#platform-specific visuals | Explore Tumblr posts and blogs

sugarverse · 5 months ago

Note

Hiii! I was wondering if I could request either long or short fic about Tenya Iida. Likes it can be set in a modern setting where's he's a senior college student who's majoring in business and he has to take one more class to get his degree. It just so happened that the class is in the art building, and it is figure drawing (aka nude drawing) . Since he's just now hearing of the extra class he has to take, he's suddenly shocked when the model is an old friend of his from back home, whom he had a childhood crush on. Not only does his feelings for her come back, but he also has to have 1 on 1 section with the model for educational purposes. I kinda want it to be smut and fluff or however you see it fit. Anyway, I hope it's enough+

hi babe! omg I love this idea I kinda went a lil crazy and made it way too long. I hope u enjoy :)!!

𝘿𝙧𝙖𝙬𝙣 𝙏𝙤𝙜𝙚𝙩𝙝𝙚𝙧

word count: 3.5k

mentions of: This is really just the fluff portion of it, kinda suggestive bc he pops a boner and leads to sex in part two. I think I’m going to make a third part simply so the two of you can go on a genuine date andsotheresmoreiidaxblackreaderouthere.

a/n: hells yeah that’s enough, hopefully I did what ya asked and so sorry I went overboard I have serious problems. here’s the smut part bc a 6.7k fic is doing too damn much but i can’t stfu my fault gang

moodboard here!

Tenya Iida.

4th year, Senior in college majoring in International Business and minoring in Spanish at Angelwood College of Arts and Sciences.

The visual arts building had only been a few minutes away from the business side of campus, which he gladly enjoyed the walk. This spring all he needed to finish was two gen ed classes, the rest revolved around his major and minor. His counselor helped set up his ‘missing’ classes before winter break considering he had to fly back to Japan to see his family for the holidays. He was ecstatic to learn all he needed was an art class with lab and a communications class.

When he asked what the class entailed, all he was met with was “beginner artists learning anatomy.” It didn’t sound difficult, just draw what you see. It would be nice to try something new anyway. He was not much of an artist but like all things Tenya does, he planned to give this class his all. The first week had been pretty easy, learning how to draw what you see with the use of models, shapes, and lines. Nothing too hard to follow. He would practice drawing his friends on the sketchpad he bought specifically for the class as a form of studying in the free time he had.

He neverminded it for the most part, excelling his knowledge in different countries in his free time to get better at his major. Sure they could teach you the technical way to do things, but in the end, everyone is still human. It would be inconsiderate to do business with a country and know little to nothing about their culture! It took almost two weeks for him to finally be able to even start the art project anyway.

As time went on and the January snow grew less and less, it was time to start their first real project of the semester. One on One figure drawing. The class needed to fill out a form explaining their free hours due to the limited art space and everyone's different schedules. Tenya happily filled it out when it was posted, continuing to work on class work from the library so that the lecture room could also be used for said project.

Their professor had explained that in-person class would remain on Mondays and Thursdays. It just worked out better for the models and students to have so much space.

He made the small walk over to the arts building for his last class of the day, a small shine in his glasses as he entered the white light of the room. The walls were anything but bare, artwork and unfinished projects sat in every corner of the room. Paint racks, canvases big and small, even stacks of unused clay. There was a stool sitting on a small platform in the middle of the room, assuming where the model will sit.

He stood next to the stool for a moment, looking up at the grey February sky through the skylight. The natural lighting was great, almost like a spotlight. He adjusted the lights in the room a moment, dimming them slightly so the white light hadn’t been so harsh on his eyes. He headed over to a more organized table, setting out the art supplies how he liked. He knew he was early, but he wanted to make a good first impression. What’s better than being on time?

He pulled out his laptop, checking that the few assignments for today were done and submitted. A small frown tugged at his lips as he realized he hadn’t finished something completely, typing in the last few answers. He always double checked, technology was reliable.. When it wanted to be. He couldn’t hear the shuffle of slippers against the floor over his typing and frankly, loud thinking.

He could see someone walk past in a teal robe representing the university's colors. Glancing up from the computer to give the model a proper hello, Tenya opens his mouth to speak but pauses.

“Y/n?” He asked, almost in a whisper in case he was wrong. A small look of confusion caused him to tilt his head to the side slightly. He hadn’t been able to see you for awhile with such busy schedules, but he knew your silhouette by heart.

You turn at the sound of your name, mid sliding off the slippers and fumbling with the gold silk of the belt. “Tenya?” You smile, asking as you turn to slide your shoes back on and quickly shuffle your way over to him. He felt his face burn red, frozen in place for a moment with his jaw slack. He stood as if needing to detach from the seat, smiling at your happy demeanor and your quickness to wrap your arms around him.

“It is you! I know those shoulders from anywhere!” You beamed, feeling his hovering hands slowly place themselves on your back to return the hug. He was very hesitant, simply because you were only in a robe. You pull away, hands resting on your hips and giving him a big smile. “Now what are you doin’ taking a figure drawing class, Mister businessman?”

He let out a sheepish chuckle, “I needed an art credit, W-What are u doing here?” He never had any classes with you at Angelwood, A few honors classes and gym in highschool but other than that, nada. Throughout the course of growing up, your interests drove you to different classes.

However, classes don't matter when your families are as close as yours and the Iida family. Shared Holidays, playdates, game nights.. It wasn’t like you were some stranger. You both always made time to hang out a few times during the year to catch up without the family just to give a real check on each other. It was his favorite, almost like a mini holiday to talk to you.

He loved spending time with you. You were smart, articulated and incredibly creative. You never took slack from anyone.. Even in middle school he can remember you being the one to stand up and say something when things weren’t right. You were headstrong and determined in anything that you did.. Art majors always get a lot of grief but you never let that deter you. And that was admirable in itself! ..And he had always thought you were so pretty.

He felt like a kid again, heart feeling as if it’d beat out of his chest at the mere sight of you. It had been around Halloween the last time he saw you, and here it was. Almost Valentine's day.. Still as pretty and bright as he remembered. Your next hangout wasn't for another month or so, so it was nice to see you sooner than that.

“I'm your model, silly!” You head over to the stool, continuing to speak. “The art department asked if I’d help in modeling and I said yes! People were too scared to sign up for the most part. I’m surprised this is the class you picked. Did you want to learn how to draw people?” You slide your slippers off once more, untying the cute bow on your hip that held your robe shut.

Suddenly the room was very hot and he couldn't breathe. Now his heart really WAS beating out of his chest. He quickly did a 180, shielding his eyes and removing his glasses for extra measure. “WHY– do yoU have.. nothing on underrrrneath?” He croaked, voice cracking as his tone raised slightly.

You tilt your head at such a question, the gears clicking a little later than they should have. “Figure drawing is um.. Nude drawing, Tenya. You didn't know that?” You slide the robe back on, giggling at the flustered man across from you. You could see his shoulders tense, shaking his head slowly.

Now how the fuck could he have missed that.

“I um.. No, I didn't. I thought that it was.. I don't know what I thought. My counselor picked it for me and I.. Most models we've used so far have.. had skin colored undergarments… On.” He let out a nervous laugh, keeping his glasses off. He turns around, cleaning them with the end of his shirt but refusing to look up at you. He needed to mentally prepare his brain to be professional in a situation like this. Not that he minded the glance, he just never thought this would be how..

You prop your feet onto the edge of the stool, interrupting his thought. You held your knees up to your chest so he couldn’t see anything but your bare legs. “Oh Ten, I’m sorry! I can ask someone else to-”

“No! I am perfectly.. capable. It's professional and I can be.. professional..” He put his glasses back on, hand refusing to be steady as he did so. He let out a shaky sigh, smiling at you and finally looking at you once more.

You let out a small laugh at the blush on his cheeks. He was so handsome, but to see him so flustered over little ol’ you? It made your week. “We can start slow, that might help.” you slide the robe down your shoulders, slowly putting your legs back down so he could see your robed torso once more. You stopped at the top of your breasts, letting your collarbone show. “Do you have any specific poses..?” You ask quietly, trying to hold back your amusement.

He sits down, red faced and completely flushed. A nude model.. jeez. From sleepovers to recess, studying together to graduating, and now almost graduating for the final time together. That's something you don’t get to have in every lifetime. But why do these thoughts keep coming back to him now?

There was no way he could still have romantic feelings for you. He’d never put your friendship at risk like that!

..right?

“I um.. yeah, small.” He cleared his throat, “Could you um.. Could you stand slightly off of the um.. Almost like getting up?” He fumbled over his words, staring at the empty paper as if he could burn the quick image in his brain onto the page to get the embarrassment over with. He sighed once more, trying to focus as he began sketching circles and lines as a starter sketch of the pose he wanted.

“When you need to draw a certain part I'll move it, Sound fair?” You ask, resting one foot onto the stool and one onto the ground. Your hand gripped the seat as your butt sat on the edge, similar to when people do that supposedly hot thing where they throw their head back and pull some weird rope to have water get poured on them.

It was second nature at this point for people to see you. Of course some of them were flustered and it was pretty awkward at first, but normally not to the point of stuttering and stammering. It wasn’t often that you saw Tenya fall apart, but this was way different. Especially considering you flashed him without warning. He was one of the most endearing people you had ever met, there was no way you would have done that without proper context.

He could only nod in response, not wanting to further make a fool of himself. Lightly tapping the pencil against the table, He looks up at you. “You can um.. re.. remove the top part, y/n..” It was hard to simply draw your arms and collarbone without including the robe, so you might as well rip the band-aid off and start with the top.

You nod, dropping it happily and letting the robe pull around your hips and between your legs. You close your eyes, facing up toward the skylight in an attempt to make him less nervous. “Sorry for flashing you at first, I would have explained but I assumed you had already known..?” You laugh quietly to yourself at your own mistake. Why would someone like him even take this class if he knew what it actually entailed?

