#rick is not that good of a writer when it comes to characters who aren’t percy

[timtwylan]

having unrequited beef with the author who wrote your favorite character of all time is… definitely something. And I don’t recommend.

[birdiewriteslit]

so that episode was awful

why is percy all knowing??? he just knows who crusty is?? that is so unrealistic and different from his book counterpart.

1. percy knows basic greek myths along with a few obvious monsters. he’s constantly asking who different monsters are and is confused most of the time - this is a big part of the books because he actually learns things normally wherein the show he just knows shit for no good reason (it also makes it super boring to watch bc if it’s not exciting to percy, it’s not exciting to the audience).

2. it’s pretty important for his development as a character and the story that he’s an idiot

and how tf did he just know it was kronos all along??? that is such a strange conclusion to come to given that there was NO EVIDENCE AND ITS THE MOST RANDOM THING EVER (show wise)

i hate how they all just know everything and the traps aren’t really traps. you can’t have a good story without good conflict, and you can’t have good conflict if your characters are geniuses who know every myth ever and every weakness of every monster.

if they were to cut anything from the book, it should’ve been crusty’s waterbeds. idk why they had that in there if percy was just going to explain who he was and that’s really about it. the underworld isn’t even connected to the store in the book?????

they make dumb plot changes that don’t need to be made; ex. four pearls and percy finding the bolt in his bag before hades

poseidon is british for some reason (idk that just makes no sense)

one gripe i’ve had from this show from the beginning is how there’s so much telling and very little showing. we spend so much time talking about things that either aren’t relevant or are unnecessary. this really gets me bc everything else that actually is important is rushed because of it. the storytelling in the show is just overall terrible compared to the book. every good writing element was snatched away for the show. the info dumping is actually crippling (speaking of crippling, why tf is hephaestus not crippled and ugly? that contradicts the myth itself????).

i read these books when i was ten, and they were very special to me. as a book reader, i see a ton of flaws in the show. as a writer, i see a ton of flaws in the show. i really can’t imagine how non-book readers enjoy this show because i don’t think it would make sense to them, and because of all the other reasons about poor storytelling and whatnot.

anyway i’m mad about these things and the little things as well because we were promised a book accurate show, and this is just not it.

me convincing rick to let me rewrite the entire thing:

[ggardengirl]

GGardengirl's Guide to Choosing Perspective & Tense When Writing Fiction

because for some reason, i felt like writing an essay. (word count: 1974)

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First Person: Give Me a Reason, Pretty Please

I don’t think I have written a single thing in first person since I was in middle school, but that is because I mainly write fic. First person fic is generally a turn off for most readers (me included) and I think that’s because first person is such an intimate perspective.

You, the writer, aren’t just writing about a character, you are becoming the character, so that we, the reader, can become the character too. If it is not your original work you’re writing about, then it can feel weird and out of character when we read it, because it implies an intimate knowledge the layman (laystan, if you will) doesn’t have when it comes to the source material. And even if you do know the source material inside and out, and have a serious grasp on the characters, fic readers are not likely to take a chance on it—so keep that in mind, if you’re thinking about first person for a fic. It can be done, and it can be done well, but just keep that in mind, so you know what you’re getting into! 

(This ONLY applies to fic. If you’re writing an original story, I don’t think you need to have any worries about choosing first person, because they are your characters, and it is your story. You can do whatever the fuck you want with them, and no one can say it’s out of character. Now, onto my main thought about first person.) 

First person reads as a real time internal monologue—these are thoughts being thought for the very first time, as something happens, not after. Because of this, it should mainly be used with present tense, unless there is a narrative reason for past tense, such as the protagonist writing the book they exist in. 

Think: Percy Jackson and the Olympians—We are supposed to read the books as if Percy himself is the one who is writing them, not Rick Riordan. (It’s kind of a mixed perspective, because he does address us, the reader, which is direct address, but it’s still first person. The audience is only really referred to as an aside.)

We know this, because Percy straight up tells us it’s a book in the second sentence of The Lightning Thief:

“If you're reading this because you think you might be [a half-blood], my advice is: close this book right now.”

Percy is writing down his story, so that future demigods can learn from his experience. Everything that happens in PJO has technically already happened. Future Percy is telling us how Past Percy felt in those moments, while also having the gift of hindsight, and being able to know what is important and what’s not. (One could argue that this would make it present tense, but Present Percy isn’t telling us what’s happening in the current moment. The story is still set in the past.) 

It can feel weird to read something in past tense when the narrative doesn’t call for it, because it makes me wonder: who is the protagonist narrating for? If the story isn’t happening in the moment, are they just sitting somewhere, going through their past beat by beat in their mind?

“I did [BLANK],” “I thought [BLANK],” —why are they rehashing their own thoughts? And why are we, the reader, being told their past thoughts? Give us a reason!

This is just my personal opinion—there doesn’t technically need to be an in-universe reason for first person being past tense. There’s no hard and fast rule. But I find it distracting to read, and I think it’s something to be aware of—the last thing you want as a writer is for your reader to be stuck on storytelling logistics, and not the actual story. 

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Third Person: Flexible as Hell 

Third person is a lot more malleable. It can be past or present, but it’s still good to think through your choice of tense and whether or not it should be omniscient or limited. You want to choose something that helps serve the story, and doesn’t hinder it.  

Past tense omniscient makes it clear right off the bat that the story being told is a work of fiction. It’s very storybook-esque; very Once upon a time, in a land far, far away, and all that. You don’t need an explicit narrator to make this work, but this is where an explicit narrator works the best—think: The Book Thief, and how it’s narrated by Death. (Once again, one could argue this is technically first person, but since Death isn't actually in the story, he's just telling it, it is seen as third person.)

It works similar to Percy Jackson—everything we are being told has already happened, and the narrator is telling us what happened for a reason. There is a purpose in this specific story being told—we want to read on, so we can find that purpose. 

Present tense omniscient feels more like a movie/live action. We, the reader, are watching the events unfold. These things are happening now, and we are witnessing it. And, like a movie, we see a fuller version of events, because we aren’t only seeing through the eyes of one person. We are watching from a third party camera; a bird’s eye view—not straight through a character’s eyes. If you want your story to feel like a movie, this is probably the way to go. 

Limited and limited omniscient POV’s work in the same way. Both focus on the direct view of a protagonist; we see what they see—limited omniscience just means you add more characters to the mix. This is typically what I choose to write in, but I oscillate frequently between past and present tense with different stories, sometimes with no rhyme or reason. If it’s a book I’m writing fic for, I tend to use whatever tense the book was written in, but otherwise, it’s just based on vibes. 

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Second Person: Criminally Underutilized, Terminally Misunderstood

Second person is…complicated. Which is understandable—it can be weird to read, and tricky to write. I understand why people tend to write second person off, but I think that’s a huge loss for them. Because when second person works, it fucking works. 

Second person works best in the present tense. I think of it like there’s an omniscient overlord who’s describing your—the protagonist’s—life in real time, as it actually happens. Past tense feels weird because why is the overlord telling you what you did? You already did it—you should know. 

SIDENOTE: (spoilers for Harrow the Ninth)

This is the exception to the previous statement. Second person past tense can work, but only if the story is lying to you and is secretly first person direct address. It works when I, a secondary protagonist, am narrating what happened to you, the main protagonist, while I was hidden in your body like a parasite after you lobotomized yourself in the name of love, and you need some clarification of events after the fact. This, and only this, is when it works. (Please read The Locked Tomb series. I’m begging you.)

BACK TO THE POINT:

You can write in second person no matter what the story is about, but I think the real beauty in second person comes through when it’s being used for a reason. I’ve found that it works best in character explorations, and stories where the main character has complicated feelings surrounding their identity. Second person detaches you from the world; it adds a degree of separation from the self that you can’t get with any other perspective. 

For example: there’s a wonderful jackieshauna fic by britishngay on AO3, called memento mori, that’s set in Ancient Rome. The entire story is set in second person, and while reading it, I realized that it couldn’t be written any other way and still work the way it was meant to.

(Spoilers for the entire fic—feel free to come back, but it's still worth reading even knowing what I'm about to say) 

In memento mori, Shauna is a former butcher whose home is destroyed and is taken to Rome. In Rome, she’s forced to be a gladiator, and to go by the name of “Butcher.” 

Shauna is robbed of her identity as “Shauna.” She keeps her name as a secret just for herself, because it’s the only thing she has that’s still hers—the only thing that has yet to be stolen. She takes on the persona of “Butcher.”

“‘Far from home, it’s the Butcher of Gaul!’ The announcer yells and the gate starts to rise. The anxiety in your gut reaches an all-time high before dropping to nothing, you detach yourself from you, the girl from the woman, the rebel to the gladiator, Shauna from the butcher.”

Butcher is violent, ruthless; an amalgamation of the audience’s desires. But she can’t be anything other than Butcher, because Shauna died when her home did. 

“‘Butcher?’ [Jackie] asks, tentative and for a second you forgot that that’s how she knows you, that that’s your name, your identity here. It’s Shauna, my name is Shauna. You almost say but it gets quelled by your head. Nothing else, nothing more.”

It’s only as her relationship with Jackie grows, and she feels like she can open up to her, that she tells Jackie her real name, and then eventually Van. By the end of the story, she’s reclaimed her identity as Shauna all together.

“‘My name is Shauna.’ You tell [Van], in case you don’t make it. She’s probably your closest friend here, and you want someone else to say it, so you can hear it one more time before you go out there, in case." "It’s nice to hear it. You’re enjoying hearing it said again, by people you trust.”

The story works the way it does, and has the impact it does because of the perspective it’s in. There is no other way it could work.

Third person wouldn’t work: Shauna would have to be referred to by name—but the narrative can’t refer to her as Shauna, because she isn’t Shauna, she’s Butcher. But she’s not entirely Butcher, because that would mean she’d completely erased her identity as Shauna. 

First person wouldn’t work either. It would solve the problem of how to refer to Shauna, but it wouldn’t serve the narrative—it wouldn’t show the disconnect she has when it comes to who she is and the things she is doing. First person is far too personal, too intimate, and she has walls up for everyone around her, even herself. Shauna can’t invite an audience into her internal monologue when she doesn’t even let herself into it. 

Which leaves only second person. When Shauna’s real name is mentioned, when we see Shauna call herself “Shauna,” or her friends call her “Shauna,” it feels important. It’s important, because it’s only ever mentioned those few times—only 34 times is the word “Shauna” written. “Butcher” is written 81 times. 

Writing from a second person perspective gets me into a character’s head more than any other perspective. It plays a weird trick on my brain, where I start to feel like I am the “you” I’m writing about. There is something about how matter of fact it feels to write something like, “You walk down the street. You feel broken inside,” that makes me go: “Huh. I guess I’m walking down the street and feel broken inside.” Shit makes me feel weird, but I love it. 

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No matter what perspective or tense you choose to use, remember this: writing is fun! It is meant to be fun! Don't torture yourself with this stuff if it makes writing not fun—talking about technical things and writing strategies is just how writing is fun for me.

Happy writing!

xoxo, lulu ‪‪❤︎‬

(TLDR: first person past tense needs a reason, third person is a jack of all trades, and second person is kinda cool, actually.)

[jankwritten]

rick doesn’t write nor is in charge of whatever goes on in readriordan they do their own thing over there. also mark wrote the book, which is why characters seem ooc - rick still had input in terms of outlining, plot, editing etc but mark basically wrote it. mark has talked about how much control rick gave him so I can’t see Rick being nitpicky about the details. He doesn’t even seem nitpicky in the books he writes solo. now i understand that obviously not everyone knows that and i personally don’t really like mark’s writing style, but they’re a queer poc who put a lot work into writing a story for kids about love, acceptance and overcoming trauma, something they very personally relate to. i’m not saying it can’t be critiqued at all because of this but some of you aren’t even really critiquing it you’re just genuinely being harsh and mean and refuse to even see past the words on the page to see the message and the impact this’ll have on kids, especially queer ones. but no it’s completely irredeemable and a dumpster fire all because clearly people prefer rick’s writing style to mark’s. I just…..ugh. so so disappointing.

well, actually, my genuine problem with it is the way that it was written. the pacing of it, I mean, the way that the story flows just feels wrong, poorly thought out, and poorly executed.

I'm not saying that people can't enjoy the book. And I understand that it's not written for people my age. But from the standpoint of a writer, the book is genuinely just not as good.

Mark writing the book and pouring all their love and devotion into it doesn't change the fact that it feels like it falls flat from an actual writing standpoint. It feels like it was a surface level first draft, the rough outline for what the story was going to be. It's the barest of bones, full of continuity errors and references that feel jarring coming from the characters they come from, moments that feel like they're trying to mimic the original PJO series and instead fall flat and just feel like a mockery.

The topics that the story wanted to address felt like they were shoehorned in - the whole plot was weird and contrived, the fact that Hades was the one who orchestrated the whole thing, the book itself already doesn't make sense just based on that alone.

And the way that the story went about discussing Nico and Will's trauma, I don't know. It felt like every other second Nico and Will were switching rapidly between being confident and flirtatious to individually nervous wrecks, their thoughts didn't feel entirely grounded, the action sequences felt jerky and uncoordinated, I couldn't ever get into the character's head. I couldn't ever really see it through their eyes, if that makes sense, because things were being TOLD to us the whole time, not SHOWN to us. It's one of the first things you're told when you start writing: show, don't tell.

I will say that you're right. Some of us are just being outright mean to the book, which is our right, just like it's your right have not found anything objectionable during your readthrough. And that's totally fine! We're all entitled to our own opinions, that's the joy of being online. Those of us who are roasting the book, calling it a dumpsterfire or saying it resembles a 2013 era Wattpad fic, we're all being dramatic and mean because that's just how fandom is. That's how fandom has always been. We criticize the new media because it will never be as good as the origal, which isn't necessarily a bad thing.

You're right that this book also means a lot in terms of queer rep. It's fucking insanely cool that Riordan and Oshiro got to write such a blatantly queer story about overcoming mental health troubles and navigating a relationship when you're young and traumatized! And they published it through Disney! That's a fucking massive win for representation in media, it's a crazy cool thing to have added to such a popular, well known universe like PJO! I myself figured out I was queer through reading PJO and feeling a connection to Nico specifically, so, yeah, seeing a stand-alone story about him and his boyfriend is actually really really cool to me.

That does not mean that I have to kiss it's boots and act like it's gods gift to gay kids, because it isn't. In the end, it's still a just book. it's still fallible. It is allowed to have it's faults, and I'm allowed to say what I want to about it, just like you are.

peace and love, friend. I hope you have a wonderful evening.

[bloodyshadow1]

I feel like this season of stargirl is the exact opposite problem I have with Cobra Kai as a whole.  With Cobra kai, I just don’t care about the kids anywhere close to the amount I care about the old guys from the movies.  The kids aren’t bad by any means, but there’s so many of them it’s hard to feel invested, when the adults are the characters from the movies I watched growing up. 

But stargirl is different, by bringing in sylvester, I feel like so much of the screentime is devoted to the adults that the kids, who the show should be centered around get the shaft.  I’m not saying I don’t like the stuff with the older heroes and villains, in fact I actually love it, I’m just saying that their story shouldn’t come at the expense of the kid’s story.  In the first three episodes, I feel like we’ve had one fight, and it was sylvester vs Sportsmaster and Tigress.  It was one of the best fights of the show, but still, why can’t it be Courtney using the staff against a villain or something, it just feels like the heroes, that Stargirl are playing second fiddle in a show named after her.  Don’t get me wrong, I understand why, the writers need to establish Sylvester’s character, because there’s something clearly wrong with him and that’s building up to something.  but it can still be annoying.

There hasn’t been much interaction between the new JSA at all this season except for their episode meetup and then they go their separate ways.  Beth and Rick spend time together, which is adorable, but they barely get any interaction with Courtney or Yolanda.  Yolanda especially feels isolated from the rest of the cast, I think she’s had more conversations with Cindy than the rest of the JSA combine. I wish it was a plot point left over from last season and her drifting away from the rest of the team, but it just feels like they needed to give her something to do each episode to keep her on the show.  Which sucks because she’s probably my favorite character. 

Overall, the show is still good, and the acting in it lets it punch way above it’s pay-grade, but I want the show that started with the kids to be focused on them.

[nobodycallsmerae]

Hello, Hello!

Soo, a few days back, I had shared a post asking for some BBRae AU fanfiction recommendations, so, let's put the fact aside that it didn't really help... but now, I'm here to share some stories that I've read, and I recommend reading!

So, this list only consists of AU (Alternate Universe) stories where they aren't superheroes, so you can skip it if you want ^^

So... I won't rank them, because I think every story is amazing, (and I'm pretty easy to please,) so, I'm just assorting them as I keep collecting the links :) Also, I'll try my best to review the stories without giving away any spoilers...

Firstly, there are too many good fics to count, but here I am mentioning the ones which stood up in my mental folder. (Also, it only includes completed stories.)

This list includes all types of stories, high school, co-workers, roommates and all... the ratings are between T-M.

(Links lead to stories on Fanfiction.net.)

The Butterfly Effect -by Light NS | Rated M for semi-sexually explicit material and topics of depression and suicide.

This story definitely comes in my top-5 list blindly, and it deserves so much more! The story is about Gar and Raven, who are adults now... and let's just say there are far too many coincidences in this one! It's a lovely story with also a healthy amount of tension... because, I personally believe it can't be BBRae without some arguments *shruggs*. You should definitely check it out if you haven't already!!

Broken -by LightNS | Rated T

Oofff... okay, so this story is actually one of the first BBRae stories I've read and it's really close to my heart...

First of all, I want to say that the characters in this story are freakishly accurate. I mean, the personalities are on-point. In this story, the Titans are high schoolers, but this isn't exactly a high school romance kinda book. To be honest, this isn't exactly a romance book..(?) It's more like an action/thriller... And... it isn't heavily a BBRae book... I mean, yeah, it is based on those two characters, and Gar spends most of his time crushing on her... but, y'know, it's a book that shows both of them growing... and learning about each other -and themselves.

The writer does an amazing job to portray the character's feelings and personalities, and I'm sure her writing won't disappoint you.

