#or making herself sick

[ladybugsimblr]

some random squad pics sunday

[rottengurlz]

try to be gentle when you are ripping me apart 🔪

w/ @kashisun

[the-daily-dreamer]

The thing about the breakdown of the Rhaenicent relationship that is talked about but I think is still severely overlooked is the key role that both girls/women (specifically Rhaenyra) play in its destruction.

Because the fandom focuses in on this narrative that the relationship broke down solely because of the ambitions of men. And aside from that fueling the annoying idea that all women are inherently passive victims that suffer because men are ambitious and violent, it’s simply wrong.

While the catalyst was certainly Otto’s ambition and Viserys’s weakness (and perversion), Rhaenyra and Alicent’s relationship truly breaks down because of Rhaenyra’s entitlement, self-serving nature, and inability to see outside of herself and her experiences and Alicent’s (in my opinion reasonable) reactions toward this over time.

The beginning of the break down comes from Otto forcing Alicent to comfort the king and Viserys knowing his desire for her is wrong and forcing her to keep quiet about their visits until he decides to marry her without her prior knowledge or consent. And Rhaenyra (and the fandom) sees this as the ultimate betray against her by Alicent. Rhaenyra holds more resentment against Alicent for the engagement than she does against her father. Why is this? Some might say that it’s because she’s closer with Alicent and therefore would expect more from her than her father (whose relationship with her has been broken by the murder death of her mother). But I don’t think that’s fully the case.

While Rhaenyra having a higher expectation of Alicent may be a reason for her increased and unequal resentment, I think the main reason is that Rhaenyra cannot fathom Alicent could do this because she has never been in this position. Rhaenyra sees this as Alicent being complicit in the deceit and seduction because Rhaenyra would simply rebel. She can’t understand why Alicent wouldn’t simply say “no” to her father or betray the king for her. Rhaenyra’s world view is very blinded by her privilege. She simply thinks Alicent should and could defy her own father because…Rhaenyra has and will again. Rhaenyra is able to disobey her father and get away with it so why can’t Alicent? Ignoring the fact that a crown princess has vastly more power than the daughter of the hand, Viserys is a weak and compliant parent compared to Otto’s manipulative and stern nature. It’s easy for Rhaenyra to disobey because the consequences are either nonexistent or very mild. Alicent doesn’t have this luxury and privilege but Rhaenyra can’t conceive of it.

But also, Rhaenyra sees her father as…her dad. Not the king. Rhaenyra sees it as easy to defy him and his orders because he is her father first and her king second. But for Alicent that is the king. The most powerful man in the world. Defying him could have disastrous consequences for her and her father. But because Rhaenyra doesn’t force herself to see things from another’s perspective, she doesn’t see it as Alicent being beholden to the man who could (if he wanted to) ruin her family or kill her and her father but rather her friend not betraying her dad.

After this we see Alicent be the one to continuously try to extend an olive branch and support Rhaenyra behind the scenes. Asking for Rhaenyra to have the option to choose who she marries (a privilege and kindness Alicent, herself, and every other woman in this universe hasn’t had). Reaffirming Rhaenyra as the right choice for heir when Viserys is questioning his decisions. Defending Rhaenyra against rumors that would damage her reputation. And all Alicent gets in return is snark, anger, and lies (leading to Alicent’s isolation and suffering in court).

Which leads to event two that breaks the relationship: Rhaenyra’s entitled behavior and lying. Alicent spends a great deal of her time coinciding her husband in favor of Rhaenyra. But Rhaenyra, seeing herself as exceptional and above the rules, continuously acts out in ways that hurt her standing. Most especially with her decision to go out and try to sleep with daemon and then pushing Criston to sleep with her.

