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immaturityofthomasastruc · 4 years

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#5: The One With Astruc's Self-Insert

In my introductory post, I said the main inspiration for this blog was @hypocrisyofandrewdobson. For those who don't know, Andrew Dobson is an infamous webcomic artist known for drawing webcomics that tend to demonize people he's come across in public or people who disagree with him online (either critical of his art or his political views), while portraying himself as the victim or wise man calling them out on their differing beliefs.

If you want to learn more about this guy who I consider to be far worse than Astruc, check out the blog in question. And no, I don't know why he draws himself as a blue bear.

Why am I talking about this? It's one thing for some schmuck on the internet to use his work to respond to criticism, but the creator of a popular animated series dedicating an entire episode to attacking his critics and trying to get others to feel bad for him is another story.

The second episode of Miraculous Ladybug's third season, “Animaestro” served as a wake-up call for fans (myself included) to make them realize how immature Astruc could be. The plot centers around the premiere of a movie about Ladybug and Cat Noir directed by Thomas Astruc, who voices himself in the original French dub.

And this isn't just a brief cameo like what Stan Lee did in the MCU. Astruc is the Akumatized person this episode, so there's naturally a lot of focus on him. Throughout the first half of the episode, Astruc portrays himself as this timid man who nobody recognizes or respects, like this idiot who doesn't know what animation is.

Doorman: This is a private event, sir.

Astruc: Huh? Excuse me? I'm Thomas Astruc, the movie director.

Doorman: You filmed Cat Noir and Ladybug? What are they like in real life?

Astruc: Er, it's an animated movie. It's all cartoon characters. We don't actually film anyone. See, there's this whole team that draw the chara—

Doorman: Whatever. Who would want to see Ladybug and Cat Noir as cartoon characters?

Get it? Wasn't that meta joke hilarious? This is how much I was laughing:

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And Astruc continues to get about as much respect as Rodney Dangerfield when he interacts with other characters like Jagged Stone and Chloe.

Jagged Stone: Ladybug is one of my best buds! I can't wait to see her movie!

Astruc: Well I—I'm the director, so actually it's more my movie, so to speak.

Jagged Stone: Oh, so you're the one who created the story?

Astruc: Well, technically the screen writers wrote the story, inspired by Ladybug's exploits.

Jagged Stone: Oh, okay. So you did all the drawings?

Thomas: No, no. The animators do all the drawings.

Jagged Stone: So what do you do then?

(Later on...)

Chloe: So you're the one responsible for this movie?

Astruc: Yes, yes! Exactly! That's me!

Chloe: Then you were the one who left Queen Bee out of the trailer. You're lame, utterly lame.

I can't believe Astruc had a scene where he interacted with Chloe and didn't insult her at all.

The episode is determined to make the audience feel bad for Astruc. Nobody respects him and what he does. Isn't that saaaaaad? Nobody cares about animated film directors like Walt Disney or Tex Avery anyway. Not even these stupid children understand how hard Astruc works.

Several Children: Ladybug! Where's Ladybug?

Astruc: Hey there, kids!

Teacher: Ladybug isn't here children. We came here to meet the director of the movie. Children: (frowning in disappointment) Aww.

(Astruc looks visibly disappointed.)

Way to insult your primary demographic, Astruc. I thought you said kids have a better understanding of these stories when people criticized the writing of a certain episode (It's that scene in “Puppeteer 2” if you're curious/don't value your sanity).

It's almost like you're using that as an excuse to half-ass your work while still getting to claim this show is so groundbreaking.

In case you can't tell, “Animaestro” is one of those episodes. The ones where the showrunners decide to dedicate an entire episode to attacking critics of the show in a blunt fashion. Whenever a show addresses criticism, they either create an obvious strawman character to parrot the opinions of fans who don't like their work, or have someone defend the show and insult the critics directly.

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The problem isn't that they're ignoring criticism. It's their show, and they aren't obligated to listen to critics or fans who don't like the direction the show is taking. On the other hand, they aren't obligated to fight back like this and treat their audience like crap. Any show that does something like the three clips I showed you usually comes off as petty and immature because they dedicate so much time to insulting the critics.

Even during the Akuma fight, Astruc has to call out Ladybug for having problems with his movie in-universe, obviously representing critics of the show Astruc claims have no right to criticize the show while it's still airing.

Ladybug: What's with that trailer too? I am not scared of cats, at all.

Astruc/Animaestro: You haven't even seen the movie and you're already slamming it?

Cat Noir: He does have a point, you know.

Ladybug: I wasn't slamming it. It's called constructive criticism!

Yeah, how dare Ladybug be angry that this movie is portraying her as a powerless coward dependent on Cat Noir as opposed to a confident and brave superhero. She just doesn't understand the genius of Thomas Astruc!

And of course the character Astruc claims is “perfect” is the one to take his side.

And that's another problem with this episode, the metatextual references. Before he gets akumatized, Astuc says he spent three years of his life working on his movie. I get that time in this show is weird (we somehow had episodes taking place on the first day of school, Christmas, Valentine's Day, and the first day of Summer), but how did Astruc's self-insert work on a movie based on a superhero who has only been active for a year? Meta-wise, it's an obvious reference to the scorn Astruc has gotten from fans after working so hard on his show, but the only people who would get that reference are the ones who are aware of Astruc's reputation online.

Self-Insert aside, I actually think the titular Animaestro is one of the more visually impressive Akumas featured on the show. Animaestro takes on several forms based off several different forms and eras of animation, like flash, anime, rubber hose, and they all stand out. Granted, some of them are obvious parodies of other characters like Goku or Sailor Moon, but the actual Akuma fight is fun to watch. According to the Mexican Miraculous Ladybug Twitter account, this episode took two and a half years to create, and it shows. It's too bad the story behind it is completely insufferable, almost like the cartoon equidistant to Pixels.

But then comes the part that honestly makes the episode worth it, mainly for how unintentionally hilarious it is. Do you want to know what Animaestro's weakness is? Do you really want to know?

Animaestro is physically incapable of moving unless someone is watching him. I am not making this up.

Ladybug and Cat Noir literally defeat Animaestro by getting everyone to stop paying attention to him.

I could make so many jokes with this, but I can guarantee you're already thinking of something just as good, if not better, than whatever I write.

And there's the end where Astruc gives Marinette his ticket to the movie, which prompts Marinette to kiss up to him for no real reason.

Astruc: Sorry, I guess you don't know who I am either.

Marinette: Of course do. You're Thomas Astruc, the movie director!

Astruc: She recognized me. Somebody actually recognized me!

Nothing happened to make her change her opinion on the Ladybug movie, she didn't really say anything to him earlier in the episode that connects to this exchange, and outside of a few lines Animaestro said, she doesn't even know why he got akumatized (even though ironically she and Chloe accidentally contributed to it because of the awful subplot involving Kagami I talked about last time). If anything, it comes off less like she actually appreciates Astruc's work, and more like she's stroking his ego just to keep him from getting akumatized again.

So yeah, this episode is awful, and the fact that it came out right after the controversial “Chameleon” only proved to show what kind of direction the show was taking this season.

But honestly, even if Astruc still wanted to make about how he doesn't get enough respect the episode could have potentially. All he had to do was make a simple change: Instead of making it about validation for Astruc as a creator, make it about validation for animation in general.

It's a common misconception that animation is only used for shows and movies aimed at children, so the episode could reflect it. Instead of the huge turnout where several celebrities appear at the premiere, instead, the turnout could be a lot smaller, with the media dismissing it as some stupid kiddie flick. Instead of getting akumatized because he gets humiliated in public/getting no respect from anyone else, Astruc gets akumatized because he sees the audience didn't go wild for the movie after the premiere. All he can hear them say is that it's just “kids stuff”.

So when Astruc is Animaestro, he goes on about how important animation is. How it's helped produce propaganda since World War II. How it helped improve special effects in big blockbusters. How the medium is used to create movies that simply can't be filmed on a physical set.

After defeating Animaestro, Ladybug shows up to talk to him. She had seen the movie earlier, and actually enjoyed it. She had a few problems with the story, but they were just minor nitpicks and inaccuracies Astruc wouldn't know about, and she was blown away by the animation. She tells Astruc not to be deterred by his critics, and continue to do what he does. As a designer in her civilian life, Ladybug knows the joy creating brings her, and both she and Astruc want to spread that joy through their work.

Back at the premiere, Astruc thinks about what Ladybug said to him when he sees some kids reenacting a scene from the movie. Astruc walks over to them and asks what they thought of the movie. They said they loved it and how energetic it was. When he tells them he is the director, the kids' faces light up and they say they want to do what he does when they grow up, bringing a smile to Astruc's face.

Isn't that a much more humble approach instead of what we got? It would have helped Astruc come across as more sympathetic, especially with animation fans. But instead, we got an entire episode of Astruc whining about how misunderstood he is.

And you know the footage used for the movie at the beginning? Remember that, because I have a huge rant about it saved for a later post.

For now, here’s an example of a creator appearing in his work done right.

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jinglebellrockstars · 2 years

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Why do you hate the mcu?

in short, theyre a cancer on movies

their cultural hegemony cultivated over 10 years of doing the bare minimum dressed in pretty colors and annoying quips makes it so no other movie or franchise can survive in hollywood for long, and their ravenous fans will attack everything that doesnt bare the red rectangle while acting like everything marvel does is the best thing since sliced bread

they saved joss whedon from the obscurity of his crappy tv shows and hyped him up that he could do movies too

back to their fans, they make it so comic accuracy hardly matters to supposed fans of superheroes (which hasnt apparently carried over to dc movies for some odd reason hmm i wonder why) and now we have the most annoying peope claiming that their lifelong comic fans due to just having watched iron man onward and done nothing else

they have hardly pushed the boundary of filmmaking with their content, and only produce childish bullshit for the lowest form of brainless life on this earth, the people who just wanna clap like seals at cameos of people they dont even read about past the wikipedia page for, and do nothing else to engage with the movies story, otherwise theyd know how bare, repetitive, and toothless said stories are

people hold them up as this holy bastion of ~representation~ when it took them 10 years to have a whole black cast movie (which is still cia propaganda like the rest of their garbage), and it took even longer to introduce any lgbt superheroes because they dont wanna upset the homophobes in america- sorry i mean 'china'

and the worst part is they act like theyre still an underdog franchise when they can gross over a billion doing the same damn thing over and over again while pushing other movies out of the spotlight

in conclusion, the day mcu collapses on itself like a star going supernova will be joyous for stories that actually mean something and for the culture of this country so that they can advance beyond this superficial propaganda

#sickkarter #*wipes forehead*#mcu hate

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magnificent-nerd · 3 years

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Why Naqib in The Boys sucked

Image description: fictional character Naqib in Amazon Prime’s show The Boys.

(Is the fire in the background an excuse to use racist Yellow Filter to show how exotic he is? Hmm.)

I first posted this on my blog in Dec 2020, and since nothing in superhero media has changed for the better at this time (September 5th, 2021), I’m going to keep talking about it.

Because nobody else does. So, without further ado:

WHY NAQIB SUCKS.

I was a big fan of The Boys season 1; I love superheroes, I love deconstructing a genre. Sure, it has its problems, but overall I enjoyed season 1 and thought the show had potential.

(That’ll learn me for being hopeful!)

When season 1 ended with this big build up of mostly nameless brown and background characters as Muslim terrorists (deep sigh) we the audience are left thinking this one Muslim character (Naqib) whose superpower is to blow himself up repeatedly (insert another long deep sigh here) is going to be The Big Bad of season 2.

I had my misgivings about that direction. Firstly, as you can see from the image of Naqib, he is highly exoticised and is walking around bare chested with Arabic writing on his chest. He looks more like a generic western media depiction of a genie than he does a supervillain.

And yet he's the first prominent Muslim character in superhero media I've seen in YEARS.

(See my post about MENA and Muslim character good guys, including Joe played by Marwan Kenzari in The Old Guard, which is technically a comic book movie but it’s not what I’d call ‘caped and costumed’ superheroes so it’s more... superhero adjacent.)

I follow superhero content closely and as far as I'm aware the last time we saw any named Muslim characters in superhero movies WITH SPEAKING LINES was:

Instance 1) Iron Man 1 back in 2008 with The Ten Rings in Afghanistan, showing multiple Muslim characters as baddies/terrorists, but only two of them as a named character and with any meaningful lines to say. And despite one of them, Yinsen (actor Shaun Toub), being a good guy he still dies! Which is common in western media for Muslim and MENA characters.

Note: Fellow Iron Man 1 castmate, actor Sayed Badreya, makes an important point in this GQ article: "I die in Iron Man, I die in Executive Decision. I get shot by everyone. George Clooney kills me in Three Kings. Arnold blows me up in True Lies…" (x)

Instance 2) A more recent instalment in Batman V. Superman in 2016, with some unnamed 'General' character and mercenaries/terrorists in Nairomi, Africa, referred to only as "the desert" throughout the movie. All reference to the General's actual name are available in an extended/deleted scene only, so a very poor and vague depiction in the final cut.

Instance 3) The generic and badly written ‘bad guys’ in Wonder Woman 1984 (2020 movie), which was honestly such a racist depiction of Arabs and Muslims that many critics pointed out we hadn’t seen a depiction this terrible since 1994′s True Lies. (At least most critics were in agreement that WW84 movie was generally terrible, so there’s that.)

And that's it, those are the only major instances showing any Muslim actors or characters in a caped and costumed superhero movie.

Some other fleeting glimpses of Muslims onscreen:

Glimpse 1) I spotted a girl wearing a hijab among the nameless and unspeaking background characters of Peter Parker's class in Spider-Man: Far From Home (2019). A first for Marvel movies, apparently.

Glimpse 2) Disney Plus show Falcon and Winter Soldier (2021) had two nameless Muslim characters walk by in a scene that’s supposed to be Tunisia (using Yellow Filter), and ‘thank’ the present American Air Force (eye-roll).

Glimpse 3) Netflix show Jupiter’s Legacy (2021) had a nameless Muslim sailor conversing with one of the main characters in a scene, with meaningful dialogue about racism. (WOW. Really good.) Bonus: no yellow filter. It’s a pity he’s a nameless background character because this brief instance is the least problematic MENA rep I’ve seen in ages, but it is very brief.

I just wrote about Glimpses 2 and 3, and how the Netflix show outdid Disney when it comes to these nameless walk-on Muslim characters.

This is pretty pathetic overall, these small crumbs, especially compared to better rep and probably the only instance of legit MENA superheroes in a ‘costumes and capes’ style superhero show, the Tarazi siblings on DC’s Legends of Tomorrow.

