#scene structure

[keyboardandquill]

I keep getting writer's block in every. single. scene.

so, a while back I wrote a post about writing badly on purpose as a motivation for myself and others to push through when we feel our writing isn't good enough.

while I still stand by what I wrote in that post, I've still been struggling with achieving and keeping forward momentum. I keep getting bored with what I'm writing, and this happens on every single scene.

eventually I figure out where the block is, fix it, and move on. but it inevitably happens again.

recently, I read a post I read about undercutting tension by @septembercfawkes.

in the post, September talks about writing tension threads through to their conclusion while balancing additional threads of tension in the background so the scene doesn't take a nose dive once that conclusion is reached.

I realized, hey! that's what's been happening to me!

so...... how do I overcome that? it's not as easy as simply Doing. I have to figure out why I keep copping out on my tension.

For me, I think it's a combination of things.

first, I have ADHD and find it difficult to finish stuff (including scenes!) because I'm already thinking of the next scene or project.

second, I'm a pantser (for the most part), so I don't often know how a scene is going to end. that often translates to summarizing what happens next in only a paragraph or two so I can get on to the next scene.

third, and I think this is the big one: I get tunnel vision. In my focus on getting from point A to point B, I simply forget about every other thread of tension I have going.

there isn't much I can do about the ADHD, but the pantsing + tunnel vision combo? I can work with that.

I don't "Plot" in general because, in telling the whole story like that, my brain says I'm done and tries to move on to another project. However, I think I'll personally benefit from some limited planning. Micro-plotting the scene I'm about to write, and ONLY that scene.

the funny thing is, I've known for a while that I find it helpful to note what needs to happen in the current scene. I think I still struggled despite that because I wasn't consciously aware of the need to pay attention to my tension. (pay at...tension? eh? eh? anyone?)

anyway, I think I'll come up with a list of generic questions to ask myself before I move on to the next scene or chapter to help keep myself focused on the big picture.

(this is a reminder to myself not to consider these questions set in stone, and not to worry too much about answering them if I'm in a flow state with my writing during a given session. this is also a reminder to you as a writer, if you're still reading after that atrocious pun I made two paragraphs back. <3)

the questions will include:

do the characters need to react to something major that happened last scene?

did the characters learn something they have to follow up on/debate about?

what threads of tension were resolved last scene?

what threads of tension are still on-going as of the end of the last scene?

what new threads of tension might start in this upcoming scene?

I might make the questions their own post, now that I think about it. I'm also going to write them on a sticky note and put them above my monitor so they're close at hand. otherwise they're out of sight, out of mind. (which is another problem I have related to the tunnel vision. because I'm so focused on the Point of what I'm writing in a given moment, I'll forget to look at scene structure, which is an important part of Not Getting Writer's Block. so it goes.)

anyway, thanks for following along with my rambling, and I hope I said something that helps you in your own process! happy writing! <3

[cjjasp]

Motivation, and the Council of Elrond #amwriting

Authors talk a lot about motivation, often speaking in general terms. In a writing group, if a fellow member is stuck, we will ask them what their characters want most and what they’re willing to do to obtain it. That question is a good place to start, but it is only the surface layer of the pond. Motivation is sometimes defined as the overall quest. Motives are more intimate, secrets held…

[cookiesandcantarella]

we r besties

[ID: picture of Kermit and animal from the muppets hugging. Kermit is captioned with “me” and animal is captioned with “the beloved piece of media I would never ever recommend to anyone under any circumstances” end ID]

[recurring-polynya]

Me, writing the parts of my fanfic I want to write: Haha fuck yeah!!! Yes!! Me, trying to string those parts together into something that resembles a narrative: Well this fucking sucks. What the fuck.

[sensitivehandsomeactionman]

Jensen Ackles in Dawson's Creek

[bleue-flora]

Ok, I recently wrote an essay [here] talking about the definition and duties of civil engineering as well as the ethics because of the brain rot @swordfright gave me with calling Dream Sam’s ultimate engineering project. So, because I actually am a civil engineer I took it upon myself to design the title and summary of quantities sheets just like I do at work for roads but with Dream as the project instead. And in honor of angst day sponsored by @sixteenth-day-event, I figured I’d share it because I feel like it kinda works for the prison of the mind prompt.

“Sam’s “ultimate engineering project” he deemed too damaged like a bumpy road or crumbling building that wasn’t worthy of patching and filling in the cracks or reinforcing, that’s too eroded to be fixed and preserved. So, Sam strived to tear him down to the bedrock so he could remake, remold, and reengineer Dream according to his design for the common safety, public health and well-fair.”

{These are very similar to the actual sheets I make day to day, which I shall not share for the sake of doxing my location, but yea pretty much everything has a significance. Some of it doesn’t necessarily make sense but that was because I was more so taking inventory of what we see in lore (so you know I counted ;) lol)}

[cutemeat]

genuinely what the fuck

[its-your-mind]

HEY. HEY.

HEY @re-dracula WHAT GAVE YOU THE RIGHT TO HAVE JONATHAN ACTUALLY READING THAT PASSAGE OUT LOUD BEHIND SEWARD DESCRIBING THE SCENE, HUH? WITH THE TEARS IN HIS VOICE AND THE PAUSING AND THE SHORT LITTLE INHALES AND THE VOICE CRACKS? WAS IT TRULY NECESSARY??? I WAS ALREADY CRYING. I DIDN'T NEED THIS TOO. WHAT THE FUCK.