Alicent is the one to be transparent with Rhaenyra about the “rumor” to get her side. Something Viserys would simply not care enough to do. Rhaenyra, knowing her actions being confirmed would be disastrous, tells half truths to Alicent who is all too eager to believe and support her friend. Even worse, she uses the memory of her mother, something she knows Alicent holds incredibly sacred, to further convince Alicent that she’s telling the truth. And this decision by Rhaenyra to lie (over something she knows Alicent holds dear and has used multiple times to try to connect with her) to protect herself directly harms Alicent as her father and only ally in court is kicked out and ostracized. But that’s not Rhaenyra’s concern. While Alicent has given a lot of effort to protect and defend Rhaenyra, Rhaenyra is far too focused on her on wishes and desires to care about the impacts her choices have on anyone else.

And that’s why when Alicent finds out that it was a lie, a lie that got her father taken away from her, she goes full scorched earth and wears the green dress. Because she realizes that Rhaenyra will never stop being entitled and self-serving. She realizes that all this time and effort she has put into fixing things with Rhaenyra and defending her is completely one sided. Because Rhaenyra can only see things from her perspective and can only see things based on how she can benefit even to the detriment of others (herself, her father, Criston, etc.).

Then the final nail in the coffin is the birthing of bastards. At this point Alicent has had her eyes opened to how Rhaenyra will do as she pleases without considering the consequences (to herself and others) and then she watches Rhaenyra flagrantly birth obvious bastard after obvious bastard, pushing the children she was forced to have further and further down the line of succession behind kids who objectively should not have the throne. And it makes her bitter and jealous and as she should be. The fandom is too obsessed with marking Alicent as the reason the relationship was destroyed because she was unnecessarily jealous of poor Rhaenyra who was just so brave to do as she pleased!

But it’s a spit in the face to Alicent. That Alicent was pimped out and forced the have children with a man she didn’t love at the ripe old age of 15 hole Rhaenyra is free to take a lover and birth obvious bastards and get away with it. She has every right to be angry. Not because she thinks all women should be submissive and bend to patriarchy. Because she is watching how privileged Rhaenyra is before her very eyes while she was forced to suffer the way almost every other woman has.

While I acknowledge that Viserys and Otto are the catalyst for the breakdown of Rhaenyra and Alicent’s relationship. Rhaenyra’s flagrant disregard for others and her entitlement are what truly break the relationship until Alicent is no longer willing to be submissive and accepting of Rhaenyra’s behavior. And this in turn, causes her to make choices that service her and her children. The way Rhaenyra has always done and always will.

The breakdown of rhaenicent was always inevitable regardless of which men were involved. Because at their core, Rhaenyra would always put herself first and Alicent would always come to the realization she is no longer willing to be a doormat.

[aerithisms]

i've been rotating shadowheart saying "stop being so gentle" in her dark justiciar sex scene in my head ever since i saw it bc it is so. SO devastatingly sad. here is a woman raised in a cult to believe pain is good and suffering is good and all the agony she suffered as a child and still suffers now in the name of her goddess was right. and then somebody comes along who loves her and they treat her with tenderness and she can't fucking bear it and she begs them to stop because if she thinks about the fact that being loved and cared for doesn't have to involve pain then she'll have to question what the point of all her suffering was and she's committed too many sins to look back now.

[zarnzarn]

(check the tags for more and also the tag for other fics in the story!)

athena, scowling as she gets bullied into marrying the people she pined over for the last 1000 years, suddenly realising something: wait a minute

odysseus: what?

athena, frozen: wait a damn minute you know what this gives me rights to do

penelope, also realising: oh fuck yes

odysseus: I don't like the sound of whatever's happening here what are you two fucking talking about?

athena, grabbing the marriage wine and tossing it back, then kissing her new wife and husband and handing penelope a spear as she picks up a mace: we'll be back shortly, you can start celebrations without us.

penelope: do u have anything that can start a fire

athena, pulling out an old contract and scanning it before throwing it over her shoulder: yes. are you scared of heights or can we fly.

penelope: fucking bring it I've waited years for this moment

zeus: where are they going

hermes, picking up the contract: they're going to... Ogygia? Oh fucking shit they're going to fucking kill Calypso- hey, hello, WAIT-