Anyway, now I’ve listed what crumbs are available across the live action superhero genre, back to The Boys.

I was intrigued about how season 2 would handle Naqib and any characters relating to him, and what storyline they'd use.

Was I excited at the possibility of seeing Muslim supers onscreen? Damn straight I was. Did I mind that they were baddies? Well, yes and no. When you only ever get crumbs or no crumbs at all, you tend to get excited over one stale old crumb.

After the build up for season 2, I eagerly sat down to watch the first episode, only to have the first five minutes of episode 1 Trigon him.

Note: who's Trigon, you ask? Well if you didn't watch the DCEU's Titans show, Trigon was The Big Bad who was hyped up throughout season 1, introduced in the season 1 cliff-hanger episode as this big 'oh shit!' moment for the cast of heroes, only for him to fizzle out like a wet fart in the first episode of season 2 while the show pivots wildly in another direction.

Exactly what happened to Naqib in the first five minutes of The Boys season 2.

Erm, so, Naqib. Farewell, I guess? As a character you briefly appeared in 2 episodes, portrayed by a different actor in each (Krishan Dutt, and Samer Salem). It seems the writers used you as a plot device when they needed a cheap cliff-hanger for a direction that ultimately went nowhere.

Am I disappointed? Yeah, I am. Overall I thought season 2 of The Boys was weaker than season 1, but I'm not here to talk about the whole season: I want to talk about Naqib and this missed opportunity.

The Boys and its showrunners sell the show as being a satire of recent and well known superhero content, of all the big movies and TV shows. There's been a lot of patting themselves on the back for calling out overused tropes in superhero media (and sometimes they've done this satire well: see the LGBT marketing scene with Queen Maeve in season 2), but my issue with the show on their Muslim rep, or should I say lack thereof, is if your show has even less Muslim character rep than the content you're trying to parody, how is this a win for satire?

Naqib and that whole angle came across as a lazy, half-assed swing from the writer's room. Sure, perhaps a lot of the non-Muslim and non-MENA audience won't even notice, as we've been ignored by western media or made into nameless, generic, vacuous baddies for decades now. Non-Muslims and non-MENA just accept that we're always the baddies for no particular reason at all (which feeds into Islamophobia, by the way) and The Boys' writers could say they are simply satirising the tropes already present in media...

But, and this is a big but, the media that The Boys is satirising has already made a step toward better inclusion and representation: Ms. Marvel (Kamala Khan), Marvel comics' first Muslim superhero, is entering the MCU as a lead character in her own Disney Plus show, debuting in 2022.

Ms. Marvel/Kamala Khan is also cited to appear in upcoming Captain Marvel sequel, The Marvels (2022), which will be a major movie.

The MCU has also cast a Muslim actor (Mahershala Ali) as the lead in a reboot of Blade. That's going to be big news when it starts filming.

So to the showrunners on The Boys, I say this: now you've done this small angle of 'all Muslim characters are terrorists, yuckity-yuck!' like we've seen in major superhero movies thus far, and you've brushed that aside in favor of focusing on other whiter villains, my question is will you come back to Muslim and MENA characters again? Or is that all you got?

Because if that was ALL, then the current score is Disney/MCU:02, Netflix:02, DCEU:02, and The Boys: a big ZERO as far as Muslim and MENA rep goes.

Originally posted on my blog, magnificently nerdy.

If you, like me, are always on the lookout for onscreen Muslim and MENA characters in superhero media, and have spotted any characters in superhero TV shows I haven’t watched yet, let me know about them!

Here is my post on good guys, featuring Old Guard’s Joe, and Blindspot’s Rich Dotcom.

Here’s my post about the Tarazi siblings on DC’s Legends of Tomorrow TV show.

And, if Marvels’ Eternals gets released on schedule for 2021, we will have a MENA actor portraying a supporting character. I just hope Marvel gives him a name.

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devouringyourson · 3 years

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🔥 something abt the Loki show, anything. Like go insane if u want. I have never seen it but I used to be obsessed w Loki when I was like 14 and u r the only exposure to ANYTHING abt the show I have bc I don't follow anyone else who talks abt it. Which is rly all I need as I don't think I could survive watching it

good lord. right so basically I don't give a shit either I just have a soft spot for loki as the thor movies always make me cry (daddy issues idk) so I thought I'd watch and I've been sucked in again by a cool plot and initially well done character study.

considering I hate marvel idk how im surprised but they started off giving the fans everything they wanted with this mystery sci-fi buddy cop plot and confirmation of genderfluid, bi loki. everyone was on cloud nine with this new female loki and the fun bi chaotic siblings dynamic they had.

but then it turn out the 'genderfluid' representation was actually just this is the only ever shockingly female oki variants in the multiverse!! and therefore loki is in love with her after just meeting. and they keep flip flopping on "it's not incesteous they're completely different people!" to regularly putting in lines like "we are stronger than we think" and constantly being reminded they're the same person with the same family etc so it's just incredibly uncomfortable. I don't like it but im used to disappointment and if they're desperate to do a underdeveloped heterosexual romance as an on the nose metaphor for self love then sure whatever I guess but I wish they'd comit. they keep doing these excruciating romantic building moments but then reminding us how weird it is and holding off from any romantic confirmation it's truly painful to watch rip the bandaid off

also some people are saying it's great representation to have two genderfluid bisexuals in love with each other but that's the same old bs good omens argument where's it's like if they're completely shown as binary genders and heteronomativley portrayed then it literally doesn't matter if tptb have said "you can see them how you like uwu give us credit for nothing" ya know? plus having a bi man and a bi woman in a relationship is really cool, in theory, if the mcu has any history of representation but considering its technically the first ever 'queer relationship' in the whole mcu (I think?) and they're kinda related ? that's erm...

it's got wonderful production design though and the time travel/multiverse aspect is really cool! they've just decided to focus on this universe shattering romance though in the later episodes and it's so unececesary. could've kept them in familial platonic love and mutual respect and literally nothing about their bond or the plot would've changed.

another thing to note: there's another white boy mlm ship which I saw a mile off bc they have great chemistry, instantly care for each other and most importantly aren't related but the writers are getting upset at the fans for "taking things the wrong way" and making every connection romantic which is incredibly ironic considering they did just that but as always queer characters aren't allowed to be demonstrably queer ever it's just a bromance

there's a s2 confirmed so I'm hoping that maybe they either calm down in the self-cest thing (it's unpopular even with normal audience it seems) and we just get back to this central trio vibing through time and space as besties which would be cool. OR. I've seen a decent theory that maybe in the finale loki and sylvie (the female variant) will merge into one being as we then have an actual genderfluid loki going forward.. which id be okay with if they're insistent on making them in love (though pissed off bc she's a really cool female character and that's making her a love interest then fridging but maybe that form would revisit???)

send me a 🔥for unpopular opinion. usually not essay length

#i went off sorry #loki

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kiyaar · 3 years

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Any thoughts on the new Spider-Man trailer? I really love your reviews of the MCU’s nonsense, so I’d thought I’d ask lol.

i watched this three times for you, anon. there is a lot of nonsense! • zendaya continues to be the best part of tom holland spiderverse • the city falling into itself thing was cool the first time, when they did it in inception, and everyone is always going to think of inception any time someone else does it now. stop trying to be inception. • this is a spiderman 2 (mcu) peeve that has carried over, but I think they fucked up by revealing spider-man's secret identity. i would have probably said the same thing about iron man (2008) if i had been a die-hard tony comics fan at that time, but i think it worked out for him. but 616 spiderman has a lot of baggage around his identity, guards it arguably more fiercely than anyone else on the avengers. i'm drawing parallels between him and tony because they have both been so anal about their identities that they have had retcons/do-overs/take-backsies about their superhero IDs because it's a Big Deal. so right now I have very little idea where the mcu thinks it's going with that and I worry that we're headed for a reset with this multiverse hopping shenanigans they're trying to set up. and. dare i say it. a one day more situation. (i do not call this energy to fruition) • may continues to be hot • trying VERY HARD to overcome my distaste for benedict cumbersnatch to see through him and into the stephen strange. what if arguably did a better job of this and made it easier for me. • he could definitely be a skrull, but also he has made a lot of ego-driven decisions that end up having large fallouts in 616 so i would buy it either way, i guess. i think i expect more of him, and i'm disappointed in him for Casting That Spell, but i'm not surprised. • i think it is likely that there are offscreen (off-trailer) indications that Casting That Spell might be necessary to fix not only peter parker's sloppy identity management problems but also like. a multiverse crack or disturbance or something so i'm reserving my opinions about the oocness of his decision for now. • they'd better not fucking kill Happy Hogan • I am honestly dreading the city folding shenanigans because it means that we are still locked in this deathgrip with CGI-lust and it's distracting and dumb. and i hate it. bring back practical sfx. • why is everyone losing their mind on social about alfred molina. i don't understand this thirst flavor, are you all okay • he does look much better without a bowl cut • will willem dafoe be in this? i saw a lars von trier movie where his penis was out and if he shows up as norman osborn that's all i'll be able to think about • this trailer actually tells us little to nothing about the plot of this movie and i like that • i have seen every spider-movie to date • sinister 6 though? • prepared for post-film bestiality discourse if rhino or lizard shows up • fully expecting symbiote nonsense and i, a monsterfucker, am Ready for the body horror flavor to really permeate MCU fanworks for a time

#mcu #spoilers #no way home

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im-just-a-random-fandom-girl · 4 years

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trying to articulate my frustrations with Marvel’s treatment of female characters and characters of color

Hi, hello, hola, bonjour. I've been having a lot of thoughts about Marvel’s lack of diversity and of how they treat minority characters, so I'm taking a page out of Luisa’s (@its-tortle) book and just making a long, rambley post to get it all out.

Please bear with me while I try to encapsulate all of my frustration within the limitations of English language.

(ALSO, I'm white. I’m Spanish-American, but I do not have the ability to speak for fans of color and the other grievances they have. This post is just a combination of my own thoughts and what I've heard other people say on Tumblr, in YouTube videos, in articles etc.)

Now that we've had over week to collect ourselves after the WandaVision finale, because it was such a tearjerker and the end of a true masterpiece of a show, we really need to talk about how Marvel treats their their characters of color and female characters. I'll specifically be looking at Sam Wilson, Natasha Romanoff, and Monica Rambeau.

Let's start with Sam.

Until Monica Rambeau became Photon just a few weeks ago in WandaVision, Sam was THE ONLY Black superhero in the MCU.

He first appeared in Captain America: The Winter Soldier 7 years ago in 2014, and he's been in 4 movies since then (not counting the post-credits of Ant-Man).

Let's see what we know about Sam in the MCU:

He was a pararescue airman in the U.S. Airforce

His wing-man, Riley, died in combat, prompting him to leave active duty

He works at the VA to help other veterans adjust to civilian life

That's it. This is all we know about his backstory, separate from Captain America. However, the MCU decided to include these parts of his backstory, (and exclude others) because they make him a better supporting character to Steve.

Sam's a vet - so is Steve. They have the same, early-morning run routine that alludes to strict military training. Steve is still new to the future and hardly knows or approaches anyone, but Sam is wearing his VA sweatshirt, so there's some sense of connection, one that is furthered when they talk about their beds being too soft. Sam is someone who can understand him, aside from being a super soldier.

Riley, Sam's wingman, died in combat - Hmm, haven't heard that one befo - oh, wait. *Bucky waves from the abyss of the Alps*. Yeah.

I'm not saying that these connections are bad, in fact, I think the opposite. In terms of storyline, these connections are incredibly important for their friendship. Steve is lost and alone in the future. No one he knows cares about him for any reason other than the fact that he's a super soldier, nor can he relate to any of those people on any level. Sam just fits. He's funny and kind and although they are 60 years apart in age, he can, to some extent, understand what Steve is going through in a way they no one else can.

But for the last 7 years in the MCU, all he's been is Steve's supportive friend.

Almost immediately after meeting Steve, Sam is dragged into an end-of-the-world battle. He readily agrees to put his life on the line to fight by Captain America's side. After SHIELD falls, Sam gives up his life for 2 years to help Steve find Bucky. When they find him, Sam, without a second thought, becomes an international fugitive to protect Bucky and Steve.

I mean, he practically says that he lives in Steve's shadow himself:

"Don't look at me. I do what he does, just slower."

Who does all this? Seriously? Sam is also a recovering vet. He, in theory, has a life, a family, a job, his own mental well-being to consider, but he immediately gives it all up to help Captain America, to follow in his shadow, to be his back-up and support in every battle. Marvel wrote him as a 2D character that lacks his own identity and agency.

Sam deserves his own storyline; he deserves to exist outside the orbit of Steve Rogers.

What Mackie has been able to do with the character is astounding. He took Sam off the page and truly brought him to life, turning him into a beloved character. I'm ecstatic that both Mackie and Sam finally (hopefully) get their time to shine in TFATWS, but it should have happened WAY sooner. Marvel has continuously overlooked Mackie, despite how much he brings to the movies and despite the significance of Sam as the only Black superhero. It's just so clear that they do not care about representation.

(And let's not start with the whole "Bucky should be Captain America" thing, thanks)

Next, let's talk about Natasha.

Nat has been in the MCU for 11 years, starting with Iron Man 2 in 2010. She was heavily featured in an additional 6 MCU movies (not including small cameos/post-credit sequences). She's one of the few female superheroes in the MCU, and the only one that's been there since the beginning. Nat was the only female superhero for 4 years until Gamora appeared in Guardians of the Galaxy.

Let's see what we know about Natasha's history:

She's a former KGB operative and assassin, trained in the Red Room project

When she was a part of the Red Room, she was sterilized

Clint Barton got her out of the Red Room and converted her to a SHIELD agent

THAT'S IT. The second point is actually nauseating because this is what she says to Banner when we learn about her infertility in Age of Ultron:

"They sterilize you. It’s efficient. One less thing to worry about, the one thing that might matter more than a mission. It makes everything easier — even killing. You still think you’re the only monster on the team?"

Like, actually, what the fuck? I remember watching this scene and having to rewind because I thought I mis-heard what she said. In truth, Natasha is probably referring to the terrible things she was forced to do as a KGB operative are what make her a "monster," but why in the world would they include this anecdote here?? It's just so distasteful and disgusting! It makes it seem like her infertility is what makes her a monster, perpetuating the misogynistic belief that the center of a woman's identity and purpose is to have children.

As Vox says in this article, the subject of Nat's infertility

"rears its head sub-textually when Black Widow sacrifices herself for the Soul Stone. [...] It’s reasonable for Natasha to make the calculation that Clint’s kids deserve to have a dad when they come back to life after the Avengers complete their “time heist.” But because of that Ultron plot, there’s also an insidious implication that Natasha’s infertility renders Black Widow just a little bit more disposable than the rest of her teammates."

