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immaturityofthomasastruc · 9 months

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IOTA Reviews: Conformation and Re-Creation (The Final Day)

Well, here we are. The final two episodes of Season 5. It's been a long and complicated journey, so let me get you up to speed on what exactly happened this season, episode by episode.

Evolution: Ladybug and Cat Noir chase Monarch through time, and it's not nearly as cool as it sounds.

Multiplication: Adrien likes Marinette now because the plot says so.

Destruction: Cat Noir accidentally Cataclysms Monarch, and it somehow leads to the most guilt he feels using his Cataclysm on anyone.

Jubilation: Ever want to have the image of Ladybug and Cat Noir being teen parents burned into your brain? No? Too bad!

Illusion: Nino establishes himself as a leader so terrible, Zapp Brannigan would call him an idiot.

Determination: Marinette likes Cat Noir now because the plot says so.

Passion: Nathalie shows she'd rather silently judge Gabriel for his actions over actually doing anything to stop him.

Reunion: Marinette talks with the spirit of Joan of Arc, and it's not nearly as cool as it sounds.

Elation: Someone tries to murder Marinette over ice cream for the third time in four seasons.

Transmission: Yeah, I totally believe you're replacing Marinette and Adrien with two new main characters in the middle of your fifth season.

Deflagration: Because of Tikki and Plagg's terrible decisions, Monarch comes the closest he's ever come to winning.

Perfection: Kagami becomes a giant cloud Akuma, symbolizing her also becoming a total airhead for the rest of the season.

Migration: The writers realize they have no idea what to do with Luka, so they kick him out of the show entirely.

Derision: “How many things do you want to retcon to make this story work?” “Yes.”

Intuition: Gabriel continues to prove how pathetic of a villain he is, even when he has unlimited chances.

Protection: Even after being tricked three times by her, Kagami still thinks Lila is a trustworthy person.

Adoration: “We have Lumity at home”.

Emotion: The episode where Felix essentially commits genocide is somehow also the one where the writers want the audience to start viewing him in a sympathetic light.

Pretension: Felix likes Kagami because the plot says so, and vice versa.

Revelation: Lila only gets as far as she does thanks to Marinette becoming as dumb as the rest of the class.

Confrontation: Our heroes expose the villain's evil plans by spying on them through a bathroom peephole.

Collusion: Remember kids, violent revolutions against politicians are never the answer.

Revolution: Remember kids, violent revolutions against politicians are always the answer.

Representation: To the surprise of literally no one, Felix is revealed to be a Sentimonster, yet the writers still won't tell us that Adrien and Kagami are the same.

Now that you're all caught up, let's get into the twenty-fifth and twenty-sixth episode of Miraculous Ladybug's fifth season: Conformation and Re-Creation

After a brief news report showing everyone enjoying the first day of Summer vacation, Gabriel and Tomoe finally decide to launch “Perfect Alliance”. What does this plan entail? For starters, Gabriel transforms into Monarch, detransforms to akumatize himself into Nightormentor again, gives himself the powers of the Mouse, Rooster and Horse Miraculous in order to clone himself and fly around the globe to spread his nightmare dust. Because just akumatizing Sandboy again and giving him the Mouse Miraculous' Multitude was just too complex of a plan.

Marinette is the first to be affected by the dust, we get a dream where she dresses up as a knight to save Adrien from a cheap recolor of Fang in his dragon form.

This is a weird episode of Super Why.

Marinette defeats the dragon, who reverts back to Gabriel, who is accidentally killed by the fight, causing Adrien to cry since Adrien was watching the whole thing. Marinette wakes up, thankful that it was all just a bad dream sequence. She decides she needs to find out just where Gabriel sent Adrien to make sure he's safe, something that won't make sense as I'll explain later on. As she tries to leave, she keeps experiencing sudden headaches, as do her parents and Alya.

Meanwhile, Adrien is still left reeling from the effects of the nightmare dust from last episode, to the point where he has a panic attack, demanding to be let out. Gabriel, seemingly aware of this, decides to give Adrien the “antidote”, an Alliance ring with an app called “Perfect Alliance”. So once again, despite claiming to do this for his son, Gabriel willingly chose to make his life worse as part of his evil plans. Remember this, it'll be important later on.

Plagg suggests Adrien transform into Cat Noir, but Adrien reminds him that there are cameras everywhere, so he can't risk it. Plagg disables the cameras, but Adrien still says no. Whether he was aware that the robot who was sent to give him the Alliance ring with the new app had a hidden camera is irrevelant, because Adrien gives a different reason why he can't transform.

Adrien: I'm not in my right mind. I'm too angry; at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm. Marinette, Ladybug...

Plagg: Surely Ladybug can help you.

Adrien: If I ask her for help, I'd have to give her information that would jeopardize my secret identity... and I can't.

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Okay, let me make one thing clear. The reason that Adrien can't risk exposing his identity thanks to all the cameras is a good one, and the fact that he doesn't want to risk exposing his identity to Ladybug in particular is a good sign of character development, but the problem I have is the fact that the writers decided to bench Adrien in the first place.

Yes, you heard that right. In arguably the most boneheaded decision in the show's history since... well, a lot of things this season, Adrien, despite being the son of the main villain, isn't going to get involved in the final battle at all.

There are multiple reasons why Adrien staying put in this room is a terrible idea, and most of them involve the fact that almost none of the in-universe explanations for this hold up.

Adrien is being heavily monitored by cameras? We just saw Plagg was able to disable them with ease.

Adrien can't ask Ladybug for help without jeopardizing his secret identity? The fact that he's at risk of being akumatized as is, with or without the Cat Miraculous, will still blow his cover due to Monarch's mind reading abilities (which we saw when Monarch almost learned Luka's secret in “Migration”), so he really has nothing to lose here.

Adrien isn't in the right state of mind thanks to the nightmare dust? Literally every other character who takes part in the final battle is able to either find a way to fight off the nightmares or keeps going while still under the influence of the nightmare dust.

Adrien's ultimate plan to take off his Miraculous and let Plagg choose a new temporary holder? We saw this exact same scenario play out earlier this season in “The Kwamis' Choice”, and things went horribly, horribly wrong.

Do you see why this makes no sense? Even though the show loves to boast about how valuable of an asset Cat Noir is, the writers are bending over backwards to justify keeping Adrien as far away from the final battle as possible, because they know damn well that they'd have to address how terrible his father really is with the reveal.

And the best part? This is basically the last we'll see of Adrien in this episode. Do you want to know how many lines he gets in the next episode, AKA, the final episode of the season? Three. AND THEY'RE ALL AFTER THE FINAL BATTLE.

But we're not done talking about this stupid idea yet, because unlike the other episodes, I have something else to rant about: The writers' commentary. In November of 2023, around four months after the finale premiered, the writers of this show recorded their own audio commentary, and while I don't have the exact translation (if anyone reading this has a translation of this, I would really appreciate the effort), I have seen one post summarizing the things they said, and all I can say is DEAR. LORD. This is not just shooting yourself in the foot. This is shooting yourself in the foot multiple times with Judas Bullets.

Like, it's amazing. We've always speculated just what goes through the writers' heads that makes them come up with some of the strangest ideas to take the story, and now, we have a first-hand account of why these episodes turned out the way they did. For this one moment, they gave about three explanations as to why Adrien was benched for the finale.

Let's start with the first one, Cat Blanc. I know what you're thinking, wasn't Cat Blanc an Akuma from an alternate timeline that our Adrien shouldn't know about? Not according to Melenie Duval. While Adrien's fear of being akumatized is reasonable, Duval claims that he could become Cat Blanc... which makes no sense as A) Adrien's nightmare was of an entirely different Akuma, and B) The aforementioned nightmare dust never informed Adrien of the alternate timeline where Cat Blanc destroyed the world, it just provided him with a nightmare about a similar scenario.

And in case you weren't questioning this woman's judgment, Duval has done on the record to state that her favorite episode of the entire show is “Derision”.

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Our next reasoning is especially stupid, as the rest of the writing team reveal that they had planned to keep Adrien out of the final battle as far back as 2014, nine years before the finished product premiered. Why would they do that? Because they wanted Ladybug to unify with the Cat Miraculous, of course! Sure, you could have just saved this unification for a special or something like that so you don't bench one of your main characters, or you could have at least had Adrien willingly give his Miraculous to Ladybug to unify with in person, but nope. This is seriously one of their defenses— I mean, explanations, for why Adrien isn't allowed to be in the final battle, because they thought it would be more important to give Marinette her 10th new form in three seasons than letting Adrien get some form of closure with his father.

And here's the final reason they gave in the commentary. Remember that dream sequence of Marinette dressed as a knight that was also sort of foreshadowed in “Gabriel Agreste”? Turns out, the writers wanted to, and stop me if you've heard this before, play with the tropes and symbolism of fairy tales. Wow, I've never seen any kind of pop culture do that before... except for Into the Woods, The Princess Bride, Hook, Shrek, Princess Tutu, Ella Enchanted, Hoodwinked!, Enchanted, Tangled, Once Upon a Time, Frozen, RWBY, Ever After High, Red Shoes and the Seven Dwarves, Guillermo del Toro's Pinocchio, and Nimona. But other than those, that's so original!

Even though the writers are acting like they're breaking new ground, do you want to know what they mean by this? They're just doing another damsel in distress situation but this time, Adrien, the boy, is the one who needs to be saved by Marinette, who is, GASP, a girl?! WOW! That totally changes everything!

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Okay, yes, the damsel in distress trope has usually been seen as a misogynistic one due to the fact that the people who needed to be saved are usually women, but like I mentioned way back in my “Gabriel Agreste” review, just swapping the genders isn't enough to breathe new life into a trope as old as this one. It's arguably worse because Adrien isn't just someone who needs to be saved. He's a superhero, and like I mentioned, there were plenty of options to get him out of his room in London.

And I'm guessing that some of you are thinking, “But IOTA! You just want Adrien to save the day by himself because he's a guy!” Just remember that I had this exact same problem last season where the roles were reversed. Remember how I hated the way Marinette's arc about dealing with the stress of being Guardian was hijacked by Adrien complaining about Ladybug not trusting him? This time, we have an arc about Adrien trying to break free from his father's influence that's been hijacked by Marinette needing to save Adrien by herself, robbing him of any agency he had to the plot entirely. This issue isn't about gender. It's never been about gender. I would have the exact same problem if Adrien was the one who confronted Monarch by himself while Marinette was trapped in her room.

This leads to the biggest problem I have with this plot development: It ultimately goes against the core theme of teamwork the show keeps trying to convey. Remember how last season, Marinette needed to learn to let other people trust her? Now, she's going to beat up Monarch all by herself without any help. Remember how last season, Adrien needed to prove he didn't deserve to be left in the dark about everything? Now, he's going to stay all the way in London while his partner gets in the fight of her life. It's detrimental to both of them as characters, and makes everything that happened to them in Season 4 completely pointless.

Okay, now that I've spent five pages ranting about this insane decision, let's get back on track, shall we? As the Perfect Alliance app helps Adrien and Kagami calm down, Marinette sneaks into the Agreste mansion as Ladybug. Meanwhile, Nathalie has her own nightmare about Gabriel winning, AKA, the very thing she could have stopped a long time ago by ratting her evil boss out to Ladybug and Cat Noir.