And God, did he feel like a pervert staring at your chest like this. The boner poking his thigh almost immediately didn't help, making it even harder to concentrate. Way to keep composure. He pressed his lips together for a moment before speaking. “I had no idea, I’m sorry for my r..reaction.” He answered, stopping the pencil tapping to actually begin sketching more than just circles and lines. He hadn’t meant to yell, but he felt like he was close to passing out.

“I think it was a pretty valid one.” You send a reassuring smile his way, seeing him send you one right back. Trying to ease the mood, you look back up at the ceiling and close your eyes to avoid staring at the ugly overcast sky above you. “How was winter break? You get to go home and see your family? How are they?”

His smile grew wider at your question, scooting under the desk a bit more so that you hopefully wouldn’t notice his body reacting. “They’re great, Tensei is getting married soon,” He sounded excited at the thought alone, incredibly proud of his brother.

“And my mother has started a hobby making soap, if you can believe it. She sent me some to bring back one that smells like lavender and another that smells like oranges mixed with I believe she said papaya.? She made a coconut smelling one for you– I was going to give it to you the next time we saw each other,”

The sound of his sketching stopped and started as he spoke, giving your body small glances as he tried to study each part of your upper torso. The way your stomach creased, The way your shoulder was slightly lifted causing your collarbone to be more prominent, the curve of your breasts.. “How was your Holiday, y/n?”

“No way, Tensei is getting married?!” You accidentally stop posing, fully facing him in genuine shock. The robe was still covering your lower half, you had tied the belt to avoid accidentally flashing him again but here we are. You watch his face become even more red, eyes very obviously not meeting yours but still like a deer in headlights.

You quickly get back to posing how you were, “Sorry Ten, That's amazing!! I hope everything goes smoothly for him and his soon to be wife.. And tell your mommy I said thank you for thinking of me. I can't wait to try it!”

A smile stayed on your lips as you thought about the times you’ve spent in the Iida household. His mother always had the best candles and incense burning, you were positive the soap would be the same. “My family is up to the same old shit, you know them..” You let out a small groan, the holidays weren’t an absolute disaster, but after not being home so long makes you remember why you aren’t going to school anywhere near home.

“I did get some cool stuff for Christmas though! I got some new clothes and they got me a few art kits. You know, where it teaches you how to crochet? I also have a new diamond painting kit, I haven't opened either yet because it's just been so busy.” You replied, tapping your fingers on the side of the stool where your hand sat.

You look up once more, this time because the skylight was beginning to be covered in snow. You watched as it fell, thinking back to old times when you and Tenya would spend the last three major holidays with each other. You’d always make sure to trick or treat together, your families have been sharing Thanksgiving for as long as you can remember, and spending the night in your basement on Christmas eve to wait for Santa until you were both too old. Then instead of waiting for Santa, you’d all eat at least one meal together on Christmas day. Sometimes homemade breakfast, other times a small trip to IHOP or Waffle House.

“God damn it.. It’s snowing again..” You let out a small laugh, looking over at him over your shoulder, fingers still tapping away at the base of the stool. “Hey Ten, Do you remember when we used to have those big snowball fights? The one near Red Fern?”

“Of course I do! You refused to wear any kind of gloves and my mother would make you at least put socks on your hands so you didn’t get frostbite!” The two of you shared a small laugh at the memories of being young and dumb.

“Gloves always made my hands too itchy! They still do– But I kicked your ass in snowball fights with gloves or not.” You retort, a smirk appearing on your face. “Ice queen y/n of everything.” You could remember the insane snowball fights the neighborhood kids would have every. time. It snowed. If there was enough to make a few snowballs, there was enough to start a war. Tenya was always on your team, but it never stopped you from throwing a few his way. The ‘winner’ was King or Queen of the hill and first to sled down, which often enough was you.

“Remember when you almost broke my glasses throwing one right at my face?” He snickered, watching your smirk turn into a small pouty frown. He knew you didn’t mean to, that same day you helped your mom make cookies for him and his family as an apology, even though he wasn’t upset to begin with. But you knew it could have broken his glasses and you would be devastated if you were the reason for it. You were a real sweetheart, even if you had a weird way of showing sometimes.

“Hey! You know that wasn’t on purpose, I felt really bad after! I even let you get me back!” Which was true, but he never aimed for your face. Always a spot on your fluffy coat, never your legs because you hated your pants being wet… and a face shot just felt wrong to him.

“Yeah, Yeah. I remember that part too,” He smiled to himself. “Those were really good times.. I remember Tensei always bringing us hot chocolate and we’d sit on your porch and draw things in the snow..”

“Oh! And when we’d come back all wet and mom already had spare clothes in her hands because she didn’t want it on the carpet. We’d put on too big clothes just to sit and watch Christmas movies..” You missed those times. But they never really had to stop, you two could have a huge snowball fight after this if you wanted to and the snow stuck. Was he too grown for that? Would it even sound fun to him?

“Do you still watch A Year Without Santa Clause every year?” He asks, breaking your train of thought. You nodded quickly at his question, grinning like a maniac. “Of course I do! And I watch Charlie Brown’s Christmas, Rudolph The Rednosed Reindeer.. And sometimes Spongebob's Christmas Special. Do you still watch old Christmas cartoons?”

“Why wouldn’t I? Don’t wanna ruin tradition.” He answered, pressing his lips together slightly as he stared down at the paper. You can tell he freezes a bit, the sound of his scribbling coming to a stop. He set the pencil down, rubbing the sweat of his hands onto his thighs.

“You can um.. remOove-..” He quickly cleared his throat, “The rest.” He let out a disappointed sigh at his inability to keep composure. This wouldn't be half the problem it was if it was someone else modeling. But this is you we're talking about.

“You sure? If you need a minute we can take a break, honey.” You gave him a sympathetic look, still smiling but this time more.. warm. The kind of smile someone gives to another when they genuinely care for them. Or love them for that matter. He adored it, it was the same smile you'd give him when saying he needs to take a break, the same smile you give him when the two of you out to get coffee and catch up. The same smile he's fallen for many, many times.

But to tell you the truth? It’s driving him crazy. All of this. Was driving him crazy. No matter how hard he tried to be professional, he could stop his wandering mind. You were a goddess. What else was there to do besides take a break and hopefully release some steam in the bathroom or something. Completely inappropriate, but the pain from being hard for so long was starting to cloud the best judgment.

He looks down at the sketch so far, then back to you as he rubbed his hand upward against his face. It pushed his glasses up, causing them to be crooked when going back down. “I um.. I think I do.. need a minute.” His voice died out as he watched you slide the robe back on, words failing him because couldn’t think completely straight.

© if you like what you see please reblog! It means a lot and helps me out. Want more? Heres my m.list! I write for x black reader so throw me some requests :P my other account are icons and x black reader moodboards if you’re interested!

thank you @thecutestgrotto for the banners and thank you @fizzintine for coloring the top pic!

have a good day/night/whatever!

3K notes · View notes

snapscube · 2 months ago

Note

Oh I love 358/2, I can't wait to hear what you thought about it eventually. Can I ask are you watching the movie or playing the game?

i did describe it as "making my way through" for a reason hehe. not much of a commitment to speak of if i were just doing the "movie" version. i wanted to spend as much time learning about Roxas and his story as possible, i literally can not imagine that the cutscene comp does the story justice.

i'm specifically playing the Melon Mix mod version! it's so freaking cool and nice, kinda feels like my ideal way to play so far.

for those without context: Kingdom Hearts 358/2 Days is a DS game that is a sort of prequel to KH2 and focuses heavily on the backstory of a fan favorite character. it is technically represented in modern ports/collections of the kingdom hearts series, but only as a cutscene movie. the actual full game has never been remastered or remade for any platform outside of the DS. Melon Mix is a mod that is just a custom version of the DS emulator MelonDS and it's specifically designed to turn 358/2 days (and eventually re:coded, which is being worked on rn) into a sort of fan-made "Final Mix" version. it adapts the entire playable portion of the game into a single-screen experience as if it were a home console game and even lets you slot in the HD remasters of key cutscenes from the movie version. it's awesome.

this is what it looks like, this is literally just taking the Nintendo DS rom and doing visual/overlay trickery to put the UI on the primary screen and adapt it to 16:9. wizard shit.

467 notes · View notes

kianamaiart · 5 months ago

Note

I just wanted to tell you that I love idwtbamg and am especially blown away by the character designs for aika and zira!!!!!! their colour palettes compliment each other really well and are soft while still having some contrast and I would love to know how you came up with the designs or if you don't feel like sharing that, your favourite parts of their designs and what you're most proud of? Good luck with the pilot, by the way!!! ^^

Aw thank you so much! Character design was initially what I wanted to do when entering the industry so I love whenever I'm able to do it~

I talk about my process for picking colors here a bit!

Design process under the cut (loooong post ahead)

Whenever I'm designing a cast of characters I always start with the main character and build off of them. I started specifically with Aika's normal girl design. I wanted a star theme, and the star hair was the first thing I knew I needed. With her hair being the most eye catching and important part of her design, I wanted to make sure whatever else she had going on wasn't gonna distract from it too much. So I went for a more top heavy, but simple look with a big tshirt, small black pants. Aika was initially fully blonde but the stark black pants was starting to pull the eye. That gave me the idea to use the stark black in her hair (for the bottom half)! Made her hair even more eye catching and highlighted the star pigtails in a nice way.