Furthermore, Nat's death in Endgame serves for nothing more than motivation for the other characters working in the time heist, WHICH ARE ALL MALE. Even then, the other characters talk about her death briefly (in a mostly unaffected manner), and by the end of the movie, she's been pretty much forgotten about, completely overshadowed by Tony Stark.

I don't want to say that Nat shouldn't have died in Endgame. It caused me so much heartache and emotional pain, but I truly believe it was a great way to end her arc. CinemaWins on YouTube put it best:

"She needed to save her family, Clint included, finally wiping the red from her ledger. So much of her jouney in the MCU was trying to find her purpose, figure out which side she was on, and she finally feels like she's found it, just in time to die for it.

"It's not wrong to feel cheated by her death, [but I think] she deserved this moment because of it's importance."

She says it in the movie:

"I used to have nothing, and then I got this. This family. And I was better because of it."

Nat shouldn't have to die, but it's on her terms, and she is absolutely ready for it. Saving her chosen family... that is her purpose.

But altogether, over the course of the MCU, Natasha was cheated out of getting the storyline she deserved. Like Sam, she was relegated to the position of the supportive friend of Steve, but also of Bruce and Clint. For the audience, her identity is tied to this role that she plays. The identity and motivations she has independent from these other characters, her history, is skimmed over, and treated with immense disrespect.

It took 11 years, but it is thrilling that Scarlett Johansson finally gets to be the start of her own Marvel movie. There is no way that Black Widow will be able to completely make up for her and Natasha's mistreatment by the MCU, but I hope it will at least bring us some closure and allow us to have a better understanding of Nat's history and who she is away from the other Avengers.

Last, but certainly not least (despite what WandaVision may have you believe) is Monica Rambeau.

I spoke about this last week after posting about this review of the show, but it bears repeating.

Monica is a new character. You'd hope that, after 11 years of extremely limited diversity in the MCU, much to the dismay of fans worldwide, and after recognizing this and creating a movie with a cast like The Eternals, Marvel would try to get their shit together across the board.

Nope!

Monica was seriously the token diversity character of the show. It seemed like they would give her more depth after the episode during which they flashed back to the her during and after the snap, losing her mother, and seeing a little bit of what she's done as an adult since Captain Marvel, but that ended up being the most we got.

But why? Monica literally became a SUPERHERO. She became Photon! She deserved a much greater role in the show, especially in the finale, where she instead had maybe 5 lines and just stopped some bullets for about 30 seconds.

As the review I linked says,

“There are so many black writers, fans, and critics noting how Monica got relegated to a complete lack relegated to meaningless best friend protector lacking in their own self agency and story except for making a shoehorned comparison of grief.”

Marvel made the same, bull-headed mistake that they made with Sam with Monica!

Let's do this again. Monica was snapped away for 5 years, and when she was snapped back, she learned that her mother had died. Losing someone you love and having the whole process of mourning and pain be complicated by the snap? What an interesti- oh wait. *Vision phases his head through the wall with a smile*

The only reason we got this backstory was because it made her a more sympathetic character towards Wanda. Her understanding of what Wanda is going through allows her to be the catalyst in the creation of the ideological fork in the road between herself, Darcy and Woo, who see Wanda as a victim of grief and loss, and Hayward and the rest of SHIELD, who see her as a dangerous threat.

How do you make the same, major mistake that you've been making for the past 7 years again? Guess what? You don't! Maybe it's not intentional, but Marvel, again, clearly doesn’t care enough about their characters of color to consider the roles they relegate them to in the MCU, realize what they've been doing is harmful, and then change it.

Hopefully, they will not continue to treat Monica this way and will remedy this in the next Captain Marvel.

In conclusion: MARVEL GAVE A FUCKING ROBOT AN ACTUAL ORIGIN STORY, A RELATIONSHIP AND MORE INDEPENDENCE THAN ALL OF THESE CHARACTERS.

But in all seriousness, Marvel needs to be help accountable for how they treat women and their characters of color in the MCU. I just looked at 3, but you could also make a similar argument about Rhodey, Hope van Dyne and Valkyrie, as well as Jane Foster, MJ, and Ned, although they are supporting characters and not superheroes. And I'm sure there are many others. Marvel (and Disney!!) has had an awful track-record, and change is long overdue.

#fuck marvel #fuck disney #sexism and racism in marvel #minorities in minor roles #thank you for coming to my TED talk #discussion #fatws #wandavision #sam wilson #natasha romanoff #black widow #monica rambeau

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wolfpawn · 3 years

Text

The Nicest Asshole in Hollywood

A story I made up last year but only finished today.

Summary - Tom is known as one of the nicest men to work with and when he finds himself on the set of Loki for Disney+, doing a few scenes with Ben Cumberbatch when his friend speaks with a member of the behind the camera crew who is openly hostile to him. Curious as to why that is, he learns she has a nickname for him, the Nicest Asshole in Hollywood.

NOTE - Swearing. Niamh is pronounced Neev. 10K words.

Tom Hiddleston had a reputation as the nicest guy in Hollywood, in film and the world in general, as of course, he did not simply do Hollywood films, he did shows on the West End, Broadway, etc, he would do anything for the fans, do ComiCons even though he had done all the required ones from his Marvel contract, he was happy to meet the fans and allowed his agent sign him down for more. He knew everyone on every set’s name, from the incredible directors he worked with to the catering staff and errands crew. He personally thanked them all after every production with a bouquet of flowers, or chocolates and a card or something similar that he knew they liked from some passing comment. Film crews were elated to hear when they were working with him, from the camera crew to the costume department. He was always polite and good-natured and the only reason he was ever tardy is because he was being nice to his legions of fans and did not wish to say no to them and when he did arrive, he would be perpetually apologetic with regards to the matter.

Benedict chuckled as Tom relayed a story of how Bobby decided he seemed to require a bath in one of the ponds of Hampstead Heath on their last walk there by the manner in which he circled his lead around Tom’s legs and seemed to be trying to cause him to fall into the water. “No offence Tom, but your dog is not an evil genius.” Ben dismissed.

"No, he's not but there are days I am convinced he's not as innocent as you'd think either," Tom countered. He stretched slightly. "I'm getting old," he groaned as he felt his body creak slightly.

"It's the hours sitting around in make-up and costume that's the hardest part, I think." Ben rubbed his Dr Strange goatee before getting to his feet. "I can't believe they dragged me here for this."

“We work too well together,” Tom sighed. “We’re our own worst enemies.” “Yes, I...Well, hello, Stranger.” Ben got out of the chair and embraced a woman who had walks towards them smiling brightly at him. He kissed her cheek as she stepped back. “How are you? I have not seen you in some time.”

“Not since Hal was about to turn two, I think. I’m great, How are you? How is everyone?” She looked directly at Ben as she spoke.

“Good, they’re great. Wow, has it been that long? No, we’re great. Sophie will be elated to hear I saw you. She told me you emailed her last week. We were wondering where in the world you were these days.” “Well, Kate asked me for some help on this and who am I to say no to her?” She smiled. “No, I am starting to get a few new jobs around these parts so I jumped at the chance to get into the MCU again.” “Right, yeah, you helped with the first few movies didn’t you?” “Back before this juggernaut came about. In ye olde days of Paramount doing them. God, if I’d have known this when Favreau asked me onto the first Iron Man set that it would turn into this...it’s insane.”

“You did a few of the first ones, didn’t you?” “Everything up to and including Avengers Assemble, then they went for bigger names when Disney bought in and left little old me to go do my own thing elsewhere,” She confirmed.

“So you know Tom, then?” Ben turned slightly looking to Tom who seemed to realise where he must have recognised the woman from, though he would have thought he would recall her better if she was something to do with directors and they had, at the very least, worked together on two projects with Thor and Avengers. He stood forward slightly to say hello to her but stopped when she looked at him, or more actually, the way she barely even glanced at him.

“Yes, sure I was on War Horse too, you twat, or did you forget that?” She laughed at Ben.

Ben winced. “Fuck, you did. How did I forget that?” “You’re getting senile, what are you now, nearly fifty?” “Fuck off.” He growled. “How dare you? What about you, hit thirty yet?” “Sadly thirty and I met and parted ways a long time ago. I guess I had to grow up and act like an adult at some stage.” Her face was stoic and her eyes flickered to Tom for a moment again before turning to Ben and smiling again. “Well, I best leave you both to get ready for work. It’s great to see you again Ben, hopefully, we’ll have a chance to catch up before you are dashing off again somewhere else for whatever great new thing you do next is.” Her face became more neutral before looking at Tom and giving a slight nod before walking off again.

As soon as she was out of earshot, Ben turned to Tom. “What was that about?” “What?”

“The look she gave you.”

“You’re asking the wrong person there. Why are you asking me as though I’ve done something wrong?” “No one who has worked with Niamh that is in any way nice has ever had a bad word with her, the only ones that she is cold to are the assholes, so why is she cold with you?” “I have no idea. I didn’t even remember her until you mentioned she worked on War Horse with us. Who is she?” “Niamh Murphy, Irish, obviously. She is the ultimate in producers. She can juggle anything, blockbusters, Indie movies, anything. She knows her shit. A director wants something, she has it sorted in nanoseconds, she is literally the best I have ever seen and going by the way you’re looking now, you know the name as well.” “I’ve worked on several movies with her but she never seems to be on set. I only get given scripts and such by her assistants.” Tom recalled seeing her in passing a lot but she rarely seemed to be around.

“I...Niamh is incredibly hands-on. I mean, Spielberg always tries to have her on his work. She was on 1917, she never missed a single day. Same with Imitation Game. She is great. I remember when I was on Atonement, she was the one to help me deal with the scenes where I had to be creepy with Juno Temple. She is great.” Tom frowned slightly. “I don’t know…” “Now I’m curious. Did you shag her once?” “Considering I didn’t even know her name, what do you think?” Tom scanned his memory for the limited times he met her. He recalled sending the thank you card and a small box of chocolates to her assistant on every production he did with her, which albeit did not seem as many as Benedict but he always made sure to think of her, even if he could not tell what she looked like. “I don’t think we even ever shared a conversation.”

“That’s peculiar, I thought you would have gotten on with her, she is a very amiable person. Light-hearted and well-read. I genuinely thought you two would be good friends.”

Ben’s bewildered frown caused Tom to see that this was the honest truth. “I don’t know.” Tom wondered about what he had done.

* “Is that everything, Kate?” Niamh walked over to Herron, handing her the permits she had secured for the use of the town the next week.

“Yes, I...where are you going?” “I have to sort the scripts reprint, there was an issue with Wilson’s, three pages were missing.”

“Just so you know, I am never letting you leave.” Herron declared.

“You know me, I won’t until the last roll of film is packed off to the studio.” Niamh walked around the corner laughing before accidentally colliding with someone. “Shite, I’m sorry.” She pulled back to see who she had crashed into. Her apologetic face became neutral once more on realising who it was. “Sorry.” She sidestepped and made to walk off.

“No, apologies, I…” Tom watched as she did not even look back and walked off without so much as another word, making him wonder what her problem with him was.

* Tom studied the manner in which Niamh Murphy reacted with those on set. It was clear she was well-liked. Everyone she interacted with smiled brightly. Ben was only around for a few days but the interactions he saw between them indicated to a true friendship. Wilson and she rarely spoke, but when they did, it was with smiles and laughter. He watched as she interacted with Kate Herron and again, the pair seemed to get on incredibly well, yet she rarely found her way into his company. A script with the added pages that were missing from a previous copy was handed to him by a set hand yet he watched as she gave Gugu, Wilson and everyone else theirs. He felt equal parts offended and genuinely hurt that he did not seem to even be considered to speak with by her. He wondered if he should mention something to Feige on his next visit to the set but knew better than to do so, there was no chance of getting to the bottom of it if he did. Perhaps it was a misunderstanding on her behalf. He did not wish to risk a woman’s career on something so simple so he decided to see if he could catch her for a moment sometime and see if there was something that needed to be aired. He could think of nothing, he genuinely rarely recalled seeing her. He knew her name but not the face as they never really interacted so he could not think of any such even. She was pretty, not what many would accuse of being a supermodel but she was not ugly by any means. He tried to recall if he drunkenly made a fool of himself in her presence or attempted to come onto her, a recollection of either scenario did not come to the front of his mind.

* His first two attempts failed miserably. She seemed to have an extra sense that seemed to know when he was around and would swiftly scarper on the sight of him in some other direction or if they were on set, she would find herself quickly in need of discussing something of some manner of importance with someone to prevent him from being able to speak with her.

Finally, he decided to grasp an opportunity while she and Ben were saying their goodbyes to one another. Tom walked over purposely before Niamh could realise he was there. When she ceased speaking to Ben for a moment, he smiled politely at the pair. “Ben, I know you need to speak with Ms Murphy, but I was wondering if I may have a moment of her time?” He gave his friend a pleading look.

Ben, knowing Tom’s attempts to get to the bottom of the Irishwoman’s lack of time for him, nodded slightly. “I’ll…” “That’s alright, Ben. You don’t have to go anywhere. I cannot think of anything Mr Hiddleston has to say that cannot be said in front of you.” She looked at Tom challengingly.

“I would rather…” He decided that it did not matter. “Very well, I must ask, Ms Murphy, have I done something in our time on set here to offend you in some manner?” Her face was unreadable for a moment before she answered. “On this set, no, nothing.” Tom studied her words. “And on previous sets on which we have shared employment?” She did not answer which in itself was her answer. “Can I ask as to what I did to cause you to do everything in your power to not have anything to do with me?” She seemed to contemplate saying something as she chewed on her cheeks. “Please. I only wish to right a wrong if there is one. I cannot recall such an occurrence but since it clearly had a lasting impression on you, I rather just understand how best to rectify it.” “And were I to not wish for any such rectifications?”

“Please, I just want to know what it is that caused this animosity towards me, surely if you are to actively avoid me, I should know as to why?” Tom felt himself get slightly annoyed by her dismissiveness. The look she gave him made him see that she genuinely disliked him. Part of him hoped it was she had some form of crush or something on him and was keeping her distance as a result but such thoughts died a swift and brutal death on seeing how she looked at him.

“Of course, you would not even remember. I need to ask, Mr Hiddleston, do you recall working on Thor with me, do you remember me being on set? Do you recall that I was there the day you came in for the Thor audition before Ken suggested instead that you try for Loki?”

