#or get something off my chest

[fernsnailz]

sorry these kinds of comments have been really pissing me off recently lol

[firefistacesfreckles]

i'd read several people saying that this chapter sucked and that the end was bullshit so i was a little scared at what had happened but...

i literally don't understand how someone could be upset by this...?? i feel like this outcome has been heavily implied throughout the entire arc. like, just a few chapters ago, bonney used a technique very similar to one of luffy's. are we reading the same manga? lol

and from a storytelling standpoint, it's just so poetic. both of bonney's parents suffered and ultimately died (we still need confirmation on kuma, tho) at the hands of the WG. she, herself, fell terminally ill because of saturn's human experimentation. she carried a lot of unresolved trauma, and now that she's met luffy, she's starting to overcome it all. kuma told her that nika would free her, and it's happening!! how could anyone complain about this?

and to say that this undermines luffy's journey and efforts to awaken his df... please. we still don't know if she's gonna have a quarter of luffy's power if anything at all. stop assuming things just off of one panel. time will tell. for now, i very much like this concept, and i'm excited to see what oda will do with this in the future. he's never disappointed me, so far, when it comes to the story. i don't see why he would now.

[ohcaptains]

JJ has a girlfriend that’s got expensive taste. and it’s not even as if you’re rich or anything. you just have a part time job that allows you to buy shit. sprays, lotions, oils, scrubs, perfumes…you always smell good and feel soft.

JJ got a look at your bathroom and thought he’d walked into a bath and body works. stood there for literally half an hour, just going through all your stuff. opening bottles and sniffing them. even put a little on himself and rubbed it in. made a face as if, yeah, that shit is nice.

came out smelling like lavender and sea salt.

when he walks back to your room, you look up from your phone and make a face. “there you are, thought you’d fallen in.”

JJ just gets back into bed with you, and burrows his face in your neck, looking at whatever you’re scrolling through. it’s a few seconds later that you lean back to look at him.

“did you?” you start, before frowning and sniffing his head.

“did you use my hair spray?”

JJ frowns, “…no.”

“then why do you smell like spring on the sea front?”

“is that what it’s called?”

you hit his arm, “jay that shit cost me $30!”

“what!” he exclaims. “for that tiny bottle?” he shakes his head and goes back to laying on you. “you shoulda told me you wanted that, babe, i’d have just robbed it for you.”

[corvidcall]

None Of You Know What Haiku Are

I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.

If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?

Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!

First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.

For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.

In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).

Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?

Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.

(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)

Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.

Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.

Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:

古池や　蛙飛び込む　水の音 (Furu ike ya　kawazu tobikomu　mizu no oto) (The old pond — A frog jumps in The sound of the water.)

You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.

English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.

Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.

Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)

The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel

We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.

"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:

meteor shower . . . a gentle wave wets our sandals

When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.

"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?

I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards

a year at most . . . we pretend to watch the hummingbirds

Sources: (x) (x) (x) (x) (x) (x)

Further reading:

Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine

[calmlb]

can we as a society please stop calling Dazai the “demon prodigy” like it’s canon??? IM BEGGING

his canon nickname is so underused too… i mean c’mon, the “black wraith of the Port Mafia??” idk if i’ve ever even seen it used in a fic 😭

[die-rosastrasse]

I love you bad art, I love you amateur art, I love you self learning, I love you cheap art supplies, I love you journals, I love you crafts, I love you art available for everyone, I love you second hand art and objects, I love you free museums, I love you handmade gifts, I love you childish drawings, I love you art that nobody ever saw except for the artist, I love you taking time to learn a skill, I love you art history, I love you free tutorials, I love you art as a school subject, I love you things that took a long time to make, I love you art studies that are considered useless, I love you the human need to create and change the world around you to be more beautiful and more meaningful.

I hate you AI art, I hate you generated content, I hate you singe-use images, I hate you mindless consumption, I hate you stealing from artists, I hate you reposting without sources, I hate you lying about using AI, I hate you pretending like art is something unachievable and reserved only for the chosen ones.

Make art!! Make "bad" art that is actually special because you took the time to make it. Make art for yourself that you show no one. Make art for others that they'll cherish forever. See how your whole world changes, see how you start noticing beautiful and inspiring things all around you. Make things with love and devotion. Fuck AI.

[debatablyspicydurian]

I know the full arsenal update is out and hype for that but I just found the gutterman's poem in 7-2 and I HAVE to type about it because its night where I am and I cant wake up my friends to rant about Ultrakill.

