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vidalinav · 3 years

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Nessian Headcanon #12: Family Edition

Since I keep seeing baby headcanons I wanted to make a list of my own :D which I’ve briefly touched on in other posts but...

Cassian and Nesta have a boatload of children (5 at the end of it all I think). The others start joking that they’re building their own army. But what really happens is that they end up taking in many children over the years because they travel often with the work they do and they see so many conditions and there’s wars and all sorts of circumstances. It’s inevitable that kids don’t have homes but they have a giant house and unending resources and the House is like a big nanny itself so they think it’s fate.

Nesta is actually the one who brings most of the children home. The first one is a 9 year old girl, who is the angriest kid alive. Has something to do with the plot of a story I’m writing, but Nesta is basically entrusted with this kid. She’s the grand niece of someone she ends up knowing and she’s pretty magically powerful so her family would have ate her alive, so she’s asked to keep her safe and whatnot. Her name is Magda but she goes by Maggie. She does not like Cassian whatsoever in the beginning, and she is horribly rude to Nesta. But Nesta does not care at all, she’s like okay get it out, say worse. Like she’s so chill, because she knows how it feels to be that angry. Maggie and Nesta end up being really close to the point where Maggie does not like being away from Nesta and gets very protective of her even to other members of the IC. She’ll fight first and ask questions later. Cassian and her form a bond actually not by fighting at all, but because Maggie does so many experiments that end up going awry. She’s a fae and has got magic up the wazoo and she’s a book nerd, and she’s kind of a trouble maker, and Cassian thrives. He loves her because she’s like a smaller more diabolical version of Nesta. The House is amused by their antics usually.

Nesta ends up getting pregnant for their second child and this kid is the only one they actually have on their own. Her name is Lyra, and Maggie thinks that it’s hilarious that Cassian lives in a house with all girls. Maggie is about 12 when they have her, and Maggie at first does not take kindly to Lyra, because she starts feeling like they have their own family and she’s just the kid who eventually is going to have to go back to her other family (because that’s a plot too that I won’t go into to) but they try so much to include her, because Maggie is their child. No question. Nesta ends up telling Cassian that she’s pregnant by giving him an enchanted painting, which is the work of all three Archeron sisters. Elain for seeing what the child would look like, Feyre for painting, and Nesta for enchanting it so that if they have more children the picture will get bigger and there will be room for Feyre to paint the others. So one big family portrait. In that picture, Maggie is tucked in between the two with the baby/toddler. Dark hair, big blue eyes... maybe hazel. Maybe one of each (I’m really not sure). The best parts of both Nesta and Cassian though. She’s so gorgeous. Prettiest little girl. But yeah going back to Maggie, they ask her during this picture time (probably solstice present time) if Maggie wants to be an Archeron. (Another headcanon for another time, but Cassian marries Nesta too and becomes an Acheron). So, does she want to do this? Absolutely, and at this point she already start calling them mom and dad and just referring to them as such, so that’s their kiddos.

Third and fourth are siblings. They’re from the continent. Maggie is 14, Lyra is close to 2. The siblings are brought by Nesta who is doing some thing that I cannot say because I have not made it up yet, but she finds them at the scene of a Massacre in hiding. The oldest is close to 6, the other is probably 1-ish. The oldest will not let them take the baby from her. The baby is a boy. They don’t speak the common tongue, which is any issue, but they hire a tutor to both talk to the little girl and then also to teach them ALL (everyone in their household) the language that the two siblings speak as well as teach them how to speak the common Prythrian language. So everyone ends up learning. The little girl is taken under the wing of Maggie, who is the perfect older sister/camp counselor as she likes to refer to herself after there’s more kids. They don’t know her name for the LONGEST time, because she won’t speak at all, but she ends up loving Cassian because he makes her laugh and he brings her a thousand stuffed bears because at one point she won’t stop crying and he brings them home and makes funny voices with them, and carries her on his shoulders, and she has the sweetest giggle. But eventually they end up naming her Ursella which she ends up going by Ella when she gets older, because her nickname with Cassian is little bear. They do ask her later when she talks if she remembers her old name and her birthday since they don’t know, but she doesn’t say that she does, which may be a lie, but Ella happily goes by Ella, and they give her a choice to choose one random day in the year to be her birthday, but she chooses to celebrate her birthday on the day they brought her in. She calls it her re-birthday.

The baby boy they name Nico. It’s actually a common Illyrian name and Cassian knows that the little boy is technically not Illyrian but it is his first son, and he really wants to give him that piece of him. Cassian does ask him when he’s about 10 if he’d prefer a name that’s based on his own culture, because they make sure that’s very integrated in their home life, because of course Cassian loves his culture and Nesta has that anthropological eye, so she knows and learns so much and they just love their children so much that they want all of them, every piece that they come with. But Nico likes his name, and he’s his dads through and through. But he LOVES Nesta. He’s a momma’s boy for sure, which I guess just makes him similar to Cassian. He does not like learning though, so Nesta usually has to teach him herself instead of having tutors, and she spends extra time with him going through his lessons. Lyra and him grow up together closer to age, so they pick on each other A LOT, but ultimately they grow up to have that relationship like I can pick on you but no one else can. They’re super close. If you want one, you find the other. They both will be together somewhere making a mess of things. Ella is the one who usually is like would you please be loud somewhere else. She ends up getting into music--playing instruments and so she generally prefers quietness to study and practice. Violin is her forte.

The next boy comes about 4 yrs later. Maggie is 18, Lyra is 6, Nico is 5/6 ish. Ella is 10. The boy is about 12. He’s Illyrian and Cassian finds him this time and takes him to Nesta first, but Nesta is like why are you asking lol this is our new son. He’s a “bastard” unfortunately. I hate that word. But he has learned to fight, Cassian found him in the fighting pits in an Illyrian camp a couple hours away from Windhaven, and the situation was so much like his except this kid was never given a home like he was. So, he spent a good couple of weeks trying to get on his good side enough for him to trust him and to want to go someplace safer and warm. He hates Cassian a lot at first... while at the same time being like you’re the hero I’ve heard about. So admiration but also a touch of resentment and anger at the world. Cassian doesn’t know what to do with that, because still to the day he does not handle emotion like Nesta does. He understands it but he doesn’t know what to say, what to do, his go to is always training, but training is not what this child needs. So again, this is Nesta’s forte. Interestingly enough, she’s very gentle with kids. She’s empathetic, soft, but not condescending. She gives everyone the same respect so it helps a lot when he sees that and he’s never had a mom before who tucks him in or makes sure he’s feeling well. His name is Julian. I forgot that part and it turns out he’s HATES fighting. But he really likes plants. So he ends up spending a lot of time with Elain when she visits. He’s fascinated by them and ends up having his own garden. But because Nesta is magical in this headcanon (because she’s more witchy in my fics) he learns A LOT about poisons. Not because Nesta teaches him, but because he finds her books and reads them and starts growing them. This becomes a problem, because when Julian doesn’t like his tutors or teachers, he starts trying to poison them. Like not killing them, but he knows which will give stomach aches, which will give rashes. Nesta is both proud and reprimanding.

I do feel like they might have more, but I don’t know for now I feel this is good for their set family. Five in total for their first gaggle of children lol. But all of them are asked if they want to be an Archeron. All of them say yes. All of them have each other’s back even if they have screaming matches on the daily. The house is mostly chaotic at all times but the House loves having people in it and laughing and being filled to the brim with stuffed animals and train sets and plants and music and family members coming in and out since Nyx visits often because he’s an only child for a very long time with Feyre taking more of a position in court rulings and Rhysand just being generally busy because you know High Lord/High Lady stuff. I don’t see Feyre being a stay at home mom but I also don’t see Rhys being a stay at home dad, but they’re also rulers so I peg them for both being working parents, which they feel guilty about A LOT at first, and it’s something that they struggle with in the confines of their own identities and their relationship, because they love Nyx and they know they’re parents but that’s not all they are, and without having the gender role of one parent staying home it’s very difficult for them to both rule, but Rhys does not want to stop being a high lord and Feyre is bored too often and she wants to rule and she knows she can, and she has that title for a reason and wants to utilize it. So it’s a hard time, with lots of arguments, but Nyx ends up mostly going with Cassian for a good amount of the day when he’s older and they have more kids in the house, and Nyx doesn’t really know that Feyre and Rhys had this problem, because he’d just prefer to be around the other kids and it ends up working really well.

Cassian ends up being more of the stay at home parent. I don’t know why but I feel he just gives me that vibe where forget the courtier business, if there’s no war and if the armies are generally taken care of which he does, he wants to stay home and raise his kids, which is very surprising since he’s the one who doesn’t ever take vacations. He wants to be there for every moment no matter how awkward or loud. That’s his family and he’s waited so long for them, and it’s not even about him not having that family early on, it’s because he genuinely would rather be with his kids. He’s the one who as soon as they got the siblings was like I’m going to have to take a step back, because he saw his kids every day but he just didn’t want to be away for long periods of time, and at that point he’d already taken several steps back on working, so it became more of a done deal then. He still is the general, but he gives more responsibility to Devlon and to other people he’s trained over the years to step up. So generally, Cassian will work a couple of days a week for a couple of hours or just go quickly in the evenings, go over reports if the kids are in class with their teachers, and more during certain times of the year, but he’s generally more of a family man.

Nesta in my fic/headcanon ends up being a queen as well as a leader of the witches and the founder/leader of the Valkyrie and she owns a shipping company and she’s the cauldron’s guardian which don’t ask me to explain, it’s in this fic I’ve barely written. But she’s a “I can bake the cake and eat it too” type of person to me, and because of her magic it is easy for her to do it all because it’s like a full time job. She goes home after a certain hour and she’s back with her kiddos, and most of her jobs have other people who have a handle on things as well. So she’s not an island, but she loves having the purpose and the drive, because as much as she did like being in the library and being in Velaris and having that day to day slice of life, she likes and yearns for adventure. She’s a go-getter and is not necessarily ambitious for power, but she’s got the whole world to discover and she can have anything she’s willing to work for. She wants to be and see it all. Cassian is endlessly proud of her and is like that’s my mate, my wife. My mate. My wife. And they both end up getting what they want without having to sacrifice their own ideals. Their marriage is a collaboration and it ends up working phenomenally for the two of them and their children.

But ultimately it’s really the House that makes it possible. Because who cooks food and cleans and supplies every need and wish and whatnot? The House. Who baby proofs? The House. The House is like I’ve always wanted a big family and boy does it get a big family.

#nessian #nesta archeron #cassian #nessian headcanon #nessian hc

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mhashorts · 3 years

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When Our Eyes Meet

Inspired by mmajjyc’s art on TikTok.

Pairing : God Izuku Midoriya x Reincarnated Katsuki Bakugou

Prompt : God falls in love with a mortal, only to lose him. The reincarnation of his lover slowly remembers him after making eye contact with a painting.

Genre : Romance, Fantasy, Anime

Word Count : 1,550....I think.

It was a sudden visit to the museum, nothing interesting to be expected besides the random pieces of art made years ago by artists known and unknown. And some new pieces of modern art of course. Eijirou thought this trip would be a great outing, something different from the amusement parks, arcades, and movie theater. He also needed the visit so he could write the 5-page essay on specific pieces of art for his college class that was due in two days. Not like he was going to tell any one of his friends that though. Unbeknownst to him, Denki and Katsuki did know the moment Eijirou pulled out his notebook from his backpack once they stepped foot on the museum’s front steps. They just did not want to ruin the positive atmosphere.

Grumbling as the trio walks further into the museum, Katsuki separates himself from his friends but stays close from behind as they enter the Japanese God’s and Goddesses exhibition first. There were a decent amount of people examining the art and sculptures, silently speaking amongst themselves. Some even attempting to sneak a few pictures of the angels in the paintings.

Eijirou and Denki walked at a fair pace, catching glimpses of everything here and there. Coming up to a huge mural-like portrait painting, Katsuki stops in his tracks and stares up into the eyes that suddenly caught his attention. He stays fixated on this piece of art that displayed a crying angel, paying no mind to his friends who continued walking, leaving him behind.

Deciding he wanted to know more, out of pure curiosity, he calls out to Eijirou. “Oi. Shitty hair, give me the guidebook.” He demands, not sparing him a glance as his focus stayed on the painting. “I wanna know who this is.” Eijirou turns to him (as well as Denki) and brings the book up to his face, flipping through the pages.

Finding the right page, he reads it out to his friend who was ready to listen. “It’s a representation of Izuku, The God of Peace. He answered people’s prayers and was worshipped in all Japan in ancient times.” “One day he fell in love with a mortal, and he was banished from the god realm.” An image of Izuku with a huge smile flashed through Katsuki’s memory suddenly, causing him to shudder. He did not know why but it felt like déjà vu to him. Like he has experienced seeing that smile before in person.

“Legend says he is among us, trying to find the reincarnation of his long-lost lover… who remains unknown?”

Katsuki’s eyes stayed on the face of the green haired angel and his eyes widen as another memory flashes through his brain once more. This memory was vividly clear to the point a single tear fell down his cheek. He shakes his head to rid the memory, but it was no use. Then he recalls the dreams he had that he never remembered the morning after. Unable to tear his eyes away from the green ones that stared back, Katsuki jumps to the touch of his friend’s hand on his shoulder. He turns to them with teary eyes. Eijirou and Denki stand their shocked, not knowing what to do since this was the first time seeing their hardheaded friend so emotional.