For her magical girl design, I wanted to make it feel over the top and overwhelming to contribute visually why Aika wouldn't want to be a magical girl. Big poofy dress, ribbons poking out everywhere for a crazy silhouette and tall, tall platforms. I also wanted to give her longer hair in this form so I went with goddess locs! I was able to do an easy shorthand with it (long thick strands with lil curls at the end) I like the kinda biblically accurate angel look she has. My favorite part of this design was the ribbons in her hair that make the star pigtails look like shooting stars heehee

With Zira I knew I wanted her to be opposite to Aika. So sticking with the space thing, I gave her a moon motif and that was my jumping off point. With Aika having high pigtails, I decided to give Zira low pigtails and give them a vaguely crescent shape (like crescent moons get it?). Continuing with the opposites thing, I wanted to make Zira's design bottom heavy as opposed to Aika's top heavy one, and also color-wise, go on the opposite side of the color wheel from yellow for its complimentary color, purple! I didn't want Zira to feel too stylish (she's a loser after all) but also didn't wanna make her design ugly. I tried toeing the line of out of style but lowkey trendy with the grungy skirt, jeans combo. Also went with the stark black shirt under the tshirt to lean harder into the 2000s look. On top of that it helped tie her design to Aika's more (this is where I decided the stark black was gonna be an essential part of the design language of this show). My favorite part of her design for me is the mangled ends of her pants. It's a small detail but I think it says a lot about her as a character (she drags her feet, she's a little careless, kinda messy, etc.)

Hoshi is star. There's not much more to their design haha. I did give them wings to mirror Aika's dress ribbons. With their human design though, I just knew I wanted to make sure that they'd be able to make a star shape with their silhouette. Thus the hoodie and stubby limbs. Gave them the stark black pants (again at this point, it's part of the design language of this show). I tossed around the idea of giving them eyes that matched more with Aika and Zira, but it just didn't look like Hoshi so I stuck with the same face in their star design and I just thought that was funny hehe. My favorite part of Hoshi's design is just the overall fact that I managed to make them look like a star in their human form still haha

Eclipse was the hardest design for me. You would not believe how long it took me to decide whether I wanted to make him a boy or a girl. Eclipse was also gonna be named Void (and DeVoid was gonna be Eclipse) but it didn't feel quite right. I knew I wanted him to ALSO be opposite from Aika, but in a different way that Zira is. Looking at it that way helped me land on the name Eclipse because I thought it'd be fun to give both Zira and him moon motifs (as Aika's love interest and alleged love interest respectively). Similar to Zira I wanted to have purple be in his design to contrast the yellow in Aika's design. Due to his name now being Eclipse, I figured going dark with his design would make the most sense but my friend/roommie Bri @/ghostbri (who is a professional painter/color designer) suggested going pastel instead and it worked perfectly. It matched his personality and also plays on the fact that he cares more about theatrics and aesthetics than actual villainy. He completely misses the point of being the servant of darkness. He's heavily inspired by Tuxedo Mask. I wanted to make it feel like he saw a cool character once in a tv show and he decided to make it his whole persona. So he's got the suit, he's got the cape and he's got the mask. My favorite part of his design is his cape, intended to also have a crescent moon shape but then also have that stark black on the inside so his silhouette really pops against it. It's funny bc it ended up being like a reverse eclipse where the light is blocking out the dark.

DeVoid was the easiest for me to come up with the design for LMAO. Like obviously. I wanted to make her feel slick but prickly but also slightly over the top like a lot of old school magical girl villains. I thought it'd be a difficult balance to strike but it actually wasn't too bad! I gave her a sort of form fitting cocktail dress and at this point the stark black was a must so it worked out that the "void" character would just be in that all black look. It really helped her feel slick like I wanted (also gave her the slicked back hair for this reason). To give her some edge, I gave her the giant pointy shoulder pads, giant pointy horns, pointy ears, sharp nails and bat wings! Oh also worth mentioning she's the one main cast character I didn't use Aika as a jumping off point for. I designed her to look good next to Eclipse since they'd be the ones interacting the most. I made her wings white to contrast with her black dress (opposite to how Eclipse has a black cape but then mostly white outfit). To ensure that her design wasn't too dark and that her arms would read against her body, I gave her those bright silver bracelets~ While her design was easy for me to come up with, my god figuring out what color to make her hair was killing me. Tbh I was avoiding pink/red like the plague. I didn't want her to look toooo much like Jessie Team Rocket LOL. I tried white, I tried purple, I tried a more pastel pink but none of them worked well in a lineup with the rest of the characters. Bri helped talked me through all this haha. Pink/red worked the best especially there was no pink/red in the entire lineup. The Jessie influence is still there but I feel like she looks different enough! Favorite part of her design is her big ass horns)

Finally Miss! Miss was an interesting case because I designed her as I was storyboarding the pilot. She was intended to be an incidental character that we'd only randomly see once in a while. She had a veeery generic teacher design in my first pass but then as I was hiring VAs I got the idea to cast Michele Knotz to play her and that was enough for my brain to start going and come up with a backstory for her and a role that could tie in with the rest of the cast in a more meaningful way. Because of this, I designed Miss to the voice I imagined Michele would use for her. She does a great groggy and tired voice so I gave her those tired eyes, she has a darker color palette, her posture's a little more sluggish, etc. Her design still felt bland in the board so I gave her a couple piercings which helped. But then! The stark black! I gave her the half dyed hair which worked phenomenally and is probably my favorite part of her design. It leans into the tired feel (too tired to dye her roots) and also was a nice way to get the black in her design without just having to give her black pants or a black shirt or something. I'd only figured out her color palette way later and after recording Michele. The VA announcement image was the first time I'd fully drawn and colored Miss. I went with green since there was no green in the lineup! Also green's my favorite color so I had to.

PHEW that's it! Hope it was an interesting read and look into my brain.

766 notes · View notes

suppermariobroth · 1 year ago

Text

In Super Mario 64, an obstacle unique to Snowman's Land is a path with triangular "waves" traveling down it, each acting like a slope to make Mario slip and push him back toward the beginning of the path.

Due to an oversight in the implementation of the obstacle, on specific frames when the waves recede into the ground, an extremely thin temporary out of bounds area is created at the ledge of the platform.

If Mario is above the ledge in a precise position during one of these frames, he will instantly die with no visual explanation as to why he could have died, due to the game considering him out of bounds and using death as a failsafe for this situation. Note Mario merely crawling along and doing nothing out of the ordinary before the game suddenly declares him dead.

Main Blog | Twitter | Patreon | Small Findings | Source

#super mario 64 #nintendo

1K notes · View notes

fangswbenefits · 2 years ago

Text

Appreciation

Summary: Miguel catches you staring at a very specific part of his body…

Pairing: Miguel O’Hara x spider-woman!reader

That 🎂 needs more appreciation! Mildly suggestive. Innuendo. Just having some fun. Inspired by this amazing fanart!

“You’re drooling.”

“I’m not.”

“You are.”

You gave Jessica Drew a side-glance. “Peter, tell her I’m not drooling.”

“You’re drooling.”

Resting your chin in the palm of your hand, you heaved a sigh.

Miguel O’Hara had his back turned to you, and you just couldn’t tear your eyes from his glorious ass.

It should be illegal to wear something so tight around it, leaving nothing to the imagination.

“Do you need some tissues just in case in?” Jess leaned in with a devious smile.

You growled in annoyance drumming your fingers on the table, which was enough to catch his attention. He turned around, facing away from the orange screens floating around his platform.

“Can you pay attention?” he asked, hands on his hips and crimson eyes narrowing.

The three of you nodded instantly and you straightened in your seat, inwardly mourning the loss of visual contact with his backside.

Peter was the next one to sigh, and Miguel scowled. “It’s important we go through these procedures. The fate—”

“—of the multiverse is important,” Peter then yawned from beside you. “Yeah. We know, we know.”

You giggled and saw Miguel scowling. “Leave. Go get ready for your reconnaissance mission, then.”

Jess and Peter didn’t need to be told twice and rose to their feet, heading towards the exit.

You were about to follow suit when Miguel’s voice was heard, “Not you.

Oh?

“You stay.”

Peter turned briefly and mouthed a ‘good luck’ before exiting, the door sliding shut behind them.

But what he didn’t know was that you had just struck gold.

You cheered inwardly, barely able to contain your excitement, as you sat on the table behind you, dangling your legs playfully.

Miguel paced slowly in your direction, face as serious as usual.

When he stopped right in front of you, you parted your legs, waiting for him to settle in between, which he promptly did.

“You are so frustrating.”

“Hmm?” you rose an eyebrow playfully.

To an outsider, it might seem like he was beyond annoyed.

He always strived to look serious and intimidating.

But you knew better.

“You you were supposed to be paying attention to what I was saying,” he whispered.

“In my defense, it was staring at me first,” you rose both hands in defense. “Not my fault.”

His eyes fell to your lips. “Ah. So you were staring.”

“Your ass is magnificent, Miguel,” you said with a click of your tongue. “What do you expect me to do?”

“Be more professional.”

You scoffed. “Says the man wearing a suit so tight we can see every single line of muscle.”

He chuckled and you did the same, enjoying the sound of his carefree voice.

“Can I touch it…” you asked with a devious smile.

He answered by grabbing both of your hands and setting them on his hips. “You don’t have to ask.”

You let your fingers trail down slowly behind him, grazing the material of his digital suit. Once you moved past the generous curve of his ass, you gave each cheek a gentle squeeze.

Everything was firm and in place, and you couldn’t stop yourself from massaging him with the palms of your hands.

“Does your suit need to be this tight?” you asked.

He slid the back of his index finger from your neck to rest under your chin, tilting your head back to meet his gaze. “Aerodynamics.”

“You’re such a tease,” you mumbled.

He craned his neck to match your height. “Me?”

The pads of your fingers traced patterns along his taut muscles, and you were reminded of how lucky you were to have this all to yourself.

“I need your workout routine.”

He leaned in even closer. “I’ll show it to you, then.”

You hummed, his lips almost touching yours. “And is it hard?”

The pun didn’t go amiss and Miguel chuckled softly. “Depends on the position.”

“And then I get to have such an amazing ass?” you asked, squeezing him again with both hands.

His warm breath fanned your skin. “You do.”

You then narrowed your eyes at him. “You’re not scamming me, are you?”

