#so it's completely anachronistic

[theminecraftbee]

i ABSOLUTELY want to see the behind the scenes/extra symbolism discussion of the blackjack fic!!!!!

YEAH OKAY TIME TO RAMBLE ABOUT CHOICES THERE, i'll stick it under a cut for people who want to read this ficlet without me explaining a lot of the choices. also because it's LONG.

so let's start with: blackjack as the game is a deliberate choice. like, i considered poker, and then realized i like blackjack more. to explain in full i've gotta go into a little detail about the setup.

this is because the setup here is that the watchers, the listeners, grian, and martyn are all "writing the narrative", effectively. they are putting their own wants and desires for what the next life series will be on the table and betting for it. abstractly, grian cares about the gamified life series (the specific rules), the watchers care about the character interactions and the drama of it all, the listeners want it to be meaningful to them and to feel like it has a point, and martyn, though he doesn't really realize this, is here because he is the one who keeps MAKING half the life series narrative, and the one who plays into it the most. they also represent grian as the guy who makes the rules, the watchers and listeners as the audience and the way it sometimes wants the same things and sometimes is opposed to each other in what they want, and martyn as the guy who plays directly into the story.

in blackjack, these people aren't playing against each other. like, okay. blackjack as you play it "properly" can have many people at a table, but you'll notice that if you try to use an odds calculator online, there's no way to calculate odds based on what any hands but yours and the dealer's are. that's because blackjack decks in casinos are normally like, at LEAST four decks shuffled together, to make counting cards harder. besides, the people at the table with you aren't your opponents anyway! everyone at the table can beat the dealer and get double their bet back. or, in this story, everyone at the table can beat the dealer and get their part of the story guaranteed to be in the next game. they aren't COLLABORATIVE--there's no way to help the other people at the table either! but they aren't ADVERSARIAL. they are not, inherently, working against each other. they just happen to be all playing against the same dealer.

so anyway, the dealer here is death, because one, as death points out in the ficlet, literally the only inevitable constant in the life series is death. the story will INEVITABLY end with everyone dead. everyone is playing against death to get the kind of story they want, because ultimately, what will REALLY shape the story is those deaths. in the life series, death ultimately decides how the story goes, and you're betting against it to tell the specific story you want.

that's also why death wins the tie. its my understanding that a tie in many casinos actually just means you get your bet back; you lose nothing, but you gain nothing also. however, this game is rigged. you can't 'tie' death; it's death. if you die, it's game over, after all.

death is also the dealer, however, because it is PREDICTABLE. one strange quality of blackjack is that the dealer's moves are entirely deterministic. sure, you don't know what the dealer's actual hand is, since they keep a card hidden--that's why it's gambling--but a dealer in blackjack, by rule, must ALWAYS take a hit if their hand is 16 or lower, and must ALWAYS stay if their hand is 17 or higher. no exceptions. as such, you can guarantee the dealer will always have at least a 17 at the end of a round, or they will bust. death in the life series follows rules. you know when it's coming. it's more a matter of whether you can stop it.

that make sense as a metaphor? okay cool.

anyway, more details! so the specific cards dealt here don't matter so much as the hands; i don't know cartomancy someone else will have to tell you about the symbolic meanings of a standard deck of cards. what i CAN tell you is that the hands everyone got and how they played them was deliberate.

so, first: basically everyone made what is arguably the "correct" play. yes even martyn. we'll get to that. however, what happened with each of them represents their personality.

grian doubles down. it's grian, of course he does! for those of you who don't know how doubling down works: when you have a hand of 9, 10, or 11, it is reasonable to double down. the dealer deals you exactly one face-down card that you don't reveal until the dealer reveals their hand, and you double your bet. the reason these specific numbers are the ones you double down on is because, mathematically, you can't bust on these in one card, and you're somewhat more likely to get a winning hand with them than not. however, doubling down means you can't take another hit! you have no way to know if you'll beat the dealer or not after you do so! after all, if you, say, are like, grian, you'll most likely need at least a 7 to beat the dealer if you double down with a 10. you're guaranteed not to bust, sure, but you've doubled your risk anyway.

of course, grian is exactly the kind of guy to double his risk in a situation where he has nothing to lose. of COURSE he doubles down. and of course he loses; he doesn't bust, sure, but that face-down card isn't nearly high enough to win.