We then learn just what the Perfect Alliance app really does. Basically, thanks to the technobabble, it helps alleviate the stress from their nightmares. Or, to put it in Layman's terms, Gabriel and Tomoe plan to get the entire population of Earth addicted to cyber crack. We see this affect several of Marinette's classmates, but because Mylene has a sudden disdain for technology that “Was made without respect for the Earth's resources”, she's the only one who sees the problem here. I'd ask why this wasn't established earlier this season, but it doesn't matter, since Mylene gives in anyway,

Because it's a day that ends with a “Y”, Gabriel goes to talk to Emilie's body yet again, and it seems like even the writers realized how tired this got, as Nathalie finally decided to ambush him with a crossbow.

Miss Sancoeur, I served with Buffy the Vampire Slayer. I knew Buffy the Vampire Slayer. Buffy the Vamprie Slayer was a friend of mine. Miss Sancoeur, you're no Buffy the Vampire Slayer.

Yes, it only took five seasons worth of evil plans for Nathalie to realize just how demented her boss really is.

Nathalie: I can't let you do that... if you make the wish to bring her back, someone will have to go in her place. Emilie would never have agreed to this!

Gabriel: Do you think I'd be monstrous enough to sacrifice a human being?

Uh... yes? That is literally what equivalent exchange means. You really don't know how the wish works after researching it?

Shockingly, the frail woman armed with nothing but a crossbow isn't able to stop someone with superpowers. There isn't even a fight. Monarch just knocks the crossbow out of her hands and she faints. Maybe you should have actually come up with some sort of plan before confronting Gabriel by yourself, dumbass.

Back to Ladybug, she searches through Gabriel's stuff and finally learns he's Monarch... even though she should already know thanks to Felix and Kagami's play last episode. She even looks pretty shocked to see Monarch detransform.

Back to the commentary, the writers justify this with their absurd “Every episode can be watched on its own” rule. Because simply having Marinette say she already knows was out of the equation, I guess. Seriously, earlier in the episode, Tikki (who, along with Plagg, wasn't affected by the nightmare dust for some reason) had doubts that Marinette should break into the Agreste mansion, and it came across like neither of them knew the truth, and this was a reckless decision that wasn't motivated by Gabriel being Monarch at all. Once again, the writers fail to understand the idea of using “Previously On...” segments to help new viewers catch up on what's happening. It's even more confusing when you remember that Tikki knows Adrien is Cat Noir, so his father being Monarch coupled with his sudden absence should be setting off all kinds of red flags in her book.

Ladybug tries to text Cat Noir about who Monarch really is, but chooses not to send it after Gabriel pushes a few of her buttons. Rather than jumping Gabriel while she still has the element of surprise, she only chooses to grill Nathalie for questions once Gabriel is out of the room. And of course, only when she's on death's door does Nathalie tell Ladybug to stop Monarch, but not before telling her to transform back.

We see Gabriel and Tomoe put their plan into action. They create a fake scene of Ladybug and Cat Noir kidnapping Adrien and Kagami in order to rile up the public (who aren't in the best state of mind thanks to the nightmares) in order to for them to use the Alliance rings to transform them into the “Miraculized”. In other words, it's basically “Heroes' Day” all over again. Seriously, think about it. Just like “Heroes' Day”, it looks like Adrien is being harmed by Ladybug in an attempt to push the population to the brink of despair so Gabriel can create an army in the process. Yeah, the public doesn't know the two are the same, but the audience does. Granted, this is a minor nitpick compared to the rest of my problems with this episode, but I hope you can see what I'm getting at here.

Case in point, the reason Nathalie told Ladybug to detransform was because Gabriel has found a way to track her and Cat Noir through their “quantum signatures”. With Cat Noir, it was thanks to the dust from Gabriel's Cataclysm wound, and with Ladybug, it was thanks to the Magical Charm she gave Gabriel earlier in “Gabriel Agreste”... which he shouldn't have since it was destroyed in “Dearest Family”.

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Seriously, this is the season finale. How the hell are the writers still struggling to remember important events like this?

Now's as good a time as any to talk about the Miraculized's design. Yeah, they're pretty lame. They all look like they're wearing fencing gear, and don't look intimidating in the slightest. They also now have the ability to use every Miraculous power at once, which breaks the previously established rules about the Alliance rings in that only one ring can handle each Miraculous power. You could at least argue that the robots used in “Confrontation” had more advanced technology that made them capable of using multiple powers, but nothing has changed about the Alliance rings to justify this. And remember, this is something every Miraculized in the world can use, yet the system hasn't been completely fried, and as we'll later see Monarch can still freely use the other Kwamis' power even when they're being shared with the Miraculized across the world. In fact, how can the Miraculized even transform like this? Monarch doesn't akumatize anyone to spread this transformation. Gabriel just tells to say “Alliance, Miraculize Me!”, and now they can transform. Was this always a function of the Alliance rings? Is there a tiny Akuma hidden in each ring? How the hell does any this work?

Ladybug fights off some of the Miraculized who used Voyage to find her, and remembers Nathalie's advice to detransform. So just like in “Passion”, even though she's still wearing her Miraculous, the system specifically designed to track her down isn't able to find her unless she's still transformed. Marinette runs away to a safe place before running into Plagg, who tells her Cat Noir is out of commission. With no other options, Marinette decides to unify with the Ladybug and Cat Miraculous, turning into Bug Noire, revealing her identity to Monarch in the process, and ending the episode.

Bug Noire's design is admittedly pretty nice. I like the balance of red, black, and green, though the hair is a little too long for my taste. Granted, I still don't get why this is the reason why Adrien can't be here to fight Monarch alongside his partner. I'm just saying, was it really worth it, writers?

THE BIGGEST IDIOT OF THE EPISODE IS... NATHALIE

Yep, right before the finish line, Nathalie gets her second award this season. After spending several episodes doing nothing but letting herself rot away, Nathalie only chose to finally do something about Gabriel once he was literally about to enact his final plan, thought she could stop him with nothing but a crossbow, and only begged Ladybug for help when it looked like she was about to die and had nothing left to lose.

“Re-Creation”, the final episode of the season, starts off with Lila watching some broadcasts of people succumbing to their paranoia (and she does it while smirking because the writers still don't think we understand she's evil) and transforming into Miraculized while she puts on a new disguise that makes her look like an evil Edna Mode.

How come Lila isn't even affected by the nightmare dust like the rest of the human population? As always, never explained!

Back in the Agreste mansion, Bug Noire and Monarch are duking it out, and we get some pretty creative uses of Lucky Charm, like when she summons a piano to crash down on Monarch. Meanwhile, after Marinette's friends manage to get the Alliance ring off a Miraculized Ivan, we get to see how the rest of the world is dealing with the Miraculized. In Shanghai, the Renlings help Fei through her nightmares, Su-Han has recruited Jagged Stone, Luka, Penny and Fang to the Order of the Guardians instead of actually getting backup like he said he would in “Multiplication”, Present Bunnix finally decides to do something and uses Burrow to sent the Guardians to Paris, while the United Heroez fight off the Miraculized and learn the true nature of the Alliance rings. Just remember, it was too much for the writers to let Adrien get involved in the final battle, yet all these side characters get to do something in the finale for some reason.

Meanwhile, as if things couldn't get any worse, Nino decides the Resistance needs to get involved after reassuring Mr. Damocles that they never give up. Believe me, not much would change if you guys just threw in the towel, especially now that the United Heroez are here, and have Eagle, a member whose powers work as an instant cure for everyone's nightmares. Hey, while we're on the subject, does anyone know where the United Heroez were this entire season? I can excuse Fei as she's just one teenager in Shanghai, but the Americans have a small army of heroes, including the president, yet they just let two violent coups in France happen last week.

As Bug Noire and Monarch keep fighting, Bug Noire comes up with the brilliant idea to Cataclysm the Butterfly Miraculous, only being foiled by Monarch already having Resistance active. Okay, is a side effect of using the Cat Miraculous this season a taste for blood? Why the hell are the heroes so okay with trying to use Cataclysm on their enemies now? Bug Noire then decides to use her Cataclysm for something far more reasonable, breaking the ground beneath her and Monarch. Because I guess Bug Noire is really gunning for Biggest Idiot this episode.

Back with the Resistance, they meet up with the Guardians, United Heroez, and Ladydragon, who have actually been getting shit done. Wow, it's just like that scene from that one movie where all the characters we've come to know over the years rally together for the final battle! What was it called again? Oh yeah, Spy Kids 3-D: Game Over.

While the other heroes are overwhelmed by the Miraculized, we cut back to Bug Noire and Monarch yet again, now inside the area where Emilie's body is. The two keep fighting as Monarch tells Bug Noire why he's doing all this, all while Lila breaks into the mansion.

Monarch: I want my wife, Adrien's mother, to come back to us! Once our family is reunited, Kagami and Adrien will become the eternal icons of this world! And we will be here to witness their absolute triumph!

Bug Noire: “Your wife”? “Come back”? “Kagami and Adrien, eternal icons”? How many lives are you going to ruin in the name of your crazy dreams?!

Monarch: As many as it takes! In order to bring Emilie back, someone else will have to disappear! In order to heal the wound that Cat Noir inflicted on me, someone else will have to be wounded!

Bug Noire: Someone else? But who?

Monarch: Anyone! No one matters except us! How about you, Marinette? Wouldn't you give your life for your sweet Adrien's happiness?

Bug Noire: Do you really think that's what he'd want? To discover that his father has turned into a supervillain, willing to make innocent people pay the price of his madness?

Monarch: Adrien would do the same thing!

Bug Noire: Never! Unlike you, Adrien has made his peace with it. He's not living in the past! He has a whole life ahead of him!

Bug Noire: You'd know this if you ever took an interest in him. But in reality, Adrien means NOTHING to you anymore! You've locked him in your house! Locked him in your Alliance rings!

Bug Noire: Locked him into a life that allows you to hide behind him in order to justify YOUR madness!

Monarch: All I want is for him to be happy!

Remember all of this, because it's going to be important soon.

Bug Noire uses her Lucky Charm, and gets a tube of glue. She uses some of it on this random boomerang she found (I'm assuming it's the remains of Nathalie's crossbow), sticks it to her yo-yo, and then throws it at Emilie's coffin. Monarch reflexively grabs the sticky boomerang, and loses all of the rings on his right hand just as Bug Noire uses Cataclysm on the elevator to get to this area of the mansion, with the intent on CRUSHING EMILIE WITH IT. Our hero, ladies and gentlemen! Monarch saves his wife, but because he's distracted, he can't stop Bug Noire from throwing her staff at the Butterfly Miraculous, knocking it off and reverting Monarch back to Gabriel. Bug Noire ties up Gabriel's feet, and when Gabriel tries to sucker punch her with Venom, Bug Noire grabs the hand, threatening to Cataclysm the remaining Alliance rings and the two rings she should damn well know contain Adrien's Amok. Either she's bluffing, or we accidentally got the Paris Special universe's version of these events.

Bug Noire tries to reason with Gabriel, who then breaks down crying, showing how deep down, he just really cares about his family. And even though just six episodes ago, Marinette said that it was very easy for idealistic people to be taken advantage of by others, she buys into Gabriel's last-minute sob story, and wouldn't you know it, he stabs her in the back. Congratulations, Marinette. You just doomed the universe. Even when the Dino Charge Rangers accidentally got everyone on their planet killed, they were at least able to fix it themselves.

