#so it would be something in a similar lane of this

[tumbly-s]

Vi vs Jinx

[please check out my commissions info!]

[wheneverfeasible]

Continuation “fix it” of this ficlet where Steve changed himself to try to earn Eddie’s love.

Steve missed his polos.

He missed his light wash jeans, his music, watching his favorite movies, he even missed his stupid plaid walls.

Eddie had laughed at them the first time he’d been in Steve’s room, back before they’d even started dating. Technically they were still there, they were just covered up with posters of bands Steve only knew about because his boyfriend liked them. Eddie had teasingly gifted him a Black Sabbath one back when they had just been friends to give his room more “personality” instead of his mostly undecorated room, which…okay, fair, because Steve had admittedly not done much of it himself just because he couldn’t be bothered.

(And he did, actually, kind of like the poster because it was their own little inside joke. It made him smile when he saw it, even to this day, even if he thought he could still taste the damned demobat sometimes.)

It wasn’t like he really knew much of who he was to begin with. He still had the bowling pin he and Tommy had stolen from the bowling lane their sophomore year (Steve’s idea, though only to impress his friend), and the picture of the car he had bought on a whim because Tommy had said he wanted a car just like it. Any other knickknack had either been gifted or purchased for a similar intent.

Now, that car picture was collecting dust in his closet, replaced by the Black Sabbath poster that Eddie had pinned to the wall slightly askew for ‘aesthetics,’ though it being slightly off-center and at an angle made Steve a little itchy. Soon, however, other posters soon followed, some given to him by Eddie and some he purchased himself after learning what bands Eddie liked, with a large Dio one taking up space by his bed.

Flyers of Corroded Coffin shows or other band merch dotted around the room as well, which he didn’t really mind because he liked supporting his boyfriend, though the clutter and disorganization slightly bothered him. Eddie had grinned at the sight however and called him a ‘real boy now’ for looking like the room of a young man and not a ‘30-something corporate stooge,’ so that would have to be fine too.

But he still missed his room looking like his room, instead of a replica of Eddie’s. It made Eddie feel more comfortable however, so he tried not to think about how it wasn’t his aesthetic at all, because he could learn to like it. He could change for the better. He could be what Eddie wanted. He could be good enough.

Which was why he was confused, staring at the garment box on the kitchen table where he’d been circling car ads in the classifieds, trying to find something cooler than his bimmer. Eddie had come over with a wide grin, sliding a box he recognized from one of the department stores he used to shop at before dating Eddie.

Eddie had proffered it with a flourish, grinning expectantly, practically vibrating with anticipation as Steve had carefully lifted the lid and moved the tissue paper aside to reveal the piece of clothing inside. A polo shirt in a soft, buttery sort of yellow with thick vertical white stripes running vertical over it.

Steve looked up at Eddie with a furrowed brow. “I…you got me a polo?” he questioned, confused and also concerned, knowing the department store was definitely outside of Eddie’s usual price range.

“Yeah!” Eddie confirmed happily, moving to sit in the chair next to Steve, looking down at the soft material Steve had yet to pull from the box. “The check from the gig came through, and I remember you looking at this shirt a couple weeks ago. I’ve been waiting to be buy it ever since.”

Steve blinked at that. He hadn’t known Eddie had caught him admiring the shirt in the window while he and Eddie had been walking around downtown. He felt a flair of panic at the thought, annoyed at himself for slipping up, for reminding Eddie that he was a stupid preppy rich kid. Eddie didn’t look upset though, or at least…he hadn’t. Now his eyes were darting over Steve’s expression with growing worry, chewing on his lower lip.

“Is that…is that all right? Was it a different one you wanted? I-I still have the receipt, we can return it and get the one you wanted,” Eddie rushed to say.

“No,” Steve quickly said, his fingers of one hand tightening slightly on the box while his other reached out of their own accord to slightly touch the shirt within. “I…Eddie,” he breathed, not knowing what else to say, what this meant. Why would Eddie buy him something like this? “You shouldn’t waste your hard earned money on…something like this.” Shouldn’t waste your money on me, he wanted to say. “It’s your first paying gig.”

Eddie shook his head quickly, an almost embarrassed smile curling his lips with a slight blush. “I wanted to, Stevie. You always buy me things, I wanted to return the favor. You’ve been so supportive of me and I wanted to…I don’t know. Thank you.” He glanced down at the polo with a soft expression, though he did frown a little too afterwards. “I haven’t seen you wear your polos in a really long time,” he murmured quietly.

Steve tensed at Eddie’s words. Of course he hadn’t. Polos weren’t cool. Polos weren’t good enough for Eddie. It was why he was so confused at this gift. He didn’t understand why Eddie would buy him something that wasn’t metal. That wasn’t suitable for his boyfriend.

“I know that you’re experimenting with your style and all, and I won’t deny you’re hot as fuck in these,” Eddie grinned, moving to pinch the loose sleeve of Steve’s tee between his fingers. It was from some band he didn’t actually know before he’d bought the shirt, something called Leatherwolf, though he had bought their tape as well so that he could pretend to be a fan and know some of their songs. “But you look hot in your polos too. I miss them.”

Steve sat up straighter at that, his eyebrows flying up in surprise. Eddie…liked his polos? “Aren’t the polos…kind of lame?” he asked carefully.

Eddie snorted, smiling as he leaned in to press a kiss to Steve’s neck, causing a startled smile to erupt over Steve’s own lips as he squirmed at the slight tickle of Eddie’s lips and hair. “There’s nothing lame about you, sweetheart,” Eddie murmured, voice roughened with his tease. He pulled back though, a touch of his worry on his expression again. “Do you like it?”

Of course Steve liked it. He loved it. It was exactly the one he had been looking at before, even though he’d tried to hide it, which meant that Eddie really had noticed it and really had been waiting to buy it for him. With his first paycheck from Corroded Coffin’s first real paying gig.

There had been the fear that Eddie’s involvement with the band would limit their options, that no one would want to listen to a band that had a member who was suspected of grisly murders. Eddie had been prepared to step down, to let the others move on without him, had offered it even though Jeff and the others had vehemently opposed the idea. They’d said that Corroded Coffin wouldn’t exist without Eddie and if he wasn’t part of it then they didn’t want to do it anymore.

In a surprise twist that probably shouldn’t have been all that surprising, Eddie’s infamy had actually helped the band. The news of his believed guilt and then later innocence and injury from the actual killer that he had tried to stop had spread even beyond Hawkins, drawing a crowd for their nights performing at The Hideout who began to see more patrons than ever before.

Then they’d been invited to participate in a Battle of the Bands, which they hadn’t won but they’d placed second, and the random shows they’d throw themselves at the quarry or wherever else saw larger crowds than usual, even the one they threw to celebrate Gareth graduating, and they’d even been asked to play at the fair, though it was a free gig.

Then, most recently, someone had approached them after one of their shows and asked to hire them for an event in Indianapolis. A paying event in Indianapolis. With it was the promise of possible future paying gigs as their fanbase grew and spread. There was even talk of a possible scout being at the gig.

Dustin had joked that maybe ‘86 hadn’t been his year, but ‘88 could be, though Eddie had just grinned and denied it, saying that ‘86 had been his year after all. He hadn’t said why, but he gave Steve a secretive smile and reached out to tangle their fingers together.

Steve felt a flare of warmth beneath his skin as he stared down at the polo again, hesitating before giving a brief nod. Eddie’s previously nervous smile bloomed into a joyous one, and he leaned in quickly to plant a smacking kiss to Steve’s cheek. Steve rolled his eyes but couldn’t prevent his own smile from growing on his lips.

“Thank you, baby,” Steve murmured, sliding a hand over Eddie’s neck to draw him in for a slow kiss. He didn’t know what it meant still, Eddie buying him a polo of all things, but it made him more determined than ever to be good enough for his boyfriend.

When they pulled back, Eddie soft with happiness, Steve made the decision. He needed to go all in if he was to keep Eddie happy. He drew in a deep breath and moved to take Eddie’s hand, his finger lightly tracing one of the scars there.

“I was thinking of growing out my hair. Maybe even dying it. Or maybe shaving i—”

“Don’t you dare!” Eddie interrupted, expression and tone absolutely scandalized as he squeezed Steve’s hand. Steve jumped slightly at the sudden explosion, blinking wide eyes at Eddie, causing the other to flush slightly in embarrassment. “I mean. You can, obviously, if you really want to, it’s your hair after all, but…” Eddie let out a small whine of protest as his gaze moved up to take in Steve’s hair.

Steve self-consciously reached up with his free hand to pass his fingers through his hair, which wasn’t quite as voluminous as he used to style it, but was still the last real testament of his former style. His former personality. The bullshit one.

“I mean,” Steve hedged, glancing away with a small roll of a shoulder in an aborted shrug. “It’s not exactly metal is it?” He looked back at Eddie with a slightly strained smile, rolling his eyes as though in commiseration. “I don’t want to embarrass you by making people think you have a prep for a boyfriend,” he laughed.

Eddie’s expression changed immediately as he stilled almost unnaturally, falling into a blank neutrality, even his eyes shuttering as he slowly pulled his hand from Steve’s grip. The response caused Steve to start panicking, worrying he’d messed up in some way, that he reminded Eddie of all the ways that he was lacking.

Steve opened his mouth to start apologizing, ready to apologize for anything, but Eddie held up his hand palm out to stop him, causing Steve’s mouth to shut with a soft click of teeth.

Eddie’s gaze dropped from Steve as his brows slowly began to furrow, a calculating expression settling over him as his eyes fell to the soft yellow polo still in the box. His lips twisted into a frown. After several excruciating moments, his eyes moved towards Steve’s shirt, an even more pinched look settling over his expression.

“Who are you wearing?” Eddie asked, his voice low and slow.

Steve glanced down at his shirt, the panic in him spiking, before realizing that this was a test. He had to prove to Eddie that he could like metal too (he didn’t, not really, though he could appreciate some of it) and wouldn’t be an embarrassment. He could do this.

“Leatherwolf,” he answered, thankful that he had done his job well enough to answer this pop quiz. He straightened his spine and pulled up the information he memorized with a slightly relieved smile. He could do this. “They’re from California. They were founded in, um, 1981.”

“What’s your favorite song of theirs?” Eddie asked, and there was something slightly off in his tone, but Steve couldn’t place it, not when he was frantically trying to recall the titles of the songs he’d made himself remember.

“Um. Cry Out?” he hesitantly asked more than answered, which caused Eddie’s lips to press into a thin line. He felt his breath catch at the obvious displeasure on Eddie’s face, wondering if he’d answered wrong. Was that a bad song? “O-or no, um, not that one. Uh. I like…um. I like…Magic Eye?” Fuck no, that wasn’t right. “Magical Eyes, I mean,” he corrected himself hastily.

Eddie’s eyes slowly dragged over Steve, his lips compressing again into a thin line as he drew in his own deep breath through flared nostrils. “Fuck,” he muttered, obviously not meant for Steve but it caused Steve to panic anyways as Eddie looked away, his brow furrowing in thought as his gaze settled on the newspaper on the table and the circled ads there.

“I’m sorry,” he quickly apologized, though he wasn’t certain what he had done wrong this time. Maybe Eddie didn’t like that band?

“Steve…” Eddie heaved a heavy sigh, rubbing his hand over his face before he looked over at Steve again. “I had thought you were just…trying things out. Experimenting. Lord knows your folks never let you be your own person,” he muttered before waving a hand as though to swat that thought away. “I didn’t realize you were actually trying to change.”

Why did Eddie sound so appalled by that? Wasn’t that a good thing? He was willing to fundamentally change who he was just for Eddie, to become someone deserving of Eddie, who fit in Eddie’s life. Didn’t Eddie want Steve in his life?

“Why are you upset about me changing?” Steve huffed, his worry turning into annoyance in his tone. “I thought that was a good thing. Not being the douchebag I used to be.” He scowled, crossing his arms with a roll of his eyes to cover his unease.

Eddie just looked at him in that way that made it seem like he was seeing inside Steve, which normally Steve liked because no one ever actually saw him, but now it just made him uncomfortable. Like he had done something wrong. He was just trying to be a good boyfriend, however. Besides, it’s not like he had come up with the plan on his own.

Everyone always talked about how different he and Eddie were. Always pointed out how preppy he was, made fun of Eddie for falling for a jock, had even asked at the start when they first came out publicly to their friends who was blackmailing whom into the relationship. Steve knew he had to change. They were too fundamentally different. It was the only way to keep Eddie.

Except Eddie didn’t look like he was going to be kept. He had started slowly shaking his head, pulling back, his eyes skittering over Steve again but in a way that said he wasn’t liking what he was saying. Steve’s panic spiked again.

“Eddie. This is good. I’m willing to change for you, that’s how much I love you,” Steve breathed, reaching out to grab Eddie’s hand with desperation. “I listen to your music now, and I play Dungeons and Dragons, and I don’t even talk about basketball around you anymore. As long as you’re happy, I’m happy. Don’t you see? Isn’t that all that matters?”

Eddie’s lips turned down into a sharp frown. A shuddering breath left him before he all but yanked his hand from Steve’s, his dark eyes turning even darker as he pulled away from Steve and said those damning words:

“But I’m not happy, Steve.”

Steve felt all the air leave his lungs, felt all the blood first rush to his head and then drain out of him, felt his mouth and tongue and throat shrivel into dryness as his eyes widened in horror. Eddie was shaking his head, stumbling out of his chair and back, an unreadable expression on his face as he distanced himself from Steve and this revelation.

“This wasn’t what I wanted, Steve. This doesn’t make me happy.” Eddie’s took another step back when Steve stumbled from his own chair, putting the table between them. “I…I need to go. I need to think.”

Steve knew with certainty that if he let Eddie leave now, that this thing between them would never be the same. His heart clenched in his chest painfully, and he felt his eyes sting with encroaching tears. “Eddie, please…” he begged, his words cracking.

Eddie only shook his head, sending his hair arcing around him, before straightening his spine. “This isn’t you. I don’t want this to be you. I love you Steve, but this version of you? The one that I created—” This time it was Eddie’s voice that cracked.

Clearing his throat, Eddie backed away. “No. No, this isn’t what I wanted. I’m sorry, Steve, but I need to go. I need to think. I can’t be here right now. I’m sorry.”

And with that, Eddie spun on his heels and all but ran towards the door, escaping from Steve’s incompetence, his unworthiness, his undesirability while Steve could only stand there in frozen horror, the tears he couldn’t hold back any longer slowly dripping down his cheeks.

Because he knew. He knew this would happen. He knew that no matter what he did, he would never be good enough. He knew that Eddie would leave him one day. Knew that he would never be able to keep the one he loved.

Knew that he, like his love, would always be complete and utter bullshit.

-

Part 3

-

tag list: @derythcorvinus @katyawriteswhump

[honoura]

Shaaloani: The Land of Enchantment Part One

Hello again! It's another lore-adjacent post from me about a niche special interest of mine. This time it's Shaaloani, the American Southwest/Northern Mexico inspired zone in FFXIV's Dawntrail.

I want to disclose a few things right at the start just to temper people's expectations: I will not be definitively ID'ing any of the indigenous-inspired structures or visuals as inspired by any specific tribe. That's not my lane! I'm going to link to things that they remind me of, for sure. But otherwise my hyperfocus is going to be on the physical environment, some animals, and the ceruleum as petroleum industry. It's what I recognize best! And what I know best, truthfully.

"Hon why are you doing this?" A variety of reasons honestly. After DT dropped I saw a lot of folks who did at least one of the following:

Commented on the Old West theme park aspect

Called it "miqo'te Texas"

Generally just called the whole map "Texas"

And if I'm honest... it bugged me! Not because I thought anyone was being malicious about it (it's mostly pop culture saturation I'd suspect), but to me it stung a bit that this zone, which I grew up on the fringe of, was... kind of flattened by a lot of people?