[greensaplinggrace]

does anybody else think about how all of the darkling’s survival techniques were taught to him by a woman experienced at surviving in a man’s world?

[fuckalicent]

thinking about how rhaenys and corlys presenting laena for viserys to marry served only to soothe viserys’ conscience and convince him that marrying alicent was somehow morally passable. it allowed him to convince himself he was doing the better thing by marrying alicent. also thinking about how when he mentioned to alicent that his council wanted him to marry laena, he watched the hope flitting across her features, watched the relief in her posture thinking she was free, thinking she’d escaped his clutches. only for him to announce at the council meeting after that he wants to marry her, that he will marry her. the way she fiddles with her fingers while shaking her head almost imperceptibly at rhaenyra, trying to convince her that she did not want this, despite how it may seem. her having to bear almost everyone in that room’s distaste at viserys’ selfish decision.

[notbecauseofvictories]

have I somehow ruined myself for perfectly average movies? I watched both Robots (2023) and The Deer King (2021) and both of them were fine---Deer King was better, but suffered from trying to jam too much into a single film; Robots should have been more black-humored, delighting in its lazy sociopaths and their vaguely squalid world. But that's it, that's all they were---fine. Just fine.

Does this mean I have to watch exclusively Films now? I can't get into a movie unless it's black and white, or two hours of characters speaking sideways and having neuroses at each other?

[goatsandgangsters]

favorite callbacks/foreshadowing payoff in A Power Unbound that made yell "oh goddammit" at my book

MY MOST SATISFYING "OH GODDAMMIT" MOMENT. FULL ON HAD ME PACING UP AND DOWN MY APARTMENT GOING "OH MY GOD THEY ACTUALLY DID IT, THE CRAZY SON OF A BITCH, THEY DID IT"

it wins #1 because this line always made me SO suspicious, but I also thought it was such a longshot. between the suspiciously specific phrasing of "blow up" and alan calling the lockroom easy to misuse in the same scene, my prediction was actually that the bad guys were going to do some fuckshit with the lockroom, because ART introduced us to the concept of "using hair to channel magic" and having a room full of everybody's hair seemed... uh, bad.

so I was just wrong enough to be delightfully shocked and just right enough to feel so satisfyingly smug. 10/10 felt terrific.

"adelaide tapping her ring" is SUCH a sneaky little detail. because she's tapping her ring all throughout a marvelleous light, and then sURPRISE it was the contract piece all along, beautiful bit of same-book foreshadowing, well done everyone go home

so when it showed up again in a power unbound, I was like "aw cute. I like that she's still got that little habit, even though it's not a Plot Relevant Foreshadowing Moment anymore, what a nice detail"

and then adelaide pseudo-flipped me off with her ring finger and went SURPRISE, GOT YOU TWICE, WHAT WAS THAT ABOUT MY PLOT RELEVANT RING?

this one didn't take me by surprise, but it's exactly what I love about reading a careful and deliberate writer.

this is in the same scene where we find out about jack's secretbind. so when I read it, I thought "okay well, we just found out he has A Mouth Thing. but he subconsciously touches his leg as well as his mouth, so probably he has A Leg Thing too." and then did a quick "probably from the war, right? seems most likely" and felt confident I knew that Jack had some kind of leg injury long before A Power Unbound even came out

and it's just SO FUN, because when you have a really good writer like this, you get the absolute joy as a reader of reading One Single Sentence and going "I see you, I know that means something." it's delightful, it's my favorite kind of puzzle, it's so rewarding

the way robin gets super uncomfortable with the penhallick crowd gossiping about what happened to jack and then changes the subject to magical people born into unmagical families who never discover their magic

the way jack and alan are linked together through this one worldbuilding-during-dinner conversation from two books ago. beautiful. profound.

and finally. my grand final of moments that made me go OH!! FUCK!!—

that's the first mention of jack by name, ever, at all, in the entire series.

that is the very first detail we ever learn about him.

AND THEN HE DID IT AGAIN, AFTER ALL THOSE YEARS OF NO MAGIC, AND I WAS SO PROUD, AND I LOVE HIM SO MUCH, AND ALSO I HUCKED MY BOOK ACROSS MY BED.

HIS FIRST MENTION AND HIS FIRST ACT OF MAGIC AFTER OVER A DECADE, crying, crying forever, we have come full circle

[sunnykeysmash]

LOW BLOW, RCG

[noveltybee]

Imagine putting your heart and soul into a project because you love the source material, but have to work around certain scenarios because they won’t really translate well to screen, which is fine because you’ve gotten help/blessings from the ORIGINATOR of said source material so you’re feeling really good about everything. Maybe you wish you could change somethings, but you’re proud of the story that you’ve told and how true it is to the HEART OF THE STORY…

Only to then read that some of the fans of said source material think the show is awful and (somehow??) worse than the bad movie adaptations that disregarded the heart of the material (the actually STORY), all because of a casino and either adding or dropping minor story beats.

Wow. Just wow.

[pennumbra]

Been playing BG3 and I just want to draw my lil guy, but he's a dragonborn and they are so hard to draw 😭

Here are some practice sketches/studies!