It's time to go back to the commentary, where we can learn the writers' true intent for this scene. They honestly believe that both Marinette and Gabriel care for Adrien in their own ways, and the whole reason that Marinette chose to trust Gabriel was to teach the lesson that it's important to talk out your feelings with others... a lesson that fails because 1) Marinette had already beaten Gabriel through violence, 2) Marinette trusting Gabriel backfired horribly, and 3) Gabriel won because he took advantage of Marinette's trust! You can't teach a lesson about trust when for all intents and purposes, Marinette once again lost BECAUSE SHE CHOSE TO TRUST SOMEONE!

Even though he had to unify with Tikki and Plagg to try making the wish in “Deflagration” (I really shouldn't have used the “Great Continuity!” clip earlier), we get yet another retcon this season: Tikki and Plagg have to reveal their true forms. Yeah, I know Tikki's true form was briefly seen in “Dearest Family”, but that doesn't change the fact that Monarch didn't do this when he had the Ladybug and Cat Miraculous in “Deflagration”.

Tikki and Plagg's true forms just look okay. I like the otherworldly theme, but they don't really stand out much. They honestly look more like forms Ladybug and Cat Noir would have than anything else.

It's here that we get the culmination of five seasons' worth of lore. After a brief glimpse of it in “Ephemeral”, Tikki and Plagg, the Kwamis of Creation and Destruction will merge their energies to form their true true form, the Kwami of Reality itself, able to grand any wish asked. This majestic, otherworldly being's name? Gimmi. Just... Gimmi. The commentary claims they're named after an ABBA song, and I wish I was making this up.

Like with Tikki and Plagg's true forms, Gimmi has an okay design. They're just a little too pink for something meant to be a fusion of the red Tikki and the black Plagg.

As Marinette begs Gabriel not to go through with this, Gabriel doesn't think twice about it, and instead, gives Marinette the rings containing Adrien's Amok, along with a request, fully aware that his time is almost up.

Gabriel: Marinette, make sure that Adrien never knows about the villain that I was, but instead, that he remembers the times I tried to be a good father.

Alright, we've finally gotten to the most controversial part of the episode: Gabriel's “redemption”, and I put that term extremely loosely.

Put aside the fact that almost a third of this season was spent telling the audience that a certain character who shall not be named is beyond saving despite working alongside him multiple times for the past two seasons, Gabriel's last-minute redemption falls flat because he doesn't even seem to feel remorse for what he's done. Not once does he actually say he's sorry for what he's done, just how Emilie's death affected him. That's understandable, but he doesn't even seem to acknowledge the weight of his actions or how many lives have been endangered. Remember earlier, when Monarch said he was perfectly okay with sacrificing someone else if it means his family can be happy? Yeah, that never comes back, especially now that him making the wish is portrayed as a good thing when every time it's been discussed ever since it was first explained in “Robostus” just how dangerous actually using it is.

In fact, let's discuss the fact that Gabriel is getting to make the wish in the first place. The whole idea of this basically contradicts Gabriel supposedly realizing he's gone too far. Rather than just having Gabriel give up his quest and let Emilie rest in peace, we're supposed to be happy that Gabriel double-crossed Marinette even when the music is making it seem like it's a bad thing... WHICH IT IS! Once again, for a show that loves to go on and on about how powerful love is, it really loves to show people getting screwed over whenever they decide to show compassion to their enemies. Imagine if in Return of the Jedi, when Luke chose to not give into the Dark Side by sparing Vader, Vader took the chance to kick him in the crotch while he was distracted. That's basically what happened here.

Next, notice how Gabriel specifically asks Marinette to make sure Adrien never learns the truth about who he was, and “Remembers the times he tried to be a good father”. After everything he's done, Gabriel isn't even willing to let Adrien learn about what he's done, because he wants him to focus exclusively on the times he TRIED to be a good father. This isn't the matter of Gabriel missing Adrien's fencing tournament because he had an important business meeting. Gabriel was a literal supervillain who preyed on innocent people in order to obtain absolute power, and he wasn't even a good father to his only kid. He was neglectful, controlling, and in the last few months of his life, spent more time trying to ruin his relationship with his girlfriend for no reason other than because he thought his associate's kid was a better match for him. He was a terrible father, and Gabriel even seems to be aware of this, but rather than find a way to repent for everything he's done, Gabriel is basically going to take the coward's way out by forcing Marinette to sugarcoat his life instead of admitting he was, at the very least, a flawed parent, all so Adrien will feel bad when he finally drops dead.

And yeah, let's talk about how Gabriel assumes that Adrien shouldn't be allowed to know the truth... WHEN THAT'S NOT HIS DECISION TO MAKE. Adrien should be the one to judge whether he believes Gabriel was a good father or not. Of course Gabriel would assume he was a good father despite the numerous red flags, but Adrien is another story. By keeping the truth hidden from Adrien, you're depriving him of a potentially important moment in his life where he finally learns to break free from his father's influence. Instead, even though he's a fucking superhero, we're just supposed to accept the fact that Adrien is just a poor, fragile, sensitive baby boy who can't handle hearing any bad news or else I guess he'll explode. It says a lot when, of all movies, Star Trek V: The Final Frontier did a better job handling an idea like this, by saying that pain is a natural part of life.

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But let's talk about the biggest problem with this turn of events: The fact that it essentially vindicates everything Gabriel has done, with or without the mask, as well as essentially convey a pro-child abuse message. In case you weren't around before I posted this review, I asked my followers who have been victims of child abuse or poor parenting to share their experiences so I could get an idea of how similar they were to what Adrien has had to go through. And a lot of them were pretty similar.

During almost all of what I read from these people, their parents or guardians shared one thing in common: An inability to admit being wrong. All of them tended to either blame their kids for whatever happened to them, or find ways to justify their poor treatment. As far as they're concerned, it's the kid's fault that they're being treated so poorly. And while I'm sure a handful of people isn't enough to survey the entire population of abuse victims on this planet, the fact that some of these people, as in actual victims of child abuse, were able to see similarities with their own upbringings and the way the main villain treats his son and don't buy the show deciding to act like all of that was perfectly okay says a lot about how much this finale dropped the ball when it came to the lesson it wanted to teach.

Yes, from what I've read from my followers and other things online, some abusive parents do believe that what they're doing to their children is out of a warped view of love, but that isn't enough to validate their actions completely, and it obviously doesn't validate Gabriel's actions during the last five seasons. During the entire run of the show, Gabriel has denied his son a normal life, treats him like an object, and despite claiming that he really loves him deep down, he almost never shows it. It seemed like the show was either going to have Gabriel realize the error of his ways due to how fruitless they ended up being, but having him get the upper hand on Marinette at the very last second ultimately makes it so all of his effort, every evil plan, every civilian endangered, was all worth it. And that's why Gabriel's final moments supposedly acting like he's repented for his actions don't work, and why it turned what was initially just a boring finale into one that was beyond infuriating.

And I'm assuming that you're thinking to yourself, what exactly is the wish Gabriel was so desperate to make that he tricked Marinette at the last second?

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We never really learn what kind of wish Gabriel makes using Gimmi, even in the epilogue. I'm also going to talk about this in a later post, but of course Astruc, being Astruc had to give his usual sarcastic remarks to anyone who had the slightest question about what the hell just happened.

I love how someone will ask something like “Do you mind clearing up a few questions I have about the season finale?”, and Astruc will hear what they said as if they just asked, “Is Mylene secretly the reincarnation of the Anti-Christ?”.

So Gabriel makes his wish, somehow reunites with Emilie's soul as he ascends to Heaven... until the angels realize they made a horrible mistake, and send Gabriel to his custom-made Tenth Circle of Hell. Reality itself is rewritten and all of the characters we've come to know over the past five seasons are effectively dead. If that isn't supposed to be a happy ending, I don't know what is.

According to the transcript, it's been a month after the wish is made, we see how Paris has changed since then. Not only has Miss Bustier given birth to her baby, she's also been elected as Mayor of Paris, already passing her first law, the “Eco Rule”.

Miss Bustier: It consists of very simple principles: don't take more from the Earth than what it can give us, distribute its riches equitably and don't pollute more than it can recycle.

Remember when Mylene said that you can't solve climate change with a single law? I guess the writers forgot to recycle that moral too, because despite the vague as hell guidelines, Paris has already adapted to function without plastic wrappers or cars. Just remember, it's only been one month since the wish was made. Even Star Trek needed at least 130 years and a nuclear war before its utopian society could be established. And that's not even getting into the new school she's helped create.

Miss Bustier: In this new school, there will be no classes or struggling to get good grades. Children of all ages will be able to intermix and freely access all kinds of activities.

The fuck you mean “no grades”?! How the hell will that even work?! We're supposed to see this as her being an impressive politician, but it comes across like some grade schooler's “If I were president” essay. And remember, ONE. MONTH.

How else has the Eco Rule been implemented? All of the Alliance rings have been melted down and reforged into a statue honoring... the great hero, Gabriel Agreste.

Yep. This is the ultimate fate of the main villain after five seasons of terrorizing the city of Paris: He gets a fucking statue in his honor. Are we sure this is a victory for the good guys? And no, just surviving the villain's master plan doesn't count as a win.

Even better, according to Adrien, he somehow helped defeat Monarch... even though Gabriel is Monarch, so is Monarch a different person in this world? What about Monarch's previous identities, Hawkmoth and Shadowmoth? Did they still exist in this world? They had to, considering that Chloe and Andre are still nowhere to be seen since the revolution, implying that either she's different in this world, or she also betrayed Ladybug for the same reasons. Nathalie is also back in full health, so did she ever use the Peacock? Was the Peacock ever damaged? We see Felix has it in this new world, but Emilie is still dead, so did she die of different causes in this timeline? Speaking of time, what happened to Bunnix? Did she survive too? Is she aware of the changes to the world like she was in “Cat Blanc”?

To summarize, WHAT THE FUCK IS GOING ON!?

Adrien is hesitant to wear the ring because he's not sure if he can ever be even half the man his amazing father was. Marinette tells Adrien to be himself while handing the ring to him. So... was this an order? If so, was it intentional? Does Marinette even know what she's doing, or because she's a product of Gabriel's wish, she has to do this without a hitch? In fact, when he made the wish, why didn't Gabriel make Adrien, Felix, and Kagami humans instead of forcing them to rely on rings containing their souls that can easily break?

This scene is a great way to summarize Adrienette this season: The writers trying to write a heartwarming scene while hoping the audience doesn't think too hard about all the uncomfortable things it implies.

After reforging the Miraculous she got back from Monarch, Marinette decides to hand them off. Because fuck it, let's break the temp hero rule while we're at it! Chloe who? Ladybug, Cat Noir, Rena Rouge, Carapace, Viperion, Pegasus, Ryuko, Vesperia, Polymouse, Pigella, Purple Tigress, Miss Hound, Rooster Bold, Caprikid, Minotaurox, Bunnix, and even Argos (despite being the reason the heroes lost their Miraculous in the first place) assemble, ready for whatever challenge the world throws at them. Also, there's no reveal between Ladybug and Cat Noir this season because the writers still want to drag this plotline out, even when there's no excuse as to why they can't now that Monarch is gone.