“Are you okay Bakubro?” Eijirou asks, “Did I say something wrong?”

Katsuki uses his sleeve to wipe his tears and shoves his way past the two.

“Woah. I didn’t know he cried. He’s usually so kept.” Denki states, watching his friend leave the exhibit. He looks at Eijirou, “I’m worried. Should we go after him?”

It doesn’t take the red-haired friend more than two seconds to respond, “Just give him a minute. I think he needs to be by himself for a while. I’m sure he’ll message us if he goes home.”

“Okay.” The two continue their visit.

Katsuki makes his way out of the museum in a rush, not caring if he bumped into anyone on accident. He was somewhat thankful that his friends did not follow him out, not wanting to break down even more in front of them. He treks down the stupidly long cement set of stairs and when he finally reaches the last step, he trips over his own feet. With no way to prepare himself for impact, he closes his eyes, only for him to land in a pair of sturdy arms.

“Woah. Are you okay?” The person who caught him asks, helping him to his feet. “These stairs seem to be a little steep. There should be a sign that says, ‘watch your step’. Haha.” He jokes before pulling his hands away from Katsuki. Looking up, the two make eye contact and the memory floods back.

~Flash Back~

Izuku’s face was covered in dirty tears as he held his lover in his arms, his face buried in the ash-blonde hair that was now stained red. He screamed out to the gods, begging for forgiveness so he could heal his dying lover. Alas, the gods did not respond to his cries. He rocked his dear Katsuki, kissing his face over and over in hopes that the gods and goddesses saw his pain.

“Don’t die on me. I cannot live on this world without you. I just can’t.” He pulls him closer, “Please Kacchan. Please.”

Katsuki lets out a small cough, placing his hand on Izuku’s tear stained face. “I wish I could, but I don’t have immortality like you, my love.” He whispers, “Or else I would walk on this earth with you for eternity.”

“No. Not like this Kacchan. I won’t let you die.” “I can’t be healed, whether it be from the gods or yourself.” Izuku cries get harder, “This is all my fault. If I didn’t fall in love with you, you would be living peacefully.”

“Yet here we are.” Katsuki coughs, “It’s not your fault Deku. None of this was your fault. I fell in love with you, and nothing could come between that, not even the gods. Please, do not blame yourself.” More coughs erupt and blood falls past Katsuki’s lips.

“I’m sorry, my love.” Izuku apologizes. Katsuki uses the last of his strength to bring Izuku’s head down so their foreheads touch.

“What did I say Deku? Don’t apologize.” He grunts, “We will meet again. And when we do, I may not remember until my eyes meet yours.”

“O-of course.” The two share a final kiss and once Izuku pulls away, Katsuki’s body falls limp.

“Got damn you!” He shouts up at the sky, crying harder. “I did nothing wrong but fall in love with someone who had a heart! You all would do the same if you were in my place. You let me keep my immortality but at what cost. To see my suffering for falling in love!”

He looks down at Katsuki’s body once more, “When our eyes meet. I’ll see you again Kacchan.”

~End of Flashback~

Reality sets back in and Katsuki is in shock. He does not break away and looks deeper into the familiar green eyes. “Deku?”

Izuku, equally shocked, slowly starts breaking out into tears. “Kacchan? Is that you?”

Engulfing Katsuki into a hug, he brings his hands to the ash-blonde hair. Soft and spikey, same as before. He pulls away for a second, examining the face he dreamed about every night. The lips he remembered kissing. The eyes he stared into for hours on end. “Please tell me you remember me.”

Katsuki smiles back, “I do. It’s cloudy but I do my Deku.”

“Yes. I’m your Deku.” He laughs through the tears, hugging his lover again. “It’s been so long Kacchan. I almost lost hope.”

“Like I said, I may not remember until my eyes meet yours.”

They make eye contact again and finally, after decades of their souls being separated, they share a kiss. A spark flows through the two of them, rekindling the fire that has been waiting to be ignited once again.

They can finally live in peace.

At the top of the stairs, Denki and Eijirou fist bump. “Our job is done. Great work partner.”

“Do you think we should tell them that the Goddess of Love sent us?” Denki asks.

“Nah. I think they’ll be better off knowing that the gods regret their decision to banish him. Plus, Midoriya is no longer immortal.” They look at Izuku, smiling when they see he is finally at peace and can rest after decades of searching. “It seems like he already knows that.”

“And I don’t want to know what Bakugo would do to us if he finds out we knew about this this whole time. We might be the goddess’s helpers; we can still get hurt.” Denki nods rapidly in agreement.

The two watch on as the lovers walk away, holding each other close as they disappear into the crowd. “We are good friends.”

“THEY DID WHAT, DEKU??!!!” Katsuki shouts, running back towards the museum with Izuku right behind him.

“Hey. Do you still have that essay to write?”

“Yup. Wanna go back to the apartment and help me finish it?”

“Yup.” With that, the two book it.

“KACCHAN. THEY DID IT FOR US! DON’T HURT THEM!”

“THEY’RE DEAD.”

The End.....

So, it is the end of the short story I promised. It took me 4 hours to write since I wanted it to be perfect. I tried to input as much detail as possible get make it short. I cried at the flashback part. I also didn’t know if I wanted to do parts but it took me some thinking and I just decided with this. I also added a little funny ending for my pleasure since it’s what I do in my regular writings.

I hope y’all enjoyed it! Let me know if you did!

Also, thanks to mmajjyc for allowing me to write a short story of the duo! You art is beautiful and inspired me to write this since there wasn’t gonna be a part two. Lol! You are amazing!

Thanks again! Much Love - Maia❤️

#midoriya izuku #bakugou katsuki #mha #bakudeku #kaminari denki #kirishima eijirou #my hero academia

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incarnateirony · 4 years

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So here we are, The Great Supernatural Rewatch, 01.01 Pilot. If unfamiliar with this rewatch, please check my Objectives and Bracketing post [x], and then my Methodology Notes [x]; Also, reminder that I’m not the only person doing this, though each in their own ways. My Objectives and Methodology are my own.

I’m trying to get a little ahead of the official Jan 3 start date, since I know I will... inevitably fall behind, and this episode was ripe for the initial pick-through for the inevitability of a thousand call backs.

That said, with level 1. SYNCHRONIC: As it reads, unto itself, as best divorced from future knowledge of the story, it’s difficult to do much actual “meta” as much as review and commentary since literally it’s all character and story introductions. There’s some to be had, but beyond things like lighting, the Level 1 viewing tier is not going to lend towards much beyond basic archetypes, and a lot of mythology breakdown. This post will be heaving Level 2 weighted as a result. Most tier-1 posting is going to be an early build of key words, phrases and signs to assemble throughout the season watching (and tap back on later for tier 2 by tagging.)

Also a few unannounced side projects; I’m about to start a “Combat Counter” and “Marksmanship Counter”, to see how Sam and Dean handle both in physical battles/scraps over time compared to each other, and who has the better overall aim in the long term.

Some things saved in this post will seem random and arbitrary, but are potential flags I intend to keep, mostly for later level 2, DIACHRONIC study.

Now to get to the meat:

STUDY: REWATCH/REVIEW STAGE

Allow me to lead with: this episode even unto itself is a fine spectacle of just how much the genre shifted over time. I am a huge fan of David Nutter’s directing; many would know him from, say, Game of Thrones. He didn’t stay long--just Pilot and Wendigo--before moving on. But some of his touches stayed with the show for a few years. The entire ambiance is a giant testiment to survival-horror, a grimness to it, even if the CW itself could never truly capitalize on it. The mood and ambiance was successfully played on. The entire episode is rife with cloudy lighting beaming between bars and through windows, bold silhouette shots, and more that gives an air of mystery even after some characters are established. Dynamic shots are plenty.

Your early reading here isn’t going to tell you much you don’t already know, but is for filing, review, and even reminder/refresher purposes. As the season unfolds, there’s going to be more to interconnect, obviously. If you would like to read more observations on actual parallels, scroll to the DIACHRONIC STUDY header. If I’ve taken a screenshot, even in Synchronic, it’s because it’s a flag I do expect to come back up in diachronic study later and need to catalogue for future parallels and address.

So, imagining it’s 2005, we’re watching Supernatural for the first time. We’re in a very different world, Both in the show, and in the real world. A standard, haunting discord rattles the minds of the audience as a tree moves like a hand towards the window of a suburban home.

We see a classic, nuclear family in this standard home, saying their charming goodnights to an infant. But within moments, we’re told in every classic way that everything is wrong. The infant’s mobile turns on its own accord; the clock stops.

It’s 8:12pm when the world goes haywire. The decorative moon in the room flickers, growing dim. The mother wakes to the sound of a distressed infant on the baby monitor. She rises from bed in her gown.

This is a point I’m left to negotiate cursed knowledge: to all visual cues, the mother’s attire appears to be white. The audience perceived it as white. But we know it, and Jess’ gown later, was actually pink; the film stock failed to capture it. Both short term and much louder in the long term, these two colors can deliver two very different meanings. But for us, a viewer consuming a digital medium with no knowledge beyond what they published, I’m left to decide that the text seems to determine her in a white gown.

The wife sees a stark silhouette, asking if the child was hungry, assuming it was her husband that quieted her. She turns away, tapping on a flickering light over an old marriage portrait that one can only assume was a previous family generation. She descends the stairs.

Here she finds her husband is sleeping. Panic takes her, bringing her to the room. Quickly, chaos erupts. As does she, once seen bleeding down onto the hand of the father from above the crib. We see her, sunken eyes, already dying, screaming without a sound. Silent. Unable to make a noise.

The camera details the desperation of the father rushing his infant to his older child. “Take your brother outside as fast as you can, don’t look back. Now Dean, GO.”

I’m unclear what John thinks he’s going to achieve running back in for Mary as fire takes the home. But soon, he finds young Dean, 4, outside, holding an infant, “I've got you Sammy.” John erupts out of the house as the windows begin to blow, sweeping in to carry Dean, who carries Sam.

As the fire department arrives, the first cords of a song we would later come to recognize as Americana haunt through otherwise chilling music that climbs actively to punch out through our first cold open.

The Winchesters are our first cold open.

We find ourselves in modern day with the rick of a rock cord, and a young woman in a white nurse outfit adjusting her earings while framed by an image of John and Mary--the mother and father--in a picture frame. Though she calls for Sam, we see nothing of Dean--not even a picture. The image on the counter tells of a life Sam(my) was too young to even know, but perhaps is in his blonde-haired woman who teases him about halloween while standing in front of a mirror.

Sam is clearly in his young prime, celebrating his LSAT with a 174 score much to his chagrin with friends dressed up in all styles of wardrobe. Behind Sam a neon black cat sign may just jinx his future in warm but dull lighting; ghostly drapes hide behind Jess in a blue, sharper light.

Sam’s friends perceive he must be the Golden Boy of the family. Jess is proud of him. “What would I do without you?” “Crash and burn.”

Night onsets. Dim lighting feels dusty despite the otherwise hopeful environment. Heavy creaking, groaning, footsteps; Sam rises on instinct, spying an open door and catching haunting noises--sounds. An intruder. And one fateful fight. The choreography spares little.

In actual combat, the intruder--quickly identified as Dean--comes out on top. (Combat ticker: Sam vs Dean: Dean 1) Easy there, tiger. As Dean haunts, revealing his roguish personality quickly, he’s then gotten the better of (this is not going to be considered a combat ticker, it’s not actual combat, but aftermath).

Sam challenges why Dean broke in, but Dean knew Sam would have never picked up without him. They’re interrupted from their silhouetting by the light flicking on, and Dean further displays his roguish charm, enjoying her smurfs, not dreaming of her getting dressed; but soon, it’s down to business--Dean says it’s private family matters. Sam, a unit in the doorframe with Jess, says it can be said in front of her. Until the fateful line: “Dad’s on a hunting trip, and he hasn’t been home in a few days.” The camera zooms on Sam’s set jaw to tell the audience how much weight is in that line as the audio itself drags a raw cord of suspense.

The dizzying stairs are a descent into a world Sam seems to have left behind, with the audience viewing from below. Quickly, we’re introduced to ideas: the Poltergeist in Amherst, the Devil’s Gate in Clifton, “always missing and always fine.” Sam’s bitterness is thick: rather than telling him not to be afraid of the dark, “dad gave me a .45″, though Dean challenges what he should have done. They soon stand in a cage of sharply lit bars, arguing if this was what their mother would have wanted--to be raised like warriors.

Dean challenges if Sam would want a normal apple pie life; Sam slaps back: not normal, safe. “And that’s why you ran away.”--But John told him to stay gone. Regardless, Dean doesn’t want to do it alone. Sam asks what he was hunting, and why Dean wasn’t there; Dean was working a voodoo thing in New Orleans.

Dean reveals Jericho, California--10 men over to years on the same 5 mile stretch of road.

The “Ran it through A Goldwave” is a funny side comment but I’m not gonna get into why beyond LOL “through a goldwave”, that’s-- whatever. But we hear, in EVP, “I can never go home.”

The average viewer, at this point, isn’t going to be deeply instructing the story parallels--and in the scheme of it, Sam’s fear of going home barely scratches the meta surface. We do know John has been missing for three weeks. And find out Sam has a Monday deadline for his entry to lawschool, “whole future on a plate.” Jess worries over disappearing with his family, reminding of the deadline, but he promises to be back in time.

