Can you do a spiderwomen x kenji sato. Maybe she was sent to retrieve emi and then got caught by kenji, and she was put into a jail like thing. So now she's just stuck there. She starts flirting with him. If yk what i mean 😏👉🏿👈🏿🎀💓🌸
Have an ice cream cone. 🍦
Thanks ♡♡♡♡
Kaiju Heist
Kenji Sato x Reader
Word Count: 1,066
Author’s Note: This one was a bit challenging, I hope it’s to your liking. Thank you for the ice cream, I offer you this fic.
MASTERLIST
Your plan was simple: sneak in, grab the baby kaiju, and get out. But things rarely went according to plan.
Let’s begin where it all started—that damn spider.
Long story short, your parents were scientists doing experiments on radioactive spiders. You help in their lab and one day, an earthquake enormous kaiju shook the city, causing a containment breach. The next thing you know, a particularly aggressive spider bit your hand.
Of course, you gained extraordinary abilities. Others would’ve loved this and used them for good—be like Ultraman or whatever. But to you, it’s more like a curse. Seriously, you didn’t ask for this so ain’t no way were you going to become a selfless heroine.
So you did nothing with your abilities; you didn’t hone it whatsoever. You looked at it as if it’s just another arm that grew out of your body. Like grabbing a bag of chips from across the room, you’d shoot spider webs out to get it without standing.
Despite living your life as privately as you could, somehow, the Kaiju Defense Force was still able to find you. So here you are now, in their headquarters.
You stood there, arms crossed. “I’ve told you before, Dr. Onda,” you said. “I’m not looking to be a hero. I just want to be left alone.”
Dr. Onda, chief officer of the KDF, and old acquaintance of your parents, leaned forward. “I know. But this isn’t about heroism,” he replied. “This is a highly sensitive mission and you’re the only one who can pull it off.”
"And why should I care?" you replied coolly. "What's in it for me?"
"Payment, of course. A substantial one. Enough to ensure you can continue living the peaceful life you desire without any further interference from us,” Dr. Onda answered.
“And more importantly, it's a one-time deal. Complete this mission, and you'll never hear from the KDF again."
Your face expressed a guarded neutrality but inside, you found it so tempting—the promise of financial security and freedom from future obligations.
“What’s the job?” you asked, narrowing your eyes.
Dr. Onda tapped a few keys on his desk console, and a holographic image of a baby kaiju appeared, rotating slowly.
“It’s an entity of importance for the goals of KDF to be fulfilled,” he said. “Recently, it fell into the hands of Kenji Sato. We need you to retrieve it and bring it back to us.”
You studied the hologram, noting the details. "And how exactly am I supposed to move a 20-foot-tall kaiju baby without causing a scene?"
Dr. Onda leaned back, a small smile playing on his lips. "We have a special containment unit designed specifically for it. It's portable and can be deployed with your help. Your task is to get close enough to activate it and secure the kaiju.”
"And the payment?" you pressed.
Dr. Onda named a figure that made your eyes widen slightly. It was more than enough to ensure your financial independence for years to come.
"Alright," you said finally. "I'll do it. But remember, this is a one-time deal. After this, I want nothing more to do with the KDF."
Dr. Onda smiled, “You have my word."
You turned to leave but paused at the door, and glanced back. "I hope you're right about this, Dr. Onda,” you said. “Because if this goes sideways, I won't be the one paying the price."
Going back to the present—here you are, in Kenji Sato’s basement, trapped in a cylindrical glass containment unit, similar to the one the baby kaiju you were supposed to retrieve was held in.
A floating spherical robot circled around you. “We knew they would send someone,” it said in a mechanically feminine voice.
Suddenly, it projected a red light over your body, scanning you. “But I didn’t expect a spider-woman.”
You pressed your hands against the glass, testing its strength. "Nice trap," you said. “But it's going to take more than that to keep me here."
“I wouldn’t be so sure about that,” a voice came out of nowhere. Turning around, you see THE Kenji Sato with an eyebrow raised and his gaze locked with yours.
