#sequel trilogy fix it

[skywalkerrtno]

[unleashthegoats]

EPISODE 13: JAKE SKYWALKER: THE WORST JEDI

Welcome to the second episode in our Fixing the Sequels series! This time we’re focusing on that controversy of all controversies, Jake Skywalker. Some people liked him, others felt like he was an insult to everything Star Wars had ever stood for before this, but we had some ideas on what we would’ve liked to have seen happen for the character in the Sequels. 

[asexualsimonsnow]

A Shortened List of Simon Snow's Autistic Traits

because a full length list would be too long of a post.

1. His love of magic could easily be interpreted as a special interest

“No ones loves magic like I do,” (Carry On, page 9).

2. He is shown to have poor spatial awareness

“That’s when we hear the first scream. I stand up, knocking the table over and breaking the teapot more conclusively,” (Carry On, page 235).

“...before she starts treating me like a Great Dane who can’t help knocking things over with its tail… You’d have to be incorporeal not to knock anything over,” (Carry On, page 267).

3. He is always interpreting things literally

“‘Let hardship sharpen your blade, Simon.’ I thought he meant my actual blade… Eventually I figured out that he meant me,” (Carry On, page 9).

It even affects his magic: “And sometimes when [Simon] casts metaphors, they go viciously literal,” (Carry On, page 119).

4. He has his whole thing with lists to help him process things

“I keep a list—of all the things I miss most—and I’m not allowed to touch it in my head until I’m about an hour from Watford. Then I run through the list one by one. It’s sort of like easing yourself into cold water. But the opposite of that I suppose—easing yourself into something really good, so the shock of it doesn’t overwhelm you. / I started making my list, my good things list, when I was 11, and I should probably cross a few things off, but that’s harder than you’d think,” (Carry On, page 11).

^ Not only is the list thing autistic, struggling to take things off because he's grown used to the list as it is is autistic.

5. He has difficulty with verbal communication

“Half of Snow’s sentences are shrugs,” (Carry On, page 354).

“I’ve never been good with words,” (Carry On, page 107). They mention this like a million times.

This is the bit that really convinces me: "I don’t remember when I learned to talk, but I know they tried to send me to specialists… I used to see a counselor and a speech therapist. ‘Use your words, Simon.’ I got so bloody sick of hearing that. It was so much easier to just take what I wanted instead of asking for it. Or thump whoever was hurting me, even if they thumped me right back," (Carry On, page 108).

“Simon seemed conscious, but wasn’t saying anything. And he wouldn’t make eye contact,” (Carry On, page 427). The eye contact thing in here is also pretty autistic.

6. He does a lot of stimming

“Simon groans and rakes at his hair,” (Carry On, page 362). He messes with his hair a lot.

“Simon was pacing around my bedroom, swinging his blade,” (Carry On, page 454).

“I intentionally slam my shoulder into the wall next to the door. (People who tell you that slamming and bashing into things won’t make you feel better haven’t slammed or bashed enough),” (Carry On, page 274). This one especially stands out to me.

Again, just a short list. There are plenty more quotes for these traits, and other autistic traits that Simon has.

[artist-issues]

To Re-Write Star Wars: The Rise of Skywalker

Here's a peek into my storytelling process, and what I think the third movie of the Star Wars Sequel Trilogy should've looked like. You know me. Everything starts with the Main Point. (I'm not going to talk about what's bad about Rise of Skywalker in this post, it'll be long enough already.)

The Main Point: "Where there is love, there is hope."

Essentially, the main message of Star Wars is "Faith Triumphs Over Fear." Our main message supports that, because it's hard to keep the faith when you're alone, or feel alone. But when you have friends, or loved ones to fight for, keeping the faith is easier, and gives you something other than fear to focus on.

So. I'm going to structure this like "Where a Character Was at the end of TLJ --> Where They Need to Be by the End of EP 9."