I don't know, the response to me just felt like people assumed they knew everything about it because they'd seen it already in movies or TV or Red Dead Redemption rather than the same open-mindedness about what was presented in places like Urqopacha.

This zone isn't just Texas -- yes there are some bits and pieces here (because it's pulling from the Chihuahuan Desert and the Sonoran Desert), but so much of it reminds me of New Mexico, Mexico, and Arizona. There's some Colorado, Utah, and Nevada there too! And the background story going on there is something that still happens in a lot of those states, by both the government and corporations alike.

That variety deserves to be celebrated! So come learn with me about the inspiration for Shaaloani!

Shaaloani Geography

Shaaloani has three major regions in the zone -- Eshceyaani Wilds, Pyariyoanaan Plain, and Yawtanane Grasslands. To get this out of the way, I'm going to tell you the one that reminds me most of Texas.

Ready?

Lake Taori of the Pyariyoanaan Plain.

It's river-fed, with canyons on both ends of the Niikwerepi. The trees crowding around it are cypress trees, as you can tell by the little nubby off-shoots called knees. To compare, here is a photo of cypress trees along the Frio River:

This is also reminiscent of places along the Rio Grande and Pecos Rivers, two significant water sources in West Texas. I also would not call them bayous! Bayous typically have brackish water, are slow-moving, and are way too far east.

However, it could be partly considered a ciénega -- which according to its wikipedia article:

"Ciénagas are usually associated with seeps or springs, found in canyon headwaters or along margins of streams. Ciénagas often occur because the geomorphology forces water to the surface, over large areas, not merely through a single pool or channel."

As a caveat, ciénegas generally don't have trees around them, but I also know that you can't really drown a cypress and they love sunshine. Regardless -- if you see trees in the desert they are typically growing along a water source. Balmorhea State Park has some cottonwood trees native to the area that are going strong.

Yawtanane Grasslands reads as a mix of the Chihuahuan Desert and the Eastern Plains of Colorado. Both are rather arid and home to a variety of grasses that can thrive in such a climate -- which has historically made both areas home to large cattle industries (whether or not this was ever a good idea is debatable, since cattle are very thirsty animals).

Meanwhile the Eshceyaani Wilds looks similar to the Sonoran Desert -- the red-hued soil and rocks, the abundance of cacti with the scrub brush and some drought-tolerant grasses. Here's a shot of the Sonoran within Saguaro National Park in Arizona:

Saguaros also only grow in Arizona in the States! As well as the organ-pipe cactus, which you see in Tender Valley. And prickly pears grow just about anywhere they can get a chance -- as well as barrel cacti, both of which we see in Tender Valley (along with what could be agave!).

You could probably make a case for it being a piñon-juniper scrubland -- everything's very short compared to those cypress trees, including the juniper trees! Piñon-juniper scrubland's found throughout the Southwest. There are also piñon-juniper savannahs and persistent woodlands intermixed in the same places. The difference lay in what plants you find with the piñon pines and junipers.

Visually, aside from the Sonoran Desert, I can also see a lot of New Mexico, like the Ghost Ranch in Rio Arriba:

It matches up with the mountains you can see, and both Yowekwa Canyon and Tender Valley. And of course, Tender Valley is likely a Grand Canyon reference, going by the sheer height of the cliffs. But you could also make a case for Canyonlands National Park in Utah.

There's a shot from Grand View Point Overlook within the park -- the closeness of the canyon walls and the warm earth tones also evoke Tender Valley!

There's also a lot of these sandstone formations in Utah that better fit Shaaloani -- like here in the Valley of the Gods:

Shaaloani Structures

I also at this point want to call attention to one of the two sites with cliff dwellings & adobe structures. We just saw Tender Valley above, which is confirmed to be old Yok Huy structures. But check out these Tonawawta buildings below.

As I stated before, I don't want to state which tribe these two styles remind me of. But I do want to say this again strikes me as another New Mexico and Arizona callback; both the Gila Cliff Dwellings and the Puye Cliff Dwellings are found in two different areas of New Mexico. And the Gíusewa Pueblo, also in New Mexico! Montezuma Castle is found in Arizona, and is pictured below! Look at that rich reddish earth color.

I also want to call attention to the place of worship for the Tonawawta in Yowekwa Canyon:

When I saw it my kneejerk response was to call it an ofrenda. But that's ultimately an incomplete response -- that was just the vibe I felt after seeing them during my life! What it also reminds me of are pictographs and petroglyphs. You find these all over the Southwest (the climate helps preserve them!), but I'm going to link some really great examples. I won't provide images to all though!

Crow Canyon Petroglyphs:

Piedras Madras Canyon at Petroglyph National Monument (New Mexico) Petroglyph Point Trail at Mesa Verde National Park (Colorado) Petroglyph Panel at Canyon Reef National Park (Utah) Nampaweap at Grand Canyon-Parashant National Monument (Arizona) Horseshoe Canyon at Canyonlands National Park (Utah) and the Hueco Tanks State Park (Texas)

In contrast, I don't want to spend a ton of time on the boom town structures in this zone; they are pretty straightforward references to mining towns during the different resource booms (gold, silver, copper, oil).

Similar blocky shapes, built out of wood. One thing I noticed as a neat addition are the decorative patterns painted on it -- again, I don't want to presume if there's a specific tribe tied to this. But I do think it's a neat touch and I want to think that's a design choice to convey the underlying theme that this is a zone at odds with advancing technology and wanting to keep hold of important traditions.

I WILL talk about the ceruleum wells and pumping though. Mostly because I'm impressed that they went with structures that so closely resemble early 20th century oil derricks. Those were also predominately made of wood (including the barrels, yikes!). The pump part of what's called a pumpjack were covered in the old days -- the ones we're most used to seeing now are made of metal and are thus left uncovered.

However, as you can see from this century old rig, even the wheel's made of wood:

I don't think ceruleum gushes the same way oil did -- it seems to behave more like natural gas. However, most natural gas pipelines do burn off excess, which can be seen as a little spout of flame atop.

Oil's occupied an awkward spot in the Southwest, and still does. Aside from the heinous crimes committed in Killers of the Flower Moon (where members of the Osage tribe were murdered for their oil shares in Oklahoma) and the Teapot Dome Scandal, oil is just... well.

Bear with me, I'm about to rag on Koana a moment.

The people who make the most money and have the most power over the average roughneck's life never live in the Southwest. They work in the c-suite and have more money than sense.

I find it very fascinating that DT chose to recreate this dynamic, this uncomfortable push-pull of a region rich in a resource, and it's being harvested at the suggestion and behest of a power that is physically removed from the area. And to some NPCs it's with a certain level of disregard to traditions and practices in place before, with the focus on the nebulous quantifier of 'progress'. Progress how? It depends!

But the folks at the highest seat of power never have to grapple with those questions, because to them it's a fairly cut and dry answer. This is the way to proceed, and if they want to take this nation into the "future", then this is the clear way to do it. It speaks to Koana's fixation on foreign technology to the point he de-values his own (partly due to his childhood trauma, which kind of prepped him to be susceptible to it).

Meanwhile the locals are the ones grappling the most with this change -- how it affects their plants and animals. Sometimes pits open up in the earth and ceruleum burns (which, Santa Rita New Mexico sank multiple times into the earth thanks to copper mining). On the map there's even discolored plants -- and they only occur in the vicinity OF the bulk of the ceruleum pumps.

This is at odds with core beliefs, keeping up with traditional practices. It puts people in the place of 'do I participate in this system, which promises work and the means to take care of my family, even as it pits me against my cultural heritage?'.

Growing up in West Texas, one of the weirdest things to me (to this day) is how many people will claim they love the land. They do! They love the outdoors, they worry over how certain species of animals have become scarcer. But they also work in the single most damaging industry because it pays the most money. It lets them cover bills and give their kids what they never had.

That same push-pull is in Shaaloani narratively; when progress has been thrust upon you, how do you survive it? How do you make sure what's dearest to you comes along with you?

In Conclusion

I want to call it here for Part One -- Part Two after this will cover more observations I had regarding flora and fauna in the Shaaloani zone, and how that also shows the attention to detail given this zone! It's a good time! There will be dinosaurs!

[artbyblastweave]

So I want to draw out some of the grousings I put in the tags of @phaeton-flier's recent post on Waller's characterization in My Adventures with Superman.

I think the problem you're gonna run into with adapting Waller in 2024 is that they basically nailed her completely twenty years ago in the DCAU Justice League continuity, they already captured the perfect balance of good intentions and ruthless utilitarian amorality. In the DCAU, Waller's arrival on the scene was contextualized by more than a decade of superheroic precedent- she lives in a world where Superman specifically got brainwashed into attacking earth, she lives in a world where Kryptonian war criminals took a shot at Earth, she lives in a world where an alternate-universe totalitarian Superman crossed dimensional boundaries to take a shot at earth. She lives in a world where Superman helped disarm the world's nuclear arsenal at the behest of a guy who turned out to be the fifth column for an extraterrestrial invasion. She lives in a world where the Justice League formed specifically to stop something similar happening again and then tripped over their own dicks when one of their founding members turned out to be a partisan mole for an extraterrestrial empire. She lives in a world where these city-leveling clowns have consolidated sixty or seventy other city-leveling clowns in an orbiting circus that's armed with a city-leveling orbital laser canon. This is just the stuff that would have made the in-universe news, there's even more I'm not mentioning here. In other words, she lives in a world where it's completely reasonable not to trust the superheroes and to want to have contingencies against them.

She does horrible things in pursuit of those contingencies, but they're targeted, goal oriented horrible things. Aside from her usual suicide squad routine she clones and basically enslaves dozens of super-soldiers, which is of course terrible on the face of it, but comparatively easy to justify from the realpolitik cold-equation way in which she approaches things. When her bullshit generates externalities for civilians, it's not because she sics those super soldiers on them. She doesn't declare martial law. That's not what she's after! She just keeps losing control of the bastards, and then she shrugs, and she signs off on additional bastards from scientists and magicians who've proven time and time again that they do not have their shit buttoned down- but what else is she going to do? Roll over? Let the capes treat the world like their playground?

Crucially, the DCAU version is also capable of realizing when she's prioritized the wrong threat- she's capable of re-evaluating and de-escalating. She's got a foil on that show, a guy who starts from the same place of concern as her but isn't capable of course-correcting because he's too much of a belligerent paranoid maniac. That guy is General Wade Eiling. And in a version of MAWS that doesn't need to set Sam Lane up for a redemption arc, I would have Waller as the one in Sam's position, as the well-meaning extremist who loses control of the monster she created and gets frozen out in favor of a significantly less principled hardliner in the form of Eiling. Alas.

The fundamental thing about Waller, at least to me, is that she's uninteresting as a ground-floor antagonist. While I've yet to get around to the original Suicide Squad run where Waller originated, I'm confident in my understanding that it was a postmodern project from the word go, exploiting years of ossified genre convention and rogue's gallery bloat to make the points that it was trying to make. This is part of why I think the first Suicide Squad film went over like a lead balloon- it tried to wish that built-up continuity into existence out of nowhere, whereas the second movie was simply a lot more naturalistic about faking that larger context. This show feels like it's doing something similar on a meta-level- exploiting decades of audience familiarity with Waller and how plots involving her tend to go, in a way that papers over how weirdly early in the progression of this continuity they've brought her into the fray. She usually isn't the joyless jackboot on the frontline trying to snuff out the incipient heroic age- she's the beleaguered repairmen brought in years after the novelty has worn off, after the superheroes have had their goddamn chance, with all the ups and downs and near-misses that entails, so that she can make entirely novel mistakes in reaction to that context. As it stands, she's kind of 0 to 100 in this, and something about it feels off.

[dilemmaontwolegs]

Not A Verstappen: Sibling Rivalry {1}

Pairing: F1 drivers (platonic) x fem!reader Summary: A little crack!fic as a driver!reader who is Max's little half-sister. Warnings: 18+ only, lots of bad language, protective big brother, sibling antics, daddy issues. WC: 2k F1 Masterlist NAV: Sibling Rivalry One || Two || Three NAV: Gridlocked One || Two || Three

There was nothing that irked you more than being called a Verstappen. Yes, you were Max’s sister, but that was where the relationship with the name ended. Your sperm donor, as you publicly referred to Jos, had never been a part of your life and that was one blessing you were thankful for. 

Somehow the bastard's genetics had won and that stupid racer’s blood ran in your veins. You liked to go fast. Your mother said that you could run before you could walk and the same went for driving. At 17 years old you had your super licence before your drivers licence, making it legal to drive at 200 mph around a circuit with insane corners but not 30 mph on the street.

Something about that seemed…odd.

It was worth it in the end. You could still remember the look on Jos’ face when you signed for Alpha Tauri. Oh, how the bastard had tried to credit himself with your achievement. But there were more similarities that you shared with your half sibling than you were willing to admit. One of those shared traits was brutal honesty. And you had let your honest thoughts fly when Jos opened his mouth.

Three years later the sperm donor was still bitter. He would surely have to get used to it, especially since you had just been named as a Red Bull driver, alongside Max.

Round One - Bahrain 2022 “This is a historical first, siblings racing together on the same team,” Ted Kravitz said as he walked along the pit, stopping outside Red Bull’s garage. “The two Verstappen's will be fighting each other for the Driver Championship, once again, while simultaneously working together to win the Constructors Championship. A very, very exciting season ahead I can already tell.”

You had been pulling your helmet on, about to climb into the RB18 when you heard the comment. The short temper you were well known for flared and you sauntered into the pit lane. “Hey, Ted Crapitz,” you called out as he stood writing in that little notepad of his.

He looked up a little stunned and his eyes darted at the camera that was always following him around. “It’s, uh, Kravitz.”

“Oh, my apologies, I thought it was just normal to make up offensive surnames. No?” you asked as you arched an eyebrow at him. “Because Verstappen isn’t mine, so don’t ever call me that again.”

“S-sorry, my mistake,” he stammered, but you were already shoving your helmet on and grabbing the halo to climb into your car. “A bit of a slap on the wrist for me there.”

You had no doubt that the video would go viral and the comments would call you a bitch but you didn’t care. Jos was a piece of shit and your mother didn’t raise you all on her own, working two jobs to pay for your karting years, just for you to be called a fucking Verstappen.

There was no better feeling than pulling out of the garage and heading to the track. The finely tuned car purred beneath you and you could feel the restrained power of it just waiting for you to pass the pit marker so you could push the throttle and free the beast you had worked hard to control.

“Radio check,” your engineer, Nicholas, ordered through the headset.

“Tell big bro to keep his mouth closed during the race. It can’t be healthy to eat my dust.” 

“Understood.”

The jeroboam size bottle of Ferrari Trento looked enormous in your hands as you shook it up and sprayed Charles and Carlos back after drenching you first. You may have been on the bottom step of the podium but you celebrated as if you had taken 1st place. Turning the bottle on the crowd, you spotted Max at the front with a wide grin on his face as he cheered with the rest of Red Bull. 

It was a little disappointing that he had DNF’d but there was always next week to battle it out again. In the meantime you enjoyed the adrenaline of the podium finish and the image of Jos standing to the side with a face like a slapped ass. It was a feeling you could definitely get used to.

Round Eleven - Great Britain 2022 The leaderboard changed almost every week, flipping like hotcakes between you and Max. It was labelled as sibling rivalry, and for once the media got it right. Though you hadn’t grown up with Max there was an innate need to know who was better, who could push the limits harder and who could get away with it. Some weeks it was you, some weeks it wasn’t. It was all part of the fun. 

