#one of these... got longer...

[redpapercraness]

i wanna see that girl DEAD on the GROUND

[sapsolace]

obsessed w these boneheads as of late :]

[nhyhu]

idk when this progress shot is from lol

[bulbabutt]

rise leo does know whats going on with his brothers, dont you worry

previous part | all comics in this crossover (chrono) | tip jar (kofi)

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next...(Hiatus)

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[floccinaucinihilipilificationa]

Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽｀)ﾉ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!

[bigfatbreak]

Birds of a Feather previous / next

[bet-on-me-13]

Tucker gets Recognized

So! This is using the Egyptian version of Hawkman and Hawkgirls past, cause that's the only way this works

The basic idea is Hawkman and Hawkgirl used to live in Egypt in high positions of Power. Hawkman used to be the Prince, and Hawkgirl used to be the High Priestess. They died one day and became cursed to forever reincarnate.

Ok, onto the prompt.

So, Hawkman is one day flying over the Midwest USA while lost in thought. He gets hungry and decides to set down in a small-ish town called Amity Park.

He goes to a nearby Burger Restaurant, and while he is waiting for his food he sees someone else pick up their food and walk out the door.

And one thought passes through his mind.

"Is that my fvcking Dad?!"

Yeah, Duulaman was Hawkman's Dad in his first life. He just never knew that his Dad was also a Reincarnator (he had the power before even his son, he just never told him).

Tucker, who has Duulamans powers but not his memories (by choice), has no idea why this Guy with Wings keeps following him around.

Wait, did that guy just call him Duulaman?! Oh Hell No!

[hinamie]

dropped everything because i had to do a proper tribute :( have an updated redraw of my very first yoi piece

2016 - 2017 - 2024

[sualne]

bonclay time

(timeline)

[electrozeistyking]

i am injuring myself through this au (this means i’m doing something right angst wise)

[royalarchivist]

Over 6 years ago, Technoblade and Etoiles played together on United UHC. Although they never got to meet each other on the QSMP, it's nice to see that they already had some nice banter and a fun dynamic developing during the brief time they knew each other. Here are some highlights from the video where they played together!

Subscribe to Technoblade! Technoblade's United UHC video

[ Part 1 || Part 2 || Subtitle Transcript ↓ ]

-

Technoblade: Bonjour, mis amis! (Hello, my friends!) Oh god, we already have a zombie on us. No! It's targeting me 'cuz I have subs!

Etoiles: Excellent teammates.

Technoblade: Do trees spawn in these worlds?

Etoiles: [Laughing at a screenshot of Technoblade saying "deforestation has gotten pretty bad"]

Technoblade: It's gotten pretty bad, man. What is this?

Etoiles: B-bonjour.

Technoblade: Stop speakin' Chinese.

Etoiles: You're the best Skywars player, dude. That's why.

Technoblade: That doesn't mean much.

Technoblade: Oh my god, I found diamonds!

Etoiles: Oh, whoa.

Technoblade: Subscribe to Technoblade! I'm suddenly a UHC god.

Etoiles: Oh, I got diamonds too! :D

Technoblade: ...Wow, way to ruin my moment. Wow. Can I just have this one moment?

Etoiles: Yeah.

Technoblade: Does everything- does everything need to be a competition? First diamonds I've ever mined in Minecraft.

Etoiles: Let's redo it, Techno. Let's say I don't have diamonds. I don't have diamonds, you have-

Teammate: I found diamonds!

Technoblade: Oh my god.

Technoblade: I have seven diamonds! And I'm not saying that to one-up you, but- I mean I am, but I mean I'm- I'm also tellin' the truth.

Teammate: Nobody knows which one of you guys is the mole.

Technoblade: Yeah, that's gonna be very awkward.

Etoiles: Maybe Technoblade is already-

Technoblade: I'm right behind you.

Etoiles: Technoblade is already saying to his friend-

Technoblade: I'm already in the Mole chat, plannin' your death.

Etoiles: Like, I'm kind of scared of Technoblade, actually.

Technoblade: I'm not even good, why would you be scared of me?

Etoiles: Because you're the King of Bedwars.

Technoblade: Alright, ok, ok, so here's how it works- I get paid per episode, right? So I'm not gonna betray you on Episode 2.