A sharp cut to JERICHO, CALIFORNIA. The driver shares similar concerns to Sam, “if I miss it, dad’s gonna have my ass,” he tells his girlfriend on the phone. A woman in white appears down the road as the car clock fries at 10:17, asking to be taken home. “Take me home?” “She lives at the end of breckenridge road.” “A girl like you shouldn’t really be alone out here.” She hikes her skirt. “I’m with you. Do you think I’m pretty? Will you come home with me?” hell yeah.

They arrive at a dillapidated home. “I can never go home.” No one even lives here. He steps out, turns around, and she’s gone. An eerie handprint appears on the window.

He decides to leave, clearly feeling the offsettling vibes, but isn’t alone. She steams with animosity in the backseat.

He looks into his mirror.

And wipes out.

After a violent death, we cut back to our boys and another exposition: credit card scams (jesus, could sam have yelled it any louder?), breakfast in a gas station bag, you gotta update your casette tape collection--why? because for one, they’re casette tapes. Black Sabbath, Motorhead, Metallica--it’s the greatest hits of mullet rock. “House rules Sammy, Driver picks the music, rider shuts his cakehole.” “Sammy is a chubby 12 year old.” “What, can’t hear you.”

ENTER, JERICHO

Internal impala shots galore will end up being a major vibe of our next few years. A spunky guitar theme plays that we will eventually come to know. Dean pulls out a cigar box full of fake badges ranging from FBI to Bureau of Tobacco from the glove box, quickly showing us how deep this path goes for them already.

The cops review the mystery: no fingerprints, spotless; we find out that the victim was dating the cop’s daughter, who was posting missing flyers downtown. The boys introduce themselves as federal agents, are challenged for being too young, and Dean sasses his way through, “that’s very kind of you.” -- while gathering basic intel, we quickly find Dean’s tongue getting ahead of him, calling their lack of ability to find a connection beyond them all being male victims, calling it crack police work. The brothers’ dual personas exit the crime scene with a cuff upside the head from Sam to Dean, a bickering match, and Dean leaving a Mulder and Scully crack on the cops.

They quickly find Amy, the girlfriend, and lie to claim that were Troy’s relatives and had heard about her, and move to a diner to talk about events.

No major unusual things to warrant events; Sam compliments her necklace. She jokes that Troy got it for her to freak out her parents for “devil stuff”, but Sam quickly educates her on the pentagram meaning the opposite, a symbol of protection.

But there are weird rumors in town--people talk. In-sync, “what do they talk about”; a local legend. She tells them of a girl murdered on centennial where anyone who picks her up disapears forever. The brothers quickly move on to a library with a clunky monitor, fully dating us; not just the lack of good cell phones and wifi, but the equipment and the appearance of the search engine alone. Right, we’re watching this in 2005.

The brothers slapfight again, but Sam shows that even away from the life he never lost his prowess. He asks, “Angry spirits are born out of violent death, right?” and searches for suicide. 1981, 24 years prior. “Our babies were gone and Constance couldn’t bear it.”

So they go to see where Constance took the swan dive.

The brothers begin to fight.

SAM Dean, I told you, I've gotta get back by Monday—

DEAN turns around.

DEAN Monday. Right. The interview.

SAM Yeah.

DEAN Yeah, I forgot. You're really serious about this, aren't you? You think you're just going to become some lawyer? Marry your girl?

SAM Maybe. Why not?

DEAN Does Jessica know the truth about you? I mean, does she know about the things you've done?

SAM steps closer.

SAM No, and she's not ever going to know.

DEAN Well, that's healthy. You can pretend all you want, Sammy. But sooner or later you're going to have to face up to who you really are.

DEAN turns around and keeps walking. SAM follows.

SAM And who's that?

DEAN You're one of us.

SAM hurries to get in front of DEAN.

SAM No. I'm not like you. This is not going to be my life.

DEAN You have a responsibility to—

SAM To Dad? And his crusade? If it weren't for pictures I wouldn't even know what Mom looks like. And what difference would it make? Even if we do find the thing that killed her, Mom's gone. And she isn't coming back.

DEAN grabs SAM by the collar and shoves him up against the railing of the bridge. A long pause.

DEAN Don't talk about her like that.

They’re interrupted as Constance appears, diving off the cliff, and immediately taking control of the Impala.

“Dude, who’s driving your car?” Dean holds up his keys.

They flee, over the bridge, and share another movement. One more fake card later, they find themselves in John’s room, room 10, in a motel. Sam remarks that the place is covered in Salt, and Cat’s Eye Shells. The entire room is covered in case work and lore.

I’ll break down the lore of these in a later mythos reblog, though the Asmodeus one really catches my eye for reasons outside of this episode.

Sam finds a photo-- a distinctly different family than the one on his college dresser. There, it’s John and Mary as an ideal image that framed Jessica. Here, it’s the life he walked away from. But while Dean heads out, he’s spotted by police, and their old coded dialect pops out, “Five Oh, take off.” Federal marshalls confront him: They’re looking for his partner (cue Wincest fans trying to make meta that’s about to be shot down one scene later, in the distance), fake US Marshalls, fake credit cards, is there anything about you that’s Real. My boobs.

Just putting a flag in the name Sheriff Pierce, we’ll figure out if that’s ever valid to anything later. But he tells Dean of the trouble he’s in with a room full of missing people and devil worship, for Dean to snap back he was 3 when they went missing. But they knew he had more than one partner. An older man. John’s journal is thrown out (Wincest meta dies a terrible death beyond previous scene)

Again, I’ll translate the FUTHARK in a follow up post, this is already taking a lot of time as it is.

Meanwhile, Sam is investigating the leads they and John both found. Previously spoken intents to burn her has him ask about her being buried at an old plot by Breckenridge at their old place.

SAM And why did you move?

JOSEPH I'm not gonna live in the house where my children died.

SAM stops walking. JOSEPH stops too.

SAM Mr. Welch, did you ever marry again?

JOSEPH No way. Constance, she was the love of my life. Prettiest woman I ever known.

SAM So you had a happy marriage?

JOSEPH hesitates.

Putting a flag in this for later.

But Sam decides to call the man out.

SAM A woman in white. Or sometimes weeping woman?

JOSEPH just looks.

SAM It's a ghost story. Well, it's more of a phenomenon, really.

SAM starts back toward JOSEPH.

SAM Um, they're spirits. They've been sighted for hundreds of years, dozens of places, in Hawaii, Mexico, lately in Arizona, Indiana. All these are different women.

SAM stops in front of JOSEPH.

SAM You understand. But all share the same story.

JOSEPH Boy, I don't care much for nonsense.

JOSEPH walks away. SAM follows.

SAM See, when they were alive, their husbands were unfaithful to them.

JOSEPH stops.

SAM And these women, basically suffering from temporary insanity, murdered their children.

JOSEPH turns around.

SAM Then once they realized what they had done, they took their own lives. So now their spirits are cursed, walking back roads, waterways. And if they find an unfaithful man, they kill him. And that man is never seen again.

JOSEPH You think...you think that has something to do with...Constance? You smartass!

SAM You tell me.

JOSEPH I mean, maybe...maybe I made some mistakes. But no matter what I did, Constance, she never would have killed her own children. Now, you get the hell out of here! And you don't come back!

Sam is flushed out, and makes a fake 911 call to break Dean out, pointing out that the husband had been unfaithful. More dramatic silhouette shots really capture the early spirit of the piece, with Dean using a phone booth in lieu of other options. Hell, Dean was able to find a phone booth, let that take you back. They determine that John left Jericho, and establish his ex-marine habits with the coordinates, 35-111 that Dean had lied through to the cop. But while on the phone, the woman in white appears in front of Sam on the road, non-crashing.

She controls the car again, and forces him to drive to a broken home, repeating, “I can never go home.” Sam recognizes: “You’re scared to go home.” And that’s when the creepy ghost rapey vibes start, mounting him, demanding he hold her, she’s cold. “You can’t kill me, I’m not unfaithful.” He argues. You will be. Just hold me.

As she goes to rip out his heart, she flickers with the beat of his.

Dean breaks into the scene, unloading 12 shots into the ghost with iron bullets to disrupt her manifestation, giving Sam time to sit up and say, “I’m taking you home.”, where he drives through the house. Dean helps Sam out of the car, only to be telekinetically pinned by a dresser to be disabled.

The lights flicker again. Children manifest, water runs down the stairs, looking eerily like the light could be the Winchester’s old home

Here, she falls when reunited with her children. Sam clarifies--she could never go home, she was too afraid to face her kids (while not viable for the synchronic study, for my own sanity I’m going to note this season, Home will be all but mandatory to touch back here.) Dean says Sam found her weak spot.

They drive down the road with a blown headlight, Sam using an old map and ruler to locate the coordinates. But it’s realized Sam isn’t going with Dean to blackwater ridge, colorado 600 miles away. His interview was in ten hours. Dean declares, “I’ll take you home.”

There’s banter over meeting up later, and being a good team, but Sam goes inside and calls for Jess. “You home?” He finds a plate full of cookies with a note “missed you, love you” and relaxes in bed with the distant sound of a running shower.

And of course.

And so it began.

SYNCHRONIC STUDY: IN-EPISODE PARALLELS

In a first episode, there’s only so much to address. While we may question how much the Woman in White being in White may have been intentional with Jess and Mary, who wore pink (a diachronic full text body note later), in the initial review, it’s worth mentioning for the reasons in part 1 I’ve decided to air towards white in the final text product. Resultingly, the tie between Constance->Mary->Jess seems tangible. But it isn’t really so simple.

“Home.” Home is a huge keyword.

"I can never go home." within the episode unto itself, Sam is struggling to well, get back home. And frankly, returning home is the key of it. (hears distant uppity Wincest stans) The difference here is, this isn't a direct parallel, of course, as much as a general ambient mood that will haunt is forward through the show, even if current viewers just watching episode 1 don't recognize it yet. Sam going home kills Jess, essentially; or at least witnesses her death. At the same time, Sam fears returning to the hunter life, or more doesn't think he can because John told him not to come back. But now that Jess is dead, well, Sam can never go home to the life he was building. He has no choice but TO go back to the other home--the hunter life. Even if he’s certain it’s not what Mary would have wanted for them.

DIACHRONIC STUDY: IN-SEASON PARALLELS, LOOKING FORWARD

There’s no way I’ll have them all in mind, these are just what are flagging me along the way.

1.09 Home As the “Home” rewatch is not that far away, I’m going to save this as a placeholder with general notes about “Mary apologizing to Sam,” even if frankly, she should have to Dean too. But even if, at the time, the exact details of the deal may or may not have been established or hashed out by the authors--we’re not picking at arguing if the authors intended it or not here. Here, Mary apologizes for her deal. Here, Mary apologizes--for drowning her children. For magnetizing this poltergeist to this place that she demands let her sons go, where she forces the spook to let go of Sam. She couldn’t really go home in the truest sense until that passed. (I’ll have deeper chain-link connections on this looking-forward once actually at the episode.

DIACHRONIC STUDY: IN-ERA PARALLELS, LOOKING FORWARD

They’re here, but not pinging me at 1 AM beyond vagueblogging about Lucifer showing up as Jess to haunt Sam and the inevitable time travel episodes about Mary, so placeholder for later updates.

DIACHRONIC STUDY: BEYOND-ERA PARALLELS, LOOKING FORWARD

Obviously compare to above-dropped screenshots.

11.04: Mistakes were made.

Listen, Dean’s grimace seat has been in discussion lately, don’t blame me for thinking of Joseph’s mistakes right after the season as Dean-mirror Pastor Joseph. Funny how Sam’s get shown and Dean’s don’t.

11.23/12.01: Mary’s return in the (white or pink, I’m rolling with white as-above) gown, and all extending details.

12.22: Mary's dreamspace.

12.23: Dean, Castiel's death, Sam removing Dean

15.01: Woman In White, We've got work to do

I feel like the Woman in White is the most interesting of these that hasn’t been as talked to death as, say, the 12.23 elements with the Destiel parallel. After all, the Woman in White largely focused on Sam. It was his fear of home. It was him being faithful to Jess (and being unfaithful can be more than sex, really; after all, he made a promise to come back.) But in season 15, it’s Dean that the ghost of the jilted lover approaches, shortly after Dean nearly killed Jack in his pain. Was Dean the weeping woman? Or was Castiel? Who held the animosity in the back seat?

Or is this a shared path? As Dean puts the Equalizer away under the Cigar Box, he has his own haunting issues in the mirror.

Those will be addressed more deeply when we get to that episode in like half a year. But for now, I’m just putting a pin in it. With a side scribble of “Cas got his Secrets/Mary, Sam got his serial killer and clowns and Dean got... the woman in white with Belphegor.”

15.02: Road Closed

15.03: If one insists Mary and Jess’ dress are pink, Rowena’s dress upon wedding and unbirthing to death (and queendom)

15.04: I still think about Jess (shortly before Eileen’s return.)

15.13: If one insists Mary and Jess’ dress are pink, atop the eventually-addressed meaning of lighting (death and transformation) vs the Empress symbolism (fertility, rebirth), Castiel in pink light.

15.15: If one insists Mary and Jess’ dress are pink. Amara’s trenchcoat.

15.20: Beyond the obvious quotes, and the (IMO failed) attempt at nostalgia, there’s honestly very little callback to the original episode.

That’s it on first glance, I’m sure more will rattle out as we go forward. Well, mostly. Keys to the Legacy from Mint Condition is flagging me alongside control mechanisms like Castiel losing control of his vessel. But those are thoughts to put pins in for now and develop later.