The only drawback this story has is... well, it has a discontinued sequel named "Glass", so, it's kinda sad that, I mean, I've fallen in love with those characters... but, they don't really have a happy ending soo…

This writer is also on Tumblr, @lightns881 , so you can also visit her blog and support her!

By the way, there're also really great BBRae communities to be found on Fanfiction.net and you can check them out for more fun stuff to read. The ones I thoroughly recommend are:

"Best Of BBRae" which basically has all the goodness, IU and AU (but, it's a bit old so... you might not see newer fics there.); and

"Best Of BBRae AU's" which is a collection of one of the best AU stories.

Moving on...

Everything Has Changed -by Chibi 1309 | Rated M for Mature themes and language.

This story also comes in my beloved top-5 list!!

I don't really know what to say about this story without ruining it, but if you're on the lookout for an adult Titans BBRae fic, this is definitely your stop. Well, let me just say that, Gar and Rachel are best friends, a troupe I personally adore, and they live together in an apartment in Jump City.

This story has a lot... I mean, A LOT of feels, and the writer... *chef kiss* She really knows what she's doing. May it be the setting, the characters, the emotions... the author could deliver it wonderfully.

It also has a lot of other Titan members, so I like the fact that it also gives us an insight on what's going on in their lives too, rather than just Gar and Rachel.

Hands up in surrender, I won't say anything else, because I don't trust my mouth (or fingers), but this work is definitely a must read.

"Spy vs Spy" by Caitastrophe8499 | Rated M for mature themes, violence, and adult situations.

This... is a masterpiece people. You should definitely read it... like RIGHT NOW!

In this story, Gar and Rae are from rival agencies, Doom Patrol and Titans, and as fate has it, they're forced to work together. Neither of them are happy about it, because of each other's cocky and standoffish attitude and as both of them work best solo... and also... both of them hate each other... at first. This book, it includes lots of action, and if you knew me, you'll know that I am a sucker for crime and thriller. I mean, this story in itself is so great, it could be adapted into an ACTION MOVIE!! Or maybe a graphic novel to start with. :)

And what's best about it is, it doesn't only show two people romance each other, it shows a group of people working together to catch a deadly villain. I won't say much more to build suspense, but all I'll say is, it's entertaining, spicy, and the character dynamic fit perfectly with their relationship and situation, and if you haven't read it, WHAT ARE YOU DOING!! CHECK IT OUT NOW!! This will probably be one of the best recommendations of your life.

Assuming -by magisterquinn | Rated T

This is a feel good, light-hearted BBRae story that I very much enjoyed. So, basically, it's about Raven (or is it Rachel, I forget), and how the (dashingly handsome and) annoying employee won't leave her alone. She also gets a series of mail that sparks her interest, and I don't trust myself to say more without spoiling it.

Magisterquinn, the author, has an amazing collection of the BBRae (AU) stories they've written, "Chivalry Isn't Dead", "Making Mr.Right" (a must read) and "In Paris" to name a few, so, I definitely recommend checking out their profile for amazing and clever reads.

The Malchior Widow -by beautifulpurpleflame | Rated M

...this story...all I wanna say is... if you haven't read it, you're missing out on something wonderful in your fangirl(/boy) life.

This story is based on my favorite troupe, which is where all Gar wants is for Raven to open up to him. It's like, Raven is a reserved, "untouchable" person, and Gar, being Gar... feels an urge to talk to her. After many, many attempts, when Gar finally talks to her, his friends are like, "How'd you get her to talk?" or "How's she open up to you?" and the response is, "No one's ever even tried before."

"The Malchior Widow" goes at a satisfying, feel-good pace... and it's one hell of a journey. I mean, as the title suggests, Raven's a widow, and she isn't exactly open to the possibility of loving... or trusting someone else yet. It shows not only both of them falling in love... but also understanding, knowing, and learning to trust each other.

Another good AU story by Beautifulpurpleflame is "The Beach House", so you can also read that.

Honorary mention::

"How To Save Her Life" (Rated T) by "Beautifulpurpleflame"

If you're looking for a wholesome, toe-curling good, filled with feels, amazing, awesome, family Titans BBRae story... this book will give you everything... or any of Beautifulpurpleflame's stories really...

I mean, that girl... is a legend... Her stories are so great.. just... I'm speechless

Don't forget to check 'em out.

You can also follow this amazing writer on Tumblr, @beautifulpurpleflame , and show her some love and support.

Okay, another story... Now this may be considered cheating, as I'm only including completed stories... but I couldn't stop myself from not mentioning this story...

Nevermore Records -by LilyTimbers | Rated T

According to the author, only one chapter and an epilogue is left... so, I guess we could wave it off with a yellow flag?

I, myself, can't go on a single day without music. And the idea of my favorite team of superheroes... being a Rock Band..? Boy, ya' don't gotta tell me twice!

This is a slow burn story, which includes Gar in his mid-twenties, along with the other Titans (except Raven), being a part of a Rock Band, which plays gigs at different places just as a side hobby. But, as they have real talent, they get a once in a life-time chance to be an officially labeled band, they're ought to be super hit. Here, we also see some other Titans, which is a real sight for sore eyes sometimes... But, just being good doesn't mean that everything's out for them in a gold platter. The team itself faces lots of challenges which is, truth be told, really entertaining. And the fact that Gar's love interest is his own manager? Oooh... you're up for a real good ride...

I'll keep the rest of the reading to you... and believe me, the story is waaay better than my small review.

The author is also an amazing artist, and has many beautiful BBRae fanarts on her Tumblr profile @lilytimbers , so you can follow her for updates! (though tbh I think you already do... but I felt like saying it, soo...)

If you're also a sucker for musical band based BBRae story, don't forget to check out

Harmony -by Kid Walker | Rated M

Here, Raven joins a singing group which does covers, and quite willingly, she can't seem to keep her eyes off of their leader/director, Gar Logan... and looks like he can't either. It's an amazing story, and I believe you'll really enjoy reading it!

(The story itself is complete, just some extra bonus chapters that the Author posts are yet to be updated, so I guess this story qualifies.)

.

There is also a huge collection of amazing BBRae AU stories on Wattpad, too many to count, but here are two stories that I remember... and had a good time reading...

(On Wattpad only: (and only completed ones.))

High School -by anssoftball94

Soo... as you might've guessed from the title, here Gar and Rae are high schoolers. They live together with Rick (Dick/Robin), Kory and Vic in the Tower. I guess we could call it a slow burn, and what I enjoy is it also has the other Titans in a satisfying amount.

What I love about this story is that Gar and Rae don't just jump into a romantic relationship (like most teens do, I'm just sayin'!) and start a romance, no. In this story, first, they understand each other... and in a subtle manner, fall for each other. It's a really sweet and practical story, and I really enjoyed it... (even though I had to wait for the ending for decades!!)

Just one thing that makes this story a bit weird is that instead of "Gar" or "Garfield", Beast Boy is mentioned as "Logan" throughout the whole story... so... it was a bit... y'know? *shruggs*. But otherwise it's a must read.

A+ -by NikolaDabrowska

This story, to be honest, will definitely qualify as a cliché high school romance, "popular basketball kid falls for introverted bookworm nerd", but I really enjoyed reading it.

I mean like, you know what they say about Disney Classics, right? Even though we've read Beauty and The Beast or Snow White, we still like to watch the movies..? This story's like that.

Even though the troupe is kinda cliché, the story itself is executed in a very engaging manner, with interesting character dynamics and some original plots, so, I would definitely recommend reading it. (I, myself, have read it more than five times...)

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So, that was a list of the BBRae AU stories that I highly recommend! There are more amazing (and incomplete) stories out there to read, but these are just the ones I've thoroughly enjoyed (and remembered.)

Also, feel free to share your BBRae story, if you have written any, and I'll happily read and support your story!!

Happy Reading!

Quick endnote, if you've read this post till here, do me a favor and check out my stories too! ;)

On Fanfiction.net and Wattpad.

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[popculturebuffet]

Of Moons, Millionares and Mothers Part 3: Storkules in Duckburg! aka THE INCREDIBLE STORKULES TERRIBLE BUT WELL MEANING ROOMATE OUT OF MYTH

Hello all you happy people! And welcome and welcome back to Of Moons, Millionares and Mothers, my look at the season 2 arcs of Ducktales! This arc was paid for by WeirdKev27 and I truly enjoy his support. if you want to know how to commission your own reviews or to get a guarnateed review of me of your choice from me a month, stick around to the end. I realized that shoving all my plugs in up top may be driving people away and while I DO make them because I want to make a living off this, i’ts not fair to those of you who simply can’t afford to buy a lot of extra shit like myself to keep shoving it in your face. 

Previously on the Louie Inc Arc, Louie, after believing he had no skills and it was a matter of when not if he ws going to die, found his talent: seeing all the angles and thus being Sharper than the Sharpies. With newfound confidence and a chip on his shoulder from Scrooge saying he could one day be a bigger success than Scrooge himself, founding Louie Inc as a result. But what is Louie Inc? Does he actually have a plan or a bunch of buzzwords. And what does STORKULES, MANLY GAY OUT OF MYTH have to do with any of this? Join me under the cut to find out. 

We open with Louie giving Scrooge his sales pitch that is essentially...

Naturally Scrooge buys none of it. I mean he’s somewhere in his hundreds, he’s probably seen about 80 thousand pitches that amount to “I have no plan but give me money anyway”. There’s a reason there’s a Butch Hartman shaped crater on the lawn from where he threw his ass out. 

Scrooge does mentor the lad, or at least attempt to pointing out he needs an actual product or service (Louie rejects the idea of a lemonade stand as too easy), or as he puts it “Find a problem and create a solution”. 

While the basic PRINCIPAL isn’t bad, find something people want or need and provide it, phrasing it that way sounds like “find a problem people are having and exploit the shit out of that problem for fun and profit.” Granted that IS a guiding principal of business, it’s just not something an uncle should be teaching his kids. They should be teaching them about the anime and cartoons they grew up with as I do with my niece and nibling. 

He does show him a valid example of this in action in the form of Donald. Turns out Donald has found a good way to make money while he looks for a job, can relate: since Duckburg is facing a housing shortage, likely because several square blocks probably get destroyed by Scrooge’s Adventures, Glomgold’s Schemes, Superhero Battles, whatever creation went horribly wrong for Gyro, etc at least once a week. So he’s taken it upon himself to offer up the spare room to whoever can rent it.. and to steal Scrooge’s chandelier which even when caught he still takes anyway. Scrooge.. you called the guy a god-damn moocher in the season premiere, despite the fact he lives there soley because YOU offered and because he’s you know, being responsible and staying by his boys so they have their father figure around. So yeah I feel he’s doing this partly out of spite as is the McDuck way. I mean if your going to call him a freeloader just for being a responsible parent, then he’s going to take it up a damn notch.

Scrooge proceeds to laugh off Louie wanting a million dollars and gives him a dime instead because of course he was. Seriously Louie there are two other billionaires in town who are FAR dumber and far more easily swindled. Just go get star up capital from them. Hell with Glomgold all you’d have to do is tell him it’d upset scrooge and he’d literally throw money at you. Or give you a shark full of money. He needs the shark back though. He’s family. 

Meanwhile Donald prepares for his new tenant and finds.. THE INCREDIBLE STORKULES! Who to his mounting horror as he realizes it, IS the new tenant. And who throws him into the sun. Cue credits. 

So after Donald somehow survives being thrown into the sun, Storkules explains why he’s here: Zeus responded to his son playing the lute a lot like any rational reasonable 

No of course he responded to the “crime” of “playing his instrument a lot” with sending a swarm of harpies on the town then blaming Storkules for it and casting him out. What’s most shocking is not the action, this is honestly him staying the course of being a fucking disgrace, but that Zeus somehow ISN’T the biggest asshole i’ve dealt with this week. No that honor is reserved as always for this bitch:

Keep in mind she manages to be this obnoxious in only TWO scenes. Also keep in mind I had to put up with Julie for a MUCH larger chunk of the previous two volumes I covered before volume 5 yesterday for my Scott Pilgrim Retrospective and she is ALWAYS like this and you now feel my pain. 

This does create a problem though: Zeus casts Storkules out until he’s a responsible adult.. and thus paints Storkules as the bad guy... in a situation where the only other person in the story sent a swarm of HARPIES down at him for simply playing his music too loud. It just dosen’t work as a catalyst: Storkules objectively did nothing wrong. The only person he annoyed was a person who clearly dosen’t love, respect or like his son in any way shape or form anyway and essentially assaulted him and a bunch of innocent people via harpie and then cast him out. Zeus is an abusive asshole and i’ts weird the narrative sides with HIM and not our well meaning doofus. Zeus being an asshole with harpies is not a bad catalyst for the episode, and the harpies being unleashed is used well.. it’s just not a good catalyst for THIS story to try and portray an abuser as in the right. And make no mistake Zeus is a domestic abuser: he had his son mind controlled to try and MURDER innocent people, something Storkules begged him not to do, sent a swarm of creatures after him for the crime of playing his music too loud and in his next episode manipulatives Storkules sad emotional state for personal gain. Why would you try and paint THIS jackass as in the right?

Speaking of painting this jackass in the right sadly.. this episode does not do my boy donald justice. In most episodes he’s pretty nuanced and i’ts fair enough he’d be frustrated by Storkules as a roomate. Storkules has little sense of personal space, breaks his stove thinking theirs hydra in it, makes a mess of the kitchen making them a meal, and in general clearly dosen’t know how to live with a roomate much less in modern society. He has valid concerns and the episode COULD have used it that way.. but he’s also horribly impatient with Storkules. He refuses to get the guy just hasn’t had to live in a modern society and dosen’t know HOW to function in it and instead of helping him just gets mad again and again and gets really pissed when it’s clear Storkules dosen’t have a job and didn’t consider paying rent. He’s not WRONG to want him to pay Rent, despite what ironically the musical Rent would try and have you believe, but he dosen’t have any patience with the guy. And stork isn’t nearly coming on as strong as he normally does. The worst he does is cook the guy lunch and bring his donald fan art with him. Which we don’t see but I am assuming is mostly naked. What i’m saying is for once that while still bombastic, Storkules isn’t trying to force a relationship/friendship on him and simply wants to learn t be an adult from his best friend.. and Donald isn’t bothering teaching him.

Asking for rent or for him not to destroy the stove is fine, but not explaining WHY he needs either of those things or why he needs boundaries, he makes a roomate list, isn’t helping the guy. And this would be fine... but the episode dosen’t call Donald out on it for no real reason. It feels like it’s setting up for a “you should learn to wokrk with someone instead of just screaming at them aseop” that never comes and like with Zeus takes his side because shutup. I’d also LIKE to say this is the only time the writers reduced one of the cast to a caracture of themselves.. but I can’t.  Several episodes in season 3 forgot Louie’s character development and another episode in season 2, The Duck Knight Returns!, somehow reduced both Scrooge and Dewey to parodies of themselves with Scrooge SOMEHOW, despite Della as stubborn as she is being in his care and by his side for decades and Movies bein ga huge business, not having seen a movie since the 1920′s and not knowing how they work and Dewey being reduced to just hyperactive moron. It isn’t as common as other shows like say Regular Show, The Loud House or, for the exact reason I lost intrest, Rick and Morty, but I still expect better, especially since they went into this season KNOWING Donald would be gone for half of it and this would likely be one of his only spotlight episodes. 

Back at the good part of the plot, Louie is having a company meeting aka already treating Huey and Webby like his employees. Webby of course is glad to sign on, if little help in actually coming up with a product while Huey just wants to nope out. And if your wondering why Dewey isn’t involved Louie outright says he’d make a bad employee and while Dewey rises from his bed to object.. he stops halfway to opening his mouth and concludes he has a point. Best gag of the episode. Louie being louie easily cons Huey into staying by making Webby his charts officer. 

So the three have a corporate retreat at Funso’s... granted they don’t have a product but Louie figures this might help. Huey.. still wants out of this and suggest since they already spent what they had on ski ball “Company over?”. It’s clear that Huey just sees this as another one of Louie’s short sighted schemes... and while he’s not ENITRELY wrong, Louie has genuine ambition.. he just has no earthly idea what he’s doing and is shooting way too high.. but for understandable reasons. 1) He’s 11 at this point. 11 year olds aren’t great at business strategy or reinging it in. 2) he wants to live up to what Scrooge said to prove he can be successful and really be worth something like his mom was. 

But sometimes fate throws you one and the harpies bust in. And while Louie wants to do nothing and hope they go away Huey and Webby spring into action.. as does Storkules, who had to leave but warns donald there’s Orzo in the slowcooker and to not open it “LEST THE PASTA FAIL TO ABSORB THE BROTH!” Which is just.... Chris’ best line dleivery the episode. He says it like he’s saying the title of an old Stan Lee and Jack Kirby comic, i’ts wonderful.

So our heroes defeat them and Louie steps in to charge for the service and quickly comes up with a company idea and name “Harp-B-Gone” (A Subsidary of Louie Inc). Louie hires Storkules on the spot. Storkules proudly tells Donald he has a job the next day and goes off to it. What follows is our heroes hilarously shooting a commerical with Storkules playing a baby to promote themselves so they can help who needs it. They just need to find out what they want.. and thanks to the JWG and the harpies stealing it find out they go after people’s most treasured posessions   Cue Ghostbusters-Style Montage

And this isn’t just me saying thing. The Rewriting History Entry (Which as a series weirdly stops around mid-season 2 and I don’t get why frank hasn’t gone back and finished it since) states they specifically based this whole operation on ghostbusters and the entire sequence of our heroes cleanin up the town reminds me of it. The highlight of it is a glomgold cameo where he’s kidnapped.. and refuses to pay so Louie just lets him go. And were this an innocent person who couldn’t afford it, i’d call him a monster.. but it’s glomgold. he brought this on himself.. and also sues himself for it. Wonder if he won. 

So with their stars rising, our heroes get booked on the hottest show in town: Dewey Dew-Night! I had honestly forgotten there was a Dewey Dew-Night segment in there, and delighted I get to talk about this recurring bit.  It’s one of the shows funniest runners and just perfectly FITS Dewey: of course the most egotistical and energetic of the kids would not only want to be a late hnight host but make up his own show. I also love the slow evolution of it: it started as something everyone clearly knew about but he stlill tried to keep hidden, slowly escalated to him allowing the rest of his siblings (Webby very much included) and the giant man who stalks his uncle in, and by later this season he’s putting the show online in the web shorts and gladly shooting it into space, with Season 3 having him spend the first half of let’s get dangerous making a documentary that includes an episode of the show featuring Darkwing. It’s a small thing sure, but it’s the little things like this that make the show special. 