Fun. Now that was something that came in spades. The camaraderie that came with the competitiveness was always something you enjoyed moving up from F3 and F2 before reaching F1. With only 19 other people sharing the same experience with you, it was impossible not to grow close to them. 

“Can you let Max in front today?” Lando asked as you walked along the grid. “Please?”

“Why would I do that?” 

“Because he’d rather look at your ass than Max’s, if he can hold third place.” You turned to the other McLaren driver to see a grin splitting the Australian’s face. 

“Aww, Lando, the real English gentleman,” you tutted sarcastically as you pulled your balaclava off your shoulder and snickered when it slapped Lando across the back of his head.

“Unnecessary violence, Spitfire,” he gasped before muttering under his breath, “I know who you get that from.”

A growl pulled back your lips and you punched him none too softly in the bicep, which was a double edged sword because it was far harder than you were expecting and you felt the hit in your knuckles. 

“Oh, Lando, Lando, Lando,” Daniel chuckled as he walked off to his car. “When are you going to learn?”

“You know the car goes faster with less weight,” Lando said as he rubbed his arm.

“Yeah, so?”

He shrugged sheepishly. “All that baggage you carry is weighing you down.”

“Well, that’s just stupid, metaphors weigh nothing...” You pulled your balaclava over your face as you walked from the second row to the front where the two Red Bulls were parked side by side. 

“Hey Lan,” you called out as you turned back with the urge to lighten the mood after he had looked crestfallen. “Don’t get too excited when I warm up my tires, that’s not me shaking my ass for you.”

You could see the corners of his eyes wrinkle with a smile that was hidden by the balaclava he pulled on. “A lad can dream, Spitfire.”

You had earned the nickname of Spitfire from dog-fighting your way to the front of the pack and it was one you were proud of, it certainly beat being called a bitch day in and day out. 

“Just keep it to your dreams, yeah? I’m already paying too much for therapy.”

“You can talk about your daddy issues later,” Max interrupted, tossing your helmet into your waiting hands. “Get in your car, zusje.”

You grinned to yourself as the formation lap began and you started weaving across the track to warm your tires. All Lando would be able to think about was your ass as the rear wing swayed side to side and the thought of made you laugh since you lived to torment the guys on and off the track.

“Radio check.”

“I can’t wait to show everyone the upgrades.”

“Understood.” There was a pause before Nicholas returned. “Uh, you weren’t scheduled for any upgrades.”

Your start was terrible as Max flew away at lights out and then you were nearly clipped in the first turn by Lando, the swerve you took to avoid a collision letting Charles slip straight past.

“DRS activated this lap.”

You passed the starting line on the heels of Charles, Lando close behind but not close enough to use DRS just yet. The Ferrari was quick but he was out of Max’s DRS range and your straight line speed was far superior, it was only a matter of time before you reached the first DRS zone and made your move to overtake. 

“Did you just use indicators?”

You laughed as you hit the buttons on your console before pulling out of the slipstream, the rear wing opened to reduce the drag, and flew past the red car. You hit the new button the electrical engineer had rewired before pulling in front of Charles and laughed as you saw the replay on the big screens around the circuit.

“It’s only polite to indicate when overtaking. Have you never read the road code?”

“I’m more worried about the FIA regulations than the road code.”

“You worry too much, Christian can afford a little fine.”

“£150,000 for a laugh! Are you taking the mick outta me?”

You tried to keep a serious face as you faced Christian but one look at Max’s amusement had a smile cracking through. 

“No, you don’t get to laugh about this,” Christian snapped, pulling your attention back to him. “You too, Max. It’s like having a couple of fucking children around here.”

“It was nothing to do with me,” Max argued. “I would never pull a stunt like that.”

“You have something on your nose,” you said as you pointed and he wiped at it. “Nope, still brown.”

His lip twitched before he snickered and playfully shoved your shoulder. 

A heavy sigh of disappointment filled the private room in the motorhome and you both looked at Christian. “With Max winning last year we are going to be under even more scrutiny, and this sort of behaviour isn’t going to earn us any favours. Cut the shit out and pay the fucking fine.”

You started to open your mouth to point out the fine was charged to Red Bull not you but a sharp elbow from Max had you clamming your lips closed again. 

“She’ll be better behaved,” Max promised with a glare that warned you to stay silent to save yourself from lying.

“Fine, get out there before the interviews are finished.”

You were never a fan of the post-race interviews but you left Christian’s office like it was lights out, racing ahead of Max to get to the media pit. 

You skidded to a halt at the side of the stage and Charles patted the empty space between him and Lando just as Max arrived. The other space on the couch was at the end beside Lance and you looked at Max with narrowed eyes before making a break for the better seat. Lando had to jump aside as you slammed into the seat just before Max but it didn’t stop him from planting himself on top and you groaned at the weight.

“Second place again, Max Emillian,” you wheezed as you tried to push him off and looked at Charles. “A little help?”

“Sorry, there are universal rules: we can’t interfere with sibling rivalries,” he said with an apologetic smile.

“Arthur’s my favourite Leclerc.”

Max took full advantage while you were distracted, staring daggers at Charles, and shoved you aside to take the cushioned seat with a smarmy grin. “Remember, best behaviour,” he warned as he got comfortable and accepted the microphone handed to you.

He should have known that the challenge couldn’t go unanswered and so you stood up, but you weren’t admitting defeat. His smile fell when you sat down on Lando’s lap, much to everyone’s surprise. 

“Hands off my sister, Norris,” Max quipped, but Lando’s hands were still in the air from where he froze, not knowing what to do with them or where to put them.

“This is quite comfy,” you noted as you wriggled around. “Maybe this can be my spot every week.”

“Fuck, fine,” Max growled as he stood up and walked down the line to sit with Lance. “Take the fucking seat.”

Charles laughed as you slipped into the seat and he held his fist out. “Everytime.”

You bumped his fist and smirked as the interviews finally got underway. “Every damn time.”

Click here for part two.

[the-s1lly-corner]

AAAAA

TDAC X PUPPET!READER

Hear me out

Reader is like puppet from fnaf, their character being very similar to puppet, them having the same voice and powers? Yknow Puppet flies fast as HELL and etc, Reader most of the time stays in the music box, and just gets out when really wanted or needed, for example: when theres an IHA or when someone needs them for something.

TADC x puppet!reader !

ashamed to admit this but i have not touched fnaf outside of security breach, recently at least. the last time i was fully invested in the fnaf lore was when fnaf 4 had just dropped, so im quite literally relying off of your description like its a life line because i know how insane fnaf lore has gotten think imma answer this request then take another short break since my lower back is starting to get sore from sitting all day; gotta go stretch my legs too

CAINE:

you do have your own room, of course, but you tend to usually stay in your music box; of which you came with when you first entered the digital world... which was a little odd, but hey its not the strangest thing that anyone here has seen! i like to think that sometimes caine comes to your box at night and tries to will you out so he can get to know you more. leave it to the ai to fall for the mysterious circus member who rarely leaves their box... i think sometimes he would hum and sing along to the music your box makes

POMNI:

the first time you rush out of your music box it takes her off guard, almost making her fall off her feet when you dash right by her to do... whatever was required of you at that moment in time. if she were being honest, she didnt think you were a real person, she had always assumed that you were an npc; it wasnt unheard of that caine would have npcs stationed about for in house adventures, or to man the carnival..! though i dont think she would interact much with you, considering you rarely interact with the others; what use would it be to pester you?

JAX:

honestly before realizing you literally live and sleep and mostly exist in the music box, he probably puts stuff on top of your box... accidentally trapping you inside it. well, actually trapping wouldnt be accurate because you ended up brute forcing your way out, literally sending everything that was on top of the box flying; scaring just about everyone in the room. imagine trying to find out whos faster; you or jax.. i mean, have you seen how fast jax bolted when they found out koufmo abstracted?

RAGATHA:

always tries to ask you if you want to join in on the in house adventure, she doesnt want you to feel left out or unwelcome; even though most times you willingly back out of the activity. though, she feels relieved and even smiles when you spring out of your box to join in on the action... at least she knows you havent abstracted... brain stimulation is important, you know!

KINGER:

he finds some comfort in the music, slowly but surely as the days pass he moves his pillow fort closer and closer to your box before eventually hes right next to you. sometimes even naps, leaning against it. though he does immediately scamper off when you suddenly lunge out to race towards whoever is calling for you. at least he can count on you to have his back in moments of danger or fear!

ZOOBLE:

usually stays in their own lane, but for one reason or another they need help during an IHA, and their yelps and incoherent speech was enough to catch your attention. be it gloink or otherwise, you obliterate the problem; effectively haunting zooble for the rest of their life by your actions... but hey, it feels... nice, having someone you can rely on

GANGLE:

character who is soft spoken and shy meets character that rarely leaves their box when its not needed or necessary; how could a relationship, romantic or otherwise, be fostered in conditions such as this? oddly enough, the silence between you two brings you together, the music keeping the silence from becoming overwhelming. i like to think that sometimes gangle leaves you little notes, choosing to write rather than verbally speak... best not to ruin that special quiet the two of you have learned to share

[ssivinee]

✧Magic Spell✧

BEBE! Bada Lee x Jam Republic! F Reader: Jam Republic was probably the most anticipated group of this season of street woman fighters. With the season going international, you find yourself being a part of the talented group. While battling, you catch someone else's attention, the famous Bada Lee.

Word Count: 2.9k

Warning: The events aren't accurate to the actual show and were tweaked to fit the storyline.

Note: The reader is Korean, Tongan (Tonga), and Cuban. It's a little fast-paced.

Character Vision Board

All the groups were seated in their respective recording areas, and in front of them was a TV, where all the crews were about to be introduced.

When every crew watched, everyone felt the exciting atmosphere really come to life. The vibes heightened once more as Jam Republic was introduced.

Jam Republic decided to send a team that would represent other women worldwide. Choosing the members Kristen Dodgen, Ling Zhang, Latrice Kabamba, Y/n Ramos, Emma Huch, and Audrey Lane.

Everyone checked out the information of each member, but everyone couldn't help but stare at Y/n's long list of achievements. You began as an underground dancer and competed in several competitions, winning about 95% of them, before entering the world of choreography.

Through several YouTube videos, you became well-known for your b-girling, house dance, and bone-breaking specialty. When continuing down the list, it showed the several artists you've worked with. Big names like Usher, Beyonce, Normani, Bruno Mars, and Ne-yo were just a few of those names.

You were the third youngest on the team, yet your triumphs showed your thorough background in the dance scene. At 23, you were known worldwide for your work and skills, even being popular amongst the general public.

They began to show some of your videos, and some dancers couldn't help but be in awe of you.

So when the day finally came, and everyone had to film together, the crews went in anticipating the impressive performances they'd get to see.

You and the girls entered the building with a bright energy and all smiles. "This is so exciting," Audrey squeals, and you pinch her cheek due to her adorableness. You made your way up the stairs. Linked arms with the youngest, with a similar vibe in your outfit choices.

The group makes their way to the hot pink room and waits for their call. As you wait, you check your outfit, rotating your body often and posing.

"You look amazing. Stop worrying so much," Latrice says as she pats your hip. "Dude, I'm just so pumped right now," You tell them with much adrenaline pumping through your veins as you jump every so often.

"Is anyone excited to meet a dancer?" Emma asks, chilling comfortably on the couch. Audrey says, "Definitely wanna see Tsubakill."

"Bebe is fire, though," Kristen tells the girls, and you nod.

"They have a youthful energy you wanna bounce to," you state, fond of the team full of younger dancers. When you sat with the rest of your girls, watching through every team's choreography, Bebe was the one that caught your attention. The filming of their crew preview video, the outfits, and the high teen energy sparked something in you. They looked like they enjoyed the dance and had terrific chemistry, which made you happy. You almost couldn't stop grinning as you watched them.

Before you can even continue the conversation, all of you get startled by the loud bass of the TV, signaling them to enter the fight zone. They began to walk out, and as Kristen led them through the corridor, they stopped at the entrance and looked amazed at the setup.

Making it down the stairs, everyone's eyes were on Jam Republic, and you couldn't help but roam your eyes around. You didn't make it that far because you couldn't look away as soon as you locked eyes with Bada Lee.

You give her a kind grin, and she gladly returns one.

Walking past some of the crews, you heard many whispers.

"Wha~ Kristen is really here."

"Their vibes are totally unmatched."

"Jam being here is actually crazy."

Everyone's eyes then linger on you and Audrey. Your pretty faces shocked many of them. Bada can only look at the two in astonishment, "Audrey and Y/n are so pretty."

Other comments like you two looking like princesses or angels could be heard through each crew's murmurs. Yet none of the Jam Republic girls were fazed.

You then watched the video that provided unwanted comments as you stood at the center. Most of the words targeted Kristen, but they sure left you and Audrey with a bitter taste in your mouths.

"Audrey is a baby. She can just sit there, look pretty, and do nothing."

"Many people praise Y/n's skills, but I believe most people watch her just to see her pretty face."

"I wanna say I'm proud that Y/n is famous as she's half Korean, but I feel we've been let down by her. She's lost her touch after a while."

Your eyebrows raise at the comment, and you can't help but sneer.

"Lost your touch?" Ling questions as the same confusion lingers in the mind of your entire crew. You chuckle a bit as you begin to see the no-respect stickers.

Kristen had two, while you and Audrey were evenly split with five. Audrey, who stood beside you, raised her two thumbs in happiness, and you gave her a high five. You understood what she was feeling right now. You two had mandatory battles to show your abilities.

"I don't really get it. You're one of the greatest battlers out there, and they decide to comment those things?" Emma whispers to you, but you smile, "I guess I'm just gonna have to prove them otherwise."

As you stay seated, paying attention to the announced judges and host, Audrey nudges you slightly, 'We're gonna kill it out there."

"You're damn right we are."

As you listened, your eyes traveled to your left, and you saw Bada, who was paying close attention. The younger girls on her team seemingly notice and whisper to her, causing Bada to look back at you with seduction.

You weren't one to back down either, so you focused on her, inviting the flirtatious look as you unconsciously bit your lower lip, unaware of how sensual it looks on Bada's end. Bada looks at you up and down, pleased by your reaction with a sly grin on her face, and returns to paying attention to Kang Daniel as he speaks.

"And now, what the hell was that?" Emma asks you playfully, and the girls can't help but turn their attention to you. "What? She's hot," you shrug, and they can't help but just laugh at you.

"Wait, who?" Kirsten asks, a little confused, and Emma just says, "Bada."

"I can't blame you, though," Emma comments, and you giggle, knowing how much of an effect Bada seemingly has on many of the women in the studio.

"Well, if you are done silently flirting, please pay attention," Latrice gives you a joking glare as you give her a mini salute.

Before battles commenced, everyone was told to get changed and be ready in 10 minutes.

You tell the girls to head out because you need to reply to someone's message, but suddenly, you hear a knock on your door.

"Come in," You say and see Bada's face peaking through the door. She smiles at you, "Am I interrupting you?"

"Oh, of course not. Please, come in and sit." You pat the seat right next to you, slightly adjusting your hat as you do so. You two sit down, and Bada introduces herself properly, "I'm Bada Lee of Bebe. I'm actually a fan of yours."

"That's so sweet. Well, Miss Bada, I'm Y/n Ramos," You shook each other's hands, "So, biggest and trendiest choreographer right now, huh?"

"I can say the same thing about you."

"I'm not too sure about that. Everyone on my TikTok was dancing to Rover, while I haven't seen many do my dances," you joke.

"It's because your choreos are advanced. I work in a world where the dance has to be a trend, so it appeals to the Kpop audience."

"I've noticed that in Kpop too. It's admirable, you know? Being able to have so many fans dance something you made."