Anyway, absolutely indescribable how we have the thoughts of a machine just laid bear in a secret for the first and maybe last time. The fact that a machine made for merciless slaughter could not only feel sadness for the person powering it but also WRITE a POEM? A machine made art??? The knowledge that they understand how cruel it is to make a human a blood battery, recognize it as torture, but also feel gratitude for the life they've been given?? It was known that machines had a sense of aesthetic from Swordsmachine and Mindflayer's entries but. Goddamn. The gutterman refers to the human as their mother and it states it CRIED when it crushed her skull as it hoped it would redeem its life.

Also the excerpt, "I know I know you would hate me so, and mother of me, I do too." Does this mean the Gutterman hated itself as much as the human? Did it hate the human instead along with the feelings of love and gratitude? Probably the former. Gutterman angst is so in.

V2's mannerisms and Swordsmachine's data entry are intresting, but a gutterman's eulogy for its prisoner and its attempt at redemption is another level. Actual machine thought process recorded!! Sapient lifeform that knows only war and death! The fact that the gutterman crushing the human's skull seemed to be out of mercy. Ough.

Noone has to interact I havent proof read this I am just RANTING this is CRAZY HAKITA HOW COULD YOU AND THE TEAM DO THIS

[isagrimorie]

Criminal Minds Evolution 17x10 - Save the Children

[sad-leon]

I've reblogged my moots' posts, but i want to say it for myself as well

I don't care what you make, I don't care what you support, as long as you tag your stuff properly, I have no problem with you

This goes for Tcest, April x Turtle, NSFW - if you create or engage in this content, you're welcome here as long as you don't force it onto me, which despite what a lot of people complain about, is not a problem I've run into

They're fictional characters, I just wanna have fun with my silly little turtles, and if you wanna have fun with these silly little turtles with me, you're welcome here

[kookies2000]

We all know this scene when Puss faces his past lives.

Spoilers

I'll be honest, something was disturbing in this scene when I first saw it. I'm rewatching the scene and trying to put my finger on it. Then it hit me. That Tik Tok comment I saw that said the Lost Souls were acting like the sins from the Bible. The connections people made from this film and toxic masculinity. This scene right here is oozing with toxicity and masculinity.

Before I go any further, I would like to say that I am not down-talking men. I'm analyzing this scene as a Mexican woman.

Anyways, here are some traits in toxic masculinity.

Self-reliance - Men believe they have to do all the work and handle everything by themselves. Independent at all times, they need no one. They believe doing things by themselves will make them successful in life. Being vulnerable will cause the man to be ridiculed. That's Puss throughout the film.

Promiscuous - There's nothing wrong with having sexual relations with others. If it's your thing, it's your thing. But there is such thing as too much of a good thing. Being flirtatious is ok, healthy even, but when it becomes very frequent or an obsession, it can lead to problems in forming long-term romantic relationships. Puss in a nut shell.

Being violent and dominant - Most men believe they have to be strong, physically mostly. So they take risks in life and try to beat others in their own game. Taking risks can be a way to demonstrate dominance. This can include gambling as well. Or dangerous sports. The cause of some of Puss deaths. Not to mention Death pretty much gave Puss a reality check. Puss isn't as strong as he thought he was.

And a big one, refusing to seek help when struggling - self-explanatory. Men try to be emotionless and never seek intimacy with others. Especially with other men as it's seen as a weakness.

All these traits are displayed in this scene. At first, it's fun for Puss because he remembers how much fun he had in his past lives. All the parties, lovers, drinks/food, adventures, risk-taking, everything. But once the adrenaline wears down, Puss knows it's time to leave. But of course, the Lost Souls don't let him. They try their best to convince him to leave Perrito and Kitty and get his lives back. They straight up tell him he doesn't need them and he's better alone. But at this point, Puss already formed a bond with Perrito and is reconnecting with Kitty. He remembers his regrets and this is what makes him determined to go back.

I guess the Souls notice this and start to ridicule Puss for being so vulnerable. Which is something I pointed out already in self-reliance. Men get teased and made fun of if they show even an ounce of vulnerability. Men can't have intimacy with their friends, let alone friends who are men. Men can't be held down by marriage. It sounds over the top but it does happen. I've seen it happen in the past in my household.

Men are also pushed to be physically and emotionally strong. Which is what Puss was trying to do as well. He didn't want to be afraid. He didn't want help and was a lone wolf. He refused to seek help when struggling. Thankfully for him, Perrito was a very determined guy. He followed Puss and helped him become more vulnerable and to open up more. Fixing his relationship with Kitty and becoming fiends.

So yeah, this scene was something alright. Puss was already developing at this point of the film. And then they made him face just how toxic he was being in his past lives. It almost felt like torture for him. But this is an important step in developing into someone better. You have to face your past some time and realize your mistakes so you don't make them again.