(grian also had to lose so i wasn't directly making a rules prediction, lol. him losing leaves it somewhat more ambiguous whether his rules requests of 'enforced red name bloodlust' and 'no life trading' will be true or not.)

the watcher wins the hand outright, standing immediately. a 19 is a pretty good hand, and drawing a 19 outright is ABSOLUTELY a situation where you never take a hit. the watcher also wins outright because "bonds that are seemingly unbreakable" is, in fact, a life series standard. the interpersonal relationships are like, the whole story. of course that gets to beat death and make it in! however, it's not like the watcher gets a blackjack; it's no SO guaranteed that it gets a 21. there's always a chance of going wrong.

the listener busts outright. there is no guarantee of your death being meaningful. sometimes, you just get unlucky in the hand you draw.

then, there's martyn, who has a 16. when the dealer has a 7, the dealer is MOST LIKELY to have a hand that will beat a 16. that's a strong card for the dealer to have! however, 16 is a hand you are statistically most likely to lose with in that scenario. the odds are already stacked against martyn; if he doesn't hit, the dealer will almost be guaranteed to win, but if he DOES hit, he's far more likely to bust than he is to win. so, what do you do? most odds calculators tell you to take the hit, because it gives you slightly better odds of winning, but there are ALSO multiple people who will tell you NOT to take the hit, because "not busting" can sometimes be all you need in order to win. you CAN'T win if you bust, after all, and in blackjack, if you bust, you hand over your bet before you even determine if the dealer busts.

(i've seen some people say you should just surrender outright if you have a 16 and the dealer is showing 7 or more; that's the kind of situation that is.)

martyn, of course, takes the hit, because martyn's the kind of guy to risk the statistical odds he loses then and there. he's rewarded for it, sort of! he gets an 18, which is a decent hand! he then holds, because you have to be actively stupid to take a hit on an 18.

unfortunately for martyn, he doesn't actually escape the odds entirely. he tells a good story by taking that risk, sure, but death comes for us all in the end. also, martyn had like a 75% chance to lose anyway--like i said, 16 when the dealer is showing 7 or higher is just about the worst possible situation to be in while playing blackjack. i went ahead and gave death a 3 there too, because sometimes the world is unfair. sometimes if you take the risk that would make you seem actively stupid, that risk would have paid off. sure, 90% of the time it wouldn't, but one out of a hundred, maybe, if you had taken the hit--

anyway. i could probably say more but this is already long enough. gestures. CARD GAMES WITH STAKES AND MEANING OUTSIDE OF THE GAME ITSELF MY BELOVED.

[stuck-in-the-ghost-zone]

MAC. MAC. I GOT A CUTSCENE WHERE SHANE WAS PASSED OUT DRUNK IN HIS ROOM. I CAME HERE TO BUY CHICKENS. MAC. I’M EMOTIONALLY INVESTED AND ALSO DEVASTATED. MAC. EXPLODING THINGS WITH MY MIND. MACCCC

^ME RN. NO ONE TOLD ME STARDEW WOULD MAKE ME SAD. MAAAAAAAAAAC

me, who has seen all of shanes cutscenes:

AHAHAHAAAA . HAVE FUN ROMANCING THE POOR LITTLE MEOW MEOW <3 AUGH. dude yeah. ok. shanes route is probably the most in your face outright emotional? but a lottttttt of the character cutscenes get serious sometimes !!!!! its a good fuckign game all of the characters have such good stories and depth to them ...... jokes on you the silly little farm game is making you feel things !!!!!!!

[garak]

i like your rorshach thoughts! did you ever watch the watchmen sequel tv series?

no lol to be honest i don’t like tv shows as a storytelling medium that much right now so i haven’t felt compelled to give it a watch. i’ve heard it’s good but i also heard cws the flash was good when it came out and we all know how that went

[physalian]

Your colloquialisms are ruining the immersion (or, non-contemporary dialogue)

I am no expert here! Whenever I wrote historical fiction it was anachronistic historical fiction. This advice is from a reader’s perspective and from my experience writing high fantasy.

So what’s the deal with immersive dialogue? I’m going to ignore writing dialects and accents and so-called “old English” with the thee, thy, thou and such. Solely focusing here on the narrative telling me this isn’t set in present times, and yet the dialogue being painfully colloquial like present times.

This is coming from a book I had to read set in HRE times. In it, characters were spouting modern curse words, tacking on verbal tics and crutch words like “or something” and “um” and drawing out words like “daaaamn” and “nooooo”. Rip out the dialogue and toss it in a script with zero context and it would read like two high schoolers from 2009, not two adults from the Holy Roman Empire. Which is a problem, because it completely shattered the immersion. —

1. On so-called “formal writing”

Everybody knows that nixing contractions doesn’t do a damn thing to help your writing look more “formal”, it just looks robotic and stiff, right? We’ve gotten past this as a society? There’s a time and a place for replacing contractions with the full words, but not for every single sentence.

