#slightly suicidal

[unicornsaures]

my elf!laurens idea has been rotting in my brain for WEEKS. i am so glad i made a storyline for him cause oh my GOD he’s giving me brainrot

[pink-pony-boy]

If I don’t get this off my chest I’m afraid it will kill me. My light is fading. I am depleted. I no longer call felicity a friend, only sadness.

[sad-leon]

TW!! Suicide Attempt, Self Harm, Implied Eating Disorder

i forgor the colour behind the dialogue but im too tired to add it now

im so tired and theres no resolution because nothing i can make will make me feel better. i Know my friends love me and think my life is worth living, but when it gets bad it gets Bad and theres nothing to do but pick up the peices

[fuctacles]

<<4 | 5 | 6>>

Eddie held back and was nice enough to give him an ice pack after. 

"Thank you," Steve murmurs, placing the frozen peas on his chin. He's not taking his eyes off Eddie, who's wired up and walking back and forth in the tiny kitchen. Steve is low-key expecting another hit. If he had his tail, it would be tucked between his legs. 

"Why?" Eddie finally asks, the first thing he says since the punch. But before he can get an answer, he follows with: "Does everyone else know?"

"Yes," Steve admits guiltily. "I didn't want to drop it on you right after the Upside Down, but the longer it took, the weirder it got, and I just..." he trails off with half a shrug. 

Eddie scoffs, sending him a glare while his strides pick up speed. It would look ridiculous, since it takes only three of his steps to walk through the kitchen, if it wasn't so serious. 

"You made it weirder alright. Why did you follow me around instead of hanging out like a normal human being?!" He throws his arms wildly around, almost hitting the fridge. "Or did you just want to keep tabs on me? Like a weird little dog-stalker?!"

"No!" Steve protests indignantly, but then falters. "Well, I— Kind of? But just to, you know, protect you."

Eddie finally stops. Which is not a good sign as far as Steve is concerned, but Eddie just stares at him. 

He recounts the run-ins they had with the local righteous mob. He reimagines them with Steve by his side instead, the human one, and there's no universe in which it doesn't end up with an escalation. People don't normally pick up fights with dogs, apparently. But...

"Was sleeping on my couch and eating my hot dogs also to protect me?"

Steve folds in on himself and Eddie can almost imagine his sad dog ears flopping down. 

"No, I just—"

Eddie's suddenly in his line of vision, squatting in front of him to peer into his face mockingly.

"Was it just for fun? Little doggy wanted belly rubs and treats? Make everyone look at me weird because I'm scratching Steve Harrington between his ears?" he scoffs. "And dude, I would do all of it, if I knew it was you. You were worried it would be too much for me after Vecna? I'm a nerd! I eat that shit up. Do you know how much better I'd feel knowing werewolves are real?!"

Steve is not even surprised at his outburst. He just shuffles his legs and corrects softly:

"Lykans."

Eddie jumps up, throwing his hands into the air.

"Oh, now you're gonna tell me?! You lost your naming privileges, man, you're a werewolf, period."

He leans against the cupboards behind him, foot tapping restlessly. But he was angry at so many things at once, that he didn't know what to grasp first.

"Why did you avoid me?"

"I didn't—"

"You did," Eddie interrupts him. "I never saw you around, only the dog. And then you started avoiding everyone else too. Why?"

Steve sighs, slipping the half-thawed pack of peas away from his face. His body slumps like any traces of fight have just left him.

"I guess it was easier. I could just walk around, keep an eye on everyone, and not... explain myself."

"Can't lie without vocal chords, huh?"

Steve sends him a tired look, and Eddie feels the tiniest of bits bad. He raises his hands placatingly. 

"I'm not your therapist. But I thought I was your friend."

"You are! Just..."

"Just not good enough to share the truth with?" Eddie offers.

Steve groans, this time unfolding to fall against the chair's backrest. 

"See, this is why I prefer shifting. I don't have to explain my thoughts to others, nothing is weird and unspoken, and everyone fucking loves me. They pet me and tell me nice things. But when I'm a human, I'm getting laughed at, dumped, used for rides, and have to stay alone in a big empty house."