Most of these characters don't need any more development. They learned a core lesson at the end of TLJ: now they just need to hang on and put it into practice no matter what plot points test them. Stick the landing. We already had their "Proposal, Argument—" now we need their "—Conclusion."

The only exception to this is Kylo Ren. He still needs development. You'll see:

Rey

It's Not About Who I Am; It's About Doing the Good I Can Do --> Tempted to Make a Selfish-Insecure-Identity-Based Decision; Chooses to Do the Self-Sacrificial, Good Thing Instead.

This means Rey needs to have a goal she's trying to accomplish, but this time there's not really a "and then I'll know who I am" element in it for her. Like in TLJ, she was going to find Luke for the greater good, but it was also, on a personal level, because:

But this time, after TLJ, she needs to start out on a mission that doesn't have anything in it for her besides the greater good... to show that she's grown in the right direction, she's not thinking so much about who she is and what she needs, anymore.

Then, on that mission, during that adventure, that character growth can be tested by having the opportunity to get sidetracked by something that could be self-validating.

I wouldn't make it be something about her parents again—we've exhausted that topic by the end of TLJ. But I'd make it something that has to do with being "The Last Jedi, the Heiress to the Light Side of the Force." I'd set the movie up with people telling her that, eventually, Rey will grow to be the legend Luke Skywalker was.

Maybe in the time between TLJ and this movie, the Resistance have run enough rescue missions of refugees or people oppressed by the First Order to pick up a bunch of kids or very young recruits. And those kids have heard of or seen Rey in action by now. Maybe Broom Boy is even one of them. And there are scenes of kids being in awe of Rey, or one of them even says, "after you beat the First Order, will you train me, Master Jedi?" or Maz herself makes a sage comment like, "Look how the Light has grown in you. The Galaxy needed that light...and the Force answered with you, like Luke Skywalker before you." Or during a fun opening-rescue mission, there's a scene where all of the people Rey is helping look up to her and explain who she is to one another in front of her.

Scenes providing her with an image of herself, as the future trainer of the Jedi Order, "when all this is over." Something that she could be tempted to find her identity in.

But then during the course of her mission, she has the opportunity to do one of these things

Gain Amazing New Jedi Knowledge

Kill Kylo Ren and Gain Renown as a Hero

Sacrifice Some Measure of the Power She Has Gained in the Force

And if she chooses the thing that will make her seem more like the Heroic Heiress of the Heroes, that would derail her from her mission and show that she's still thinking about herself—but if she chooses to just do the self-sacrificial, kind thing in the moment, it would help her mission. Yet, it should make her future as someone of fame and importance in the Force uncertain—so that option is also self-sacrificial. Thats the choice she has to make.

And when she makes the right one, we see, not that she got to Be Somebody and vanquished her fear of "dying a nobody" from the first time we met her—

—but that she's not even afraid of that anymore. It's okay to "die a nobody," if everyone else is better off. Because that was a self-focused fear, anyway, and it no longer has power over her. (For lots of reasons—one of which being she now has friends.) Character growth. Star Wars.

Finn

Good Can Win if We Focus on Saving Loved Ones Instead of Destroying Hated Ones --> Tempted to Get Revenge, But Sacrifices Revenge to Save Someone Else he Loves

This means Finn is focused on getting something/keeping something that will provide aid/protect the people he has come to love. Most of his screen-time can be focused on this, to build on showing how far he's come. He should have multiple opportunities to run away, whether it be from First Order troops attacking a Resistance base, or from the scene of a conflict when a rescue mission goes sideways—but instead he keeps staying in dangerous situations to help loved ones.