The show does reveal a problem though as it turns out they’ve GOT all the harpies and while Storkules merely wanted to help, Louie points out they need more to keep a buisness going and naturally never bothered to ask Storkules just how many there were. They need SOME plan to get going. Webby submits a legitamte and great idea, training the harpies as she’s been trying to do in the background of the episode and aside from a hole in the floor they are starting to listen. But Huey is an ass about it and not only shoots it down saying let’s keep the dangerous creatures contained, even though A) he has no idea WHERE they’ve been kept so he can’t verify it’s safe, and since i’ts Donald’s Closet no no it’s not. and B)There’s no where he knows of to keep them. He isn’t aware of the other bin till next season. and C) it’s not ehtical to keep creatures locked up forever epsecially since while the harpies are dangerous they arent’ MALEVOLENT and are clearly acting on instinct. oh and for D) at least she has a plan to keep the company going instead of just wanting to end this and cash out. 

Which Huey tries to.. but naturally Louie spent all their money on...

So their broke.. and Storkules has no rent money and feels like a failure despite having done NOTHING wrong. We do get a clever little nod to Disney’s hercules though “I”m not a hero, i’m a zero”. Webby rightfully glares at Louie who decides to fix it... by sneaking into Donald’s house that night to free the harpies. 

Though to the shows credit it’s a VERY bad idea, and Storkules coming in mid attempt and congradulating Louie when he lies about checking the door gets the kid to come clean. And it’s a nice character moment: He could still go through with it.. but it’s clear he realizes just HOW low he was about to sink to save his own skin and that as much as Storkules WANTS a paycheck and deserves one, it’s not worth hurting people to get it. Louie tries to justify after this.. but can’t. 

Unforutnately Donald took a lot of stupid pills this episode, yells about his no pets rule and frees them instead of you know, THINKING for five minutes.

So yeah NATURALLY Donald is an angry shit about it , refusing to actually TALK to Storkules about this or maybe admit this is partly HIS OWN FAULT. Yes their both at fault, Storkules shoudln’t of shoved a bunch of harpies in a closet. That’s a classic blunder. But Donald still opened it and isn’t called out on taking zero responsibility. Huey sees the fracas and just takes down their days without an accident placard, good stuff and he and webby arrive to help. Donald fights with Storkules and Storkules worries about loosing his friend.. lead to them going after the thing he values most aka donlad and hyjacking the house boat, though the kids manage to get aboard. 

As Storkules saves Donald, Louie realizes the most precious thing he has is  his merch and willingly gives it, and his buisness up to save everyone. It’s good character stuff and shows that despite his problems with greed, Louie IS a good kid and will do the right thing. It’s what seperates him from the Rouges Gallery the family faces: He has FLEXIBLE morals but he has morals when it comes down to it. So everyone tosses the stoff to help direct the hapries and make it home tying them up. Donald has a heart to heart with Storkules and agrees to help him find another place, but still considers him a friend and they hug. Awww.  One intresting thing I DID find out from rewriting history is they originally fully intended to have Storkules STAY on the houseboat. He was going to be a permenant member of the household, at least as far as Season 2 was concenred and plans were made for several episodes down the road: the whole bit with him in “The Golden Spear” was simply because he lived there, he was going to be the one Della met in the houseboat, obliviously guilting her about what she’d missed, and he was going to set off the kids subplot in “Whatever Happened to Donald Duck?”

This ended up not happneing for logistical reasons: Frank, and I swear this was the term he used, felt they already had the perfect Himbo in Launchpad and it was just too much HImbo energy for the two to coexist without one taking the others screen time or neither getting a lot. 

The next reason was having a god around simply broke the story: He cited the gilded man from “Nothing Can Stop Della Duck!” as a specific example. There were just too many hoops to jump to have him not break any story he should be around for.  Finally with Della being added to the cast soon there simply wasn’t room in the main cast. Della brought it up to 9, Storkules would make it 10, and as i’ve gone on about the show already had trouble ballancing it’s cast, something Frank admitted to. Adding him would both be too big a stiatus quo change and be one on top of the massive one of Della joining the cast. So he was dropped back to recurring and only showed up one more time. And while it was the right call I am dismayed he didn’t show up for the whatever happened to donald duck subplot and it does feel very weird he never adresses Donald being gone despite, at least for season 2, apparently living in Duckburg. Otherwise though as funny as this wouldv’e been.. yeah it was the right call. 

Scrooge returns... having been absent all episode because otherwise it wouldn’t work and easily saw Louie loosing it all coming.. but gives him a can of lemonade for his troubles and comforts the boy. The heart of htis arc and what makes it work at it’s best.. is these two. Scrooge GENUINELY wants to help Louie see his potetial successor in buisness: oh sure adventure wise he’s throughly covered.. but Webby, Dewey and Della all are more focused on the addventure part and that’s where their passion and talent lies, Huey’s better at science and given his close frinedship with fenton and how much that part of things seems to truly inspire him, i’ts what he was born for, and Donald just wants a regualar life and can’t manage his own life much less a company. 

Louie is the only one in his family whose the right fit to inhereit that part of his legacy and I feel that’s why he takes a special intrest in him and webby over the other two: While he loves all of them and will clearly again leave a piece of his fortune and empire to all of them, Webby is the most like him, as we later find out not coincidentally in the slightest, when it comes to adventuring and curosity and a love of exploration. But Louie is the most like him in other ways; He’s cynical, money driven and passionate. Scrooge simply wants him to be as good a person and buisnessperson as he can be and is trying to push him in the right direction. And does so here by pointing out that failure isn’t a huge problem..it happens, comes with the terriotiry and as we’ve seen with life and times, even with portions of it clearly not happening in this universe, he failed a LOT to get here. What matters is that he tries and tries to do it the right way. 

Scrooge also sympathizes as he was buying a lemonade company in cape suzette, giving Louie the can as a present... but laments there’s no cheap effective way to deliver the lemons. Louie notices the harpies going after the can after he throws it and Webby controlling them with it and muses that theyd idn’t think about what THEY wanted.. nad rightfully gets punched across the lawn by Webby, whose had to spend an entire episode having her surrogate brothers talk down to her and ignore her valid ideas. She dosen’t even open her eyes she just bops him one.

So we end with Scrooge having enlisted the hapries, Louie trying to take credit again and both realizing they might just steal the lemons instead of work for them. Ha ha ha their going to get so sued. 

Final Thoughts: This one was mediocre. It has some good points, Louies arc continues to fascenate me, Huey’s done with this shit attitude is hilarous, and Storkules is at his best in this episode: his crush on Donald is toned down from this..

To this

To the point I could see shipping them off this one if Storkules episode didn’t have him do eveyrthing short of .. well see above.  So it’s not WITHOUT merit: I love me a ghost busters style plot, there are great jokes and Chris Dimatopolis is a gem as always. Glad he’s getting work after this show on Invincible and hope he gets to play Darkwing again some day. But the Donald stuff and the fairly predictable plot drag this one down. I’ts fairly obvious they’ll run out of harpies, Louie will have spent the money and they’ll somehow get free. It’s not a terrible episode but it’s it’s sandwiched story wise between two straight up classics on both sides: the previous two episodes were even better than I remembered and the next two are incredibly good: Whateve Happened to Della Duck?! is one of their finest hours and The Outlaw Scrooge McDuck, while not making my best of list for the series as a whole is still one of my favorites for the season.  It’s just disapointing this one wasn’t nearly as good as I remmebered and it’s understandable why I forgot almost all of it, unlike the previous two episodes. Thankfully as I said better’s over the horizon.

NEXT TIME ON OF MOONS, MILLIONARES AND MOTHERS: I’m taking a break for a week. One of two weeklong breaks for the arc, the other being the first week of July where i’m on vacation anyway (Though i’ll be doing the episode I would’ve done for that week the week before to keep the pace up, so no worries),

 As for why, it’s my utmost honor to announce GOOF WEEK! Goof Week is a weeklong celebration of Goofy’s birthday. The idea came about because as I do for the big three, I intended to just do a shorts special. But Kev , the guy who made this very review possible, suggested doing the two part Goof Troop pilot. And since kev pays for a house of mouth episode a month anyway and thaks to you lovely people I hit my patreon stretch goal to review the goofy movie, I figured “why not make a week out of it. Hence Goof week. So next week we’ll have a review of the two part pilot for Goof Troop, the special Sports Goof, the House of Mouse episode Super Goof, your regularly schedule shorts spectacular, with The Goofy Movie for the grand finale! yaaahoooooieeee! 

When we come back i’ll be shuffling episodes around slightly so I can do the Della comics from the Ducktales Tie-In Comic before her debut and in time for Donald’s own theme week in June, i’ll be saving “Whatever Happened to Della Duck?” for the week after Donald Week. Instead next we get a fun wild west adventure as Scrooge tells a story of his outlaw days, his tension with goldie and his encounter with a certain robber baron as John D Rockerduck FINALLY makes his screen debut. Yee-Haw!

If you liked this review, subscribe and follow for more and consider joining my patroen, patreon.com/popculturebuffet. I have exclusive reviews, my most recent duck based one being an obscure carl barks story about wigs and the boys attempting to murder a guy with a blow gun, and your contribution helps me reach my goals and thus gets everyone, patreon or not, a bunch of neat new reviews. If you get me to 20 dollars a month, i’m currently at 15, EVERYONE will get a monthly darkwing duck reviews, reviews of the two remaning ducktales 87 mini series including the origin of GIZMOOOODDUUUUUCCCKKKK, and a review of the Danny Phantom movie The Ultimate Enemy. And with the month running out NOW’S the time to join. YOu’ll also get to pick one of the shorts for my Donald Duck birthday specail next month, so if you want to join in NOWS the time. But wether you can or you can’t, thank you for reading, i’ts been a pleasure. 

[arabian-bloodstream]

Why in Angela Kang I Trust

Maybe because I've been bruised and battered by showrunners and exec producers when it comes to couples and have also been rewarded (very, very, VERY rarely -- OK, like once), that is why I'm feeling positive about Caryl with regards to the spoilers.

Lemme give a bit of my history.  I've had sooooo many couples, it's not even funny. I'm beyond a couple-girl.  I've been involved in Harry Potter, Game of Thrones, The Vampire Diaries, Veronica Mars, The 100, Star Wars, Buffy the Vampire Slayer fandoms (and many more). Yeah, so I've been through some ups and downs in the fandoms themselves and with the end result of the product/my couple preference.

Two of the things that these fandoms taught me were (a) critical analysis of the product taking *everything* into account and not just my couple, and (b) how to deal with spoilers to keep myself sane.

NOTE: This is how I deal. I'm not telling anyone else how to feel or deal. This is my bag and what works for me and why I'm personally totally, 100% positive about Caryl despite the recent spoilers.

In one of my fandoms, I was heartbroken by how an episode played out. It made no sense to me. I had analyzed everything, paid attention to all the road signs... how could I have been so wrong? How could she choose the other guy??! It took a few weeks, but I re-thought everything and realized that I had been so focused on analyzing MY couple that I had ignored the OTHER couple. I had ignored the other aspects of the show and that other aspect mattered. It was like a bomb went off in my head. Suddenly something so obvious was now so clear to me.  

From that moment on when I analyzed the show, I analyzed every character, every aspect of it and I gotta tell you all I just about nailed every character plot point. Not the twists/turns, but the emotional, character beats? I was right as rain on those. Because here's the obvious thing, no showrunner/headwriter is ever going to write for ONE character, ONE couple. They are going to write for every single character, every single couple.  And if they are good writers they aren't going to take fanfic-like shortcuts to get them where we would like them to be, they are going to dig deep and explore who they are as characters to bring them organically to where they belong.

So... The Walking Dead. Angela Kang. Daryl Dixon. Carol Peletier. Caryl. (FINALLY! Ya'll say.) Angela Kang is a GOOD showrunner/headwriter. She brought TWD back from the disaster that Scott Gimple had made of the show. Seriously, I think 3-4 seasons went by and only 2 months had passed in that time. It was mostly a slow-moving morass of nothing happening with most characters doing nothing, barely connecting. Blech! It was mostly just not good. She whipped this show into shape.

Kang also took a long look at Carol, Daryl and Caryl and realized that in order to get them where they needed to be... which was TOGETHER ROMANTICALLY, they needed a helluva lot of work because Gimple had done ABSOLUTE SHIT with them for about 4 years. They had barely a handful of scenes over that time period, had been mostly separated and both characters had been decimated in completely different ways.

Carol's grief, guilt and horrendous actions had been completely and utterly sublimated. She told no one (including Daryl) about what happened with all of the children she had lost by her hand or through she felt because of her.  So what did Kang do? She used the relationship that Gimple had begun with Ezekiel to create this fairytale fantasy that Carol could escape to since she couldn't be with her Alexandria family anymore because of that grief and guilt. She gave her that respite and escape until she was ready to live with the reality of all she'd done.

And then she opened the door to that grief and guilt with Henry's death, destroying that fairytale/fantasy so that she could finally begin to heal. And that is what we are finally getting now, a healing Carol. She's not whole yet, but she's stronger and she is healing. She's no longer hiding in some fantasy, she's no longer drowning in grief. And she's with her family again. She's come home.

I'm sure just as Kang looked at Carol, she also looked at Daryl and saw how Gimple had turned him into a monosyllablic follower. So, through the last two seasons, she's been building him up as the leader who's stepping up and also... HE SPEAKS! That's really the big thing, but it's such, such a big thing.

Finally, Caryl. To begin with, Kang's first episode made it perfectly obvious that it was a Zeke/Carol/Daryl triangle. However, because it's been sooooooooooooo long and the Caryl crowd has been battered for so long and the ABC crowd is so loud and even the media doesn't immediately jump to it despite the popularity of Caryl the obviousness of it just wasn't obvious. But the way Zeke proposed to Carol to which she did not say yes, his undying declaration of love to which she did not respond in kind to the way she curled up (yes, curled up!) against Daryl to tell him about said proposal and his response, clearly not happy about it, but willing to give her the go-ahead if she was happy was so obvious. I mean, DUDE! Yeah, that was textbook triangle material with the guy proposing being the clear loser in the equation in the long run. And that was Angela Kang's first episode as showrunner!

Everything that followed--the secret visits to him, her cutting his hair, her trust in him and vice-versa--to her leaving Zeke behind in Hilltop and going with Daryl to Alexandria, yeah, all of that was clearly going to be how that "triangle" ended based on that first episode.  But so many Caryl fans were heartbroken, upset, furious about the Carol/Zeke spoilers. Of course, they were. We had no idea what Kang had in store. We'd been burned and battered and used and ignored by TWD, AMC, Gimple, et al. How could we possibly know that Kang had a plan all along and that the Carol/Zeke relationship was about paying time and attention to Carol's character and establishing a subtle triangle with Daryl in which he would emerge the victor?

But that's exactly what Angela Kang did. And then in season 10 she made it clear numerous times that it--only her second as showrunner--would feature the relationship of Carol and Daryl at the heart of it. So I have a few points I want to make regarding the upcoming spoilers taking ALL of the above that I've written into account:

1. Spoilers are tricky things. You simply can not know what is what until you actually watch the episode and even see the full arc play out. When you have a good showrunner/headwriter who has a plan and knows the path planned for the characters--one who has proven they know what they're doing--wait until you see what they are actually doing before assuming the roof is falling in. At least that's my philosophy.

2. I mentioned how the obviousness of the triangle aspect set-up in Kang's first episode as showrunner was so missed and a part of that is because of the fact that there is too much ambiguity in how Caryl and Daryl see one another. Is it friendship? Is it a mother/son (pfft! So fucking ridiculous!) relationship? Is it a sibling-like relationship? Or is it romantic/sexual? (YES, IT IS!) This very well may be what answers that question. (It’s the last one. It’s definitely the last one.)

3. 10x18 is STILL a part of season 10. According to Angela Kang, the heart of season 10 is the relationship of Carol and Daryl.

Finally, there are two characters left from the first season of this ten (of eleven) season show. Carol and Daryl. There is going to be a spin-off featuring Carol and Daryl. A character that Daryl has some sort of history with when he thought he lost Carol when she was married to someone else (after he had lost Rick) is NOT going to suddenly, randomly become the ONE to come between Carol and Daryl.

It doesn’t matter that this character is coming back in the final season. Sorry, not sorry, but it just does not. Carol and Daryl are the ONE for each other. This character is just another Ezekiel, a part of their story. Angela Kang has been organically, effortlessly rebuilding Carol and Daryl, and Caryl back up from the neglect and abuse that they suffered (especially Carol and Caryl) under Scott Gimple.

This is why I trust in Angela Kang.

[peppersonironi]

Duke Thomas VS The "Good Child" Stereotype Chapter Three

Wooo! Chapter Two (not including the prologue) is up now for my @dukethomasbigbang fic! Today's art is by @a-sketchy-character and you can find the glorious piece HERE

thx again to my betas @queerbutstillhere & @theycallme-ook

Today has a special thanks to @batgirls-appreciation who dropped out as a beta, but this chapter couldn't exist without her!

Summary:

Duke pursed his lips, not quite sure why Cass had come down to the basement, only to look into his soul, shrug, and leave. But that didn’t matter right now. As Bruce would say, “The mission comes first.”

Read on Ao3

Duke frowned down at his empty pad of paper, trying to brainstorm. It had been a mere twelve hours since the failed Rick Roll (though, the Rick Roll itself wasn’t a fail. Duke would be daydreaming about the chaos for years to come), and the day shift bat was itching for a way to make up for it.

Alas, the creative juices were not flowing that day. Duke had tried everything - taking a walk, training, meditation, writer’s sprint, and even resorting to watching prank compilations on YouTube. But nothing worked. So, he found himself watching the target Bat - Bruce - in his “natural habitat.”

Also known as the living room, mid lecture.

“But I don’t know what I did!” Tim pleaded desperately, trying to convey to Bruce his confusion.