We then learn who got the Butterfly Miraculous: Lila, who plans to get revenge on Marinette. Yep, the girl who has never even touched a Miraculous in five seasons is going to be Hawkmoth's successor. Not Tomoe (who I should mention never answered for being Gabriel's accomplice), not Audrey, not even Chloe. It's Lila. How the hell did she even get it anyway? Did Gabriel intentionally recreate the world to have Lila get the Butterfly Miraculous, or did Lila somehow retain her memories through close proximity to the wish and--

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Fuck it, season's over anyway. Thank God...

THE BIGGEST IDIOT OF THE EPISODE IS...MARINETTE

While I can't say for certain what she did with Adrien is her fault thanks to Gabriel making the wish, I can say a good chunk of the things Marinette did leading up to Gabriel winning are on her. She recklessly used her Cataclysm multiple times in her fight with Monarch, tried to crush Emilie's comatose body with debris, once again chose to gloat about how she was going to take Gabriel's Miraculous instead of just doing it the first chance she got, seemingly forgot Adrien was a Sentimonster, and somehow managed to lose even when she had Gabriel at her mercy.

So, yeah... this finale was terrible, if it wasn't obvious from this review.

It was just a complete trainwreck from start to finish. A good chunk of the first part was spent either ignoring the events of the last episode, or coming up with excuses as to why Adrien shouldn't get involved. And that's not even getting into Nathalie's “redemption”, which only really happened once she had nothing to lose, seeing how she was even closer to dying than Gabriel was. In fact, now that I think about it, why was more emphasis given to Nathalie's declining health over Gabriel? You know, the guy who's enacting his final plan because he's supposedly hours from death, yet effortlessly manages to clone himself, fly around the world as an Akuma, and keep up with Bug Noire when he struggled to enact a plan that required him to leave the lair without traveling around the world during “Intuition”? Given how we now know that the writers wanted the final battle to involve Bug Noire, I'm starting to think they also prioritized her opponent being in top shape while ignoring the Cataclysm wound affecting him.

The second half was mostly boring thanks to just how low the stakes felt. We know where Adrien is, and since Bug Noire was fighting Monarch, there was no danger of them taking her Miraculous, so for the most part, the Miraculized fighting the other heroes just felt like padding. Nobody even seemed to look for Ladybug or Cat Noir, not even the heroes. Of course, then we got to Gabriel's wish. I've gone over this before, but it bears repeating. Gabriel's “redemption” just doesn't work due to how little effort is spent actually making the audience feel bad for him other than saying “His wife is dead, and he's sad, so that justifies everything”. It doesn't help that we kind of had four episodes explaining why some people can't change, and it wasn't used when talking about Gabriel, but rather, Chloe and Lila. Because these writers really have their priorities straight.

The ending of the season itself practically falls apart with how many plotholes and unfortunate implications it has. And before you say that stuff like Adrien once again being left in the dark can be resolved next season, here's the thing: This was planned to be the series finale with how everything feels wrapped up. There's a sense of finality that shows all the main characters getting their happy ending, and we're just supposed to not question the new utopia Paris is now, much less the fact that even after eight years, Ladybug and Cat Noir still don't know who the other is. Even putting that aside, the show has always done a poor job of following up on plotpoints established in earlier seasons, as the lunchroom scene from “Illusion” shows.

Here's a summary of all the lessons the finale teaches: We shouldn't hold terrorists accountable for their actions if they just say they love their family, abuse victims should be constantly coddled and shouldn't be allowed to know the truth about their viewers, it's okay to keep crucial information from your significant other, genocide is okay as long as the person who commits it says it's for a good cause, love for others can easily be taken advantage of, so never trust anyone, genocide is the only way to create an eco-friendly world, environmental protection laws can be passed within a month and nobody (not even car manufacturers) will complain, teenage girls are worse than abusive parents who double as supervillains, and even if it was planned for almost a decade, don't let your main heroine be the one to save the day, but rather, the villain.

If anyone reading this is planning on becoming a writer and is worried that people won't like their work, just remember that there are people who get paid to work on this show.

But yeah, this is how the season ends, not with a bang, but with a nosedive. I was mostly pissed off with how Seasons 3 and 4 ended, but here? I'm just disappointed. This was the finale that we waited eight years for. The epic final battle against Monarch, and rather than the ultimate fight to the finish, the writers came with several excuses to not involve one of the two main characters in the final battle, the other main character fails to actually save the day, and the villain is rewarded for all of actions because he chose to turn himself into a messiah. I tuned into this season to at least see how the story would end out of curiosity, but it didn't even deliver an ending that made all the pointless filler, poor writing, and bad characterization worth it. I started this finale off bored, and I ended up furious for how lackluster this ending felt. It says a lot when this finale has been compared to Star vs. the Forces of Evil in terms of just screwing everything up.

THE BIGGEST IDIOT OF THE SEASON IS... MARINETTE

Marinette may not have been able to beat Gabriel in terms of stopping his plan, but she did manage to outdo him in terms of stupidity. Because she got the award four times this season (Evolution, Revelation, Confrontation, Re-Creation), she takes home the title of Biggest Idiot.

And for those who are curious or didn't keep up with my reviews, Gabriel gets second place with three Biggest Idiot Awards (Intuition, Protection, Revolution), we have a five-way tie for third place with Luka (Determination, Migration), Mayor Andre (Adoration, Action), Chloe (Deflagration, Collusion), Felix (Emotion, Representation), and Nathalie (Passion, Conformation), who all got the award twice, and a ten-way tie for fourth place with Alya (Multiplication), Xuppu (Destruction), Mr. Damocles (Jubiliation), Nino (Illusion), Joan of Arc (Reunion), Ice Cream Man Andre (Elation), Kagami (Perfection), Kim (Derision), and Tomoe (Pretension) each getting the award once.

And with that, we're done with Season 5. It's been a long road, but all I can say is...

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At least, until the analysis and ranking posts.

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revolutionary-thoy · 10 months

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Just found your Reverse AU and I’m already obsessed with it, and I wanted to throw in your general direction a headcannon that I’ve had for the reverse universe, particularly for how appropriately MLB-esque it is, that Betterfly is a better father figure to Claw Noir than R!Gabriel is to R!Adrien.

I also wanted to ask, what’s the endgame for Chloe in your AU? Will she have a possible redemption (or at least, a peaceful surrender after realizing that the Supreme could never give her what she wants), or is she going the “irredeemable 15 year old monster” route? While I always prefer for Chloe to have a chance at being a better person, seeing how her life has been up to this point in the reverse world, I wouldn’t be surprised if she wound up in the latter scenario.

I've already established that this Chloe's bullying was much worse than Canon Chloe's, but I am indeed going for a sort of redemption for her. She would not be redeemed in the sense that she joins the heroes and all her actions are forgiven, more in the sense that she gets a chance for a fresh start. Marinette and Kim would DEFINITELY not be friends with her, but she'd work to fix her broken relationship with Zoe and pursue a new friendship with Sabrina. As for how exactly her arc would go, she would get to a point where she realizes that all the power her parents and the Supreme made her think she wanted and needed isn't what makes her happy, and she'd realize just how expendable she is in the eyes of the Supreme. This would pretty much shatter her worldview and make her completely unravel. Inspired by Zoe, she will leave the Supreme and her family and try to figure out what SHE wants to do with her life

Also, blaah sorry for the lack of new Re-Verse art.. again. I've been very busy. Don't worry, the AU is definitely not abandoned or anything, I'm still thinking about them 24/7

#ask #miraculous paris #miraculous reverse #miraculous #reverse

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zoe-oneesama · 2 years

Note

So what are your thoughts (and salt) on your research re-watch on Queen Wasp?

This episode is annoying because it tries to play both sides - it is very much NOT a redemption arc episode but at the same time tries to make you feel sorry for Chloe after she fucks shit up, which has tricked some into believing this actually WAS part of Chloe's redemption arc.

As @hypexion laid out in a full essay, there never was a Chloe redemption arc because Chloe never thought she did anything wrong and never thought she had to change. In "Queen Wasp", she refuses to return the Miraculous on the grounds "finders keepers, losers weepers", deliberately causes a crisis in order to try and FAIL to save the day just to show off, and when confronted with her deeds only has this to say:

See, I didn't pull Scarlet Lady's complete disregard for human life out of my ass, it was canon all along! 😈

"Who cares"?! "Who CARES"?! Putting aside that "WE" did not save them, Ladybug and Chat Noir saved them from YOU, I'm pretty sure the people's who's LIVES you endangered "cares"!

Thing is, if you just watch this episode and put the entire idea of "redemption" or "hero Chloe" out of your mind, this is 3/4ths of a good episode. Pretty fun, actually, with Chloe just...being Chloe. And getting to hit Chloe in the face with a trash can ❤️.

So what's with all the audience emotional manipulation at the end?

Why is Chat Noir making soft face and using soft voice at Chloe at the end, commiserating that she STOLE a Miraculous (because once she decided not to return it when asked, yes, that's theft at that point), crashed a train, and ran away from the consequences just to ImPrEsS hEr MoThEr? Guess that makes it alright then, right Adrien? 🙃

(If it was just meant to be an Adrien Character Moment, they would've had Ladybug counter him by point out that her motivation doesn't make what she did okay, but instead they have Ladybug ALSO commiserate with Chloe)

As a character beat, I get that Adrien is channeling his daddy issues through Chloe's mommy issues, but I mean for the audience: why are they having Ladybug admit to "making mistakes" and Chat Noir comfort Chloe when SHE MESSED UP THIS BADLY except to manipulate the viewer into feeling sorry for her?! Her mother didn't ASK her to do any of those things, she did them all on her own, so why are the heroes giving her a pass, ie. why are the writers wanting the audience to give Chloe a pass???

No pass! She sucked! And she deserved her classmates ripping on her in "Malediktator", but then the story had the balls to try and make the audience feel bad for Chloe for that too!

Speaking of that, it's really weird that they ended "Queen Wasp" with Ladybug being so soft on Chloe at the end, only for Marinette to turn around at the beginning of "Malediktator" and go back to being really annoyed with her. Especially after she went out of her way to reconcile things between Chloe and Audrey.

Even the way they did it - equating Ladybug accidentally dropping the Miraculous in the middle of the battle and then relying on the Miraculous Cure to return the Miraculous to Fu, (something she'd have no reason to believe shouldn't happen), to Chloe deliberately causing a disaster in order to fail to impress her mom and refusing to return the Miraculous that she Was Not Given? Those are not the same! An honest error that Ladybug fully intended to rectify vs. Chloe disregarding other's safety and the right and wrong of keeping something that never belonged to her are not on equal footing.

Oh and then there's this gem:

Giving back an item that never belonged to you to the rightful owner isn't "exceptional", it's basic human decency. Good Lord Chloe is not "exceptional" for finally adhering to the code of conduct the rest of us learned in Kindergarden.

All this pushing the viewer to feel some type of way and it's all for nothing. Feeling sorry for Chloe just leads Ladybug to giving her another chance in "Malediktator", giving Chloe entitlement to the Bee Miraculous, facing the issues of the enemy knowing her identity in "Miraculer", having to flat out retract Chloe's access to the Bee Miraculous which Chloe responds to with a full on tantrum in "Miracle Queen", leading to Fu giving Guardianship over to Ladybug.

Woooow, real glad we were told over and over again by the narrative to go easy on Chloe, sHe JuSt NeEdS a GoOd InFluEnCe and a SeCoNd ChAnce. That sure ended well for everyone.