He frowned and tried to recall those that were in the room, the casting director, Kenneth Brannagh, and two of the screenplay writers, Ashley Miller and Don Payne. There may have been more but he could not recall them odd the top of his head. He shook his head slightly.

“I recall you, though. I remember saying to Ken that you’d be a terrible Thor but you could be dangerous as Loki. You’d give the character sympathy from the audience. To this day, Ken reminds me how right I was.”

Tom did not know what to say to that. Her clear pride in her prediction was blatant.

“Then came time to actually film it, you and Hemsworth, no one knew who either of you were, not unless they watched Home and Away or that show you did with Ken, the name eludes me now. I came to you to give you your schedule, not usually the duty of a producer, I know, but I stated I was heading to the costume department, which was quite close to your trailer and Ken asked me to do so. I was too new to the career to decline such an easy request and Ken is a lovely man, why would I decline such a reasonable one? I get close to your trailer and hear you talking through an open window of it and am elated to know I won't be waking you from a nap or anything only to hear you speaking to Megan, one of the makeup girls. Only I was accidentally made privy to a little conversation between yourself and Ms Reynolds, more accurately, your combined thoughts of those you found yourself working with for the production.”

Tom swallowed slightly, he could not recall the conversation itself but he recalled the very pretty make-up artist he had slept with early in production, something he regretted later. He did it because he had broken up with his long-term girlfriend not long before and was feeling a little lonely over in the US by himself and she was beautiful and fun. He worried about what was to come, he glanced slightly to the side to see Ben looking at him very curiously to see if he knew what was to come next. To his shame and worry, Tom didn’t.

“So Hemsworth got a pass, Hopkins, Russo, Portman, all lovely things. Ken got a glowing review, as did the writers, then you came to, and I quote ‘That girl who looked like one of your little sister’s stupid colourful ponies from when she was a kid’.”

Tom bit his lips together. That was why he did not recognise her as well as he should have from Thor. When she did Thor, she had bright-coloured hair, pink with purple and blue. Most of the set thought it odd. Such hair was common now but she did it before such was popular but he remembered saying it now, he remembered his bed partner laughing as she had made the initial comment on Niamh but he had added to it. Looking at the face of the woman he had so rudely ridiculed now, he could see she had clearly been hurt for a time before she turned such hurt to utter indifference of him. “I…” He looked at Ben who seemed both shocked Tom would say such a thing and slightly angered that he had. He could not think of something to say bar the obvious. “I can only apologise, wholeheartedly. I’m sorry.”

Niamh said nothing in return.

“Niamh,” Ben interjected. “It was years ago, please don’t allow one stupid remark taint working with him. He’s not usually that much of a twat, I can assure you.” “I didn’t. After all, when Steven mentioned what he wanted for Captain Nichols, who do you think recommended one of the most talented emotionally expressive actors they had worked with for the job once I saw the name on the list of potentials? I pleaded with him to listen.”

Both Tom and Ben did not know what to say to that. Working with Spielberg was something Tom had only dreamed of, doing so when he had only been working in Hollywood for a mere moment seemed surreal yet he had and it remained a defining moment in his life. To think the woman he had insulted so horribly had fought for him to get the roles. He could not even force himself to speak.

“Tom is a great gentleman, Niamh, I know you have been exposed to something to the contrary, but he is.” Ben gave Tom a slight glare as he spoke but beseeched Niamh to consider not being so focused on the past.

“Yes, hence my nickname for him.” Niamh gave a false smile.

“Nickname?” Ben knew her cutting wit, he feared what was to come.

“Yes,” She turned to look at Tom, who was considerably taller than her in the eye. “The Nicest Asshole in Hollywood.” With that, she turned and walked away. “And stop giving me cards and chocolate when we work together, don’t waste your money.” She called behind her as she walked off.

Tom and Ben remained in silence for several moments before Ben turned and looked at a suitably embarrassed Tom. “Well, there’s your answer.”

Tom looked at his hands. “I just...I never knew…” “It was unfortunate for you that when you were ridiculing someone, she just so happened to arrive.” Ben was forced to admit it was terrible timing. “I didn’t put you down as someone to bitch people.” “I don’t, you know me.” “I do and the guy I know wouldn’t ridicule a woman in her early twenties for having some fun by colouring her hair, yet you did that. I can’t imagine how hurtful that was, then to add insult to injury, you gave her cards and chocolate after saying those things, acting like it wasn’t a big deal all while she recommended you to Speilberg and in turn, began our friendship even though she was insulted so deeply by it.” Ben shook his head. “You never even remembered saying it.”

“I didn’t recognise her.” Tom tried to justify himself. “Her hair was short and rainbow-coloured before.” “She dyed it back to normal about six years ago if my memory serves me correctly. That doesn’t excuse you saying it though.”

“I need to make this right.” Tom paced back and forth for a moment.

Ben eyed him warily. “How do you mean ‘make it right’? Tom, I love Niamh, she is a wonderful person and a true friend, but she is the most incredibly stubborn person I have ever met. If she doesn’t want to know you, then you are not going to change that, especially with her reaction just there, I don’t see her warming up to you any time soon.”

Tom’s head fell slightly. “I have to do something.”

Ben said nothing more but slapped Tom’s shoulder before walking off.

“I have the permit right here.” Niamh pulled out the required piece of paper and looked it over. “Yes, it has the times specifically on it and states we can shoot at that hour, stamped and everything.” She turned slightly to see a shadow beside her, when she noticed who it was she gave a polite smile. “Yes, I will fax that over as soon as I can so you have a paper copy but I will email it to you this second as well so we are all set. Great, thanks, bye.” She took the phone from her ear. “One second, Ben. I just need to sort this, then I am all yours.” “Don’t let Sophie hear you say that.” He joked causing Niamh to laugh slightly. When she sent the email she wished to send, she looked at him to show he had her undivided attention. “This is a great script, but is it the one I was supposed to get because it matches no one else’s? Is this like the movies where we all don’t know what anyone else is doing?” “Shit, let me see.” She scanned the details on the second page. “No, this was actually the original plan for the episode but it was changed because, as much fun as it is, it makes about as much sense as an elephant on a unicycle.” Ben chuckled at her analogy. “This has been missing and an aide is at risk of losing their job because of it so it is great to have it back and for it to have been with you so we know none of the details will get out.”

“The secret is safe with me.”

“Your lines were one of the few things not changed, so if you’ve learnt them, great, if not, I will deliver your actual script to you myself in half an hour. I just need to find the Gaffer and threaten his life first because he is giving lip about doing his actual bloody job.”

“No better woman.” Ben paused for a moment. “Niamh?”

“I don’t want to talk about it.” She didn’t look at him as she spoke.

“I’m sorry, for what he said.” “You don’t have to apologise for other people’s words, Ben. When we met, you joked about my hair to my face, with a playful smile and no malice. You know I don’t care about other people’s opinions, I never cared if anyone else liked my hair or not, it was the two-facedness of it I had an issue with. Lovely to my face before, saying that and polite smiles and cards after. No, you know me, I am completely okay with people not liking me. I respect honesty.” Ben conceded it was true. He had heard her talking to Sophie before about a director that she worked with that was professional with her at work but made no effort to pretend they were amicable outside of it and she was entirely happy with that, she knew where she stood and was alright with it. “It’s not like him.” “It doesn’t matter. I will murder the Gaffer, hide the body and have that script to you in the half-hour, alright? Excuse me, and if you’re talking to your wife, tell her I will post them to her tomorrow, she knows what I am on about.” “Stop buying our sons everything you see, you’ll be broke and we’ll need a bigger house,” Ben pleaded.

“Never.” She laughed before walking off.

Ben could only shake his head.

* “Coming.” Niamh rushed to the door and opened it before even looking to see who was on the other side, when she saw who it was, her light smile became cold. “Mr Hiddleston, is there an issue that cannot wait until set tomorrow?” Her voice was professional but very much making it clear she was not overly interested in speaking with him.

“I just wished to ask you something on the third page of my script…” Niamh stepped to the side to allow him to enter. Tom did so, noticing that, unlike his big suite, she was in a normal small room which startled him. The small table and chair by the window were covered in all sorts of paperwork as well as binders and folders and paper trays filled with different sheets and booklets and the small desk area that held the tv and tea and coffee supplies was set up like a desk with a laptop, a tablet and a printer, along with further paperwork. “Excuse the mess. I apologise, the man on scripts is new to the scene so he is still finding his feet. It has led to more than a few errors. What seems to be the issue?”

Tom was startled by her professionalism even with the new knowledge that she was anything but fond of him. “There is a significant portion missing. I go from being confronted to being in handcuffs without any form of explanation or even a scene cut.” He pulled out the script. “I apologise for bothering you but Karen is dealing with another matter and asked that I come to you.” “It’s fine, it’s my job.” She took the script from him and scanned through it. “Yes, this is indeed missing an essential part of the scene, I can only apologise for that.” “So this isn’t the only script with issues?” Tom took the small moment to speak with her.

“I wish. No, we are just having a few speedbumps with him being so fresh. I am not sure how he is doing this so early but he isn’t a bad guy, just inexperienced.” “Weren’t we all at the beginning?” Niamh paused and looked up, noting the smile on his face, it was polite and friendly. “Indeed.” She found another copy of the script for the entire episode and scanned through a few pieces to see if they were all there. “That should be correct. I can only apologise to you, Mr Hiddleston for the cock-up.” She extended her hand with the script in towards him.

“It’s fine, you don’t have to apologise, it’s not even your job. You’re just the one cleaning up all the messes.”

“Well, that is the role of the Producer.”

“I don’t know how you do it. We learnt behind the camera roles in college but seeing what you do...I could not do it.” “Perhaps it is fortunate, then, that they fall to my lot instead of yours.”

Tom paused for a moment as he thought of where he knew that phrase from. “That’s...Pride and Prejudice, isn’t it?”

Niamh’s brows rose, impressed at him for getting it right. “You are correct.”

Tom’s chest puffed out slightly in pride at being correct. He saw at that moment what Ben had been saying when he said that he would enjoy Niamh’s company, she was an intelligent and able woman, someone he could genuinely enjoy the company of.

Niamh watched Tom’s reactions carefully, something she had done after hearing his mocking words about her years before on the set. He had been so polite which angered her all the more. Even now, after being told why she was not overly fond of him, he was being sickeningly polite. “If that is everything…” She half regretted saying it the moment she saw his face alter slightly.

“Ms Murphy, I feel I need to apologise…” “I honestly do not wish to hear it. You apologised already.” “And you do not accept it?” “I’m not obliged to. I accept it, I simply do not wish to be overly friendly with you, Mr Hiddleston. We have very different ideas as to how to interact with people. I have no time for two-faced people, never have.” “But you recommended me…” “My personal thoughts on you do not take from your abilities as an actor. You were ideal for the role.” “Thank you. I...With everything that happened, you may not realise it but you caused me to fulfil a life’s dream to work with Spielberg.” “Steven is an incredible man. I can’t imagine that many would not wish to work with him.”

“I’m sorry,” Tom repeated.

“I honestly don’t know if you realise how much you apologise.” It had been something she realised he was prone to doing.

“I think it more warranted now than ever. I sincerely apologise for saying such horrible things about you. I know you don’t believe me, but I never should have said them and my reasoning for such makes it all the worse.”

That caused Niamh to frown. “I know I am going to regret asking, but why did you refer to it like that?”

“I was never the most attractive person.” Niamh’s brow rose. “No, I am serious, I only had two girlfriends in my life before I became famous, well, even fewer now but I was never overly popular with them. I broke up with my only ever serious girlfriend before Thor because our lives went on different paths and I did not wish to hurt her. It was clear after Wallander, she did not want to wait around, you know?” Niamh found herself nodding, wonder if he would ever get to the point. “Then suddenly, women were interested in me, very beautiful women, and I thought I should entertain their thoughts so they would remain so, even when they were unfounded and wrong.”

“Wow, so you had no issues with my rainbow, or as it’s called now, my ‘My Little Pony’ hair, but said you did because you wanted a good ride?” Tom nodded ashamedly. “You’re an even bigger asshole than I thought.” She walked over to the door. “What makes this worse is I actually liked working with you before that. Ken spoke so highly of you, I looked forward to it. Having to politely smile as Ben spoke of you with nothing but the highest of praise, knowing you were an ass behind it, now to know it was only so you could get some cow into bed that I know from hearing it with my own ears that Ms Reynolds thought little of you too, only the size of your dick preceded you and her curiosity got the better of her. You’ll be glad to know she seemed satisfied with your size.” She put her hand on the handle of the door. “If there is nothing more.”

“I’m sorry.” Tom walked forward. “So you said.”

“But for the added insult also.” “Well, I always wondered why. I wished to find out why me but as they say, be careful what you wish for,” She opened the door slightly. “But I appreciate your honesty, even if it is ten years after.”

Tom felt worse. “I’m so sorry. If there is anything I can do to make it up to you?”

“Can I ask why this matters to you now? In ten years, you never cared, why now?” “Something Ben said, about how he always thought we would have got along well.” “He said that over the years to me also but such is life. I doubt you will lose too much sleep over it.” “Well, it made me realise something, how I lost out on something great.” “I am not an easy lay, sadly. Unlike Reynolds, I tend to choose my partners with some manner of standard, she simply goes for everyone.” “It is not that I wished to sleep with you.” “Then what about me could ever have possibly interested you?” “Your friendship. Ben swore you were a true friend and I truly feel like I messed up my chance to have one in you.” He walked towards the door before looking at her. “I honestly feel terrible for what I said and for their effect on you. I should never have said them. I apologise for my insulting you further with my gifts of thanks when I had been so callous so unjustly. I am sorry.” He swallowed hard. “I wish I had been a better man and not been so stupid, I let my crotch dictate over my mind and I hurt you and ruined my chance to make a true friend and for that, I don’t think I will ever stop apologising.” He toyed with the script in his hand and walked closer to the door. “I am sorry for taking up so much of your evening.”

“It’s fine.”

Something came to Tom at that moment as he went to walk past her. “I don’t recall see you at Ben and Sophie’s wedding.”

“Perhaps you were not looking well enough. I was there. We actually were staying in the same hotel. But then again, I am good at blending into the background.” She opened the door. “Good evening, Mr Hiddleston.” “Good evening, Ms Murphy.” * “Mr Cumberbatch, I come bearing gifts.” Ben turned and chuckled on seeing Niamh holding a takeaway coffee tray in her hands. “One oat milk latte, ethically sourced, no cow, children or ants harmed in the making of this coffee. Only the environment from shipping it from South America to our pathetic asses here.”