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[absoloutenonsense]

When the Trouble Comes by nonsensedarling

Harry Styles/Louis Tomlinson | 90k | Explicit

The Queens Trafficking case is the biggest one of Louis’ FBI career so far; eleven reported missing girls all disappeared under a similar set of circumstances. Louis has done everything he can to try and solve this case over the last nine months… while also absolutely ruining his marriage. Harry has been co-host of Banter at Breakfast for five years, and finally has the opportunity to create his own radio show with the network. Unfortunately, it comes at a time where Harry’s thoughts are consumed with his impending divorce from his (caring, loving, infuriatingly thoughtful) husband of eight years. Harry and Louis have both been willing to lose themselves in their work… but are they willing to lose each other?

Or a story of (almost) exes-to-lovers.

✨Art by @dearlou✨

Posts on Tuesday and Friday each week.

1 📁 | 2 📻 | 3 📁 | 4 📻| 5 📁| 6 📻| 7 📁 | 8 📻 | 9 📁| 10 📻| 11 📁 | 12 📻 | 13 📁 | 14 📻 | 15 📁| 16 📻 | 17 📁 | 18 📻 | 19 📁 | 20 📻| 📁 Epilogue 📻

[ithrilyann]

dragonsick

[esmes]

put me inside flesh that is dying a ghost that wanders without rest buried by desires and weakness i understand please, don't take your love away from me aka incontrovertible proof that they are HAVING SEX, courtesy of @theriddletrades

[silverthelovebug]

Yasammy Week ~ Day 6: Baking

Yaz peeked at the pie sitting in the oven, the smoke still lingered in the air from her last attempt at baking, though Sammy had opened the windows and left the back door open to hopefully air out the smell. It seemed to be a curse in the Fadoula-Gutierrez household that someone would forget they were baking a pie and it would end up burning to a crisp. Apparently it happened to Sammy enough that it became a tradition to make a back-up pie. Yet, It was always worth it in the end when she had that first bite and she got to see Sammy’s proud face.

@yasammyweek

I’m just realizing now that the text boxes make it look like Sammy speaks first and. Um. Definitely not what you’re supposed to do in comics !!! I feel like Sammy has a love/hate relationship with pies, she absolutely hates the baking process but she likes it as a distraction or when she’s making it with/for someone. Yaz cannot bake. She can cook really well! Just not bake ,,

Don’t hold me accountable for how tall/short they are in relation to their kitchen because umm 💔💔💔

[strawglicks]

Misty isn't selfish for wanting friendship with toons.

Misty is selfish for her lack of consideration of toons, their feelings, their perspective. She only focuses on herself and how she has been hurt.

She feels hurt by Bessie's actions, claiming "there was no reason" for her to do such a thing. But toons and cogs are at WAR. Bessie didn't see Misty, she saw a COG approaching her and retaliated. She did not see them as an individual, she saw them as the enemy that's been terrorizing and colonizing their land. And rightfully so.

That being said, Misty did not have ill intentions approaching Bessie. Because of this, they feel hurt that she responded in such a violent way. Misty can feel hurt, but they need to understand why toons feel the way they do towards cogs. They are at WAR. And Misty just doesn't seem to realize that.

She feels entitled to play with toons and garner sympathy from them despite their ongoing battle against the cogs.

It's all about "you still tried to hurt me" and "i've done nothing wrong". Misty truly believes she is the victim and thinks she's entitled to sympathy from toons. But she's not.

Misty genuinely wants friendship with toons, which is why she feels so hurt when they reject her, even if they are right in doing so. Much of her dialogue implies she really is oblivious to the gravity of this war and why the toons, obviously, don't want to engage with her:

Misty may want to befriend toons with no bad intentions, but that doesn't erase what the cogs are doing to the toons' land. And the toons are still justified in fighting Misty. She is a cog at the end of the day.