Bruce shook his head. “No, you do, Tim. Dick told me you all will appeal to my affection to get out of the consequences for your actions -” wow, Duke remembered Dick using that exact tactic just yesterday, and it worked - “So I will not allow you to shirk the punishment.”

Tim groaned. “This is tyranny! I’m an emancipated minor, I don’t need to deal with this.”

“Actually, yes you do. You will be doing chores for Alfred for the next two weeks, and you aren’t allowed to run off to Mount Justice.”

“Then at least tell me what I did wrong!” Tim cried, throwing his hands up in the air. Bruce rubbed his temples, then glanced briefly at Duke.

“You know what you did, and how it affected those around you. And you’re grounded because of it. No room for arguments. Now go work on the sprinklers, Alfred has mentioned they’ve been finicky.”

Tim scoffed and stalked out, soon after followed by Bruce.

Duke considered relocating as well - he couldn’t very well observe Bruce if said wild furry wasn’t present. But something about that conversation that sent a light shiver up Duke’s spine, some small spark of inspiration.

An idea began to form in his mind, and Duke smiled slowly.

*****

“For all Bruce’s waxing poetic on the merits of high tech stuff, this pipe organization is seriously ancient,” Duke muttered under his breath as he glanced from the blueprints he had secured to the mess of pipes and spigots and nozzles in front of him.

Though to be fair, this wasn’t the Batcave. Duke was in the basement of Wayne Manor - yes, he was just as surprised to find they actually had one of those that wasn’t dedicated to the dark and mystique training of Gotham’s Protectors. And impromptu Mario Kart challenges, because as Tim had once told Duke “We all know that’s the real reason Bruce got a giant computer setup.”

Duke cursed softly under his breath when he dropped a wrench that began to clang around in the messy cage of metal. He set the blueprints aside atop the gallons of paint he had chosen, and reached around and down to get the wrench. When he came back up, he found himself face to face with his sister Cassandra.

Oh shit, Duke thought, as he tried to figure out how to cover for what he was doing in the plumbing of the Manor.

Cass squinted at him and, not for the first time, Duke felt like he was an onion trapped beneath her gaze, slowly being peeled back layer by layer till the young woman before him knew every little detail about him. Every thought or plan he ever had.

Duke began to sweat, unable to keep his panic under wraps. Cass was scarier than Bruce, that was just a fact.

Cass tilted her head a fraction of an inch, and Duke thought he was a dead man. But, much to his relief and confusion, Cass shrugged and turned. She walked lightheartedly out of the basement and to the stairs, whistling tunelessly as she went.

Duke pursed his lips, not quite sure why Cass had come down to the basement, only to look into his soul, shrug, and leave.

But that didn’t matter right now. As Bruce would say, “The mission comes first.”

*****

As all members of the Wayne family knew, the Library was one of the best places, period. Aside from the living room which was always a mess of pillows, bean bags, inflatable dinosaurs, spare semi-automatic weaponry and knives, the Library was the most personal room in the expansive home that was the Manor. Sure, it was cleaner and home to fewer surprise nerf gun fights, but It still had an air of warmth about it. It was the place that they would go to to rest after a difficult patrol. Where you could find Jason reading some book in a corner, Tim busy with WE work at the large table, Damian trying to teach Alfred the Cat and Titus to read picture books, Cass and Steph trying to be subtle about making out (though to be fair that was only half the time, other times Cass was working on reading with Steph helpfully giving her guidance). Dick would always be trying to decide what to read and but he would never actually succeed, Bruce would sit in his tall armchair in the corner overlooking every small detail of his children with a not-quick-smile-but-pretty-darn-close on his face.

Duke himself also had his own spot that he would work on writing poetry, or just surf Tumblr. It was a window seat at the far side of the library which was technically big enough for three people, but Duke had a strict policy that it was his and his alone and no he totally wasn’t bullied by Cass that one time to snuggle. Why on Earth would you ever consider such a thing?

It was in this spot now that Duke was situated, though he was not alone. Titus - yes, Damian’s dog - was draped across his lap. Now, Duke didn’t mean to steal his little brother’s pets, but it just happened. Titus was in need of snuggles or belly rubs when Damian was away with Jon or on patrol at night, and Duke just happened to be the only one that said canine could bully into granting him.

Thankfully, like all bats were, Duke was a multi-tasker. He wasn’t put off by having to scratch a dog behind the ears whilst simultaneously checking the twelve blinking dots on his laptop screen that represented his family members.

Duke stared intensely at the diagram of the Manor as all the dots slowed down and finally stayed in their predetermined positions. Huh, Tim was right. Stalking family members did pay off!

The dots suddenly stopped blinking, and Duke snapped out of his self congratulations. It was go time . He switched windows, then quickly pulled out his phone and pressed a button.

There were several screams that echoed throughout the ancient halls, those screams spoke of terror and surprise, and passed along the message that something was very, very wrong in the world. The status quo had been broken, and there was no returning from this.

Duke smirked down at his computer, where a dozen different squares displayed camera footage of the real time happenings of the Manor. Said footage was showing several members of Duke’s family drenched in paint. The same paint that Duke had meticulously divided and poured into the ceiling sprinkling system that the Manor had for some totally-not-plot-related reason. The same paint which had been primed and ready to be sprayed out of the spigots coating each bat with the perfectly calculated, even layer.

The paint had just finished being deployed, and yet several people were for some reason trying to fight it off like it was an attacker. Duke noticed that the swinging of bo staffs, AK-47’s and katanas were altogether unsuccessful. Honestly, the people who were standing completely still in shock, or who were trying to shake off the paint were having much better luck.

But then everyone finally realised that they weren’t being sprayed anymore, and a collective sigh spread out across the Manor. The onslaught was done, and they could finally gather together and grab the pitchforks to hunt down the responsible party.

It was then that the glitter was deployed.

The chaos immediately multiplied tenfold, and the screams sounded up again. The air was filled with the sparkly dust that was way too thin to swat away. (No, Duke totally didn’t spend extra time researching to find the world’s finest glitter)

Duke was outright laughing at this point, so hard that he almost fell off the window seat. Titus barked suddenly, and Duke sobered enough to get back upright and watch the finishing up of the chaos. He had to admit, this felt wonderful. If he had to describe his current state of thrill in two words, he would have admitted that he felt altogether too close to the Hellmo Meme.

Unfortunately, Duke was not Stephanie, and ran out of glitter eventually. The vents stopped blasting the film of fairy dust, and the bats were given a reprieve.

Though the break was short lived, as just then, Bruce’s loud bellow sounded throughout the giant house.

“ALL OF YOU GET IN HERE!”

Duke chuckled as he scooched Titus over and set his laptop to the side so he could get up. This was all working perfectly! He’d arrive at Bruce's interrogation completely free from all paint or glitter, which would immediately prove his guilt. And if that didn’t work, then he supposed he could outright confess. But that wasn’t the point of this. The point was for Bruce to come to the conclusion on his own.

He walked down the hall, completely carefree. So happy and confident in his own abilities that he never even noticed that Cassandra’s paint or glitter didn’t go off. That she wasn’t even present where the tracker he had subtly placed on her earlier that day said she was.

*****

Duke hummed to himself as he skipped along the carpet, past the antique vases and random finger paintings, past the drawing rooms and bathrooms, and towards Bruce. All was quiet.

Though that began to trouble Duke, as he got closer to one of the rooms which was very special. It was where Cass had been situated, playing with Selina’s cat Isis, for the past hour. Now, Cassandra was quiet, sure. But not that quiet. And besides, wouldn’t the cat be screeching right about now? Cass didn’t seem like the person to give a nerve hit to an animal just because it was being loud ( cough Jason cough ).

He slowly entered the room and looked around, but was surprised to find it completely empty. Not just of girl and cat, but of paint and glitter too.

“You were mistaken.”

Duke whirled around to find Cass sitting in an armchair, wrapped in shadows, and stroking Isis in a manner not altogether different from that of an Evil Mastermind™.

“Uh…” Duke replied, “about what?”

Cass smirked, and Duke felt a shiver run up his spine. “Actions have consequences. ”

Duke frowned. Wait, what? He glanced around again, trying to figure out what Cass meant. On a surface level he understood, but there was something about the way Cass was eyeing him that told him something else was up.

The only thing he could find that was out of the ordinary, however, was the camera he had placed just yesterday. Huh, now that he thought about it, he was at just the right angle to see it. Which meant he was in direct view of the camera itself. Pretty darn to close to where he had been planning Cass would stand, actually.

Then a faint spitting noise came from above him.

Oh.

*****

Duke trudged forlornly into the room where the rest of the bats - except Cassandra, who had disappeared after the glitter had deployed onto Duke - had gathered. He was one of the last to arrive, muttering curses under his breath, so all eyes were on him as he opened the door and joined them.

Though that also meant that Duke could see them. He had to admit, that as disappointed as he was, it was still hard to keep a grin from spreading across his face. Boy, he had done a great job with color coordination, hadn’t he?

Bruce was front and center, covered in a dark gray paint which had the sheen of yellow glitter. Dick had black paint completely covering him (much more than Duke planned. Did Dick roll in the stuff?) along with blue glitter. Jason had both red paint and glitter on him. Tim had started off with a lighter colored paint - this time red - and then the look was finished by black glitter. Damian looked like a small Christmas tree in his green paint and red glitter. Harper had blue paint then covered in purple glitter, both of which were the exact shades of her hair. Duke wasn’t a monster ; he knew how to match colors.

The cousins - both honorary and actually - had also been present. Bette had been appropriately targeted with a flaming orange and gold combination. Kate had black paint and, instead of red, Duke had picked a rainbow glitter for her. From the slight glint in her eye, Duke supposed he had chosen correctly. Jean-Paul had been doused in yellow paint and red glitter, and he honestly looked like a very large and human shaped version of his sword. Luke was covered in silver paint and an electric blue glitter.

Bruce, however, didn’t give Duke a second glance, covered in yellow paint and black glitter (which had been meant for Cass, but honestly, it fit Duke quite well), though he was.

“Good, now we just have to wait for Steph,” Tim remarked, rolling his eyes.

Duke frowned. “What about Cass? She’s here too.”

Everyone gave Duke a weird look. “Uh, no she isn’t. She’s been hanging out with Selina and Babs all weekend.”

“Then your intel is wrong,” Duke countered. “She was just here! I planned on her being here!”

The silence in the room was palpable. Before, where there had been bickering and accusations, the quiet had taken over. Everyone stared at Duke with suspicion in their eyes.

Finally, Duke thought, sighing in relief.

Bruce opened his mouth about to question Duke’s statement when the doors to the room banged open.

“What’s up, Bitches? The Waffle Queen has arrived and looks as fabulous as ever!”

Duke stared, completely amazed that she actually seemed to like the purple on purple combo Duke had picked for her. Oh, yeah, now that he thought about it made perfect sense that Steph was the only one to like this.

“Wow, whoever did this really got my colors right!" Steph continued as she waltzed in and posed in front of everyone, her hip cocked and arm thrown up dramatically.

Bruce’s eyes narrowed, and he began to growl at her. “This is not funny.”

Steph pouted. “What do you mean? I sure think it is!”

Oh boy, she didn’t notice she was digging her own grave, did she? From the looks of the other bats, they shared Duke’s sentiment.

“Stephanie Brown, are you saying what I think you’re saying?”

Stephanie smirked. “Yup! I look way better than you, you old fur- hey wait! Are you blaming me ?!”

Bruce glared even harder, and Stephanie started to protest, claiming that she was but an innocent victim of these pain-filled proceedings! It was not her fault! Nor was it her fault that she happened to get colors that she liked better than everyone else.

Bruce refused to hear what she said, and told her to go get changed. “You will be cleaning up this whole mess, and no patrolling until it’s done.”

Bruce turned and stalked out, and Steph was left speechless - for once - in the hall. She backed away, seeing the angry stares from the others. The only one who didn’t seem mad at her, was Duke himself. He opened his eyes wide, conveying pity. “I’m sorry,” he mouthed silently.

Instead of being reassuring, however, Steph squinted in suspicion. Oh shit, that probably hadn’t been the best move.

Just moments after Steph left, Jason threw up his hands. “Okay, who wants to have a water gun fight to clean off?”

There were several cheers of assent, but Duke quickly made his own escape at that time. He honestly wasn’t in the mood to get splashed in the face with water. Now was not the time for fun, as the failed prank still hung over him.

Now was the time for plotting.

*****

“Okay, but why on earth do you have a fully functioning sprinkler system in every room?”

“Yeah, Bruce, even for you that’s paranoid! What caused you to think that was necessary?”

“You.”

[timtwylan]

currently in bed crying over jason’s story and how rick truly failed him as a character. He had so much potential, so many traumas that added depth to his character, and so many unexplored personality traits. He deserved a better writing AND a better ending.

[shortnotsweet]

The Allegory of the Tin Man, the Dictator, and the Knight: a Dissection of Ironqrow and a Character Arc of Failure

“There lived in the Land of Oz two queerly made men who were best of friends. They were so much happier when together that they were seldom apart.”

— L. Frank Baum

A brief Ironqrow meta and character analysis of James Ironwood, the ultimate screw up, in three parts.

I. Qrow and Ironwood’s Homoeroticism in Canon Source Material and its Translation

II. Ironwood’s Repressed Characterization and the Inherent Chivalry of the Dictatorship

III. Ironwood, Alone

Qrow and Ironwood’s Homoeroticism in Canon Source Material and its Translation

Within the Oz series, the Tin Man and the Scarecrow are layered within homoerotic subtext, even if it is included unintentionally. Tison Pugh’s analysis Queer Utopianism and Antisocial Eroticism in L. Frank Baum's Oz Series posits that the land of Oz as portrayed within the series is a largely asexual environment of suspended adolescence that involves the deviation of binary gender norms, and of performative heterosexuality. Pugh refers to it later as a “queer utopia”. Men are portrayed as a lesser military force to women, and heterosexuality is a flimsy presence at best; all signs of procreation within Oz are stifled. While this could be chalked down to Baum not wanting to get into the subject of sex and exploration in a children’s series, it does contribute to a particular tone with real-life critiques of capitalism and a particular deconstruction of gender norms. Ozma, who will become the ruler of Oz after the Wizard and the Scarecrow respectively, for example, is originally a boy named Tip (the name itself holds phallic implications) who is “transformed” into a girl. The strongest military force is one of all-women led by a rebellious female general. Pugh observes, “At the same time that Baum satirizes...women as leaders…he consistently depicts women as more successful soldiers than men, and female troops appear better capable of serving militarily than male troops…[the] male army comprises of twenty-six officers and one private, and they are all cowards…” and cites the Frogman’s declaration that “Girls are the fiercest soldiers of all...they are more brave than men, and they have better nerves”.

RWBY itself isn’t opposed to this kind of subversion, either in its characters or its relationships. There’s an obvious effort to include LGBTQ+ representation (albeit primarily in the background), strong female characters are prevalent and make up most of the main and supporting cast, a character’s gender is not strictly reliant on its source material, and BlackSun, while cute and a valid ship in its own right, is treated as a heterosexual red herring to Bumbleby. Additionally, there have been a lot of hints by the voice actors, writers, and creators on social media that Qrow himself is queer, the infamous Ironqrow embrace included.

Admittedly, if I wanted to write an essay about the likelihood of Qrow being LGBTQ+ or having some kind of queer identity, I would probably focus more on his relationship with Clover, which had a lot more overt and probably canonically intentional Gay Vibes, and despite having known Qrow nowhere near as long as Ironwood has, it has just as much, if not more, to extrapolate. Unfortunately, that’s not the main point of this essay, although it remains relevant. While I personally don’t doubt that Qrow has had sex with women or experiences valid sexual attraction to them, I get the feeling that it is, to a degree, a performative act and a masculine assertation of enjoyment intended as a coping mechanism. It plays into the trope of the handsome, tortured alcoholic (best exemplified, perhaps, in the MCU’s Tony Stark, Dean Winchester in Supernatural, and critiqued in the superhero episode of Rick and Morty) who sleeps around just to recall the feeling of intimacy, or because he associates sexual ‘degradation’ as a reflection of his worth. Real self-deprecating, slightly misogynistic stuff. Qrow’s recall of short skirts, as well as his brief exchange with the waitress in an earlier volume, reminds me of one specific interaction between the Scarecrow and his own love interest. Within the series, the Qrow’s source-material counterpart, the Scarecrow, has one canonical love interest, the Patchwork Girl:

“Forgive me for staring so rudely,” said the Scarecrow, “but you are the most beautiful sight my eyes have ever beheld.”

“That is a high compliment from one who is himself so beautiful,” murmured Scraps, casting down her suspender-button eyes by lowering her head.

Pugh points out that the two of them never develop this relationship further than flirtation, and heterosexuality is reduced to a “spectral presence” lacking the “erotic energy [driving] these queer narratives in their presence”. Specifically, Qrow never reveals a serious or long running heterosexual love interest - he is not the father! [of Ruby] (despite much speculation that he and Summer Rose were involved) and he and Winter never really moved past the stage of ‘hostility with just a hint of sexual tension’ - and there is no debunking of potential queerness. His interactions with Clover (deserving of an entire essay on its own) seem to support this interpretation, and is more or less a confirmation of some kind of queer inclination or identity. Again, the “queer utopia” of Oz comes at the cost of the expulsion of the sexual or the mere mention of reproduction - still, through this device, same-sex relationships gain a new kind of significance with the diminishing nature of heterosexuality. Speaking of queer narratives, the Scarecrow and the Tin Man have the most tender and prolonged relationship of perhaps all the characters in the series, exchanging a lifelong commitment:

“I shall return with my friend the Tin Woodman,” said the stuffed one seriously. “We have decided never to be parted in the future.”