I swear this show keeps creeping into my writing advice but here we go. Transformers Prime. The context for Optimus’ dialogue has a lot to do with his aging voice actor, Peter Cullen, and the perception of the character over the decades from the corny 80s paragon hero everyman type leader to the grizzled and wizened old soul type leader. Optimus isn’t “one of the guys,” he’s old. Very old. He’s the dad of the group (one dad, his grumpy medic is the other dad).

So he gets lines like:

“I fear Megatron’s ambition is at its zenith.”

“But if his return is imminent as I fear, it could be a catastrophic.”

“I bore Skyquake no ill-will.”

He doesn’t curse like the other Autobots. His voice only raises in surprise, horror, or rage. He doesn’t go “um/ah/so/but/eh” and always thinks about what he’s going to say well before he says it. Despite him, Ratchet (the dad medic), and Megatron all being very old, Optimus is the only one who’s “proper” and collected and dignified with his lines. The writers didn’t achieve this simply by omitting contractions, he gets them where necessary and removes them when effective (e.g “We do not.” / “We don’t.”)

2. Thesaurus Rex

Continuing with the Optimus example, no other character in that show would use “zenith” unironically. Or “ill-will”. This doesn’t mean crack open and abuse a thesaurus but there’s a huge divide between:

“Megatron’s gone crazy and he’s going to implode soon” and “Megatron’s ambition is at its zenith”.

I can’ think of a better word to use than dignified, perhaps distinguished to describe his dialogue.

He doesn’t say “what?” when he’s confused, he pauses and says something like “please elaborate”.

This is both word choice and a syntax issue so if you’re struggling to fit a non-contemporary vibe for your work, pay attention to both.

3. When to abstain from cursing

There’s something very special about the dialogue in the Lord of the Rings movies: It’s PG-13 so they can’t curse, but if they had, it would have probably ruined the trilogy. These characters are able to yell in rage and anguish, spit vicious insults at their enemies, and stare down armies that are determined to kill them, all while never breaking the immersion.

Insults like:

“Late is the hour in which this conjurer chooses to appear.”

“Keep your forked tongue behind your teeth, you witless worm.”

“Your words are poison.”

And all three were said by or about Grima Wormtongue.

Characters aren’t dumbasses, they’re fools, with the exception of Gollum’s insults toward Sam, the “stupid, fat hobbit”.

Even devoid of name-calling, Denethor absolutely trounces his second son by asking (and I’m paraphrasing) “Is there any man here willing to do his lord’s bidding?” right after Faramir expresses some apprehension about a suicide charge with his remaining soldiers, completely ignoring him and implying that he’s not a real man.

LOTR is full of juicy lines beyond curse words, too. One of my absolute favorites is: “Dark have been my dreams of late” as opposed to “I’ve been having nightmares lately.”

Do you see?? It’s poetry. The motif of Shadow and Darkness as if they’re real, physical things, all the lines of poetry pulled straight from the books like Theoden’s “where is the horse and the rider” monologue just before Helm’s Deep.

It’s dignified.

—

This one was a bit harder to, ironically, put into words without doing a full-blown case study into either franchise’s ability to write dialogue and monologues. I didn’t even talk about Ratchet’s several monologues (one of which was done perfectly in the sound booth on the first take) because Jeffrey Combs has a voice like ambrosia.

TLDR: Immersion goes far beyond your vivid setting descriptors and the clothing or the names and languages. I mostly write fantasy and sci-fi and whenever I read or watch fantasy and sci-fi that isn’t meant to be a world different from our own, or about characters who don’t speak modern English, and they go off with modern slang, syntax, and verbal tics, it just feels sloppy and weak. Pay attention to the following:

Syntax

Modern slang and jargon

Filler words/verbal tics

Curse words/curses

Flat, unmotivated vocab

*All of the quotes were from memory because I watch both of these franchises way too often. So apologies if I got any wrong.

[fayes-fics]

Vibe & Vexation

Pairing: Benedict Bridgerton x fem!reader, Modern AU w/ Regency roleplay

Summary: Watching Pride & Prejudice evokes playtime in Benedict.