Miguel’s lips grazed yours. “Scamming?”

Giving both his cheeks a few more squeezes, you straightened up.

“You sound like those shady fitness gurus from Earth-1610,” you feigned seriousness in your voice.

He surprised you by planting a kiss to the corner of your mouth. “I would never scam you.”

Then another kiss.

“What you see is what you get.”

Your fingers curled harder this time into his hard muscle, drawing his lower half closer. “That sounded so shad-”

Miguel interrupted you with a kiss, bringing both hands to cup your face, rubbing his thumbs along your cheeks.

You melted into his touch, smiling but not breaking the kiss.

He was so easy to love.

Eventually, he managed to tear himself away with a genuine teasing smile. “Was that shady?”

You patted both of his cheeks lightly, enjoying the slapping sound. “I may need more convincing.”

Masterlist

#miguel o’hara x reader #miguel o’hara #miguel x reader #miguel o’hara smut #miguel ohara x reader #miguel o’hara x fem!reader #spiderman 2099 x reader #miguel o’hara x y/n #spiderman 2099 #miguel o’hara x you

3K notes · View notes

sydneymykah · 3 months ago

Text

BEYONCE THE MESSENGER?

⋆⋅☆⋅⋆ Astrology & Numerology ⋆⋅☆⋅⋆

𝐖𝐇𝐘 𝐈𝐒 𝐁𝐄𝐘𝐎𝐍𝐂𝐄 𝐑𝐄𝐋𝐄𝐀𝐒𝐈𝐍𝐆 𝐀𝐋𝐔𝐁𝐌𝐒 𝐎𝐍 𝐅𝐑𝐈𝐃𝐀𝐘 𝐓𝐇𝐄 𝟐𝟗𝐭𝐡?

ACT I: Renaissance - July 29th

ACT II: Cowboy Carter - March 29th

Act III: ____ - ____ 29th?

⋆⋅☆⋅⋆

★ Beyonce is a spiritual woman. She makes it very apparent in her lyrics and her visuals. She’s a believer in astrology, religion, the occult and spirituality. Beyonce is also an intentional woman. So I find it to be no coincidence that those reasons are behind why she decided to release her three act projects all on the 29th of specific months. Both on Fridays.

“Cuz I’m a clever girl” - Beyoncé

𝐅𝐫𝐢𝐝𝐚𝐲 - 𝐕𝐞𝐧𝐮𝐬 𝐝𝐚𝐲

★ 𝐑𝐞𝐥𝐞𝐚𝐬𝐢𝐧𝐠 on Friday is nothing new in the modern days of music. In fact Beyonce pioneered it and made it an industry standard when she dropped her self titled album with little to no announcement. With visuals to back it. Making Friday, the day of Venus, the day she drops albums feels alined. Especially with these three act projects. She could’ve easily picked any day as we’ve seen with artists like Tyler the creator who dropped his recent album on a Monday morning despite the new norm.

★ 𝐅𝐫𝐢𝐝𝐚𝐲 is ruled by Venus which coincidentally so is Beyonce. Venus rules many things involving beauty, love and the arts. Her choice to release what will probably be her most studied albums next to lemonade on the day of Venus feels like beautiful poetry. Since self titled Beyonce has put artistry over hits. (Although 4 laid the foundation) Artistic vision over charts. Visuals and story telling over gimmicks. In 2013 she said in her documentary life is but a dream, “People don’t make albums anymore”. Ever since then she’s been putting all her passion and love into these projects. Choosing Friday to release her albums and then that choice becoming the norm can show not only her impact but how shes become all about the art.

★ 𝐕𝐞𝐧𝐮𝐬 the goddess, who Beyonce has also channeled, was worshiped for her beauty and eroticism but also for victory when she brought victory to the Romans. Beyonce invokes victory when she uses her platform and status to get what she wants. Specifically as an artist she wants people to pay more attention to black music history and the importance of black artists. To many, whether in the industry or not, Beyonce is seen like a hero. Especially to black woman. Her victories feel like ours. Beyonce credits black artists who were/are overlooked and uplifts the new upcoming ones. When she wins awards and breaks records with these songs/projects we too win with her.

𝐓𝐡𝐞 𝟐𝟗𝐭𝐡

𝐈𝐧 𝐧𝐮𝐦𝐞𝐫𝐨𝐥𝐨𝐠𝐲 𝟐𝟗 𝐞𝐪𝐮𝐚𝐭𝐞𝐬 𝐭𝐨 𝟏𝟏.

11 in numerology:

★ 𝟏𝟏 in numerology can be perceived like yin and yang. The masculine and feminine, the active and passive. Both exist next to each other. One and One. Balance. Which can be representative of what Beyonce wants out of these albums. To set things right. “We’ll be the ones to purify our father’s sins”. 11 can be referred to as the physic master. Jesus being the example for his name adds up to 11. Being the messenger of god. Beyonce is a religious woman so it’s no stretch to think she believes she should be a messenger of god as well. She sees the future she wants with these albums. She has even referred to herself as “Beysus” just saying lol. 11 being the numerology behind the day she releases these specific projects her message is to educate the masses on the black history of certain genres of music. These albums existing being the message she wants to put out.

★ 𝐒𝐩𝐞𝐜𝐢𝐟𝐢𝐜𝐚𝐥𝐥𝐲 with 2 and 9 being what makes 11 here it’s stated that 2 is peace and fluent speaker. 9 being humanity and brotherly love. This three act project is meant to represent all of these things. Beyoncés using her voice and other peoples voices to send a personal message. Beyoncés own personal journey of finding peace. Humanity being talked about specifically racism, discrimination, and misogyny. Brotherly love being exuded in these projects through collaboration and the merging of genres.

Numerology pdf ;)

11 in tarot:

The Justice Card

★ 𝐓𝐡𝐞 Justice card. Being the symbol of truth and representing justice, fairness, and showing us the outcome of certain actions. The time of judgement. Beyoncé’s Act one and two share a similarity. The reclaiming of a genre(s) that originated with Black/African Americans. Renaissance being house music and Cowboy Carter being country. It feels extremely intentional that this date, the 29th, was chosen for this exact reason. Beyonce is, if you will, bringing justice to the black voices that were snubbed and silenced out of their own genres. She’s placing judgment on the music industry who has upheld ostracizing, discriminating, and casting aside black artists in these said genres.

11 in astrology:

★ 𝐀𝐪𝐮𝐚𝐫𝐢𝐮𝐬 is the 11th sign in the Zodiac. Ruled by Uranus this air sign is known to be UNIQUE. Futuristic, ahead of its time, innovative, a bit more free thinking than others and carries humanitarian traits. Aquarius tends to care a lot about the environment around them especially their community. This is why the 11H is the house of friendship, networking, and social groups. The topics of the first two acts aim to show the possibilities of being a genreless artist, finding community and giving back to communities. Uranus is a planet that rules the future. The interesting thing about this to me is the best way to predict the future is to know the past and to be aware of the present. When it comes to Beyoncés 3 ACT project they all aim to be innovative. (We don’t have act three yet but that’s a clear pattern) Not just sonically but lyrically as well. Knowing the past of these genres, how they’re being treated in the present and shining a light on them, hoping for a better(more just) future. It’s crazy to see how quickly these predictions/observations have come true. We hear Beyonce say lines like “Wildfire burnt his house down, insurance ain’t gon pay no Fannie Mae,” and we’ve seen the fires in LA and how insurance companies have treated the victims. Beyond this Beyoncé’s purpose of these albums in my opinion is to show the potential future of music, specifically music that black people have been shut out of. With the hopes more black artists feel the freedom and liberation to be in any genre they want to participate in. I mentioned Aquarius being a bit more free thinking than others. At the Renaissance tour the interlude right before I’m that Girl had a line that is looped repeatedly: “Be free”. And quotes like, “whoever controls the media controls the mind”, and “Imagination is more important than knowledge”. Using symbolism like hive mind, the news and robots to show her audience to free themselves of the box society puts them in. The box society and the music industry has tried to put her in.

Overall:

★ 𝐓𝐡𝐞𝐫𝐞’𝐬 definitely a clear pattern as to why Friday the 29th was chosen to be the date these albums are being released. The artistic integrity, the feeling of victory when a new album is released and the unsung voices of the past get the chance to be seen and heard. Beyonce places herself as the messenger, the mastermind, the judge. The one with the sword and the one with the light. Passing judgment to the music industry who has treated her and other black artists of the past with blatant disregard after years of being discredited. She does this whilst also uplifting the new artists, the artists of the future. To be innovate, think outside the box, and to be free.

There’s more to add here considering the specific months these albums were released and the astrology behind the number 29 more. So stayed tuned, there might be a Pt. 2

xoxo

- Sydney Mykah ✫彡

#sydney mykah #music #music blog #astrology #Beyonce #renaissance #cowboy carter #numerology #numerology 11 #Uranus #Aquarius #11th house

222 notes · View notes

literaryvein-reblogs · 3 months ago

Text

From the Slang Dictionary

Brainrot - (sometimes spelled brain rot) used to describe the effects of being “perpetually online” and consuming large amounts of low-value internet content. The term, which can be used as both a noun and verb, is also used to describe an intense and often obsessive preoccupation with a particular topic, such as a TV show, movie, fandom, or idea. People experiencing brainrot often find themselves mindlessly scrolling through never-ending social media content.

Delulu - a slang shortening of the word delusional. It is especially used to describe superfans or dating partners who display odd or extreme behavior. Frequently, delulu is used in jokes, memes, hyperbole, or lighthearted mockery, especially in memes and social media videos depicting people acting bizarrely or obsessively.

Girl grip - holding multiple items in one hand by grasping them between fingers. Typically, the phrase refers to a person using a clawed hand to hold multiple items at once. For example, a person may hold a paper cup using primarily their thumb and pointer finger while holding a smartphone, keys, receipt, and wallet with their remaining fingers on the same hand.