Within the source material, the Tin Man and the Scarecrow voluntarily live together, and are life partners in nearly every sense of the word. The second book in the Oz series is The Tin Woodman of Oz. In summary, the Tin Woodman recalls that he had a fiancée before the events of the first book, forgot all about her, and now must search her out so that they can get married. Who does he ask to accompany him in this pursuit? None other than his no-homo life partner, the Scarecrow. Although this sounds like a stereotypical heteronormative storyline, “this utopian wonderland...rejects heterosexual procreation...First, the Tin Woodman does not desire...Nimmie Amee...” and even acknowledges that due to the ‘nature’ of the heart that the Wizard had given him, he is literally incapable of romantically or passionately loving or desiring Nimmie, and by extent, women in general - to me, that works perfectly as an allegory for a gay man who is literally incapable of experiencing legitimate heterosexual urges, but ‘soldiers on’ out of obligation and societally enforced chivalry. “The Tin Woodman excuses himself from the heteronormative imperative...Only his sense of masculine honor, rather than a heteronomratively masculine sex drive, impels the Tin Woodman on his quest to marry his long-lost fiancée.” Again, Ironwood’s character follows the lines of propriety within the sphere of the wealthy elite, and his persona as a high-ranking military man and politician, as well as the conservative values instilled within Atlas, prioritize duty and obligation. This kind of culture is stifling and in a lot of ways aloof, as the upper class deludes itself into believing that it is objectively better and more advanced than its neighboring territories. *ahem the myth of American exceptionalism ahem*

“There lived in the Land of Oz two queerly made men who were best of friends. They were so much happier when together that they were seldom apart.”

I think it’s funny that the characters that Ironwood and Qrow are based off of are canonically the closest of friends, who coexist almost as a unit. In contrast, the first introduction we get of Ironwood and Qrow is a hostile exchange where they’re at each other’s throats, never on the same page, and never in sync, not when it matters. Indeed, Qrow snaps at Ironwood for his lack of communication, which is a recurring issue between the two of them on notable occasions. If the source material is anything to go by, there should be a significant relationship between the two of them, or at least some kind of connection, even if it goes unspoken or unacknowledged. To be fair, in RWBY’s canon, I think there is.

I’ve seen this joke that while Qrow hates the Atlas military, the only people he really seems to flirt with is Atlas military personnel. “Ice Queen” is something I interpreted to be partially hostile, partially mocking, and partially flirtatious, in equal spades - the voice actors and creators have indicated that it was flirtatious, and there was a whole Chibi episode dedicated to the concept of Qrow and Winter’s extrapolated sexual tension, albeit in jest. I might argue that his use of abbreviates aren’t reserved for people he dislikes, but for people who bring out his playful side. “Brat”, “Pipsqueak”, “Firecracker”, and “Kiddos” are all drawn from a place of affection, however short or mocking it may seem, because that’s what crows do: they mock others.

Qrow has little nicknames for people; while it’s not exclusively a sign of affection, I do get the feeling that ‘Jimmy’ is an informality that irks Ironwood, but can also be interpreted as Qrow giving James what he needs, rather than what he wants.

Glynda is by no means a pushover, but in assuring him that while he does questionable things, he’s still a good person, she’s softening the blow and probably further enabling deeply rooted and pre-existing traits, many of which contribute to his problematic control complex. It is established early on that Qrow resents the military (as he should), and it is implied that he’s spent a fair amount of encounters harassing and provoking military personnel (Winter being the most evident example of this), and has insulted the military numerous times to Ironwood’s face. He lectures Ironwood about the way he conducts his operations, his inability to communicate, and basically what a complete, inconsiderate asshole he really is.

What Ironwood needs is someone who operates outside of the pretense that he works, breathes, and lives under, and just tells it like it is. Jimmy isn’t all that - he’s a person, just like the rest of us, and he can flaunt all the titles that he wants, but James stripped down is still just Jimmy.

Qrow also is the kind of person who pries, who is insistent, and not particularly sensitive. For someone like Ironwood who has a lot of (physical and emotional) barriers, logically, in order for him to receive genuine understanding, Qrow fits the profile of someone who is invasive but not exploitive, who sees past the cracks in his armor and takes him for what he is. What is just important is that whoever Ironwood is with is someone who makes him want to try not only to be better, but to be real; thematically, General Ironwood seems to have a great respect for but a deep struggle with authenticity. He clearly resents the ignorance and frivolity of Atlas’s wealthy elite, as evidenced by his support for Weiss at the dinner party in announcing that “she’s one of the only people making any sense around here”, while struggling to project the facade that he’s carefully created.

See, we don’t have evidence that there is something going on between Ironqood and Qrow so much as we have enough evidence to inconclusively say that there’s not not something going on. I think there’s enough evidence to support the idea that something could be going on, or was going on.

When Qrow saves Ironwood at the Battle of Beacon, who is under the false impression that Qrow believes him to be the culprit of the attacks, his eyes follow Qrow and we get a closer shot of his awed expression; we the viewer can only imagine what he sees as Qrow arcs through the air and slices down a Grimm from behind his back. The focus on Ironwood’s expression portrays something like shock (so Qrow wasn’t trying to attack me after all, but then what the hell is he doing?), maybe wonder (I can’t take my eyes off of him, I can’t look away), maybe respect (I know he’s a good Hunter, but I’ve rarely seen him in action), but it is unfiltered nonetheless. In a show where fight scenes are vital to the progression of the story itself, the dynamics of these fights are at their best when they are character driven, whether it is revealing or reinforcing something about the characters and their relationships, or it is deciding their fates. There’s something to be said about characters being given moments together in battles, and what that says about the significance of their relationship. The best example of this might be the battle between Blake and Yang vs Adam; it served to give Adam what he deserved, help Blake and Yang reach closure in certain aspects of their own trauma, and solidify the bond between the girls. Similarly, Qrow and Ironwood’s moment is meant to reveal a theme that will later be revisited in volume 7; trust. Ironwood is startled but not shocked when he believes that Qrow distrusts him to the degree of attacking him, and is ready to attack or defend as needed.

Qrow tells him what he needs to hear, more or less: YOU’RE A DUMBASS. Ironwood is, indeed, a dumbass. While he does extend the olive branch of trust and good will to CRWBY and co. this trust is highly conditional and proves to be, while from a place of desperation and sincerity, at least partially performative.

When Ironwood snaps, he snaps hard.

Amber’s voice actress tweeted early on, joking that Qrow has two Atlas boyfriends, and Arryn has made comments, too. It’s one of the older ships, and the crew is certainly aware of it (“...extended chest bump...”).

Kerry has stated that he finds the Ironqrow relationship interesting, and wishes it had been explored more (additionally, allegedly lobbying that Ironwood’s arm in the Ironqrow hug scene be slightly lower). I’m not saying that they’re going to both make it out alive, or canon, or even that romantic subtext was intentionally woven into the script. All I’m saying is that I think their relationship is interesting too, especially when the subtext of their source material relationship is taken into context, and the way their characters are positioned is suggestive of some sort of compatibility, even if it is a hit or miss kind of opportunity, and I have the sinking suspicion that it was missed on both accounts.

The Tin Woodman of Oz concludes,

“All this having been happily arranged, the Tin Woodman returned to his tin castle, and his chosen comrade, the Scarecrow, accompanied him on the way. The two friends were sure to pass many pleasant hours together in talking over their recent adventures, for as they neither ate nor slept they found their greatest amusement in conversation.”

Ironwood’s Repressed Characterization and the Inherent Chivalry of the Dictatorship

“I don’t give a damn about Jacque Schnee...what about the other two? Do not return to this office until you have Qrow Branwen in custody.”

“And that’s not all we’ve lost...I had Qrow in my hands, and I didn’t do what needed to be done.”

Observe: Ironwood, at this point, does not care about politics. I doubt he’s ever wanted to, or ever liked it (if his tired outburst at the dinner party is any indication) but his Knightly qualities (we’ll get to that) have, up till this point, prompted him to adhere to them for both power and etiquette. James surrounds himself in a world that he understands and despises; more than anything, he’d like to be a general, a commander, and the Knight in Shining Armor archetype, because warfare is something he understands. It is a testament to his (superhuman) willpower that he forces himself to become fluent in the language of politics, and to live and breathe in it. To clarify, Ironwood sees himself as a man who does what needs to be done; if he wants to change and control Atlas, he will have to involve himself in its politics.

Likely, his resilience has contributed to the way he views himself and what he deserves, as someone long-suffering and almost martyr-like, a silent hero doing what needs to be done. But at the moment, he’s lost his goddamn mind coming undone. He’s murdered and jailed his political dissent (and might have considered executing prisoners), but at this point, that’s all that Jacque and Robyn are to him. First he dismisses Jacque, narrows it down to the two escaped prisoners, and finally reveals what’s really on the forefront of his mind: Qrow, free and out of his hands.

[ When recalling this dialogue, please do so while imagining a bad recorder cover of the Titanic music playing over the background. Here is a sample. ]

In the most recent episode, Ironwood seems to have gone off the rails even further. The fact that Winter, his most faithful lieutenant, is losing her unshakable faith in him, says a lot about how hard he’s fallen off the deep end. In Winter’s mind, I think that she sees him almost as a surrogate father figure, or at least a patriarch who can be positively compared to Jacques in every way. The previous volumes go to lengths to compare the two as adversaries and showing James in a favorable light; Winter is in her own personal horror right now, because she is beginning to understand that Ironwood is a man who may not be her father but is just as susceptible to corruption, and may have been that kind of person all along. Skipping over the...ah, genocidal tendencies, and the fact that he’s proposing to kidnap Penny’s friends to force her to obey him and likely is starting to realize that Winter is the perfect bait (let’s just say that “Ironwood is not good with kids” is the understatement of the year) Ironwood wants Qrow back (in captivity), I think that it’s significant that while Ironwood registers that Robyn is gone as well, his first priority is Qrow, probably for two reasons. On one hand, he still refers to Qrow by his first name, instead of the formal Branwen. Of course, that doesn’t have to mean anything at all. They’re colleagues within the same age range, both members of the same secret brotherhood and similiar skill sets.

On the other hand, it reminds me of the moment when Qrow and the kids first fly into Atlas, and they see the heightened security, and Qrow mutters, “James...what have you been doing,” under his breath, sounding concerned, apprehensive. He’s not addressing the kids, he’s talking to himself; he regards James much more seriously both as a potential threat and a friend than he’d rather the other know, and I think that James’ focus on Qrow at this point is similiar, only not only is this a sign of them knowing each other well, but of Ironwood’s slipping control. He offered Qrow his trust and camaraderie, his last attempt to keep a handle on his humanity (or, his heart). Qrow, in return, withheld vital information, got close with another operative instead, then allegedly killed him and and escaped ‘rightful’ imprisonment.

The Tin Man is offering Qrow his heart, at least proof of it, and the Scarecrow [and co.] steps back to observe the situation, and assesses that no, what you are going to do is wrong, and I cannot agree with it.

Ironwood is not an objective person, as much as he wants to be. He’s angry, desperate, scared, and humiliated. Worst of all, he’s rebuffed, and he’s taking Qrow’s escape personally. First, he understands that Qrow is a threat. He’s Ozpin’s best agent, he has years of field experience, and he knows too much, probably more than James knows. Second, they have history.

My personal interpretation of Ironwood is something this:

He’s a sad, sad, lonely bitch. What Ironwood longs for, just like his source material counterpart, is a heart. He will go to any lengths to achieve this, because he believes that he has self awareness and therefore is able to check and balance himself. He treats his subordinates well, is diplomatic, skilled in a variety of trades, fighting the good fight, and longs for the affirmation that yes, he is a good person, and yes, he’s had a heart all along. He just strays from the path, and loses his way.

This is symbolically represented by his partially mechanic exoskeleton; we have no idea how far the cyborg extremities extend, or how deep, but we do get the visual notion of humanity in conflict, or a man’s soul deconstructed and split between the cold efficiency of machinery and the very real warmth of a human body. Ironwood wants to appear human, and benevolent, and genuine, and in return, loved; he is human, and he could be all of these things. If my reliance on the source material holds any merit (although I highly doubt it), then there is also a potential struggle with sexuality, (Glynda herself even explicitly and exasperatedly references a testosterone battle between Ironwood and Qrow, suggesting a regular overassertation of masculinity) and a further incentive to achieve love and subsequent acceptance.

To clarify, I do believe that there were less-than-subtle allusions to Ironwood and Glynda having a vaguely flirtatious history, taking their shared scenes and background dancing into account, but this, again, does not “debunk” the presence of queerness within a narrative; it could be an assumption of heterosexuality, or performative itself, or just not an exclusive interest. Besides, Ironwitch isn’t what this essay is about. I’m not trying to persuade or dissuade someone of the notion that Jimmy is gay, or straight, or something else, only that the potential ambiguity exists. What I do think is most important is that James doesn’t openly ward people away, not when those people aren’t under his command and are technically outside of his jurisdiction. He’s friendly with Glynda, tries to extend trust to Qrow, is kind to people in the aftermath of battle, and overall clings to diplomacy as his first weapon. He wants to be accepted, to be liked, and to be welcomed. This is not an outrageous want, nor is it uncommon. Unfortunately, Ironwood’s understanding of love and acceptance is entangled within the concept of control, and he associates unquestioned compliance with this Want.

Ironwood’s introduction into the series shows him being openly cordial, and very considerate, especially his interactions with Glynda and Ozpin. He’s a gentleman, he’s apologetic, and, as Glynda assures him, he’s a “good man”. She doesn’t really elaborate on what a “good man” is, exactly, but we might presume that a “good man” is a person with good intentions, who strives to do what’s right, regardless of his options.

Here’s the thing - one similarity between Ironwood and the Tin Man is that they both have the capacity to love, but they fool themselves into thinking that they don’t; before the Wizard gives him a ‘heart’, the Tin Man suggests that he is only kind and considerate to everyone in Oz because he believes he needs to overcompensate for what he lacks, and is therefore doubly aware of how he treats others. However, the Wizard knows no real magic, only tricks and illusions, and what he gives the Tin Man is essentially a placebo that enables the Tin Man to act towards and feel about others the exact same as he always had, only with the validation that what he feels is authentic. Similarly, Ironwood has always had the option to be empathetic and not fucking crazy open to collaboration, which he’s very aware of, until his own paranoia cuts into his rationality and compels him to cut himself off from all allies and alternative perspectives. He then uses his difficult position and responsibilities to justify unjustifiable actions, to rationalize irrational urges, and to gaslight and brainwash his subordinates into compliance.

The Tin Woodman knew very well he had no heart, and therefore he took great care never to be cruel or unkind to anything.

“You people with hearts,” he said, “have something to guide you, and need never do wrong; but I have no heart, and so I must be very careful. When Oz gives me a heart of course I needn’t mind so much.”

Qrow sees through this, however, and not only seems incapable of following orders himself, but disrupts the decorum that Ironwood is used to. In return, I think we see a little more of James that he’d like to reveal.

“If you were one of my men, I’d have you shot!”

“If I was one of your men, I’d shoot myself!”

In case this entire ass essay doesn’t make it obvious, I do really ship Ironqrow. I’m open to other pairings, definitely, but this one in particular is just more interesting to me. It feels more revealing, more subtle. I have more questions.

In hindsight, maybe the dialogue example above ^ didn’t age well, considering where they’re at, but I do like how their professional animosity is flavored with a kind of camaraderie, and understanding. This exchange isn’t exactly playful, but they’re taking each other seriously - and, like repressed schoolboys, taking the piss at each other in a childish way, and isn’t that part of the fun of banter, when they’re so focused on each other that they forget to act their age? In a lot of ways, this is a really fun dynamic to watch. They’re opposite-kind-of-people, which I like, at least on a superficial level, and I can easily imagine them tempering each other in ways that would make them ultimately happier people.

They even look well-coordinated, with similar color schemes that lean on the opposite sides of the shared spectrum (white, grays, reds and black); I think the decorative design on Qrow’s new sleeves are supposed to be more ornate simply to communicate that Qrow is committed, and willing to be sentimental, but some viewers have suggested that it resembles the pattern on James’ weapon, Due Process (the revolver is based off of the Tin Man’s pistol, although, curiously, in The Wizard of Oz, the Scarecrow was the only character to carry a pistol, and the commentaries suggest that the 2007 Tin Man miniseries was the “basis of the allusion”. Does that mean anything? I don’t know. Probably not.). Still, it raises the questions: who was in charge of designing the team’s new clothes and gear? How much input did Atlas get, and was this intentional? Personally, I think that the vine-like pattern on Qrow’s sleeves also bear a resemblance to Ozpin’s staff, a subtle reaffirmation and foreshadowing of his allegiance in contrast to Ironwood, but I digress.

They can also deliver that UST kind of banter that takes up their attention, and get up really close to each other, in each other’s faces, and just be pissed, which I think is very sexy of them, mhm. Enemies to Colleagues to Reluctant Friends to Lovers is a trope that I very much appreciate. Gaining some sort of common ground at the Battle of Beacon only to reunite, tired and battered, after the shit has already hit the fan? Slow burn kinda vibes.

That hug between them was something genuinely vulnerable and a sign of Ironwood letting his guard down because he is tired as fuck. It also was uh...kinda fruity.

Ironwood approaches closer, and Qrow scratches the back of his head, a characteristically nervous gesture that he’s made before; it’s a nervous twitch, manufactured nonchalance. He has no idea what Ironwood wants, but he does know that Ironwood wants something. James is the one to initiate the hug, and Qrow startles and even freezes up before relaxing into it. He seems suprised, but gives the bisexual eye roll of grudging fondness. This is out of character for James - Jimmy - but Qrow doesn’t think that Ironwood is a bad person. He leans into the hug, and the camera cuts out before they separate, suggesting that they probably end up standing there for a long ass time. You can also see from the side shots that it’s a close hug; their torsos are pressed up against each other, front to front, and there’s not a lot of wiggle room. James must be really goddamn depressed. It’s a long, manly, intensley heterosexual hug. Like I said, kinda fruity.

Other people have analyzed the hug shot for shot, so I won’t get too into it, but I think that it was intentionally left as a double red herring; some people thought that maybe he bugged Qrow, and after finding out that he didn’t, we were forced to conclude that this is a genuine olive branch. To find out that Ironwood is sincere but was still susceptible to corruption is that second subversion that I didn’t really expect. I hadn’t prepared myself for it, at least, and neither did Qrow. I wouldn’t go as far to say that Ironwood’s descent into fucking craziness paranoia is triggered by Qrow not ‘reciprocating’ or something, but I do think it’s interesting how the volume opens up with a signifigant interaction between Ironwood and Qrow, only for Qrow to spend the rest of the volume homosexually bonding with Clover, while Ironwood basically has no one as emotional support (again, his subordinates do not have the power or the place to be viewed as equals and the veil of formality is one of isolation). Qrow initiates nothing further, and nothing further happens.