My favorite scenario to place him in, for this, is in a covert-ops mission where he's infiltrating First Order stormtroopers. He already knows the system, but we've only seen him exploit that knowledge when it's to save his own skin/cause hurt to the people who abused him in the First Order. He doesn't like to be around First Order troops because he hates them/he's afraid of them. But in Episode 9, after TLJ, I'd be showing Finn, choosing to stay where he's surrounded (even if unknown) by people who could uncover his true identity and kill him at any moment—and doing it because it protects the Resistance, in some way. I'd also broaden that focus—he's specifically doing it because it helps the larger cause, not necessarily because his actions will directly save anyone he loves, like Rose or Poe or Rey.

But—at some point in this movie, someone he's attached to dies. I think the most obvious choice is Rose, but she was the one who taught him about avoiding hate and saving loved ones. Revenge for Rose would be far from what Rose would want, so it wouldn't tempt him. So instead I think it should be either a new character that he spends most of the first act of Ep. 9 bonding with believably—or it should be Poe.

Poe, or a stormtrooper he really likes who has just come around to leaving the First Order when she is brutally killed. (I do think Poe, or someone we've seen him "grow up" with throughout the first two films, should be the one to die because otherwise it wouldn't be as tempting for Finn to get revenge, at this point in his arc.)

Then Finn pursues revenge, near the climax of the film. But at the last second, a-la-Luke-tossing-away-his-lightsaber, Finn gives up the opportunity for that revenge and does something else. Something useful, that saves Resistance lives, but causes the person he was about to exact revenge upon to escape.

That's how we see that Finn has come full circle—not only is he willing to stay when things get frightening and hard, and not only is he willing to fight for people he loves...but he's willing to act out of that love, not hate, because of what he's learned.

Poe

A Leader Sacrifices for the Greater Good of Others, Not For His Own Pride  --> Tempted to Make a Hero's Stand; Gives Someone Else the Opportunity Instead

This one is tricky because it's hard to make a scenario where a leader makes a choice that is exciting to watch...when the choice is "don't make a heroic last stand."

It's tricky. It's not impossible. (Rian Johnson did not see anyone up for failure. The TROS storytellers just refused to problem-solve when it got hard. Thats all I'll say about TROS.)

Basically, this means that Poe needs to start the film out at the head of the Resistance. He's still going on missions, but his role in those missions is coordination. One team gets to be the distraction—another team saves the day. Then when both teams are done with their missions, and it looks like they'll give their lives for those missions because there's no way out, in drops Poe. He's been coordinating everything; he's just the getaway car driver.

Then there's fun banter scenes where he reports back to Leia, she's critiquing some of the messy parts of the plan but ultimately proud of him, they bounce ideas off each other, and it's clear it still rubs him the wrong way not to be on the frontlines, but he's enjoying parts of the new challenge of leadership anyway. And they're closer than ever.

Eventually, however, Leia is captured, just before the climax of the film. Like Finn, Poe drops everything the Resistance has been working toward and is intent on saving her, and he's taking a very active role in that. But then, due to her own reminder, he chooses to abandon rescuing her at a pivotal moment to do something that will ultimately turn the tide in the Resistance's favor during the climax. He lets Leia make the sacrifice, and he himself is making the sacrifice of getting to save her and have her back, for the greater good. It's a harder path, but it's one she was preparing him for this whole trilogy.

All of this is if Poe doesn't die to further Finn's arc.

Kylo Ren

It's Better to Destroy the Past in Conquest Than Face My Failures --> I Was Wrong

Biggest one.

Kylo Ren is on the Dark Side because he believed that he was destined to be a monster, nobody would keep loving him if that was his destiny, and leaning into that destiny would help him escape the hurt that nobody-loving-the-"destined"-him caused.

I'm not going to elaborate on that, it's as plain as the nose on his face if you watch the movies and listen to what his family members say about him and what he says about himself. That's why he embraced the Dark Side.

But Rey, Chewie, and Leia are still alive, and all three of them can claim to know the "real him," and try to convince him that he was wrong—he was never destined to be a monster, and they do love and believe in the real him, no matter what he's done.