Warnings: 18+ smut, minors DNI, established couple, Regency era sexual roleplay, teasing, remote vibrator, dirty talk, female orgasm, brief vaginal sex. Also features lake!Darcy!Benedict, anachronistic costumes (just like the real show this season tbh) and absolutely unacceptable use of Jane Austen.

Word count: 2.4k

Authors Note: Yes, the title is a terrible play on Pride & Prejudice. Listen, I don't know what this is either, and I'm posting before I lose my nerve after 3 weeks of writer's block. This is dedicated to @godofstory whose casual comment on one of my fics finally dislodged my brain block. This is modern Benedict roleplaying Regency. Also thanks to @colettebronte for reading through, being kind and saying I haven’t lost my mind. Well, not completely. Err, enjoy? <3

“Ben, don't be silly…”

“Are you suggesting that I wouldn't look dashing in a frilly shirt and snug trousers?” he teases, raising his head from your belly and twisting to look at you, his eyes twinkling with a mischievous glint as the credits roll on the Austen film you've been idly watching on a rainy Sunday.

“No, I'm not saying that,” you chuckle, your fingers touselling his hair. “You look good in everything and nothing…” you tease, enjoying the prideful swell of his chest at your compliment. “But I'm not in the mood to track down Regency outfits for a little sexy role play.”

“Leave the details to me, my love.” He waves a dismissive hand as he flips over and begins to crawl over you. “I will be your Mr Darcy….” he attests, lowering his voice to that rumble which always makes your belly flutter.

“But I don't have a lake in this flat,” you deadpan, perhaps not helpfully referencing a different adaptation, but too distracted to care, his crooked smile hovering right above you now.

“‘Tis a pity,” he agrees, quirking his lips, “but I shall think of something….” he winks before capturing your lips with his. 

And, just like that, you forget all about the subject…

—

Two days later

“They didn't have any fusilli, so I got penne; I hope that's okay…” you call out as you enter your flat, dropping the heavy bag of shopping from your shoulder and flinging off your shoes, grateful to be out of them and home.

When there is no answer, you frown. When you texted on your way home, he sent back a list of supplies for dinner.

“Ben…?” you round the corner into the kitchen and realise it's empty, nothing cooking on the hob. “You're not even cooking….?” you raise your arms in a shrugging gesture, nonplussed, apparently talking to yourself in what appears to be an empty flat.

“Ms Bennet….”

His voice rings out resonant, a teasing lilt that has you spinning around. And almost toppling over.

There, in the doorway to your bathroom, is Benedict…. dressed up as a Regency gentleman. 

Well, partially dressed. And what he is dressed in is damp and clinging to his skin in a way that gives away absolutely everything about why you cannot resist him. Broad shoulders and a tapered torso, completely visible through the most transparent white frilled shirt you could ever imagine. Snug blue trousers that, again, give everything away. He must have hopped into the shower to achieve this effect, his clothing virtually painted upon his skin.

You literally bite the edge of your tongue.

“Mr Darcy….” you stumble, incapable of any other words, mouth falling open as he saunters towards you with a confident gait, his trousers straining over his thighs as he does so.

“My eyes are up here, Ms Bennet…” he teases as yours ping guiltily to his face, knowing you are being entirely called out for your ogling. 

“What if your eyes are the very last thing I am interested in, Mr Darcy?” you finally find your voice, stepping into the role of a feisty, historic heroine you enjoy so much.

“The eyes are the window to the soul…” he tilts his head challengingly, raising an eyebrow.

“That’s Shakespeare, not Austen,” you shoot back pointedly.

“All the world are good and agreeable in your eyes,” he corrects, indeed a quote from Pride and Prejudice. He has obviously been revising—something about that is as adorable as it is arousing.

“You don't fight fair…” you whisper as he closes in on you with a handsome smirk, but it hardly feels like defeat as his long fingers spider up your jacket buttons, the warm fug of his clothes amplifying the mouthwatering scent he wears under them.

“All is fair in love and war,” he counters, sliding nearer, his lips warm on your temple now as he flicks open your topmost button.

“Are you going to talk in literary quotes all night?” 

Your ask is much breathier than you intend, very much not a protest about what is transpiring—a tingle down your sternum where his fingers trail over your skin down to the next button. You feel the curve of his cheek against your face from his responding smile. 

“I might stop,” he proposes airily. ”But perhaps only to tease you until you pass out…” 

“How?”

The question falls from you unbidden, curiosity seizing your lips.

“With the help of things poor Mr Darcy never had access to…” he offers enigmatically. “But for now, how about you go change into your outfit, Ms Bennet?”