You two loved the conversation's comfort, even teasing each other about wearing hats, but the moment was cut short as the staff began calling everyone back onto the set.

"Let's continue later?" Bada asks, and you nod as you approach the fight zone together. Both of your respective groups were teasing you two as soon as you took a seat.

As they began rolling the cameras, we headed straight into battles.

Redy of 1Million was called up first, and as she picks, she walks around, teasing to pick someone from Deep N Dap, but makes a fast 180 turn and chooses Bada instead.

"Redy, do you have anything to say to Bada?"

"I just don't respect you," She tells the taller girl right to the point.

"Not Redy, Soobin-ah, you're still an 8th grader to me," you gasp at the roast, and a light chuckle comes out. Ling looks at you confused and asks what happened and when you tell her the exact translation she audibly gasps, "That's gotta burn man."

"After hearing that back story, I'd be pissed at Bada too," you say, making her laugh. Redy began first, and while you watched, you felt it was a bit messy and failed to captivate you.

When it was Bada's turn, you watched her intensely. She grooved and taunted the younger girl, making her dance entertaining. You found yourself making a face of surprise, not expecting Bada to be so confident in battle as she was known to be an avid choreographer.

Nearing the end, you two make quick eye contact, and with a smirk, Bada takes a paper in her mouth and blows it in Redy's face. "That made her ten times hotter," you groaned, amazed, and Emma chuckles after hearing your statement, smacking your leg due to you being silly again.

You sat there, watching some of your teammates go up several times before you, making you itch to dance.

Audrey was the first in your crew to be called, even being chosen by two dancers immediately. You were never worried about your youngest, though. She had one of the most unique styles of dance in your eyes. Every move she made, you cheered or had faces of disgust, enjoying every move of Audrey's freestyle.

Then, you were on an emotional roller coaster on Kirsten's several turns. During these moments, you came to see who, from each crew, would be a formidable opponent to your team.

Emma then went on stage, and it was the loudest you cheered. Due to the similar specialties you and Emma had, you unconsciously hype her dance up with the same amount of energy. Bada watches you, adoring the faces you make each time your team is up.

She noticed everything about you: the side tilts your head did when Monika showed two team cards instead of one, the little tap your feet made when you got nervous about the winner of specific battles, your large jumps when you got hyped over a move. She was expecting you to be one of the calmer ones on your team, but after some thinking, it was probably because you were on the younger side of your team.

Bada knew well that when younger dancers worked in a team with older ones, their inner child came out much more often. You clearly had close relations with each of your members, appreciating everything about them, even when they lost.

Soon, it was the turn of Deep N Dap's Minny Park to choose her no-respect dancer.

"I choose Jam Republic's Y/n," You jumped off your seat, feeling more energized than ever. "Minny-nim, why did you pick Y/n as a no-respect dancer?"

"She's rusty, and I'm gonna prove that."

Many people enjoyed the laugh, and you responded, "Don't worry, I oiled up for the show." People go crazy at your clapback, and as you give Kristen your mic, the music begins for Minny.

"Let's go Minny!"

"Show her how it's done!"

The encouragement of her team gave Minny an impressive start. She starts by posing to the song's beats and looks at you with eyes of determination.

You watched very closely, staying calm and composed. That was the version of you that Bada expected. Seeing your new sides made her want to know you even more.

Minny was good, you'll give her that. She had a sassiness to her that carried the energy of her moves. She even added provoking dance moves which had you nodding your head occasionally. However, no matter how much credit you give her, you would provide her with a fight, and it would be a beat down.

"3! 2! 1! Switch!"

The music began to change, and you heard "Beggin'" by Madcon, which excited you. You said, "Perfect," telling yourself that you'd win with this song, no problem.

"Oh, she's gonna eat this song up," Latrice tells the crew, having pure faith in her best friend.

"Come on, Y/n!"

"Show them how battling is done, girl."

You start with grooving in the beginning, and as soon as you hear the first, 'I'm beggin' ~,' you give a pout as you kneel with praying arms to Minny. As the beat builds up, you smirk and hit a one-armed handstand freeze, then remove your arm quickly to do a small headspin.

You tutted, with some bone-breaking, and led into getting more in Minny's personal space. You see Bada's from your peripheral, whose jaw literally means dropped. You smirk and decide to give her more of a show.

Your hips rotated, and you swayed your ass to show more variety. As you drop to the floor dramatically on your knees, you grind your hips forward before going into a 1990 to Windmill. As the music subdues, you just end with a slight spin.

Everyone was already wild as it was, but they all gave you a standing ovation. Your face goes into a pout as it warms your heart.

"Judges, please reveal your votes," Kang Daniel signals, and you sigh in relief to see the 3 pink cards. Your team jumps and cheers excitedly for you as you bow at the 3 judges.

All the judges still stare at you in shock, and only Monika finds the words.

"I'm here to be as truthful as possible, and I can proudly say with my chest that battle was the most entertaining thing I've seen in a while. Minny, you are terrific, and if you picked anyone else in this room, you had a higher chance of winning. But Y/n is just on another planet."

Monika gets a bit passionate and decides to stand up, "As professional dancers, we know how difficult freestyling is. It's a completely different mind game than choreographing. Y/n tutted, b-boyed, did bone-breaking AND theatrics? If I could give you an award right now, I would." You bowed with your hand over your heart at the high praise and returned to your team.

Before returning, your eyes meet Bada's, whose face is still the same. You find it amusing, letting out a laugh with a wink, causing Bada to get all flustered.

After a few more battles, you were all given a 30-minute break, so after a bathroom break, you took advantage of the time and went to the lobby of the building, taking in the silence as you rested on the blue velvet chair.

You sip on your ice-cold water and observe your surroundings until you see the tall woman coming down the stairs, giving her a small wave.

"What're you doing down here?" She questions, taking a seat in the velvet chair right beside you. "I needed to get away from the noisiness. Besides, it's nice and cold down here."

"I can agree with that."

"I honestly need to know how you move like that when you dance."

You giggle at the older's comment, "A lot of training and stamina. I wasn't even that flexible back in the day. I stretched daily to get my body to where it's at now."

She only nods, appreciating the fact you shared your efforts with her to become a better dancer.

You two let the silence engulf you until Bada decides to get daring. "You were so hot out there."

Your eyebrow raises, and you smirk. "I'm hot? I could say the same about you, Miss Bada. Whenever I make eye contact with you, I can never look away until you do. It's like you've cast a spell on me," You lean closer to Bada.

She does the same, her eyes traveling to your lips and eyes, "Me? Spell? Maybe you did that to me?" Bada leans in closer, the tension between the two of you rising quickly, and now the two of you feel your breaths hitting your lips. "I don't think you understand what you do to me. You have my hands clammy, face heated, heart racing? I wanna know how you're doing this to me."

Staring at each other, you had an idea and gave Bada a little peck before running away into one of the empty rooms, giggling as you heard Bada gasp and chase after you.

As you got into the room, you tried to shut the door, but Bada beat you to it and was able to stick her foot in, causing the door to open. She comes in and closes the door softly behind her, and smirks, walking over to you.

"You're actually gonna be the death of me," Bada tells you, hooking her fingers around the waistband of your pants and pulling you into her. Leaning down, she pulls you into another much longer and loving kiss. Pulling away, her forehead still stays connected to yours.

"How about I take you out later tonight, Miss Ramos?"

You kiss her on the cheek with a cute smile, "I'd love that, Miss Lee."

[echo-nt]

I know this has already been said and I’m super late, but Mia as the protag of RE8 would have been so good. The contrast between Mia, the Lords, and Mother Miranda would have been absolutely interesting. I'm shoving everything under a read more because damn I have so many thoughts about Mia.

Lady Dimitrescu is a woman that cannibalizes and drinks the blood of her servants and intruders. On top of that, she tortures before preying on them. She does this willingly and very much derives pleasure from doing so. Lady D’s gothic triplets hunt any poor fool that wanders in. It’s a fun family activity for them just as much as it’s for sustenance. 

Do you know what this parallels? The Baker family under Eveline’s control. They patrol the estate and anyone who rejects the “gift” either ends up molded or on the dinner table. This family also partakes in a fucked up version of a family dinner, eating the victims that refused their little girl’s “gift.” 

However, a major difference between the Baker and Dimitrescu family is their willingness to participate in these activities. A family of cannibals; one forced while the other relishes in it. 

Mia is still very traumatized by her three years in the Baker’s estate. Breaking into the castle to find her daughter would force her back. Hello to all the emotions that come with those memories, the ones Mia has been trying to forget. The harder you try to forget something, the more you think about it. What better way to make Mia acknowledge Dulvey, Louisiana than by forcing her into something so similar? 

And while she’s still reeling from remembering her time in captivity, why not push her a bit further down memory lane with House Beneviento? Mia has demonstrated at multiple points in RE7 that she does care about other lives. She lies to Ethan to keep him from getting caught up in her work. She tries to save Alan and crew members of "The Annabelle" (the crew members are a bit more indirect, she mainly focused on Alan) by containing Eveline. After Jack finds her, Mia keeps her distance to keep from infecting them while trying to write a warning. She tries her hardest during RE7 to save Ethan. 

Mia’s hallucinations could center on her guilt. The failure to stop Eveline and the lives ruined as a result. How she was always too late to help anyone. Ethan curing her, a criminal, over Zoe, the person helping him. Leaving Zoe behind in the shattered remains of her home and family. Surviving. Visions of Ethan hinting at his “condition” could lure her to the manor. A little nudge to the whole “he was mold the entire time” plot twist without fully giving it away. 

Moreau, lacking in self worth and very attached to a woman who doesn’t give him the time a day, yet still he considers her as his mother. Most of his actions are for the attention and validation from his “mother.” No matter what Moreau does, he’ll never have her affection or time. It’s sad, isn’t it? To witness a man try so hard only to be rejected. And isn’t that familiar? Mia once felt compassion for someone with similar traits. 

Remember the little girl who considered you her mother? The one that spent three years waiting for you to love her after you promised? The one you had a hand in killing? What makes you think you could ever be a good mother after what you did? Why are you trying so hard to save Rose when you didn’t even extend the same courtesy to Eveline?

Y’all know how Mia’s past is a mystery? Like why she was working for the Connections and how she was even recruited and all that. Heisenberg would be a great way to explore it. A man taken, forced into becoming something else, and stuck in a family he doesn’t want. Mia can relate. He wants to use her daughter as a weapon. She was willing to let another child be used as a weapon. They’re alike, so surely Mia would be willing to side with him.

But Heisenberg is cocky and Mia isn’t the person she was prior/during 7. Even if she was on board with using Eveline as a weapon to end all wars or whatever bullshit the Connections told her, she’s not willing now. Not after what she’s seen and been through. This section could be Heisenberg goading her through the tvs/intercoms about her past to change her mind with Mia remaining steadfast in her refusal.

And then there’s Mother Miranda. Two mothers trying to get their daughters back through vastly different means. Because of the group photo showing Mia and Miranda with Eveline this encounter can go one of two ways. 

Miranda and Mia know each other and have worked together before. Whether it be on the E-Series Project (with Mia becoming the caretaker and spending copious amounts of time at the lab) or though some other means at work. 

They’ve only briefly met when the Connections were in a hurry to transport Eveline.

Either way, Miranda would compare them. As a mother, Mia must understand what she’s trying to accomplish. Would Mia not do the same as she? Maybe at this point Miranda shows she killed Ethan to demoralize to prevent her from interfering with the ceremony. Tells her she’s too late once again and to give Rose to her because she’ll be the superior mother.

Idk, I guess you could switch to Ethan instead of Chris so he can still have Eveline tell him he’s moldy. But he’s a stubborn man and he forces himself back to weaken Miranda so Mia can kill her. Chris shows up and Ethan does the same thing he did at the end by blowing himself up with Chris forcing Mia (with Rose) on the helicopter. That way the Shadow of Rose DLC can still be about Rose and Ethan. 

TLDR; Mia should have been the protagonist because it would have allowed us to explore her character and background more. It was a missed opportunity especially since so much of RE8 centers around mothers. It would have played out better as closing off the Winters Family saga as well since we could have tied the loose ends that came with Mia’s mysterious past.

[coco-loco-nut]

Book Club - Part 7

Pairing: The Grid x Reader, Lance x Reader

Summary: reader in a crash, book club dads worried af abt her

requests open masterlist

——————

You felt nervous going into Spa, a feeling that you just couldn’t shake. You had talked to Kimi about it and even crashed the Haas garage to talk to your best friends, but nothing could shake the pit as you climbed into the pit as the light rain started. Max looked at you and gave you a thumbs up before getting into his car.

You’ve never done great at Spa, the only reason you are P4 is because of the rocket ship that is you car. That was one lap, this is 44 laps. You release a shaky breath and focus on the lights above you. Not even 10 laps later the pit in your stomach increases due to the increased rainfall. You can’t get rid of the feeling despite your intense concentration on driving.

My tires aren’t going to last much longer, I’m losing grip.

Copy, Y/n, push one more lap then we will bring you in.

By the time you reported the tire conditions you were already mostly through sector three. You resteel yourself and push the car as hard as you could while managing the tires.

It’s when you enter sector two that you panic a little. You are losing grip faster than you thought and have begun fighting the steering.

GUYS SOMETHING IS HAPPENING

Y/n?

Y/n? Are you okay? Y/n!

Your wheels lose grip to the track and send you into the wall. It’s a nasty crash that immediately red flags, the debris across the track plus the rain increasing was enough for the FIA to red flag it. Your head is pounding and your vision a little blurry. Only when your ears stop ringing do you hear the radio.

Fuck, yeah I’m okay

You slur the words and pull yourself out of the car, immediately collapsing when you stand up as everything fades to black.

Lance, slow down, red flag, red flag.

Andrew? Who was that, don’t tell me it was Y/n. Fuck, is my wife ok?

It was her, no word back yet. Nothing over her radio from what we can tell.

Andrew, I need to know. Is. She. Ok.

She just said she was ok over the radio. There is debris across the track, stop the car and a marshall will get you back to the garage.

Shit, that’s bad. Andrew, what are you hiding from me?

Lance stops the car and gets out when it is safe to do so, as indicated by the marshal, but his heart drops when he sees you being put into ambulance.

“Mr Stroll, please let me at least let me get you back to the garage,” the marshal senses that he wants to fun over to the scene. Lance reluctantly goes back to the garage where he immediately pulls out of the race and goes to the hospital where they are taking his wife.

Max, Y/n crashed behind you, red flag.

Shit, is she okay?

No confirmation yet, make your way back to the pit lane.

Max feels his heart drop. He knew how uncomfortable you were going into the race and he would do anything to go back and time and tell her not to race. The red flag ended the race, and every driver had a similar reaction to Max and Lance. Max felt sick that that’s how he won, and he said as much in the post-race interviews. It was visible how much he and the paddock cared about you. Every one of your grid dads, as you affectionately called them when talking to Max, came over to him asking for updates, hoping Max would know more since he was your teammate.

“Lance, take a seat, pacing won’t help,” Kimi tells Lance, equally worried and frustrated at the lack of information as they wait in the hospital. Kimi was already on his way after the phone call this morning, this wasn’t what he expected when he touched down. Half the grid is sitting in the room, their legs bouncing or anxiously conversing.

“Mr. Stroll,” a nurse says, causing the both of them to hop up and walk to the desk.

“Who is Mr. Stroll?” she asks and Lance slightly raises his hand.

“I am, this is her father,” Lance says, the nurse motions for the two of them to follow.

“The doctor is in the private room waiting for you,” she closes the door behind Lance and Kimi.