Ironwood’s downfall, in a thematic sense, is that what he Needs is a heart, and when he gets that chance to demonstrate tolerance and empathy, James ultimately rejects his Need (a heart) and his arc reverts into one of villainy. To be specific, Ironwood is essentially a fascist dick, and that is not very sexy. (Speaking of dicks, the thought of Ironwood’s dick makes me laugh. I bet in the RWBY universe, people have made memes about that. I do not accept criticism because I am correct. Anyway,).

Dictators are charming, charismatic, and one of the pillars of their method is absorbing potential political opponents into their own administration to reduce the threat of rebellion, to appear openly tolerant to their supporters, and to further consolidate power. A good example of this would be Mean Girls, which runs on a comedic commentary of dictatorships as a political structure of power. I hate to compare James Ironwood to Regina George, but Regina’s posse includes Karen and Gretchen, two of the only girls who might take away from the authority she holds over the rest of their school, both in their wealth and attractiveness, and Cady’s interesting backstory and conventional attractiveness is the main reason Regina draws her into her own sphere - because she detects a potential threat. Much in the same way, while Ironwood likely has good intentions, his efforts to win over team RWBY and co. - including Qrow himself - is a logical way to consolidate resources. His willingness, at first, to cooperate with political opponents (ie Robyn) is because he’s not inherently evil, and he has nothing to lose. It’s when he is openly opposed and diplomatic gestures no longer hold the necessary weight that he snaps.

In one really interesting meta about Ironqrow’s archetypes (that I reread occasionally just because I really love it), @onewomancitadel posits that Ironwood is framed within the archetype of the Knight in Shining Armor, which should inform us of the moral consistency of his character. The meta was written around the beginning of volume 7, I think, and obviously we have a lot more character development and information to go off of now, but I think she makes a really interesting point about the nature of parallels and how that might help drive Ironwood as a character. I love her analysis of the visual of Ironwood stepping out of an airship wreckage, onto the street, the smoke billowing around him to reveal his cyborg prosthetics, and of the intentional framing. Once his uniform is stripped back, we see a man who is literally half-armor, which could be indicative of a lot of things. He’s emotionally guarded, he’s used as a human weapon, and he wants to be a line of defense. In her words, “The symbolism is really obviously put into perspective of his actions in trying to do the right thing: in the flesh (his true physical self) he is literally a knight in shining armour. From the ground up. Even if it's unseen or distorted by his uniform, his nature is still true.”

While Ironwood clearly has gone down a darker path in the most recent volume, I think this analysis holds true in a crucial way. “Ironwood is working with different information, and he’s doing exactly what he knows: stick to his knightly virtues, even disgraced.” Disgraced, indeed. Ironwood is holding onto his knightly values, and doing what he believes is right. If not right, he believes that it is necessary. The problem is that these values are manifested within Atlas’s sociopolitical-military culture in an inherently toxic way - his response is, at this point, neither rational nor empathetic, but it can be explained partially due to his cultural (flawed) understanding of justice, and because of the extenuating circumstances. The harsher the conditions become, the more difficult it is for anyone to project a facade that is not sincere at its core. If James is to uphold his Knightly virtues, he needs to be a protector, a leader, and a servant all at once while operating under limited intel with dwindling trust. All he has left are the few key players still in his grasp, and the control of the people he is responsible for.

To digress: generally, knights take an oath. It could be to a King, or Lord, or some noble, but Knights are supposed to operate on a code of honor, and chivalry, and to uphold these values throughout the land as an extension of whoever they have pledged themselves to. The story of Sir Gawain and the Green Knight is a really good example of the way that, back in the day, chivalry and honor was supposed to place knights on a moral high ground compared to the common people.

In the middle of a celebration in Camelot, an obligatory tradition that has since lost real value but is rehearsed because Camelot fears that failure to uphold traditions that once had meaning is disrespectful, a Green Knight interrupts the celebrations and offers a strange challenge that boils down to a fight to the death. Gawain volunteers because accepting this challenge is what is expected of him, and Arthur would be humiliated if his knights, supposedly the best in the world, would not rise to the challenge. Gawain - and to a certain extent, the rest of Arthur’s knights - are fickle, in a sense, because their adherence to this code is performative, and it allows them to delude themselves into moral superiority and lie both to the commoners and amongst themselves; their identity as knights is based on a falsehood. Gawain is offered the first blow, and after beheading the Green newcomer, is horrified to see him become reanimated and immune to mortal blows. He invites Gawain to receive his own - likely fatal - blow, and gives him a time in which to meet, before promptly leaving.

Throughout the story, Gawain is tested in a variety of ways - in his final test, he fails, and allows his greed for self preservation and the fear of death to lead him to lie to his hosts and proceed to his meeting with the Green Knight under dishonest pretenses. While he is spared at the last second and becomes a better person (after it is revealed that Morgan le Fay orchestrated the ordeal to spook Queen Guinevere) - and by extent, a truer Knight, by the end of the story, the superficial and hypocritical nature of Arthur’s court is still in question, and still unanswered.

See, the entirety of Gawain’s trials was a test, not necessarily for him, but for Arthur and his court as a whole. Morgan wanted to prove the fickle nature of Arthur’s knights. The Knights of the Round Table were considered the best in the land, and to discredit one was to discredit all. What use is tradition if the meaning is empty, what use is chivalry if it is performed for reward instead of merit, and what use is loyalty if it is blind and unearned? Returning to Oz, the Tin Woodman, or Tin Man, grew to be made of tin because his axe became enchanted by the Wicked Witch of the East to sever his own body parts instead of the lumber he tried to cut down. A nearby tinsmith replaced each amputated limb with one of metal, until his entire body became tin and his meat body had been entirely discarded. Something to note is that Nick Chopper’s, (General Ironwood’s) wounds are technically self-inflicted. Each time he swung his axe, he made the decision to continue, knowing of the end result each time. In losing his bodily functions, the Tin Man believed that he had lost his humanity and ability to love.

The tragedy of his origin story draws a pointed correlation to Ironwood’s current dilemma; his unwillingness to stop, his self-imposed isolation, playing into the hands of the witch, and finally, the decision to let go of his ability to love remain consistent throughout both stories.

Watts even refers to Ironwood as a “Tin Solider”; a reference to the Tin (Woods)Man, no doubt, but could also evoke a soldier clanking around in metal armor. Ironwood is a Knight in Shining Armor, through and through. He wants to save the world, but at the terrible cost of civilian autonomy and possibly life. The problem is that he’s pledged himself to a discriminatory and hypocritical system, and his code is something that can easily be misconstrued by fear ( @disregardcanon ), much as Gawain’s own values. The Tin Man is, after all, still a man, and if we’ve learned anything from real fairytales, it is that men are fallible, whether or not they are made of metal.

Ironwood, Alone

he’s a lonely bitch

I know I f- up, I'm just a loser

Shouldn't be with ya, guess I'm a quitter

While you're out there drinkin', I'm just here thinkin'

'Bout where I should've been

I've been lonely, mm, ah, yeah

— Benee, Supalonely (2019)

You do get the sense that Ironwood is riddled with self-loathing conflicting with pride, with self-doubt clashing with competence, and that he is the kind of person who longs for things without verbalizing. Maybe his dad never paid enough attention to him as a kid. Maybe he suffered some terrible physical and emotional trauma, which might as well be assumed, given the extensive nature of his cybernetic limbs. Maybe (probably) he’d be more well-adjusted and would’ve made better decisions if the people around him trusted him and were a little more open. To be fair, though, he is the one at the wheel, and he is making the calls; no one else is to blame for his mistakes, and to pretend otherwise is to deny him accountability. I think we do enough of that in everyday life, in excusing powerful men of their responsibilities. To his credit, I do think he wants to help people. I think James also wants to project the personality of a leader who is stoic, controlled, and measured. He is charming when he wants to be, sympathetic when it suits him, and influential in just the right areas. He is not a sociopath, but he is a politician, and in a lot of ways, those are the same thing. We see in his brief flashes of temper, often prompted by Qrow, or most notably by Oscar, that this is not a calm, stable person. This is someone is on the verge of exploding, who is so fucking angry that he is not in control that it’s killing him, and so he is going to lash out and kill the things that are not within his grip. If the people beneath him will not reciprocate the heart that he offers, then he has no real use of it. James Ironwood does not begin this story as a bad person. This is a tragedy, in however many parts it takes.

I read, in one very smart and very put-together analysis that I cannot find and properly credit at the moment, that part of Ironwood’s (many) failures can be seen in Winter, and how, like Ozpin, he has appointed a woman as his talented, no-nonsense, second chain in command at his right hand. In this way, Winter is an intentional parallel to Glynda, who is, without question, a bad bitch. In theory, surrounding yourself with strong individuals is a demonstration of self restraint, in implementing your own checks and balances. James wants to project that he is powerful, yes, but he is reasonable.

I take this to mean that, to some degree, even if it’s unintentional or subconscious, Winter serves to boost Ironwood’s ego.

The issue with this is that within the inherently hierarchical structure of the military, Winter cannot question, undermine, or challenge Ironwood in a way that is particularly meaningful and their relationship is one of commander and subordinate before colleagues or equals (link to a fantastic post about Winter’s role as the Good, Conscientious Soldier by @fishyfod). Whereas Glynda is free to argue with, converse, and be as combative as she needs to be with Ozpin (although their power dynamic is arguably one of commander and subordinate albeit informally), Winter cannot temper Ironwood effectively, and through the illusion of equality, Ironwood is further isolated.

His head and arms and legs were jointed upon his body, but he stood perfectly motionless, as if he could not stir at all.

Dorothy looked at him in amazement, and so did the Scarecrow, while Toto barked sharply and made a snap at the tin legs, which hurt his teeth.

“Did you groan?” asked Dorothy.

“Yes,” answered the tin man, “I did. I’ve been groaning for more than a year, and no one has ever heard me before or come to help me.”

The Tin Man needs oil to lubricate his joints; without it, he cannot move, and he is rendered helpless and inanimate. When Dorothy and the group find him, he is entirely isolated with no one in sight, and he has been there for such a long time that he has begun to rust. Similarly, Ironwood needs valued voices of dissent to keep him in check. His colleagues were able to serve that purpose in the beginning, and out of them, Qrow is the best example of someone who doesn't take his shit, openly questions him, and looks down on the performative decorum of the military culture that Ironwood is surrounded by. What Ironwood needs is to be flexible and adaptable; his Semblance, Mettle (heh, metal, very nice pun, RoosterTeeth), is a double edged sword in that it gives him supernatural focus and willpower - enough, perhaps, to flay/chop off your own limbs - but it blindsides him, and is only further prolonging his pain.

There is a lot of sympathy to Ironwood’s character, as much as I’ve ragged on him for being an authoritarian, kind of a dick, and bad with kids. There are moments, such as the previously mentioned dinner party, where he shows his colors a bit, and when he assures the students at the Vytal Festival that there’s no shame in leaving before the battle begins, and in giving Yang a prosthetic arm before her father even has to ask. As far as Generals go, it seems that he’s seen soldiers come and go and understands, at least in his best moments, that not everyone is the same, and not everyone has power of unflinching determination to rely on. Ironwood performs his best when he tempers himself because he understands himself, and others. It’s when he fails to self-reflect that his hypocrisy shows through. Glynda points it out, too, as does Qrow; Ironwood advocates for trust but often fails to give it himself, going behind Ozpin’s back, being absolutely shit at field communication, and now the whole fascist, borderline-genocidal keruffle he’s gotten himself into.

I think that Ironwood reaching out to Qrow was his ethical last stand, his last chance and conscious effort to choose the right path. Qrow is unequivocally an equal, not like how Ozpin is the Big Boss, the authority that James becomes disillusioned with and tries to overthrow. He wants someone to trust, desperately so, and Qrow wants that too, but narrative subversion has hands. The Scarecrow and the Tin Man have no brain and heart respectively, and are in need of them. As it turns out, Qrow is actually a pragmatic guy with solid principles angled against authoritarianism, and Ironwood is a dick who would rather enforce martial law than to empathize and tame his military-shaped boner for one second.

I might conclude that someone like Qrow might be best for Ironwood, but that does not mean that someone like Ironwood would be the best for Qrow. Qrow has a brain after all, but Ironwood does not choose his heart when it matters, case in point. Even the intro of the current season features Salem and Ironwood on a chessboard; his white pieces are disappearing, dissolving into dust, as hers transform into Grimm. Ironwood is isolating himself by depleting himself of allies. As this post by @hadesisqueer points out, Ironwood isn’t even positioned as King, the supposed commander, but the Queen, the most versatile player on the board that is so far underused, since he hasn’t moved from his spot. Ironwood’s refusal to unify against Salem is his failure to strategically utilize the best resources that were available to him; soon, the pieces will be swallowed by the dark.

James is guilty of something that a lot of us are guilty of: doing a Bad Thing for what we have convinced ourselves is a Good Reason, when in reality, it is actually a lot of Very Bad Reasons. James Ironwood is a Knight archetype, through and through, and he is charging forward to do the right thing. He is afraid, he is lying to himself, and he will never surrender.

“All the same,” said the Scarecrow, “I shall ask for brains instead of a heart; for a fool would not know what to do with a heart if he had one.”

“I shall take the heart,” returned the Tin Woodman; “for brains do not make one happy, and happiness is the best thing in the world.”

Dorothy did not say anything, for she was puzzled to know which of her two friends was right, and she decided if she could only get back to Kansas and Aunt Em, it did not matter so much whether the Woodman had no brains and the Scarecrow no heart, or each got what he wanted.

The lesson of James Ironwood is a lesson of failure, and of the way that we succumb to fear, because that is Salem’s agenda, really, in the end: fear. It’s the negative emotions, fear being first and foremost, that draw in and empower the Grimm, and it’s fear and uncertainty that causes chaos. It is when Dorothy’s friends give into their fear that they are truly defeated. FDR’s assertion that “The only thing to fear is fear itself” holds true here; it’s not so much that these characters are afraid of losing their lives, their loved ones, and of the dark, but that they do not have the love or the resources to be brave for themselves or for others.

Qrow as a character is introduced as one who is already defeated, in a sense. Half of his team is gone, dead or estranged, he’s forced into the shadows of espionage to protect a world he knows is darker than it should be, and he’s fighting a losing battle with alcoholism. As charismatic as he’s written, he’s referred to as a “dusty old crow”, a hunter of renowned skill but past the prime of his life.

Dorothy’s three titular companions are defined by what they lack; in the same vein of the Disney I Want song (a main character’s main monologue song in which their wants and desires that motivate them throughout the rest of the film is laid out in song; ie Part of Your World, Reflections, How Far I’ll Go), the Lion, Tin Man, and the Scarecrow want bravery, a heart, and a brain respectively. RWBY relies on flipping the script of its characters based on what the audience might expect from the source material; Ruby is not just a helpless little girl - her introduction is a badass with a scythe. The Scarecrow is a chronic alchoholic. Cinderella is a victim of abuse, and is also a villain who wants to set the world aflame. Subversion, subversion, subversion.

There are obviously parallels between the characters in RWBY and in their own fairytales to keep them in character, and part of the fun is spotting those clues and occasionally connecting the dots to anticipate the direction of the narrative and certain connections between characters and the significance of their arcs. While I’m not aware of Dorothy Gale’s RWBY counterpart, if she has already been established or is yet to be introduced, I don’t think it’s unreasonable to assume that Ruby has adopted a Dorothy-eque persona and can act as a surrogate in a way. She begins as a sweet, naive child eager to join a world of color and excitement, who initially believes that she has “normal knees” and is thrust into a political scheme full of powerful and older players. She even has a small dog as a companion, Toto Zwei, who seems like an odd addition, since he’s usually sidelined and basically forgotten about except in a few spare moments, unless he’s there to draw further comparisons to Dorothy. She may not be from Kansas, but she is first helped by Glynda (the Good Witch), and later expects assistance from Ozpin, Qrow, and the later Ozian counterparts. I find it a peculiar detail that for Ruby to be Little Red Riding Hood alone, she is surrounded specifically by Dorothy’s companions. This, of course, only increases the importance of the relevance of the Oz series in particular and the characters that are borrowed.

In the case of Ozpin’s inner circle, Dorothy’s closest comrades (sans Toto) differ in crucial ways to their source material. (After finishing this essay, I found a much better, condensed explanation by @neopoliitan )

Disillusioned by the Ozpin, the Wizard (who has been projecting an illusion of a failsafe) and overwhelmed by the rise of the Wicked Witch of the West, Lionhart (the Lion), gives into his cowardice and ultimately forgoes the arc and redemption of his character from the source material; as such, he is by all definitions, a failure and a premonition, as Ironwood eventually follows. If RWBY is a dark take on classic fairytales, then it is only fitting that these characters are charred husks of their fairytale selves - these are people, and some people are selfish, scared, and cowardly, and they do not overcome these traits.

This is all opinion based, pure speculation. I have no idea what will happen in the next episode, and whatever goes down will be...shit will hit the fan. I’m under no delusions that Ironqrow is going to be canon in a healthy, tender, endgame sense. They’re both kind of losing their minds, and Ironwood is shitting absolute bricks. No, they’re going to try to kill each other, and I personally cannot wait for Qrow to cleave this man in two. (Not sexually, just, literally. Like, with a scythe.)

On that note, I think that the RWBY writers are good at callbacks, at drawing attention to their own connections, and if Ironwood and Qrow’s inevitable confrontation is scheduled, then it will include visual callbacks to Qrow saving James at Beacon, maybe shot for shot. Their visuals have only gotten better as time goes on, and I imagine Ironwood’s eyes widening as Qrow leaps through the air, scythe drawn, in recal of a moment so long ago when they weren’t on the same page, but they were at least on the same side. When Qrow brings the blade down, there will be no enemy behind him. Only Jimmy James. The difference between the two of them will be that Qrow isn’t fighting out of fear, but out of love, for what happened to Clover, and to what could happen to his girls.