Etoiles: [Laughs]

Technoblade: Now let me enchant.

Etoiles: I'm so bad at hearing sound because when I'm hearing lava-

Technoblade: Nah, it's 'cuz the sounds are in French, isn't it?

Etoiles: [Laughs] I'm gonna kill you, bro.

Technoblade: No!

Etoiles: [Laughs] I'm gonna kill you.

[furiouskettle]

went a little nuts and made a batman au joker and got really invested. i dont even go here.

in short, it's one of the morality switcheroo kinds, so bats is a "villain" (gone full crime eradication mode and stamped out any empathy. bruce has like. taken over gotham and keeps funding cops and surveillance.) and joker's a..... well. hes not a hero but he is here to ruin a billionaire's day and well if he ends up helping people out so be it. He's just a scrungly little guy and that's everyone else's problem.

(yes that is Dick in that one doodle)

[tritoch]

i know a lot of people (very understandably) dislike the paladin job quests in ffxiv, particularly HW, but i do think it's fun that, now that the pre-ShB MSQ revamp is complete, paladins now have a very cool and thematic in-game storyline that happens without a word being spoken: the development of passage of arms.

none of the below is directly stated in the script, but imo it's a fairly obvious gloss on what the game presents, if you assume a paladin warrior of light. spoilers for all expansions through the end of 6.X.

in the new version of steps of faith, as vishap breaks through each ward protecting ishgard from attack, lucia mounts a final desperate effort to hold him back, with a very familiar looking animation:

but even lucia can't hold back vishap's flame alone, so the temple knights surge forward to assist her. their efforts make the shield visually more powerful and larger. the temple knights here band together in defense of ishgard, and their knightly resolve to protect their home is the difference between victory and defeat.

lucia and the knights do ultimately succeed in defending the last ward, as you have to defeat vishap before their shield falls or you lose.

later in heavensward, obviously, we will get ffxiv's most famous (failed) attempt at blocking something with a shield.

this moment can be read as fairly impactful on the warrior of light's development; as i've noted elsewhere, after the trauma of watching haurchefant bleed out in their arms at level 57, at level 58 paladins learn to channel their magic into healing (and it's called "clemency," or mercy. mercy for whom? who was guilty?), and as someone pointed out on that post, at level 58 dark knights used to get "sole survivor", letting them heal in response to a marked target's death.

for a time, you literally carry haurchefant's shield with you, and 3.3 very much literalizes in genre fashion the idea that even when you are standing alone, your fallen friends stand with you. you don't need to call any allies to stand at your side and raise their shields with you because they are already there, in spirit.

stormblood marks a pretty important turning point in the warrior of light as a combatant, in my opinion, and the text makes this clear in several ways. first, in pretty much all your jobs, you've now far exceeded your trainers and are pioneering new techniques. this is no less true of paladin, which for 60-70 abandons any trainers at all for you to show off your peerless skills in a tournament.

second, stormblood is straight up a story about you getting stronger. at level 61, zenos kicks your ass. at level 70, you kick his ass. why? because you fought and got stronger and developed incredible new techniques and became a one-man army.

for a lot of classes, this story lines up nicely with the big rotation changes or flashy new finishers on the way from 60 to 70. SMN is now busting out bahamut and casting akh morn; RDM gets verflare and verholy; DRG starts harnessing nidhogg's power directly through dragon sight and nastrond.

the tanks are divided in two: warriors and gunbreakers get huge damaging upgrades at 70 in the form of inner release and continuation, each of which lets them hit the same button many times for lots of damage and satisfying animations. paladin and dark knight get more protective abilities; dark knight gets the blackest night, and there's been plenty said about that already by pretty much everyone.

paladins get passage of arms. instead of a relentless new attack (and you get requiescat at 68, which is a way bigger deal for your dps rotation), your big reveal at 70 for zenos in your fight in ala mhigo is a superior way to protect your party, a shield that lets you stand for your allies so they never have to fall for you again. it's lucia's same shield, except you need no allies' shields to reinforce you, proof of your martial prowess and your ability to transcend limits, and perhaps in truth a reminder that you never really stand alone.