Eddie just blinks at him, his anger slowly shifting into concern. 

"That's uh, a lot to unpack there," he says gently, pursing his lips in thought. "You know we've been worried about you, right? That we don't see you anymore. I mean, I didn't know at the time, but the kids knew something was going on with you."

Steve scoffs.

"Yeah, they noticed when they had to go beg Nancy for rides."

"Dude." Eddie frowns at him, both irritated and concerned. "I am so tempted to get your other cheek right now. Didn't Dustin call you to clear the air between us?"

"Yes, because you called him first," Steve reminds him. 

"Still, he could have left it for us to deal with on our own. But he cares, so he reached out. " Eddie sighs. "He wants us to be friends, but most of all, he wants you to open up; not to me, but to the rest of the party. So why are you holing yourself up, man? What's wrong?"

Steve doesn't move from his semi-open position, but he crosses his arms, and he's looking away at Wayne's cap collection, visible through the open space to his right. 

Eddie just looks at him, the worry in his stomach growing like a parasite. He decides that maybe this is enough for today. Enough feelings, talking, and confessions. That it is time to clear the air.

And by 'clear' he means 'cloud it with smoke'.

"Let's put a pin on that," he says and finally, Steve looks back at him, both worried and curious. "I think we both need to chill out and I still have that weed stored away for you. And a really bad horror from Gareth. The blood looks like ketchup, you're gonna love it."

Tags: @noodle-shenaniganery @jaytriesstrangerthings @imaginary-maggie-waggie @samsoble @croatoan-like-its-hot

@dragonmama76 @storyranger @scoops-aboy86

[ladyloveandjustice]

I cannot deal with Bishonen Joker with his chest bearing shirt and constantly over the top seductive, super deep voice in the new Suicide Squad isekai anime y'all.

[yuripira4e]

trying to explain to other otasune fans that snake is NOT the one with internalized homophobia in their coupling

[violent138]

HC that Jason and Dick have very different strategies for handling Tim's repeated jokes about killing himself.

Jason: "Why don't you just stay out of this one, Dickhead? Let the kid make his own decision."

Dick, kicking Jason: "Tim think about the consequences--"

Tim, more annoyed by the conversation than anything, slumped on the table: "The whole point is that there are no consequences."

Dick: "--if you killed yourself, you'd violate the no-killing rule and Bruce would revive you to be disappointed and make your life miserable."

Jason, to Dick: "You're such an idiot."

Tim: *bursts into laughter*

Alfred: *booking therapy*

[vigilskeep]

making inquisitors always requires like at least 5 backstory supporting cast members

[onefleshonepod]

One very bad day—when it seemed as though everyone hated her, and as though this were a completely correct way to feel—with bloodied fists and a bruised heart, she wrote a note explaining her suicide then went and unlocked the door. Unexpectedly, this did not kill her; and what did not kill her made her curious. She was much older before she could cross the threshold. [...] When she got there—alive—she could look into the open-faced coffin where lay the reason for her existence. God’s victory and death was a girl. […] Harrow, who had been born for the sole privilege of worshipping this corpse, loved it wildly from sight.

I originally contemplated using the concept of necromancy in the series as the representation for this card, but I decided to go with a figure as The Magician instead of an abstract idea, to match the rest of the Major Arcana. I feel like this scene, as well as Harrow's life as the Reverend Daughter in general, embody the contradictions of this card’s upright and reversed meanings. More thoughts below:

Opening the Locked Tomb led to Harrow crystallizing her life's purpose: to live for the Body and see it awaken. Breaking into the Tomb was a difficult endeavour, requiring skill, willpower, and multiple attempts to make it a reality. I also personally really like how the cliché meaning of the card, "As above, so below," fits metaphorically with the glow worms in the Tomb resembling stars.

This scene also fits the reversed meaning of the card. It shows Harrow at the lowest point in her life, intending to commit suicide, and committing a sacreligious act in contravention of everything she had been raised to believe. This act led to the suicides of her parents and their cavalier. In addition, she was only able to open the tomb not through her own cleverness but also — unbeknownst to her — because of Gideon’s blood under her fingernails.