Also this is just me being a nitpicky asshole, but if Chloe didn't out herself right in front of everyone (ie. GABRIEL), the Hawkmoth era of the series would've been over. After Style Queen failed, Gabriel had completely given up since his "Masterpiece" failed. If Chloe hadn't revealed herself, Gabriel wouldn't have been inspired to akumatize a Miraculous Holder and might've gone into retirement long enough to return the Miraculous in secret or reveal Emilie to the public in search of other methods before he could've been "inspired" by something else.

The villain defeated by lack of motivation, lmao.

(Also also obviously this could've been doubly avoided by Ladybug not losing the Bee Miraculous or taking the Bee Miraculous out in the first place, but we could've had Anti-Hero Bee Chloe with an actual secret identity paired with a new antagonist to go into a new era of Miraculous, so I would've considered that a win)

MY main gripe with the three Chloe centric episodes "Style Queen", "Queen Wasp", and "Malediktator" is all the pointless, blatant audience manipulation. They went so far out their way to make the audience side with Chloe against Ladybug and feel bad for her only to turn around and call us stupid for doing so. I want my time back and I never even believed in the Redemption Arc. I can't imagine how much worse it was for someone who actually believed what they were selling.

And obviously it was terrible for the thing that brought Chloe and Audrey together is how they're horrible people who torment the working class, but maybe we should've taken that as a sign as to where this was going. Way to immediately resolve Chloe's mommy issues as soon as they were brought up.

Wait...is that why they made the problem in "Malediktator" Chloe's usefulness?

#damn these episodes and their buzzwords!#'exceptional' 'useless'#try 'menace to society' and defend that!#queen wasp salt #chloe salt #writing salt #adrien salt #just a pinch just a sprinkle #my opinion #just to save myself I am writing Audrey with like 5% of a heart

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literaphobe · 1 year

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alternate suggested list of s5 episodes (since none of us can remember them)

wibbly wobbly timey wimey

the akuma hiatus

ladybug (almost) gets doxxed

the heroes of paris really want to breed

Core Four, And The No Good, Very Bad, Terrible Plan They Fully Executed

love square flip!! (limited time)

kwami switcheroo 2.0

Hey, Joan of Arc, It's Me, Ladybug. Would It Be Chill If I Made Out With Chat Noir Or What?

obligatory marichat episode of the season OR glaciator 3 OR oh yay!! oh no. OH YAY!!!!!!!!! oh. no. NOOOOO-

[muffled screaming noises]

monarchbug gets lost in the sauce (bunch of teens with condiment codenames blasted his ass)

hi kagami, how's it going! oh (part 1) OR adrien's musical endeavors OR what does the cow say?

everyone's unlicensed therapist leaves the city

Marinette Dupain-Cheng Should Legally Be Allowed To Kill People

48974872874th CHANCE!

hi kagami, glad to see you're doing better! wait (part 2) OR these classmates have no boundaries

gay rights? gay wrongs? gay rights? gay wrongs?

slay felix!!!! slay!!!!!!!!! yasss drop those beats!!!!!!! also get therapy when ur free!!!! sick red moon bro u arent gonna kill her later right!!!!!!

these pancakes fucking SUCK

[UNRESTRAINED SCREAMING NOISES]

sick fraud girl!! now could u just step into this totally real totally not bugged temporary bathroom-

they made WHO mayor now??

ladynoir Ages Up like the sims, thanks to countless traumatic incidents. more at 8!

yo!! a+ parenting gabe! OR theatre, but they knock you out after the play OR prom, but you're the only one that dressed up

hey guys is it just me or does anyone else have a massive headache and terrifying nightmares that recur every few seconds?

Re-creation (The Final Day - Part 2) <- no yeah sorry i won't even pretend this is quite possibly the most accurate episode title like yeah shit sure was recreated and monarch does not appear to be having any more days!! nice work guys!!!

#text #miraculous ladybug #ml recreation #ml conformation #ml representation #ml revolution #ml collusion #ml confrontation #ml revelation #ml s5 spoilers #surely thats enough right #the fucking irony of this post is all the damn spoiler tags i need #mlbposting #also if uve seen an older version of this post #SHHHH lets pretend i just had this idea

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flightfoot · 2 months

Note

Hey, do you have any good recommendations for Lukadrigaminette or Julerose fics? Mostly canon-compliant. No fantasy or western AUs, but stuff like Adrien never going to school is fine.

Yeah sure, I've got some stuff for you!

The Quartet's Duet by timeandspace_lord

In which Kagami and Luka attempt to get two idiots to fall in love. Instead, four idiots realize they were already in love. Based a lot on Determination and Wishmaker specifically. ~~~ It was only a matter of time, he told himself. Sooner or later they’d stumble into the same secret he had and realize they were made for each other. And if they needed a helping hand to get there, a conductor for the symphony of their lives together, he was more than happy to take on that role. Kagami nodded firmly. She’d known that Marinette was Adrien’s true target from the beginning, but it had taken longer for her to get over her own jealousy and realize that the other girl was also the correct target. Now that she no longer had blinders on, it was obvious the two were meant to be together. If she could help them realize it, so much the better.

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Hold Me By Both Hands by @angelofthequeers

“I know he said never to take you back,” Plagg mutters. “But he’d change his tune if he knew.” He looks Adrien straight in the eye and, more serious than Adrien’s ever seen him before, says, “There’s someone you gotta meet. He’s been looking for that book for ages.” How differently might the events of season 2 have gone if Adrien had also known of Master Fu from the start?

Honestly, I think this is one of the best ML fics EVER, and I've read a LOT of ML fics. It's a re-imagining of seasons 2 and 3, with Lila sticking around the whole time, lots of discussion and growth of all the major players in the fic, and some truly amazing character arcs. It features what I consider the BEST Chloe redemption arc to date, with looking at where she started in the early seasons and having her actually figure out reasons why she wants to be better, and what that looks like. If you've watched The Good Place, it's like that.

I wrote a 26,000 word essay analyzing the various subplots in the fic, that's how intricate it is.

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holding onto the memory of you by @fruitdragon1a

For MLB Femslash February 24! Day 10: Juleka/Rose 'hold', 'dress' Juleka and Rose are on the métro when something happens to Rose.

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You’ll be the prince and I’ll be the princess by @mexicancat-girl

With Team Miraculous now full-time holders, Ladybug has them patrolling in pairs like her and Chat Noir. New partners Pigella and Purple Tigress get along phenomenally, their easy banter and similar wavelengths making working with each other a joy in and out of combat. But sometimes Tigress is surprised just how close she is with her partner. Sometimes she tries not to feel too guilty thinking about it.

There’s some nice Julerose here! I love them kinda getting into a lovesquare with each other, though it’s not as much of a problem as it is in canon since it’s reciprocal in every relationship and they’re both down for a poly. It’s fun, and I love the “Luka attempting to woo some of his love interests” plot going on in the background XD.

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Everything I need by @coffeebanana

When Ladybug asks Pigella to care for her injured teammate, she wants to refuse. She's not the best person for the job, and she's not sure if Purple Tigress even likes her. But Ladybug insists, so Pigella fights through her fear and tends to Tigress' injury. It doesn't make things any easier that Tigress keeps reminding her of Juleka.

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Ink, Skin, and Hearts by EpicNerd

For Rose and Juleka, the topic of soulmates is surprisingly a difficult one.

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I hope these catch your fancy (especially Hold Me By Both Hands, that fic is a must-read).

#ask #ml fanfic rec #miraculous ladybug #lukadrigaminette #julerose #luka couffaine #marinette dupain cheng #adrien agreste #kagami tsurugi #juleka couffaine #rose lavillant

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into-september · 11 months

Text

"Destruction" is the worst episode of Miraculous Ladybug

Oh hey guys, remember way back in April or something when I said I was doing this? Well, the one year anniversary of its premiere is a suitable time to post this, particularly since yesterday saw the airing of the last piece of canon to come out in a while, which happened to be set immediately after these events.

With the always obligatory reminder in place that I generally think that “Miraculous: Tales of Ladybug and Cat Noir” is in fact a good TV show whose appeal potentially reaches beyond its merchandise-mandated target group, it has an unflattering pattern of introducing the juiciest story threads and then just… do nothing about them.

The topic of today’s sermon isn't in isolation the worst offender. But it is thanks to this that the worst offender happens at all, so I'm not gonna be nice about it.

Scroll past to skip the negativity.

So, “Destruction”, possibly the most eagerly awaited episodes of out S5 if you don’t count all the false advertisement that was “Revelation”. I remember finding this episode uncharacteristically charmless for this show when I first watched it. They've been onto heavy topics before, but those episodes still had that je ne sais quoi that gives this show such heart. But re-watching "Destruction" I found it lacking already from the first scene, and felt it only in glimpses. It's just not fun.

The episode is also poorly paced, no way around it. It is inexplicably a flashback to two episodes ago which is not evident from the start. More than half the runtime technically consists of Marinette and Alya having a sleepover. The battle and its game-changing outcome is over at 12 minutes into the episode, which is barely past the halfway point. After that, we spend five minutes - a quarter of the episode's full runtime - on a flashback re-playing the same battle but now with verbal exposition explaining Marinette's clever plan. Mind that the confrontation between Marinette and Gabriel lasts for all of seven minutes, meaning that the flashback is nearing the length of the battle itself.

To top it of, it's bogged down with lengthy exchange between Gabriel and the kwamis just to make clear that the haters on the twitter were totally wrong when they bitched about Orikko being OP because actually its powers were something else than we established last season. Here's a bonus plot hole which has nothing to do with everything else I'm going to nag about: Orikko allegedly can't give out the powers of time-travel because no kwami can replicate another kwami's powers. Except for Nooroo and Duusu, I guess, who have done so on several occasions. One of the more remarkable being the episode which first heralded the event that "Destruction" set in motion: "Timetagger".

And who can forget that this was the second time in three episodes where Ladybug and Cat Noir had Monarch at their mercy but spent so much time giving triumphant speeches that he gets away.

Or that that in fact was the second time on the same night.

But while those things certainly make the episode poor, they are not what makes it the worst.

What makes this episode the worst isn't its technical failures, but about the way it leaves its feces all over the themes and the character arcs it seemed like the show had been building up until this point. Moreover: in the role it plays in S5 and the Agreste storyline, and how the show's refusal to touch it again creates a black hole in the season at large, and arguably in the show as a whole.

I. THE INESCAPABLE CONTEXT OF WHAT CAME BEFORE IT

The art of telling a story is the art of highlighting what matters and leaving out what doesn’t. In a well-crafted story, no matter the medium, no detail is insignificant. Every word is carefully chosen, every line or hue made with intention. The curtains aren’t blue just because, and Miraculous Ladybug has made too many meta jokes to hide behind the claim that it’s just a silly rom-com for kids. It has trained its older audience into looking for context and connections; after “Mr. Pigeon 72”, you can’t insist that nothing that happened earlier in this show matters for what happens later. Titles matter a lot in a show where episodes are titled after the villain-of-the-week who usually is the thematic mirror to what our heroes are going through.

“Destruction” is the fourth episode somehow named after Adrien, and the third somehow named after Plagg. You bet this matters.