“Hi, I’m Doctor Janssens. I have a bit of good and bad news. Good news is that Y/n only has a mild concussion, some whiplash, sprained wrist, and a small hairline fracture of the wrist. Bad news is that she’ll be out of racing for at least a month,” both Kimi and Lance cringe at the news.

“That’s all? It was a nasty crash,” Lance asks a bit skeptically, looking at your sleeping figure.

“Based on tests and scans, we have ruled out any head, neck, and back breaks. We have her pain meds, which is why she’s sleeping. She will likely be under observation for another day or two,” the doctor says, trying to relay the information in a delicate manor.

“Thank you,” Kimi dismisses the doctor, a hand resting on your shoulder. He and Lance sit in silence for a minute, gathering feelings and thoughts.

“She looks so peaceful,” Lance says softly, holding his sleeping wife’s hand.

“I’ll give you a moment while I talk to Christian and the drivers. Think about when you want to make a statement. I may hate the media, but you don’t want them to be hounding the hospital,” Kimi says before stepping out. Kimi and Christian quickly come to an agreement about the seat, the later not wanting to lose out on his second driver. The grid takes the news relatively well, but they all know how lucky they were, especially you. Pierre and Charles may have been handling it the worst.

“Kimi, will you look over this statement?” Lance asks, knowing the older man is an expert in saying things vaguely.

All-

We want to thank you for your support following Y/n’s crash. She is currently in the hospital under the care of great doctors. We are thankful that she is okay and look forward to a smooth recovery.

- The Räikkönens and Strolls

“Looks fine to me, I will take care of the outside stuff. You focus on our girl,” Kimi goes into Dad mode, sending the message to Red Bull and Lawrence. He posts the statement first on his account, Red Bull and Lawrence following shortly afterwards. Red Bull edited it slightly to reassure fans that you still had your seat waiting for you.

“Lance? You ask as you wake up, wincing from the pain. The room is dimmer, as to not strain you.

“Hey, how are you feeling?” he says softly, brushing hair from your eyes.

“Everything hurts,” you groan.

“Going into the wall will do that to you, you got lucky,” Kimi says from beside Lance.

“Dad? What did the doctor say, when can I get back into the car?” your vision slightly blurry as your eyes adjust to being awake.

“You have a concussion, whiplash, wrist sprain, and a hairline fracture. You’ll be out for about a month,” Kimi says, heart aching.

“Some of the guys are here? Want me to bring them in?” Lance asks, doing his best to distract you from the amount of time you will be out.

“Yeah,” you verbally confirm, not able to nod your head due to the neck pain. Lance leaves the room to grab the grid.

“I’m sorry, crashes like this are the worst,” Kimi tells you, clearly still affected by your crash.

“Thanks for being here, you didn’t have to leave everyone for me,” you says softly, thinking about your family back in Finland.

“They want to know that you are ok, and you are still my daughter, of course I will be here,” he replies, his softer side showing.

“I didn’t mean to scare everyone. Robin, Rianna, and Grace weren’t watching, right?” you panic a little, scared for their young minds.

“No, they know you are hurt, but they think it’s just a boo boo,” Kimi reassures you. The grid comes in and sufficiently distracts you, happy to know you’re okay.

You spend the next month in Finland with Kimi and your family, working back to 100%. Kimi takes you karting when you are almost fully recovered, getting you back to normal. Lance visits when he isn’t racing.

“Sissy, why do you have to go?” Robin asks, you tested in F1 cars again and got the green light to race again.

“I have to go drive in circles really really fast, just like Papa used to,” you crouch down to his level. Your sisters equally sad at your departure.

“What if you get a boo boo again?” Rianna asks, and you pause, thinking about how to explain it well.

“Do you stop going to the park even after your fall and get a boo boo there? Sometimes we get hurt, but that’s ok,” you don’t promise that you won’t get hurt, that’s not a promise you can keep. Rianna nods, understanding but sad you aren’t staying.

“Will Lancie come back next time?” Robin asks, not wanting to let you go.

“He will, I’ll be back in a couple weeks, it’ll fly by,” you give you siblings one last hug. Kimi hugs you goodbye as well, he spent the past week going over the track with you and talking about strategies.

When you get to the track, you are stopped by every driver, asking how you are and saying how much they missed you.

“Welcome back,” Fernando greets you when you walk into the club meeting.

“I listened to the audiobook, let’s get this party started,” you smile, happily listening to Lewis and Daniel fight about some symbolism. Your boys pampered you for your return. George brought you coffee from Mercedes, Logan brought you a pastry that he picked up from a bakery. Valtteri gave you some home remedies for your sore muscles that he swore works wonders. Kevin and Nico just hugged you but that was enough for you.

“Max was freaking out, he chewed out the Red Bull team for not pitting you earlier,” Daniel tells you, having filled in for you while you were hurt.

“That’s nice of him,” you smile to yourself. Lewis had also been vocal in interviews about how your crash could’ve been prevented if the race had ended sooner due to the rain.

“Y/n! Have a second?” a reporter asks and you nod.

“See you later, Danny,” you wave goodbye to him and approach the mic.

“Thanks for joining me, I just have a couple quick questions. First off, how are you feeling?”

“I’m really good, a little sore, but itching to get into the car again,” you reply, not giving away more than that regarding your injuries.

“You certainly seemed to scare the grid when you weren’t responding after the crash. How has your welcome back been?” the reporter pushes for more information.

“They’ve been great, they all came to the hospital to visit and have taken great care of me today. I obviously feel bad for scaring them, but they are the best competitors I could ask for,” you smile, before leaving the interview.

“Welcome back, kid,” Max hugs you when you walk into the Red Bull motorhome. You sing Super Max when you see him, having spent the last month listening to the silly songs that have been written for the drivers

“Thanks Maxie. Who is the better teammate, me or Daniel?” you grin, putting the dutchman in a tough spot.

“Daniel, for sure,” Max jokes. Your jaw drops and you turn around, leaving to go to another motorhome. You find yourself in McLaren, singing Let’s Go, Lando, with Lando himself who was happy to join in with your under-the-breath singing. Oscar wasn’t sure if he wanted to laugh at or murder the two of you.

“What brings you to our home?” Oscar asks once you both stop singing.

“Max said he liked Daniel more than me as a teammate,” you pout, not revealing that you knew he was joking.

“Right, I’m texting Lance,” Oscar shakes his head with a laugh, leaving you and Lando to chat.

“Y/n, love, you just healed, let’s not get hurt by forcing McLaren security to kick you out,” Lance laughs when he sees you and Lando bonding.

“Noooo, we were just becoming friends, she never hands out with drivers that are her age,” Lando whines. You give him an ick face.

“For good reason, you are all icky,” you quickly turn to Lance, “not you, baby,” you smile and turn back to Lando, “why would I hang out with you all and party after races when I can spend time with the older drivers whose company I prefer,” your eyebrow quirks.

“Say what you want, I’ve seen you at our parties. You have more fun than Lance,” Lando grins.

“Alright Lance, let’s go,” you get up, Lance assisting you since you are still a little slow due to the aches still in your muscles. He walks with you hand in hand back to Red Bull where your trainer helps work out your neck muscles and tape your neck and wrist.

“Let us know if you are feeling pain, if you have to pull out of free practice early, pull out. There is no shame if you are hurting,” Christian tells you, before you get to your car.

“I know, I’ll let you know,” you smile, feeling good in the car. After FP1, all of your grid dads found you after weigh ins, checking you over.

“Mi hija, are you okay? Does anything hurt? How is your hand,” Fernando asks, filling his usual position as the overprotective grid dad.

“A little sore, yeah,” you groan as you roll your shoulders.

“Don’t do that, let’s get you to an ice bath, then some heat,” Kevin says. Lance and your trainer don’t bother checking in on you.

“Let’s have a, well what your would call, a girls night. Help you recover,” Lewis suggests. And that’s how you spend the next few nights, in pajamas, with fluffy blankets, alternating cold and heat on your neck, watching movies of books you had read with the club.

“Petition to make this an occurrence each race?” Valtteri proposes at one point, getting eight voices in agreement back. They did a wonderful job of helping you recover, and the encouraging phone calls to Kimi helped you feel more than ready to race when race day approaches.

“IT’S LIGHTS OUT AND AWAY WE GO! GREAT START FROM RÄIKKÖNEN!” The announcer yells into the mic as you gain a few places, toe to toe with Max.

Can I race?

Permission to Race, give em hell, Y/n

You end up winning the race with a 1-2 finish, pulling a Carlos Sainz and Ferrari after his appendix removal. Your first F1 win.

[chubsonthemoon]

Last Binderary book is DONE!!!! This is the incredible Maybe sprout wings, by @moorishflower.

This post is going to be a doozy, so gonna just skip straight to the cut!

INTERIOR

INTRODUCTION

I really wanted to model this bind after my own copy of the Odyssey, (which is all highlighted and bookmarked and annotated to hell from my Great Text courses in undergrad ehe, so this bind was such a fun trip down memory lane!). But beyond just the cover/general aesthetic, I also wanted to give the book a similar feel to these kinds of editions of classics--there's usually an introduction, translation notes, and other supplementary materials, right? Like, a physical manifestation of the work of many, many people, all having conversations with one another across time and space.

So that's what I did! I wrote a short introduction (I will also probably post it to my AO3/my blog as well, in the name of preservation etc. etc.) and began reaching out to folks in the fandom who I knew had created art and meta for the fic. The result? 18k words of analysis, comments, and meta, and nearly twenty pages of art!

And this is what I love most about this bind, I think! This book is the work of several people--truly a collaborative work by the fandom--all of whom I will now be shamelessly calling out below :D

CHAPTER HEADER ART

First and foremost, this book would not be what it is without the gorgeous header art by @fancy-rock-dove! Thank you so much Dove for letting include your work, and for being so supportive and kind these past few weeks about this bind <3 You in particular have contributed so much to this book (which I will be getting more into in the next section ehe), and I'm so psyched I get to hold your art and words, too!

NOTES ON THE TEXT

This section was divided into four parts: Asks and Answers, Meta, Selected Comments, and Chapter Heading Art: Process

For Asks and Answers, I trawled Heather's blog for meta she had written in response to questions and other meta about the fic. Asks came from @fancy-rock-dove, @quillingwords, @kulapti, and myself! (I THINK I got all of them--tumblr's search function is finnicky even on its best days, so so sorry if I missed something T_T) I first got hooked into reading this fic because of one of these asks, so I'm very fond of this section in particular :D

For Meta, I included two wonderful essays written by @pastrypuppy (also known as @kulapti) about Hob as an author figure and the Disrupted Fisher King narrative in MSW. Her analyses were so fascinating and I just had to include them in the book! (And thank you as well for your permission, friend!) (also hello fellow Renegade comrade 🫡)

For Selected Comments, I owe everything to (once again :3) @fancy-rock-dove, whose insights are the epitome of transformative fandom at work. I'd look for their comments after I read every chapter to see what their takes were on this or that element of the story, and every single time I would go "!!!!! I didn't even realize!!!" or "OOOOOOOH I hadn't thought of that!!" It was like being in a lecture hall and always whipping your head around when one of your classmates raised their hand, because you knew they were going to say something fascinating that you hadn't considered before.

Aside from one of my own comments, Dove's comments make up the entirety of this section (for which I owe you my life--your long-form responses to fics are a gift to this world) but GOSH was it also so much fun going through the comments section while typesetting and seeing all the keyboard smashing, yelling, and crying from the other commenters. Communal nature of storytelling and ongoing meaning-making of fanfiction, babey!

And finally for Chapter Heading Art: Process: once again Dove coming in clutch with some wonderful insights into the design of each of the chapter heading art pieces! This kind of stuff is honestly my favorite: meta about art for a fic which is, in turn, a transformation of an existing story (not even to mention that The Sandman is its own kind of fanfiction of existing mythologies and histories)--I just!! Think it's all really, really neat :'D (for more coherent/polished thoughts on this pls see my introduction asjdfkls)

ART

The art gallery!!! A million thanks to @fishfingersandscarves, @honeyseller, @jazzpsych, @doctor-rainbowfoxey, and (HI AGAIN DOVE) @fancy-rock-dove for granting me permission to include all of your beautiful pieces!

As usual for artworks in my binds, I printed each piece out on specialty photo paper to really make the colors pop, then sewed each page separately to the text block! Behold, everyone's beautiful beautiful pieces!

The art gallery also satisfies the certain "oooh shiny" part of my brain that always activates when I see pictures in a book, so am also very fond of this section :3

CONSTRUCTION

And now on to the nitty gritty stuff! I used the German Bradel binding technique again, my second time using it. Even though it's more complicated than the case bind, I really love how it gives you the full board space for the cover designs (~it's free real estate~). Keep it a secret but I kiiiiiiind of made a small goof in the last few steps (I did the turn-ins a step too early and so had to paste an extra sheet of cardstock to secure the spine to the boards, whoopsie), but it's a pretty small difference, aesthetically speaking, so it wasn't the end of the world XD

Edges are once again fake gilded, but this time I tried something new with the colors! I did two layers of acrylic paint--one watered down shade of red for the base, then one metallic gold on top of that. I really like the red/gold effect! I'll have to keep experimenting with this kind of layering:

ALSO. Y'ALL! I think I'm finally getting the hang of endbands!!! Many thanks to the folks at Renegade who hosted all the endband workshops last month--I'm still working through them, but even the few sessions I've seen have been TREMENDOUSLY helpful. I learned that tension is Very Important, as well as thread thickness, so I tried doubling my thread and keeping a Very Close Eye on how I was holding the threads while doing the beads. And behold! I still have a ways to go (and one day I would LOVE to do the fancier designs), but I'm v happy with the progress I've made so far!

And finally the covers!! ARCHIVAL MOD PODGE MY BELOVED. I printed on the same matte presentation paper that I used for the art, then did several coats of archival matte mod podge + a pass of gloss mod podge over the title strip to make it ~shiny~. Then once those had dried and I'd adhered them to the boards, I sprayed two layers of matte clear acrylic sealer (also mod podge!) to finish it off. I had some issues with the paper tearing when I handled it before it was fully dry, but luckily the blemishes were small enough that it was easy to do spot corrections with my black acrylic paint. And now I know to be more patient next time LOL

(some non-photoshoot shots that show the shine a little better!)

FINAL THOUGHTS

I had a lot of thoughts while I was binding this book--about Sandman fandom, about Dreamling fandom, about the Odyssey, about storytelling, about fanbinding, about Binderary, about Renegade, about my friends--but really what came to mind the most was gratitude!

Simply put, I'm so grateful to everyone I've met both in this fandom and throughout the years I've been active online--this is SO fun, y'all. It's so much fun to love stories together--to talk about them, to write them, and of course to bind them! I hope I've adequately conveyed that gratitude.

But of course, this book would not exist without the wonderful words of @moorishflower. Heather, thank you so, SO much for sharing your stories, thoughts, and time with us--it is always a happier, better day when I get an email notif from you and when I see you on my dash. I love your work so much, and I'm so happy I finally get to put it on my shelf! So thank you so much again, for everything <3

and OKAY THAT'S IT FROM ME FOLKS!!!!! Binderary 2023 is officially a wrap! I had SUCH a blast--will probably write up a reflection post on it uhhhh after I take a very long nap ajslkdfjslk _(:3」∠)_

all my love! <3

[runnning-outof-time]

Back To Her | Tommy Shelby x Reader

Request: yes by anonymous

Pairing: Tommy Shelby x reader

Summary: It’s been years since Tommy and (Y/N) have last seen each other…will it be a bad thing now that he’s finally found his way back to her?

Warnings: language, drinking, mentions of minor character death

Word Count: 4355

A/N: oh my does it feel good to be writing again. I don’t quite know what this one is, but the ending of it is one of my absolute favorites. I hope you don’t mind how long it is - it kind of grew a mind of its own. I hope you’ll stick with it though. Enjoy! :)

PLEASE LET ME KNOW WHAT YOU THINK!