I got on top of you and choked you till your eyes bugged out. […] You clawed my face so bad that my blood ran down your hands; my face was under your fucking fingernails. When I let you go you couldn’t even stand, you just crawled away and threw up. Were you ten, Harrow? Was I eleven? Was that the day you decided you wanted to die?

ID: A digital collage of "The Magician” tarot card as Reverend Daughter Harrow from the Locked Tomb series. The card shows the scene of Harrow, clad in black and veiled, unlocking the tomb and gazing into the bright blue glow-worm cave beyond. The scene is framed by Gothic columns. There is a broken sword in the lower left. A light above Harrow’s head represents the presence of the Body. Harrow’s silhouette and outfit is from a 1917 ad for Scranton Lace Curtains and an ad for Mariano Fortuny. The cave image is from an 1857 steel engraving of Postojna Cave in Slovenia. The left side of the card shows the upright meaning of The Fool and reads, “Manifestation | Determination | Willpower | Resourcefulness | Creation" in all caps. The right side of the card shows the reversed reading and reads "Illusion | Deceit | Confusion | Bad Intentions | Wasted Talent | Listlessness” in all caps. The base of the card reads "The Magician | Reverend Daughter” in a groovy font.

[zinnie-zoloft]

I don’t care if the suicide squad game is “bad” or “repetitive”, they gave my boy captain boomerang a voice actor who’s actually from Australia

It’s such a small detail most people wouldn’t even notice it, but when deadshot is trying to shoot the flash, digger says “why don’t you just post him the bullet”, but when flash expresses the same sentiment he says “why don’t you just mail me the bullet”

It’s little details like that that make him sound like a real Australian, no matter how accurate an american actor can get the accent, they always seem to mess up the subtle dialect differences

It’s insignificant to most people but I’m just so happy when non-american accents and dialects are actually portrayed accurately

[moongothic]

So I'm confused about something. There was a cover story about Ms Goldenweek and other Baroque works agents breaking Crocodile out of prison but he just. Told them no? And stayed there with Mr 1 and Mr 2? I don't get why he wanted to go to Impel Down just to break out when he had the chance

I can't tell you 100% why Crocodile chose to stay in prison and go to Impel Down, but my best guess really is that he was just...

Taking the L with grace

More specifically. Crocodile had lost everything. I think deep inside he might've been literally too depressed to want to go free again.

Like he does literally say that. He gave up.

He had been building his reputation as "the Hero of Alabasta" for at least 10 years at this point. He had built not just a criminal organization that he had been running for four years, but also he had been running legal business stuff (like his casino) for probably longer than that. A decade's worth of work and effort to take over a country, and most importantly, get away with it. The reason he had orchestrated that whole rebellion was so that the rebels and the royal family could "take each other out", leaving the country wide open for a World Government Official such as himself to take up. The reason Baroque Works was doing this all in secret was so that the WG never found out, otherwise they wouldn't have let him have Alabasta.

But indeed, his plans were foiled by a kid in flipflops in less than 24 hours, just at the final moment before Crocodile would win. He lost everything. And the World Government found out about what he had been planning.

So even if he escaped from that prison with his former agents, what was he going to do?

He wouldn't be able to take over Alabasta anymore because he did not have manpower (as he had lost all his goons), and having lost his financial empire he wouldn't be able to build a new army any time soon. And even if he did, now that they knew what he had done the people of Alabasta would not accept him as their new king, even if he personally assasinated Cobra and the entire family. Not to mention, the WG finding out about his plans meant that they had every fucking reason to try and stop Crocodile if he did as much as set foot on that island again. By which I mean, they could launch a Buster Call on his ass. Send all the fucking Admirals after him. And so, even if Crocodile still believed Pluton was somewhere in Alabasta and that he just had to comb through the entire desert to find it... Between the Alabastan people and the WG in the way, finding Pluton would not be easy. Especially when Robin wouldn't even be there to just point him directly to it. It could take years, if not decades, while fighting off the WG by himself. And that's while assuming Pluton was somewhere in Alabasta. Like WE the readers now know Pluton is in Wano, but since Robin didn't tell him that. All Robin said was that the Poneglyph "didn't mention the weapon", and Cobra's reaction to the name merely proved the weapon's existence in Crocodile's mind. But surely, because Crocodile is a smart young man, he'd understand there was a risk that Pluton could exist, but just not be in Alabasta, right? Like that would be a possibility too, right?

