#series: on repeat

[toriburger]

01. NOBITA - Ikaw Lang

?/?

[branwinged]

"dragons plant no trees" gets thrown around a lot as fact, but i think the veracity of that claim is still up for debate in the books. because dany (like bran and jon and many others) is a narrative symbol of hope and rebirth within the series because of her connection to dragons and fire, not in spite of it. this is because dragons in asoiaf have a much more expansive narrative function than simply 'nuke metaphor'. the 'exclusively weapons of war' image they have acquired breaks down immediately if you recall that the first thing dany does with them is begin dismantling an unjust status quo. she rallies the unsullied at the gates of astapor with cries of dracarys! dracarys! freedom! <- dragons as a symbol of hope and freedom for the persecuted. and obviously they've been built up as an oppositional force against the others. we're told when the last dragon died summers became shorter. in that respect the dragons, or more specifically, fire which is warmth which is passion—very much embodies life against the numbing, deadening threat of eternal winter that the others represent. but fire also consumes, which simultaneously makes dragons agents of destruction, or as adwd shows: the monsters who eat little girls and leave behind their bones. but when dany found herself chained to a false peace which effectively undid her cause in meereen, it was the dragon that rescued her and reignited her fire to fight back—which is to say that dragons represent a wealth of contradictions within the text and this is likely something grrm means to parallel with the others to some extent, by questioning their apparent narrative role as the one true evil. because i doubt the series is gearing up towards a spectacle-esque battle wherein our heroes get to practice righteous, easy violence on a monolithic army of monsters. that feels like it would undo a lot of asoiaf's preoccupation with investigating violence against socially acceptable targets, even if said target is ice sidhe. and this binary between a one true good and a one true evil, i.e. melisandre's philosophy ("if half an onion is black with rot, it is a rotten onion. a man is good or he is evil.") is not something the story takes as given.

instead there's this exchange between bran, jojen, and meera in asos: "but you just said you hated them." / "why can't it be both?" / because they're different. like night and day, or ice and fire." / "if ice can burn. then love and hate can mate."—and i think it's talking about reconciling two conflicting ideas. because the dream of an eternal summer is just as unsustainable as the threat of eternal winter. i think the battle for dawn is more about questions of seasonal harmony. the first line from agot's summary says, "long ago, in a time forgotten, a preternatural event threw the seasons out of balance", so it's not totally out of question for the series to end with that seasonal balance restored once more. and that question of balance and how it can be achieved then works as a metaphor for a bunch of other things. because asoiaf at its core is very interested in exploring big contradictions, like love and duty? how do you keep all your oaths without betraying someone you love? how can one hope for a just, rightful ruler in a world where the systems in place can never allow such a thing? how do dragons plant trees?

you cannot frame dany's arc as a binary choice between planting trees or embracing (dragon)fire. because the fire is hers, it is a part of her, that's who she is. and her character has always existed outside of rigid dichotomies. at the end of agot she had two options, resign herself to a life of seclusion as a widow or die with the last of her family in that pyre, instead she performed a miracle. presently, i think grrm means to explore necessary, revolutionary violence with her arc because you cannot deal with institutional slavery by simply negotiating with slavers like she does in adwd. and the consequences thereof because she's also been set up to be more reckless with dragonfire in the future. but i think there will be an eventual reconciliation there, between her dreams "to plant trees and watch them grow." and her role as the mother of dragons, as a revolutionary figure. because if ice can burn, then maybe dragons can plant trees. they'll learn how to.

[stareggie]

regulus: i won the idgaf wars.

james: u walked all the way to my house because i wouldn’t answer ur text because i was in the shower.

regulus: do not spread misinformation. i apparated.

[luxaofhesperides]

a safe place to rest - duke

(part 3 of the harmless series)

Although he hears about the baby, Duke doesn't get to meet her for a few days.

He does meet someone else though: Danny.

"You need anything before I go?"

He doesn't want to leave Danny alone in the Hatch. Not out of mistrust or anything, but because he's sure that the moment he looks away, Danny's going to disappear again. It took so long just to convince him to take a moment to breathe, to rest and recover from whatever he's gone through.

There's a frantic sort of energy surrounding Danny that has his aura all messed up, which is the only reason Duke decided against letting anyone else know that he found Danny.

He got the basic rundown from the night shift, but he hadn't had time to look more into it before Danny was crashing into him during his day patrol, eyes wide and wild and looking like his world had just ended.

"You," Danny had gasped, "You're with—Batman? Please, take these." And he shoved a bag against Duke's chest.