“I have an outfit too?” your breath catching at the idea he has planned a whole scenario.

“Oh yes, ‘tis hanging in your room, fair lady,” he mutters, taking a half pace back. But before you go, he grabs your hand, raising it to his mouth and dropping a kiss that is anything but chaste—wet, plush lips with a slight edge of teeth dragging over your knuckles as his hot tongue lathes between your fingers lasciviously. 

—

“I'm not sure this is quite Regency accurate…” you assert as you swan back into the living room a few minutes later, even as there is a frisson over your skin at the very sexy outfit he has chosen.

“Perhaps not,” he concedes, his eyes lingering on the pronounced swell of your breasts as you sashay closer. “But yet, I cannot fault my choice.”

“More Marquis de Sade than Jane Austen…” you opine, revelling in his stare, the time spent fastening each hook and eye down the front of the ivory corset worth it for that hungry look and the nascent swelling you see in his clinging trousers. The silk, frilled French knickers he picked out are new, which you are grateful for, but they match perfectly. There was an odd weight to them as you pulled them on, though, but you did not spend much time contemplating it, so keen to get back to the scene.

“Ms Bennet, how dare you turn up to my home so scandalously dressed when I am entertaining company?” he admonishes, his tone suddenly brusque, stepping fully into his roleplay, gesturing to the empty kitchen area as if it were filled with guests.

“Mr Darcy, I can only apologise. I thought you were away on business,” you improvise, clutching your hands over your body in a futile attempt to conceal your state of undress, acting horrified to be caught.

“Do you make a habit of trespassing in my home and flouncing around so slatternly?” he snaps tersely, his eyes flashing approvingly.

You know the question is rhetorical, so you just hang your head, biting your lip, playing at being ashamed and chastised for being so wanton in the home of the man you desire. This is nothing like anything in Pride and Prejudice, but you could not give less of a damn, a flutter low in your gut that this could go somewhere utterly delicious. 

“I must insist you desist,” he continues imperiously. “This must never happen again! Now go to my private quarters and think upon what you have done!” he concludes, pointing to the sofa. 

“Yes, Mr Darcy,” you nod and curtsy with faux demureness, which he seems to greatly enjoy based on the flash in his eyes, seemingly even more so when you break character and poke out your tongue insolently as you pass.

You take a seat on the sofa and watch, initially confused, as Benedict remains in the kitchen area, play-acting as if he is chatting to guests, supping from a wine glass and gesturing. Puzzled, you watch as he reaches for his phone casually and flicks something on the screen, his back still turned to you.

There is a sudden, sharp buzz in your underwear that steals your breath, your legs tensing, your feet kicking out reflexively, sliding your clit heavier against the vibration.

Oh fuck.

That’s why the underwear felt oddly weighted. He must have snuck a thin remote vibe pad into the lining.

He makes a half-turn and smirks over his shoulder as you pant and stare at the play of his back muscles under his translucent shirt, your fingers clawing into the sofa at the sudden not-at-all-gentle onslaught.

“Ms Bennet, are you quite well?” he calls out, a triumphant look claiming his face. “You appear somewhat flushed.”

“Mr Darcy, I find myself in a most perplexing dilemma,” you grit out between clenched teeth, impressed you can even form words. The vibe is a persistent thrum that you attempt to tilt yourself away from slightly but seem unable, always there, dragging against you in a way that makes you writhe, your back arching.

He spins around to face you entirely now, putting down his wine glass, phone casual in the other hand, thumb hovering portentously over the screen with a gleeful mien.

“What troubles you, Ms Bennet?”

His lilt is teasing and velvet, humming in your bones as much as the toy. The vibration suddenly ceases, and you collapse back into the sofa, panting mildly, the corset restricting your ability to take the gulps of air you need, your chest heaving, unable to do anything but stare slack-jawed at him.

“Have you quite forgotten your words, Ms Bennet? I thought you a creature of learning…” he needles, the painted-on regency garb he wears just more temptation, his cock straining against the wool now. He makes no move to draw closer, but he does flick open the buttons around his wrists and roll up his sleeves, his toned forearms flexing as he does so.

“I am a woman of learning,” you defend after a pause, “but I find myself rather disadvantaged tonight. I suspect deception…” You narrow your eyes at him.

He throws his head back and laughs, his Adam's apple bobbing prominently as he does so. It makes you want to pitch forward and bite it.