Qrow’s reliance on alcohol, as well as his (mostly) feigned nonchalance is meant to fit with the motif that the Scarecrow has no brain, and, had he a mind to desire anything, would desire it most of all. His role is, also, notably, gathering intelligence for Ozpin (his character is also based on Munnin from Norse mythology). There is so much about Qrow that is an act and so much that is not, and I think that this act is born both from this motif and from his own cynicism, and the alcohol contributes to this act. However, he eventually gets sober after Ruby expresses legitimate frustration, and he understands that he’s putting their lives at risk. While one could say that he gave up drinking for the kids, I would argue that the kids - Ruby in particular - made him want to give up drinking for himself, to better himself.

While Lionhart and Ironwood betray the people depending on them, Qrow’s love for his nieces (and for the kids) allows him to deviate from this pattern. The answer to fear is perhaps not merely bravery - Qrow’s triumph is love.

Ironwood knows triumph in the context of a military state, but he’s backed himself into a corner. Soon he will find himself alone and friendless. Hopefully, his last stand will not be in vain.

[m143ui]

A MESSAGE TO THE PJO FANDOM

so hello friends on the other side

I understand some of the major concerns regarding characters like piper and the feather and hazels description but when you bring Leo and Reyna into the fucking conversation I have lost all respect.

ANYONE CAN BE ABUSED, ETHNICITY HAS NOTHING TO DO WITH IT

LATINO CHARACTERS

Reyna is not a negative stereotype, she isn't defined by being latina and neither is Leo, he isn't a stereotype simply because he’s latino and was abused. also him being called an elf was because he was short, which had nothing to do with him being latino. also the mamacita comment like y'all hide under the label “progressive” but ignore that mamacita has been a thing in Latin American communities for a fucking while. its not an insult dammit. its something that happens in our communities!!! its like saying muchacho y'all don't see men bitching about that.

also shocker I read the mamacita comment and I can proudly say I didn't go

“RICK YOU RACIST BITCH”

things that actually happen in communities aren't racist

and before any of y'all come at me with the usual you’re white excuse, hello friends im Peruvian and Paraguayan.

I don't think he’s perfect but bitching about characters like Leo which gave many of my Latin American friends hope for similar characters destroys your “listening to minorities” argument

also the lol “hes Mexican taco bad” argument like I live in Mexico we eat tacos like every fucking day. its literally a fact. and Leo isn't just defined as taco man.

believe it or not us latinos respect rick because he gave us role models and characters like us. we don't define a character by one line and instantly call discrimination. like yes a asian character can be snobby it has nothing to do with ethnicity. y'all are making this about ethnicity. an asian character can be anything, just like a white character or a black character or a gay character. people are not simply defined by their labels like ya’ll think. y'all are just a bunch of easily triggered snowflakes that can't live with that. they can be influenced but in the end labels are labels we are all human and should be treated as such.

LGBT REPRESENTATION

another thing Reyna was never officially a lesbian that was YOUR interpretation not riordans. IF HE DIDNT STATE IT , SORRY HONEY IT ISN’T CANON! I don't care about how she was “lesbian coded” if he didn't state it it isn't canon. 

I am so sick, as a lesbian, to see people use ALL QUEER DEATHS as a bury your gay tropes, what happened to seeing us as humans? why can't we be treated like any other character? if we die we die, it isn't always “haha gay evil boom death”. sometimes fully fledged characters have to die friends.

Nico isn't a bad gay character, he’s just a normal character who happens to be gay and has suffered major trauma. HIS TRAUMA WAS CAUSED BY HIS UPBRINGING, Nico isn't a 2000′s character, he’s from the 30′s, so obviously he woudn’t be perfect with his sexuality for gods sake it was the 30′s. the exact same thing happens with hazel, she isn't a modern black woman, she's a 30′s black woman. Nico’s coming out isn't him as a 21st century teen its from the time when the GOVERNMENT KILLED YOU FOR BEING GAY

also saying there are no lesbian characters? like wow look emmie and jo don't exist. Lavinia doesn't exist. poison doesn't exist. thanks fam you really make yourselves look smart here. simply because rick never said the word gay doesn't mean the gay characters don't exist friends. they are just labeled as what gay characters should be labeled as.... human.

LESBOPHOBIA & RACISM

im not educated in muslim or black culture so I won't mention characters like sam and hazel and piper because I respect and I am highly critical of what rick put in his books to describe these specific minorities.

HOWEVER saying rick is a lesbophobe, a homophobe, a racist a sexist cis guy is like do y’all wanna be taken seriously? use arguments don't hide behind words.

rick isn't a perfect writer but y'all really don't know how to criticise, y'all just hide behind big boy words and back it up with no evidence, just opinions.

rick doesn’t have the best minority rep out there but he is damn well trying and I respect that unlike all you fucking idiots.

SHIPS

now onto ships.... yay

frazel: im not gonna censor it like you pussies, believe it or not 13&16 year old relationships exist. they might not always be healthy but they exist. to deny this is to be stupid

solangelo:  another ship that is censored..the main argument I've seen is that it isn't developed and will isn't even a character... he was in last olympian and lost hero not my fault y'all have fish brains. I don't care if you dislike it but don't be like “ANYONE WHO SHIPS THIS IS AN ABUSIVE WHORE” like wow you always preach about accepting all ships and then throw this? also if you hate solangelo because of the “abuse” but ship percico like hi friends Nico is 4 years younger than Percy.. if y'all hate frazel because of the 3 year age difference y'all should hate this too.

CONCLUSIONS AND SHIT

not every character minority or otherwise is gonna be the way you want them to be, believe it or not any character can be anything, black characters can be loud, white characters can be loud. if they're only loud because “haha black” then THATS an issue not the simple existence of a loud black woman who has a loud personality.

y'all be here bitching about drew and I've never heard the asian perspective of this? just a bunch of black and white people telling asians they should be offended. was that just an uno reverse?

also last point stereotypes aren't always a negative thing and y'all need to get that in your heads.

anyway stay mad hoes <3

from a sane Peruvian <3

EDIT

I saw this beauty and had to comment on it

“having LGBT characters experience abuse and violence. nicos forceful outing rubs me the wrong way, especially because hes called a coward for being in the closet. its violent and kind of disturbing to make your gay character come out of the closet by force. maybe write better. additionally, alex's abusive father and subsequent homelessness because of her being trans is badly written.”

oh noooo gay characters can't deal with homophobia anymore ! like I can tell you have never been punched for being gay. is it bad to showcase how trans and gay ppl are 40% of homeless youth? or is even mentioning that discrimination? believe it or not some of us live in countries where people try to kill us. you have an advantage and it shows. about the coward thing... 

was FUCKING CUPID A GOOD CHARACTER? NO? I REST MY CASE. CUPID IS NOT SEEN AS A GOOD PERSON THEREFORE HE IS NOT A GOOD PERSON GET THAT IN YOUR THICK SKULLS.

 YOU HEARD IT HERE FOLKS LGBT FOLKS DONT GET FORCED OUT OF THE CLOSET 

#NEVER HAPPENS IN REALITY. 

JUST BECAUSE YOU WERENT FORCED OUT OF THE CLOSET DOESNT MEAN OTHER PEOPLE HAVE THAT SAME LUXURY. 

maybe stop spewing bullshit <3

(so I get that this scene can remind people of being outed and it can hurt them however this scene was never intended to be a good thing it literally says Nico is scared of facing his emotions)

EDIT NUMBER 2

oh boy rick really pissed off the snowflakes that I share a fandom with

“give Nico to the gays” no? he would be a femboy and they would yeet his trauma like ssrsly?

also hate rick? bitch no one is forcing you to read his tweets.

death of the author is such a toxic thing like the mans is alive boo he aint going nowhere..like What the fuck 

EDIT NUMBER 3

anyway final thoughts on this :

nico insn’t Uwu gay and its an insult to his character

Reyna is not a lesbian canonically (neither is Thalia)

Leo and Reyna are not racist

none of ricks characters are  written as insults to their communities

and if I see one more “but ....phobia/ ...ism I will do very illegal things

peace lol

RICK RIORDAN UPDATE:

congratulations rick antis! you have successfully harassed a  56 year old man into leaving social media! wow so progressive!!!! this totally won't backfire or anything!!!

all jokes aside all of you who harassed rick to the point of someone else taking over his social media should feel ashamed

[mismashedsocks]

 so riordan made a half assed lame excuse on his lazy/racist writing on piper yesterday and on top of that he made another one on samirah and i’m muslim so i am going to talk about it

damn i’m so sorry these people have been pushing you past your comfort zone about your wildly popular racist caricatures of minorities that have great impact on your young, impressionable target audience. while its fine that if he takes a break for his mental health he still needs to deal with these problems you can’t just take a break and hope they go away.

why does he think everyone is bullying him. if they talked in all caps, cussed at you, or didn’t stop bothering you, i’m sorry they’re just trying to get you to realize how racist your books are, which you keep refusing to believe. i can believe that a few of them were doing it for attention, but it couldn’t be the majority. and my god, god forbid people want you to write your books the way you preferred, without racist stereotypes. 🙈

you can set your boundaries but you keep ignoring the people, you don’t listen. like you put yourself out there as a writer you are open to criticism

why does he keep doing this to seem like the good guy. you give excuses and don’t do anything and just say that its up to you, you can think whatever you want 🥰🥰. like its such an obvious excuse not to take any action.

i’m sorry but no matter how many muslims you’ve interacted with you haven’t gotten the full experience and last time i checked teachers aren’t the kids best friends soo uhm. anyways the rest of it is just him telling his experience with muslimah students so its just there.

so uhm you just said your students ‘unwillingly’ become an ambassador to everyone she knew’. and then you went to talk to them about islam to make sure you were TEACHING THEM YOUR SOURCE MATERIAL CORRECTLY. i’m sorry imagine. these are kids not some scholars you go to consult. there are so many muslims all over the internet and youtube sharing their experiences for you to access on how to ‘represent their experience’ correctly. you’re the teacher here. picture this:as a muslilm, i teach at a public school and while teaching about Christianity in class, no i would double check or some dumb shit with the students. like educate yourself i’m sorry. anyways apparently he blames his mistakes on himself then goes on to deny he ever made any mistakes i can’t.

so this is a blatant lie. 99% of muslims i’ve met have never read all of sahih bukhari and sahih muslim. usually only scholars do that when they are studying islam for YEARS. and FIVE different interpretations of the quran on top of that. ok so sahih bukhari is 9 books that are over 300 pages each and sahih musilm is 7 volumes with also about 300+ pages each. and then the english versions of the quran are 600 pages. and he claims he read five of them. i’m so sorry but no he didn’t. he writes books so fast and he released mcga around the time toa was being released almost one book per year so he did not have a lot of spare time. the rest ig i can let slide. also and if he did do all of that why does he make so many mistakes in writing samirah. and even IF you accept his excuses reading ALL of this source material is great for teaching your class or whatever but not for writing a modern day muslim. you don’t need to lie to us rick ❤️

most of this is just describing what she’s like but his writing did also add in the model minority, smart kid trope. like no they don’t have to be a terrorist or a A+ student who is the best at everything. there is a middle ground to their personality. 

i actually used to love his rep in sam. that’s how i got into the series. i saw a hijabi girl on his website. i got excited and read all of his books. i loved piper, leo, hazel, percy, annabeth, sadie, carter, nico, everyone. now that i look back i was younger and didn’t see anything wrong with it back then. its great that he tried to portray minorities but he did it so badly and now is just denying the faults that his now older readers are trying to tell him.

hey, uhm didn’t you read all of sahih bukhari and muslim? hmm i didn’t think so. anyways the way he dealt with it honestly wasn’t that bad. but the whole ‘whoops’. like why does he keep portraying himself as the innocent old white man just trying his best.

honestly how he wrote samirah as a hijabi was the dumbest thing i’ve ever read. its is totally fine if she wasn’t hijabi, many muslim girls aren’t, and that is their choice. but he decided to make her like a weird middle ground. it was so lazy and inconsistent. in the first book she says she wears it when she needs to, like in situations like going to the masjid. this was fine, since many muslim girls do that. then in the next books she wears it all the time except when she’s in valhalla for some reason. hijabi girls take of their scarves when they’re at home or with family, but making her claim the entirety of vallhalla as her family. that was just demeaning and stupid to me. it takes away its value. and i fucking hated that last sentence. for hijabis, their hijab is important and not a toy or weapon or a MAGIC ITEM. and then on top of that she would have to take it of to hide. he could’ve made it anything else. her hijab isn’t some token item istg.

i love how he admits that they are a big problem and abusive and usually engage with child marriages. i’m relatively he doesn’t understand what the people even meant by it. the practice is a problem that isn’t supposed to be seen in a nice light. the only possible way it could be slightly ok is that if ADULTS agree they 100% do not want to choose who they want to get married to and let their parents choose, and both sides agree. samirah was a child and he decided to make her wedding life decided since the age of 12. and it was ok because amir was conventionally attractive and she loved him. WHAT IF SHE DIDNT. this literally is a dangerous arranged marriage. and arranged marriages are not ok, and mostly perpetuated by victims of it who will end up passing it down their family lines. my parents got an arranged marriage and I HAVE NEVER SEEN THEM DISPLAY ANY SIGNS OF AFFECTION. arranged marriages are not a trope that your can turn around to be a quirky personality trait for your characters.

i’m sorry that’s not how arranged marriages work. most likely if she said something her grandparents would have shut her done and continued with the marriage, as that is what you usually happens. do not portray the small amount of consented, ‘happy’ arranged marriages as the majority. it is a huge problem that many desi/middle eastern cultures are trying to erase. even on top of that he writes situations where she’s going to be in trouble for acting up and ‘jeopardizing the marriage agreement’ and that her grandparents think she’s ‘lucky that she could get the fadlan family to agree to marry their son to her’. these statements are often used in forced and dangerous marriages, so don’t try and justify your actions. if you wanted to show traditional customs in a positive light, there are so many richer parts of samirah’s culture you could’ve focused on and you chose arranged marriage. 😻 all you’ve done is given parents and authority figures a westernized resource to justify arranged and forced marriages, especially with the minimal explanation on how the marriage isn’t forced in the actual books. and yes, your books do condone child marriage samirah is clearly deemed into this marriage ever since the young age of 12. she lived her life knowing she would marry amir. no one has only one crush throughout their life. imagine how she would’ve grown up. sorry you only consider opinions that align with those in you mind.

i’m going to be honest i did like that one scene it was written nicely and accurately but the explanation he gives just ruins the entire thing. the way he just if this strikes you as islamophobic, or samirah as a hurtful, uhm no explanation i just disagree 😽. the way you wrote her is a hurtful stereotype sorry you can’t see it.

oops, you did. too bad you don’t want to do anything about it.

why do you think people are painting you in a negative light, so many of your characters are written on hurtful and negative stereotypes. people aren’t painting it that way, you need to calm down w your ego and listen. dang i’m sorry your best is giving half-assed excuses and not actually doing anything. i’m even more sorry people are mad that a highly privileged author that has a lot of influence is done talking about his racist depictions of minorities in his books. 

dang must be lucky to take a break from the social media, imagine what all the minorities you wrote about have to go with everyday weather they are on social media or not. people aren’t bullying you this is valid criticism you refuse to listen to.

fuck you

obviously these are my opinions do not judge every muslim based on what i’ve said come to me if you have a problem with it

anyways support jewish, muslim, black, brown, asian, hispanic, indigenous, lgbtq+, disabled, and other minority authors and creators.

[spnfanficpond]

Pond Diving - Imagineteamfreewill

Welcome to today’s Pond Diving Spotlight! We hope that you enjoy this little insight to our members and perhaps even find some useful tips for your own writing. Happy reading!

Want to volunteer, send us an ask! We’re looking forward to learning more about all of you! Not sure what PD is, you can learn more here.

“Don’t Be Koi About It” - All About You

Name: Meg

Age: 20s

Location: United States

URL: @imagineteamfreewill

Why did you choose your URL: I first started out structuring my stories as imagines, and the “Team Free Will” part was pretty obvious.

What inspired you to become a writer: Reading Supernatural fanfiction inspired me to get back into writing, but I’ve always enjoyed it. My mom likes to talk about how when I was in Kindergarten, I drew a picture about how I wanted to be an author and now I write in my free time.

How long have you been writing: According to tumblr, I’ve been writing fanfiction since 2014, but I’ve been writing for as long as I can remember.

What do you do when you are not writing i.e. Job/Hobbies etc? I’m a music teacher, so I sing and play piano, and I’ve played a bit of cello and tenor saxophone as well. I love movies, baking, sleeping, and a few video games.

How long have you been in the SPN Fandom? I joined sometime around Season 8 or 9, I think. I don’t really remember!

Are you in any other fandoms and do you write for them? I really enjoy Marvel and I’ve read a lot of Marvel fics, but I don’t write for them. I like a lot of TV shows (New Girl, Parks and Rec, The Good Place, Outlander, etc), but I wouldn’t consider myself part of the fandom.

Do you do any writing outside of fanfiction? If so, tell us about it? I love to write poetry. I had a poetry blog at truenorth-ink a while ago, but I haven’t updated it recently at all. Most of my poems aren’t published or posted anywhere.

Favorite published author: I love some of the early series by Rick Riordan and I also really enjoy poetry by Nikita Gill and Atticus. Lately, I've really been getting into Leigh Bardugo's books.

Have you ever read a book that made an impact on your life? Which one and why?: I think "East" by Edith Pattou really affected me! I read it when I was in 6th-8th grade and I think about it often. I think it's something that really stuck with me and got me interested in fantasy books so much. I read it at least once a year.

Favorite genre of fanfic (smut, angst, fluff, crack, rpf, etc): I love angsty stuff, and most of the time I prefer it when it has some fluff mixed in. Straight fluff is often hard for me to read because I need something that’s more realistic for my own life and point of view. I also really like whump, but that can be a lot sometimes so it depends on my mood.

Favorite piece of your own writing: I don’t know if I have a favorite, but I loved writing Back to the Start (my mermaid series) and The Switch (a canon-divergent apocalyptic Reader x Sam series). Right now, I'm really enjoying my Consort series (a Goddess!Reader x Dean series). Creating my own rules in my own little universes is one of my favorite things to do, especially since I can’t always do whatever I want in real life.

Most underrated fic you have written: Empire. I loved getting to write Boyking!Sam because it was so different from my normal Sam stories and I did a lot of research for it. I’m pretty proud that the story never got too bloody or gory, too, so if you want some Boyking!Sam that’s not drenched in blood (for lack of a better term), I’m your girl!