“Thank you. And what about your drink? I would wager you negated all my good work with that. Is that cow’s milk I smell?” “Full-fat cow’s milk.” Ben’s nose scrunched at the thought. “Hey, I don’t shit on your diet, you have no right comment on mine.” “You mock mine all the time or are you forgetting the time you actually paid money to have a bag of rabbit food made and my portion requirements printed onto the damn thing?” Niamh snorted at the memory. “That was brilliant. I am so glad I was able to finally use those stupid maths from school and put them to some use.” “How did you get my weight?” “Your lovely wife.”

“Was she in on it?” Ben asked, remembering Sophie’s reaction to the bag he showed her.

“Hell, no. She’d never have been able to keep it quiet.” Niamh laughed for a moment before noting someone close by. “Mr Hiddleston.” She saluted politely. “I am not aware of your coffee preferences, so I hope you don’t mind if I only got you a plain black coffee.”

Tom frowned, unsure if it was some sort of joke but seeing her extend her hand with the beverage in it, he took it. “Thank you so much. I take a little almond milk usually.” “Oh God, don’t tell me you’re a vegan as well. Has he forced you to?” She indicated to Ben. “Blink twice for yes. I know he’s a pain for that.” “No, thankfully he sees me as half trying.” Tom chuckled, noting Ben’s frown at the two of them.

“I don’t even try. My mother is okay with a lot. My lack of partners has even had her sit me down and ask if I am and I quote “more interested in women” and how that would be fine but if I went home to my beef and dairy farming father and said I was a vegan, I would be disowned.”

“I really don’t know if you’re kidding when you say that,” Ben commented, drinking some of his drink.

“No, I’m serious, even vegetarianism would not be overly welcomed. I wouldn’t do it anyway, dinner is not dinner if it doesn’t have some form of meat on the plate in my opinion.” “My father says the exact same thing. One of my sisters is vegetarian,” Tom didn’t know why but speaking to her seemed so easy. Usually, his guard was up when speaking to new people at first but she seemed so honest.

“Smart man.” Niamh didn’t even look at him before taking her own coffee and throwing the cup holder in the recycling bin. “I better go and pray to some ancient God that no one is looking for me to perform miracles today. I mean, I am probably more likely to find gold or the secrets of the universe, but I can dream, right? See everyone later and if you have a script issue, I don’t actually care anymore, ad-lib it. You know the general gist of the scene at this stage, just wing it. Just don’t come to me about it.” “Was the coffee merely to tell us that?” Ben laughed. “Yes, yes it was. In the kindest way possible.”

Ben chuckled again. “Tom wouldn’t say no to my drink next time, just so you know.” “I’ll keep that in mind,” Niamh called back.

“You’ll need to start a tab though,” Ben warned.

“I’ll just add it to yours. I think you owe me circa two hundred thousand at this stage.”

Ben scoffed as she left. “I think that to be a conservative estimate.” He turned to Tom. “Right, explain.” “What?” “Don’t ��what’ me. Why is the woman who as she likes to put it ‘Wouldn’t piss on you if you were on fire’, getting you coffee?” “I honestly have no idea. I had a script issue, a genuine one and I was told by Herron to go to her about it, so very coyly, I did. There was some talking, mostly me apologising and her indicating that she was not interested and then I left.” “What exactly did you apologise for?” Ben asked.

“I said that I regretted my actions, how I should never have been so shallow and that I wish I had not cost myself the opportunity of such a good friend. That you never stopped singing her praises, how she is a true friend and I messed up the chance of such, for no good reason and that was a pity.” Tom regaled him. “She seemed more annoyed than anything at my explanation.

Ben did not know what to say. “It appears to have meant something to her if she actually acknowledges your existence now. Look, Niamh likes honesty, no BS. She’ll be entirely honest with you. She has a saying she picked up somewhere. ‘I can be honest or I can save your feelings, I can’t always do both’ and she means it and not maliciously. Sophie always feels her opinion means a lot because it’s never out of wanting to hurt you or placate you but actually being honest with you. You don’t get that much on our lives. It’s refreshing, really.”

Tom nodded. Through most of the worst decisions he made, people around him had mostly remained silent. When said bad decisions erupted or fell apart, they then made comments about how they knew such would happen or they had seen it coming but yet had said nothing to him. When asked why they had not said anything, they mostly said that they were his mistakes to make or that they didn’t see it as their place even when more than once, he had specifically asked for their opinions. He wanted a friend like Niamh, who would tell you to your face that she loved you deeply, cared for you and would be there for you as a friend but that what you were doing was fucking stupid. More than once he had heard of her saying that to Ben or Sophie and was envious, he hoped the day would come he could have such words with her too.

“Ms Murphy.” Niamh was visibly wincing as she turned to face him. “If I could have a moment of your time, please.”

“Is it about the script, because I honestly was not joking earlier when I said to start ad-libbing.”

Tom chuckled. “I gathered such, and no, it’s not about the script.” She sighed in relief. “Then how can I assist you?” “It’s about my dog.” She looked at him curiously. “I am needed to film on the next location soon, as you, of course, know since you booked it but I don’t want to leave him behind here in a strange kennels in a strange country for a fortnight, it’s not fair on him but according to some of the staff, he is not insured to be on the next location and I was told that if anyone could sort that...” “Okay, get his details for me, age, breed, name and I will have him added but I am going to have to warn you, if you’re easily offended, you’re not going to like that he comes under the same category of property as your laptop and phone and such and I know he’s a living breathing thing and family and all but he is legally classed as property. Also, you will have to sign a form stating that should he become harmed on site, it is your responsibility as a dog is the responsibility of the owner, so he has to be in your control at all times and if he bites, you are entirely liable, not the studio. Understood?” “Perfectly. He’s a great dog, you won’t have to worry. Thank you so much.” “It’s fine, email me the details. “ She handed him her business card. “And I will have that sorted immediately. I will print the form there now, in a minute.”

“Thank…’now, in a minute’...that makes...that doesn’t make any sense.” Tom frowned at the words she had used.

“Nope, not to your lot but in Ireland, it’s a completely acceptable sentence. Welcome to your first class in Hiberno-English.” She shrugged before making a note of what Tom needed.

“Hiberno?” “Comes from the Latin, Hibernia, meaning…” “Winter, well, hibernus, hiberna, hibernum, pending gender of it.” She raised a brow. “I studied Latin in college, sorry. So what is winter-English?” “I studied it in secondary.” She shrugged. “And yes, they mean winter, but Hibernia is the Latin for Ireland so Hiberno-English is a subsection of Irish specific English language.” She explained.

Tom, having never known that, decided to check if that was true or if she was pulling his leg as soon as he was alone. “I didn’t know that.” “They don’t teach you everything in your fancy posh English colleges, in fact, they teach you nothing when it comes to Ireland, hence the blissful ignorance of most British people to your close neighbour.”

“I cannot argue that, my knowledge comes from my brother-in-law who was born there but moved to Britain when he was young and the one time I was there for filming a movie, High-Rise.” “J. G. Ballard’s book, right?” “Yes.”

“I read that, very...obscure.” “Definitely, but fun to film.”

“I wouldn’t doubt it.” She received an email on her phone. “I won’t take up any more of your time, Mr Hiddleston. I will have that matter dealt with immediately so to ensure your furry friend is allowed to join you and I will again reiterate, don’t bother me with scripts. I am at risk of going sniper in a belltower at this stage from it all.” She joked.

“I will run and hide. And thank you for sorting Bobby, and for the coffee earlier.”

“It’s my job so don’t worry about it.”

Tom found that slowly, Niamh was not avoiding him as noticeably. Her assistant handed him the form for Bobby and when he had signed it, told him that if he had any concerns, that Niamh would deal with them directly. A definite step in the direction he had wanted. Slowly, the small talk started, then some joking. Her initial hesitation decreasing and her smiles and playful looks increased.

When it came time to go to the new location a month later, the jeeps were being packed and he was surprised to go to the one he was meant to be brought in only to see the Irishwoman in the driving seat. “Hello.” “How are things?” “Good, thank you.” Tom opened the back door and told Bobby to get in before using the harness he was wearing to clip him into the centre seat. “Is it okay if I go in the front or would you rather I sit here with him?” “Are we the only two for this car?” “I think so. I think Natalia was meant to come too but she hates dogs so she is going with Kate instead.” “As long as he is okay in the back by himself, I can’t see why you can’t.” Tom ensured Bobby was secured and then went to the front seat, securing his own seatbelt as he did. “He is used to being in the front seat next to me but he’ll be fine. Thank you again for securing his coming with me.”

“Sure, it’s not fair on him to be shoved into kennels.” She looked back at the dog who seemed to be incredibly eager to get on the road. “He’s cute. Bobby, wasn’t it?” “That’s him and he’s great.” Tom beamed brightly. “Aren’t you, Boy?”

Bobby sneezed and continued to sit with his tongue hanging out of the side of his mouth immediately after as his response.

“I think someone needs some air conditioning. It is sort of hot here for four-legged passengers.” Niamh started the car and turned on the air. “Fix it according to his needs, it’s only fair.” “Thank you.”

“Any time.” * The journey to the next location was a good five hours long, made longer by Niamh getting out of the car every hour or so to stretch her legs and to allow Bobby a few moments to relieve himself.

“He can hold it a little longer between stops.” Tom offered. “It’s not nice for him. He needs a drink and some stretching. I wouldn’t do it with my own.” “You have a dog?” “Yeah, he’s with my parents on the farm while I’m here. Long-haired German Shep. Too used to his temperate Irish climate for this hellish climate. He likes to lie on frozen grass, not scorching heat so I thought it would be cruel to bring him over.” “Do you miss him?” “More than I could ever miss a person.”

Tom smiled at how she spoke. It was the same for him with Bobby. When he had a few days of work that he could not bring him on, he only cared about that first moment they were back together again, Bobby excited to see him and that rub and kiss to the top of his head. “I understand that. They’re honest. They like you or hate you. No…” He stopped and realised the irony of his words.

“Don’t you dare apologise again or I swear, I will leave you at this rest stop,” Niamh growled. “I couldn’t be listening to you. I get it, you’re sorry.”

“I am.” She glared at him. “I didn’t say it.” “Say what?” she challenged.

“I am not falling for that.” Seeing the playful grin on her face as a result, he chuckled. “Ben was right about you.” “Ben tends to be right about a lot of things, other than food choices.”

Tom laughed. “I am not disagreeing.”

They got Bobby sorted back in the car and started their journey again.

“Can I ask you something personal?” Tom enjoyed comfortable silences. He did not need to fill every minute with chat and noise for the sake of it but he did want to learn more about Niamh. They had worked together more times than he had realised. She had gone out of her way to actually push his name forward for more than one role and now that she was not giving him hate-glares, she seemed genuinely very interesting.

“That sounds incredibly dubious.” “It’s about your career, not your intimate personal life, I promise.”

She glanced at him for a moment. “Most people would assume my answer to have meant ‘go ahead, ask about my intimate relations with others’ or something to that effect rather than reassure me it is not as worrisome.” “I pride myself in not assuming the meaning of a non-straightforward answer.”

“Well, so long as it is not about my very personal parts of my personal life, you may.”

“How did you manage to get into producing and get so far so young?” “You mean how did I get to achieve what I did before being ancient with no actual links to Hollywood?” Tom nodded. “I actually do. My godfather.” Tom frowned. “My mam’s big brother is a Dublin man by the name of Brendan Gleeson, you may know him.”

“Ah, yes, I know of him. Large red-haired fellow. His son is in a lot of movies too.” “Yes. I got into a film school back home, studied what I needed to, then was very fortunate to have worked with Uncle Brendan and Domhnall when they did a few bits and was able to learn what I needed to learn on the job and was very lucky that a low budget movie wanted someone with a bit of cop on and a small price tag, I was recommended and it snowballed. I was very lucky. Right place at the right time to get my name in the hat and the fact I actually get shit done means I got great names liking me and boom, here I am, no dodgy black leather casting couch moments, thank God.”

Tom’s eyes widened at the reference she made.

“Yes, I know that may seem crass but I know how many people are forced to do such things just to get their name in the door and I was so lucky that Brendan promised my mam he would look out for me. It’s not always the nicest industry.” “Sadly not.” Tom acknowledged. “I know for women especially, there’s a far shadier side of the industry.” “Now, of course, I am accused of nepotism by some, but I obviously have a different surname and my dad’s brown hair negated my mam’s ginger so people don’t realise it but Uncle Brendan just kept an eye on me, he never had the big enough name to demand I get work. People just realised the working our asses off is a family trait when they realise we’re related.”

“It’s not like you can help that he’s an actor. A producer is different.” Tom pointed out. “As I said before, I did some of this in college and being honest, I cannot, for one-second grasp how you do it. Looking at a camera and running lines seems so easy in comparison.” “I couldn’t do that, I love organising too much. My dad used to laugh at me for how I organised the calf registration every year. Apparently, the local vets were gutted when I moved to London because my dad’s forms went back to making no sense and don’t even start on the Department of Agriculture, I got more calls about those forms the first Spring I lived in Britain. I had to actually start taking a week off in Spring to go home for a week to help Dad. Especially when they put everything online, he was gone altogether then.”

Seeing her laugh at family memories, Tom smiled. He had absolutely no knowledge of farming practice, he was not of that background, but clearly, Niamh loved it. “Do you find your name causes issues?” “Only for idiots. I mean, when I first start on a set, there can be a few mishaps. I have been called. Nie-am a lot or Nie-am-huh but when you tell people your name a few times and refuse to acknowledge incorrect versions after that, you find they learn it very quickly then.”

“I find Irish names fascinating. They don’t sound like they are spelt.”

“It’s not a phonetic language.” She shrugged. “My cousins, my family, all of us, we all have Irish names. My brother Aidan, most people get that. Then there’s my idiot cousin Domhnall, you all know him from the few things he is in, he’s sound. Tara is my sister, her name is easy too.”

“Yes. I’m afraid my mother and father kept it very simple. Emma, Tom and Sarah.” “Nothing wrong with that either. So, now, my turn. How does the son of a pharmacist or something to that effect, according to Ben, become an actor?” “My mother was a stage director for years.” “Ah, that explains it. Got the bug from that, then?” “Yes, was it like that for you and your uncle?” “Yes, we went to see them filming Michael Collins when I was a teenager, it’s an Irish film and I was behind the camera watching everyone running around. I am shit at acting, I can’t do the small nuances needed but I love behind the camera and there was this man by the name of Stephen Woolley, I worked with him a few times since he explained to me what was going on. He knows Uncle Brendan and he saw I was interested so he explained what was happening. All growing up, I had no idea what I wanted to do. I got the usual nudges you expect from your Irish farming parents, nursing, teaching, you know but they never appealed to me and that day, it all just clicked immediately. I figured out what I wanted. I did all the research, my mam literally drove me to Uncle Brendan’s the day I told her and he had me go through everything. Domhnall is the same age and he already had it in his head that he was going to be involved in film too so we both ended up studying filming in college and both ended up on opposite sides of the camera in the end, both very happy with our respective decisions. He started in directing and writing but found his way in front of the camera while I am still incredibly happy behind it.” “That’s great that you have family support, I found that important too. Though, my dad took some convincing.”