Goblin mode - a way of behaving that intentionally and shamelessly gives in to and indulges in base habits and activities without regard for adhering to social norms or expectations. The phrase is typically used to be at least somewhat humorous and is commonly applied to oneself as a way of embracing such behavior. It is often considered the opposite of and a reaction to the kinds of healthy, organized, productive habits and lifestyles that are commonly presented (and glorified) in highly curated social media content. It is also sometimes used in reference to people and animals who suddenly become “wild.”

Nepo friend - a person who is thought to benefit from having a famous or influential friend. It is often used to imply that someone is only famous or successful because of their association with a famous person. The term may be used playfully, but it is often at least mildly negative.

Out of pocket - a phrase with three different common meanings. It can refer to a person having to pay money themselves, a person being unreachable, or a person acting unnaturally or in a wild, inappropriate way.

Side character energy - a characteristic that describes how a person sees themselves and their attitude toward life. Side character energy is typically associated with people who are funny, content, and self-assured or who don’t seek to be the center of attention. It is often seen as a counterpart to main character energy or main character syndrome.

Situationship - a romantic or sexual relationship that is undefined and noncommittal. People in a situationship are more than friends but less than committed romantic partners. It can often vary in what happens within it. It could involve casual sex, romance, dating people, spontaneous meetings, a lack of plans, a lack of emotional connection, or possibly all or none of these things.

Unalive - a slang term used on social media as a replacement for the verb kill or other death-related terms, often in the context of suicide. It is typically used as a way of circumventing social media platform rules that prohibit, remove, censor, or demonetize content that explicitly mentions killing or suicide. The term is used both seriously (such as in discussion of suicide prevention and awareness) and in nonserious posts and memes (such as saying My mom is going to unalive me if I don’t clean my room).

Yassification - the act of making something better, especially more visually appealing. Specifically, it is often used to refer to an internet meme in which pictures of people are edited using photo editing software or beauty filters to resemble an exaggerated, hyperfeminine version of a woman adhering to stereotypical beauty standards.

Source ⚜ More: Word Lists ⚜ Writing Resources PDFs

#requested #slang #writeblr #writing reference #langblr #word list #writing prompt #spilled ink #dark academia #writers on tumblr #literature #creative writing #writing inspiration #writing ideas #dialogue #writing resources

194 notes · View notes

changes · 2 years ago

Text

Tuesday, May 30th, 2023

🌟 New

Please enjoy the frogs on web. 🐸

To clarify a point made in last Friday’s post: on web, clicking the reblogged-from blog name in a reblog’s post header now takes you to that blog, not their reblog. Clicking in the empty space in the post’s header, and in the header of each reblog trail item, now takes you to that specific post in the blog view popup. This is one of a series of updates we’re making to the reblog consumption experience across all platforms, to make it more intuitive and consistent, especially for new users.

On web, and in version 29.7 of the Android app and version 29.5 of the iOS app, the blog names in the “Liked by…” recommendation reason on posts will be clickable/tappable, taking you to the listed blog(s).

🛠 Fixed

Fixed a visual glitch causing misplaced padding rules in the notes view on posts on the web.

🚧 Ongoing

Nothing to report here today.

🌱 Upcoming

We’re working to open source StreamBuilder, our framework that powers the dashboard, recommendations, and most of the feeds on Tumblr. Stay tuned!

Experiencing an issue? File a Support Request and we’ll get back to you as soon as we can!

Want to share your feedback about something? Check out our Work in Progress blog and start a discussion with the community.

#tumblr update

2K notes · View notes

wlwdcchampionship · 16 days ago

Text

introducing: poll stealing!!

Are you worried about your favorites not making it to the next round? Do you wish you could commit legal poll theft?? Then you’re in luck! Starting in round two, you can make fanworks of any kind to help swing the votes in your ship’s favor! Fics! Art! Playlists! Anything your heart desires!

With the steal function in place, your ship could lose the popular vote but still advance to the next round.

To be very very clear, the purpose of the steal function and the purpose of the tournament as a whole is to get more f/f dc works out there!

Detailed guidelines below the cut:

HOW IT WORKS:

(Disclaimer that the rules and calculations are taken from @lesmisshippingshowdown who in turn were inspired by @hbowartournament)

For all steal works regardless of type, please ensure that you follow these submission guidelines:

Make a new post here on Tumblr including either your fanwork or a link to your work on the relevant platform (AO3, Spotify, etc.) and tag it #wlwdc steal

@ mention this blog (@wlwdcchampionship) in your caption.

Send me an ask or DM with a link to your post. If using asks, please be sure to break up the hyperlink to reduce the chance of Tumblr eating the post.

Now on to specific scoring guidelines for different fanwork categories (once again, thanks to the mods of the LMSS for figuring all this out!):

Writers:

Post a fic (or new chapter) of at least 100 words to AO3. The pairing of your choice must be the primary relationship tag (and remember this poll is for romantic relationships only)

Link your fic here, tag it #wlwdc steal, and send us a link to the post. If your piece is part of a larger, previously established fic, please include in your message the word count of the new chapter.

Earn 0.1% for every 100 words, rounded to the nearest hundred

Artists:

Post your fanart to tumblr, tag it #wlwdc steal, and send us a link.

Earn 0.1% for a sketch, 0.3% for linework, and 0.5% for a full colour piece*

*(full colour is an ambiguous term, but the intent is to look at the extra amount of work and time that goes into colouring a completed piece vs. just putting forward a sketch or b&w linework. a sketch that happens to use colour pencils or a linework with a colour filter overlaid will be judged in the lower category)

Photoset Editors:

Post your photoset to tumblr, tag it #wlwdc steal, and send us a link.

Earn 0.1% per edited photo.

Playlist Curators:

Post your fanmix - consisting of at least 8 tracks - to Spotify

Link your playlist here, tag it #wlwdc steal, and send us a link to the post.

Earn 0.1% per 8 songs on the playlist, rounded to the nearest 8

Earn 0.1% per 200 words of liner notes (not including song titles or extended lyric quotations)

If you create your own cover art, the points for the relevant visual medium (art or photo editing) apply

Songwriters/Composers

0.1% per 10 seconds for original music/arrangement with 1-2 instruments (e.g. a piano solo, a pop song where you accompany yourself on guitar, a work for violin & piano accompaniment)

0.3% per 10 seconds for original music/arrangement for chamber ensemble/small band of 3-8 parts (e.g. a string quartet, an SATB choral work, a song performed by you and the rest of the 4 piece rock band you’re in)

0.5% per 10 seconds of original music/arrangement for a large ensemble of 9+ parts (e.g. a work for orchestra or marching band)

0.1% per 100 words of lyrics (entirely original or parody)

0.1% per 200 words of liner notes/analysis

For cover songs, a flat 0.1% per 30 seconds, unless you have provided a significantly new arrangement or orchestration

Cosplayers

0.1% per still photo, or 0.1% per 30 seconds of video where you are acting/performing in character

Arts & Crafts (Fibre Arts, Physical Collages, etc.)

Please upload at least one photograph of your completed craft item, and at least one unaltered photograph clearly showing the measurements of your work using a real life reference such as a tape measure or a ruler.

Please also list all materials used in your work (just broad categories is fine - e.g. if you make a friendship bracelet you can just say "string and beads", we don't need to know about every colour and category of bead you used!)

Base rate of 0.1% for works under 10x10cm and 0.3% for works over 10x10cm.

Earn an additional 0.1% per material category (thread, beads, glitter, photo cutouts, etc) - this includes base materials like cardboard, canvas, etc. but does not include adhesives such as tape or glue unless you are using e.g. washi tape or glitter glue in a way that significantly impacts the overall aesthetic appearance of your work.

Please note that the size only applies to the surface area of what you actually did - so e.g. if you send a picture of a massive embroidery hoop but only a 5x5cm area is covered in embroidery we will only grant you the 0.1% base rate.

Compilations of the above (zines, comics, etc)

Judged by combining individual components - e.g. if you make a zine that includes 3 full colour art pieces (0.5 x 3), a 300 word ficlet (0.3), and a digital collage (0.5), you'll earn a total of 2.3 points.

Comics are judged by panel, though excessively similar panels (e.g. the same artwork with different speech bubbles) or very simplistic panels (e.g. a blank colour background that says THREE DAYS LATER) may be awarded a lower score than more complex panels.

If you're struck by creative urges not listed above, just drop me an ask and I can figure out what category it falls into and/or approximate percentage conversion rates if it's something totally new.

Please note that you cannot resubmit a fanwork you have already used as a steal work in a previous round, and steal points will not be carried over between rounds of the tournament!

edit: this goes without saying but absolutely no use of ai is allowed.

tldr; Make fanworks, tag this blog, steal points in the poll of your choice!

#housekeeping

73 notes · View notes

mywitchyblog · 9 months ago

Text

How Shiftok Destroyed Reality Shifting/ the Reality Shifting Community

Introduction :

Reality shifting, a practice based on the belief that individuals can consciously transfer their awareness to alternate realities or dimensions, has long been a niche concept within spiritual and metaphysical circles. However, with the rise of TikTok and the emergence of "Shiftok"—a blend of "shifting" and "TikTok"—this once-obscure practice has surged into mainstream awareness, particularly among younger audiences.

This essay delves into the profound impact of Shiftok on the reality-shifting community, tracing how an intimate, esoteric practice has evolved into a viral social media phenomenon. We will explore the origins of Shiftok, its rapid ascent in popularity, and the wide-ranging effects this digital revolution has had on both the perception and practice of reality shifting.

As we navigate the various facets of this cultural shift, we'll uncover the intricate relationship between social media dynamics, youth culture, and esoteric practices. From the initial surge of excitement and growth to the emergence of concerning trends and fragmentation within the community, the Shiftok phenomenon serves as a compelling case study in how digital platforms can reshape and redefine fringe beliefs and practices.