The biggest mystery that bothered you upon accepting this mission was how the hell did this famous baseball star had a giant baby in his basement.
You leaned back, crossing your arms over your chest. "So, what's the plan, Kenji? Keep me here forever?” you asked. “Or do you have something else in mind?"
Kenji smirked. "Depends. Why are you here?"
"Why do you think?" you replied, your tone flirtatious. "I was sent to retrieve that kaiju baby. But now, it seems I've found something else worth my attention."
Kenji's eyes narrowed slightly, "And what might that be?"
You gave him a slow, knowing smile. "You, of course,” you answered. “You're much more interesting than a simple retrieval mission."
Kenji chuckled, though he tried to hide it. "Flirting isn't going to get you out of there."
"Maybe not," you conceded, stepping closer to the glass, "But it does make this whole situation a lot more entertaining, don't you think?"
Kenji took a step closer, his eyes studying you. "You're not what I expected."
You tilted your head, your smile widening. "Good. I'd hate to be predictable."
There was a moment of silence as the two of you sized each other up. Finally, Kenji spoke. "You know, if you weren't here to take Emi, we might have been able to get along."
"Oh, I think we still can," you said, your voice low and seductive. "Besides, I never said I was strictly here for Emi."
Kenji looked at you, his expression softening just a fraction. "And what if I let you out?"
You pressed yourself against the glass, your eyes locked on his. "Then maybe, just maybe, we can help each other."
Kenji pondered this for a moment before shaking his head. "Nice try,” he said. “But I need to know more about you before I make that decision."
"Fair enough," you replied, leaning back once more. "But remember, Kenji, sometimes the spider catches more than just her prey."
Kenji turned away, a small smile playing on his lips. "We'll see about that."
You didn’t wanna include this in your escape plan because things rarely went according to plan. But in your mind, you noted: flirt, make him fall for you, and escape.
Taglist is open! Comment if u wanna be tagged on future Kenji oneshots
@moonlight-starlight-lady01 @eternallyvenus @puppyminnnie @wattpadsuckssohard @sakura-onesan
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so now that this has come up twice (if i had a nickel...) including a case of someone accusing me of faking my "qualifications" i would like to clarify something, for my own peace of mind more than anything else.
I've said this before: I have never claimed to have any qualifications. What I have said is that I am a university student and I study jewish studies and the Holocaust. This is true. I am an undergraduate liberal arts student of 20 years of age who plans to major in History with a focus on Jewish History and a minor in Jewish studies.
That being said, I have done some academic work on the Holocaust. Including but not limited to:
Over 100 hours of onsite research at the Auschwitz-Birkenau museum
Teaching Assisting for Holocaust courses
Presentation of Holocaust related research at an academic conference
I am mostly influenced by my professor, an amazing woman who has studied the Holocaust for more years than I've been alive, was personally impacted by the legacy of Nazi aggression towards Poles and Poland, and has published on various Holocaust related topics.
It is through inspiration from her that I reaffirm my belief that Holocaust comparisons, and genocide comparisons are inappropriate and unhelpful. When you are making comparisons, you are creating a hierarchy, and that is reductive and disrespectful to victims of genocide. You can look at numbers and methods and try to make comparisons but if you want to study genocide from a humanistic, compassionate and victim-centred perspective you have to realize that nothing will ever encompass the true, personal impact of genocide. genocides are not political footballs or measuring sticks. they are tragedies that encompass a collective experience but also a personal experience. it is insulting to invoke them for the sake of an argument.
When I find myself making comparisons - not connections - comparisons between genocides I stop myself, and I remember the individual person behind the tragedy.
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'In 2015, just before the release of the fourth Hunger Games film, I sat down in a suitably craggy London hotel with Donald Sutherland, who starred as the tyrannical President Snow in the fantasy young-adult franchise. [...]