“I suppose he blamed your mum?”

“Yes, actually. That and my flair for dramatics as a youngster. Dad’s side are…”

Tom began into his background, keeping an eye on Niamh’s reactions to see if she was merely placating him or bored but the polite questions from time to time implied she was paying enough attention to spur him into speaking more.

“I am sorry if I bored you.” “It’s fine, I actually liked getting all this dirty lowdown on you so I can now force you to do as I say on the sets we share in the future.”

It was clear that she was joking causing Tom to chuckle. “So, that’s your secret.” “Yes, people don’t like me, they fear me and being actors, they hide it well.”

Tom laughed again before shaking his head. “Ten years, I missed ten years of your sense of humour for a stupid comment.”

Niamh threw her head back in frustration. “God, I am going to go back to not talking to you if you keep harping on about this, I swear to fuck.” Tom looked at her guiltily. “I’m serious, Elsa, let it go...I...oh, I am definitely going to call you that from now on if you don’t stop apologising.”

Tom hoped she was not being serious but he was grateful it was better than her last nickname for him and he looked forward to seeing if she was because she genuinely seemed like a good friend and it was unusual to feel as though he could be open with someone. He had not felt he could leave his walls down to a new person in years.

When they arrived at their destination, Tom made a slight joke about her driving.

“You know you’re an asshole, right?” She scoffed.

“I may be, but at least I am the Nicest Asshole in Hollywood.”

#Tom hiddleston fic #Tom Hiddleston #The Nicest Asshole in Hollywood #Long fic #one shot

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jigensass · 3 years

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Long Review of No Way Home with Spoilers.

There is a lot of ground to cover with this movie. Like, I’m going to be mentioning at least EIGHT other movies that tied to this film. So strap in, cause this is gonna be long.

Oh yeah SPOILERS.

First, I’m gonna talk about the things I didn’t like. Starting with number one being the run time which was roughly 2.5 hours. This movie could have been cut down to two hours so easily. Personally, the fluffy banter between characters that was nothing but filler and reference humor because a LOT of people have probably never seen the Tobey Maguire films because they came out almost 20 years ago. I WAS NINE WHEN TOBEY ONE CAME OUT. I only remember bits and pieces of Tobey 2 because I remember watching it. I did not watch Tobey 3 and only know it through memes. Hell I watched the end scenes online and instantly if you did not watch Venom 2, the first scene would not have ANY SCENE and the second scene was just the Multiverse of Madness trailer which was released like a few days later.

Even the end fight scene felt like a drag nor was May’s death impactful to me. Don’t get me wrong, May’s death is a big significance to the overarching story, but I was hardly emotionally attached to this film, for reasons I will get to when I get to the good stuff. I felt the same way about Endgame as I did with No Way Home that I was not attached to these characters at all, but I could relate to some threads in plot.

Okay, Ned does magic now? Will this have any significance in the future? Probably not since the ending was just ripped from the comic One More Day. Oh yeah, references. So One More Day is a comic special made in 2007 where Parker made a deal with Mephisto (in essence, the Devil) to make everyone he loved forget he existed. Fans didn’t like this. And when I realized that was what was happening at the end, it made my eyes roll. I rolled my eyes and was bored a lot in this movie.

Especially the plot point of NOt eVERYoNe hAS tuH DiE, WE cAn FiX thEM :*( is what made me roll my eyes the hardest. I truly felt Disney was making this as safe as they could, even the one f bomb they got was censored. It didn’t feel like anything was at stake because “they’re the good guys and they’re gonna win”.

Peter essentially got off scot-free, got his own personal witness protection agency, and now SOMEONE else has to clean up his mess.

Which is where I will be getting into the things I liked.

William Dafoe and Alfred Molina: *chef’s kiss* it’s like they didn’t even miss a beat after 20 years. And although I said reference humor in this movie missed a lot, but when Dafoe, on cue dropped this line:

I think I was the only one in the theatre who laughed out loud.

Also can we talk about how we have not forgotten this man? Our precious bean Matt Murdock? Yeah, the Netflix Defenders are now part of the MCU. Oh, you didn’t watch these? Yeah everyone stopped watching after Iron Fist. We don’t talk about Iron Fist.

Also there was a random mention of burritos so much that they said it twice in the same scene-

probably just a coincidence.

Oh yeah: WONG SORCERER SUPREME

BUT

Now it’s meat and potatoes time. The story and the one character who has been the bane of my existence and the main man leading up to all this: Doctor Stephen Vincent Strange.

Despite not sharing the screen with Peter for very long, he is the true straight man through this whole endeavor. He started the movie and he ended the movie.

I thought that Stephen was going to be done dirty with the sequel being about fixing what I initially thought was going to be his mess, (but it’s actually Peter’s mess) but he surprised me. His power is stronger than ever and the only reason that he was not Sorcerer Supreme because he ‘blipped’ for five years to save the entire universe. He is still disgruntled and more smart ass than ever, but he knows what he is doing and has way more control over his powers. He thinks with portals.

But he doesn’t need a fancy title to prove his strength and wisdom. If you watched Endgame, we know he is still torn from his own morals and credos ‘I will not kill’ after being forced to choose to have two people killed (Natasha and Tony) for the entirety of the universe to live. And it was a line that he said about fate while in the Mirror Dimension that made me reflect on my current changes in life. Some things in life are absolute (like death) no matter how hard you try to fight it. What he was saying was one: back in Infinity War, out of an infinite number of scenarios where they would beat Thanos, there was no scenario where everyone would live, forcing Stephen to put blood on his hands for the greater good of the whole universe and chose the option where the least amount of people would die. And it still hurts him internally. In the movie Doctor Strange, he did have to kill someone on the astral plane to save someone and he was shaken to the core, screaming and shouting that he wanted out of the path he was down. But at this point, there was no turning back. So why now is he okay with having these villains being sent back to their original universes to die? Because well, their fate has already been written in stone and for the greater good, they need to accept their fate. And re-writing those fates and playing god with something as strong as fate is going to cause time to go haywire and for reality to start re-writing itself.

Which is why I loved the plot. Peter was warned about the dangers of his selfish nature and he got his just desserts. Stephen is innocent either for agreeing to Peter’s wishes (he pretty much is Tony Stark with magic in this film), he doesn’t hesitate to call out Peter on his behavior (the whole reason being he just wanted to get into MIT). He was warned about not following what fate had already written, and May paid the price for him. His other selves tried to help him with his grief by not letting the anger get the best of him and got Tobey-man stabbed.

Actions have consequences and there are people out there who are beaten up so much (or think they have been beaten up) that they will go out of their way to clean up messes that they had little or nothing to do with. People whose traits are mostly static and won’t change for the most part.

But, if their minds and hearts open up far enough, they can change for the better and overcome the adversity that in most cases, like my own, is just the inner demons that have been rooted inside of you this whole time. That scene where Tobey and Andrew are on the rooftop talking to Tom to do what is right for himself and his mentality, it resonated with me because sometimes the only people who can talk you down is yourself.

This is my opinion, but I don’t think Peter learned anything good in this film, he learned that his actions had consequences on himself and the people he cared about most. “With great power comes great responsibility” didn’t hit home as hard as it should and it felt more like something about second chances. There are some people out there who don’t deserve second chances and if the end message is “everyone can have a second chance” then by lord I am concerned for the MoM if it is anything like what No Way Home ended on.

Yeah, I would not watch this again. Thinking it through, it’s more of a 7/10.

Denny’s parking lot fight tickets are now available to purchase

#spoilers

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ordinaryschmuck · 3 years

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What I Thought About The Falcon and the Winter Soldier

Salutations to you, random people on the internet who most likely won't read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!

Gonna be honest, I didn't think The Falcon and the Winter Soldier needed to be a full-length TV series. I mean, if Spider-Man can discover that he didn't have to replace Iron Man in a two-hour and nine-minute long movie, then the Falcon can learn he can't replace Steve Rogers in the same amount of time, right? I was excited, don't get me wrong, but I didn't know how they can fit a plot for a movie into a six-hour-long series. Unlike WandaVision, which needed to be a TV show to get those TV homages right for each episode, The Falcon and the Winter Soldier didn’t sound like something that would honestly work better as a film. But, once it started airing, and my excitement increased each week, I can positively say that it would not have worked as successfully if it wasn't a TV series.

Unfortunately, I'll have to get into spoilers to explain why, but trust me when I say that if you haven't checked it out yet, you definitely should. Because I'm about to dive in (or fly in) as I explain why The Falcon and the Winter Soldier is easily in the top tier MCU projects.

WHAT I LIKE

Sam Wilson: If WandaVision was about developing Wanda, then The Falcon and the Winter Soldier is about developing Sam. He might share the spotlight with Bucky, but this is so clearly Sam's story. It's his journey of becoming the new Captain America that gets more of a focus, and it is one of the best aspects of the series. And as I said, it's similar to Spider-Man's journey in Spider-Man: Far From Home. Sure, this time, it's more about stepping up to the mantle, but both Sam and Peter have to learn how to be their own hero rather than replace the one left behind. In Sam's case, it's more than just being the new Captain America, but also being the black Captain America. I'll talk more about the implications of that later, but for now, all I'll say is that it was so engaging seeing Sam accept his role. Plus, even though Sam tries to carry Steve's title, that doesn't mean he's Steve Rogers 2.0. He has his own ardor and personality as Captain America, on top of still representing the aspects of what that title entails. Partial credit for that goes to Anthony Mackie, who does a phenomenal job of portraying a man who's inspirational and charming in all forms of hell. I'd salute him as much as I'd want to have a beer with him...except not really because I refuse to touch a single drop of alcohol. But Sam Wilson would make me consider it! Because he's that good of a character.

Bucky Barnes: Much like Vision in WandaVision, Bucky takes the sidelines as Sam acts as the main face of the series. Unlike Vision, however, Bucky's story seems more like its own thing rather than something that's connected with his co-star. In a way, it's better, but it also seems worse. Because without having it be locked with Sam's story, Bucky's is still compelling as it develops him further in his own way. His journey may not be as engaging as Sam's, but it's still entertaining enough to watch his own narrative get continued in small spurts. Although, the fact that Bucky's story has little to do with Sam's does have the unfortunate side-effect that he doesn't need to be there. His inclusion is very much welcomed, but I feel like Bucky dealing with his own guilt and trauma as the Winter Soldier could be something that can fill up its own series rather than half of one. That being said, Bucky absolutely needs to be in this show. The emotional turmoil that Sabastian Stan portrays so well hits hard, and his dry humor works for some comedic highlights. Bucky's half of the story might be unnecessary for plot reasons, but it is unquestionably necessary for enjoyment.

There’s a lot of talking: This seems like a misstep, especially since most superhero shows are bogged down by characters talking to pad out the run time. Although, the dialogue in The Falcon and the Winter Soldier is more like the dialogue in the series Daredevil. There are more words than action, but nearly every line is so incredibly engaging that I do not care. Sam and his sister talking to a banker about getting a loan might not sound as entertaining as Sam being in an air chase against terrorists, but I surprisingly held onto every word being said due to how well-acted it was. Plus, these discussions help make these characters more human on top of making the world feel believable. I understand the argument of show don't tell, but to me, as long as the dialogue is written well enough and said convincingly, I can learn to live with it.

The Flag Smashers: The concept of the Flag Smashers intrigues me. The idea that a group of people believes things were actually better when half the world got turned to dust is a perfect concept for the MCU to explore. In fact, this is the third story in a row that dives deep into the consequences of what happened post-Infinity War and Endgame, and I'm all for it! The universe is forever changed by this one big event, and it's not going to be irrelevant anytime soon. For the Flag Smashers, they offer the most striking glimpse of how the world is forever changed. Now, I'll admit, after seeing doom and gloom in Avengers: Endgame, it would be better to see the benefits of the Blip that characters claim to have existed rather than told about them. But seeing how there were dozens of fans who made the audacious claim that Thanos was right, I don't consider it too far of a stretch to believe that the Flag Smashers could exist. Especially since the arguments that characters present do seem persuasive enough. It's only the actions that the group makes that derail any sense of the discussion. But in a good way...for the most part. But I’ll get into that later too.

The Reveal of the new “Captain America”: This was the dirtiest, sickening punch in the gut that the first episode could have ended on...and I love it!

John Walker: I often find the best antagonists are the ones I'm willing to psychologically analyze. That's John Walker in a nutshell. He is an arrogant ass who deserved to get slapped around when taking things too far. Yet, I always find myself coming back to those scenes where he seems conflicted about becoming the new Captain America. I get a sense that he genuinely wants to do the right thing and those moments when he asks if he is all but confirms it. John's problem is the constant support he's given by his friends. I'd argue that building his ego is the very reason why he gets frustrated so quickly by people denying him, as he often reacts like a toddler who throws a tantrum when a parent makes the "mistake" of saying “no.” This is why it's satisfying seeing people more powerful than John kick the s**t out of him because it results in his ego going through a well-needed deflation. Still, the constant frustrations he has for not being respected as the new Captain America makes his further descent into insanity all the more appealing to watch. Because him taking the super-soldier serum proves Dr. Erskine's theory is true: "Good becomes great. Bad becomes worse."

...And this is why the writers dropped the ball when trying to make John Walker redeemable. It's exceptional if that was the intention. After all, I did say there were glimpses of a man who wanted to become great, not worse. However, given what John does in later episodes, we're going to need more than glimpses to believe his switch from bad to good. Especially since his decision to set his anger aside to suddenly help people is a little too unbelievable for my tastes given how fast it happens. It's not an awful decision. It's just one that needed a bit more polish. I still find John Walker an incredible character regardless, but I don't blame people for being a tad more hesitant given how poorly paced his redemption arc came across as.

Readapting “Star-Spangled Man”: I adore this for two reasons.

Reason #1: It's a solid callback to Captain America: The First Avenger, which I will always stand by as my favorite Captain America movie.