Story of yours that you’d most like to see turned into a movie/tv show: Probably Back to the Start or The Switch. I think those two series would be amazing to see with J2, the rest of the cast/characters I included, and special effects! There’s so much I’d want to explore with both of them that I didn’t put into the series.

Favorite Tumblr Writer(s): @luci-in-trenchcoats, @sunlightdances, @supernaturalfreewill, @lipstickandwhiskey, @smol-and-grumpy, @percywinchester27, and @kaz2y5-imagines

Favorite fic from another writer:  I don’t think I could pick just one, but I’ve read all of @sunlightdances Dean fics multiple times. Her works got me through some pretty sucky times in my life and I don’t think I’ll ever get sick of her writing! I’ve also been reading her Bucky fics recently and it’s made me love Marvel fics even more than before!​

Favorite character to write: Sam Winchester

Favorite Pairing to write: Reader x Sam (Reader x Dean is a close second)

Least favorite character to write (and why): I don’t like to write for Crowley or Gabriel. Gadreel is hard for me even though I can do it, but I don’t understand Crowley or Gabriel’s personalities at all because they’re literally so far away from mine.

Do you have anyone you consider a mentor? No, although @lipstickandwhiskey and @kaz2y5-imagines really encouraged me in my writing!​

Do you have any aspirations involving your writing? I would love to write a non-Supernatural work of fiction to publish, but that’s a long way off.

How many work-in-progress stories do you have: Oh Lord, I have so many! I have at least four series and two one shots in the works right now. I've also got over 100 one shots/series plotlines written out in the notes on my phone and various Google Docs.

What are you currently working on? I’m currently working on a Cinderella series, my Underworld series, my Puer Rex series, my Consort series, an Author!Sam fic, and an Author!Dean fic. I also write stories for my Words series now and again.

“Pond Diving” - All About The Writing

What/who has had the biggest influence on your writing? Reading other people’s work. The intense storylines of @luci-in-trenchcoats ’s fics have gotten me to be more bold with my writing and the emotions and description in @supernaturalfreewill’s works have inspired me to let my work have more feeling.

Best writing advice you've been given: Not necessarily writing advice, but I was once told that anything worth doing is worth doing at least a little bit every day. Think about it—if you wrote even just five minutes a day, how much better will you get over the course of a month? A year?

Biggest obstacle you’ve faced in your writing: Repetition of words and commas. So many commas and so many uses of the same word over and over again. It’s a hard balance between using the word and using synonyms without sounding like I’m sitting there googling synonyms for “said”. I also tend to spend a lot of time on things that I think are super important but aren’t really important in the long run. I’m wordy as hell and my writing would be dull if I didn’t edit it as thoroughly as I do.

What aspects of writing do you find difficult when you write fanfiction? A lot of times I have these ideas that I think would make a great series but I don’t think through them, so planning out the plot of a series (or even a standalone fic) beforehand is something I struggle with.

Is there anything you want to write but are afraid to (and why): I would love to write more fics that have the characters dealing with severe mental disorders or that take place in a mental hospital, but I’m afraid that I’ll portray something wrong and solidify harmful stereotypes about what it’s like to deal with those things.

What inspires/motivates you to write: Honestly, just wanting to write things that I enjoy. Sometimes I get sick of reading other peoples’ stuff since it’s not exactly what I want, so I just write my own!

How do you deal with self doubt: Understand that sometimes it happens. You’ll doubt yourself—everybody does. If I’m doubting myself or my writing, I’ll take a break until I remember why I write. Then I’ll remember that yeah, writing for an audience is fun, but I write because I have cool ideas I want to explore, not because I need the attention or love of strangers. Lastly, I’ll reread my old fics, especially the ones I love, and then I’ll go back and edit old fics that I haven’t looked at in a while. That way I can see how I’ve improved and I don’t feel so terrible anymore! Reading my own fics is a bit of a guilty pleasure of mine, and I’ll read through my masterlists every once a while just to remind myself of the things I’ve loved, where I’ve been, and where I’m going.

How do you deal with writer's block: Like I said, I reread old fics and edit old fics that I haven’t looked at in a while. Seeing the things I’ve done before always helps to focus me. I’ll also read other people’s stuff or talk about headcanons with some friends to try and find some inspiration.

Do you plan/outline your story before you start: Lately I have been, but only because my periods of intense inspiration and productivity are getting farther and farther apart because of my job. I’ve found planning it out to be more and more helpful, especially for my series. A lot of times if I get a great idea, I’ll outline the whole plot or any significant details I want to put in that one shot/series so that I can come back to it whenever I have the time or I’m inspired for it again.

Do you have any weird writing habits: I write best in places that are unfamiliar to me or in places/times where I shouldn’t be writing. Class? Writing. Airport terminal? Writing. 4am when I have to be up at 6? Writing.

Have you ever received hateful comments on your fic and how do you deal with it? Not that I remember! I feel like there’s probably been one or two over the years, but I probably just got upset about it with my friends for a while and then got over it.

Conversely: what’s been some of your favorite feedback on your fanfic? A long time ago, when I was writing Back to the Start, I had one person who sent me asks for every single series update. I screenshotted them and saved them on my laptop. There’s one particular one where they say that they’re happier because of my writing and honestly, isn’t that what we all strive for? That people’s lives are better because of our stories? I’ve also had some pretty great friends recently who’ve made it a point to reblog and send asks/messages on all my works, which has been so meaningful that I never replied to the asks. They’re sitting in my inbox and I go through and reread them sometimes when I’m feeling down.

If you could give one piece of advice to a new and/or struggling writer, what would it be?  ​Write down everything. If you come up with an amazing piece of dialogue, even if it’s just one sentence or one person talking, or if you come up with something you’d think would be a great title… WRITE IT DOWN. It doesn’t matter if it fits into whatever you’re currently writing or not, it’ll come in handy! I don’t know how many times I’ve gone through my idea list and found really obscure lines/titles/inspiration that didn’t make sense when I wrote them down, but are now exactly what I need to finish a fic. Even if you don’t end up using it, jotting down your ideas is still writing, and that’s good practice!

[wrathfulmercy]

3. Do you feel jealous of doubles? and if no, please share ways for others to learn. 8. What makes you stray away from canon material and base your character, in case of canon muse, on your own headcanons?

More Munday questions from here

3. Do you feel jealous of doubles? and if no, please share ways for others to learn.

Not at all. I think doubles are inspiring and important for the community. We all portray different aspects of our chosen characters, maybe aspects we missed to see in the franchise or aspects which were portrayed badly in our opinion or aspects we want to explore more. Some make a whole different character out of the canon one and some stick straight to the canon version. I think it’s fascinating how characters (and I think especially real and not animated ones who are portrayed by a certain actor) can appear to us and how we all understand them differently. It just proves how complex the character is and how well the actor portrayed them that he spoke to so many different people. When I see another rick or negan (no matter if single or multi muse), I love to read through the posts cause I’m curious how they portray them differently or the same (cause if we have the same understanding it’s possible we as the muns have the same mindset too) or when they saw something I never noticed. It inspires me ❤️ that’s why I also love to read your Rick posts the most cause it makes me so happy seeing someone else loving the character I love and when he’s portrayed in such a decent way it makes me proud to be a part of that and see that Andy did such a great work to be loved and respected by so many. When it comes about giving advice maybe try not to feel challenged by another portrayal in a bad way, see it as a good thing to learn even more about the character. Since we all play them differently I’m very sure that some people wouldn’t like to play with my version of rick while they might play with another version whose portrayal fits to them more and that’s a good thing isn’t it? Cause more people can play with Rick (who deserves all the love) even if they maybe don’t like your own portrayal. (But let me mention one problem with doubles that often occur: that I don’t like when people collect a certain character just because they love the face. Somehow it gives the different muns the feeling the way they portray their muse doesn’t matter and that all their ideas aren’t acknowledged cause they are just taken cause of the face. It’s normal that not everyone likes the same portrayal cause we are all different too why not embrace that and give the writer the respect for portraying this character in their way by acknowledging their differences, no matter if you like them or not?)

8. What makes you stray away from canon material and base your character, in case of canon muse, on your own headcanons?

Hm I think that’s a very individual thing cause everyone has their own thoughts and emotions and experiences which allows us to identify with different aspects of characters. For me characters who went through severe trauma and managed to still stay a good person at heart are very appealing and that’s why I wanted to explore this traumatized side of rick that comes through mostly in season 3-5 and 8. For me my own headcanons are often connected to a certain aspect of a muse I didn’t see explored enough and that’s where I create my own things. Also in this case the love/relationship/sexual aspect of rick wasn’t explored enough for me and that’s why it was important for me to do that for him. And I love different verses where I can form the character I love so much the way I want to and imagine how our Rick would have been when it would have been that verse instead of twd. That’s what I wanna explore, everything we didn’t see and that’s where my own ideas come in.

@wexarethewalkingxdead

[twdmusicboxmystery]

When a Grady Actor Confirmed TD and Other Reasons the Spoilers Don’t Spoil TD

Okay Everyone, I’m gonna cover a few of things today that I hope will help everyone to continue feeling at least somewhat better about the spoilers. 

***More spoilers below (same ones as yesterday, actually) but don’t read if you don’t want to know. You’ve been warned.***

1) Could the spoilers be fake?

I got plenty of messages and comments yesterday, too. Some of them claiming these spoilers aren’t even true and the person who spoiled them is a troll and unreliable. 

Now, before everyone starts messaging me and commenting about how you “know” these are true and the screeners are out, please note that I’m not making a claim either way. The account that spoiled this isn’t one who normally gets and reviews screeners, which means they could be false. That doesn’t mean that account didn’t get these from a reputable source, which means they could be true.

As I said yesterday, overall, I think they’re probably true. I think they were probably intentionally leaked to hype up the fandom and gauge our reactions. And I would rather you all make your peace with them being real rather than holding out hope that they’re totally false. But I think it’s worth reiterating that they haven’t been 100% confirmed, yet.

2) There’s a whole other person involved in this Leah arc that we don’t know about yet.

You know how yesterday I went on and on about how we don’t have anything near all the details of this arc? Well, someone pointed this out to me. Don’t feel bad if you totally missed it, because I did, too, and I haven’t seen anyone talking about it.

Look at the picture of Leah below carefully. Look at what’s behind her. If you look closely, there’s someone kneeling on the ground. They’ve got one knee resting on the floor, and the other one pointed toward the ceiling with their foot flat. You can see one shoulder to the left of Leah’s hip.

Spoilers make no mention of this person. We have no idea who they are or how they fit into the story.

This looks to me like it’s when she and Daryl first meet (hence, she doesn’t trust him and is holding him at gunpoint) and she seems to be protecting this person from him. Whoever it is, it probably has to do with why she’s out there to begin with, and will probably factor in how/why she disappears.

And I have no doubt that this shot is purposeful, guys. If they wanted us to know about this person directly, they would have given us a more obvious shot of them. And yet, they have put hints of the person in the shots they DID release. Isn’t that just like them?

But my point is, this is proof that there is a lot about this episode the spoilers are leaving out. So please keep that in mind.

3) When a Grady actor directly addressed TD.

So, for the past few days, as you can imagine I’ve been talking with and consoling people about these spoilers. I just keep going back to the stuff we KNOW. Like that there are missing scenes Emily was in from S5. Those have nothing to do with Leah and suggest Beth’s return. And if she’s returning, I promise you, Bethyl will be a thing.

The other thing I mentioned to people is when Jarod Thompson (guy that played one of the Grady cops) addressed TD directly. 

I quickly realized I needed to repost this because no one seemed to have any idea what I was talking about. Then it took me an hour to find it because I didn’t give it its own post when I first posted it. It was buried at the bottom of this Rick’s Fate post from S9 and not properly indexed. But I did finally locate it.

So, here’s the rundown. Right after the episode where Jadis took Rick away in the helicopter, Jarod Thompson tweeted this:

I’m pretty sure you can’t find this tweet anymore. It was taken down. But let me make a couple of points here. 

First, the obvious. TD has nothing to do with Leah. She wasn’t even on anyone’s radar back then. So what he’s telling us here has nothing to do with Leah. He’s basically telling us that Beth will return. 

Translation: Leah doesn’t matter. Beth is coming back. 

This is just one (of many) things that keeps me strong in TD. Because the actor actually confirmed this for us. And then it was quickly taken down, which is always suspicious to me. Why? Well, I’m sure some people will be quick to counter with the argument that maybe he was just trolling or making fun of us. But I don’t see that as a terribly logical argument. 

He’s never done it before or since. 

We have other evidence (HERE) of him working with Emily post-season 5, and possibly in the hospital setting. 

The timing is suspicious. This happened after Rick left. And I personally think that what he referred to here was the CRM. 9x05 was the first time they really came front and center, an active part of the story. So I think he was hinting that Beth is inside that organization as well and that now that the audience knows who they are, the stage is set and things are in motion for her return.

For the record, it was not long after this that we started getting the massing amount of Beth/Emily promotion on social media. 

Most importantly, his tweet was removed, probably by him at someone else’s request. Think about this really logically, guys. They don’t remove tweets about Caryl happening. They don’t remove teases about Daryl and Connie. They only remove suspicious posts that might tell us something about Beth’s return. There’s a reason for that. 

Furthermore, consider this. He’s kind of a small-time actor on the show. Of course I don’t mean that in a negative way. He’s fabulous. But I mean he’s not a main character on the show like Andy or Norman or Lauren. And HE knows all about TD, what we want, obviously what is going to happen, and which events in the show constitute room for us “to breathe.” 

So what does that tell you about other actors on the show, the writers, and any higher-ups connected to the show?

Yeah. Exactly.

Which leads me to my next order of business:

4) Kirkman’s Post/Poll

I think most people saw this last night, but if you didn’t , here it is. 

You can still vote HERE. I took the screenshot last night. I just checked again and the percentage has gone down a couple of points (still at 47%) with more than 9500 votes at this time. So the ‘bring Beth back’ option is still the runaway winner.

Here’s the thing. The timing on this is super-suspicious to me. When was the last time Kirkman tweeted something about Beth? I have no idea, and don’t care to go digging through his Twitter account to find out, but I promise you he hasn’t done it in a long time. He’s said things about her and Bethyl during interviews and such, of course, but he doesn’t just randomly tweet about her. Like...ever.

So you’re telling me that on day 2 after these spoilers leak, when the fandoms are loosing their collective minds, Kirkman just so happens to post this? No way. I don’t buy it.

Look, I know most of us don’t like Kirkman. And I’m not defending him. I don’t like him either. But after watching his interaction with tptb all these years, I have come to believe that they do use him. 

Gimple (and now Kang, I’m sure) are very careful about what they say. Guys, I’ve watched and analyzed this VERY closely over the years, which is why I always say that they never directly lie to us. Misdirection? Yes. Hyperbole? Of course. But they never look into the camera and tell us something blatantly untrue. 

I believe that’s because they don’t want the fans to be able to point at anything they say and accuse them of falsehood. That’s why they can’t ever say much, because it’s either give spoilers (which they won’t) or lie (which they also won’t). That’s why their answers are always so vague and general and very, very irritating. 

But Kirkman isn’t one of the showrunners. He’s connected to it, of course, and I think he knows a lot about what’s coming down the pipeline, but if he says something that’s untrue, tptb can simply shrug and say, “he’ doesn’t make executive story decisions.” Because of that, I believe they use him to sew discord and misdirection. 

And again, I’m not saying this isn’t troll-ish. I’m not saying I like this tactic or that it’s a good thing. I’m simply saying this is what they do. 

So when Kirkman says anything TD-related, I pay attention. Not because I think we should take it at face value, but because the timing, context, how he frames it, and what’s going on in the fandom at the time can tell us a lot about it and give us some clues. 

So, in this case, I think tptb are watching the fandom’s reactions to the spoilers and trying to do a little damage control. But here’s what really gets me: he only mentioned Beth, and specifically in the context of bringing her back. I mean, ALL the shipping fandoms are freaking out right now. All of them are hating these spoilers and losing their shit right now. But he ONLY mentions Beth.

I truly believe that this is tptb, through Kirkman, addressing TD specifically, and just kind of throwing us a bone. They’re not addressing the others because there isn’t any hope for those other ships. 

I know there will be people who disagree with him and think he’s just making fun of us. I understand why people think that. But guys, if that were the case, we’d see at least SOME comments about other characters or ships. There aren’t any. And hey, look through the comments on his tweet. There’s a ton of Beth support (which is why she won the poll) and a few haters, but there are also lots of people who are kind of mystified, saying things like, “How about bring back Glenn? Or Rick? Or Carl?”

See what I mean? 

5) The time Gimple Confirmed Something that was NOT Going to Happen on the Show

Okay, gonna end by reminding you of just one more thing. Just a couple of months ago, before the finale of The World Beyond, S1, one of the actors teased on TTD that we might see Rick in the finale. 

Now, that was totally false. The finale came and went with no Rick (obviously). The actor was just trolling and trying to get people riled up, which he succeeded at. A few days later, Gimple was giving an interview to a clickbait site and they asked him about it. Gimple started to give his run-of-the-mill, vague answer but stopped mid-sentence and said this:

ComicBook.com asked Gimple if World Beyond was working up to a Rick Grimes reveal. 

“You know what? I’m very happy to say… I’m not happy to say the answer,” he said, clearly aware he was about to disappoint people. “I’m happy to be definitive with people. It is not.”

That’s one, I don’t know if people are being cagey about that. But I feel that one’s important not to be cagey about…I think people could watch this show and learn a lot about the mythology that Rick Grimes is caught up in. And they might even see places where Rick Grimes has been. But yeah, he’s not swinging around the corner. And I don’t even know if I’m making people upset saying that, but I just don’t like people watching it, sort of expecting Rick.”

Full article HERE.

Guys, they’ve never done that with Beth and TD. EVER!!!

I’m just saying.

And I can already hear counter arguments about how they’ve never shut down other ships like C@ryl or Donnie either. You’re right, but those characters are still front and center on the show. If Beth is dead and not coming back, why wouldn’t they put her to rest for us the way he did with this Rick rumor? (And I’m also going to argue that they’ve given us very clear indications in the show about a few of these ships, and the shippers just don’t want to accept them. But that’s not entirely relevant here.)

Thoughts?