However, he isn't likely to believe them. He's least likely to believe Leia—she sent him away before he'd done anything wrong, and he has now done many things wrong that are singularly hurtful to her. He's second-least likely to believe Chewie, because he killed Chewie's best friend and Chewie shot him (and also, it's not compelling for the audience for Kylo Ren's mind to be changed by a character that doesn't speak English or emote with human facial expressions.)

He's most likely to believe Rey. Because 1) she did not kill him even after he chose to be a monster all over again, and she could've done what Luke almost did and prevented more monstrous deeds by killing him while he was unconscious. And 2) on a deeper level, she never knew "Ben Solo." She only ever knew the monster, and yet she's still choosing to tell him that he's not stuck as a monster.

So. The movie should start with Kylo Ren as Supreme Leader, doing his utmost to gain power, crush the Resistance, and wipe out any reference to the New Republic or the Jedi. But the key difference is that he's not singlemindedly focused on Rey and Leia and killing them anymore. That's not because he's grown from his "I want every gun to fire on my Uncle" obsessive flaw. It's because he finished TLJ by being closer to regretting his decisions than ever before. In his subconscious, he's afraid of encountering Rey or Leia directly ever again, because now he knows how weak his own resolve is, at this point. He'd rather avoid a direct fight unless he knows he can withstand "the pull to the Light." (He's not admitting any of that to himself.)

So he starts the movie on a mission. But now we enter our bad guys.

Hux.

Hux has only ever existed in these movies to be a counterpoint to Kylo Ren. Where Kylo Ren is explosive, emotionally led, and tangles his personal interests up in the interests of the First Order—Hux is calculating, a strategist, and dedicated to the First Order's cause.

He's at his most passionate when giving speeches about the First Order's might, or when that might is being mocked, or when it is being misused. And he has always hated Kylo Ren. In the script for the Force Awakens, in Hux's introductory scene, it literally says "Hux hates Kylo Ren." That's what he's there for. To be everything to the First Order that Kylo Ren is missing—dedication to the cause, and finding his own sense of pride in that cause—and to hate Kylo Ren. So. When Kylo Ren gets to be Supreme Leader, and his personal issues are jeopardizing the whole First Order? Hux is going to put a stop to that. He doesn't have the Force. But he has control over his strategic mind, and he knows that Kylo Ren's weakness is his emotions.

So, Hux orchestrates some kind of scenario where they learn Rey's location, or next-known location. She's going after some important tech or artifact that could turn the tide of the war. Hux purposefully pokes at Kylo Ren's ego, and maybe faintly suggests that Ren is avoiding a confrontation with the girl who beat him twice and "murdered the Supreme Leader," until Kylo Ren flies off determined to get to the artifact or tech Rey is after first—and prove he's willing to kill her in the process. To himself, and the First Order.

Then Hux orchestrates an Order-66-style assassination attempt on the Supreme Leader with a group of loyal troopers. It should be in a starship flight over the planet Rey is on—Kylo Ren wouldn't believably be overcome in any other scenario. And he takes out almost all of his would-be traitor assassins during the attempt, anyway. But his ship does crash, and Hux takes the mantle of Supreme Leader, and our other heroes spend most of their time dealing with this rabid strategist and his war plans.

Meanwhile, Rey finds Kylo Ren who is barely alive and has to do something to save him. That something should, like I said above, cost Rey something. She should lose a particular Force-ability, or be permanently disabled in some (easily-hidden) way as a result of healing him—or she should lose an artifact, or lose something that would've boosted her identity as Savior of the Galaxy down the road.

But I wouldn't let Kylo Ren figure any of that out right away. For tension, I'd have him remain unconscious for the entirety of Rey saving his life and sacrificing something to do it. Then I'd have her need to hide him, then leave the scene, because she's still on a mission, and Hux has sent the Knights of Ren on the same mission. Then later, Kylo Ren can come to, catch up with her, and they can come to an agreement on looking for the thing they came for together, fighting the Knights of Ren along the way—even if they both know that this alliance will only last until they find the thing they each came to this planet for.