Reason #2: It proves how much John Walker doesn't understand what it means to be Captain America. When Steve did this song and dance routine in his movie, he hated it. Better yet, Steve despised it. Because he wasn't helping anybody. He was just being a dancing monkey to appeal to civilians, and you see how much he regrets doing it with each show. For John, he relishes the whole thing, because of course, he would! John loves having his ego appealed to, and this routine is doing nothing but inflates it. It's a solid case of visual storytelling to prove to the audience just how disconnected John is from being Captain America. Steve or Sam wouldn't have done this, because being a hero is more than respect and adoration. It's about actually doing the right thing. A lesson that John desperately needs to learn.

Sam’s and Bucky’s bromance: You remember how I said that Bucky's dry sense of humor can be a comedic highlight? Well, that's only second rate to the times he and Sam bicker like an old married couple. Whether it's because of the writing, directing, or Makie’s and Stan's natural chemistry, seeing Sam and Bucky interact with each other is always a blast to see. And on top of being funny, there are these well-handled moments of drama shared between both characters that make their relationship convincing. It's why you can't have this series without Bucky, despite it so clearly being Sam's story that gets the more focus. Because without either character, we would miss out on some entertaining interactions that I wouldn't trade for anything else for this series.

Isaiah Bradely: Well, this character was a pleasant surprise. Although, "pleasant" might not be the right word because every scene with Isaiah is absolutely gut-wrenching in all the right ways. Carl Lumbly gives a phenomenal performance for a character that has been beaten down, with very little hope he has for any change that matters for his race. Plus, his backstory may not be as unbelievable as you might think. Between 1932-1972, America performed what is known as the Tuskegee Experiment. Scientists tested the effects of syphilis by injecting it into African Americans, telling them that they were receiving free health care when they didn't. So the idea that scientists tested super-soldier serums on African Americans, not knowing the dangerous effects, is not that far of a stretch. Neither is the knowledge that a black man was disrespected despite fighting hard for his country. If you researched African American history, you'll find that this type of horse s**t happens way more times than it should. It is heartbreaking, and Isaiah Bradley represents all of it. Thus making the little Isaiah exhibit in the Captain America museum all the more tear jerking just because of how sweet it is to see him get some semblance of a win. This level of discussion of what it means to be an African American is something I never expected with The Falcon and the Winter Soldier, but I greatly appreciate it nonetheless. What's even better is that these discussions don't end with Isaiah.

The discussions of racism: Again, this was something I didn't expect, but grateful for it nonetheless. I mean, I should have expected it given that one of the co-stars is black, but given how the story was about Sam being the new Captain America, I didn't think discussion of racism and racial injustice would come into play. Turns out that I was naive to think those things are separate. The burden of being a black Captain America is something that not many white people, including myself, consider a big deal. But looking at America's past and how others react to any African American in power, you realize that, yes, it is a big deal. Isaiah, and several real-life POCs in history, prove that America doesn't respond well to a person of color being better than the average white man. So it is easily reasonable to believe that there would be issues with a black man becoming a symbol of what America should be. Hell, I'm willing to bet that there were issues when this happened in the comics way back when. Not because of some bulls**t about how it doesn't fit with the character or story, but solely because they can't handle a black Captain America. And if you don't believe something like this wouldn't happen to someone like Sam Wilson, look back to that scene with the police who didn't know he was the Falcon. This crap happens every day, and it's The Falcon and the Winter Soldier that shines a light on it. Despite being something I didn't expect, the talks of racism are very much appreciated. And I'm as pale white as an introverted vampire. I can't even begin to comprehend how the African American community must feel about all of this.

Zemo: Who the f**k expected this guy to be one of the best things in the series?!

Seriously, from Captain America: Civil War, I wasn't too into Zemo as a character. I loved the idea that this powerless guy tore apart the world's greatest superheroes through intelligence and coercion. But his needlessly complicated plan and stale personality weren't enough to win me over. So when he returned, I expected to dread every minute of it. Little did I know that Zemo's comeback would skyrocket him into top-tier MCU villain territory!

Zemo is a character that, despite "helping" our heroes, still works on his own agenda. He might put them on the right path and occasionally assist in a fight, but only because he still won't stop at anything to make sure fewer super powered individuals are in the world. Because that's the thing about Zemo: His motivation was fine and understandable to a point, but his personality was flawed in Civil War. Here, I finally see how Zemo can work. Despite having no power, he uses his mind to look for any angle to control the situation, gaining an advantage even if it is for a short time. For instance, while he can't harm Sam or Bucky without risking his own life or jeopardizing his temporary freedom, he can still annoy the hell out of them. Like when he forced Sam into a situation where he had to drink literal snake juice. It's actually a ton of fun to watch, and I'm honestly glad that Zemo gets to live to see tomorrow. It means that he might make another return, and I can't wait to see what's in store for him in the future. Which is something I didn't think I'd say five years ago.

The Dora Milaje: It was actually pretty cool seeing these characters make an appearance, notably when they slapped around John Walker like it was nothing. Although, a part of me wonders that if Chadwick Boseman hadn't died last year, we would get to see T'Challa himself make an appearance. This lines up with the character, as I can see him dropping everything to hunt down the man who killed his father. Which would be just as awesome, if not slightly more so, to see. Still, we work with what life gives us. And what it gave are awesome cameos that make the MCU feel more inclusive about its characters rather than limiting them to their specific sections in the universe.

Walker killing the Flag Smasher: There is something so wrong with seeing that shield stained with blood. 'Cause here's the thing: Captain American can kill. He's a soldier. It's expected for a soldier to take lives for the sake of justice. What John Walker did isn't justice. It was vengeance. Vengeance that is fueled by anger rather than the need to do the right thing. Because when Captain America leads an army to kill the man who whipped out half the universe, that's fighting for a just cause. But when “Captain America” kills a man, the wrong man, for killing his best friend, that is an act of selfishness that no one would see your side on. And it was the final nail in the coffin that proves how John Walker does not deserve that shield.

Sam and Bucky vs. John: This might just be the best fight in the entire series. Not only is it so satisfying to see John Walker get everything that he deserves, but the whole thing was pretty intense to watch. After seeing what John can do with that shield, it makes moments when Sam and Bucky barely dodge his attacks with it all the more blood-rushing to see. Plus, Civil War's motif playing the background is another solid callback that fits well narratively since this is technically two superheroes fighting another superhero. It's an incredible scene that was worth the wait of four hour-long episodes to see.

Setting up Joaquín Torres as the new Falcon: I don't know if Marvel will follow through with this or even if they should. That being said, if they do, I'm all for it. Joaquín already seems like a pretty fun character, and his interactions with Sam show there's enough chemistry there to give Captain America a new wingman. I probably won't lose sleep if he doesn't become the new Falcon, but I'll still be excited regardless.

Madame Hydra: I know that she has an actual name, but I refuse to remember it due to how long and convoluted it is.

Anywho, we get a small glimpse of who Madame Hydra is as a character, but already I'm intrigued. She seems to have a fun personality, added by Julia Louis-Dreyfus' dry energy. Whether this is set up for the next big bad or just introducing a fun character, I'm interested. Madame Hydra was already a blast in the short amount of time she was in the show, and I can't wait to see what future installments have in store for her.

“Louisiana Hero”: Or as I like to call it, "Sam's Hero Theme." Because while this is the track that plays for the intro, it still shows up when Sam is training as the new Captain America. Not only is it insanely catchy, but I love that you hear a hint of the theme of Captain America: The First Avenger, yet "Louisiana Hero" is still very much its own thing. And that's another reason why I consider it Sam's motif because it fits precisely with the character. Sam is a person who has a hint of the good man that Steve was but still does his own thing when wearing the stars and stripes. Not a copy, but still heavily influenced by the original. So kudos to Henry Jackman for creating a musical piece that fits so well with a character far better than any other themes or motifs prevalent in the MCU. Because, let's be honest, there aren't that many.

Sam’s new suit: ...I mean, it looks cool. Kinda corny at times, sure, but points for comic accuracy.

Sam Carrying Karli: I mean, look at it.

This looks like something that should be painted and hung up on a wall due to how beautiful it looks.

Sam’s Speech: Two meaningful things are going on with this speech.

First, it proves once and for all that Sam Wilson is Captain America. He doesn't just fight for his country. He also believes the government that runs it should take accountability for any missteps before dealing with something worse than a person who took the term "rebellious teenager" into an extreme.

Second, it is so satisfying seeing Captain America tell government officials off about unjust treatment. Even if it does diddly-squat about anything in the real world, it's still a big moment that's effective because of the bulls**t that happens every day. It's far from an actual win, but it still feels good (I hope). And that still counts for something, right?

“We’ll need a U.S. Agent”: Credit to Louis-Dreyfus for saying a stupid cornball of a name and making it sound...not that.

WHAT I DISLIKE

Still running that Marvel Studios logo in every episode: It's still a nitpick, but its still annoying. It's alright if you want to use the full fanfare for the first episode, but at least shorten it for the rest of the season. Please? For the love of all that is holy?

The CGI: The Falcon and the Winter Soldier has some pretty...not great CGI. It's not as awful as the CG in the DC shows on the CW, but it is way too easy to tell what looks real and what doesn't. Failing to make CGI convincing has been a problem in the MCU for a while, as most of the time, characters barely look like they really exist in the scene. To me, I compare it to when Red vs. Blue switches between actual animation and Machinima. The CG models stick out like a sore thumb to the in-game models, but at least it looks cool. Because while I don't believe that I'm seeing an actual man with bird wings flying through a canyon while chasing helicopters...it still looks cool. Still, not many people would be as forgiving as I am to this type of thing, so it's onto the dislikes it goes.

The direction of the action: Now I want to clarify that I have no problems with the action itself. Some fight scenes are pretty cool while also added with some exciting set-pieces that kept me engaged the whole way through. It's just the direction of the action that I have issues with. The camera is always shaky with so many cuts that it's hard to follow half the time. It's an understandable technique to hide the stunt double's faces or to make it look like it really is the actual actor who's doing the fighting. The issue is that once you know a show like Daredevil exists, with its plethora of well-directed action, the cracks in the armor become much more noticeable for a series like The Falcon and the Winter Soldier.

Karli Morgenthau: Karli...frustrates me. Because on the one hand, Erin Kellyman does an impeccable job at portraying the heartbreak, frustrations, and determination that Karli has when fighting for her cause. On the other hand, Karli's cause is so layered with hypocrisy that it's hard to understand her position. She wants to prove how the world was better during the Blip, saying that everyone was happier then. So why do things like blow people up and kill “Captain America?” I get the latter. The guy's a d**k. But to prove to people how better things were, is death and destruction really the best choice to get that point across? I get the mentality of how people respond better to a harmful fist rather than a tranquil hand, but really, has that mentality ever worked out either?

However, you could argue that her hypocrisy is fueled by the super-soldier serum, with the "good becomes great and bad becomes worse" theory that John all but confirms. Although, unlike John, we never got to see Karli pre-serum, so we don't know how much it really had affected her. With John, it's easy as many scenes indicate how close he was to snapping and murdering someone who disrespects him. We don't get that for Karli and are left to assume she was already crazy about thinking how intense violence can show the world how great things were during the Blip.

Then again, that could be the plan. Show how a person with the best intentions is ultimately wrong, given the lengths they go through to accomplish them. It worked for Thanos, so it should work here. And it would have...if not for Sam saying that Karli has a point. Because for the main hero to say that the villain is correct, you have to show them doing more good than bad. I understand the mentality Karli, and the Flag Smashers, have. But by doing nothing but committing crimes and violence, any point they have is discredited. Take note of the fact that nobody but nutcases on the internet says that Thanos has a point. Because he doesn't. He's a maniacal supervillain who does something so intense that nobody should be on his side. It's similar with Karli, but because we're apparently supposed to agree with her, she doesn't work as well.

...DO YOU SEE WHY SHE'S FRUSTRATING?! Because while I can see how she can be an incredible character, there are so many holes in how she works that I fail to appreciate any of it. And seeing how she's the main antagonist, a character who takes up a good chunk of the screen time, it's not a good thing that she tends to flounder more times than she should. I want to like Karli, but given everything that's wrong with her, I just can't.

Rewriting Sharon as the Power Broker: This is an intriguing idea met with a mixed execution. You see, I like the idea of a character who was once an ally becoming a villain, yet the heroes have no clue about it whatsoever. It creates solid dramatic irony, but only if done well. With Sharon, it's not really done well. It genuinely feels like her character was changed radically to give her this personality. A fun personality, I'll add, but one that comes across as really jarring when looking back at her previous appearance. Don't get me wrong, a character's current personality feeling so radically different from their previous one can work a treat, but only when we see them go through point A to point B. We're told about the s**t that went down with Sharon, but unlike understanding the mentality of the Flag Smashers, her personality change would have been more effective if we saw it. So while I like the idea of Sharon becoming another big bad in the future, I would have liked it more if we saw her decline into possible villainy.

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By using my usual scoring system for MCU shows and movies, I'd give this season of The Falcon and the Winter Soldier a solid 8/10. There are problems. Quite a lot of problems. Hell, even the stuff I like comes with a fair share of issues. It's just a matter of asking yourself, "Do I like some parts more than I dislike them?" For me, I find myself enjoying much more than I didn't. It's not perfect by any means, but while it definitely falters at times, The Falcon and the Winter Soldier is a series that soars to great heights. You might not be in love with it, but you’ll have a helluva good time regardless.

Now if you don't excuse me, it's time I swap from one superhero series to another as I share my more in-depth thoughts on--

#marvel cinematic universe #the falcon and the winter soldier #mcu reviews #what i thought about

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quartings · 3 years

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What propaganda means to weird kids:

I've been meaning to post this for a while, but after a recent spat I had on my main blog I think now's the right time to make it.

I can't speak for everyone about the effects of propaganda, but here's my perspective on some of the most egregious examples I've heard in recent times.

So firstly- I hear a lot of complaints that MCU stuff is military propaganda. Which is true. Does it work? Certainly not to me. While many people have pointed out that the writers counteract this by having Captain America go against the government in all his films, I also agree with the point that their inability to portray the US Government as a full villain cost them a lot of Winter Soldier's plot. Going from "Cap has an interesting debate about freedom vs security with the government he works for" to "Oh, everyone who disagreed with Cap turned out to be a Neo-Nazi so he's right by default." is why that movie is one of my less favorites of the MCU.

Since I don't really watch American TV these days I never saw any of those cringey "The Air Force are the true heroes, like Captain Marvel!" ads, which yeah, are a bit ouch. Nevertheless, I don't really see the appeal Marvel is meant to create with its military propaganda if all the things that are the "coolest" about the US Army in the MCU don't actually exist? Per se, if I join the army, do I get a Stark tech Falcon suit? Do I get supercharged with Tesseract energy? No? Then what reason do I have to join? Because without that, all there is is sitting in the hot desert with a dusty rifle being bored and murdered, and there's nothing fun about that. And honestly, compare the MCU films to the hyper-macho military tech festival that are Michael Bay movies and you can see the difference between using a military setting as a backdrop vs glorifying every single thing the army does.