I think this is why Crocodile has given up on Alabasta. He had one opportunity at seizing the country, and he failed. And without Robin, he could spend the rest of his life combing through a haystack for a needle when there's no needle, and he'd have no idea. I think is why he explicitly says in Impel Down he no longer has "interest in that country". He won't be able to pull off another stunt like this, ever.

And that leads us back to "why not escape earlier and avoid going to Impel Down to begin with". Thanks to his status as a Shichibukai, Crocodile hasn't been on the run from the WG for like two decades. And the past 10 or so years he has seemingly lived a life of luxury in his funny little casino. But now, having lost everything, he'd be back on the run. And because he's a world famous former "hero of the people", there would be nowhere he'd be able to go where people would not recognize him and send the marines after him. So he'd be on the run, for the rest of his life or until he'd get capture again. And mind you, the guy does not trust anyone, so he'd be on the run alone. Without any purpose or goal.

And you might be thinking, "Daz and the rest of BW was still there!", yeah, arguably true. But at this point Crocodile had no reason to trust any of them. Like personally, I think the reason Crocodile ended up taking a liking to Daz was BECAUSE he chose to follow him to Impel Down when he really did not have to. Like Daz showed an unusual level of loyalty to Crocodile, and I think Crocodile recognized that. That's why Daz is still with Croc, post-timeskip. But Miss Goldenweek and co? Crocodile had no reason to believe they wouldn't betray him if given a chance and a reason. And if the WG would come chasing his ass, they'd have plenty of reason to try and betray Croc (handing Crocodile over to spare their own lives). Not to mention, when they come release their former boss from jail, what did Miss Goldenweek say?

"Let's do Baroque Works again"

As I've already explained in detail, I think we might know why Crocodile wasn't interested in being Baroque Works' "boss" again.

So. Yeah. If in Crocodile's mind he'd be on the run from the Government for the first time in two decades all alone, in a situation where rebuilding what he had before would be bloody hard if not downright impossible, and he wouldn't be able to obtain what he had spent the last decade working for regardless...

Taking the L and just going to prison might've been the easier option

[thirteenemeraldcats]

in one of your tags you mentioned-

'one of the things that gets chatted about A LOT in teaching is meeting students at their point of need- which ted does NOT do with jamie'

I would love to hear more of your thoughts on this! Both in terms of what that concept entails, and also what you think Jamie's point of need was at the time versus what Ted saw the situation needing

(You have excellent tags btw, don't know if anyone's mentioned that)

I HAVE MANY THOUGHTS ON THIS THAT I LOVE THAT YOU'D LOVE TO HEAR!

(I have more thoughts than I anticipated, this got errr, long. Whoops)

(potentially necessary/relevant background here is I am a high school teacher 👋)

Okie dokie, so, one of the principles of best practice in teaching is the idea I tag-rambled above; meet both the individual students and collective class at their point of need. Essentially this means practising differentiation in teaching and adjusting how content/ideas are communicated to students based on who they are as learners and people. Particularly if a student is performing outside the 'average' (either exceeding or still developing), this means adjusting to their needs by (among other things) curating differentiated resources and adapting delivery style. Differentiation is especially important in an all-abilities classroom, unfortunately public education is perpetually underfunded and overcrowded so everyone's just out here doing their best (the decent people of the world at least). BUT! WHILE I'M ON IT! SPEAKING OF THE THINGS I'VE TAG RAMBLED, the education system's (global) inability to adequately differentiate for students of different-abilities, particularly students with ADHD, ASD and Dyslexia, is perhaps the greatest failing of the whole dang thing and if anyone who ever stumbles across this is neuro-divergent and feels like they were a bad student or couldn't 'keep up' in mainstream education- THAT WAS NOT YOUR FAULT. You don't have to break yourself to 'fit', school is MEANT to bend for you. (Particularly when you're young, ESPECIALLY WHEN YOU'RE YOUNG)

ANYWAY, the fictional football of it all!