As some might know, "Kuro Neko" is not my favourite episode. That's not to say I don't like it! It's cute! It's playing a really interesting scenario! We get Plagg hanging out at chez Marinette! But to enjoy it, I have to willfully ignore the storytelling incompetence it flagrantly displays. Because the moment you peek beneath the surface of the events happening to consider theme, motifs, and narrative parallels, it's just

"Kuro Neko" is the second episode that is named after Cat Noir. The first one was "Cat Blanc". There is a thematic connection between the two; not a very clear one and probably not an intentional one, but all the same: both episodes are about an alternative to Cat Noir. One is the result of his father's violence; the other is Adrien's own attempt to become more like the person he presents around his father. They also both show us Plagg and Adrien negotiation Adrien's relationship to Ladybug, and how Ladybug and Cat Noir negotiate that same thing.

"Cat Blanc", for all its apocalyptic visions, starts and ends with hope. It starts with Marinette’s hope at confessing to Adrien, to Adrien’s hope in finally knowing Ladybug’s identity and knowing her like he’s yearned for for three seasons. Those hopes lead to disaster, but the episode ends with Ladybug finding Cat Noir on the Montparnasse Tower, where he is singing his lullaby about the kitty being "all alone without his Lady". As is fitting, Marinette breaks the pattern: after having just witnessed a world turned to destruction because the two of them loved each other, she leans her head on his shoulder in perhaps the most romantic gesture she's ever given him.

"Kuro Neko", in contrast, starts with Adrien resigning the job when he realises that Ladybug no longer needs him and that makes him feel bad. It ends with him coming back and verbally accepting that Ladybug doesn't owe him any exclusive treatment; he isn't her unique partner, just one of many. Where the final scene of "Cat Blanc" seemed to confirm that Ladybug is indeed the answer to Adrien's solitude, the final scene of "Kuro Neko" and its continuation in the first scene in "Risk" both make clear that the opposite is now status: Adrien has to accept the painful fact that as much as Ladybug might be the most important person in his life, Cat Noir does not hold a similar space in Ladybug's.

(The end of “Strike Back” of course claims to remedy this, but those words don’t ring very true when to Marinette’s knowledge, nothing of what went wrong today had anything to do with her keeping secrets from Cat Noir. More damning: Marinette never follows up on her purported regret. In all of S5, she never once sits down to share all those secrets with Cat Noir. Status from "Kuro Neko" still stands, and Adrien is fine with that now. This has nothing to do with the many problems “Destruction” creates, but talking about “Kuro Neko” by necessity means talking about how it wasn’t fixed even if they put the words in Marinette’s mouth. And now back to our scheduled programming)

"Cat Blanc" and "Kuro Neko" by their very existence bring up a thorny topic: That Adrien being Cat Noir isn't wholly unproblematic, and that both Adrien as an individual and Ladybug as the Guardian might have legitimate reasons to question that choice. This has always been obvious to the viewer who knows Hawkmoth’s identity, but the show itself eventually starts calling attention to that from an entirely different angle - namely that of his powers.

Lest we forget: The first episode of S4 that aired wasn't the first episode chronologically: It was "Furious Fu", wherein we learn that The Order of the Guardians has it out for Plagg specifically, and where Ladybug's status as The Guardian is almost revoked on the grounds that she's letting him run around unsupervised. This question of Plagg's whereabouts comes up again in the only episode that is named after Adrien sans Plagg: "Ephemeral", a re-play of “Cat Blanc” except not good. This whole subplot is quickly forgotten, though it being the only one of Su-Han's complaints that weren't about him being a boomer, it's also worth remember that "Destruction" technically happens a couple of hours after he made his last appearance. One might expect that his one consistent lesson would be important enough to echo a bit in the episode where it’s proven to be justified.

"Destruction", as not only one very early episode of the season promising to finally bring about some significant and not the least permanent changes to their lives, but indeed an episode happening on the same night as Ladybug's declaration of regret and Cat Noir's renewed declaration to be her partner, would by its title and its topic seem like the obvious place to finally resolve what "Cat Blanc" and "Kuro Neko" both asked us to question: The existential terror of Plagg's powers, why it is that Adrien is uniquely chosen to temper them at Ladybug’s side, and how Adrien feels about being the one to carry that responsibility.

Yeah. Well.

II. ADRIEN'S PRESENCE IN "DESTRUCTION"

Where "Kuro Neko" and "Cat Blanc" place significant focus on Adrien Agreste in his civillian life, in "Destruction" he appears on screen for a total of 25 seconds - most of which are another flashback to a previous episode, and whose purpose is to highlight Gabriel's hurt from the cataclysm, not Adrien's thoughts about what is happening.

Cat Noir's presence is also marginal. Three minutes of screentime pass from his first appearance until the battle is over. Said battle is the turning point in the war between the heroes and Monarch, thanks to neither Ladybug's powers nor Monarch and all the kwamis, but Monarch using Cat Noir's powers for an impulsive act of self-mutilation. Cat Noir is distraught over this, turning desperate when Monarch first start toying with the idea and being near tears after he carries it out.

I'll get back to the impact of this event, but for now I'll point out that the aftermath is brief: After Monarch escapes, our heroes have this exchange:

LB: We had him, we almost had him! The kwamis were safe, they were right here! CN: I cataclysmed him! I can't believe this, I just cataclysmed someone! Granted it was Monarch, but - there was a real person behind that mask, and it must have hurt him terribly! Milady, you gotta fix this! LB: Cat Noir, Monarch just ran away with my lucky charm! Without it, I can't fix anything. I can't call on my powers and undo the effect of the cataclysm. There's nothing I can do...

We then cut to the slumber party, where Marinette tells Alya that she and Cat Noir "split up" immediately after, and Alya comforts her. From this point in the episode, Cat Noir and Adrien only appear in flashbacks. First a fifty-second flashback wherein Marinette sets up her convoluted plans, then a few seconds of him moving his statue in the wax museum before Monarch appears.

In the episode that more than anything should thematise Adrien, Plagg's powers, and his relationship to his father, Adrien is on screen for a whooping four minutes and twenty seconds.

And because I am that devoted to proving my point, I went and timed all of Alya's on-and-off appearances, which clocked in at a total of five minutes and six seconds.

Alya is of course core to the slumber party which frames the setting of the entire episodes. Moreover, it is with Alya that the emotional arc of the episode ends: it starts with Marinette tormenting hersef watching a Ladyblog report about Monarch's recent win, for which Alya chastises her. The last scene (before Gabriel pulverises the miraculous) has Alya reassure Marinette that she will get the kwamis back. When she regrets her lack of superpowers, Marinette in turn reassures her that Alyas true superpower is being her friend. The journey of the episode was for Marinette to stop blaming herself for messing up, and learning to rely on Alya's support in the new turn the war has taken.

...

IN THE EPISODE WHERE ADRIEN KILLS HIS FATHER.

III. SIR NOT-APPEARING-IN-THIS-FILM

In the episode where Gabriel commits suicide on his son's miraculous, here are some things that got more screentime than the son forced into using his only source of liberation to kill his father:

Flashbacks to past events (four minutes and fourty-five seconds)

Alya (five minutes six seconds)

The kwamis (six minutes and nine seconds)

Bet you can't guess which one is the only kwami who doesn't appear in this episode!

...okay, and Duusu, but you get the point. In the episode detonating the nuke that is the gruesome potential of Plagg's powers, and the potential damage Adrien might deal with them, Plagg never appears on screen.

In the episode highlighting the presence of the kwamis and their importance to their holders, the kwami whose presence is the most thematically tied to his holder's character arc is completely absent.

In the episode irreparably going into the only kwami whose powers is straight up murder, the kwami who The Guardians have singled out specifically as particularly dangerous, the kwami whose irresponsible nature has previously caused problems both to Adrien privately and Cat Noir professionally, said kwami is never even mentioned.

It's almost as if we're not supposed to remember that it is because of his presence that this whole tragedy was possible.

IV. THE EXISTENCE-DEFINING HORROR OF A CATACLYSM GONE WRONG

And ain’t that a funny one, when the gruesome potential in Plagg’s powers was the driving factor in Adrien’s first true crisis as a hero?

Marinette faced her moment in "Origins", where she gave up on her miraculous after the first disastrous attempt. She knows that she is the only one who can do something about the situation, but refuses out of her own lacking courage. She only becomes Ladybug of her own choice when she realises that she can save Alya's life. After this, Marinette never again questioned her place. She would grieve the burden on occasion, but she never once thought anyone else could do better.

Adrien, as we all know, was the polar opposite: he jumped right into it without reading the manual, had to have Ladybug pick up the pieces after a rash cataclysm, and never doubted his calling again until he realised what Plagg’s powers could do when used on a living being.

The NYC special has Adrien quit for reasons that had nothing to do with being unsatisfied with Ladybug's HR policies. It is in part because he effed up his duty as Paris' substitute guardian, but it's certainly also because of the recent horror he just witnessed: his hand forced by someone else nearly killed Ladybug, and killed Uncanny Valley instead as she stepped between them. Adrien just saw a mother weeping over her daughter's corpse, and how only the lucky presence of Ladybug's powers could undo the damage caused by his, unintentional thought it might have been. Adrien would of course never kill anyone on purpose, but Uncanny Valley’s temporary malfunction was a brutal display of what would happen if he stumbled the wrong direction with the gun loaded. Ladybug might have the duty to protect Paris, but Cat Noir has the duty to not to disintegrate people on touch.

The show never before discussed the weight of this burden in Adrien’s presence. “Cat Blanc” did it from Marinette’s side, but this never was a consistent story thread, only briefly brought up as her remembering why his knowing her identity is a bad idea. The sabbatical in “Kuro Neko” has nothing to do with Plagg or with Adrien’s sense of duty, and where you’d think this would be where Marinette finally brings up the issue bridging the NYC special and “Cat Blanc”, neither of the two are as much as alluded to. That Adrien has the power of murder has yet to be explicitly discussed in the show proper, but in combination with his personal relationship to Hawkmoth being a ticking irony bomb, the question of can he even bear it is inevitable.

That Adrien’s post as Cat Noir wasn’t as given as Marinette’s as Ladybug is echoed in the amount of times that Adrien has either quit or at least contemplated doing so (“Syren”, NYC special, “Wishmaker”, “Kuro Neko”). He likes being Cat Noir more than Marinette likes being Ladybug, but he lacks her iron certainty in the role. It is notable, then, that THE ONE TIME where Marinette questions her part, it is after Cat Noir has quit. She says this, out loud, in words. When Cat Noir’s powers become too heavy for Adrien to carry, then Ladybug, too, disappears.

So surely "Destruction" must be the point where this is finally comes together - where Adrien's history of quitting meets his ultimate crisis, where his powers abused on a human being of flesh and blood forces him into confronting the potential cost of being this particular hero, which will foreshadow the ultimate choice he’ll have to take: between being Cat Noir and being his father’s son. And where his choice, in turn, will define whether Ladybug can exist.

Or not.

Maybe we'll never again have Adrien think about how he probably murdered a man. Maybe we'll just - oh I don't know.

Have him start trying to cataclysm people?

Repeatedly?

While showing none of the horror at himself which he clearly had in the aftermath of accidentally cataclysming the villain responsible for his later victims’ possession?

And in the end, after never calling attention to Adrien’s new and trigger happy ways, we’ll have him give in to his fear, claim that he isn’t strong enough to responsibly use Plagg’s powers, and send his miraculous away for Ladybug to use alone, because it turns out that “Kuro Neko” was right and the NYC special was wrong: she can be Ladybug without him.