Comment/Message me if you’d like to be tagged in future stories similar to this one!

Tommy Shelby tugged on his tie, straightening it out as he waited with a lump in his throat. What was taking so long? The maid must've told him to wait in this room several minutes ago. Each second was dragging on and it seemed as though his heart rate was increasing because of it.

This mansion had felt so foreign, yet so familiar at the same time. Even from only being in the foyer and the drawing room, he could see the subtle intricacies that the woman he was meeting used to talk and dream about having one day. Seeing them brought to fruition here - in the grandest scale possible - filled him with a sense of elation, a feeling that had been tucked deeply away and probably hadn't seen the light of day since he last heard her speak. One that he still felt that day, even though the words she spoke struck him deeper than any bullet had.

They hadn't left off on the best of terms, but she wished him the best. Now he was wondering if the time that was put between them turned things sour, and if she would even want him to be here. He'd stand and bear it though. He needed to see her again, even if it meant he'd be admonished for it.

The thought made him tug on his tie again, wanting it to be perfect for her. He wanted everything to be perfect for her. Maybe if she approached him and he asked that question - if everything had turned out to be perfect for her, and she gave her response and nothing else, he’d consider this a victory.

Footsteps then echoed throughout one of the grandiose hallways. Soon enough, a voice was heard: "who are you?"

——

-1919-

"Arthur Shelby! I'm going to need you to tell me what you said last night at the Garrison, but this time don't leave the parts that Tommy wouldn't want me to hear out," (Y/N) announced as she marched into the Shelby family's Watery Lane home.

She hoped that the eldest Shelby sibling was present and heard her exclamation - after all, he wasn't in his other, usual places. Her hopes were fulfilled when she found him draped across the couch in the sitting room; looking quite like death personified.

"Oi, what're you screamin' for, (Y/N)?" Arthur questioned, just barely lifting his head up from the couch's arm.

"I'm unhappy, Arthur," she started with a huff, dropping her hands to her hips before she continued, "you had me up half the night just thinking, and now Tommy's been acting weird around me...I need to get to the bottom of this."

"The bottom of what?" he still sounded confused.

"The plan of Tommy's you were telling me about," she wasted no time in telling him. "You were saying something...something about an opportunity being dropped into his lap; one that doesn't come around often," she continued on, hoping to jog his memory, "what was the opportunity, Arthur?"

Arthur furrowed his brows together as he racked his brain. What was he telling her last night? He couldn't quite remember. She was looking at him expectantly though, and he became more worried by the minute that she'd pounce if he made her wait for too long.

"What has Tommy been planning?" she asked another question after a few moments of silence had passed.

"He's..." he trailed off, swallowing as he prepared himself for what would follow, and also hoping that the pause would buy him more time, "(Y/N), he's found something, and it's something that's going to help us all out."

"What is it, Arthur?" she asked for more detail, becoming slightly upset that it wasn't shared with her outright.

"They're guns," he finally told the secret, "government guns, and at first I didn't understand why he was keeping them, but Tommy's got a plan, he's..."

"Oh he's got a plan, huh?" (Y/N) cut into his statement, a snort following her question.

"He does! He said that he's going to keep them in our corner and use them to bargain. Polly's tried to tell him to get rid of them, but he won't listen. It's no use going against it; we might as well ride it out," he tried to get her to understand how he was looking at the situation.

(Y/N) wasn't buying into it. "This is how it's always been, Arthur...Tommy has a plan, Tommy stays steadfast on said plan, and then usually the bloody plan blows up in all of our faces!"

"This one feels different though, (Y/N)," Arthur stated, sounding a bit like he wasn't up for the argument he was currently in.

"I think I'll have to be the judge of that," she huffed, running a stressed hand over her forehead, "these plans'll be what kills him one day...I just know it," she muttered then, shaking her head as she looked down to the ground.

Arthur sat up straight after hearing her musings. His brows were furrowed as he trained his eyes on her. He could tell the amount of struggle that was going on inside her mind, and it was clear how Tommy's dealings were affecting her. "Here, come have a seat," he said, waving his arm in her direction as a physical cue.

(Y/N) glanced over at him, seeing the compassionate look on his face. She then exhaled a sigh and made her way over to the empty space on the couch, sitting down and resting her head against its back.

"Tommy and his plans can get to be a bit much," he started off. (Y/N) held back her snort. "He's wantin' us to trust him on this one though. We've gotta see it through."

(Y/N) was unsure of what to say. So many things were running through her mind at the moment; so many different scenarios and ways that this plan could bring about a terrible end. Instead of voicing any of those worries, she said nothing.

—

Tommy was sitting at one of the main tables in the betting shop, reading through some of the recent race outlooks when the door to the shop opened. He looked up and found (Y/N) walking further into the room. Before he could say anything, she stormed right past him, going over to the doors that connected to the Shelby's living quarters so that she could lock them. He sat and watched as she moved about the room, checking the various doors and making sure that they were all locked.

"Something happening?" he decided to ask her after she went back to the door she entered through and locked that one as well, "anything I should be worried about?"

"No," her answer was abrupt, "just wanted to make sure that I could speak to you without any interruptions," she moved over to the table he was sitting at.

Tommy watched her intently as she sat down across from him, clasping her hands together on top of the table as she looked at him expectantly. "Heard anything from Ada?" he decided to ask, wondering if this could be about his sister, who'd been effectively avoiding him for the last few weeks.

"No, this isn't about her," she answered, shaking her head slightly. She couldn't help but feel a tinge of sadness at the mention of her best friend, who'd practically disappeared. She remembered the last time they spoke; how Ada had told her that she needed to break away, to live and make decisions for herself. She was happy for her friend in doing that, but it didn't make the distance hurt less.

"What is it then?" he asked her, his eyebrows raised slightly as he waited for what she had to say.

"Pol said you're going to the derby..." she started off, trying to keep her voice level while her stomach did flips. She knew that this conversation wasn't going to be an easy one, but it was one she needed to have.

"I am...John and Arthur are also. There's an important matter of business involving Kimber that we need to see to," he answered.

Fucking Kimber. Hearing his name made her frustrated. It had been the talk of every family meeting since he found his way into Birmingham a few weeks ago. "She also told me that you're taking Grace. Tommy why are you bringing the fucking barmaid with you to the races?" she asked the question that had been stewing in her mind since she became aware of these plans.

"I can't tell you, (Y/N)," he responded, speaking in a low voice so as to keep his frustration down...he couldn't keep having all of this questioning happen.

"You do know what this looks like though, don't you? You, taking the barmaid to the races instead of the woman you're with; the woman you've been with. This will make people 'round here talk, Tommy, and I'm not sure if I'll be able to take that. Tell me why...tell me, why her?" (Y/N) doubled down, feeling more and more sick with each word she'd said.

She'd been with him for years now. They’d gotten together before the war and she stayed steadfast by his side through the conflict, promising him that she'd be there for him once he came out on the other side. There were hard times...really hard times, but she relented, staying by his side through them. Now she was starting to panic. Was he going to throw it all away over a barmaid?

"They'll talk, but their words will hold no truth, love," Tommy decided to reply to one part of her statement. Of course, it wasn't the one (Y/N) was looking for answers to.

"Why are you bringing her?" she asked yet again, shortening down her questioning to get right to the point.

"I can't say why. It's part of the plan, and you just need to trust me on it." (Y/N) opened her mouth to speak, but he continued before she could get a word out, "this is as hard on me as it is you."

(Y/N) pursed her lips upon hearing the second half of his statement. She didn't quite know what to think and was shocked that he could make a blanket statement like that one. It took a few moments for her to speak again. "That's rich of you to say, Tommy. For you to use such a statement to try and compare your feelings and thoughts to mine, especially when you know what it is that's going on. The plan is yours...you don't need the answers. And I've said it before that it'll be these bloody plans of yours that'll put you in the ground one day. I..." she paused, her voice wavering and all of the venom that had been building up vanished at once as she thought of what she'd say next. She took a deep breath before continuing. It's for the best. "I don't think I can be around it for one moment longer."

The words pained her to say, but she knew that they had to be said. And immediately she was having second thoughts on uttering them when she saw the drastic shift in Tommy's eyes. He may have closed himself off since coming home from France; considering himself dead and taking everything else that came to him as extra, but (Y/N) knew that she could still see his emotions through his eyes...and right now it looked as if he'd just taken a grave shot to the heart.

"What?" was all he was able to ask, his brows furrowing deeply together.

"I can't do this anymore...I can't jump from plan to plan and hope that you'll make it out alive from it. I love you too much to see it through. I think I need to go my own way now."

"It'll just be this one. One and done, (Y/N)," he tried to speak with as much reassurance as he could muster.

(Y/N) shook her head, a solemn look on her face, "it's never just 'one and done' with you, Tommy. You're a gambling man...you always have been. This plan'll work out, because they always seem to for you, and you'll become hungry for more. You'll keep going until it kills you, and I can't be around for that," she rehashed her words, showing him that she was staying steadfast on her stance. She then stood up and reached over the table to where his hand was sitting on it. Gingerly, she took hold of it, hating that doing so also brought their faces closer together. "I wish you all the best, Tommy, I really do. I love you," she spoke from the heart, her eyes not straying from his, even when her voice broke as she said the final three words.

She left without giving him the chance to respond. It was almost as if she knew that his words would pull her back in and assure her that everything would be ok...Tommy could convince someone just like that. But if she had stuck around, she would have seen that he had nothing left to say. He went to repeat the three word phrase that she ended off with, but it died on his lips as he watched what was possibly the best thing in his life walk away.

——

-1922-

Anxiousness was coursing through (Y/N)'s body. She fluffed out her dress for probably the hundredth time and listened to her friend tell her, yet again, that it was going to be ok. She didn't know why she was nervous. This was supposed to be the best day of her life, right? She'd found a man - a good man - and he was head over heels in love with her. Hell, she felt the same for him. Agreeing to marry him came without a doubt in her mind. So why was she a bundle of nerves now that she was only moments away from walking down the aisle?

The doors opened as she was trying to answer that question. There was no time left. In a short time, she'd become Mrs. Harold Drimouth.

——

-1925-

It felt good to have the family around again. It didn't take much for Tommy to notice the difference. Arrow House hadn't been this full of life since before he lost his wife.

Everyone had traveled in for the Christmas holiday. It was a big feat, but Tommy agreed to host everyone at his home. Charlie was thankful for the influx of children, and Tommy was happy he didn't have to be alone; especially after everything that occurred in Small Heath in the months prior. It was so far from a cause for celebration, but celebrate seemed to be all that they could do. They'd made it out of the vendetta alive...although that couldn't be said for every member of the Shelby family.

After dinner and the opening of the presents, several of the adults had decided to spend some time in one of the quieter sitting rooms while the children played with their toys in the adjacent room.

"If you really think of it...a celebration of this size wouldn't have even been thought of for us ten years ago," Ada mused, steering their previous conversation into a new direction.

"So much happens in that span of time. You only start to notice the differences when you look back on it," Polly added, looking at Ada and sending her a nod.

"We have Tommy and his ambitions to thank for it," Arthur called attention to the host of the party, raising his glass towards his younger brother, sparking a similar reaction from the rest in the room. Tommy only nodded his head in acknowledgement of his brother's statement, holding his whiskey up with the rest of the group before he went back to being focused on the fireplace.

"Do you remember that one Christmas we had back in Small Heath...before the war?" Ada then attempted to jog the group's memory, "(Y/N) and I stayed up half the night trying to get the gifts ready just to have John..." she paused, a smile forming on her face at the memory of her late brother while she took a moment to recollect her thoughts, "come in and start rooting through them because he couldn't remember if he'd gotten anything for anyone. I remember being so upset, but (Y/N) was ready to do them all up again."

"(Y/N)," Arthur began, letting a breath of a laugh out in the remembrance of her, "she was one of those kinds of women that you only meet once in your life."

"It's a shame no one kept in contact," Polly commented with a shake of her head.

"She left without a word. We couldn't have connected with her if we'd tried," Ada remarked, trying to stay stoic, but the guilt was apparent in her expression. Out of all of the Shelbys - excluding Tommy, obviously - (Y/N)'s leaving impacted her the most. They'd been through thick and thin together, so to come home and find that she was just gone struck a deep chord within the younger of the two women.

"You've not spoken to her at all, Tom, have ya?" Arthur decided to question the person who'd seen her last.

Tommy's gaze snapped away from the fire at the sound of his name, and although it took him a few beats to recall what the question was, he ultimately shook his head. "No," he started, shaking his head again, "no...she wished me the best and then she left. I've not heard from her since," he finished his statement by tipping back the rest of the contents in his glass. He then silently cursed it for there not being nearly as much alcohol as he needed at the moment.

All this talk of (Y/N) was leaving him reeling. From the first mention of her name, he'd been transported back to the times that he shared with her. She was his first...truly everything, and you really can't forget someone like that, no matter how much you try to, or who you attempt to move on with. Those memories were still as raw as the day they were made.

And so as the rest of his family continued on with sharing memories of the years gone by, Tommy found himself lost in a whirlwind of questions. He couldn't keep himself from wondering what had happened to (Y/N) since he last saw her, and how she fared out once she went her own way.

If he knew one thing for certain though, it was that he now needed to see her again. His main goal now was to find his way back to her.

——

"Who are you?" the voice came from the left side of the room. Tommy's eyes snapped over to see a young girl, probably around the age of four, standing in the opening of the hallway. Her head was tilted slightly, and he had to suppress a chuckle. She looked exactly like Charlie did when he was questioning something.

"I'm, um..." he began to speak, but more voices cut him off and made him look to his right.

"I was unaware of there being any scheduled visitors today." He knew that voice...he could recognize it anywhere.

"I know, Ms. Drimouth...this visitor was not on the schedule," the voice of the maid who'd escorted Tommy into the drawing room answered as their footsteps came closer.

Then she appeared. The breath instantly got caught in his throat when his eyes fell on her. She looked even more beautiful than the day she left. Seeing her made him feel like he was frozen. His mind was empty and now completely taken up by her.

"I'm so sorry, if I'd known I was expecting company, I would have worn something a bit more appropriate," (Y/N) stated, her eyes focused on her house dress as she fidgeted with it, trying to make herself look more acceptable.

"No, you look fine...beautiful, actually," Tommy said the first thing that came to his mind, and his words made (Y/N)'s eyes quickly snap up to see him. If he thought his breath was taken away before, now he was sure that his lungs had collapsed.

(Y/N) froze the second she saw who was waiting for her. She never thought she'd see Tommy Shelby again, let alone have him turn up at her estate unexpectedly. Everything else in the room seemed to disappear as her eyes stayed locked on him.

"Who is this, mummy?" the child's voice broke both adults out of their trances, making them realize that they weren't the only two in the room.

(Y/N) managed to break her eyes away from her first love to see her daughter, Margaret, looking between them in confusion. "Darling, this…this is an old friend. His name is Tommy, Tommy Shelby," she stuttered out an introduction. ‘Old friend’ was nowhere near what he was to her, but the label would do for now.

"It's nice to meet you, Mr. Shelby," Margaret spoke properly, a smile present on her face as she looked up at the man dressed in black as if he was also a friend of hers.

"You as well, Margaret," Tommy managed to pry his eyes from (Y/N) for a few moments so that he could address the child.

"Maggie, why don't you go and find Bear to play with?" (Y/N) suggested, knowing that she didn't want to have her daughter present while she reconnected with Tommy.

"Yes, mummy," Margaret nodded before she exited the room the way she'd come in.