We don't see a lot of Ted actually coaching in this show (stick with me). The scenes in which he 'coaches' are typically him and various other coaching staff standing on the sidelines while the team skirmishes or occasionally runs drills, so me saying Ted doesn't differentiate is more based around his patented Ted-talks. NOW, Ted PROBABLY knows the team fairly well as individuals, particularly in season 2 and 3, purely by having spent quite a lot of time with them, despite this the only times we really see him 'adjust' his style with the team are ironically season 1 (examples include conferencing Jamie and Roy in 1x04 For The Children, and allowing/facilitating Nate's speech in 1x07 Make Rebecca Great Again). The moment that always sticks out to me as most significant is when he goes and seeks out Keeley's advice on how to get through to Jamie in 1x02 Biscuits.

Side note: I will be forever obsessed with Keeley jumping straight from 'blowjobs' to one of the four operant conditioning techniques (positive reinforcement) when asked about this. That woman is a very fascinating puzzle of a person.

Ted recognises that his typical perpetual-optimism-style isn't cracking the Jamie-Tartt-nut and seeks out a different opinion. This kind of collaboration and whole-system approach is key in teaching too, either by tapping the knowledge-well of a student's broader school context or the difficult-to-crack student's parents.

SO, having gotten the Jamie-Tartt-cheat-code from Keeley he DOES meet Jamie at his point of need, speaks clearly to him and communicates what he needs from him. AND IT WORKS! Temporarily! During the conversation between the two in Ted's office we see Jamie engage, he even practises self-reflection! Granted it's about his left foot cross, but still! The nut is cracked.

Jamie even maintains the perspective Ted has taught him for about two seconds while talking to Trent, until Jamie's other (definitely not positively-reinforced) behaviours rear up and he reverts to what James others have taught him.

On the other hand.

Multiple times throughout the show we see Jamie be visibly or verbally confused by Ted's communication style. Ted often talks in meandering metaphors that Jamie doesn't seem to be able to follow. We verbally hear him state 'Why doesn't he just say that then, do you know what I mean?' in 2x07 Headspace after Beard has to translate Ted's 'peas and carrots/beefchunks' analogy to 'starters and reserves'. Then there's the infamous 'What the fuck are Denver Broncos?' from 3x09 La Locker Room Aux Folles. The only notable time we really see Jamie 'get' one of these metaphors is the sewer-system-tunnels from 3x01 Smells Like Mean Spirit.

(His understanding of that specific metaphor, along with his use of the magnets to demonstrate total football in 3x07 The Strings That Bind, and a Watsonian-perspective of his near perfect mimicry of movements he saw two years ago when executing the decoy play in 3x12 So Long, Farewell, are actually all examples I use to head-canon Jamie as a primarily visual/physical based learner. For whatever that's worth!)

NOW! Ted's willingness to seek and apply alternate techniques in season 1 when he should know the team as both individuals and a collective the least, coupled with his inability or unwillingness to practise differentiation in later seasons when he DOES KNOW THEM is why I don't think Ted is meeting the team, specifically Jamie at their/his point of need. Any person's ability to differentiate behaviour to meet the needs/requirements/comforts of the individual or group they're talking to is increased the more they know them. (We all do this in life, consciously or subconsciously we typically try and 'match the vibe' of whoever we're communicating with [doubly so for people who're engaging in masking.])

Ted should and does learn more about Jamie as a person and his background as the show progresses. He listens to Jamie vocalise both his internal justifications for his actions and his reflections of those justifications/actions in 1x06 Two Aces, he sees him being explicitly physically abused in 1x10 The Hope That Kills You, he listens to him describe a spiralling mindset in 2x02 Lavender, he sees him being explicitly verbally abused in 2x08 Man City.