By examining the rise of Shiftok, its impact on the shifting community, and the responses it has elicited, this essay aims to provide a comprehensive overview of the unique intersection between ancient mystical concepts and modern social media culture. Through this exploration, we will gain insights into the broader implications of viral trends on spiritual practices and the challenges faced by communities as they adapt to sudden mainstream exposure.

Disclaimers : Read the Entire thing as usual. If you did not understand something feel free to tell me i shall gladly explain it to you.

I originally intented to make a simple rant-like post called "my hatred of shiftok" where i explain a story that happened to me that caused me to despise this platform and everything it stood for.

But then i realised that making an objective, educational, informative essay about how toxic, culty and overall nasty the platform became for the reputation of the practice and the community was much more appropriate than a poorly written post .

If any of you are interested in my storytime that made me so resentful of that platform, this post needs to get 200 notes and some comments asking me for it.

So enjoy this essay that i took much pleasure in writing :

Masterlist

II-The Rise of Shiftok

Shiftok, a portmanteau of "shifting" and "TikTok," emerged as a significant phenomenon within the broader landscape of social media, specifically on the TikTok platform. Its origins can be traced back to the early 2020s when reality-shifting content began gaining traction among young users on the app. What began as a niche interest rapidly snowballed into a viral trend, captivating the imaginations of millions of users worldwide.

The growth of Shiftok was meteoric, driven by several key factors that perfectly aligned with the TikTok ecosystem. Central to its success was the platform's short-form video format, which allowed creators to distill complex reality-shifting concepts into bite-sized, easily digestible content. This format proved ideal for sharing quick tips, visualization techniques, and purported success stories, making the practice appear more accessible to newcomers.

TikTok's powerful algorithm played a crucial role in propelling Shiftok to prominence. The app's content distribution system, designed to keep users engaged by serving them content tailored to their interests, quickly identified and promoted shifting-related videos to receptive audiences. This created a feedback loop where increased engagement led to greater visibility, drawing in curious newcomers and further fueling the trend's growth.

The demographic makeup of TikTok's user base also significantly contributed to Shiftok's rise. With a large proportion of young users, particularly teenagers and young adults, the platform provided fertile ground for reality-shifting content to flourish. This age group, often characterized by a desire for escapism, self-discovery, and novel experiences, found the concept of reality shifting particularly appealing.

As Shiftok gained momentum, it initially had a positive impact on the broader reality-shifting community. The increased visibility brought about by viral TikTok videos led to a surge of interest in the practice, drawing in thousands of new enthusiasts. This influx of newcomers energized the community, sparking discussions, fostering creativity, and expanding the collective knowledge base.

The platform also facilitated unprecedented levels of community engagement. Shifters from around the world could easily connect, share experiences, and offer support to one another through comments, duets, and collaborative videos. For those who felt isolated or misunderstood in their offline lives, this sense of community was particularly valuable, providing a space where they could freely discuss their shifting experiences and beliefs.

Moreover, Shiftok became a hub for sharing diverse experiences and methods related to reality shifting. Creators competed to produce the most engaging content, leading to an explosion of creativity in how shifting techniques were presented and explained. From guided meditations set to trending sounds to elaborate "POV" (point of view) scenarios depicting life in desired realities, the content on Shiftok was varied and dynamic.

However, the rapid growth and popularization of reality shifting through Shiftok soon revealed its double-edged nature. While it brought unprecedented attention and growth to the practice, it also set the stage for significant challenges that would reshape the reality-shifting community in profound and sometimes problematic ways. The very factors that contributed to Shiftok's meteoric rise—its accessibility, algorithmic amplification, and appeal to young users—would also play a role in the issues that emerged as the trend continued to evolve.

III-Negative Effects on the Reality Shifting Community

The meteoric rise of Shiftok, which initially invigorated the reality-shifting community, soon gave way to a host of negative consequences that profoundly impacted the practice and its practitioners. As the trend gained momentum, the integrity of the shifting community began to erode under the pressures of misinformation, oversimplification, and rampant commercialization.

One of the most significant issues was the rapid spread of misinformation. The viral nature of TikTok, coupled with the absence of robust fact-checking mechanisms, created an environment where unverified claims and exaggerated experiences could proliferate unchecked. Users, eager for views and followers, often shared sensationalized accounts of their shifting experiences, blurring the line between genuine practices and fantasy. Pseudoscientific explanations for shifting, often based on misinterpretations of quantum physics or neuroscience, gained traction, lending a false air of legitimacy to questionable concepts.

This problem was further exacerbated by the emergence of viral trends within the Shiftok community. "Shifting challenges" and purported "fool-proof methods" spread rapidly, often prioritizing entertainment value over accuracy or safety. While these trends were engaging for viewers, they frequently misrepresented the nature of reality shifting, leading to confusion and unrealistic expectations among newcomers to the practice.

Another detrimental effect of Shiftok's influence was the oversimplification of shifting techniques. The platform's short-form video format necessitated the distillation of complex practices into brief, easily digestible content. This led to a proliferation of "quick and easy" methods that promised results with minimal effort or understanding. While these simplified techniques made shifting seem more accessible, they neglected the nuances and deeper aspects of the practice.

This oversimplification had far-reaching consequences. Many newcomers, drawn by the promise of instant results, became frustrated when their experiences did not match the effortless successes portrayed in viral videos. The more traditional, in-depth practices that required patience, dedication, and self-reflection were often overlooked in favor of these quick-fix solutions. This shift in focus threatened to undermine the spiritual and personal growth aspects that many long-time practitioners viewed as integral to the shifting experience.

Perhaps the most troubling development was the increasing commercialization and exploitation of the reality-shifting community. As Shiftok content gained popularity, a new breed of "shifting influencers" emerged, eager to capitalize on the trend. This led to the monetization of shifting content through sponsorships, merchandise, and paid services. While some creators genuinely aimed to help and educate, others saw an opportunity for profit, selling dubious products like "shifting crystals" or "dimensional jump sprays" with little regard for their efficacy or the potential impact on vulnerable users.

The rise of influencer culture within the shifting community also fostered an environment where popularity and engagement metrics often took precedence over the quality or accuracy of information shared. This created a perverse incentive structure where creators were rewarded for producing sensational or controversial content rather than focusing on responsible, well-researched information.

These negative effects collectively undermined the foundations of the reality-shifting community. What had once been a practice rooted in personal exploration and spiritual growth was at risk of being reduced to a commercialized trend, divorced from its original intent and values. The influx of misinformation, coupled with the oversimplification of techniques and the exploitation of practitioners, threatened to dilute the authenticity of the practice and alienate serious practitioners.

As these issues came to the forefront, they set the stage for broader impacts on both the external perception of reality shifting and the internal dynamics of the community itself. The once-unified community began to fragment, grappling with questions of authenticity, methodology, and the very nature of reality shifting in the age of viral social media trends.

IV. The Dark Side of Shiftok: Toxicity, Pressure, and Dogma in the Reality Shifting Community

The meteoric rise of reality shifting on TikTok, while bringing unprecedented attention to the practice, also uncovered a darker, more insidious aspect within the community. This phenomenon, commonly referred to as "Shiftok," became a breeding ground for toxicity, misinformation, and oppressive dogma, threatening the very essence of what many considered a deeply personal and transformative practice.

One of the most troubling developments within Shiftok was the emergence of arbitrary and often harmful age-related pressures. A particularly pernicious belief circulated that individuals who hadn't successfully shifted by a certain age, typically 18, were somehow suspect or, in extreme cases, labeled as "pedophiles" for aging themselves down for realities they made when they were minors and have romantic/sexual relationships there. This baseless and damaging accusation stemmed from the misguided notion that older shifters were attempting to reach realities where they were younger, automatically assuming predatory intentions or attraction to minors.

(This misguided notion has been debunked in this post).

This ageist dogma not only created unnecessary anxiety among practitioners but also demonstrated a fundamental misunderstanding of the diverse motivations for reality shifting. Many adult shifters, drawn to the practice for spiritual growth, self-exploration, healing, or simply out of curiosity, found themselves unfairly stigmatized and excluded from community spaces. The irony of this situation was not lost on more discerning observers, who noted that the very teenagers propagating these ideas often shifted to realities where they themselves were adults or teens, without the same scrutiny applied to older shifters—highlighting a hypocritical double standard.

The Shiftok environment grew increasingly hostile to divergent opinions or experiences that didn't align with the prevailing narrative. Users who questioned popular methods, expressed skepticism about certain claims, or shared experiences differing from the norm often faced severe backlash. This cultish adherence to a singular vision of reality shifting stifled healthy debate and critical thinking, essential components for the growth and legitimacy of any practice.

Contradictory information flourished in this echo chamber, with different factions of Shiftokers promoting conflicting "rules" about shifting. Some insisted that physical symptoms like headaches or nausea were necessary signs of an impending shift, while others claimed the process should be entirely painless. This cacophony of conflicting advice left many newcomers confused and frustrated, often leading to disillusionment with the practice altogether.

Particularly concerning was the lack of spiritual hygiene and safety measures in many Shiftok-promoted methods. In the rush to create viral content, many creators neglected to address the potential psychological and emotional risks associated with reality shifting, especially for vulnerable individuals. Basic practices like grounding, protection visualization, or setting clear intentions—staples in many traditional spiritual practices—were often overlooked in favor of quick, sensationalized techniques promising instant results.

The "TikTokification" of reality shifting led to a troubling simplification and commercialization of the practice. Complex philosophical and spiritual concepts were reduced to snappy soundbites and trendy hashtags. The depth and nuance of reality shifting, with its potential for profound personal growth and self-discovery, were often lost in a sea of shallow, entertainment-focused content.

This commercialization reached disturbing heights as some Shiftok influencers began selling "shifting aids"—everything from specially designed pillowcases to "quantum-aligned" water bottles. These products, often backed by pseudoscientific claims and endorsements from popular creators, preyed on the desperation of those struggling to achieve their first shift.