Misty is so focused on her own, personal pain that she is completely disregarding that a WAR is going on. She disregards what the toons endure due to Cogs Inc. and thinks, just because she doesn't personally hate toons, that they owe her friendship.

I think Misty is probably the main reason for the fandom's villainization of toons and woobification of the cogs. But it's not the fault of how she's written, it's the fault of people who feel bad for a character and suddenly think all their morals have to align with that character. Now, they all have to adapt to Misty's way of thinking: that she is an innocent victim who has done nothing and doesn't deserve any of the treatment she's gotten from toons, and that toons are just evil monsters who attack her for no reason.

THIS COULD NOT BE FURTHER FROM THE TRUTH.

You can enjoy a character, like Misty, and feel bad for her. It's obvious there is some real suffering happening here, but it does not justify her view or lack of consideration for others. They are so focused on their own pain that they never think of others. They are so focused on being the victim that no one else can be a victim.

This line of thinking is so flawed, and when a big chunk of fandom REPEATS it, it leads to wild mischaracterization and woobification of. colonizers.

You can like characters who are bad people and disagree with their actions. Misty is not a good person. I think they are suffering, they are hurting, but that cannot be the end of the story. There are others, like the toons, who are suffering and hurting as well. And that should not be erased for the sake of your blorbo. You can still love Misty while condemning her way of thinking. I do myself.

There's the opposite end as well, where people acknowledge this character is not a good person but suddenly think they have to hate the character as a whole because they are morally bad.

Misty Monsoon is very flawed as a person and suffering from her own victim mentality, which hurts others as well. But I love this character. They're fucked up and just want a friend, but they're going to need to be more considerate and aware of their own poor actions if they want to earn that friendship and respect from others. Give and take.

[cerise-on-top]

Hi! Hope you're having a lovely day ✨️

Valeria and Gaz with a fashion designer s/o! Dressing them up and using them as a practice model to test new designs... this has nothing to do with my need to put Valeria in a suit, ofc not

Anon, you're so galaxy brained for wanting to put Valeria in a suit in all honesty! She'd look so good in one because women always look good in suits!

Gaz and Valeria with a Fashion-Designer!S/O

Gaz: He’d honestly be so flattered you wanna use him as a practice model. Don’t get me wrong, he’s a very pretty man and he’s well aware of that fact, but he didn’t think he’d ever get that sort of privilege. The first time you measure him he’s a bit confused, but complies, asking you with a chuckle about what you’re doing. However, as soon as you present him with a jaw dropping suit that leaves every other one in the dust, he’s a big fan. While he may have supported you from the very beginning as soon as he heard that you’re a designer, his support skyrockets as soon as you present him with the first piece of clothing for him to wear. He feels so very fancy wearing it. He may be used to wearing fancy clothing from time to time when invited to certain occasions, such as weddings, but he never really paid much mind to that sort of thing. Once you’ve put the first article of clothing on him, he’ll ask you if you wanna use him as a practice model again at some point. Only if you feel like it, of course. He hopes you’ll say yes, he loves how creative you are and the things you create. You’re a lovely designer who puts their heart and soul into it all, and it shows. Although unprompted and despite it being a bit silly, he’ll also pose and do that one walk models do where they sway their hips. He feels pretty in your clothing. If he can afford it, which he likely can, then he’ll even buy some of the things you’ve made. And yes, he will 100% wear them as well, doesn’t matter if it’s a fish tail or if it’s a shirt with a dragon on it. He unironically loves it and will wear it whenever he can.