COMBAT COUNTER:

DEAN VICTORIES: 1 (sam vs Dean)

MARKSMANSHIP COUNTER:

DEAN SHOTS: 12 shots, 12 hits.

(hits for any individual will be considered accurate even if targets teleport/flicker out as long as it should have hit the body)

The mythology pasted all around John’s Room is worth a second trip, but off the top of my head I see the Bell Witch and Asmodeus from the Lesser Key of Solomon (near the motel door).

I’ll reblog later to add commentary on that.

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lovee-infected · 4 years

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hello, i'm a big admirer of your theories and watching a movie based on the disney park i thought of a connection between the haunted mansion and the disorganized dormitory, was that a reference about the school's past or if there is a chance to have but a ghost that has a connection with the foundation of the school? it would be very interesting to know how the school came about or in whom the disorganized dormitory hurts inspired, maybe it's just a random idea but I kept thinking about it💓

Hi there and thank you very much darling !😄💕💕💕💕💕💕 Well first of all , I'm greatly sorry for my awfully late response - This ask came when my url was still @/geodraconia (Oof-long ago) and I was mainly a twst theory-only blog...

And now , this isn't a random idea at all my dear and thank you very much for leading me to it ! I'd previously written theories for the Ramshackle dorm but the haunted mansion..? I watched lots of streams and videos for this and I can't believe how much I've been missing all this time omg-

Well then ! Let's go for it !

Twisted Wonderland theories part 4 : Haunted mansion and Eliza's background :

First of all let us quickly review what we previously found about Ramshackle dorm's possible inspirations :

youtube

The designs are clearly based off Disney's thro the mirror and there's no argue on it - But the same design was used in the video game epic Mickey as well

The other point was with the ghosts . I was pretty sure that they're designed after disney's famous lonesome ghosts for both designs and the house they lived in which did share similarities with Ramshackle dorm

Full theory here

Well I totally missed the biggest hint amd that would be the haunted mansion ; a direct and strong source for not only our beloved ghosts but also the main reason and reference of our latest and so far , greatest event which would be the ghost marriage

Before I start talking about what and why leaded to Eliza's story ; let me have a small update on the haunted mansion:

With some YouTube videos and documentaries on the haunted mansion's establishment , you may now understand the high similarities between the Ramshackle dorm and the well-known haunted mansion better :

youtube

You can check the videos out for full explanation but let me just bring some of the interesting hints out here :

1) The three men and the ghosts : Pretty similar to Ramshackle's ghosts , aren't they ?? I still can't relate to the third ghost or...corpse with that beard but take a look at the other two : From the form of the skull...to the shape of the hat . Familiar , right ?

2) The mirror : No extra words I guess , the picture has it all ( Not much different from our dark mirror , is it?)

Well if you guys watch the YouTube video you'll get to see plenty of more details in a better explanation there , but for now let's get to my favorite part :

The ghost bride :

Well then before having a look at where Eliza did exactly come from , let's review the mostly mentioned thoughts on her

1) Eliza does have a Hamilton reference : I personally agree on this one . Since Disney had hosted a Hamilton remake in the late years and because both stories have a bride who is blinded b love and doesn't see the incomplete parts of their crush (Alexander Hamilton vs Idia Shroud lol-) that's pretty possible to be ( I actually had a doubt whether the ghost bride's name is pronounced as El-ee-za or El-ai-zaa and so @poisonepel helped me with it )

2) Eliza is based off the corpse bride : Well this one seemed a bit too good to be true since Tim Burton's Corpse Bride isn't a Disney original , but due to what I found on the bride's background , it wasn't that wrong

Well recently @vaudedrome-dorm too shared pics of the latest ghost bride from Tokyo's 2019 event and the similarities are just too obvious . But the story is far greater than just a cute 2019 parade ; let's return to The haunted mansion's first days

When the haunted mansion was finally open to the public , a ghost named hatbox ghost was one of the strongest-spookiest hints there to frighten visitors ; but due to some reasons , this ghost was immediately replaced with a newer figure named : Ghost bride which hasn't ever been even close to getting removed so far

The first design is believed to be this painting which was inspired by this mysterious photography , (close enough huh..?)

Then through later designs , the ghost bride was given plenty of changes . Each one creepier after another ...

Well well , as you can see , the first designs weren't much pleasant amd the main design was a corpse with a beating heart on chest , which later grow famous with the nickname of Beating heart bride was the longest design our bride has been through. Designs did change a lot during it's time , but the heart remained the same

2) Well years later after having the heart beating bride for too long , they decided to give it an all new design : They removed the heart and instead , came up with a fully digital blue-ish phantom of the bride , which seemed more suitable for the haunted mansion

The bride is stcuk next to the mirror and pics in the middle of the ride , but the most interesting part are the portraits . They show a woman dressed as a bride stepping next to a man , as you move through the ride , the man's head disappears as if his head gets cut of or better to say : they proves that the groom had died

Another amazing design at the haunted mansion is how a ghost marriage is supposed to be taking place there . Portraits and designs are another aspect of it :

Due to having different designs over the time ; plenty of different stories have bee spreaded about the ghost bride's possible back ground , but let's look at the two of the most famous ones of them :

1) Constance, also known as the Black Widow Bride, who was unveiled in the 2006/2007 upgrades having replaced the original beating heart bride tells the story of a bride who murders her husbands and takes their riches for herself, hence the name Black Widow Bride. Constance does not however tell us all of her secrets and we are left to imagine the worst. While it is nice to leave the audience wanting more…

Well well that's all that was explained so far about the beating heart bride which was the first and almost the most famous design of the ghost bride

2) Now Melanie, who is in DLRP, is a completely different story…she was a young bride in love but whose father was completely against her marriage and was devoted to stopping it no matter what…but her parents died in an accident so happy ever after right? No…her groom was then killed by the Phantom of the Manor (I’m not sure who this is or WHY he wanted to kill the groom) and so she kept waiting for him to show up at the alter even in death. And again you’re left with questions, or at least I am…who is the Phantom in this Manor and why did he kill Melanie’s groom? Was he her father hell-bent on stopping her marrying this young man? Was he a jealous suitor?

I believe most of you are well-familiar with Tim Burton's Corpse Bride which is actually based off this story . So to everyone who assumed Eliza to be based off Corpse bride : You were indirectly right ! Because the bride we now are talking about is most likely based off the same thing Burton was inspired by

Okay , now let's get to our best part of the bride's history , something that is indubitably Yana's main and direct reference for Eliza's design : TADA !

Let's take a look at Tokyo's 2019 Spooky "Boo!" Parade where this version of the bride showed up ; a special tokyo event featuring the haunted Mansion but his time , with all alive and human cast :

Spooky "Boo!" Parade :

I leave reading the full info to you but let me bring the important parts out ; the bride

In 2019, the Bride was added to the parade. She walked in front of the float with Mickey and the knights. Her appearance differed from previous Bride costume characters - her hair is done up in a bun, and her dress and veil are more stylized and cartoony - but her dress is designed with a red heart in the center of her chest. This was the first time that the original bride appeared in the parks as a live character.

The bride was accompanied by five men dressed in matching suits and top hats. They acted as admirers to her. They proposed to her and she playfully pushed them away, as they made their way down the parade route.

I wanna focus on this part again

You see!?? Yana didn't come up with that story out of thin air ! The bride , the haunted Ramshackle dorm , the marriage , the slapped proposers!!!! They were are designed based on canon Disney events along with her knowledge and research ; just , impressive

omg...I mean I know that Yana always does her research but this...this was waaaaay greater than what I was expecting...

Upcoming is the Wish upon a star event and many already are expecting it to be a Pinocchio reference , but who knows ? What surprises is Yana willing to give us this time ? Let's see

#twst #twisted wonderland #twst theories #twisted wonderland theories #Rest in peace dear tags 🙏

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not-xpr-art · 3 years

Text

Art Deep Dives #2 - The History of Fanart

Hi everyone!

This post is part of my Art Deep Dives tag, where I ramble about art-y things, often with some relation to art history in some way.

just so you know, these essays aren’t formal in anyway lol! I just do them for fun & to hopefully be interesting in some way to someone!

This week I’ll be talking about the history and importance of fanart! It’s not the entire history of fanart, just some key moments and points in it that I feel are important!

(this essay is about 2500 words long btw!)

Part 1 - What even is fanart?

I think when a lot of people hear about ‘fanart’, they often think of it as a new thing, something that came along at some point in the last century when media begun to be mass circulated around the world.

But, of course, fanart has existed long before media like Star Wars or Doctor Who were created, and even long before photography was invented, even if it wasn’t necessarily referred to as ‘fanart’ at that time since the concept of ‘intellectual property’ hadn’t been introduced at that point.

So I think at first we need to define what we even mean when we refer to ‘fanart’...

Put simply, it’s artwork made by people who are interested in something created by someone else, such as a TV show, film, book, podcast, video game etc. However, by this definition, where do original characters created by the fans as part of franchises fit into the picture? Or celebrity fanart? Or artists who use famous people’s appearances as the base for their own characters? Or what of artworks of media that have long since passed copyright laws (such as Shakespeare works, Austen works, etc)? And where do illustrations of books fit into this?

So perhaps a wider description would be, artworks made by fans of and inspired by something “belonging” to someone else (either a piece of media or... themselves). The issue of this description is that most portraiture would fit into this. So... are we about to call Thomas Gainsborough or Joshua Reynolds, two of the most famous British portrait painters of the 18th century, fanartists?

I think a lot of people in the art world would scoff at this concept, because even now the feelings surrounding fanart are pretty negative. They see it as less of a valid form of art and instead as ‘derivative’ and ‘unoriginal’. I’ve heard both non-artists and artists alike talk about fanart as ‘not real art’, and then in the next breath they’re praising portraits made by Leonardo da Vinci or Vincent Van Gogh.

I also think it’s important to note that fanart isn’t exclusively portraiture too. Often artists will draw landscapes, still life works or even abstract pieces based on their favourite media. And as previously mention, a lot of artists and writers create their own characters within a world created by another person. So, for all intents and purposes, that is a form of original art, but it is often still put down in comparison to people who make up an entirely new story and world for their characters.

Part 2 - Renaissance artists and Bible fanart!?

One of the most common defences I’ve seen for fanart is that Renaissance artists’ basically did Bible and Mythology fanart, and their artwork is considered ‘masterpieces’ so... that’s that!

Right?

Well, if we’re sticking with the definition of fanart being something based on a series of characters or concepts owned by someone else, then Religious or Mythological based art would definitely fit into this.

(Leonardo da Vinci’s ‘Virgin of the Rocks’, currently being held in the National Gallery in London).

But I think it’s important to note that the art world was a very different place in Renaissance Europe. Concepts and characters didn’t belong to any one person or group of people, instead everything was a lot more homogenised. There’s a reason why when we think of figures like Jesus or the Virgin Mary, we have a very particular idea of what they look like (a very white-washed idea, I might add). The same thing goes for portrayals of figures from Greek or Roman mythology. There were often motifs associated with these deities that dated back to Antiquity, and Renaissance artists looked back to this for their inspiration. But there was no one specific point of reference for these ‘characters’ other than the Bible, which didn’t actually ‘belong’ to anyone, not even the church.

So, I think it’s valid to bring up Renaissance artists and how the modern concept of ‘originality’ in art was less important to artists or patrons, and much of the art they did was exclusively works based on something the artist did not come up with. In my first Art Deep Dive, I talked about how History paintings (which were often Religious or Mythology based) were valued for being the product of an ‘artistic genius’ and their connection to spirituality in comparison to portraits or landscapes that depicted the real contemporary world.

But do I think it was actually fanart?

... Probably not... Although I wouldn’t begrudge anyone believing it is, because in a way it does somewhat fit into the definition of fanart. Instead this was to look at how society’s relationship to art has changed drastically in the hundreds of years since that era, as has the purpose of art itself.

And I think it does bring up some interesting discussions of why we are so obsessed with ‘originality’ in art at the moment when it’s not something that was really important before, though!

Part 3 - What about portraiture?

So... What about portraiture huh?

Now, portraiture has existed for as long as art has, essentially, but it took until the Renaissance era and beyond for it to be associated with patrons. Portraiture was more than just ‘old-timey photography’, since it was linked distinctively to a sign of wealth. I mentioned Thomas Gainsborough and Joshua Reynolds earlier, who were two very influential portrait artists of the 18th century, who both fed into a market of middle and upper class patrons wanting their portraits done in this era.

(This is a piece by Reynolds of the Actress Mrs Siddons as the Tragic Muse).

And in a way this makes portraiture probably the earliest example of fanart as we see it today.

Except, a part of fanart that people who do it (including myself) often bring up is how it’s connected to a sense of passion and love for something. In a way, portraits done purely as commissions for an aristocrat for profit doesn’t necessarily fit into our modern notion of fanart.

This brings us back to that darn description of fanart again. Because in our current world fanart can be defined as work of celebrities done as commissions. Except, perhaps, if you’re a known portrait painter (no one says the designer of the postage stamp did fanart of Queen Elizabeth, despite the fact that it... kind of is?).

So, why is it that a portrait of the Queen is simply a portrait, but one of Billie Eilish is ‘fanart’? Who decides these parameters? And also who decides which one is more ‘worthy’ or ‘valuable’?