He had to react fast to grab it, and then grab Danny when he all but collapsed against him.

Now, he sits on top of the spare bed Duke set up in the Hatch, pale and tired and quietly devastated. "I'm fine," he insists. "You don't need to do anything for me."

Duke frowns. "Uh, I absolutely do, you think I'm just gonna leave you to fend for yourself? Come on, man, that's not how I do things."

"You don't owe me anything."

"Obviously not. It's not about owing things. I'm doing this because you need help and I can give it."

"I can take care of myself," Danny says firmly, and Duke holds back a sigh. Yeah, this guy really is Batman's kid. Horrible self-care habits and all.

"You don't gotta, though. You get that, right? You can take one day off and just rely on me to take care of you until you're back on your feet."

"No."

Duke tries to shove his emotions down, to stay neutral and calm. This is a guy who came crashing into their lives, shoving a baby into Damian's arms, and then vanishing. This is a guy who's gone through way too much on his own. Of course he's not going to trust anyone. Duke knows well how heavy everything becomes when it feels like the world's against him. He can give Danny grace.

"Okay. Just so you know, I'm asking to be polite. I'm still going to grab some extra clothes for you, and a homemade meal, so you just stay here and get some sleep. We'll talk more when I get back from delivering all this to Batman." He lifts the bag Danny gave to him for emphasis, then pins the guy down with a hard stare. "You better be here when I get back, or I am going to have no one to show baby pictures to."

"…You're gonna check on Ellie?"

The clear concern and desperation in Danny's expression make him soften. "Yeah, man. I'll check on her and let you know how she's doing. That's why you gotta be here when I get back. Got it?"

Danny bites his lip, then nods slowly. "Yeah. Got it. Thank you."

"Get some sleep."

Duke pulls the door shut, setting the alarm system to quietly alert him if anyone goes in or out while he's not in the Hatch. There's a first aid kit on the table and some water bottles as well, but it's not going to be enough to really help Danny start to recover. Duke takes a moment to curse his past self for not better stocking his crash room for emergency visitors, but in his defense, he isn't in the habit of bringing anyone back to the Hatch, not even other Bats, when the Batcave is more suited for handling lots of people.

Well, it's something to work on in the future.

He doesn't get more than a few steps away when he hears the door opening behind him and looks back to see Danny poking his head out.

"Hey, before you go…"

"Yeah? What's up?"

"Can you maybe not tell anyone I'm here? I'm assuming you know who I am, since you know Ellie."

"Yeah, your Batman's first lost kid, right? Trust me, I've heard of you."

Danny winces. "Great. Figures. I just really need to not deal with all of them right now, so if you could keep all this quiet…"

Duke looks him over, takes in the paleness of his skin, how worryingly thin he is, the dark half-moons stamped under his eyes, and promptly decides then and there that the rest of the world is going to have to go through him to even think about going near Danny. It's a complicated situation he's in and if he needs time to prepare himself for meeting everyone else, who Duke knows from personal experience can be a lot, then Duke is going to make sure he has all the time he needs.

"You got it man. They won't hear a thing about this from me. I'll lock everyone else out of here, too, so you can rest easy. They ain't getting in here to bother you while I'm still around."

"Thank you," Danny says again, sagging against the doorframe. "I'm… I really need to sleep."

"Go crash," Duke says softly. "I can take care of things until you wake up."

Bruce is the only person in the Batcave when Duke arrives. He's bent over the Batcomputer, head in his hands, when Duke parks his motorcycle and heads for the stairs to meet him on the upper level. He keeps his footsteps purposefully loud so Bruce can track him as he makes his way over, Danny's bag slung over his shoulder.

"Rough night?" he asks, just to get the conversation started.

"Yes," Bruce sighs. "There have been a number of—changes."

"Oh. Good changes or bad changes?"

Bruce lifts his head as he considers the question, then rubs his temple. "Unclear. It's nice to see everyone working together for Ellie, but I'm—concerned."

"About what?"

"About Ellie. And everyone. And Danny."

Duke leans his weight against the desk and lets the bag drop off his shoulder, then holds it out to Bruce. "Well. I dunno if this will make things any better, but Danny threw this at me while I was on patrol. I took a quick look through it and, uh. It's kinda rough. It's what he went through and how Ellie was created."

Bruce snatches the bag from his hand and immediately begins rooting through it. "Is Danny—?"

"He vanished as soon as I grabbed the bag. I think he's got a few loose ends to tie up before he feels comfortable being here again."

"What did you think of him?"