Growth, amirite.

V. IN THIS HOUSE WE DON’T TALK ABOUT PATRICIDE

Dramatic irony was the main engine driving "Miraculous Ladybug" from the start, and it was Adrien who bore the brunt of it. Not only did he spend four and a half seasons in unrequited love with a girl who rejected him for himself; he spent five seasons doing weekly battle against his own father.

The superpower war between father and son isn't just a source of story tension, however: it is inextricably mirrored in their relationship as family, where the father is openly abusive and the son is magically incapable of protesting. The show repeatedly makes A Point about how the freedom Adrien so wants, is one that he only gets through being Cat Noir, and the only way Adrien is capable of fighting his father - albeit ignorant of it - is with Plagg's powers.

Cat Noir defeating Hawkmoth was necessary not just for his story as a superhero, but as his character arc as a normal boy.

And in "Destruction", this is exactly what happens. Thanks to Plagg's powers, the path to Adrien's freedom is finally paved, in the most gruesome and unwanted manner possible. Adrien might not get the big cathartic show-down with his evil father, but technically he was the one to bring him down.

But we don't talk about that. Except for his one (1) line after Monarch escapes with Ladybug's lucky charm, Adrien never again brings up the fact that his being careless with a cataclysm certainly maimed a man, by precedent (Aeon) possibly killed him. Rather than a story arc about Adrien being afraid of his own powers, it’s only now that he starts aiming it at people when he’s under emotional duress. This could of course have been one hell of a story point if it was intentional, but by all accounts, it wasn’t. When Adrien never again reflects on his having probably murdered a man, or reasons that Monarch is probably fine since he’s clearly still around so maybe a cataclysm isn’t so bad, and he never dwells on his nearly murdering two of his friends, there can’t have been any connection intended here. Moreover: when Adrien is scared of his miraculous towards the end, it’s not about its capacity for normal murder when he’s having a bad day, but its capacity of ending the world if he happens to be akumatised.

Gabriel is likewise disinterested in the cause of his impending disintegration. You’d think the man would feel some kind of special resentment towards Cat Noir and his powers, you could think this was where he’d get to re-thinking his relationship to the two people who are sitting on the keys to solving all his problems. Maybe he’d start doubting himself now, bearing the ultimate testament to his magical hubris. But no. The cataclysm wound is there and it’s a problem, but the reason it happened is completely irrelevant to the man who did this to himself and unknowingly, to his son.

That is almost as mind-blowing as the fact that they really had a straight up patricide happen on screen. Sure, death was never the intention of either of the two parties, and Adrien certainly holds no blame for what happened. But Gabriel must have at least known what he was risking, and even if the soft-hearted Adrien would somehow reason away the gravity, Plagg would certainly now. By its very nature, this one cataclysm drags out and distils a plethora of questions about both Adrien’s role as Cat Noir, about Gabriel’s vision of himself and his goals, and about their relationship not as father and son, but as villain and hero. The gruesome narrative irony looming over all this is in that regard just the icing on the cake.

There is certainly an Oedipal layer to the drama of Gabriel and Adrien, though the often more scandalous incestuous angle is considerably downplayed here. Even so: By the denouement of S5, Adrien has successfully killed his father and set up a home with his mother. That really happened, but we’re sure not going to investigate how this influenced the relationship between two nemesis, between father and son, between Adrien and his kwami.

The cataclysm in “Destruction” turned Adrien from anguished shoujo love interest to the hero of a greek tragedy, but the show is dead set on pretending that it didn’t.

VI. SO THEN WHAT WAS THE POINT

In isolation, "Destruction" comes across as weird more than anything. It's named after Adrien's kwami, it spends an inordinate amount of screentime on Adrien's father, it reaches back to Adrien's perhaps most defining moment as Cat Noir as it fundamentally changes the game between our heroes and our villains as one of them is finally dealt a damaging blow - which in turn sets Adrien's life down a path towards tragedy that must be interfered with for him to have a happy ending by the end of the season.

And yet, Adrien is a peripheral presence in it. Marinette and Gabriel dominate the screentime, Alya and the kwamis are consistently present as the thematic chorus at their respective sides throughout, the episode plays its events twice in order to make it clear that Ladybug is too clever for Monarch's miraculous, the emotional arcs that are followed are the follow-up on where Marinette and Alya stand after the disaster in "Strike Back" as well as Gabriel's renewed vigour. Adrien's only contribution to the episode is to follow Ladybug's instructions and to make clear that his relationship with his father is still awkward. The episode depicts probably THE most important event of the show, but this event is treated almost as an afterthought, and the horrors of it are confined to one (1) line of dialogue from Cat Noir.

The only thing in “Destruction” that is brought up in later episodes is that Gabriel is now actively dying. If they wanted for Gabriel to live on a countdown for his date with the grim reaper, there were countless other ways about it: Have it be his use of too many miraculous which backfires, have him having used the peacock before it was fixed, have it be too much evil on the hands of Nooroo, have him get a serious call from his doctor, have him screw up Tomoe's machinery, have him develop a drug problem. This is a fictional narrative; its twists and turns are absolutely in the hands of the writers, teenage girls being irredeemable or not. It was never vital that this happened by cataclysm specifically.

So what was the point, then? Did we truly turn our magical girl show into a Greek tragedy for the shocked pikachu faces only?

The one thing I somehow haven't seen people bring up, is that "Destruction" makes it impossible for Adrien to learn Monarch's identity. According to the writers themselves, the reason lies in two of the other episodes named after him: "Cat Blanc" and "Ephemeral", wherein he learns his father's identity and is promptly akumatised. This is of course bullshit: both these cases relied not on Adrien learning his father's identity, but on Gabriel specifically scheming to traumatise Adrien with both the Hawkmoth reveal AND the fact that he's been living in the same house as his mother's dead body for the last year or two (timeline here is spectacularly contradictory). There was anothing inevitable about this. You're the writers. You could've set up a scenario where Adrien didn't learn about his father's crimes as an act of psychological warfare, and where he'd have the time to absorb it, to grieve and to find support by the time he'd confront him with it. Having every person close to Adrien keep life-defining secrets from him “for his own good” is, by god, not a good look on anyone involved here. Still it’s understanable, at least for those who aren't either adults or gods of destruction.

"Destruction", however, serves as an explanation for the gaping plot hole in the epilogue: Marinette tells Alya, she tells Su-Han. The one she doesn't tell, though?

The partner who was at her side before Alya or Su-Han ever appeared, and stood by her in far worse storms. Because telling Cat Noir the truth would mean telling Cat Noir that he dealt Gabriel Agreste the killing blow, and ain't that a nifty way to ensure that Marinette won't. Because if Adrien does learn Monarch's identity and the truth about his fall in future seasons, Emilie better hide those garment pins.

The truly damning part of "Destruction" isn't so much what the episode itself does. It's what it doesn't do. It's the storylines it cuts short and leaves behind, and it is the storyline it by its very existence introduces, but which the show refuses to touch.

Per title and content both, "Destruction" should be the culmination of thematic storylines from "Cat Blanc", the NYC special and "Kuro Neko". It’s not; it’s not even about Adrien, and Plagg isn’t even present in it. Moreover: its lacking presence on future episodes make it painfully evident that ambitions, there were none. Those storylines were either aborted like Adrien picking up Felix's spyglass in the S4 finale, or the show never did mean for there to be such a thing as "layers" to this story about a boy who becomes a hero to unknowingly break free from his superhero father.

The real reason why "Destruction" is the worst episode of Miraculous: Tales of Ladybug and Cat Noir is that it obliterates the most cohesive character arc this show had going for it, and that this was done on purpose.

#miraculous ladybug #ml criticism #mlb meta #blah #adrien agreste #gabriel agreste #storytelling #mira

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gale-gentlepenguin · 11 months

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What is your opinion on the comments from the writers about the season 5 finale and the finale itself?

So I should say that the only comments I’ve seen (from the translation ) and this ( post )

My opinion on the writers and their commentary regarding the finale.

I do understand why they did the things they did.

Limited resources and wanting to utilize what they had.

I totally agree with their use of Piano Lucky Charm.

I think the fight the physical fight with Monarch and Bug Noire is phenomenal.

I can tell a Lot of effort went into planning this season out.

And as a Writer I can respect the references, nods, foreshadowing and jokes that were put in.

Fang using Kung fu is a hilarious image and it’s my favorite shot outside of monarch having a piano dropped on him.

People can say they like the ending, and if they do, awesome. I’m glad that you can enjoy this ending that I don’t.

So let’s have that put at the forefront

That is everything positive I have to say regarding the commentary and I will be going into detail on my ‘Problems’ below. And yes I will be getting angry.

(You have been warned)

I absolutely LOATHE their explanation on how they justify their ending.

Everything about it makes them sound pretentious and arrogant. They sound like they think they are being so clever with an ending when the ending is actually a fucking punch to the face of ANYONE that cared about having a resolution to this arc.

If the writers were so keen on having us CARE for Gabriel’s little arc. Why not take that Kwami’s choice special and replace it with a two episode arc of Gabriel, Emilie and co getting the miraculous? They can’t say budget because they could use flashbacks or the re-enactment from Representation.

And my goodness, the mental gymnastics it takes to say “Gabriel put down his other rings which means he lost” NO IT DOESNT. He is making his wish, he won. Why the heck would he need them after?!

“His wish is vague, so we don’t know what he wished for.” I DONT CARE IF HE WISHED FOR FREE ICE CREAM FOR EVERYONE ON EARTH! HE WON BY EVERY METRIC! It’s unsatisfying, it’s gross, and it feels all kinds of wrong to the point that my soul as a writer feels personally insulted.

The arrogant pretentious Pricks don’t even realize they left Ladybug in the losing position once again! She’s going to have to suffer the consequences of the wish. Not the person who died VINDICATED.

In the words of Brooke from one piece

“Death is never an apology.”

But she got the miraculous back? Yea, AFTER the villain got what he wanted. Adrien never finds out about any of this, Marinette is left gaslighting and hiding things from him, just like usual but now MORE people are keeping things from him.

All of this writing just end up with a cool final battle scene and then take a metaphorical dump all over it because their peak in character development is outfit changes.

The ending isn’t unsatisfying because it’s meant to be. It’s unsatisfying because it made 5 seasons of watching ML pointless.

And I didn’t think I could hate the finale more than I do. BUT THE COMMENTARY somehow made it Worse!? I don’t know how the f*** they did it.

But knowing their intent and knowing this ending was always intended makes VOLTRON’s ending SEEM serviceable. And yes I know how bad that sounds and I FUCKING MEAN IT.

#Gale’s thoughts #miraculous ladybug #ml critical #ml criticism #ml writer criticism #Gale gets salty #ml writing salt #recreation salt #I think for the sake of my sanity that’s the last I’ll be talking about the finale

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nitrateglow · 9 months

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Favorite films discovered in 2023

2023 kind of sucked, but it was a fruitful year for me as a movie geek. I finally got around to seeing films that have been on my TBW pile for years now. I also gave myself a challenge that I actually completed: watch at least one film from every year between 1900 and 2023.

Anyway, I'll stop beating around the bush. Here are my top 20 favorite film discoveries in 2023. (The order is very, very loose from 5 on down. I genuinely had a hard time narrowing the list down to 20, let alone ranking everything.)