By turns thoughtful and gregarious, Sutherland was a dream interviewee. But because every answer was a story – related in that leathery Canadian baritone – the conversation flew, and just as he was getting on to the subject of his relationship with his son, a PR leapt out of the wardrobe and declared our time was up.
A few days later, an email dropped into my inbox from someone calling themselves “Frank Racette”. It was Sutherland. (His widow is the Canadian actress Francine Racette.) The loose end in our conversation had clearly been nagging at him, so he’d written 700 words on the subject of Forsaken and fatherhood – recalling his time with Fellini, quoting Larkin, and recalling classic Hollywood gossip in the process. At the end, he’d attached a photograph of him and Kiefer together on set.
At the time, I was stunned. Nine years later, reading back his words, I find myself inexpressibly moved. Sutherland wrote as he talked as he acted – which is to say with a controlled yet sensual magnetism, and also an intuitive feel for the strange join-the-dots nature of human experience. You can’t walk away from a good Sutherland performance (or, as it turns out, email) without feeling that reality itself has been given a rattle, and its parts have fallen into some revealing new order – perhaps a comforting one, but more than likely not. [...]
In that hotel in 2015, I remember asking him about the possible snowballing effect of having played so many roles – whether from, say, President Snow he could disentangle strands of John Klute, John Baxter, Hawkeye Pierce, Matthew Bennell, Calvin Jarrett.
On the contrary, he said, it was nothing like that at all – and then the conversation veered elsewhere, and the thought was left incomplete.
In his email, he completed it.
“With respect to experience after all these years,” he wrote, “it’s akin to the affairs of Casanova. Every time he fell in love, and he fell in love a lot, it was the first time and the last time. He’s never been in love before.
“Time stopped. And then it started again. And then, after many liaisons, it was gone.”'
Robbie Collin, 'Donald Sutherland was a dream to interview – then he emailed me out of the blue', The Telegraph, 20 June 2024, https://www.telegraph.co.uk/films/2024/06/20/donald-sutherland-death-tribute/
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Actually I think I deserve to be feral about Tommy 1975
it's a rock opera and it's got elton john and tina Turner in it, yeah, it's got the pinball wizard song, right, goofy times with the who
Tommy Walker is explicitly disabled in a way that reads nowadays as autistic and traumatized, and canonically experiences neglect, physical abuse, and childhood sexual abuse because of the ways in which he is disabled. he is sexually abused by his uncle and, arguably, his cousin, stepdad, and mom. (I think the beans/soap/mirror bedroom "Tommy Can You Hear Me" sequence is. unfortunately. an extremely thinly veiled metaphor.)
his disabilities combined with his talent for pinball turn him into an exploited child/young adult celebrity that his family uses to build their own personal wealth and he gets turned into inspiration porn for the pseudochristian cult they start, which expands further when he "miraculously" regains his sight, hearing, and speech as a 30 year old christ allegory. it's wretched because he does genuinely feel like he can help people by sharing his lived experiences with them, but it's too late - his parents have already turned his example and teachings into a pricey commodity and people who have paid every penny they owned for enlightenment end up violently rebelling against the lies they were (literally) sold, despite Tommy's best intentions.
and what does he get after a lifetime of suffering that culminated in his genuine attempts to help people? he sees his family murdered, everyone who ever supported him marching away into the distance, and he swims off into the sea and to apparent enlightenment, alone.
just. it's such a movie. I must've watched it a couple dozen times in my teen years. it's absolutely the product of its time but it's got a LOT to say about the exploitative nature of organized religion, cults, faith healing, "Disability Parents" (you know what I mean,) show parents/parent managers, cycles of abuse/exploitation, cycles of trauma, military worship, incest, heteronormativity/corrective rape, celebrity worship culture, etc... and like! it's not for everyone, but I still think everyone should have to watch it at least once.
anyway Tommy 1975 everybody. if you pick only one 50 year old Problematic Media to consume this year please pick this one. I need more people to talk to about Jack Nicholson's cameo and the Themes and the Bean Scene and the Ska Enjoying Cultists.
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