Places like the National Portrait Gallery are filled with portraits of famous people from history. But it’s never referred to as the ‘National Fanart Gallery’. I think in a way this boils down to who is doing the art, who the art is of and why they’re painting it. It is funny, though, that the distinction between fanart and portraiture of famous people is so similar that it requires such detailed specifications as to which is which.

So, I think it’s clear to see that where portraiture fits in the history of fanart is a contentious one...

Part 4 - Shakespeare, Fairy Paintings and other 18th/19th Century Curiosities...

From the late 18th until the late 19th century essentially saw the birth to what we now know as ‘fanart’, in a way. The growth of middle-class audiences in the early part of the 1800′s meant that there was a new found desire for landscape, genre and portrait art. And coupled with the growth of secularism, history paintings in their traditional sense had lost appeal.

There was also the small matter of media being so much more accessible and wide spread to bigger audiences due to the industrial revolution. Books were being printed more easily and sold and a reasonable price, not to mention that a significant portion of the population could now actually read, or at the very least were given some form of education. More travel and trade (and also colonialism) also lead to an increase of new kinds of media being explored. Birth of the Gothic genre, Science Fiction, Fantasy, etc, all forms of fiction that we’re very familiar with now were only just entering the public’s consciousness at this point.

Much like now, technological advances were both a blessing and curse to the people of this era. And also like now, art was used as a way to express what was happening in the world. A great example of this is JMW Turner’s Flying ,,, which shows an old ship being transported into harbour by a steamboat, something that was very new to this era. It spoke of the new technologies overpowering the old, and the fears a lot of people had because of this.

This lead to the development of Fairy Paintings, to move to a new time of history painting that was more based on folktales and works of fiction by writers like Shakespeare, and were often used as a form of escapism. William Blake is a prominent figure in this type of painting, along with some Pre-Raphaelite painters.

This is a piece directly based on Shakespeare’s Macbeth by Henry Fuseli and is completely undoubtedly fanart in essentially every way. Many of his works, and the works of his contemporaries, were based on the works of writers like Shakespeare.

This piece, along with most of his other works, was also exhibited in the Tate Gallery way back in the early 19th century. Fanart like this was openly welcomed into galleries in this era, something that’s a far cry from my art teachers in school and college actively discouraging us from doing any kind of fanart for our projects.

The mass appeal of these kinds of art lasted well into the 20th century and even after the advent of photography, which created an entirely new kind of media to be consumed.

I actually think that a lot of this animosity towards fanart stems from a lot of fanart being born from drawing from photos as references, which is why I think artworks that are fanart from an pre-photography era are valued above artworks done now.

Part 5 - The Beginnings of Intellectual Property and Copyright Hell...

Earlier I mentioned how fanart could be defined as work done inspired by media belonging to someone else. However, this begs the question whether a single person or company can actually own such things as characters and story concepts.

Copyright as we know it today essentially originated in the 18th century. Now, I’m not going to go into all the history of copyright here (partly because it’s confusing af), but essentially throughout the 18th and 19th century all across the world, intellectual property laws were brought in for books & later extended to other media types. They basically prevented any other person or publisher being able to copy, distribute or adapt the piece of media. As many may know, copyright laws run out after a certain amount of time (I believe either between 70 or 100 years), by which time they enter the Public Domain and are free to be used in anyway by anyone.

Copyright laws can be a real detriment to fanartists, however, particularly when large companies like Disney cracking down on any small hint of one of their characters in the last few years. This feels particularly insidious to me given how most Disney films are based on old fairy-tales and legends. But in using these centuries old stories and giving them the ‘Disney flavour’, they have been able to essentially repackage the original story for their own profit. Disney of course aren’t the only company to do this, but given how Disney own basically everything media-wise now, they are the biggest perpetrator of this at the moment.

It’s important to note that to this day, copyright doesn’t extend to ideas or themes. As well as this, copyrighted media can be used by people who don’t own it either by asking for permission or via ‘fair use’. But as a lot of Youtubers would tell you, this is often something that is ignored by large companies in favour of holding monopoly over the entire thing.

This is of course not to say that copyright can’t be a good thing. I believe that artists and creators deserve to have the rights to their individual works. The issue is surrounding big conglomerate companies using copyright not as a way of protecting and supporting their in-house artists, but as a way of boosting profits.

My thoughts are that copyright laws should exist to prevent other people or companies from stealing or overtly copying/adapting a work made by someone else, not preventing a small freelance artist from selling a couple prints of a drawing from a film Disney made 20+ years ago based on a stories written hundreds of years ago.

(I know it’s not as simple as this, but you get what I mean lol)

In a big way, copyright laws were what created our modern notion of fanart, since prior to that no-one really had ownership of their works in the same way that copyright allows you. So, even thought I’ve been quite pessimistic about it, fanart really wouldn’t exist without it so... it’s not all bad lol?

Part 6 - Why is any of this important??

I realise that this is a strange question to ask at the end of this essay, but I really wanted to leave my true personal thoughts until the end in order to keep at least a vague sense of being objective through this lol...

To me, fanart is something that made me fall in love with art in the first place, particularly digital art. I was able to find communities of like minded people and make some really good friends, all because of fanart.

I’ve also spoken to other artists who say how fanart allows them to connect to their favourite shows or characters or celebrities, and a way of expressing their love for something! It’s also often a gateway for artists to get into art as children, and some have said how fanart has allowed them to be more creative in general!

Fanart is something so intrinsic to fandom culture, so much so that it has existed for as long as people have loved things (even long before the internet). And I know that a lot of public figures who receive fanart, either of themselves or of works they’ve created, often express genuine happiness of being the inspiration for someone else...

So, fanart is important to us because it’s escapism, it’s freedom, and it brings us together in such a genuine way!

I wrote this essay because I wanted to truly explore where fanart actually came from, and what I ended up discovering is that the artworld has never been clean-cut separated into ‘original art’ and ‘fanart’!

The history of fanart is messy, confusing, but one thing is very clear to me: it doesn’t just run parallel to the history of art as a lot of people assume, it is instead interwoven into the fabric of all art!