When a Woman Ascends the Stairs (dir. Mikio Naruse, 1960)

This well-regarded drama follows Keiko, a bar hostess who's just turned 30 years old. She has limited options as an unmarried woman in postwar Japan. Considered "old," she has to marry soon or scrape enough money to buy her own bar. With its jazzy score and first-person narration, When a Woman Ascends the Stairs has a noirish vibe but it certainly isn't noir at all. Though the film is tragic, what moved me so much was Keiko's character. She has a tough lot and her story is ultimately tragic, yet she is determined to keep going, even if life won't give her a break.

The Boy and the Heron (dir. Hayao Miyazaki, 2023)

Miyazaki's current "last film" is certainly his most abstract and puzzling. I imagine it'll be one of his more divisive titles in the years to come, but count me among its fans. While being "in the know" regarding the current state of Studio Ghibli and Miyazaki's 60+ year-long career in animation allows one to better appreciate the many allusions and themes within the film, it stands just fine on its own as a surrealistic adventure about grief and the power of art. Also, damn, I LOVE hand-drawn animation so much.

Black Cat (dir. Kaneto Shindo, 1968)

Kaneto Shindo's Black Cat is yet another confirmation of my feeling that horror pairs best with humor or heartbreak. While there are some morbidly funny moments, Black Cat is largely a devastating supernatural horror story about a young samurai who encounters two mysterious women in the woods, not realizing they are the ghosts of his murdered wife and mother. Even worse, they've sworn to kill any and all samurai they encounter, since their deaths were the result of raping, pillaging samurai-- but they remain human enough to desire an exception. I was creeped out thoroughly by the chilly atmosphere and imagery of this film. I liked it even better than Shindo's Onibaba and that was one of my favorites from 2022!

Malcolm X (dir. Spike Lee, 1992)

I usually dislike big movie biopics for being stuffy and formulaic. Malcolm X avoids both of these issues. Directed to the hilt by Spike Lee, this film is passionate and compelling, about as far from a stuffy Oscarbait biopic as you could imagine. Also, Denzel Washington is AMAZING in the titular role. Like, we're talking one of the best performances I have ever seen because not only is Washington convincing as Malcolm X, he also perfectly portrays his arc from zoot-suited young criminal to uncompromising activist leader. I was absolutely mesmerized the entire time-- it's a long movie that never feels its length and I'll definitely be revisiting it in the future.

The Kiss Before the Mirror (dir. James Whale, 1933)

James Whale’s horror movies are listed among the finest 1930s cinema had to offer, but his other works remain woefully overlooked. The Kiss Before the Mirror is a strange marital drama set in a dreamlike interwar Vienna. A lawyer defending a murderer who shot down his cheating wife comes to discover his own wife in the midst of a casual affair. Will this discovery lead to another killing? Despite the lurid plot elements, Kiss is closer to Kubrick’s introspective Eyes Wide Shut than a typical 1930s melodrama. Both husband and wife are complex characters struggling with destroyed illusions, making the story a hell of a lot more complex than you'd expect.

Five Miles to Midnight (dir. Anatole Litvak, 1962)

I am so glad I ignored the meh reviews on this one because I would have missed out on one of the best thrillers I've seen in years. Sophia Loren is a woman desperate to shake off her narcissistic, abusive husband played by Tony Perkins. When Perkins is wrongly believed dead in a plane crash, he hides out in Loren's apartment so they can collect the life insurance money, split the funds, then part amicably. This being a Hitchcock-style thriller, it doesn't work out that way. What sells the film is the psychological cat-and-mouse game between Loren and Perkins's miserable, mismatched married couple, and a noirish sense of doom lends a great deal of atmosphere.

Shoes (dir. Lois Weber, 1916)

Shoes is the best Lois Weber film I have yet seen and it still packs a wallop a century-plus since its initial release. Mary MacLaren plays a young woman single-handedly supporting her family on a five dollar a week salary. She wears shoes that are falling apart but can never seem to save enough for a new pair-- that is, until an unsavory way of getting the cash presents itself, much to her horror and temptation. This is a heartbreaking little film that showcases a lot of what I love about 1910s American cinema. There's less glamor in the settings and nothing at all genteel or cleaned up about the poverty on display. MacLaren is wonderful in the lead too, her performance a quietly compelling portrait of quiet desperation.

Jeopardy (dir. John Sturges, 1953)

Barbara Stanwyck was in such a wealth of films that I can forgive myself for not realizing this one even existed. After seeing it, it's easily in my top five favorite films of hers. On the surface, the plot sounds like fodder for sleazy sex fantasy: a housewife on vacation is kidnapped by a hot escaped convict. She's racing against time to save her husband from drowning after the tide comes in at the beach where he's trapped; the convict has a very specific price for any aid he's willing to offer. Stanwyck's characterization complicates the situation and the direction amps the tension to a breaking point. Great, great stuff!

Girlfriends (dir. Claudia Weill, 1978)

This film came across my path in a weirdly personal way. One of my sisters got engaged this year. We've been close all of our lives and shared an apartment for years, so this is going to be a big change for both of us. Girlfriends is about a young woman whose best friend is getting married, meaning she'll be on her own for the first time. In addition to making this adjustment, she's a photographer currently hired for weddings and bar mitzvahs, but dreaming of entering the larger world of art galleries. I guess you could say it's a 70s version of a quarter-life crisis film (Noah Baumbach's Frances Ha takes A LOT from it). The performances and direction are exceptional, having that unglamorous, lived-in vibe I love about the films of this period. It also just happened to come into my life at the most resonant time, so there's that.

Ivan the Terrible, Parts One and Two (dir. Sergei Eisenstein, 1945 and 1958)

As a person who hates the idea that realism is the only valid form for cinematic drama, Eisenstein's hyper-stylized Ivan the Terrible movies are a joy. The compositions are like something out of a painting, the acting is operatic, the writing mythic and sweeping. The dance number in Part II is one of my favorite scenes in any movie ever. Best of all, the films rise above their propagandist origins, becoming a fascinating study of institutional power set against individual charisma.

The Red Queen Kills Seven Times (dir. Emilio Miraglia, 1972)

I've been getting more into giallo lately and The Red Queen Kills Seven Times is among the more memorable titles. You have the fashion world setting, a disguised murderer running around in a red cloak, over the top kills, a villainous junkie who looks like Bucky Barnes, a spooky castle with death traps, the works. It's a movie where I don't really care too much about the plot. It's the off-kilter, sinister atmosphere that draws me in, as with most giallo movies.

Little Miss Sunshine (dir. Jonathan Dayton and Valerie Faris, 2006)

It took Alan Arkin dying for me to finally get around to seeing this much beloved 2000s gem. I expected to only be interested in Arkin as the drug-addled, foul-mouthed grandpa, but the entire movie is so warm-hearted and hilarious that I fell in love with it whole hog. The characters are all quirky without being Quriky (tm), if you know what I mean. And I love the final message about just living your life and not worrying about whether or not you're "successful" in the eyes of society. An old theme to be sure, but done so, so well here. (Also, the mercilessly satirical jab at child beauty pageants is pure gold.)

Pom Poko (dir. Isao Takahata, 1994)

I feel like a lot of western anime fans only see Pom Poko as "lol that movie where the tanuki have comically oversized testicles." And yeah, that is indeed something in this movie but there's so much more. It's one of the boldest films I've ever seen, an "animated documentary" (to use Takahata's words) about a village of tanuki waging war against humankind's encroachment upon the natural world. It's such a genre grab-bag, critic Daniel Thomas' description fits it best: "The story weaves through slapstick comedy, social commentary, satire, surrealism, and tragedy. It changes moods much the way the tanuki change form, bending and molding into a new shape, and relentlessly moving forward." I still think Only Yesterday is Takahata's best film, but Pom Poko is strong competition and yet another film I can see myself rewatching many times to come.

Bullet Train (dir. David Leitch, 2022)

I still kick myself for not seeing this in the theater when it came out. Bullet Train is a wonderful lark of an action film. On first watch, I recall thinking it was like a live-action anime shot in a very Tarantino-esque style. I've seen it a few times now and I enjoy the hell out of it every time. And if you don't like it, well, you just might be a Diesel.

That Cold Day in the Park (dir. Robert Altman, 1969)

Another film with a so-so reputation that I really enjoyed. Sandy Dennis (who's gradually becoming one of my favorites with every performance I see from her) plays a virginal rich woman who takes in a handsome young guy one cold day. Her initial kindness quickly curdles into erotic obsession and her house guest has his own secrets. It's an early Robert Altman film and not his most polished work, but that makes it all the more fascinating to me. It's a creepy psychological thriller with a haunting ending, as well as an interesting time capsule of the late 1960s.

Faster, Pussycat! Kill! Kill! (dir. Russ Meyer, 1965)

Where has this movie been all my life?? It's a bizarre campfest about three criminally minded go-go dancers who romp across the California desert, strewing all kinds of havoc in their wake. It's such a strange movie that I don't know how to describe it properly: it's got a New Wave sensibility to it all the while indulging in exploitation B-movie nonsense. Definitely a fun film to watch with a group.

Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (dir. Chantal Akermann, 1975)

I finally bit the bullet to watch this one after it topped the 2022 Sight & Sound list. Do I think it's the greatest film of all time? No, but I don't like singling out any work of art for such a designation. Putting aside all the drama that ensued when this was granted GOAT status, Jeanne Dielman is a striking film. It's definitely not something you just throw on casually-- you need to set aside the time to watch it and be in the right headspace. My initial mild interest morphed into a sense of anxious dread as the film ground along its three hour runtime, its protagonist struggling to retain her total sense of self-possession and control as she's thrown off her groove by unexpected events.

The Wicked Lady (dir. Leslie Arliss, 1945)

This is not high art by any means. It's melodrama with a capital M, laying the cheese on thick. Margaret Lockwood plays a devious, scheming femme fatale in 18th century England who's a gold-digging noblewoman by day and a highwaywoman cavorting with bad boy James Mason by night. This is easily the most entertaining of the Gainsborough melodramas I've yet seen, dripping with soap opera antics, sumptuous costumes, and camp-a-plenty.

War and Peace (dir. Sergei Bondarchuk, 1966-1967)

There is no substitute for reading Tolstoy's massive novel, but this 1966 Soviet version is definitely a fine work in its own right. Filmed in three parts, it's about nine hours long and it does a good job capturing the interior lives of the characters in the source material. Everything about it is just breathtaking: the costumes, the sets, the massive numbers of extras during those battle scenes. It's the kind of intellectually and emotionally stirring epic that makes all those hours fly by.

The Sweet Smell of Success (dir. Alexander Mackendrick, 1957)

I often chafe when people act as though all 1950s American cinema were Leave it to Beaver wholesomeness and buttoned up repression. Some of the nastiest Hollywood movies I've ever seen came out of the 1950s and The Sweet Smell of Success is prime among them. Among the best of the late classic noir period, it follows Burt Lancaster as a popular but monstrous newspaper columnist who uses his power to control the lives of everyone around him, particularly his sister, to whom he has a borderline perverse attachment. The dialogue is as sharp ("You're dead, son. Get yourself buried." "I'd hate to take a bite out of you. You're a cookie full of arsenic.") and the cynicism as thick as the best of Billy Wilder. If you love noir, you can't miss out on this one.

What were your favorite film discoveries of 2023?

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