“Whoever would deceive such a fine woman as you?” he fires back as he tilts back down. You cry out as his thumb yet again swipes over his screen, and your underwear roars back to life—this time a softer pulsing wave, but no less titillating, an inflaming tease that staccatos against your engorged flesh.

“You might, Mr Darcy…” you accuse, but it's lighthearted at best, a toothless threat as all of your efforts are focussed on the fizzing pleasure radiating out into your pelvis.

“On the contrary, Ms Bennet. In vain have I struggled…” he begins. 

That speech.

“It will not do….” he adds, shaking his head for good measure as he flicks open the buttons upon his soaked shirt, your eyes tracking the movement as each new slice of damp, heated skin is revealed in the soft, low lamplight.

“My feelings will not be repressed…” 

He peels the sodden shirt from his form, and you moan as that honed body is revealed to you, glistening slightly. The vibe is a roiling wave against your clit that makes your pussy clench around nothing, wishing to be filled.

“You must allow me….” he pauses and lopsidedly grins as he roughly tugs upon the buttons of his trousers, a teasing striptease that has you spiralling fast, leaking copiously into your knickers now.

“Allow you what…?” you throw in, huffing against the restriction of the corset, something about its tight hold escalating your addled state, moaning as he drops the last vestige of his clothing, his cock springing free. His whole being glowing with pride in how much he can affect you.

“To tell you how ardently I admire and love you….” he concludes, his voice dark and smooth, settling over your skin like warm molasses as he finally prowls towards you.

You want to pitch forward and nuzzle your face into his cock. But he dips down as he approaches, pushing your legs far apart with his hands and falling to his knees, burying his face into your cleavage. He suckles vehemently on the swell of your chest, lathing his tongue over your flushed skin as you fight to gasp in enough air, the vibe and his lush mouth hurtling you fast towards oblivion, his hands a firm grip on your hips.

“I love you too, Mr Darcy,” you gulp in delayed response. “But, please release me from this torture…” you append weakly, needing reprieve from the prolonged hold.

“Is it not the sweetest torture, though?” he argues back as his nose trails up your clavicle to your neck, his mouth earnest upon a spot that always makes you pliant. “I want to see you struggle, my love, bound in my corset, sat upon my vibe, teased and vexed until you can take no more….” his words are a sinful soliloquy gusting almost wistfully into your ear, your lobe snagged under his teeth.

“Take pity upon me, please; I am distressed,” you appeal, feeling a slight wooziness as you circle a chasm of pleasure that licks teasingly at your edges.

“You are beautiful,” he counters, a firm hand cupping the back of your head and puppets you to stare into his blown pupils, his rigid cock trailing a sticky line over your thigh as he rumbles more debauched. “Now come for me, Ms Bennet, and then I shall have you…”

You screw your eyes shut just as he flicks to a higher setting on the vibe and can no longer fight or struggle, letting your body break, febrile, a dew on your back as it arches, you screaming to the ceiling as you are thrown into the stars and the earth at the same time, torn in a hundred directions by the intense pulse radiating out from your core and fanning across your whole body, every muscle tensing and releasing in a sudden wave.

Hazily, you hear his jubilant praises ringing in your ears, but it feels far away even as his hands and mouth are hot and heavy on your skin, ripping the corset and knickers from your body with a vehemence that would shock you were you in less of a euphoric, altered state. He pulled you bodily to the edge of the sofa, teasing his cock against your throbbing clit, making you groan and paw at him, the need rising again as you return to your surroundings.

“You have bewitched me body and soul,” he pants as he slides into your body, a surging insistence that has your fingernail curling into the sinew on his forearms, your toes curling around the fuzzy meat of his thighs. “I never wish to be parted from you for a second. I love you..,” his tone rough, broken, stuttering as he bottoms out inside you, quoting the film you watched together the other night before taking you urgently towards another blissful peak.

Benedict taglist pt1: @makaylan @longingintheuniverse @iboopedyournose @aintnuthinbutahounddog @severewobblerlightdragon @writergirl-2001 @heeyyyou @enichole445 @enchantedbytomandhenry @ambitionspassionscoffee @chaoticcalzoneranchsports @nikaprincessofkattegat @baebee35 @crowleysqueenofhell @fiction-is-life @lilacbeesworld @broooookiecrisp @queen-of-the-misfit-toys @eleanor-bradstreet @divaanya @musicismyoxygen84 @miindfucked @sorryallonsy @cayt0123 @hottytoddyhistory @fictionalmenloversblog @zinzysstuff @malpalgalz @kinokomoonshine @causeimissu @delehosies @m-rae23 @last-sheep @panhoeofmanyfandoms @kmc1989 @desert-fern @corpseoftrees-queen @magical-spit @bunnyweasley23 @how-many-stars-in-the-sky @sya-skies

[nat-the-octo]

I hope the final weapon for Hades 2 is also horribly and comically anachronistic like the Adamant Rail in the original.