Kylo Ren has closed himself off to any Force bond with Rey. He's stubbornly insisting that he's using her—she's a means to an end. She's quietly certain that he'll come around, but she's not pushing it this time. She'll do what she has to do when they reach the end of their mission, but she's not worried about it. And she hasn't told him, or is hiding from him, the fact that she saved his life again. Because she knows, now, that he's not ready to hear any pleading or reasoning about coming to the Light. He has to get there on his own, and she can't force him (get it?)

They have lots of tense conversation and interesting team-up moments and almost-friendship, almost-betraying each other moments the whole time. Like they're in the Hunger Games in an alliance. Until eventually, the First Order's forces are converging on them (knowing both are alive) and Leia arrives—apparently to rescue Rey—and Kylo Ren, determined by this time not to let Rey go in any sense again, especially not to let her get to the end of her mission first, tries to board the Millenium Falcon and stop her. But it was a trap. Leia allows Rey to take a small craft to the end of her mission, while she and Kylo Ren face off. Leia won't let her son get in Rey's way if he's determined to stay on the Dark Side—and she certainly won't let him get the tech/artifact that might restore him to being the Supreme Leader.

(This whole standoff-stalemate-Leia trapping Kylo Ren in a ship with herself can be what Poe initially wants to save her from, too.)

Basically, at this point, whipping out her knowledge of Rey saving his life and pointing out that Rey believes in Ben Solo even after never having met him, Leia changes Kylo Ren's mind about all of it. If not for Rey and what Rey has shown him with her patience and steady faith, Leia wouldn't have been able to do this. But it works, and Kylo Ren leaves the Millenium Falcon as Ben Solo, finally, and he's determined to help Rey, who is racing toward the artifact/tech/final battle.

This is the bare bones. I'd add in or decide between a lot more elements—what is Hux's plan to wipe out the Resistance, what is the thing Rey/Kylo Ren are after, how does infiltrating Stormtroopers help the Resisrance in stopping whatever Hux is doing, does Finn have the Force, what're Chewie and the droids doing during all this, does Leia die at any point during her attempt to change Kylo Ren back, and is the final battle between Rey/Ben and the Knights of Ren? Or just one Knight of Ren who became the leader when they decided to turn on Kylo Ren and work with Hux? Or is the final battle against Hux and his forces?

I'd answer all those questions and try to do it in a way that interconnects Finn, Poe, Rey, and Rose's storylines. But this is just the bare bones of it all.

The conclusion is the tricky part. I don't think killing Kylo Ren works, even if he's redeemed. Not only because he's the last of the Skywalker/Solos. But because killing him makes Leia, Han, and Luke's hope for him feel kind of hollow. Especially if Leia dies to bring it about, which Han did already. "Our little Ben got to come back to the good side...for the last ten minutes of his life! Yaaay we always knew he could do it" NOPE. That's silly. And also, it's bad for his arc. He's a character that has been running from his bad decisions, thinking that stacking more and more on top of them will satisfy him. So what he needs is not a heroic-death-shaped back door out of the consequences of those bad decisions. He needs to face them.

And I also think, depriving Rey, a character who always wanted to stop being alone, of an organic if difficult relationship with someone who understands her, is a dissatisfying conclusion for the main character.

It would be best to have him live. And then he needs some difficult, but ultimately hopeful road ahead to mending his mistakes. Obviously the whole galaxy would be baying for his blood as justice, if they knew that the former Supreme Leader lived. So he probably needs to assume a new identity, just to avoid being executed for his crimes. (I don't think any Resistance member who knew Leia would be on board with executing Kylo Ren, once the war is over and they have to make that decision outside the heat of battle.)