in many respects passage of arms should really feel like a paladin signature move to you now if you are playing it at this point, because you should be popping it in pretty much every fight (you are using your mits, right...?). basically every FFXIV fight has at least one big AOE with downtime that warrants passage of arms usage, usually after the mid-fight add phase with slowly filling bar. since that AOE usually drops during downtime, there's no reason not to pop passage of arms (which otherwise restricts your movement and actions), and even on normal, sometimes every little bit counts on a damage check even if it means dropping DPS (thinking here of harrowing hell P10N on release, which was...less consistent for a lot of roulette parties than you might hope).

so from 70 onward, passage of arms is in a sense a paladin warrior of light's signature move, and certainly the one a player gets to most actually enjoy (since if you're using it, you're by necessity not doing anything besides moving your camera and admiring your sick animation). it doesn't have any competition in terms of spectacle until confiteor, and those you're usually throwing out in the middle of movement.

it's such a signature, in fact, that the only other person shown using your one-person version of passage of arms is your greatest admirer, who studied your legend for over a century.

and it's when he fails (should've popped arm's length, bud) that the warrior of light decides they can't let their friends fall for them, and sends them away with the transporter beacon. this is all wrong: you were meant to die for them, not the other way around. yours is the shield that stands between your allies and defeat. it is you who will win this passage of arms and break your opponents lance. and you do.

and then later, when they need to quickly establish zero's domain as a place of fallen grandeur, the home of someone who once believed in heroes but is now a cool and cynical vampire hunter d, what do they use? a decayed statue of someone in the paladin endwalker gear doing the passage of arms animation, of course.

from a visible instantiation of knighthood as a joint effort to defend what is sacred, to a tribute to the fallen friends whose memories stand by you and animate you, to a symbol of the wol's power as emulated by their allies or darkly mirrored in other shards.

not bad for a mit button you hit once per fight and otherwise never think about!

[steddiehyperfixation]

don't you forget about me (steddie fic)

saw this post and was inspired to write something angsty <3

The first thing Eddie is aware of when he wakes up, before he even opens his eyes, is the dull, aching pain throbbing through pretty much his entire body. The second thing he’s aware of is that someone is holding his hand. 

“Eddie?” The hand in his tightens its grip as Eddie begins to stir; the voice it presumably belongs to sounds immeasurably relieved, yet only vaguely familiar. 

Eddie groans. His eyelids flutter, blinking awake, and he groggily rolls his head to the side to get a look at whoever had spoken. 

The voice sighs again, “Oh thank god-” 

“Harrington?” Eddie’s eyes fly open wide now as they land on the mystery man sitting beside him on the edge of the bed - a man he most definitely is not close enough with to be holding his hand, and a bed that is most definitely not his own. He snatches his hand away. “What the hell are you doing? Where am I?”

“Ed-” Another man’s voice, this one just as relieved and infinitely more familiar. It fills Eddie with relief too as he looks to his other side to find his uncle Wayne rising from a nearby chair to come up next to him. 

“Wayne, what-?” His surroundings are becoming more clear. “What happened? Why am I in a hospital? And why the fuck is King Steve at my bedside?” Eddie tries to sit up only to gasp and wince in pain as the dull ache in his sides sharpens to near agony at the movement. 

“Take it easy, son.” Wayne’s hand lands on his shoulder, gently but firmly pushing him back down onto the pillows. “You were hurt real bad.” 

“Yeah, I got that,” Eddie grumbles out. He sucks in a deep, intentional breath and exhales slowly, the pain beginning to dull again now that he’s settled. His questions are still largely unanswered, though. Blank mind reaching desperately for any logical piece to this bizarre puzzle, he turns an accusing glare to Harrington. “Did you land me in here? Is that why you’re here, some sort of weird guilt thing?” 

Harrington’s looking at him like a kicked puppy. “What? No, I-” he falters, takes a shaky breath and swallows painfully like he’s trying not to cry. “You don’t remember?” 

“I don’t remember what? Will someone just tell me what happened?” Eddie’s confusion is rising more and more into agitation with every second he remains without an explanation. 

“What’s the last thing you remember?” Harrington asks quietly.

“I was driving home from school, just found out I wasn’t gonna graduate again.” Eddie frowns as he thinks back, still trying to put pieces together. “Did I crash my car? Is that it? I was emotional and not paying attention and got into an accident?” 