Like the final weapon you unlock in Hades being just. A gun. And it’s taken completely seriously by every character and has its lore ingrained within this alternate Greek mythos as casually as any other ancient weapon. It’s just the perfect long running joke

unfortunately I can’t think of anything for Hades 2 that wouldn’t just be rehashing the gun from the original so I’ll just have to trust Supergiant

[trans-cuchulainn]

contrary to my entire vibes i do actually enjoy anachronistic media sometimes. a knight's tale is one of my favourite films. the thing is, the anachronisms in AKT are done deliberately to achieve specific effects. singing queen during a joust is a choice to establish knights as the rockstars of their age and this moment as the popular culture/entertaiment of its time. that is a decision made for artistic effect and to convey a specific mood.

what would have pissed me off is if, instead of using queen, they had decided to use, like, baroque string ensembles, because all history's history and who cares that it's three or four hundred years off, it's the past, ain't it? or if they had treated lances as if they were made of metal and interacted with them as if they were made of metal and all it would take is one google search to confirm that no they don't work like that and they didn't do it -- and at the same time had put a ton of research into another aspect of material culture, like making all the heraldry spot-on...

when you aim for historical plausibility in some areas of your story and then completely miss the mark with everything you didn't care about enough to even google it, that is when i get pissed off, and i am also pissed off that no editor, copyeditor, proofreader etc so much as went "hey, does parchment work like that?" because they SHOULD have done

[ancientcharm]

The enigmatic emperor Caracalla. Lucius Septimius Bassianus, renamed Marcus Aurelius Antoninus at age 7, was born on April 4, 188 in Lugdunum, Gaul (Lyon, France). Like 'Caligula', he's known by a nickname rather than his name.

His father, Septimius Severus, became the first Roman emperor of North African origin in 192; His mother, Julia Domna, was a noble lady of Arab origin born in Emesa (Homs, Syria)

Publius Septimius Geta was born in Rome, 11 months after his brother 'Caracalla'. All historical sources claim that they never had a brotherly relationship. According to historians, Geta was more appreciated by the Senate and the people than his brother. Herodian wrote that they constantly fought for any reason and "it was impossible to hide the rivalry between the brothers, although the emperor Septimius tried in vain to keep this from being known".

An unusual empress

Busts of Julia Domna. Photos :Bibi Saint-Pol, and Daderot (CC)

Julia Domna always accompanied her husband in all the campaigns, the reign of Septimius Severus was extremely militarized. She received the title Mater Castrorum (Mother of the legionary camps). She made political decisions directly, something unprecedented in Rome for a woman. After the death of Septimius, Julia Domna was granted the titles: Mater Senatus and Mater Patriae (Mother of the Senate, Mother of the Nation), which implied that she, who was now empress mother, continued with her husband's attributes. She was a scholar in Philosophy, and had a notable influence on that subject. She was involved in several architectural projects including the famous Caracalla Baths, enormous work planning by her husband and completed by her son. She was highly respected by the Senate throughout her reign (192-217). After her death, the Senate deified her.

"Let there be peace among you both, pay the army well and forget the rest". -Septimius Severus to his children on his deathbed

'Geta Dying in his Mother's Arms' by Jacques Pajou

Britannia, February of 211: The emperor died of natural causes, accompanied by his family. Caracalla and Geta, aged 22 and 21 were already co-emperors with their father since childhood, but in 211 they had to deal with this alone. As expected, this shared reign did not last even a year.

According to contemporary historian of that period, Herodian : "The co-emperors constantly quarreled and feared that one of them would poison the other, so they did not eat at the same table."

Rome, December 27 of 211: 'Caracalla' ordered the execution of Geta, claiming to have discovered that his brother was plotting to assassinate him. The execution carried out by two centurions was in the presence of Julia Domna. Following this he also ordered the execution of all of Geta's supporters, who numbered in the thousands. Among those people were Marcus Aurelius's only surviving daughter, Cornificia, who committed suicide, and Marcus Aurelius's only grandson, son of Lucilla and Pompeianus.

The curious thing is that empress didn't leave her son, and while he was on campaigns, almost all the time, she was busy with political and administrative issues that Caracalla considered "mundane" since for him the most important thing were military matters.