Neither Tommy nor (Y/N) knew what to say next. It felt like hours had passed with them being lost in each other's gaze before (Y/N) finally broke the silence, "you...you found me?" her voice inflected to make her words sound like a question, but she wasn't so sure if she intended it to be.

"I did. I...I went looking for you, exhausted every connection I had. I had to find you, (Y/N). I had to see you again," he answered her, not caring at the moment how this admission sounded.

"May I ask why?" she questioned, hating that the words sounded a little more snide that she wanted them to, "why now...after all these years have passed?"

"I wanted to apologize to you; for all that I put you through back then, and for the things that I left out. You deserved to know," he answered, his words holding an utmost sincerity.

"I wished you the best, and you went and made quite the name for yourself, Tommy Shelby," she commented, a smile forming on her face. She couldn't help but be proud of him. "Your name was spoken quite a few times amidst my late husband's circle."

"Late husband?" he asked, putting emphasis on the first word.

"He passed in 1924. Complications of an illness. Margaret was only two," she informed him, a tinge of sadness present in her voice. Tommy nodded at the information, a knowing look forming on his features. "Do you have anyone?" she decided to ask, hating that her heart rate increased while waiting for his answer.

"I did, but she died. I have a son, Charlie...he's four now," he offered some of his own life story.

"My daughter will be four come the end of the year," (Y/N) couldn't help but add, a small smile now present as she spoke of her pride and joy. Tommy sent a similar smile in response. It was so good to see her smile again.

Silence fell between them then, but it was one that felt comfortable. Tommy held his gaze on her for a few moments before ultimately being the one who broke it: "I, uh...I won't waste anymore of your time. I just wanted to say that I was sorry," he said to her, hating that it felt like his heart was breaking because she was leaving his life all over again.

Nothing more was said as he moved past her, heading to the archway of the foyer. He was just about to step through it when her voice stopped him: "Tommy wait!" it came out a little bit louder than she wanted it to, but it did its job in getting him to turn back around.

"Yeah?" his question came out like a breath, his heart rate increasing again.

"Maybe...maybe we should have dinner some time. There's a lot of catching up that's needed to be done between us," she offered a suggestion, biting on her lip to conceal her smile.

"I'd like to see you again, (Y/N)," he agreed with her in an instant, a ghost of a smile forming on his face.

"Very well," she tried to keep calm, but inside she was as giddy as a school girl, "how does tomorrow sound?"

"Perfect," he nodded.

——

-1927-

Anxiousness was the furthest thing from (Y/N)'s mind as she stood behind the closed doors of the church. Ada told her multiple times that everything was going to plan and that she'd be getting her turn next. (Y/N) didn't care to hear about the perfection...she'd go forward with doing this if it were happening in a field amidst a rainstorm.

She didn't know how she managed to have this be her life, how she had gotten lucky enough to be given this second chance. The doors opened one last time to let Margaret and Charlie walk down the aisle with the flowers and rings. Is this what the best day of your life is supposed to feel like?

The doors opened as she was trying to answer that question. There was no time left. In a short time, she'd become Mrs. Thomas Shelby.

She couldn't wait.

Tagged: @mystcldydrms @the-anxious-youth @cloudofdisney @look-at-the-soul @elenavampire21 @mrsalwayswrite @julkaamazing @evita-shelby @lilyrachelcassidy @notyour-valentine @shelbydelrey @onlydeadcells @peakyswritings @just-a-blackhole @watercolorskyy @strayrockette @peakyduchesss @alexxavicry @captivatedbycillianmurphy @yummycastiel @dark-academia-slut @tommystargirl @stevie75 @lyarr24 @signorellisantichrist @zablife @anotherblinder @midnightmagpiemama @cillmequick @rangerelik @dandelionprints @letal-y-poetica @itscheybaby @gypsy-girl-08 @insanitybyanothername @depxiety @raincoffeeandfandoms @dragons-are-my-favorite @acewritesfics @forgottenpeakywriter @cljordan-imperium @areyenotfondofmelobster @little-diable @thomashelbyswife @iambored24601 @shaddixlife

MASTERLIST

[pinegreenapples]

Radiostatic Fic Recs

Do you like radiostatic? Are you looking for something good to read? Here are some of my personal favorites that I think everyone should read! As a reminder, if you don't like something listed, just don't read it! And don't bother the author or me! Staying in your lane is free! 😊

Part 2 here!

Finished works

Read 'Em and Weep

Vox and Alastor are on the cusp of a relationship but Alastor worries that he isn't enough for Vox. Val interferes. Now a series!

Get Your Thrill Just to Get At Me

Alastor experiences a rut for the first time and Vox refuses to waste good dick on a panic attack.

Hold Me Like A Grudge

This one's ABO and pretty much just smut. Suppressants fail all over the city! Guess we gotta fuck!

Put Your Fingers Back to the Keys

Alastor gets publicly summoned by Lilith and Vox searches for him.

Escape Was Just a Nod and a Casual Wave

This one's a really cool predator/prey fic where Vox chases Alastor.

Keep You Like an Oath

Alastor sneaks into V Tower and discovers Vox's video logs. It causes a revelation.

Lucidity's Fog

Vox has one final sex dream of him and Alastor together.

How to Commission a Radio Demon Body Pillow (and other assorted things)

This one is based off a tumblr ask thread about Vox having an insane amount of Alastor paraphernalia. It's funny, but it is one-sided.

Would You Download a Demon?

Alastor tells Vox and Rosie that he sold his soul. Vox does something so stupid, it's smart.

Classic and Better

Oooohhhhoooo, this bad boy is what made me start writing again. The characterization of them is so good and I love it so much. Alastor tempts Vox back into his folds and Vox follows blindly.

Once Bitten, Twice Shy

Alastor lays claim to Vox by biting him. This one is short and sweet. Now a series!

Couple's Therapy

This one was funny and sadly too short. Modern day Alastor and Vox decide to go to therapy as a joke and it actually makes them realize a thing or two.

Bambi

I love this piece. It's cute! Vox and Alastor have two different versions of Bambi-their clashing interpretations lead to an adorable misunderstanding.

Joking Matters

Vox and Alastor got married to consolidate their power and have kept their relationship a secret since.

Obligations

Vox trades for Alastor's soul but it isn't at all like how he wanted. They both cope in their own ways.

Meant to Be Yours

This one's one-sided. Vox gets rejected and takes it really badly. An excellent piece exploring his side.

Bargains

This one is also so so so good. Alastor has a rut cycle and the only person who knows is Vox. However, Alastor hates that he has a rut and takes it out on Vox. Vox just wants to know what Alastor actually wants.

Spite

This one is delicious. It's based off the first episode where Alastor says he pulled a few strings to get the commercial to air. Vox demands that he act in a porno for blackmail.

Just a Slave to Your Instincts

Vox researches deer instincts and uses it very effectively against Alastor.

That One Tuesday

Similar premise to Classic and Better but it involves more of the Hazbin cast and the main plotline of trying to redeem sinners.

Vox and the Terrible, Horrible, No-Good, Very Bad Afterlife

This one is light on the relationship but funny. Basically, every rut Alastor goes fucking nuts and takes it out on Vox. However, no one believes him and they think he's going crazy.

666: Live on Air!

An excellent series that does a good job exploring the push and pull between these two and what a relationship between them would look like with all their hang ups and miscommunications.

Seeking Solace

This story plays with Dom/Sub designations and Vox is a sub who hasn't dropped in too long. He calls Alastor to help.

Radio Made the Video Star

An excellent series exploring the arc of Alastor and Vox's first meeting, their subsequent fallout, and their re-connection as they are forced to work on a project together.

Thawing Out

Vox is in an abusive relationship with Valentino. Alastor finds him one night by accident when he's mulling over his relationship. For the first time, Alastor notices that something else might be going on at Vee Tower and he has these awful feelings about it that he can't seem to shake.

The Pitch

Vox swaggers into Alastor's radio tower to find out more about his newest pet project, he ends up limping out. Wink wonk!

Hypnosis, Live in your Bedroom!

This is inspired by the 666 hypnosis fic and it is quite good! It’s another smut piece of Alastor and Vox exploring his hypnosis.

Other Place

This piece is really sentimental. It made me cry and think about death. Basically, Alastor visits Vox on the anniversary of his mother's death and they talk through his many emotions.

This Wasn't on the Agenda

One-sided but funny! Vox and Alastor start a hissy fit in an overlord meeting about their brief sexual history together.

Staticradio Woodland Fun

This one's cutesy! Vox and Alastor are both mythical creatures experiencing rut and so they spend it with each other.

Feeling from Grace

Angel Dust comes to Alastor with some concerns about Vox’s wellbeing. Alastor manages to fuck it up, as he does all things regarding Vox and feelings.

Music on T.V. and Sex on the Radio!?

This one’s funny and sexy. After their little fight on air, Vox tracks Alastor down in his tower to have some good old fashioned fun.

Stay

Alastor can’t seem to let Vox go, even when Vox decides he can’t keep playing this game anymore.

Like Old Times

Alastor pays Vox a visit in his office after their musical spat to say hello.

Deer in the Backlights

This piece is nice in the way that it explores Vox finally getting closure from his obsession with Alastor. Val and Velvette set up a meeting for Vox and Alastor to finally fuck and get rid of their weird psychosexual tension. Vox wonders if this was really what he wanted all along.

198

This one is pure smut and it’s so delightful. Vox manages to mind break Alastor and turn him into his own personal sex toy. I also highly recommend anything by childishsadism, they write very compelling work!

Undisclosed Desires

Alastor and Vox get into another fight and Alastor finds he likes it a lot more than he thought he would.

To Be Yours

This is my own work! Alastor hears Vox open their personal frequency for the first time in years. Curious, he goes to find out why exactly Vox has chosen to break the silence.

Safe with Me

This one's good! It's a modern AU where Vox is a CEO and Alastor is a serial killer and podcaster. After separating as childhood friends, Vox and Alastor meet once again and find love with one another. Now a series!

Bluest Monday

This one is so well written and the romance between them is absolutely heart wrenching. Alastor fears losing Vox to modernity, so he finally accepts Vox’s courting in an attempt to keep the other at his side. This decision has unintended consequences neither could foresee. Now a series!

Addicted

Addicted is really good. Vox finds out he's been drugged by Val for decades and as a result has long term amnesia. He runs away and tries to reckon with a past he can't even remember.

Hypnotic

This one is a rape fic. Vox hypnotizes Alastor against his will and forces him to recount his first sexual encounter as he has sex with him.

Unfinished works

Prey of the Video Star

This one is really really good! After the battle, Vox takes Alastor back to Vee tower, determined to finally make the other his. Alastor, weakened, struggles the best that he can even as the noose tightens around his neck.

Equilibrium

Vox saves Alastor and accidentally creates a soulbond between them. This sets in motion a landslide of unexpected events between them.

The Answer is Yes

Okay, this one is extremely well written. It's a fascinating exploration of Vox and Alastor's relationship through a vignette style. It blends all sorts of memories with modern day and it's really cool. I like it a lot.

Hell’s Televisionary

This one is a really interesting take on Vox and his first few years in Hell. I’m really enjoying it! Vox is new to Hell and looking to make a name for himself. He’s also looking to reconnect with the elusive redhead that helped him when he first fell.

Rival Frequencies

Vox goes after Alastor after the extermination and patches him up. He discovers that maybe his feelings haven’t waned, and he tries to rekindle a friendship with Alastor again.

Tune On In!

This one is based off of an art post where Vox and Alastor got platonically married and details their life together.

Unraveling Emotions

Falling in love makes a sinner’s heart human again and their second death permanent. Vox has never stopped loving Alastor. Alastor makes a mistake and Vox nearly pays the price.

For my friends who liked my post, I hope this finds you!

@rae-does-stuff, @drakepad-luv-2000, @motherarts, @freakshowmemories, @bratpfanne-of-doom, @superpersonpatroleclipse , @nocakesformissedith , @coins-that-never-land , @matrixbearer2024, @dancingafterdark ,@pedi-bug , @starlightthenightwing , @unnecessarilysalty

[explodo-smash]

Are you one of the people expecting bkdk to be canon? I just learned that there are people that sincerely believe Hori would have Deku and Bkg have an explicit confession of love. That he's going to be the first popular mangaka to have a endgame gay ship. I am in so many mlm ships of shounen but I've never had the delusion that the author would make them canon despite the evidences otherwise. Like I thought it's fine to ship mlm as long as we stayed in our lane and never harassed the author.

After speaking together, we do believe based on the evidence in the series that BakuDeku being canon is not an even vaguely unreasonable conclusion to reach. We think the story is written in a way you can reach that conclusion easily, so much that even casual viewers who aren’t shippers are questioning the nature/potential conclusion of their relationship.

One of the most consistent and convincing lines of evidence for us has been Katsuki taking on roles/positions traditionally reserved for female heroines/love interests (if you’ve seen anyone call him “narratively androgynous,” this is what they’re referring to). In the context of Jump magazine, we have a number of shonen heroines and love interests to compare Katsuki to. The similarities are so striking that many notable people (including the VAs for the anime) have taken to calling him the heroine of the series.

However, we do think things like homophobia (whether it’s the writer or the audience/consumerbase at large– in this case we’re primarily referring to the audience), the safety of everyone involved, and timing are all unpredictable factors people have to take into consideration when writing/reading a story of this magnitude. Needless to say, if Horikoshi is indeed planning an endgame for bakudeku, he’d also have to take these factors into consideration.

Horikoshi has a record of being pretty in-tune with his fanbase. He definitely keeps some eye on bnha’s reception–for example, he mentioned a while back that both the people who love Katsuki and the people who hate him will have something to look forward to in this finale (we can now see what he meant lol). He’s very likely aware of the people who love bakudeku and the people who loathe it. 

Taking into account that he tends to be very intentional with his writing choices, he’s written this story in a way that not only centered bakudeku’s relationship over others (notably Izuku + Ochako’s, the character he’d presumably end up with if things were going predictably?), but also went the extra mile to distinguish their relationship as unique, closer than all their other relationships, the “biggest pillar of the story” (x, x). He didn’t have to do all of this. This extra push is what’s giving bakudeku that undeniable chance at an endgame right now, because it’s come to a point where no one can ignore the implications of scenes like this:

On the flip side, we don’t think people’s hesitation is unreasonable. It’s scary! If bakudeku were to fall flat of all this buildup/our expectations, it wouldn’t be the first time the romantic implications between a pair of boys in a story like this was ignored. Hell it wouldn’t be the first time a popular pair in general, (gay or not) got ignored in favor of what the author just felt like doing, regardless of what any previous developments in the story or interviews or official artwork would have us believe. There’s enough written evidence that canon bakudeku wouldn’t be surprising, but there’s also (at the time of writing this response) still room for things to go another direction, for all of this to be recontextualized and passed as something else. 

As per social norms/patterns of behavior, this would be disappointing as hell but not surprising. Especially for people who have been let down before, we completely understand the need/impulse to distance oneself from the idea/hope that bakudeku may become canon.

In all honesty, if it turns out bakudeku isn’t canon or left open-ended (say, an ending where they’re partners of some kind/the closest to one another without that explicit romantic confirmation), we would be frustrated/heartbroken. Not because we feel like Horikoshi shouldn’t do what he wants, he should. But because there’s been a clear effort to bring LGBTQ+ readers into the fold, and tell and portray our experiences in MHA. Horikoshi has done a beautiful, incredible job of writing various LGBTQ+ and marginalized experiences as a metaphor in his stories. Toga is a prime example. This is something that readers around the world have noticed, and it’s something MHA is special for (see this data x, and the further context/commentary on it given here x). 

We think it’s intentional. This story and the relationships in it have invoked experiences close and personal to many of us. Things are in a state right now where we wouldn’t just feel baited, we feel like readers would have a right to feel unsatisfied.