Ps, Antonio's voice acting here was incredible. Voicing nine different Puss while making each one unique. From the tone of voice to personality. He deserves some recognition for this scene.

[aerequets]

i very much appreciate how Yor, the strongest character, is so feminine

she’s obviously the physically strongest, and arguably the most mentally and/or emotionally strong. what i really appreciate is that this strength and her femininity are complements, instead of the two being treated as mutually exclusive like in many other media.

yor is soft spoken and gentle and kind to others. she feels emotions strongly and cries in front of others and shows her happiness. she has a natural inclination to take care of others. she is good with children, she is great at housekeeping. she may not be good at cooking but by gosh she tries; she wants to get better. she assumes the best in others and finds other women pretty and kind and admires them. she’s family oriented. 

yor is also insanely strong. she’s gone through extensive physical training since childhood, has multiple scars, has dealt with all kinds of people. she can kick a moving car, incapacitate a whole cow, take down a whole fleet of assassins, etc, etc. the list goes on. but despite all this and all that she’s been through, she didn’t become a tough, sardonic, mean-lean-killing-machine kind of character.

 what i’ve noticed in a lot of media is that there seems to be this kind of tradeoff that people think needs to happen in order for a female character to get “truly strong”. basically feminine = weak and masculine = strong. the character cries? not anymore she will never crack that poker face ever! the character cares for others? psh what no, care for yourself she’s not your maid. homemaking skills? useless, all she needs is the strength of her Fists and Harsh Words. she’s not like other vapid girls, she actually cares about the Real Important Fight which, undoubtedly, is also male-dominated. 

of course, all of this is set up as an opportunity for the male love interest to come in and “break down her walls” because women are just waiting for the right man to change them, but i digress.

why? why are the things that are inherently feminine deemed as inferior? 

a good example i can think of is cinderella, or to be more specific, an opinion about cinderella that was popular (and may still be, i dont know tbh): she is weak for needing a prince to save her. 

lets break this down: this girl gets emotionally, phyiscally, and mentally abused from her childhood into young adulthood by the people who are supposed to care for her. despite all this, she remains kind towards others and attentive in what she does. she seizes what she believes could be her one and only chance at freedom, however fleeting, and ends up catching the attention of the person who is ultimately able to pull her out of her situation.

yes, she didn’t bust herself out of the house and shank the stepfam with her glass shoe. but does this mean she is weak? is that kind of emotional resilience within someone after years of abuse what can truly be categorized as weak? 

anyways, all this is to say that yor is built up as the strong one in multiple ways, and the narrative doesn’t act like her nonmasculine qualities are somehow reductive or lesser, and i very much appreciate how rich her character is. i like so many things about this series man im just

[stuckinapril]

me stoically navigating my way through drama bc bigger things are ahead and it’s not my fault people are dumb

[natsmagi]

honestly the more i hear about engstars and its TLs the more i absolutely dread the inevitable release of poltergeist and what may ensue from it, bc if if the translators themselves are already invalidating arashis identity then i Really Truly do not want to see how theyll translate natsume and tsumugis microaggressions/transphobia towards her. esp since ive noticed a rise in people being comfortably transphobic towards her, and i REALLY do not wish to see natsume and tsumugi being stupid fucking morons be used as evidence to discredit her

and i think this is all the more reason why its VERY IMPORTANT for engstars to DIRECTLY ACKNOWLEDGE arashi and her gender. bc sometimes characters are STUPID and RUDE and APATHETIC. enstars is a story with NUANCED and FLAWED CHARACTERS, and when a character is being a fucking asshole youre meant to PROVE THEM WRONG. but they dont even acknowledge arashi as a girl themselves. so, if you do use engstars, please keep pressuring them bc omfg this is so bad and i can only see it getting worse

[lucyshypemaster]

you will NEVER see anyone writing paragraphs after paragraphs hating on keefe like they do with sophie.

[cubbyhole-for-flea-bee]

Apologies

[flo-n-flon]

"While it's fresh. I need everyone to tell me what they saw and heard, so that I can write it down. There will never be a better time."

Of all the accounts Loial gathered in Thakan'dar that day, the Aes Sedai's proved the most difficult to acquire. Those who remained were elusive, bustling around the Healing tents and churned fields. Nynaeve Sedai and her helpers, paying no heed to the fragility of Humans, were bringing back from the brink of death so many that a constant flow of barely healed soldiers and channelers shuffled toward the Travelling grounds, freeing much-needed beds inside the tents.

Moiraine Sedai would not answer his inquiries about the events at Shayol Ghul either, intent as she was on the care of a drawn, but gently chiding Tairen woman.