I think the only marvel series that's kind of guilty of true negative propaganda have been the Iron Man movies. The first one came out during 2008 and was itching to show the Middle East being blown up, and showing as many minorities as possible being a part of the ten rings. And since Iron Man main villains have always been uncomfy xenophobic caricatures because of the whole "arms race" theme, that's what they sadly followed for all the other Iron Man films. Just a ton of "That guy has tan skin and a funny accent, even if he's white so he has to be bad" exists in those films so it's kind of a shame.

On a more lighthearted note, similar points have been raised about how the Contests and Performances in Pokemon are propaganda for toxic idol culture. And just like before, if you're actually a Pokemon fan, why would you join an industry that doesn't let you hang out with real life Pokemon like the "propaganda" said you would? The Contest and Performance industry in the anime has been shown to be unfair, stressful, and physically intensive anyways. It seems to me that the only people these kinds of propaganda would affect are fake fans who would fall for other stuff anyways.

Personally, I think the worst propaganda isn't something occupational-based or political, because those things don't come up toooo often in kids shows. One of the worse subliminal influences I see consistently in shows for all ages is "Main Character Privilege". Where the protagonist is uncool and gets bullied, so the bullies are the bad guys, BUT- the protagonist also has "even more uncool" friends and side characters and bullying them is totally fine because they deserve it. It happens in stuff like Fairly OddParents, nearly every Disney sitcom, and TONS of anime series (that people ignore because the twink protagonist is hot so it's only unfair that he gets bullied and not everyone else) It creates the mindset in the audience that if they are bullied, they can only be the victim and the "good guy", and that anything bad they do to other people doesn't count.

Do you think I'm right or wrong? Let me know!

someday I wanna use passive-aggressive tumblr talk like "sorry I don't make the rules" or "If you disagree I will happily block you" or something just as a joke to disappoint people because I think I speak pretty normally on here for the most part

#q speaks #rant #analysis #mcu//#pokeani//

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unsettledink · 4 years

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Back in the days of LJ, I used to try and do a post at the end of each year, looking back primarily at fandom and fic. I fell out of the habit when everything moved to tumblr, and then it seemed like I didn’t have anything to say since I wasn’t writing or really participating any.

But I always liked the idea of it, because I love to be overly reflective on stuff. And talk about my fic. Any excuse! I shuffled around some of the topics I used back then and added a few I’ve seen around that I liked. It got… long, because I TALK, so I split into two sections.

Your main fandom of the year?

Marvel (MCU) for sure. Primarily with characters from Spider-Man and Iron Man movies.

Your favorite film watched this year?

The Old Guard - I saw a couple trailers and everything about it looked like catnip. ‘It’s probably going to be so dumb, but I don’t even care,’ I thought. And then it was so good. It was so much fun and so much smarter than I expected and I loved each and every character and it just made me happy in so many ways.

Your favorite book read this year?

Red, White, and Royal Blue, Casey McQuiston - I read it twice this year actually. It’s so… cute isn’t the right world. Sweet and hopeful and soft and comforting and intense. I liked every single character which is pretty rare. I cried during the sad parts and then again at the happy ending, like straight up sobbed - both times. I already want to read it again.

Your favorite tv show watched this year?

Schitt’s Creek - I started it on a whim and because a lot of people had said it was good. The episodes were short so it wasn’t a huge time investment. The first season was a little rough, but there were enough funny moments that I hung on, and then… I kept getting fonder and fonder of these idiots as they grew. And THEN… it kept not disappointing me?

You grow to expect certain scripts, twists, jokes, especially in queer story lines. To wait for the bad thing to happen, because it always does. Instead, Schitt’s Creek kept going, ‘hey, here’s the set up for that! Guess what? We’re not doing it. Here’s the happy version instead.’ The relief of having that happen again and again - the last season I’ve watched (I’m sort of saving 6) I cried a bunch but it was always because I was happy.

Your favorite album or song to listen to this year?

1896 - I’ve been waiting for the new Steam Powered Giraffe album so eagerly for aaaaaages. Finally getting recordings of Zero’s songs! Lying Awake remains my favorite off the album, with Eat Your Heart and Bad Days on the Horizon high up there as well. I’m loving what Zero brings to the band.

Your best new fandom discovery of the year?

I don’t know if I really did discover that much? I stuck pretty closely to old fandoms and the ones I picked up in 2019. Maybe Zodiac? It was definitely inspiring, and I want to write and read more in it.

Maybe the couple discords I joined? I still really dislike discord and am not on there much, and mostly lurk when I am, but having somewhere vaguely like the comms I remember makes me feel a little less isolated. It’s the potential, that maybe if I said something I might make a friend, or someone might actually want to hear what I say.

Your biggest fandom disappointment of the year?

The Watch - I mean, I knew it was going to be a disaster with every word said during pre production. I wasn’t ever going to be happy with it. And then it came out and was even worse and uglier and … disrespectful not just of the source material but of actual people connected to Terry. I’m beyond disappointed that this is what we got, and it’s probably going to be a long time before we get anything else.

Devil All the Time was terrible, but I didn’t have especially high hopes. It still didn’t manage to meet them. Yikes.

The most missed of your old fandoms?

Maybe MASH? Someone I follow started talking about it and I was reminded all over again of the wonderful fics in that fandom. I went looking and a lot are gone (still on my computer, lol, but not online), but rereading was such a trip. A slightly depressing trip, but still.

The fandom you haven't tried yet, but want to?

Hmm. I’ve kind of not had the energy to invest in other fandoms at the moment? When The Witcher was having it’s big moment back in January, I had a feeling I might enjoy it enough to fall headfirst into the fandom, so I avoided watching it. Ikr? I don’t have the time or the energy to actively seek anything out.

Your biggest fan anticipations for the New Year?

SO EXCITED about Winter’s Orbit. I mean, the third Spider-Man movie for sure, with worry. The second Venom movie, ugh yes. I have tentative hopes for Jungle Cruise? Jumanji was stellar and I always enjoy Dwayne. I have both hope and dread for the new Suicide Squad - I did love Birds of Prey, so if it’s along those lines, yay. The Hitman’s Wife’s Bodyguard because it should be some fun garbage, my favorite kind. I don’t know how I feel about Dune, but, uh, I’m anticipating it. It seems highly unlikely it will actually happen, but The Wheel of Time TV series.

I want to be excited about Black Widow but it’s hard. It’s not the story I’ve been wanting to see, and I’m angry about Natasha not getting a movie until she’s dead.

You know. If any of it is released for real.

The Good:

I moved to a better place. I got a better paying, better benefits, better environment job that lets me work from home. The house acquired 3-7 more cats depending on the month. I was able to get some serious problems on my car fixed. I have insurance and was able to start on some health stuff. No one I know got sick or died. I wrote a LOT.

The Bad:

Aside from the obvious? Depression hitting extra hard during the winter. Having to put two kittens to sleep. Have my car be hit three times in our parking lot. Being driven INSANE by one of the cats for months while the vets were all closed. Kidney stone. Dealing with several health problems. Stalling for months on Gotcha.

The Indifferent:

Not leaving the house often or easily. Enjoying a new fandom but not doing great at making connections (still real awkward, bud). Raising kittens and saying goodbye. Need new tires. Reading a lot of fic but not a lot of books. Having more pay but more expenses as well (wth insurance??).

2020 fic stats

Number of stories: 39

Number of fandoms: 6? Or 2, if you cluster the others under mcu

Total number of words: 152049

Average word count per story: 4kish

Longest fic: Causality (18k, P/Q)

Shortest fic: Can’t, Won’t (1k, P/Q)

Most comments received: Sieche (49, T/P)

Fandom you wrote the most of: MCU Spider-Man - I only wrote TWO fics that didn’t feature that fandom, wow. And one of those was still MCU.

Fandom you wrote the least of: Zodiac (1!)

Events you participated in: Marvel Trumps Hate, Kinktober, IornspidersGeorg Exchange, Starker Festivals Exchange, MCU Secret Santa, Spiderio Big Bang

Looking back, did you write more fic than you thought you would this year, less, or about what you'd predicted?

SO MUCH MORE OMG. I mean, even just counting posted stuff! (I probably wrote a solid 300k of Gotcha this year.) I did not expect or plan on doing Kinktober, so that’s a whole 31 fics right there. I also wasn’t planning on doing any exchanges - I have a History - but then I did three? And beyond that, I did not expect for everything to get so LONG.

Topic you wrote that you would never have predicted in January:

Tony/Quentin. Goddammit @the-me09 They were like hey, they could be interesting! And while I agreed, I had no ideas for them. THEN they had to go and write Just Bodies That Collide and next thing I know, I’ve got ten fics featuring them and two-six series focused on them or Peter/Quentin/Tony. What the fuck.

Leitmotif of the year:

Vulnerability, I think. I had a bunch of things typed up and they all circle back to vulnerability in the end; sex, being seen, being wanted, sharing trauma, asking for help, trying something new. Offering a soft spot in the hopes it won’t be hurt.

Favorite character to write about:

Tony Stark, for sure. There are just a bunch of slightly different takes, and a lot of canon to work with (kind of frustrating too though). And I’m a sucker for emotionally damaged snarky traumatized characters that are viewed poorly both in universe and out.

Favorite kind of fic to write:

This year? Fluff and smut combined. Maybe that’s not the right term really. I keep looking for and writing, even in the angstiest fics, for those soft moments. Sure, maybe it’s a super smutty kink scene, but I want the affection to be obvious. Maybe everyone is consumed by guilt, but I want it to be based in caring too much. Maybe there’s no real love, just sex and even that’s messed up, but I want to find that tiny bit of fondness.

And I want happy endings. Or endings that look like they’re going to be happy, at least, even if there’s all the angst first. I don’t think I’ve killed anyone this year? Who AM I?

Biggest disappointment:

Not finishing the rough draft of Gotcha. I was making such good progress in 2019, from August to December. Even after the move, I basically finished part 6 in January. I fumbled around and fussed with 1 a lot, but that had already been given one draft, really, and I got through half of 4 before I slowed to a stop. I’ve barely gotten anything accomplished on it since June. Bits and pieces here and there, but nothing significant, not like I was doing. I can excuse October, due to 80k invested in Kinktober (yikes!), but aside from that… I’m sad. I’ll finish it eventually, but I really thought I could have the first draft done in a year. I’m sitting at about 480k out of what I’m almost certain will be 700k.

Biggest surprise:

Kinktober! It was kind of spur of the moment, decided just a week in advance. I’ve tried month long or even like, 20-25 day long challenges and I don’t think I’ve ever completed one. I thought there was a good chance I’d do so again, so I gave myself a little help and made my own list of prompts, things I knew I liked and hadn’t done much of yet. And it worked? I actually completed it, what the hell? Despite spending five days travelling near the end! Despite falling behind in getting ahead and writing a bunch of stories the day they were to be posted! Despite apparently forgetting how to do short form!

I, uh, could have done without the spawning of eleven series or sequels or continuations jfc WHY SELF.

Something you learned this year:

Ideas breed ideas. I swear to god, the second I sit down to think through a current idea, I wake up the next morning with three more.

Words need to be restocked. I need to consume new - not rereads, not fic - content every so often to refresh my word bank. It is astonishing how quickly writing goes again after I’ve done so.

I can write so much more than I thought I could. I can do so much more than I thought I could. Yes, I can complete challenges without dropping out early. Yes, I can do exchanges and not regret it. Yes, I can write more than 100k, more than 200k, more and more - and I can write 10k+ easily too. Though I wouldn’t mind if I could once again write less than 10k without feeling like I’ve cut off in the middle.

My time is shrinking, and if I want to write as much, I’m going to have to make the time. I can’t rely on three days off a week, on seven hours of uninterrupted overnight shifts, on hyper focused writing binges that leave everything else around me on fire.

Most memorable comment:

So, so many! I can’t pick one. I’ve been really lucky to get a bunch of really detailed, enthusiastic, analyzing comments across all different fics. One of the types that always sticks with me are the ones like ‘I didn’t think/know I liked this ship/kink/twist, but fuck, apparently I do? You made me, what the hell?’.

What, if anything, are you going to try to do differently in your writing in the new year?

So with writing Gotcha but not posting until it’s done, my view of what I’ve written vs anyone else’s is extremely skewed. I’m sitting here thinking, hey I’m 400k in and got another 10k done today, so much writing! While anyone looking at my AO3 account (for most of the year) is like, you’re averaging three months between fics :(

All that to say I want to try and get something posted more frequently while I’m working on Gotcha.

Also, writing for kinktober was really interesting - pushing myself to write every single day, often for that day’s post, forced me to get back into shorter form fic. Which used to be all I did? But it was surprisingly hard to just stop and not write more. So I’d like to challenge myself to write more fics under 10k at least. Maybe even under 5k though that might be asking a lot lol. I might get there with the many continuations of those fics I’d like to do. Does that count?

Goals:

I want to hit 365 fics. :) I’m only 32 away!

Aside from writing -

I’ve really enjoyed the reading record sideblog I started this year. I’ve let it lapse a little the past month or so, but I’d like to keep it going strong.

I’d like to leave a lot more comments. I want to get better about allowing imperfection - I want to write The Best Comment, but in the end? Probably 90% of fic writers are going to be happier with a comment expressing enjoyment in any way over no comment at all.

And not just on fics, but on general posts as well. It’s hard not to feel… weird and stupid and invasive and rude leaving any sort of comment on someone’s post if I don’t know them at least a little. I have godawful rejection sensitive dysphoria and a lot of interactions that ended poorly; I’m really not good at people. But as dumb as it feels to say those things, I know I am thrilled and warmed and happier when there’s a reblog with tags or a note or a comment or an ask or just, any small interaction that shows someone out there notices and cares, at least a little. There’s no reason I can’t at least try to offer that to other people.

I’d like to make/run a couple challenges of my own, later in the year. I’m still figuring out what I want to do and what I could do. I’m really interested in doing something that’s not focused on creators, but the readers; some sort of comment or rec challenge maybe.

I want to find a cheerleader for Gotcha. I’m struggling to keep up my motivation to write it when it’s already in my head, where I can ‘read’ it any time. There’s a line between depending too much on external validation and trying to generate all your validation yourself, and I’m getting to a point where I think I need to ask for help (gasp! The hardest thing EVER).

(Part Two: Pick Some Fics)

#end of year #unsettled rambles

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