That being said, feeling unsatisfied doesn’t equate to feeling empowered to harass or bother others. Especially not Horikoshi himself, and also including other readers who had differing expectations. This is really the case across the board. We should all be able to control our anticipation/expectations without becoming assholes. 

It’s not just the shippers, by the way. People who work on the series or work closely with Horikoshi have rooted for bakudeku to go beyond. Izuku and Katsuki have already done what a good chunk of the readerbase thought impossible and became friends. People see their writing, their potential, and they want more. The voice actors (x, x sorry for the crunchy pic it's all i've got atm), academics (x), musicians (x, x) , editors (x) and more have all kind of rallied around Bakugou and Deku’s bond, with a particular sensitivity towards the deeply and uniquely intimate nature of it + how it evokes romance.

We’d like to see MHA exist free of the burdens previous popular shounen series have had placed on them. But that’s a conversation for the ending. As far as the fanbase goes, I think it’s super important people practice humility and caution when speaking to others. We have NO way of knowing what will happen. People who have been traumatized by situations like this in the past have a right to be anxious, people in general are allowed to withhold judgment until we have all the information we need. However, we don’t think having hope or confidence that this narrative might lead us to a canon bakudeku is unwarranted or delusional.

At the end of the day one thing is true, and this was something we had to fight to “prove” much longer than we had to prove Bakudeku had romantic potential - it’s that Kacchan and Izuku’s lives are going to be forever intertwined in this new era of their world that births from the finale. 

They’re forever intertwined in a way that’s not replicable for any other character in the series, and that’s amazing all on its own. We’ll just have to wait and see how far they take it! Thanks for reading if you got this far, and Happy Holidays!

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[raythekiller]

Weird question, but how would the creeps and Lane be affected by a reader who has obsessive pheromones. Ex. Any person they spend enough time with, the person (or people) surrounding them gets obsessed with the reader. I kinda imagine everyone putting on a gas mask once they snap out of it lol

I wonder if Lane would be affected, would they stay the same or be worse?

Please and thank you for serving us. I bid you a good day. Take care 🩷🩷🩷

🗒 ❛ Reader With Obsessive Pheromones ༉‧₊˚✧

Featuring: Jeff The Killer, Ben Drowned, Ticci Toby, Eyeless Jack, Masky, Hoodie, Lane The Lurker

#Notes: this was such a fun concept to write

pronouns used: none, gn! reader

˗ˏˋ back to navigation ´ˎ˗

꒰⸝⸝₊⛓┊Jeff The Killer

Absolutely falls for it. And it's so difficult to snap him out of it because he will not leave your side unless he's being forcefully dragged away, and that while still putting up a fight. Gets super touchy with you and actually treats you decently. He's just going on and on about how attractive you are and wow is that a new perfume? Once Masky manages to pull him away he'll refuse to come near you or even look you in the face, embarrassed about his own behavior. Avoids you like the plague.

꒰⸝⸝₊⛓┊Ben Drowned

My God he's already horny normally, imagine now. Hits on you nonstop in a very suggestive manner and is another one that refuses to leave your side. Will probably try to kiss you once or twice before being dragged away. To everyone's surprise, he doesn't seem to mind the fact that he was only obsessed with you because of the pheromones and still hits on you while wearing a gas mask. He's just funky like that.

꒰⸝⸝₊⛓┊Ticci Toby

He gets super flustered around you and stutters twice as much. Doesn't really try to flirt or make any moves, he just stands there awkwardly. Actually doesn't take him long to snap out of it since he gets overwhelmed with his own feelings and scurries away from you himself, without much needed intervention. He didn't like the feeling so he only talks to you while wearing a mask.

꒰⸝⸝₊⛓┊Eyeless Jack

Oof... Well, you see, obsession kind of triggers something... demonic inside of him, pretty similar to how I describe him in my NSFW posts. He's unable to speak and just kind of circles around you, acting like a guard dog. Will actually roar and claw and bite at anyone who tries to approach you or take him away from you, so he's the hardest to snap out of it. If he manages, though, he'll apologize for his behavior and ask you to please be more careful with this... power of yours.

꒰⸝⸝₊⛓┊Masky

Look, I'm trying to keep this post SFW, but it's getting a little difficult. He doesn't really show any change in behavior, to the point you might think he's immune somehow. That is, until he corners you against a wall, demanding you help him with the... Uhm, problem you've created. You'll have to get him out of it yourself. Once he's back to normal, he'll threaten you to not say a word about what he said to you to anyone else, his face flushing lightly underneath the mask.

꒰⸝⸝₊⛓┊Hoodie

Extremely similar to Masky. Doesn't show any sings of being affected until he makes a move, running a hand up your thigh and kissing your neck. You have to be lucky enough for someone to walk by or else things might escalate. Once he's normal again, he'll chuckle at you like it's no big deal, writing something on a piece of paper and handing it to you. It reads "Played a dangerous game there, doll".

꒰⸝⸝₊⛓┊Lane The Lurker

Oh boy. It's gonna be pretty impossible to get them out of it because they don't want to go back to normal. They enjoy the feeling of obsession. Follows you around like a lost puppy and does literally anything you ask them to, but asks for kisses and such as compensation. Can and will threaten to kill anyone that approaches you, being another creep or family member or anything else. They want every last bit of your attention and they plan to get it.

[soshadysoquiet]

TUA S4 thoughts.

Below, spoilers.

Okay. Lord gonna need some strength to get through this coherently.

Basics first:

The Music: Maybe 2-3 good songs. Dissapointing. Let's talk of a mo about Baby Shark: to me it wasn't funny, the song being such a social media present one in this world really took me out of the show. Yes sure the funnies of parents having to listen to kid music and them being stuck that way but I really wish they'd taken the time to make an original annoying jingle. TUA is usually such a delight for the ears that this hurt me bad! Plus they then kept changing whether the song was on or off, seemed like Diego could control it somewhat, but then why would he turn it back on for them riding into the final battle?

The Dialogue: Felt forced and cheap in places. They can use the word 'fuck' now and seem to therefor have decided they don't need to make the characters have witty insults for each other.

The 'Themes' of the show: Why has my quirky family drama been turned into a 90's romance film. Who asked for this. No.

The "Plot": When your own characters don't care about the plot for the sake of shindigs you think will be more entertaining then you know you fucked up. It made sense the first 2 series them having side quests. Less so in the third. Even less so now. Literally at times they had to say to each other 'oh yeah shouldn't we find Ben?' I'll be here in the corner raisining. Also they came up with these 'stages' for the apocalypse but had one guy throw up, a couple things go boom and then they merge, it was one of the least threatening depictions of apocalypse I've seen - though that could be that it wasn't shot in very interesting ways.

Also side note for why there were so many shots that started upside down and rotated? Like I get if Klaus is upside down, and yeah the umbrellas are inside out, but it (plus the Bennifer monster) gave me too many stranger things vibes.

Now the sub-cast:

Jennifer: Love that for 1/2 the protagonist of the apocalypse she had little to no love put into her character, I legit kept forgetting her and Ben were part of the storyline. I loved that she was birthed from the squid, but why put something eerie and cool like that in and make it have meant nothing? Such a waste.

The villains [Gene, Jean and Abigail/Psy(sp?)]: Whilst I liked the idea of memories infecting the timeline, literally all of these guys was Tell don't Show. And for a series with only six episodes I do not want my time wasted with some side-character villains getting a dance number over the main cast. Despicable. Also there were WAY too many villains here especially if you then also count Reggie as one. Literally make Jennifer be trying to link up with Ben and coercing him (then Viktor could break through to him briefly from past experience of a similar relationship - the symmetry is nice) and have Abbigail be pulling the strings. There were so many side characters of no import that I lost track of the main cast. Hell, make Kenny's Mom be the bad guy I'd have loved that! Also, I like that Abigail was somewhat evil, but then they tried to make her good too? No thank you. Pick a lane not everybody needs redemption.

Special RIP to Diego and Lila's twins that Never Even Got Names 💀 fucking hell that's lazy ass writing.

Now the main cast:

Viktor: He deserved better, why bother to introduce that he's had a girlfriend, slept through the entire town, and owns a bar when you then don't talk about any of it. He's told to 'grow up' it's so specific, what does it mean? Also since last we saw he was the sort of ride or die for his love type (with both Leonard and Sissy) this is a frustrating turn with no explanation. Also his whole fight with Reggie and getting things off his chest arc felt forced and not as well written to me. And his character seemed to have been given zero changes from the last 6 years. I miss when his powers actually had a sound element to them rather than just, Havoc from X Men hands. You're taking the Viktor out of my Viktor.

Allison: We have no explanation of how she and Klaus found each other and fell in together. No info of how she and Reggie parted ways. We only hear that 'Ray left her' and nothing else. She says no one wants her at the party but then seems to know Gracie? Has she talked with Any of them since? Nothing was addressed from the end of last season, or even referred to being addressed in the past. I don't see the point of her new powers, or any of them having slightly off or new powers when then some of them don't? Either way, her rumours are so classic and now she's floating people? I see the link and if they'd been developing new powers over 6 years fine but no. You're taking the Allison out of my Allison.

Luther: Praise be, I did like Luther this season. He mentioned Sloane (shock horror, a love interest from a time gone by being brought up?!?! In TUA!!??) he was cracking me up and was really being Best Boy. Although I felt a lot of his dialogue was flat, and it seemed really out of character for him to start attacking the piñata? I don't think we've ever seen him physically lash out unless angry? It looked to me like 'oh yeah here's another silly gimmick that will be a haha. Diego, sure. Luther, no. They also decided (not surprised but always so disappointed) to make him getting ape-i-fied again humorous and not the soul destroying thing it would be. Also, why was he ape-i-fied??? His ape-ness came from the serum not the marigolds? Generally though, I really did enjoy him this season.

Diego: Love that we're throwing every over used marriage-in-pieces trope in the book at these two. Love that. Especially as they seemed to have sorted out some of their communication issues. I get their trajectories but was so deeply, Deeply bored watching it. Diego was sadly pretty dislikable for the whole season, which was real sad because I had grown to love him. There were some funny moments don't get me wrong, he's got too much personality to be a boring character, but whilst they didn't have to have a perfect marriage it was so dull and in hindsight such an obvious set up for the bleh that was to come. Plus they threw in a 'don't make me turn this car around' type moment to show how 'he's a parent now look wow' but I can't imagine any of the siblings hearing that and not laughing at him.

Lila: Again, marriage and wrong-conclusions and it was so boring. She's such a fun character and she was reduced to 'ooo how can we make her be a cheater and with Five' Why do you even need to do that? I just feel sad about it. And it doesn't help that we Don't Know Two Of Her Kids Names and neither her nor Diego seem to think of them for however long they're on the road, and she mentions them only once in the 7years of subway hell and both of them seem relatively undistressed without them. Sure, parents do need a break, but if you don't care about the kids visibly you know for sure I the audience member ain't gonna. Also why the eye lasers save for again a brief gag? It makes no sense when she then also has mimics abilities?

Claire: Let's give Claire a side note at this point. I do so hate it when shows decide to make children their parent's brains and moral compasses, take little to no time to show any bond between parent and child until the last 2 episodes, and instead choose to spend that time showing us how naturally fractious a relationship they have. Love that, so much. Never seen it before really. I get it's normal, but when ever other part of the show is cookie cutter predictable I don't need this too. Give her an actual personality that isn't "the wise old rebellious teenager"

Ben: Wow. So glad that A) I had to hear a character explain crypto currency for me, so glad we wasted precious time of a 6 episode series on that. B) Ben had changed 0%. C) that he had Even Less input and impact at the end emotionally than in any previous season and this one was About Him! And do you know why? Because D) they basically used star-crossed-lovers-can't-help-ourselves and made him use every creepy stalker OTT moving way too fast line in the books especially when Jennifer at a lot of moments was verbally saying she wasn't into it.. Also why does he talk about her like he's a 12 yr old and, idk, it was a shame to have no real impact from him until the end when he's suddenly scared and pushing Viktor away to save him but we see no connection from him and Viktor previously as to why he'd listen it would make more sense if it had been Klaus or Luther at this point.

Klaus: Now, I know a lot of his storyline this season came from the comic, and sure it's good material, that should probably have been used Throughout the seasons rather than crammed into 1 day. But let's chat for a hot mo: Now I like that we got to see him be nasty rather than the precious uwu Klaus that I've been guilty of perceiving at times, and that we see some of the negative effects of addiction on the family for the first time. Great moments, important. BUT. I'd have felt his rage out at Allison and turn to drugs would have been a lot more impactful if they'd bothered to show him waking up to the sound of being screamed at, barely able to hear his siblings, struggling to focus on them and wanting to drown it out. But we don't get that, the horror of what this means for him. Then we proceed to got through this whole let's have him want to get shot by a drug dealer (don't quite get why - or how Claire knows he's immortal now? did the powers back thing ever come up??) have him kidnapped and forced to prostitute himself, take more drugs (but still use his powers?) Develop a new power though without using the comic's fun quirk that he has to take his shoes off, and then bury him alive. Wow. this guy had plenty going on, but sure. Then -he can save himself, I thought this might become something poignant - he's able to conjure the dog to Go to Allison and lead them there, but no, he just gets rescued again. Gee I wonder what grave he's in Mom? All I don't know Claire, how about the Only One That's Been Dug Up? I thought it was really interesting to see his moments as a teen with Allison, and how he was living with her and thought they handled the worry about death/germs etc thing well tbf. Though also how the hell did he get home from being 13 hrs away and why nobody cared to go with him was pretty low.

Five: Dear lord that moustache was awful and I'm glad they all called it creepy and he had no concept. I despise 2 things they did here: made it canon that he gets romantic with Lila. Made going back into the literal apocalypse that he spent time having flashbacks about barely if at all affect him - it's unsure if his hesitation going back into it the second time was hesitation to go in there, and that's what I hoped they would do, but then, no. no. Please, Pleeaasse don't take away this nice, safe space I had in this nice, safe 'you literally can't sexualise him with anyone it would be so problematic' character and say 'they held out 7 years but yeaaahhh they hook up.' don't see why it was needed. It didn't 'heal' him, it was a plot for conflict but I've got plenty of other conflict plots that can end with Lila and Diego fighting without having to make every damn character have a god damn love interest! I loved their bond before, it was so fun and special to see a male and female not have to fall in love, and they ruined it. And it was for nothing? And they didn't have time to make the 7 years feel like 7 years and it was lazy writing for cheap conflict in my opinion. I hated it, I hate that it's "canon". I don't think I can describe just how awful I found it and unnecessary. I also don't buy that Five would be willing to not drink the marigolds as much as the others, or that there would be a timeline full of given up fives that sit around a diner. It was fun to watch though. And up until they started the montage in the subway and we knew where it was going I was enjoying Five in this season. that boy has had such a shit life and this is how it ends?

I will say that the flashback to them as kids was my favourite part of this series. It's always good to have a little deeper insight into how they interacted as children but I do have some Opinions here too of course: Reggie saying 'you look ridiculous' to Viktor, no, he made their outfits? I felt that was lazy writing when Reggie in the past has laid into Viktor's insecurities much more keenly: 'That outfit is only for your brothers and sisters / we've been over this, you're not special take it off / I will not have you wasting time with frivolity when the Academy has important work to do, leave us." etc. Also I thought there might be something different about why they all forgot their Ben memories. It was brutal yes, which I appreciated, but I can't believe that these guys wouldn't see their father kill their brother and not One of them flip their shit? Idk, it was a little... good and bad I guess.

I think that's it for now, if anyone read this far then well done! I might write a fix it post in a bit for my own entertainment.