Duke looks at Bruce, looks at the papers in his hands, and thinks of Danny. "I think he needs someone in his corner. I think we gotta lot to do to make the world safer for him and Ellie. I think he's been scared for a very long time."

Nothing in Bruce's expression changes, and there's no shift in his aura, his emotions tightly locked up as always. But Duke hasn't gotten this far without learning how to see the little things: Bruce's grip on the bag tightens, his feet shift farther apart, as though he's ready to leap up at a moment's notice, and his shoulders slump just slightly under the heavy weight of all the things he refuses to share.

Sighing, Duke tilts his head to look at Bruce more closely. "Why are you down here? It's the middle of the day."

"I'm researching."

A hand loosely gesturing to the large screen of the Batcomputer has Duke turning to see what Bruce has been so occupied with.

It's not case files, as he expected. It's not even research into Danny and what happened to him.

All that's there is PDFs upon PDFs of child psychology papers and essays on recovering from trauma and research on various methods to help children with failure to thrive and malnutrition and neglect.

There's also, in one window, different safety ratings of baby cribs.

Well. Let it be known that Bruce's love language is information.

"Cool. Have you spent any time with anyone since a baby got dropped in your lap?"

Bruce's silence is extremely telling.

Duke briefly considers trying to get Bruce to go upstairs, but he knows better than to pick a losing battle. Especially after he's handed him information on Danny.

At some point, Bruce will have to go upstairs, if only to eat. He's getting old, and his body can't quite keep going like it used to. Duke will let him deal with the consequences of his own actions, or lack of action, when that time comes. He's not a mediator or peace-keeper. Duke has other pressing matters to attend to.

Taking pictures of the baby for Danny is definitely more important than navigating the minefield of family tensions and miscommunications ever present with the Waynes.

Duke reaches out and claps a hand on Bruce's shoulder. "Don't get so caught up in getting all the pieces together that you forget to actually spend time with family. They're gonna need you now more than ever," he says, and waits until Bruce meets his eyes and gives a resolute nod before Duke stands and heads for the stairs that will take up him to the manor.

The sooner he gets back to Danny, the better.

Ellie is cute.

This isn't a surprise. Most babies are cute, and Ellie is no exception.

What Duke hadn't been expecting is how protective Damian is of her, or how everyone else orbits around the two, just on the edge of hovering. Damian's prickly personality is well known, so the rest of the Waynes have taken to acting like cats: always on the same floor, ready to pop in should they be needed, but otherwise out of sight.

"Thomas," Damian greets quietly. Ellie is asleep in the baby wrap keeping her secure against his chest, her head resting on his shoulder. Damian lowers his paintbrush, turning to give Duke his full attention.

Duke takes a hesitant step into Damian's studio, then walks up to him once he isn't hissed at to leave.

"So this is our newest troublemaker, huh?" he says, looking down at Ellie. "How's she doing?"

She's so small. Her head has some black hair on it, but it barely covers her ears.

Damian lays his brush down on the easel. "She's doing much better now that she's getting regular meals and care. She still doesn't make much noise. It is… concerning."

The raw fear and care in his gaze is what makes the words tumble out of Duke's mouth. "I have some news about Danny."

If anyone deserves to know about him, it's his little brother.

Damian's gaze snaps up to Dukes, a fierce light in them, and his hands raise to hold Ellie tightly. "What is it?"

"He gave me a bag while I was patrolling, then left. I looked through it before giving it to B, and it's all… I only read the papers, not anything on the flashdrives, but Danny went through some awful shit. He was captured and experimented on by some group called NOVA. They had him for some time doing tests before he was put in isolation for acting out. And then he kinda… went into a death-like stasis. They did more tests and took some bio-material from him to try to figure out how he was surviving in stasis, and used that to make Ellie with the genes of one of the other captured metas. Danny was in stasis for around seven years."

Reading about it, learning about what Danny went through made Duke's stomach turn. It was like something out of a nightmare. Duke knows the fears metas have to live with; he carries it too, a weight he can never put down.

There's a reason civilian metas try to keep their powers a secret. Metas go for a high price on the black market, are at a higher risk of human trafficking, are seen as the best test subjects by unethical scientists wanting to find some way to replicate those powers in other people or in weapons.

Summarizing the horrors Danny had to experience leaves a bitter taste on his tongue. The silence in the studio stretches long enough for Duke to regret opening his mouth. Damian's still a teenager. He may have had a different upbringing and be able to stomach what most people can't, but this is still his brother. Anyone would be rattled hearing about this.

Then, without a word, Damian stands. He storms out of the studio, leaving Duke to catch the stool he was sitting on before it hits the ground and wakes Ellie.