Valeria: She chuckles a bit when you ask her to put on some clothing you made. Valeria is a very attractive woman, and she knows it, so she’s not at all surprised when you ask her to put on a suit. She’s worn those before, and every time she has she was turning heads left and right. If you blush while seeing her in a suit then she’ll chuckle and trap you against the wall before letting you continue whatever it was you were doing. Like Gaz she wholeheartedly supports you, and she’ll own every single article of clothing you’ve ever created. While she may not have the time to wear them all every time, you will catch her wearing your creations from time to time, if there’s no danger of them tearing. Valeria’s glad that you trust her enough to want her to try on all your prototypes and will gladly pose like a professional model for you and you only. The first time you measure her she, too, would be a bit confused and would ask you regarding what you’re doing, but afterwards she’s more than happy to model for you whenever she can. She doesn’t have a whole lot of time for that, but the things you do for love. If you ever want a real, professional model, she can arrange one, though, it’s no problem for someone like her. Besides, she has a pretty good eye for fashion as well, so she can give you some hints regarding what could look good and what might be a complete no go. You don’t have to do as she says, but she will point it out if you do. If she ever does find herself having the time and there’s a fashion show that shows some of your clothing, then she’ll watch it and jokingly tell you that she looked better in your clothes than all those models did. If you ever need some creative inspiration then I’m sure Valeria can help you as well, she’s seen plenty of things and is always more than happy to help you. Besides, she can get just about anything as well, so you really don’t need to fret if you wanna feel the fabric of something yourself.

[aaandbackstabbed]

[at Goldie’s funeral]

Scrooge: could I just have a moment alone with her

Other guest: yes of course.

Scrooge, leaning over her casket: okay, listen here missy, I know you’re not fucking dead

Goldie: yeah no kidding dipshit

[whydotheycallmechimney]

I find it interesting that hayley clearly sees the mikaelsons as her family and feels a deep sense of love and loyalty towards them, but she’s been consistently shown to be wary of hope being raised around them.

[gingermintpepper]

Recently, I've been thinking a lot about lineage curses.

The line of Ouranos is infested with curses - generational malice that's sunk its claws in deep and cannot be cleansed. I think of it as a curse of love - an affliction that is something like a paternal equivalent to postpartum depression - the men of the line of Ouranos were, for a time, unable to bond with their children. Ouranos himself adored his wife but despised his children from the moment they were born. It was disgust perhaps. Or maybe plain fear. Or maybe there was no reason but a deep wrongfulness that he could only attribute to the birth of his new children. But he hated them and his hatred bred hatred. His hatred bred Kronos.

Kronos oddly, is the spitting image of his father. Why he would so exactly resemble the father he despised, who knows, but he married a goddess of the earth - the mirror image of his mother - he loved his wife and his people - the mirror image of his father - and, like that father, all his kindness and good sense died the moment he became a father. What was it about Ouranos' blood that made Kronos mimic even the method of torment? To lock his children away in the dark, cold emptiness of his stomach. To feed them the same doubts and fears that his brothers were fed as babes? What anguish paranoia must be to turn the Golden King into a shaking, spitting beast.

That, then, is the fate written deep in the blood of Zeus. Great king, destined to be overthrown by his children. Great king, doomed to live in fear of the son that would rend him limb from limb and scatter his sex to the ravens. Ah, but what is Zeus if not an enigma. That strange child fed on goat's manna and raised by his mother - is that the difference? That Zeus alone was showered in the hopes and dreams of his mother - that his father was nothing but a target to kill, an opponent for him to conquer. Is that why his curse of love mutated not to encompass his children but his lovers? What other name is there for he who eats his wife to gain her wisdom? What other name but cursed is he who pursues the stars until she becomes dead ground? And when he has a child who is his spitting image, dark eyed and blood-heeled, what can he do but hate?

(Zeus, at least, battles the demons in his blood on his own. Maybe that is the mother in him. Maybe that is why he swallowed Metis while she was still rich with their child. Maybe swallowing a mother restored that missing paternal hole all his father's line had simply been made without. Maybe that's what he tells himself when he looks upon his children and knows he's made things different for them, no matter how much he dreams of keeping them locked in a cool, dark place, pretty in display cases just for him. Maybe that's just his father in him.)

[puppyeared]

Radioactive