The pressure to shift successfully and quickly became overwhelming for many in the community. Stories of users spending hours each day attempting to shift, neglecting school, work, or real-world relationships, began to surface. This intensity was fueled by a culture of comparison fostered by Shiftok, where users constantly measured their experiences against the often exaggerated or fabricated successes of others.

The pervasive toxic positivity in many Shiftok spaces further compounded these issues. Users who expressed doubts, struggles, or negative experiences were often dismissed or told they simply weren't "believing" hard enough. This invalidation of genuine concerns and difficulties created an environment where many felt unable to seek help or share their true experiences.

Perhaps most troublingly, the Shiftok phenomenon began to blur the lines between reality and fantasy for some users, particularly younger ones. The constant immersion in shifting content, combined with the pressure to experience increasingly fantastical scenarios, raised concerns among mental health professionals about dissociation and reality distortion.

The lack of age-appropriate content moderation on TikTok exacerbated many of these issues. Young users were often exposed to mature or potentially traumatizing shifting scenarios without adequate context or support. The platform's algorithm, designed to maximize engagement, frequently pushed users deeper into shifting-related content rabbit holes, creating echo chambers that reinforced problematic beliefs and practices.

As the Shiftok phenomenon continued to evolve, it became evident that the toxicity, misinformation, and dogmatic thinking it fostered were antithetical to the core principles of personal growth and exploration that many associated with reality shifting. The challenge for the broader shifting community became not only to counter these negative aspects but also to reclaim and redefine the practice in a more balanced, responsible, and authentically transformative way.

V-Impact on Perception of Reality Shifting

The rise of Shiftok and its subsequent influence on the reality shifting community had far-reaching consequences that extended beyond the boundaries of TikTok and into broader public perception. As reality shifting catapulted from a niche practice to a viral trend, it faced increased scrutiny and skepticism from outsiders, fundamentally altering how the concept was perceived and discussed in mainstream discourse.

One of the most significant impacts was the surge in skepticism from those outside the shifting community. As Shiftok videos proliferated across social media platforms, reality shifting became increasingly associated with internet fads and youth subcultures. This association, while bringing attention to the practice, also invited dismissal and ridicule from skeptics who viewed it as yet another fleeting online trend rather than a serious spiritual or metaphysical practice.

The viral nature of Shiftok content, often emphasizing fantastical elements and pop culture references, contributed to widespread misconceptions about the nature and purpose of reality shifting. Many outsiders began to view shifting solely through the lens of these viral videos, equating it with lucid dreaming, role playing, or pure fantasy. This oversimplification obscured the deeper philosophical and experiential aspects of shifting that many practitioners held dear.

Media attention, drawn by the explosive growth of the trend, often approached reality shifting with a mixture of curiosity and skepticism. News articles and reports, while bringing mainstream visibility to the practice, frequently focused on the more sensational aspects of Shiftok content. This selective coverage further skewed public perception, often painting reality shifting as a potentially harmful delusion rather than a nuanced spiritual or psychological practice.

The influx of young practitioners drawn in by Shiftok also influenced how reality shifting was perceived. The predominance of teenagers and young adults (often female) in the community led many to dismiss the practice as a form of escapism or a coping mechanism for youth struggling with the challenges of adolescence and early adulthood. While there was some truth to the appeal of shifting as a form of escape, this generalization overlooked the diverse motivations and experiences of practitioners across different age groups.

Perhaps one of the most damaging impacts on perception was the trivialization of reality shifting. What had once been considered a profound, rich, complex and transformative practice by many long-time shifters was increasingly reduced to entertainment or a casual hobby for psychotic and mentally ill schoolgirls in the public eye. The depth of experience and personal growth that many attributed to their shifting journeys was often lost in the sea of light-hearted Shiftok content.

This trivialization had a particularly strong effect on how the spiritual and personal development aspects of shifting were perceived. The focus on quick results and fantastical destinations in viral content overshadowed the more introspective and growth-oriented approaches to shifting. As a result, the potential for reality shifting as a tool for self-discovery, healing, and expanding consciousness was often overlooked or dismissed by those forming opinions based solely on its social media representation.

The surge in popularity also attracted the attention of mental health professionals and researchers, some of whom expressed concerns about the potential psychological impacts of reality shifting, especially on younger practitioners. While some approached the topic with genuine curiosity and open-mindedness, others were quick to pathologize the practice, further contributing to negative perceptions.

For serious practitioners and researchers in the field, this shift in public perception presented significant challenges. Many found themselves fighting an uphill battle to legitimize their experiences and studies in the face of widespread skepticism and misconceptions fueled by Shiftok's portrayal of reality shifting.

The cumulative effect of these changes in perception created a complex and often contradictory public image of reality shifting. On one hand, it had never been more visible or widely discussed. On the other hand, this visibility came at the cost of depth and nuance, with the practice often misunderstood, trivialized, or dismissed outright by those outside the community.

This transformation in how reality shifting was perceived set the stage for further fragmentation within the community itself, as practitioners grappled with questions of authenticity, methodology, and the future direction of their practice in a post-Shiftok landscape.(By post-Shiftok i mean the period after aug-2020 to aug 2021 since it was during that year that people talked about shiftok and subsequently shifting the most in the media)

VI-Fragmentation of the community

Fragmentation of the Community

The rise of Shiftok and its profound impact on the reality shifting landscape inevitably led to significant fragmentation within the community itself. What was once a relatively cohesive group of practitioners united by shared beliefs and experiences began to splinter into various factions, each with its own perspectives on the nature and practice of reality shifting.

At the heart of this fragmentation lay heated disputes over authenticity. As the community expanded rapidly due to the influx of new practitioners drawn in by viral Shiftok content, tensions arose between long-time shifters and newcomers. Experienced practitioners often viewed the Shiftok-inspired methods and claims with skepticism, questioning the authenticity of experiences shared in short, highly edited videos. They argued that true shifting required dedication, practice, and a deep understanding of the underlying principles - elements they felt were often lacking in the quick and easy methods popularized on the platform.

This divide gave rise to intense debates about what constituted "real" shifting versus what some dismissively termed as "fake" shifting. Veterans of the practice often criticized Shiftok shifters for conflating lucid dreaming, visualization, or simple daydreaming with genuine reality shifting experiences. These disputes frequently turned acrimonious, with accusations of gatekeeping from one side and of diluting the practice from the other.

The community also witnessed the emergence of a generational gap. Older practitioners, who had been exploring reality shifting long before it became a social media trend, often found themselves at odds with the younger generation of shifters who had discovered the practice through Shiftok. This age divide was not merely about experience but also about fundamental approaches to shifting. While older shifters tended to emphasize the spiritual and personal growth aspects of the practice, many younger practitioners were drawn to shifting for its entertainment value or as a means of escaping real-world problems.

Another significant factor contributing to the fragmentation was the varying goals and motivations for shifting among practitioners. The Shiftok trend had popularized the idea of shifting to fictional universes or idealized realities, often based on popular media franchises. This contrasted sharply with more traditional approaches that focused on spiritual exploration, self-discovery, or connecting with alternate versions of oneself. The community found itself divided between those who viewed shifting as a fun, imaginative exercise (usually those people either don't believe in permashifting/respawning or say it is bad/ dangerous /problematic) and those who treated it as a serious metaphysical practice.

This divergence in goals led to the formation of distinct sub-communities within the broader shifting world. Communities flourished on other social media platforms, characterized by their focus on pop culture destinations, quick methods, and shared scripting techniques. In contrast, more traditional shifting communities sought refuge in forums, Discord servers, and other platforms that allowed for more in-depth discussions and longer-form content.

The fragmentation was further exacerbated by disagreements over methodology. Shiftok's algorithm-driven content distribution meant that certain methods and techniques gained viral popularity, often at the expense of more established practices. This led to heated debates about the efficacy and safety of various shifting methods, with some practitioners warning against the potential dangers of techniques that promised quick results without proper grounding or protection.

As the community continued to fracture, it became increasingly difficult for newcomers to navigate the conflicting information and polarized viewpoints. Many found themselves caught between the allure of the easy, accessible methods promoted on Shiftok and the more rigorous, traditional approaches advocated by experienced shifters. This confusion often led to frustration and disillusionment, with some abandoning the practice altogether.

The fragmentation also had implications for the collective knowledge and support systems within the shifting community. As practitioners increasingly segregated themselves into like-minded groups, the free exchange of ideas and experiences that had once characterized the community began to break down. This siloing effect threatened to stunt the growth and evolution of reality shifting as a practice, with valuable insights and techniques potentially being lost in the noise of inter-community conflicts.

As the reality-shifting community continued to grapple with these internal divisions, it became clear that the impact of Shiftok had irrevocably altered the landscape of the practice. A practice that was characterized by its beauty, complexity and richness whose practitioners could talk about philosophy culture and spirituality four hours, has been watered down, dumbed down into a bunch of mentally ill schoolgirls shifting to get railed by wizard nazis and hysterical teenagers who would cuss someone's entire bloodline for doubting or questioning the practise. Which is something totally valid and proves that those individuals do not know anything about the practice at all.

Honestly i cannot blame when antishifters claim that reality shifting is a cult since it is all they see and are being shown. People dismissing their pain under a toxic positive statement of “you haven't tried harder”or “just believe more” coupled with contradictory and hypocritical statements, makes it impossible to break free from those stereotypes.

VII-Psychological and Ethical Concerns

The meteoric rise of Shiftok and its profound impact on the reality shifting community gave rise to a host of psychological and ethical concerns that extended far beyond the realm of social media trends. As the practice gained widespread popularity, particularly among younger audiences, mental health professionals, ethicists, and even some within the shifting community itself began to voice apprehensions about the potential risks and implications of this phenomenon.