When he goes to catch up with Damian, the kid is already walking into another room, tension in every line of his body.

"Richard," he snaps quietly, and Duke watches as Dick pops up from where he was lounging on the floor on one of the softest rugs in the manor.

"Dami? What's wrong?"

Damian doesn't answer, just unwraps the baby sling and carefully passes a still sleeping Ellie over to Dick.

"Damian," Dick tries again, his voice hardening, demanding an answer even as he adjust Ellie in his arms to make sure she can continue sleeping comfortably.

"I need to speak with Father," Damian answers shortly. "I will be gone for some time. I am entrusting her to you."

Dick glances at Duke, who tries not to look too stressed or tense. He doesn't think it works.

Reaching out, Dick puts a hand on Damian's head, managing to ruffle his hair for a few seconds before Damian steps away, batting at his hand with a scowl. "Alright," Dick says, "But I'm sending someone to get you for dinner if you're not back by then."

Damian nods, then turns on his heel and leaves for Bruce's office.

Neither of them move until they're sure that Damian is out of earshot.

"What was that about?" Dick asks, lowering himself down onto the rug again, one hand rubbing small circles against Ellie's back.

Duke sighs. "You'll find out soon. Just... chill for now and let me get some cute baby pictures."

Dick, as he finds out, is actually pretty good at helping Duke get the cutest pictures of Ellie.

And when Ellie blinks her little blue eyes open, Duke's heart melts and he understands how she's got everyone wrapped around her fingers.

NOVA, whatever remains of them, is going to regret ever hurting Danny and Ellie.

Danny is asleep when Duke returns. He sleeps through the night, and when Duke wakes up early the next morning to make sure he hasn't disappeared, Danny remains motionless in his bed.

Is he in stasis again? Duke wonders, panicked, as he rushes into his crash room and gently shakes Danny, trying to wake him up.

It takes a few tries before Danny lets out a soft noise in the back of his throat. He turns his face into the pillow, then abruptly tenses up and shoots out of bed. In a blink, Danny's on the other side of the room, flying up to the ceiling where Duke can't easily reach him.

Hands up, palms open, Duke says, "Sorry. Didn't mean to scare you. How're you feeling?"

Danny sucks in a few deep breaths before he slowly floats down to the floor. His eyes are still too wide and there's a faint tremble in his hands. "Fine," he answers blankly.

"Up for eating something? I did promise you food and baby pictures."

Unsurprisingly, it's the mention of Ellie that gets Danny moving and brings some light back to his eyes. He follows Duke out into the main room of the Hatch. There's not really a kitchen in here, but there is a fridge and a microwave, which is enough for now.

One of his workstations has been cleared off and now has chairs around it to turn it into a makeshift dining table. On it, Duke's left a tupperware of French toast, made the way he remembers his dad making them when he was a kid, and as well as a store-bought container of cut fruit.

It's not really a lot, but it's what he could do on a short notice.

Danny takes a seat, and Duke settles in on the other side of the table, pulling out his phone to flip through the many pictures he took of Ellie.

Duke keeps up a light commentary as Danny slowly eats, sharing little stories about the Waynes and all the nonsense they get up to. That turns into sharing stories about the stupid shit he and his friends gets into, followed by some of the weirdest things criminals have done to try to get away from him, including the one that said 'nuh-uh!' when Duke said carjacking is the lamest crime to commit in Gotham.

That story gets Danny to smile, and it takes way too much effort to keep from celebrating it.

All the while, Danny slowly looks through each photo of Ellie, making sure she's okay. He looks so fond and sad that it's breaking Duke's heart, and he swears to himself then and there that he's going to do whatever he can to reunite them.

"Don't you have hero things to do?" Danny asks. It's the first thing he's said since they both sat down.

Duke shrugs. "Nah, not right now. Gotham can wait. You're my priority right now."

"You don't have to—"

"Nope. If you don't want anyone else to know you're here, then you're gonna have to deal with me."

Danny squints at him. "You're both very chill and very stubborn."

"It's the only way I was able to survive working with the other Bats."

"They sound… interesting."

"You can say they're a hot mess," Duke laughs. "But hey, who isn't?" He watches as Danny pushes around the last half of the French toast around the tupperware and straightens up from where he was leaning on the table. "Want me to put that up for you? You can finish it later."

Danny looks down at his plate, then slowly nods. "Yeah. Sorry."

"No worries. You went through some shit. It's not surprising that you don't have much of an appetite." Duke reaches over the table to pop the lid back on the tupperware, then stands to put it in the fridge.