So for my fellow fanartists, keep on doing what you’re doing, because your passion and love is palpable in your work, and really isn’t that what fanart is all about anyway??

~~~

Phew... Can you believe I actually did try and keep this short lol?

Anyway, thank you for reaching the end! And a special thank you to the people over at Artfolapp (my username is dangerliesbeforeyou over there btw!) who gave me their thoughts on fanart!

As always, my ask box is open for anyone who’s interested in discussing this further, and I also have an Art Advice Tag if you need help on improving your art!

#art deep dives #fanart #history of fanart #art history #art discussion #essay #history of art #blog post #i'm just... really passionate about fanart ... can u tell lol?#i may do a follow up of this one day since this is far from everything i want to talk about #but i figured 2500 words was enough for now..

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labellerose-acheron · 3 years

Photo

The Acheron Cottage -- aka Swynlake’s Burrow

This is a REBOOT of the first in a series that one day may be complete but also may never be complete. As most of you know I’m like a huge #spatial person in my writing, so all my character’s houses/apartments/living spaces are really well mapped out in my brain? And I thought it’d be fun for people to see. (And a good reference for those who may RP in those spaces at some point.)

And since we just did a whole plot where Hades and Belle renovated their house, I thought I would update their floorplan! (Also, because I’m super obsessed with this magical house.)

@trip-downtheriverstyx, @lou-bonfightme

Overview:

The Acheron cottage is now a 3 ½ (from 1 ½) bath, 6 bedroom cottage that was built in the 1700s sometime most likely and finished renovations in late June of 2021. Due to the fact the house is now four floors, taller than most of the trees in the area, and most of the surrounding houses are only 2 floor simple farmhouses and cottages, it sticks out a bit in the landscape, not to mention its haphazard leaning-tower of Piza style architecture. The new floors look like they were just kind of slapped onto the original house. (Think the Burrow.)

It is on 5 acres of land and backs up against the woods. There is a small stable and pasture on the land, as well as a large garden. It’s located in Southwest Swynlake, a few minutes walk from the local stable. There are neighboring farms, but they’re far enough away to not really count as proper neighbors.

Assume that all walls that are not covered by windows or other things (like closets) are full of books. The walls alternate between painted wood paneling and stone. Floors are wood except for the mud room, which are stone. The garden is shown in every photo, in order to orient yourself with which way the rooms are facing.

Residents:

Belle Acheron, Hades Acheron, Toulouse Bonfamille, Opal Acheron, Aidan Acheron, Bellamy Acheron, Arthur the ghost, other ghosts, chickens!, Philippe, Angus, the Black Shuck, Victoire, Vincent, Honoré, and Lord Voltaire Scalington, Destroyer of Universes.

**note: pictures in the aesthetic are to give an overall #feel of the house, but don’t necessarily indicate the exact furniture/decorations/floorplan. the floorplan, on the other hand is not quite to scale but i did the best i could.

1. Entryway

When you first walk into the house on your left is a row of hooks (made out of various odds and ends), on which to hang jackets. To your right is a little table and a mirror, probably plants added (thanks, Toulouse.) The hallway is wide but short and opens up into the living room area. The stairs are directly across from the front door. You can also see all the way through into the kitchen from the entryway.

2. Living Room

The living room is the most spacious room in the house and has remained so, even though other parts of the house were expanded. There is a large window seat beneath the front window. Two chairs and a couch are situated near the fireplace, which is dressed in the original brick, these are new pieces of furniture. It was painted a very pale, fading yellow, but now is painted a pale blue. Furniture is cozy and neutral colors (couch is a coffee colour and leather to prevent staining, chairs are a nice maroon colour, picked out by Lou with Hades’ influence). Lots of blankets (because Belle gets cold easily) and books along all the walls. A carpet is laid down beneath the couch/chairs.

These days, there are a few family portraits in spaces on bookshelves and above the mantel: one from Belle and Hades’ wedding, of the just the two of them and one of the whole wedding party; pictures of the children and with Toulouse, of course. Also, a picture of Belle’s mother has a place of importance among one of the shelves. There is also a picture of Persephone reading with Vincent in her old room. There is also evidence of children: toys and such littered about. It is rarely ever fully clean, no matter how fuitally Hades tries. The living room–as well as the rest of the house–is home to several clocks–on walls, on shelves, etc. Belle’s father was a clockmaker and Belle and him used to fiddle with the broken ones–made them tell time backwards or too fast or only every other hour. Belle and Hades’ chess table moved from the mudroom into the living room, near the fireplace. There is almost always a game in progress.

If one has a keen eye, they will notice there are no logs by the fire, nor soot in the fireplace. Yet, often, an eerie blue fire will be burning in it during the colder months.

3. Kitchen

The kitchen was the room that increased in size the most. The wall where the stove is was knocked out and pushed backwards to shift everything to the left. It now boasts copious counterspace, as well as a large island that is usually cluttered with mail and children’s things. Refrigerator, stove, oven, no dishwasher (which is probably the bane of Hades’ existence since Belle hates doing dishes and Lou doesn’t know how.) Cabinets are cherry wood; some are refurbished, and the new ones were made to match the originals.

Window over the sink looks out over the horse pasture in the distance (a few meters from the house.) Big, gorgeous window overlooking the garden in the “breakfast nook” area. Dining table is a cherry wood to match the cabinets and has eight matching chairs. Usually, the chairs are pushed to the walls, except for ones that are needed. This room is home to the only clock that is not digital that works in the entire house. It’s on the window ledge above the sink and was the first clock that Belle ever fixed by herself.

4. Mudroom

Where Belle always comes in from her horse rides, the door of which leads out into the garden and beyond. This is where winter clothes are stored and muddy shoes are piled by the door. It has a stone floor and is generally the coldest room in the house. The laundry machine and dryer are in this room. It used to be where Belle and Hades played chess. Now, their chess table can be found in the living room.

5. Guest Restroom

There is a new bathroom in the mudroom, for guests and the family to use conveniently. (And for Belle to clean up when coming from outside, Hades loves it.) It is just a sink and toilet but it is much better than making everyone go upstairs when they come over.

6. The Garden

The garden was neglected for a long while, since it was Belle’s mother’s. Originally it was full of just rose bushes, but many of them had died due to neglect (whoops). Persephone managed to save a few but the ones that couldn’t be, she and Belle (with the help of Haku) ripped them out and replaced them with different vegetables and flowers. It has a low brick wall around it. It backs up almost right to the woods. It is now Toulouse’s space and he will make it beautiful, with roses and other flowers and different fruits and vegetables. The opening at the top of it leads down to the pastures and off to the right of the garden is where the woods are.

7. Hallway

There is really nothing special about the hallway. It’s actually quite blank. There are more bookshelves though, which used to make the hallway a bit of a tight squeeze but they had to expand the wall in order to include stairs going up to the third floor, so it is more spacious now (though, not by a lot.)

8. Toulouse’s Room

This room used to be Persephone’s. It is currently Opal’s. However, it will, one day, be Toulouse’s, so I am going to describe that set up.

As you can see from the floor plan, there are copious amounts of plants in his room. He probably has very nice silky sheets--a dark green, maybe, with green walls. He has a long bookshelf among the far wall. On top of this is Voltaire’s tank. Probably a few paintings hung up and a dresser. The door that looks like it goes to nowhere? Oh, yeah. That’s his ever-expanding magical closet. It is a walk-in and is spelled to expand the more he needs it to. It exists now, but it has a child-proof magic lock on it so that Opal cannot get into it, lol. There is a cat tower for Honoré, though both of the cats hang out in Lou’s room, because Vincent is used to it too bc it used to be Persephone’s room.

There is a dog bed in the corner for Victoire, though she usually just sleeps with Lou, if Hades isn’t staying the night with him.

9. Belle’s Room

This room used to be Belle’s, it’s the room she grew up in. However, right now it is currently the twins’ room. However, one day it will go back to being Belle’s, so I am going to describe that set up.

A bit more spacious than the other room (but not by too much) Belle’s room is equipped with a closet, though it isn’t that big, as well as bookshelves all along the walls. There is also a reading nook in one corner with a window seat in it that Maurice built for her (which is why it’s in such a kooky spot) and it is probably Belle’s favourite spot in the whole house (after her secret office). The walls were repainted in a splendid sky blue. Her bedsheets are blue with little flower designs on them. Belle actually doesn’t spend a whole lot of time in her room, except for when she’s getting ready for bed. And I’d say she sleeps in Hades’ room probably 2 nights a week tops, but usually less than that, tbh.

10. Bathroom

Just your standard bathroom, nothing fancy about it. I assume Belle’s house runs on well water and it takes forever to get warm, which is the bane of everyone’s existence, especially Toulouse. This will mostly be his bathroom in the future, as Belle will take baths and such in the master bathroom.

11. Master Bedroom (Hades’ Room)

Biggest room in the house. It used to be Belle’s parents, and then Belle’s father’s. It has been Hades’ ever since he moved in. It is the neatest in the house because Hades is a tyrant about that and so even Belle’s things must be cleaned up. There’s a bedside drawer on either side of the bed, each has their own matching lamp. I imagine the bedsheets are like, extremely boring actually, like legitimately just white or a pale gray. There is also a space in this room, probably by the window, with arm chairs and a little table, where there is a chess board set up so Belle and Hades can play here too.

On the main dresser at the top, there is a jewelry stand for Hades’ various necklaces and bracelets. There is also a watch stand.

The walk-in closet is also extremely neat; Hades has an entire shelf for shoes which is neat of him.

The door that looks like it goes to nowhere? Oh, yeah. That’s Belle and Hades’ secret office. More on that in the section below. ~~

12. Master Bathroom

This only gets its own shout out because a) it is where Opal was born, b) I wanted the secret office to be #13, lol, c) I have a few headcanons about it. Mostly that Belle still uses it to do most of her nighttime routine stuff, because I feel like her and Hades probably have a groove going at this point and I think it’s cute. Also, she takes a lot of baths, so she’s in there all the time. She gets ready in the hallway bathroom in the morning though, since she gets up before Hades.

It is ALSO very neat, very clean counters lol and there are lots of skin products neatly arranged in drawers. He probably cleans up every morning after Belle from the night before, lmao. (Though, she DOES respect the bathroom as His Space and cleans up after herself, just...not to his standards.)

13. Belle and Hades’ Secret Office

It has a special rune on it that locks it unless you know the way in and can disappear if you want to hide it. Inside, Belle and Hades have hidden some of their more precious artifacts and books, things that they don’t want to get into the wrong hands.

The tan couch from the living room has been brought up to it, since it was getting far too small for the space downstairs and Belle didn’t want to get rid of it since it held so much sentimental value to them. The window looks out over the garden below, though it doesn’t actually exist to be looking out into the garden. From the outside, you cannot see it at all. It simply doesn’t exist.

Most everything in it is new. There is a lovely circular oak table in the middle, with matching chairs, and bookshelves surrounding all available walls. The desk labeled A is Hades and the desk labeled B is Belle’s, and they are both oak to match the table and custom fitted to the room. There is also a cabinet next to the couch that has a vault-like magic’ed drawer where they can hide things.

14. Bellamy’s Room

Eventually, this room will be Bellamy’s when the twins stop sharing a room by the time they’re about 13/14. Until then, it will be used The smallest of the three upstairs rooms. Some people might assume that Bellamy got it by default because he is technically the youngest, but he’s actually quite fine with it. He is the most like his mother when it comes to his living spaces. AKA -- he is a squirrel and likes his cozy little nest that is much messier than either of his siblings. He’s that person that puts clothes in drawers with one hand while reading with the other.

15. Opal’s Room

Eventually, this room will be Opal’s. She’ll probably move up there when she’s like five or six, idk whatever the appropriate age would be for a kid to be more or less self-sufficient in the regard of going to sleep/getting up. In the meantime, it will probably be Lou’s because it looks out over the garden. Which means she will probably get a lot of leftover plants from him because he won’t want to disturb them.

It is probably like a nice soft purple color or something right now. Opal constantly changes it. She repaints the room at least once a year and gets yelled at by her parents for rearranging her furniture at 2am sometimes. Also, the armchair in her room is the rocking chair that was in her nursery.

16. Aidan’s Room

At first, this room will be both Bellamy and Aidan’s because it is the biggest of the three upstairs rooms. The bed with the book on it is Bellamy’s and the one that is empty is Aidan’s. They don’t mind sharing really and I imagine won’t get in lots of arguments about things.

Because they are mediums, they both stay up late though they know not to disturb their parents or they’ll earn their wrath so they learn early on how to solve their own problems if they are getting on each other’s nerves. Their room is probably painted a nice pale yellow. Their biggest argument is probably closet space, because I could see Aidan being a fashionista and encroaching on Bellamy’s space and him getting annoyed about it.

17. Children’s Bathroom

It’s a bathroom? I don’t know. There are probably lots of fights about who gets to use it first in the mornings and people taking too long. Though, there are other bathrooms that people can use. I imagine there are mornings where one of the kids just marches into Hades’ room like ALL THE BATHROOMS ARE TAKEN, I’M USING YOURS!

What I’m saying is that privacy is an issue in this house, lmao. Yes, they expanded, but everyone is still living on top of each other.

18. Library

What? I thought there were books all over the house? Why do they need a library?

Because there will always be more books in the house! Also, they needed another room to escape for anyone in the family who might need it. Feel like Bellamy will haunt it most often as he grows older, but Belle will go there too rather frequently. She likes to be surrounded by books. There is another chess table here (yes, that makes three.) Sometimes, Hades and Belle will sneak off to the library just to play a game of chess without being disturbed, because they don’t keep one in the office. (The office is for working, the library is for relaxation.)

It is probably quite small actually and with a low, gabled ceiling. Floor to ceiling bookshelves all the way around the walls.

19. Toulouse’s Studio

Unattached to the rest of the house and above Hades’ garage, is Toulouse’s art studio. To get in you have to climb a spiral iron staircase. On the west side of the studio are floor to ceiling windows that look out over the forest. On the south side of the studio is another large window (though, not floor to ceiling), that looks towards the house/the garden/the horse pastures beyond. Beneath this window is his desk. To the left of his desk is a long workbench with several stools where his woodworking and other projects will be.

His favorite spot to paint is the place with the stool and empty easel, near the large floor-to-ceiling windows. There are also multiple plants in the room, scattered throughout. The couch actually pulls out into a bed, though it is rarely used. Sometimes, if Lou is in one of his moods, or if he just gets stuck on a project, he will stay the night in his studio.

This is Lou’s space and Belle/Hades rarely go in it, except to fetch him for dinner or whatnot. Sometimes, though, Opal will join him in it. She is the only one brave enough to put up with Lou when he’s in a bad mood and doesn’t want to be disturbed. It is also where she goes when she gets in fights with Belle and Hades, lol. Lou is the indulgent parent and everyone would rather she ran away to Lou’s art studio than to like...the wilds.

#the acheron cottage #swynlake's burrow #:)))#y'all i cannot tell you #how much i love this magical house #i love it SO much #inspiration #floorplan

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excelsi-or · 4 years

Text

just a little sweeter (pt. 12)