Yet again, he receives no answers. 

“Eddie, what month is it?” Wayne asks instead, his tone dangerously measured and serious. “What year?” 

“May…” Eddie says warily, “1985.”

His words hold a weight he doesn’t understand, landing heavy on the others in the room and thickening the air. It sends a chill of dread down his spine, the way his answer etches concern deep into the lines of Wayne’s face, the way Steve Harrington seems to take it like a blow to the chest. 

Harrington exhales sharply as if he’s been punched, standing abruptly and taking a few stumbling steps back. Wayne says, “It’s April of ‘86, Ed.”

Eddie’s blood runs cold. “No. No, it can’t be.” 

“I’m gonna go tell the nurse you’re awake,” Harrington mumbles, his voice strained and his eyes glassy with barely held-back tears. 

“I’ll go,” Wayne offers, pushing himself away from Eddie’s bed. He gives Harrington a meaningful look, though what that meaning is, Eddie can’t decipher. 

Harrington turns his devastated gaze to the older man. “But, Wayne, he doesn’t-” 

“I know, kid.” Wayne gives a sad smile and places a sympathetic hand on Harrington’s shoulder as he passes by. “Just talk to him.” 

Eddie is thrown off by this familiarity between them. Since when were those two close? He feels like he’s entered some sort of parallel universe where everything is just ever so slightly wrong. It leaves an itch beneath his skin, uncomfortable and out of place, like he no longer quite fits in his own body, in his own life. He’s lost 11 months, apparently, and this world is no longer his; he doesn’t know where he fits into it anymore. 

Wayne leaves the room, and Eddie wants to protest: Don’t leave me here with this guy I don’t know in this time I don’t know, please, you’re the only thing that feels safe and familiar! Anxiety is crawling through him like a thousand tiny bugs in his veins. He wants to scream, he wants to cry, he wants to run. Anything to shake this feeling loose. But he’s confined to this bed, trapped both by his pain and by all these machines he’s hooked up to, and he sure as shit isn’t going to have a breakdown in front of Steve goddamn Harrington. 

Instead, Eddie resigns himself to this situation and casts a sideways glance at Harrington who very much looks like he’s also trying not to have a breakdown. “I’m freaking out, man,” Eddie says finally, hating how shaky and pathetic his voice sounds. “I swear to god, Harrington, if you don’t tell me what the hell is going on…” 

Harrington worries his lip between his teeth as he hesitates. “It’s a lot to explain.” 

“Yeah, I bet,” Eddie scoffs out a humorless laugh. “I’m missing nearly an entire year, of course it’s a lot to fill in. Unless I’ve been here this whole time?” 

“No.” Harrington shakes his head. “No, you’ve only been here about a week. I- I don’t know why you’re missing so much time, the whole Vecna thing only started like a week before that-” 

“Vecna?” Eddie interrupts to question. “What does any of this have to do with the D&D campaign I was planning? And, also, how the fuck do you know about that?” 

Harrington closes his eyes for a second and takes a breath, like having this conversation is the most painful thing he’s ever had to do. “I’m not talking about D&D, Ed. Vecna was a real-life monster from a real-life alternate dimension we called the Upside-Down. The kids only called him Vecna because we didn’t know who he was at the time and he, like, cursed people before he killed them, but he was actually Henry Creel, which is a whole other fucked up story.”

“Okay…” Eddie doesn’t know who ‘the kids’ are and he’s skeptical of the way Harrington talks so factually about monsters and dimensions and curses existing in the real world, but he does remember his uncle telling him stories about the demonic tragedy of the Creel family, which is the only thing that makes any of this even halfway believable. It still doesn’t explain how Eddie wound up in the hospital with his entire body feeling like it’d been run through a blender, though, or why the former king of Hawkin’s High was hovering over his sickbed. He gestures for Harrington to continue. 

