#reading the world

[nerdsbianhokie]

Reading the World

In 2023, I challenged myself to watch a movie from every country in the world during the year, which I more or less succeeded. At the start of this year I decided to read a book from every country in the world (without the time restraint) and got a map to track my progress along with a challenge on Story Graph.

List of countries and books below the cut

Current count: 37

Afghanistan:

Albania:

Algeria:

American Samoa:

Andorra: Andorra: a play in twelve scenes by Max Frisch

Angola: The Whistler by Ondjaki

Anguilla:

Antigua and Barbuda:

Argentina: Our Share of the Night by Mariana Enríquez

Armenia:

Aruba:

Australia:

Austria:

Azerbaijan:

Bahamas:

Bahrain:

Bangladesh:

Barbados:

Belarus:

Belgium:

Belize:

Benin:

Bermuda:

Bhutan: Folktales of Bhutan by Kunzang Choden

Bolivia:

Bosnia and Herzegovina:

Botswana:

Brazil:

British Virgin Islands:

Brunei:

Bulgaria:

Burkina Faso:

Burundi:

Cambodia:

Cameroon: The Impatient by Djaïli Amadou Amal

Canada: The Gift is in the making: Anishinaabeg Stories retold by Amanda Strong and Leanne Betasamosake Simpson

Canary Islands: Dogs of Summer by Andrea Abreu

Cape Verde:

Cayman Islands:

Central African Republic: Co-wives, Co-widows by Adrienne Yabouza

Chad:

Chile: The Twilight Zone by Nona Fernández

China: The Secret Talker by Geling Yan

Christmas Islands:

Cocos Islands:

Colombia:

Comoros:

Cook Islands:

Costa Rica:

Croatia:

Cuba:

Curacao:

Cyprus:

Czech Republic:

Dem. Rep. of Congo:

Denmark:

Djibouti:

Dominica:

Dominican Republic:

Ecuador:

Egypt:

El Salvador:

Equatorial Guinea:

Eritrea:

Estonia:

Eswatini:

Ethiopia:

Falkland Islands:

Faroe Islands:

Fiji:

Finland:

France: The Count of Monte Cristo by Alexandre Dumas

French Guiana:

French Polynesia:

Gabon:

Gambia:

Georgia:

Germany: At the Edge of the Night by Friedo Lampe

Ghana: Wife of the Gods by Kwei Quartey

Gibraltar:

Greece:

Greenland:

Grenada:

Guam:

Guatemala:

Guernsey:

Guinea:

Guinea-Bissau:

Guyana:

Haiti:

Honduras:

Hong Kong:

Hungary:

Iceland:

India: Coming Out as Dalit: A Memoir Of Surviving India's Caste System by Yashica Dutt

Indonesia:

Iran: Darius the Great is Not Okay by Abid Khorram

Iraq: Frankenstein in Baghdad by Ahmed Saadawi

Ireland:

Isle of Man:

Israel:

Italy:

Ivory Coast:

Jamaica: When Life Gives You Mangos by Kereen Getten

Japan:

Jordan:

Kazakhstan:

Kenya:

Kiribati:

Kosovo:

Kuwait:

Kyrgyzstan:

Laos:

Latvia:

Lebanon: Beirut Hellfire Society by Rawi Hage

Lesotho:

Liberia:

Libya: Zodiac of Echoes by Khaled Mattawa

Liechtenstein:

Lithuania:

Luxembourg:

Macedonia:

Madagascar:

Malawi:

Malaysia:

Maldives:

Mali:

Malta:

Marshall Islands:

Mauritania:

Mauritius:

Mexico: Silver Nitrate by Silvia Morena-Garcia

Micronesia:

Moldova:

Monaco:

Mongolia:

Montenegro:

Montserrat:

Morocco:

Mozambique:

Myanmar: Smile as They Bow by Nu Nu Yi

Namibia:

Nauru:

Nepal:

Netherlands: We Had to Remove this Post by Hanna Bervoets

New Caledonia:

New Zealand:

Nicaragua:

Niger:

Nigeria: Buried Beneath the Baobab Tree by Adaobi Tricia Nwaubani

Niue:

Norfolk Island:

North Korea: A Thousand Miles to Freedom: My Escape from North Korea by Eunsun Kim

Northern Mariana Islands:

Norway: Blind Goddess by Anne Holt

Oman:

Pakistan: Hijab Butch Blues by Lamya H

Palau:

Palestine: The Skin and Its Girl by Sarah Cypher

Panama:

Papua New Guinea:

Paraguay:

Peru:

Philippines:

Pitcairn Islands:

Poland: Return from the Stars by Stanisław Lem

Portugal:

Puerto Rico:

Qatar:

Rep. of the Congo:

Romania:

Russia:

Rwanda: Baking Cakes in Kigali by Gaile Parkin

Saint Barthelemy:

Saint Helena, Ascension and Tristan da Cunha:

Saint Kitts and Nevis:

Saint Lucia:

Saint Martin:

Saint Pierre and Miquelon:

Saint Vincent and the Grenadines:

Samoa:

San Marino:

Sao Tome and Principe:

Saudi Arabia:

Senegal:

Serbia:

Seychelles:

Sierra Leone:

Singapore:

Sint Maarten:

Slovakia:

Slovenia:

Solomon Islands:

Somalia:

South Africa:

South Korea:

South Sudan:

Spain:

Sri Lanka: The Seven Moons of Maali Almeida by Shehan Karunatilaka

Sudan: The Translator: A Memoir by Daoud Hari

Suriname:

Sweden: Fire from the Sky by Moa Backe Åstot

Switzerland:

Syria: The Book Collectors: A Band of Syrian Rebels and the Stories That Carried Them Through a War by Delphine Minoui

Taiwan:

Tajikistan: The Sandalwood Box: Folk Tales from Tadzhikistan by Hans Baltzer

Tanzania:

Thailand:

Togo:

Tokelau:

Tonga:

Trinidad and Tobago:

Tunisia:

Turkey:

Turkmenistan:

Turks and Caicos Islands:

Tuvalu:

Uganda:

Ukraine:

United Arab Emirates:

United Kingdom: Poyums by Len Pennie

United States of America: Reclaiming Two-Spirits: Sexuality, Spiritual Renewal & Sovereignty in Native America by Gregory D. Smithers

United States Virgin Islands:

Uruguay:

Uzbekistan:

Venezuela:

Vietnam:

Wallis and Futuna:

Western Sahara:

Yemen:

Zambia:

Zimbabwe: We Need New Names by NoViolet Bulawayo

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[historyandmemes]

RAFAH, Gaza Strip (AP) — More than half a million people in Gaza — a quarter of the population — are starving, according to a report Thursday by the U.N. and other agencies that highlights the humanitarian crisis caused by Israel’s bombardment and siege on the territory in response to Hamas’ Oct. 7 attack. The extent of the population’s hunger eclipsed even the near-famines in Afghanistan and Yemen of recent years, according to figures in the report. The report warned that the risk of famine is “increasing each day,” blaming the hunger on insufficient aid entering Gaza. “It doesn’t get any worse,’’ said Arif Husain, chief economist for the U.N.’s World Food Program. “I have never seen something at the scale that is happening in Gaza. And at this speed.” ... At the start of the war, Israel stopped all deliveries of food, water, medicine and fuel into the territory. After U.S. pressure, it allowed a trickle of aid in through Egypt. But U.N. agencies say only 10% of Gaza’s food needs has been entering for weeks. (Dec. 21, 2023 | Source)

DON'T LOOK AWAY.

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[embraceyourdestiny]

to any americans who feel "paralyzed" and "dont know what to do" to help with gaza:

reading a fucking book. i beg of you.

in a time of knowledge suppression is it your duty to arm yourself with knowledge.

read about americas occupations in the middle east.

read about 9/11 from outside of america and see how they inflicted senseless harm and violence to countless amounts of people and have been suppressing your rights for the past 2 fucking decades.

read about any of the countless wars from the past 30 years. especially from a civilian's. and the victims and survivors' perspective. listen to the horror stories and do not plug your fucking ears as to what your country is doing.

and read about fucking gaza and palestine and keep up with what is happening no matter how "sad" or "uncountable" you might get.

dont look away from this.

you dont have the right to be comfortable during countless active genocides.

if you're knowledgeable, you're powerful, and our current state doesnt fucking want that.

you have the power to change things if you open your eyes and scream to the world.

wake the fuck up.

Edit: please check the reblogs there are readings and ways to help

[sailor-moon-moon]

Happy Amok Time Day, friendly reminder that Theodore Sturgeon, the writer of the episode, is credited with the first positive portrayal of homosexuality in science fiction with his short story The World Well Lost (1953), 14 years before Amok Time aired. Which could mean nothing.

[violenceenthusiast]

the third edition of Julia Serano's foundational and ever-relevant Whipping Girl (the book in which the term 'transmisogyny' was coined!!) just came out, with a new afterword on the current anti-trans backlash and you can order a copy directly from her publisher using the code SERANO20 for 20% off through the end of march

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[radioducky]

Casino-DressCode

Excited for the Casino Party in the upcoming chapter “Of Saints and Sinners” by @morningstarwrites 🫶

It was meant to be a sketch…

[pangur-and-grim]

sometimes you do need trashy media. sometimes you need to slurp toilet water like a dog.

[ba1laur]

2023 darkstalker floating in space doing nothing grinning evily and scary. png 1 and 2

[viveela]

That one twt meme but college days scollace

[casscainmainly]

Jason and Cass' opposing views on murder is so interesting. Their conflict is not purely moralistic - that is to say, it's not purely that Jason thinks murder is okay, and Cass doesn't. It's their identities, their original and most fundamental worldview. Jason is a murder victim and Cass is a murderer. Yes, Jason kills people as Red Hood, and yes, Cass dies multiple times, but this never truly erases how they see themselves. Jason will always have been murdered, and Cass will always be a murderer. They are unable to fully extricate themselves from those roles, and thus will never approach life or death the same way.

[lightlytoastedcashews]

say whatever tf you want about aftg’s writing or its plot but the switch from neil to nathaniel in tkm???? unmatched. that shit turned my veins to ICE when i read that for the first time. shit had me jumping all around my house. nora sakavic knew exactly what tf she was doing literally nobody is doing it like her. that was PEAK.