Then he needs to do something that helps repair the wrongs he's done...but it should be something that costs him, personally. If he's come to value Rey as the only person left in the galaxy he cares about, I'd actually end the movie separating him from Rey. Not forever—because that would be as unsatisfying as killing him—but for the foreseeable future. Then I'd send him on a pilgrimage of some sort that will undo some things he's done. Obviously he can't bring back the lives he's taken. But, maybe whatever cataclysmic artifact or thing they were after did some damage across the galaxy during the climax—and Ben Solo can figure out how to reverse that damage, or repair the thing, but it'll be a long, hard road.

I might send Chewbacca with him. But that's it. It's basically atonement-exile, in disguise. In the meantime, Rey wouldn't be alone because she'd be with Finn and Poe (if he lives) and all her Resistance friends. And they'd start finding homes for the refugees from the war. I wouldn't directly end on Rey starting a Jedi school—not by herself. Only if she's doing it with Finn, or with Finn and Leia if Leia lives. Because again, we're going for "it ain't all about you and who you are, Rey."

That's what I'd do. Feel free to use this as a template or a springboard for your own ideas, (and hey send them to me if you do) because basically anything would be better than what we got with TROS. But this is just what I would do, bare framework.

[nothinggold13]

*watches the prequel trilogy with the og trilogy once* GUYS I THINK I UNDERSTAND STAR WARS NOW

[kaneni09]

A costume progression for Rey in my sequel trilogy rewrite.

This is my attempt at finalising Rey's main outfit for each movie, I'm happy with what I've come up with and feel like these designs help to visualise the character arc Rey goes through.

TFA (light)- ill-fitting and flowy

TLJ (dark)- tight and mature

TROS (grey)- practical and fun

Since my redesigns for TFA & TLJ are so different from Rey's canonical costumes I tried to incorporate some of the original features into Rey's TROS outfit - the cross over wrap top & the loose ends of fabric - whilst also making sure it feels new, I think I succeeded 😅

Original outfit progression for comparison

[doctorsiren]

Did a redraw of a Kylo Ren drawing from 2019 that I had posted on my Instagram

[sequelhistory]

How would you fix The Sith Resurgence?

oh, boy.

For those of you unaware, “The Sith Resurgence” is a fairly obscure work of fiction, written by YouTuber and media critic Lily Orchard. She is wildly controversial, with a long smorgasbord of allegations, from grooming to abuse, and might genuinely be a sexual predator. so that’s already a major strike against the work.

unfortunately, we don’t really have the time and space to delve into the allegations here. I’ll be focusing, mostly on the fic itself, but I’m happy to elaborate on the woman herself in DM‘s or other posts.

Resurgence itself is mediocre at best, and outright self-indulgent wankery at its worst. But the premise— oh, the premise is worth talking about.

you see, what if Rey was never left on Jakku as a child? What if she was rescued from slavery by the kindness of a stranger— not a Jedi, but by a Dark Lord of the Sith?

I’ll be delving in to this idea over the next set of posts as I collect and organize my thoughts.

[rose-red-ink]

Can I have a link to your ST rewrite?

Hi hi! It's in my pinned but here it is again :3

I hope you enjoy!

[strawberrybyers]

adam driver admitting that kylo ren’s redemption arc wasn’t originally planned made me upset all over again of how bad TROS actually was. it definitely was trying to be a culmination of nostalgia rather than continuing an amazing storyline that was introduced in TFA. tbh, i really loved TLJ, so that wasn’t much of a problem for me, but then again i haven’t watched it since it came out in 2017. but TROS?? like i remember watching it and thinking “where is this all leading to?”. i was already on edge because i had watched game of thrones and marvel fuck me over not too long before, so i was like can this other major franchise manage to not piss off everyone for the 3rd time this year??? and yet it did 💀 right now, i can’t even pinpoint exactly every single issue i had with TROS, i just know it wasn’t what i expected. main thing that i do know for sure is that i hated how finn was pushed to the side like he was a minor character from the jump. in TFA, he was the MAIN character for me. i expected that to be carried throughout the trilogy and it wasn’t. also, just remembered that rey buried anakin’s lightsaber in sand even though it is literally CANON that he HATES sand 😭 and don’t come for me but i actually liked the dynamic between kylo and rey but it was just not executed well in TROS. and they killed off kylo in the end?? ugh idk everything was just WRONG

[hannibalzero]

How would you fix the sequels?