Of course, one of the fascinating things about Jamie is how much he learns and grows over the course of the show, and there are instances in which I don't think Ted is recognising that (primarily his dismissal of Jamie in 3x03 4-5-1 and not utilising Jamie's knowledge of total football as a resource from the beginning in 3x07 The Strings That Bind).

Ted understands and has previously applied Jamie responding well to positive reinforcement, yet at multiple times in the series doesn't respond in a way that reflects his perspective being informed by that knowledge. Essentially not practising the appropriate level of care/caution when interacting with/around Jamie.

There's not intervening on Jamie's behalf in 2x03 Do the Right-est Thing or 2x06 The Signal when the team and Roy are targeting or ignoring him respectively. The assumed absence of any follow up to the events of 2x08 Man City, the Zava of it all in season 3, and of course the eternal 'forgiveness' kicker from 3x11 Mom City.

POINT BEING. And to actually answer your inquiry lol, I think Jamie is someone who needs clear communication, ideally bracketed in positive reinforcement based operant conditioning as a learning technique (reward behaviour you want reinforced by offering something desirable [praise in Jamie's case]) and visual/physical aid/references for concepts; as a LEARNER.

AS A PERSON, there's more. Ted can readily infer from all he's heard and seen that Jamie's a victim of child abuse. The long term damage to the adult psyche that abuse during formative years has is astronomical, it literally changes the foundational structures of a person's brain. And yet, again, we never see Ted even acknowledge this. Jamie in 3x11 Mom City, incidentally compares his father to Freddy Krueger, Ted elaborates on the comparison, then Jamie reiterates that Freddy Krueger's 'fucking terrifying'. Ted doesn't reassure Jamie (the requirement of his point of need), he gives him a Ted-talk (and in doing so doesn't differentiate his perspective/communication technique).

As far as what Ted thought the situation needed... search me I've got no idea. I do think Ted projects onto Jamie a hell of a lot. That he gets Jamie's personhood and life experiences all tangled up in the emotions he has about his father's death and his consequent perceived abandonment, his insecurities about his own ability to parent Henry and even in his own inability to clearly communicate with his mother. I do think Ted relies on his own forced optimism to 'get by'. Like how a great white shark dies if it stops swimming, if Ted stops being 'Ted', if he stops swimming, his past and his fears and his feelings will catch up to him and swallow him whole. (For what it's worth, I do think Ted is more unwell than even the show explicitly tells us, much like Jamie experiencing ongoing trauma due to childhood abuse, the effects both short-term and long-term as well as potential causalities of having a parent die by suicide are... grim.)

(Essentially the entire fandom has talked about basically all of this at one point or another, I'm just using slightly different language.)

NOW! These characters are fictional (obviously) and I am judging them based on real-people conventions and the best-principles of my own profession, as well as my background in theoretical psychology (which I think I forgot to mention and is also probably [??] relevant). My Doylist-perspective of Ted and his coaching/communication style is ...kinder, but if I get too sucked into the narrative it results in either brief tag-rambles or... whatever this thing I've just typed is. I think it's been too long since I've written academically, my thoughts have gone circular 🫠

ANYWAY! I hope this made something-approaching sense! Thank you again for asking to hear my thoughts! Always happy to word vomit!

ALSO, thank you for saying my tags are excellent (you are the first and currently only to say so!) - The tags are where I send my thoughts to die (in a 'I must banish them to move on' kind of way rather than a 'I'm strangling them' kind of way) so you saying they're excellent is even MORE flattering than you realise! Makes my brain want to purr 💚🤣

[happy10thousandyears]

carlome 😇

[high-ass-zombie-angel-statue]

ough i love slightly underrated creepypastas i loveloveLOVE slightly underrated creepypastas

[tuxxydo]

if i had a dollar for every time 2 characters had their emotions altered in order to give the writers an excuse to make them have sex i'd have 2 dollars and, frankly, that's 2 dollars too many. someone take these bills away from me.

[totmatsu]

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