I’m not going to lie, it’s very nice to be back. :) Was planning on posting this earlier today, but my end of semester lunch with my research group went longer than I expected. Enjoy~~

BIPOC rec: Roxanne Atienza is a Filipinx artist on IG. I enjoy her work. Some of its political, others were just great colourful portraits.

w.c. 1k (fluff, lol this seems like significantly less after the last two which were pretty wordy. hope you enjoy!)

pt.1; pt.2; pt.3; pt.4; pt.5; pt.6; pt.7; pt.8; pt. 9; pt. 10; pt. 11

“Call me when you’re home,” Jihoon says. He hikes Eunha up a little higher. His little one fell asleep after playing with Seungcheol and Soonyoung in the practice room.

“Yeah, I will.” She pauses as she says something to one of her employees. “You bought the ingredients?”

“I got exactly what you texted me.”

“Okay, great.” Her voice is suddenly in a rush. “Afternoon rush is starting. I’ll talk to you later. Love you, bye.”

Jihoon opens his mouth to respond, but realizes she said the ‘L’ word. Before any sound comes out, she’s hung up already. He blinks in confusion, wondering if he’d even heard her right.

When he heads back to the practice room after the break, Eunha asleep on the couch with Bumzu watching her, Wonwoo comments on his dazed look.

“You seem lost,” Wonwoo laughs. He nudges Jihoon before Mingyu pounces on his back and drags him away.

Seungcheol wraps an arm around Jihoon’s shoulders as they move to stand in the center of the room. “You good?”

“Huh?” Jihoon nods. “Yeah, yeah. I’m good.” He meets Seungcheol’s eye. “Seriously. I’m good.”

“Something with Eunha?”

Jihoon shakes his head. “No, she’s fine. Bumzu hyung’s watching her.” He lightly taps Seungcheol’s bum. “Everything’s fine.”

There’s no real time for another break after that. But it’s when he checks his phone briefly, while Soonyoung and Chan go over choreography details, that he notices there are multiple messages. He can only skim them before they’re back to practicing again.

Jagi (13:02)

I said it over the phone.

I hope that didn’t scare you.

I didn’t even realize I said it.

I meant it.

Not really how I wanted to tell you,

But I do.

And if you have no idea what I’m talking about then please ignore all these messages.

There’s one last message before he clocks out for the day.

Jagi (16:03) I’m heading home now.

If you’re still coming for dinner.

“You’ve been distracted all afternoon,” Jeonghan says as they head out. He drapes an arm around Jihoon’s shoulders. “Things okay?”

“I’m fine,” Jihoon insists. “Just…”

“Just…?”

He sighs. “She said ‘I love you’ over the phone today.”

Jeonghan smiles. “That’s great!” He takes in Jihoon’s expression and his smile shifts. “Why do you look like it’s not great?”

“It is great.” Jihoon smiles. “I’m fine. Just surprised I guess.”

“You’re being weird.” Jeonghan squeezes his shoulder. “Go have dinner with your girlfriend who you already loved before she said it.”

Jihoon knocks on the door. Eunha is wide awake after sleeping and hanging out with Bumzu. When he’d buzzed her apartment, she’d let them in without saying anything.

Luckily, she opens the door for them. She coddles Eunha, who throws herself into her arms. When she finally releases Eunha to go and find the toys in the apartment, she addresses him.

“Hi.”

Jihoon opens his mouth to say something, but changes his mind. He holds the bag of groceries up between them. “I brought the food.”

She smiles a little and takes it from him. He follows her into the kitchen.

“Is this for me?” Eunha runs into the kitchen with a new colouring book in hand.

Her smile widens at Eunha. “Yes, it is. You two finished the other one that I had. Is that okay?”

“I love dinosaurs!” Eunha dashes out, nearly knocking right into her dad.

Jihoon waits until Eunha has settled in front of the TV, which was already on for her. “Are we… good?”

She looks over. She doesn’t respond right away as she puts the pot on the stove for the water to boil.

“I was busy at practice all afternoon when I got your texts.”

“I figured.”

Jihoon walks up behind her. “Are you mad I didn’t respond?”

“If I’m being honest,” she turns the element on and then turns to face him, her arms crossed over her chest, “I’m more embarrassed than anything else.”

“Embarrassed, why?”

She shrugs and Jihoon moves closer. He slips his arms around her waist and holds her at arms’ length. “Because that’s not…” She laughs a little. “When I imagined telling you, it wasn’t over the phone during a goodbye just before a café rush.”

Jihoon gently pulls her towards him, so she’s flush against him. “How did you imagine telling me?”

Her gaze is sweet when she meets his. “After you decided to tell me.”

This makes him laugh. He’s about to kiss her when Eunha comes running in.

“Look! It’s blue!” She shows them a picture of the stegosaurus coloured haphazardly in blue. The vegetation and sky are in various colours.

“Why is the sky orange?” Jihoon tips his head.

“Isn’t it during a sunset?”

Eunha shakes her head. “The meteor!”

She rests her cheek against Jihoon’s shoulder, turned away from Eunha so she doesn’t burst out laughing. Jihoon’s voice is amused. “You pictured this stegosaurus existing during the meteor that killed the dinosaurs?”

His daughter’s enthusiastic nod is adorable.

“It’s very cute, kiddo,” she giggles.

Eunha deems this high praise and runs off again.

She steps out of his hands to prepare their spaghetti dinner. He’s in charge of the pasta, because he won’t screw it up. She does everything else.

Jihoon stands in the corner, recounting his day, as she moves around the kitchen. He can tell her day’s been busy by her lack of commentary, so he fills some of the silence. While the meat is cooking in one pan, the vegetables in another, and Jihoon’s eye on the pot of pasta on the back burner, he wraps his arms around her waist, his chin resting on her shoulder.

“If I said it now, would it be too late?” Jihoon asks.

She laughs, leaning her head back against him as she pushes the meat around so that it cooks evenly. “Say what exactly?”

He turns his head, so his lips brush the shell of her ear. “I love you too.”

“Hmm?” she hums.

“I love you too,” he says a little louder.

She tips her head. “Didn’t hear you, my love.”

Jihoon chuckles and wiggles them from side to side. “I love you, I love you, I love you.”

This outburst makes her laugh and she turns in his arms, leaving the wooden spatula in the pan for the time being. Her hands cup his cheeks and she studies his expression. He can’t stop smiling, feeling giddy from the stupidity of it all.

“Fuck you for being adorable,” she whispers before pecking his lips.

Jihoon swears his heart will burst.

#woozi #woozi scenarios #woozi imagines #Lee Jihoon #lee jihoon scenarios #seventeen scenarios #seventeen imagines #Seventeen #svt

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mcrmadness · 4 years

Text

Madness draws: Behind the Scenes of the latest Farin&Bela pencil drawing.

Aka the one that’s also my icon, even when that was a big risk to take because normally I start hating the photos I have once drawn, especially if I have failed miserably. This is how the drawing itself turned out:

ATTENTION: The original post about that drawing, with better image, behind this link.

This post is solely about the process itself with lots of pictures and also plenty of gifs, because I promised to do one if people would like to see that and I got some comments saying that they’re looking forward for that. So, here’s now that post!

For starters I have to apologize for the terrible quality that is the photos. I used my phone camera only and never thought about posting them, I just took them as a reference for myself and to show the progress to a friend and only after finishing the drawing I noticed that the angle of the camera causes a huge impact on the perspective of the drawing, so I sometimes might have done useless work when I thought some perspective was wrong when it was actually the photo that was wrong and not my work! I mean, take a look at these photos of the finished piece:

You see that? I realized this when I took maybe the second photo of the Farin sheet and looked at it and couldn’t believe my eyes because I didn’t remember drawing his torsto THAT small! And then I looked at the drawing and was like “wtf???” because it looked nothing like in the photo and then it hit me...

Also, another thing that I learn was that I might need to pay more attention to the perspective of the whole thing also because when I draw, I sit at the table so I am constantly seeing the drawing from my perspective instead of looking at it from above so that’s probably also going to affect the way I draw. I try to keep that in mind in the future so I can avoid redrawing things again and again just because my perspective is different than the reference photo’s.

Also the giant forehead of Farin’s in the photo on the right might have caused me to laugh a bit too much but anyway, let’s continue~ Or more like: let’s start for real this time.

Here’s the reference photo to y’all:

What I did in photoshop was to draw a line between them to see how I can divide the photo on two A4 papers. I had been thinking about this photo for some time already because it’s one of my favorites (but now I just feel cringy looking at it after I have drawn it... goddamnit!), and I got this idea that I could try drawing it on two papers in case I fuck up so I can start over or try again without having to do twice the work! Which was actually a good decision because this was the first version of Farin:

And it was awful. I also realized I had never drawn Farin’s face from he front. I have drawn him before from the side a few times but maybe once it came out actually good so that was why I decided to do the 2 paper method - because I knew it was not going to be an easy job! Bela is relatively easy to draw so I knew already that I would not have too many problems with that one.

I struggled with Farin’s eyes the most, at first.

It took me a while to figure out how to do that white line in his lower lid. Keep in mind that this was my first face portrait in over 10 years so I was very, very rusty and I just didn’t remember how to draw like anything anymore. (The photo is tilted because Bela’s face is a bit tilted and my hand can’t draw anything that is not straight [lol] so I have to rotate the photo in order to even draw the sketch of Bela’s eyes.)

So I took my sketchbook and tried to do some eyes...

I was still struggling so much here until I remembered about blending. And I didn’t have my hopes high but grabbed the eyeshadow applicators (my fave tool for blending) anyway, and switched to my other sketchbook in case the paper was the issue and:

Blending. It was all about blending! So with that in mind, I realized I can continue and I don’t need to do these in my old way, everything doesn’t have to have a lineart done but some of the job is done not with the pencils but with the eraser.

Anyhow, the previous Farin looked really bad and was too big as well so I just discarded that and started a new sheet because the old lines were not coming off properly anymore. I don’t remember if this is the old face or new but I think this might still be the old one:

Yes it definitely is the old because look at those lines! This is the new sheet:

And in the photo you can see one of my pencils - I use Derwent Graphic pencils, it’s a 12 pencil set with very soft pencils, starting with H, F and HB and ending to 9B. With this one I used F, HB, B, 2B, 5B, 7B and 9B. The white pencil is actually my new love aka the eraser pencil Koh-I-Noor Hardmuth. It’s amazing, I recommend! I just didn’t order 10 new ones this other day. I actually used about 1,5 full eraser pencils on this drawing alone so that’s why 10.

Here’s a “little” gif of the process on Farin:

I felt crazy when I went for the shirt, and I felt like I was going crazy MEANWHILE drawing it but in the end I did it and I’m super proud of it!

Below is the reference photo, it was pain in the ass to follow all those lines with my eyes and try to find what was I drawing and where was I but I think I did good. That was a fun challenge.

Okay so, when I was done with the new lineart, I decided to go for the shading and blending because that’s what really makes the drawings to pop. I started with the left (his right, my left) side of Farin’s face because I’m right-handed, and in the first photo I had done just the left (right) eye and mouth and nose, but in the second there’s also the other eye done already:

Keep in mind this was not the last time I drew the eyes. Not even close.

Something was off with the right (left) eye so I had to do that one again and I noticed that when you blend but haven’t erased and cleaned it yet, it looks like a black eye :DDD So here’s the before and after images of that cleaning. (Cleaning = I draw, blend, erase, draw and blend more when needed and then erase again, and repeat this as many times as I need until it starts to look ready to my eye.)

So here Farin was “finished” but if you still remember the final piece or compare it to it, you might notice it looks quite different. And you’re right. But more about that later, because at this point I started to work on Bela.

It actually started really well - I also had to do the whole lineart again because it did not match the size of “finished” Farin. I don’t remember if this is the first or second eye but when I had drawn his eye for the first time, I noticed it was not in line with Farin so I had to redraw it. A gif of the progress:

What’s that brown paper I’m using, you may ask? Well I noticed that people have some sort of paper on top of their art to keep it from smudging and I have no clue what that is so here’s my poor artist recommendation: baking paper! I tested it and it works (if you just remember to keep it under your hand, that is...) so that is, in fact, baking paper! :DD

I have drawn Bela’s face a few times before and he’s just so much easier to draw. In fact I used 4-5 days on Farin but I managed to start and finish (this version of) Bela just in one day. And that means that out of 12 hours (because I literally used the whole day for drawing) I used maybe like... 5h or something on Bela. That’s how much easier he really is to draw.

I don’t know wtf is wrong with Farin’s face but he’s extremely difficult to draw and I’m not the only one who has been saying this. I guess he just looks so regular but still unique enough to be difficult to draw. Bela then again has features that are very unique and very... caricature-like? I mean that just by drawing his nose or chin you can make a comic book Bela look exactly like himself, and with more realistic style his eyes already do a lot, but Farin’s really the opposite. My comic book version of Farin is literally the most basic version I can draw, it’s how I draw those characters and the only thing that makes him look himself is the hair, and his nose in a side profile. So I think that’s why it’s so difficult to draw him because he doesn’t look too regular but still regular enough to make is a very challenging task to do properly.

So yeah, the same day as I started working on Bela, I was also “finished” with the drawing:

Also look at how different it looks like from this perspective:

With the reference photo open in photoshop and I don’t understand how Bela looks more like himself in my drawing than in the photo. Also when I showed the WIP to my brother, he said that I somehow had succeeded at making Farin look more like Farin than what he does in the photo even. It’s weird.

But we were still far from finished. I was going to use the fixative on this soon but it just kept snowing the whole week so I couldn’t so every time I walked past the drawings, I stopped to fix this and that. For days I kept telling myself “I’m done, I can’t do more than this, I can’t do better than this.” and considered the drawing finished but still kept fixing things. Every time I was “done” with the other drawing, I saw something to fix in the other one and once that was done, I felt like the first one wasn’t as good and had to fix something from it too. And that led to a cycle where the other drawing was always better than the other and the worse one needed to be fixed. In the end I was hating the whole process and myself and my skills and I was already ready to abandon this whole thing and call it a day and never ever show it to anyone “because I cannot draw”. The photo above, here’s a list of things I redrew after that:

Bela’s eyes, the right (left) one at least twice.

Bela’s nose.

Bela’s mouth a couple of times.

Farin’s eyes x588045028520

And a list of things I kept fixing and fixing:

Bela’s chin.

Bela’s neck shadows.

Bela’s hairline.

Farin’s whole face was tilted so I tried to fix that.

Farin’s face was too wide, which meant also partially redrawing the ear.

Farin’s hair was too long and wide too.

Farin’s nose.

Farin’s mouth might be the only thing I drew only once and I’m actually still extremely proud of how it came to be. I did the lips solely with blending so that was super exciting to notice how I can use it for drawing and don’t need the pencils for everything!

During Bela’s eyes and nose and mouth especially I was hating myself so much and I felt like I was taking the risk of ruining the whole thing and a few times I was certain that was what I had just done too, until I somehow was able to save it again. But because of that, I wasn’t able to make Bela’s mouth any lighter anymore, the color wasn’t just coming off the paper so had to use what was there and make it look like it’s how it’s supposed to be, too.

Here’s a gif about those changes on Bela - the first one has the old eyes and nose, the others have minor changed on the nose and mouth:

(The blacks probably don’t get any blacker in reality, I did add more color to it all the time but mainly it’s just the lighting and my phone camera changing the brightness.)

I did the final details on his nose without even using the reference photo anymore. The photo didn’t seem to make any sense anymore at all so I was just using my mechanical pencil and the blending tool and eraser to make is look better. To my eye it looked more like a very flat nose with a big tip of the nose and he doesn’t have a flat nose and I tried to get rid of that illusion. I still feel like it makes him look bit weird but I’m not entirely sure how. Maybe it was because of my improvisation, idk...