One of the primary psychological concerns centered around the addictive nature of both shifting experiences and Shiftok content itself. Many practitioners, especially younger ones, reported spending hours consuming shifting-related videos, often at the expense of real-world responsibilities and relationships. This obsessive engagement with Shiftok content, coupled with the allure of escaping to idealized realities, raised fears about the development of maladaptive coping mechanisms and potential neglect of personal growth in the physical world.

The immersive nature of reality shifting experiences also sparked debates about the risk of dissociation and reality distortion. Some mental health experts expressed concern that frequent shifting, especially for extended periods, might blur the lines between perceived realities, potentially leading to difficulties in distinguishing between shifted experiences and waking life. This was particularly worrisome for individuals with pre-existing mental health conditions or a predisposition to dissociative disorders.

The use of reality shifting as a form of escapism became another point of contention. While many practitioners viewed shifting as a harmless and even beneficial way to explore alternate realities or cope with stress, critics argued that it could become a means of avoiding real-life issues rather than addressing them. The concern was that vulnerable individuals, particularly adolescents facing challenging life circumstances, might retreat into desired realities rather than developing crucial life skills and resilience.

Ethical considerations also came to the forefront, particularly regarding the age-appropriateness of shifting content and the safeguarding of young users. The prevalence of young teenagers in the Shiftok community raised questions about the potential impact of reality shifting on developing minds. Some worry that exposure to intense or mature themes in desired realities could be psychologically damaging for younger practitioners who might not have the emotional maturity to process such experiences.

The responsibility of content creators became a significant ethical issue. As Shiftok influencers gained massive followings, often consisting largely of impressionable youth, questions arose about their duty of care. Many creators, in their pursuit of views and engagement, shared unverified methods or exaggerated claims about shifting successes. This raised concerns about the potential for manipulation or the inadvertent promotion of harmful practices, especially given the lack of scientific consensus on the nature and effects of reality shifting.

Another ethical dilemma emerged around the potential for reality shifting communities to develop cult-like characteristics. The intense belief systems surrounding shifting, combined with the charismatic influence of popular Shiftok creators, created an environment where some practitioners became deeply emotionally invested in the practice. This led to fears about the vulnerability of members to exploitation or the development of unhealthy group dynamics.

The commercialization of reality shifting through Shiftok also raised ethical red flags. As creators began selling products, services, or exclusive content related to shifting, questions arose about the morality of profiting from a practice that many viewed as a deeply personal or spiritual endeavor. There were concerns about the exploitation of believers, particularly when unproven products or techniques were marketed as enhancing shifting abilities.

Within the shifting community itself, practitioners grappled with the ethics of their practice. Debates arose about the morality of shifting to realities where one might engage in behaviors considered unethical in the physical world. This led to philosophical discussions about the nature of reality, free will, and personal responsibility across multiple perceived realities.

The long-term psychological effects of reality shifting remained a topic of intense speculation and concern. With little scientific research on the subject, many wondered about the potential impacts on personality development, identity formation, and overall mental well-being, especially for those who began shifting at a young age.(around puberty so 13-15 where people can be very malleable )

As these psychological and ethical concerns came to light, calls for more research and responsible practices within the shifting community grew louder. Some advocates pushed for the development of ethical guidelines for Shiftok creators, while others emphasized the need for mental health resources tailored to the unique challenges faced by reality shifters.

The reality shifting community found itself at a crossroads, forced to confront these complex psychological and ethical issues. As the practice continued to evolve in the wake of the Shiftok phenomenon, addressing these concerns became crucial not only for the well-being of individual practitioners but also for the long-term sustainability and credibility of reality shifting as a whole.

One of the most important ways to counter, prevent, or mitigate the dangers of reality shifting is through the practice of Spiritual Hygiene. Unfortunately, this concept seems to be something that many Shiftokers fail to grasp, highlighting their lack of concrete knowledge about the practice. It's particularly frustrating that these individuals are often the most visible within the community, while true experts with deeper understanding are overshadowed.

Reality shifting, whether people accept it or not, is inherently a spiritual practice. By its very nature, shifting cannot be scientifically proven—yet, it also cannot be disproven. This makes it a unique and highly subjective experience, with each shifter’s journey being distinct. If shifting were to be scientifically validated, it would become an objective practice, leading to uniform experiences across the board.

Given its spiritual nature, maintaining spiritual hygiene is essential. One cannot embark on this journey and neglect such a fundamental concept. The saying, "healthy body, healthy mind; healthy mind, healthy body," perfectly encapsulates why spiritual hygiene is a necessity in shifting. When people neglect it, they often experience mental and physical harm, which they mistakenly attribute to the practice of shifting itself.

(I suggest that you read my post on the subject)

VIII-The Response from the Traditional Shifting Community

As the Shiftok phenomenon continued to reshape the landscape of reality shifting, the traditional shifting community found itself compelled to respond to the myriad challenges and changes brought about by this new wave of practitioners and content. This response was multifaceted, reflecting the complex emotions and perspectives within the established shifting community.

Initially, many long-time shifters reacted with a mixture of excitement and apprehension to the sudden surge in interest in their practice. While they welcomed the increased visibility and potential for growth, they quickly became concerned about the quality and accuracy of information being disseminated through Shiftok. This concern catalyzed a concentrated effort to combat misinformation within the community.

Veteran shifters took to various platforms to share their knowledge and experiences, often directly addressing and debunking popular misconceptions propagated on Shiftok. They created detailed guides, wrote blog posts, and produced long-form video content aimed at providing a more nuanced and accurate representation of reality shifting. These efforts were not merely reactive; they represented a proactive attempt to preserve the integrity of the practice in the face of its rapid popularization.

In response to the oversimplification of shifting techniques on Shiftok, many traditional practitioners began emphasizing the importance of in-depth, holistic approaches to shifting. They developed and shared more rigorous practices and guidelines, often drawing on years of personal experience and collective wisdom (spiritual hygiene). These methods typically focused on mental preparation, spiritual alignment, and ethical considerations – aspects often overlooked in viral Shiftok content.

The traditional community also recognized the need for safer, more controlled spaces for discussion and practice. This led to the creation and expansion of alternative platforms and communities dedicated to serious shifting discourse. Forums, Discord servers, and specialized websites emerged as havens for in-depth conversations, troubleshooting, and mutual support among experienced shifters and sincere newcomers alike. These spaces often implemented stricter moderation policies to maintain the quality of discussions and protect vulnerable members from potentially harmful information.

Many established shifters took on mentorship roles, offering guidance to newcomers who sought a deeper understanding beyond what Shiftok could provide. These mentors focused on teaching not just the techniques of shifting, but also its philosophical underpinnings and potential for personal growth. They emphasized patience, persistence, and self-reflection as key components of a successful shifting practice – a stark contrast to the "quick and easy" methods often touted on social media.

The traditional community also began to engage more actively in research and documentation efforts. Recognizing the lack of scientific study on reality shifting, some practitioners started collaborating with open-minded researchers or conducting their own systematic studies of shifting experiences. While these efforts were often informal, they represented an attempt to bring more rigor and credibility to the field.

In response to the commercialization of shifting on Shiftok, many traditional practitioners reaffirmed their commitment to keeping shifting accessible and non-commercialized. They freely shared resources, techniques, and support, often explicitly critiquing the trend of monetizing shifting knowledge or selling shifting-related products.

However, the response from the traditional community was not uniformly positive or constructive. Some long-time shifters reacted with frustration or elitism, dismissing Shiftok shifters entirely and retreating further into closed communities. This gatekeeping behavior, while intended to preserve the integrity of the practice, sometimes had the unintended effect of alienating genuine seekers and furthering the divide within the broader shifting community.

As the initial shock of the Shiftok phenomenon began to wane, many in the traditional community started to see it as an opportunity for growth and evolution. They recognized that while Shiftok had brought challenges, it had also introduced shifting to a vast new audience, some of whom would inevitably seek deeper understanding. This realization led to efforts to bridge the gap between traditional practices and the new wave of shifters, seeking common ground and shared experiences.

The response of the traditional shifting community to the Shiftok phenomenon was ultimately one of adaptation and resilience. While striving to maintain the core principles and depth of their practice, many long-time shifters also recognized the need to evolve and engage with a changing landscape. Their efforts to educate, guide, and create safe spaces for authentic shifting practices played a crucial role in shaping the future direction of the reality shifting community as a whole.

IX. Conclusion: The Aftermath of Shiftok's Impact on Reality Shifting

The rise of Shiftok, while initially bringing unprecedented attention and growth to the reality shifting community, ultimately led to its fragmentation and, in many ways, undermined the core principles and practices of reality shifting.

Shiftok's impact on the reality shifting community can be considered destructive in several key aspects:

Misinformation: The rapid spread of unverified claims and oversimplified techniques diluted the authenticity of the practice.

Trivialization: The depth and spiritual aspects of shifting were often reduced to entertainment, diminishing its perceived value.

Community Division: The influx of new practitioners led to conflicts between traditional shifters and Shiftok-inspired newcomers, fracturing the once-cohesive community.

Ethical Concerns: The lack of safeguards and the potential exploitation of vulnerable users raised serious ethical questions.

Loss of Authenticity: The commercialization and "TikTokification" of shifting distorted its original intent and practices.

While it would be an overstatement to say that Shiftok entirely destroyed reality shifting, it undeniably transformed the landscape of the practice, often in detrimental ways. The community now faces the challenge of reclaiming and redefining reality shifting in a post-Shiftok era, balancing accessibility with depth, and navigating the complex intersection of ancient practices and modern digital culture.

The Shiftok phenomenon serves as a cautionary tale about the double-edged nature of viral trends and their impact on esoteric practices, highlighting the need for mindful integration of traditional wisdom with contemporary platforms.

#reality shifting #shiftblr #desired reality #shifting #shifting community #shifting realities #shifters #reality shift #reality shifter #shifting antis dni

326 notes · View notes