing outward, past the broken walls he had put up 20 years ago, Arthund nods and says, "Forgot. Forgot how... how pretty it all is."

I recently finished running an original oneshot for some friends, The Reaching Woods. It was a story about a little village surrounded by a big wall and the nearby forest's sudden overgrowth threatening to crush it all. It was also a story about blame and guilt.

Arthund Potts, when we met him, could barely speak at all. Too many years spent drinking and weeping. If he was even conscious he was all grunts and sloppy gestures. The scene above was at the end of the oneshot (okay, eighteenshot), once the party returned from the dark, evil woods.

[spaciebabie]

@paper-lilypie give me my corn chip

a la this post where i just freaked out in the tags. go reblog ops post right now.

glamrock freddy is hot. i stand by this and have stood by this for a year now. he was the first animatronic from security breach i crushed on for a reason