“I never wanted you to get involved in all this Upside-Down shit,” Harrington’s voice breaks. He steps closer to Eddie’s bed again, and he looks so so sad as he stares down at him that it makes Eddie’s own heart ache, just a little bit. Harrington’s hand twitches at his side as if he means to reach out for Eddie but then thinks better of it, running the hand through his hair instead as he continues, “I tried to keep you from it for so long, I really did, but then Vecna killed Chrissy in your trailer and the whole town blamed you and you were just a part of things then, there was no getting around it. You helped us fight him - Vecna. You kept his army of bats off our ass while we weakened his body and El weakened his mind. If it weren’t for you we never would’ve defeated him and we certainly wouldn’t have all made it out alive.” Harrington’s gaze softens, as does his voice, his next words almost a whisper, “You were a hero, Eddie.” 

“That doesn’t sound like me,” Eddie says, like that’s the least plausible part of Harrington’s story. And, really, it is. He can wrap his mind around a lot of things: a murder in his trailer - sure, Forest Hills always was a shady place; the whole town accusing him of being a killer - yeah, of course, that tracks; even an evil wizard from another dimension with an army of bats - fine, okay, why the hell not. But Eddie Munson is no hero, and he’s definitely not any sort of fighter either.

“No, you never did think so, did you?” Harrington mutters with a sad sort of fondness and the barest trace of a wistful smile. “But it’s true. Dustin was in danger and you didn’t even think twice. You ran right into the fray without a second thought, sacrificed yourself so that the rest of us might survive. Those bats nearly killed you, b-” he breaks, choking on whatever word he was going to say. His eyes swim with yet more unshed tears. “I almost thought they had killed you, you know. I thought you were dead when I carried you out of the Upside-Down,” he admits shakily, choked up and barely managed, “and even when I brought you here and you were stable, I was still so scared you wouldn’t wake up…” 

Eddie doesn’t know how to react to any of that information or to such a display of emotion. His own hands twitch now with the urge to reach out and comfort him, but he too denies that instinct. He tries for humor instead, something lighter, cracking a grin and teasing, “Aw, Stevie, I didn’t know you cared.” 

Harrington makes a sound halfway between a sob and a laugh. “Oh, Ed, you have no idea.” 

“We were friends then, weren’t we?” Eddie guesses now, carefully. It’s rapidly becoming the only possible explanation for the guy’s behavior around him. “Before all the Vecna stuff?”

“Yeah,” Harrington manages, forcing a small, sad smile as his eyes finally overflow and streak his cheeks with tears. “Yeah, we were good friends.” 

~

Wayne reenters the room then with a nurse in tow, and Steve quickly turns away and rubs his hands over his face. He needs to pull himself together; he can’t break down right now, not yet, not here. 

He listens, distantly, as the nurse asks Eddie a bunch of questions and then tells the rest of them that she needs to take him in for some tests to determine the cause and prognosis of Eddie’s amnesia. He watches, numbly, as she wheels Eddie’s entire bed out of the room. 

Steve can barely hear, barely see, his emotion clouding his eyes and roaring in his ears. He stares blankly through the open doorway and struggles to swallow down the ever-rising lump in his throat. 

Wayne’s voice rumbles from somewhere beside him, but he can’t quite make out the words. “What?” 

“I’ll take that as a no, then,” Wayne says, the sound reaching Steve’s ears a little clearer now. “I asked if you were alright.” 

Steve shakes his head. His voice comes out coarse and raw, “‘Course I’m not alright.” 

“Right, ‘course you’re not,” Wayne echoes. He follows Steve’s mournful gaze to the door Eddie had disappeared through. “What did you tell him?” 

“Told him he was a hero,” Steve croaks, “...and that we were good friends.”

“Ah…” Steve’s vision is so blurred behind a thick layer of tears he can’t see the sympathetic frown on the old man’s face, but he knows it’s there. “At least he’s alive, kid,” Wayne tries to be comforting. “You can always start over.” 

“Yeah, I know, but I don’t- I don’t want to start over, I just want-” Steve chokes back a sob. He just wants Eddie.

It’s a horrible thought, but Steve almost thinks that this just might be worse than if Eddie really had died… Because how is Steve supposed to handle the fact that his boyfriend of 9 months no longer knows him? How is he supposed to cope now that the love of his life looks right at him and no longer sees him?

He closes his eyes, presses the heels of his palms into his eyelids, inhaling a shaky breath and exhaling an even shakier sigh. Steve whispers, “It feels like I’m losing him all over again.” 

(part two is here!)

(also on ao3)