When he turns back, Danny is no longer visible.

Or, at least, his physical body isn't visible. Duke can still easily see his aura, a vibrant green that has streaks of white moving through it like a current of water, which leaves an outline of his body. Danny is also trying to sneak out of the Hatch.

"Oh," he says, "I didn't know you had invisibility. That's pretty cool. I can still see you, by the way."

Danny becomes visible again, glaring at Duke.

"That's such a Batman move," Duke grins, "I should have expected it."

"What was a Batman move?"

"Sneaking away as soon as I turned around. B does that all the time with the Commish. And everyone else, honestly. Though, to be fair, we all do it because we all learned from him. Yeah, you'll have no trouble fitting in with us."

"I don't think what I'm doing should count, since I'm using powers."

"Dude, watch this."

Duke makes sure Danny's looking at him, then bends the light around him to hide him from view. He can see the exact moment Danny realizes he's vanished when his eyes go wide and he takes a few steps closer.

"Signal?"

"Still here," Duke reassures. "Haven't moved an inch." Then he releases his grip on the light around his head, a fun little trick he figured out a few years ago that makes it look like he's a floating, decapitated head. The goons always love that one.

Danny looks at his head. Looks at his invisible body. Then looks back to his head. "That is freaky," he says, a slow smile dawning across his face. "I can do that too."

And sure enough, Danny's body becomes invisible, save for the outline of it in his aura, and now there's just two floating heads in the Hatch.

He's not sure who cracks first, but in no time, they're laughing like everything's alright. Danny's expression brightens and suddenly he's years younger, all the stress falling off his shoulders in the face of their mirth. Like this, he could be any other guy in one of Duke's classes, talking nonsense just to pass the time, quick to laugh and without a care in the world.

This is what he wants for Danny.

This ease, this calm, this lightness in his heart: Duke will keep them safe for Danny.

If nothing else, Duke can be a safe place to land for another meta who needs, more than anything, someone willing to be there for him.

(masterpost for all parts)

[galedekarios]

i saw a post not so long ago talking about how emmrich probably would be all jingly jangly with the amount of jewellery he wears and i'm a magpie myself so i had to go back and check just how many pieces he actually wears:

he has (approximately bc they vary in each piece of art / footage shown):

1 collar pin/brooch

around a dozen bracelets on his left arm

1 delicate golden chain on his left arm connecting a ring and bracelet

7 rings on his left hand

5 bracelets on the right arm

6 rings on his right hand

3 golden chains on his waist coat

3 golden chains on his belt

that brings the tally up to well over 30.

💍🔔 💍🔔💍🔔💍

[theside-b]

UNKNOWN (2024) "I've been waiting all my life. This is not fast at all. You don't even know of what I dream at night..."

[hellishgayliath]

It is a shame children such as yourselves had to endure such hardships

You all did not deserve to have the weight of the world fall on your shoulders

[rainyinautumn]

so uhhhhhh Grian just posted on Instagram

EVERYONE REMAIN CALM

[aprilblossomgirl]

Q said there is a sad puppy here, so that’s why we came.

We Are (2024) | Ep.13

[senditothemoonn]

I was watching series 1-4 of new who and needed to get my feels out

[sisalrian]

besame mucho

[legendaryrooftopscene]

I’ve seen a few people complain that 4 Minutes hasn’t been showing lube/condoms/prep since episode 1 and I’m like… oh did we all not understand that it’s shorthand? They very conspicuously showed lube and condom usage in the first sex scene, so we know and they know we know that they know the mechanics of gay sex. It’s been established, on screen, that these characters know about and use condoms and lube to have anal sex. Because they took the time to show me this in the first episode, I can reasonably assume lube, condoms, and prep are standard with all anal sex scenes going forward (with the exception of Ton Kla and his obsession with getting rawed, and his rough wallfuck session with Win, but that’s the exception, not the rule). It doesn’t bug me that they don’t show it every time, just like it doesn’t bother me that they don’t show characters walking through the front door of every building they need to be in. Sex scenes are complicated enough to film. I don’t mind a cut corner here or there when they’ve already put in the work to show they know what they’re doing at the very start

[damnamour]

[Behind The Scenes] Show Me Love The Series - EP.7 (x)

[liyazaki]

use the balm. what for? so many questions- I’ll do it for you.

GAP THE SERIES | EP. 5 [2022-2023]

[pharawee]

you can put your hand in mine should be fine [▷]

[markpakin]

If I lost you, I'd have nothing left.

UNKNOWN (2024)