So, Bela was then finally finished for the last time. In the Farin piece his left (right) eye had been bugging me the whole time and I didn’t want to touch it but still I felt like I have to do something about it because it was bugging me way too much. I then figured I could draw the eye line by line and take a photo of it each time to see if it looks right already or not, maybe I could then avoid doing all the phases before I was sure what to think about it. I mean, now the only way to see if it was correct was to draw e.g. an eye from start to finish, I couldn’t see from just the lineart or unblended eye if it was in the right spot etc. And here’s that progress on a gif:

The gif about only the eye would look so nice if Tumblr didn’t make the gifs so HUGE - this one is actually only 300px or 400px or something:

Apparently I also wasn’t happy with the other eye because:

But good thing is: I really enjoy drawing eyes. I love seeing them to “come alive”, my favorite part was to eraser a bit of the color on the iris to make them look like they are actually shiny! It feels like something so small to do and yet it makes a huge impact on the drawing!

And here’s yet another gif of the whole Farin sheet with all of the changes, including the last changes that made his head narrower, and less tilted and more in line. Look at the left side of his head especially to see that:

I can also see his nose changing between the first few photos. I keep forgetting about that but yeah, I also fixed that a little at some point.

And last but not least, the whole drawing in some sort of a timelapse gif:

Last two are the same but just a photo and the scan of the finished drawing. I still keep seeing things I would do differently but no can do, I already used fixative on it, also to keep myself from obsessing with it any more :D And to use it as a study of some sort. I have never been able to draw a perfect pencil drawing and this isn’t one either. I probably never can draw perfect drawings from references.

I do enjoy the whole shading and blending process, so much so that when I was editing these photos, I just wanted to start drawing something so bad but I also figured that I start to lose motivation when I get to the point where everything should be finished but I just can’t make it perfect. Like the current WIP I have, all I should do is to get the proportions and perspective and the lines of their faces correctly and I would be ready but it feels more like a superpower some people possess and I’m not one of those. I don’t know what is it but I just feel that I cannot see. I don’t know how to explain it, but I can’t see what I try to do and somehow keep drawing everything the wrong way. Just like in this post’s drawing too. There’s still things that are wrong and I know what it is but I don’t know how to solve it. My hands just don’t listen to me and they can’t do what I think they should. I also think the reason I cannot draw perfect copies of photos is because you can always see my “handprint” in them. If I copy a photo, it will look like a photo and not like a drawing made by me. So I believe that in my drawing there’s always a part of me visible and I’m not entirely sure if it’s a good thing or not. On bad days it’s not a good thing, obviously. On good days? Well I guess it’s good then because it just means I have my own style which I really should appreciate. But I wish I had my style only when I want it to be visible, but I can’t control it. Just like I cannot write text by hand that would look like it was written with a computer, so I guess I should just try to get used to it, no matter how much it’d bug me sometimes.

#mcrmadness draws #mcrmadness draws: behind the scenes #dä fanart #die ärzte

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shesay · 3 years

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that post about nikita dragun is so funny because . the insane desire to attain an unnatural porny archetype of womanhood is extremely widespread but in no way limited to trans women. women are not getting bbls to look naturally female, esp influencers and celebs, so why is that expectation put on someone like nikita dragun? especially since that porny aesthetic evokes images of actual women like the Kardashians who altered their bodies to look that way before someone like nikita was inspired. there are countless women who look very unreal with bbls and rib removals who are never seen without makeup and shape wear etc. while there are also women who are the exact opposite of that. when your only frame of reference for transness is celebrities and influencers you are bound to make these grand statements about the Trans Problem based off of what nikita dragun is wearing and saying. if my only understanding of what women look, act and think like was limited to female celebs, I would think the met gala represents an accurate image of womanhood and I would weep for the state of Women In Society or whatever, and I would probably be blind to the appearance and ideas of every day women. beyond that, you are simply disgusted by nikita dragun, because of her maleness or something. you don’t have to rationalize your primal disgust of another person in this like philosophical radfem way lmao.

woah lol well yes ofc women r the the ones who r effected by this new crazy skyhigh beauty standards never said it was limited 2 men suffering from transvestic fetishism and yes the whole thing is incredibly misogynistic trans women such as nikita r inspired not by women but by the carefully structured image of what a woman should be like the kardashians they’re like a propaganda picture or smth of the perfect desired woman or whatever u can never ever see an “accurate portrait of womenhood” bc it’s unsexy it doesn’t get it up 4 men unshaved hairy no makeup nothing it’s “ugly” “unfeminine” nobody wants 2 see that not even women and yea I’m disgusted by nikita bc he’s a man who fetishizes my experience as a woman and I believe in biology and u do 2 obv bc u acknowledged his “maleness” sounds terfy ngl lol.

#anonymous

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alexlamia · 3 years

Note

1. Would you have sex with the last person you text messaged?

2. You talked to an ex today, correct?

3. Have you taken someones virginity?

4. Is trust a big issue for you?

5. Did you hang out with the person you like recently?

6. What are you excited for?

7. What happened tonight?

8. Do you think it’s disgusting when girls get really wasted?

9. Is confidence cute?

10. What is the last beverage you had?

11. How many people of the opposite sex do you fully trust?

12. Do you own a pair of skinny jeans?

13. What are you gonna do Saturday night?

14. What are you going to spend money on next?

15. Are you going out with the last person you kissed?

16. Do you think you’ll change in the next 3 months?

17. Who do you feel most comfortable talking to about anything?

18. The last time you felt broken?

19. Have you had sex today?

20. Are you starting to realize anything?

21. Are you in a good mood?

22. Would you ever want to swim with sharks?

23. Are your eyes the same color as your dad’s?

24. What do you want right this second?

25. What would you say if the person you love/like kissed another girl/boy?

26. Is your current hair color your natural hair color?

27. Would you be able to date someone who doesn’t make you laugh?

28. What was the last thing that made you laugh?

29. Do you really, truly miss someone right now?

30. Does everyone deserve a second chance?

31. Honestly, do you hate the last boy you were talking to?

32. Does the person you have feelings for right now, know you do?

33. Are you one of those people who never drinks soda?

34. Listening to?

35. Do you ever write in pencil anymore?

36. Do you know where the last person you kissed is?

37. Do you believe in love at first sight?

38. Who did you last call?

39. Who was the last person you danced with?

40. Why did you kiss the last person you kissed?

41. When was the last time you ate a cupcake?

42. Did you hug/kiss one of your parents today?

43. Ever embarrass yourself in front of a crush?

44. Do you tan in the nude?

45. If you could, would you take back your last kiss?

46. Did you talk to someone until you fell asleep last night?

47. Who was the last person to call you?

48. Do you sing in the shower?

49. Do you dance in the car?

50. Ever used a bow and arrow?

51. Last time you got a portrait taken by a photographer?

52. Do you think musicals are cheesy?

53. Is Christmas stressful?

54. Ever eat a pierogi?

55. Favorite type of fruit pie?

56. Occupations you wanted to be when you were a kid?

57. Do you believe in ghosts?

58. Ever have a Deja-vu feeling?

59. Take a vitamin daily?

60. Wear slippers?

61. Wear a bath robe?

62. What do you wear to bed?

63. First concert?

64. Wal-Mart, Target or Kmart?

65. Nike or Adidas?

66. Cheetos Or Fritos?

67. Peanuts or Sunflower seeds?

68. Favorite Taylor Swift song?

69. Ever take dance lessons?

70. Is there a profession you picture your future spouse doing?

71. Can you curl your tongue?

72. Ever won a spelling bee?

73. Have you ever cried because you were so happy?

74. What is your favorite book?

75. Do you study better with or without music?

76. Regularly burn incense?

77. Ever been in love?

78. Who would you like to see in concert?

79. What was the last concert you saw?

80. Hot tea or cold tea?

81. Tea or coffee?

82. Favorite type of cookie?

83. Can you swim well?

84. Can you hold your breath without holding your nose?

85. Are you patient?

86. DJ or band, at a wedding?

87. Ever won a contest?

88. Ever have plastic surgery?

89. Which are better black or green olives?

90. Opinions on sex before marriage?

91. Best room for a fireplace?

92. Do you want to get married?

🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈

🦇 🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇🦇

🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️🧛🏻‍♀️ 🧛🏻‍♀️

🐈 🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈🐈

🐈‍⬛ 🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛

Damn 😳

1. Yes.

2. Yes.

3. No.

4. Yes.

5. Yes.

6. Fall and Halloween 🎃

7. Nothing, really. Just hanging out with my cat.

8. No.

9. Yes.

10. Sweet tea 🫖

11. Three.

12. No. 👖

13. Probably stay in my room with my cat.

14. Maybe Halloween decor or art supplies 😂

15. Yes.

16. God, I hope so.

17. My partner and my best friend.

18. I feel broken every day 🤷🏻‍♀️

19. No 😒

20. No.

21. Yes.

22. No.

23. Yes. 😂

24. A lot of things.

25. Nothing. 🤷🏻‍♀️

26. Yes. I’ve never dyed my hair.

27. No.

28. A funny video that my brother send me.

29. Yes. 😞

30. Yes.

31. No.

32. Yes ❤️

33. Hell no! I love soda.

34. Not listening to anything right now, but I normally listen to country music. lol 😂

35. No. Just draw outlines in pencil. ✏️

36. Yes.

37. Yes.

38. My Dad.

39. I’ve never danced with anyone.

40. I love them, and I was leaving to go home.

41. My birthday.

42. Yes.

43. Yes.

44. No.

45. No.

46. Yes.

47. My mom.

48. Yes.

49. No.

50. Yes.

51. In high school.

52. No.

53. A little bit.

54. Yes! 😋

55. Is rhubarb a fruit? If not, then Apple.

56. A singer or an archeologist.

57. Yes. 👻

58. Yes.

59. No.

60. Yes. 🥿

61. No.

62. An old t-shirt and shorts.

63. It was either a Faith Hill concert or a George Strait Concerts.

64. Target! 🎯

65. Nike.

66. Tough decision, but Fritos.

67. Sunflower seeds!

68. Anther tough one! Probably “Love Story”.

69. No.

70. No.

71. Yes. 👅

72. No. Came close, though.

73. Yes. 🥲

74. “The Vampire Lestat” by Anne Rice.

75. Yes.

76. Yes.

77. Yes.

78. Depeche Mode. Guns N’ Roses. Slipknot. AC/DC, but I don’t think they’re doing that anymore.

79. Blake Shelton.

80. Cold tea 🫖

81. Coffee ☕️

82. Chocolate chip 🍪

83. No. 😬

84. Yes.

85. Yes.

86. Band.

87. Yes.

88. No.

89. Green. 🫒

90. Yea. Do it.

91. Every room would be cool, but if I can only pick one, it would be the living room.

92. Yes 💖 Although, I doubt anyone would want to marry me.

#asks #anon

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its-chelisey-stuff · 4 years

Text

More than friends ep 16

I decided to do something a bit different that I’ve done with other dramas, but never with this one. I just know that this time I cannot make the time and don’t have the same passion/excitement to do the amount of posts I usually did with this drama and its episodes. That doesn’t mean that I didn’t put effort into this, because I did lol. I just couldn’t replicate that for another ten posts. Anyway, I hope y’all enjoy reading my random thoughts as I watched the episode:

Oww no, Soo is waiting for Wooyeon at the exhibit😭

Aww my boy keeps waiting and he looks so good in glasses

How many days have passed? This is just too sad and on top of everything SeongWu's OST is playing

WY don't compare yourself to HyunJae, he's an angel.🤭

This bitch "it will never happen to me" wtf? I'm gonna hit her I swear 😂

What is CEO doing here? Was he invited? Btw Hi, long time no see.😝

Yeah, that big picture of Soo, is a bit narcissist of him

Ow no why you gotta hit me with the happy flashbacks Soo? 😭💔 You lost her because she wanted to be let go, honey. Don't blame yourself so much

I felt really conflicted over Soo's mom the entire drama's run but she really came through in this final ep

"I didn't do anything" yes Wooyeon, my point exactly

"Maybe I still like him"? 😂😤🤣How come you don't know? Wtf??

YoungHee and Soo= awesome combo. I think they'll truly be besties in the future. They understand each other so well

HyunJae I'm honestly so disappointed in you. You said you wouldn't cling to this woman anymore. Why doesn't anyone in this drama mean what they say (with a few exceptions)?🤷🏻‍♀️🤦🏻‍♀️

Ugh just get back together, I know you will, what's the point of this angst? Nothing has changed.

God bless JinJoo and Sanghyuk 😝🤣 they're hilarious. Love them to pieces

Lol they always fight?

"Break up" lol is that your solution to everything Wooyeon? I'm gonna need you to 🤫

Awwwww she thinks if you fight and have disagreements it's not meant to be. Oh honey.🤣🤣

Listen here, WY, there's no such a thing as destiny (what is this? a fantasy drama?), you make your own path. And there's no such a thing as a soulmate. To quote one of my fave tv shows, The good place, "If soulmates do exist, they are not found, they're made"🥰

I love JinJoo 😂😂😂😂 omg so MUCH

Aww they made up. Love how their dramas never lasted. Such a relief

RUN, WOOYEON! RUNNNNNNNN

Don't blame the timing, you're just silly🤭

That portrait title hits different in korean. It basically says his every moment was Wooyeon, omg. Soo, you poetic, romantic bastard😭😭🥺

"I still love you" now, was that too hard to say?

Ugh, you know what? whatever, Lee Soo is happy again and this girl finally apologized. I've been served 😌

DAMN THE PROGRESS, SHE SAYS SORRY NOW. GREAT, IT ONLY TOOK THE WHOLE DRAMA. NO BIGGIE

I'm both annoyed and pleased. It's such a conflicting position to be in.

I wonder if some of the wannaone members saw this drama. Lmao

These couple questions have the most cute answers 😊 hello drama, this was what I wanted from you🙄 LIKE A LOT MORE

Soo thanking his mom 😭 and her mom getting emotional 😩

Not this man again 🤦🏻‍♀️ I had forgotten him

Soo's parents are getting back together! Mom finally let go of her resentment.

I only wish I could've cared more about you, Joonsoo. Like I did in the first 4 eps. Now I'm just indifferent about your ending.

What was even the point of Yura though? 😂

"Don't let me see your face. I can't stay mad then" 😂😂 Soo, I love you so much

That little callback to ep 2 in Jeju with the Product Placement coffee aww 😂

Couples’ trip courtesy of our great and rich prosecutor, JinJoo. I love my girl so much

My two favorite characters fighting and sassing each other is everything!!!

LEE SOO'S FACE WHEN HE SAW WOOYEON DRESSED IN WHITE. AND HOW HE PUSHED SANGHYUK AND JINJOO OUT OF HIS WAY I'M DYING 😂😂

"I fell for you for the 3480th time today" 🥺😝😂

These group moments were always one of the best things in the drama. I needed more of this as well, show!

Btw the casting team and director did great with these six actors. They all have great chemistry with one another.

Soo was taking pics of Wooyeon only 😝

Of course the drama had to make SeongWu sing. Like, why did it take so long?

Also, if by some reason you haven't, watch (and LISTEN) THIS. And this. You can thank me later lmao

Never was super invested in this couple, but I'm glad HyunJae's suffering has ended. And they're finally getting married.

Aww the six of them look so happy🥳

"Our possibilities may be endless, but I'm confident. Even if our timing is never right, my possibilities are always you."

Holy shit, the epilogue! IN JEJU!?

"Love must have the courage to become confident. The love won't be pushed around. It will lead" Beautiful words.

THE END

I will keep the good memories, even though the drama gave me something unexpected that had me conflicted till the end and I wrote quite a lengthy “essay/rant” about it. No space to put it here though.

I gotta say, the drama did a few unnecessary things and handled some others in a way that had me angry ranting and raising my eyebrows so high they almost reached my hairline lol but it actually had a well balanced finale and wrapped everything up relatively nice, with a pretty ribbon on top. I'm a bit impressed... I just wish I could be over the moon as I thought I was going to be a few weeks ago if we ever got a finale like the one that was delivered to us.

Ah, dramaland, you uncertain and magical world where the happy, tragical, bittersweet, makjang and open endings coexist in a funny yet dangerous proximity. Sometimes I love to hate you. Sometimes I hate to love you hahahaha never change.

And even if I wasn't as enamoured with the show as I was for a solid 12 eps, that was a lovely episode (well, only the second half). Full of fluff and warmth for these cold times. Thank you, More than Friends. It was quite the emotional rollercoaster lmao

#more than friends #ong seung wu #shin ye eun #ahn eun jin #choi chan ho #baek soo min #p.o #kdrama #kdrama commentary #more than friends jtbc

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