The sequels? That's a bit difficult but I'll give it a go! Just know that I'm no script writer but this is what I would have done.

First things first, I would have had Rey unconnected from the main family. No skywalker connection, just like Anakin she came from the force. She is simply there. Poe is still an ex-stormtrooper but he is force sensitive and will become a full-fledged Jedi. Poe is about the same. Kylo Ren would not have removed his helmet until the last movie, the first movie would make him monstrous but the helmet would crack and on the final movie his face would be reviled. Ben Solo under stokes control. Stoke is a sith Lord, Palaptine guides him thought the force.

Rey is tinkering with r2 and R2 has ‘hickups’ showing memories to Rey from Anakin, Obi-wan, Qui-gon-jinn and Luke, Leia too. This is how Rey learns who Ben Solo is, maybe a big fight with Han. Teen drama, stuff. Rey learns from the best Jedi masters because of R2’s hickups. Rey and Fin train together with the videos R2 shows.

3cpo doesn't know sith language…why would he? 3cpo is the one who has the map to find Luke.

Rey having a dyad with Ren is pretty cool, Rey having nightmares of this monster begging to be freed.

The stupid ass sith dagger, it matches with the death star? No way. It matches with the mountain leading to a cave.

The rebels slowly being attached? Let's go with they are on Hoft and the first order is slowly finding the routes strangling the rebels supplies stream. Giving enough time for Poe and Rose to get help.

Hux is the surprise big bad, Rey and Kylo kill stoke like in the movie. The sound of slow clapping is heard the two force users turn around to see Armitage Hux walking into the throne room. “My my, you took out my puppet…maybe you both are worth something.” pushes the puppet out of the throne and sits down. “But I doubt you can handle a real sith.”

Sith Hux reveals himself to be the new Emperor of the Galactic empire, lightings both Rey and Ben but they both escape in a pod thanks to Fin.

That's all I really have at the moment, I liked the sequels but man so much lost potential! Let me know what you think!

[allgirlsareprincesses]

Hey,

Do you have any recommendations for TROS rewrites/fix-its?

My favorites are You'll Be The One To Turn by @postedbygaslight (Complete) and The Tether by @classeyspanks (In-progress). Technically they were both written before TROS, so not sure if they count as fix-its as much as post-TLJ canon-divergent. There are others but IMO these are the best-written and most in-character, so easy for me to imagine them as the real ending! Planning on getting bound copies of both some day!

[reylogirlie]

“It would be okay if she left him behind now. Got on with her life without a backwards glance at him. His heart was full as Rey reached for his face, let her fingers linger against his cheek.” - 

The Rise of Skywalker Novel, written by Rae Carson

So like Fic idea- in my Au, Rey eventually found Ben through TWB and they got married and had babies and are happy and blah blah blah. But like. The one shot shows bits through out time where Ben is eaten by guilt, shame, and self loathing. Because he’ll never fully forgive himself. He has bad days, and Rey comforts him but there’s always gonna be that back thought in his head.

[artist-issues]

sometimes you guys make me want to do a rewrite of Rise of Skywalker

[j-thehutt]

Bringing this back :) for those still salty about The Rise of Skywalker, here’s your closure. This is what really happened.

[romanoffmorelikebromanoff]

okay, so I think maybe reading too much fic has affected how I approach actual books, but only specifically when they're star wars books that deal with the star wars main characters, bc I'm reading bloodlines rn (by Claudia Gray) which is about Leia and I am enjoying it! but for some reason reading Official, Totally Canon Leia feels weird even though it's objectively not