It doesn't matter your ethnicity nor hometown; If you were born in Roman territory so you're a Roman.

In 212 he decreed a revolutionary edict that granted Roman citizenship to every free man and woman living in Roman territory, and from then on every free child born in the Roman Empire was Roman. This was criticized by historians contemporary with him saying it was "to collect more taxes", but modern historians agree that he simply understood what the Roman elite refused to understand. For them, Rome was a city-state and the other territories were the property of Rome; Only those born in the city were Romans, those from southern Italy, and certain privileged people who obtained citizenship. 'Caracalla' was living proof that the Roman elite had an anachronistic vision; being emperor of Rome he was a descendant of Arabs and Berbers, and born in Gaul; Evidently it was no longer the city-estate of the Romans but the capital of a multiethnic world called Rome.

An awesome site

Baths of Caracalla. 3D reconstruction made by team of 'History in 3D'

The Caldarium (sauna) was built in the Pantheon style and the vestibule was in basilica style; Just two simple parts of a baths building were something magnificent in themselves. It was an immense complex that, in addition to the typical cold, warm, and hot baths, dressing room, massage and beauty salons, included two libraries, gym, impressive swimming pools, a stadium with stands, vast gardens, a small museum with exhibitions of works of art, and a shopping center with a wide variety of businesses, from jewelry and clothing stores, restaurants and hair salons.

The Alexandria Massacre

After a trip through the eastern provinces, in December 215 he arrived in Alexandria. The Alexandrians, outraged by the death of emperor Geta, who was more beloved than Caracalla, began to public perform plays of satire mocking Caracalla and in which they called empress mother "Jocasta." According to the famous legend, Jocasta was the mother of Oedipus who, after killing his father, had married his own mother. Upon discovering this his wrath was such that ordered a massive executions. Caracalla attacked the city with his troops for several days, in a kind of personal war against Alexandria.

Unexpected death

Gold medal bust of Caracalla with the shield of Alexander the Great. By Sailko /CC BY 3.0 /wikimedia commons.

In 216 he offered King Artabanus IV of Parthia to marry his daughter, but the king rejected the offer. Caracalla took advantage of this "snub" to start a campaign against the Parthian empire. He began attacking the countryside east of the Tigris. In early 217 he was in Edessa (modern Şanlıurfa,Turkey) preparing to restart the campaign.

On April 8, 217, four days after his 29th birthday, he was traveling to a temple near Carras (Harran, southern Turkey) and when he stopped to urinate, the praetorian soldier Martialis stabbed him to death. According to historical sources, the Prefect of the Praetorian Guard, Macrinus commissioned him to assassination. Martialis was executed immediately after Caracalla's death, and three days later Macrinus proclaimed himself emperor.

Empress Julia Domna was in Antioch, upon learning of the assassination decided to take her own life.

This seems like the end of The Severan dynasty, however it wasn't. Julia Maesa, older sister of Julia Domna, was a strong lady.

In her hometown, Emessa, where Macrino had forced her to return, she took advantage of the fact that it was a place with an important military base. She organized with the legions a war against the usurper Macrinus. She placed his grandson Elagabalus on the throne on May of 218. Macrinus, who had fled to Cappadocia, was executed two months later. After Elagabalus, Alexander Severus would reign until the year 235.

"I know that none of you like what I do, that's why I have weapons and troops: so that at no time do I have to worry about what you say about me." -Caracalla to the Senate

Emperor Caracalla. Marble. Acquired from Rome, Italy, in 1875. Altes Museum, Berlin. Photo: Osama Shukir Muhammed Amin FRCP (Glasg) CC BY-SA 4.0- Wikimedia Commons

He is known as 'Caracalla' because that is what the Romans called a Gallic garment with a hood that they say this emperor didn't take off even to sleep.

[earlofbats]

Discotechs died with the collapse of the gay party scene, the Reagan administration, the rise of the LGBT community and gay liberation movement.

In Disco Elysium disco fell as Revachol lost its independence and the grasp of the moralintern, coalition and the economic disparity of capitalism shut its jaws around the people.

EDM, electronic dance music birthed from the ashes of the discotech and new club music was born, similarly ADM, Adonic Dance Music is starting its journey into the main stream.

This places culturally and phonically Disco Elysium sometime in the mid to late 80s or even Early 90s.

Now I wanted to figure out what music was on Speedfreak radio:

DJ mesh says:

"...AND DE FACTO THE FASTEST MUSIC IN ALL OF R-R-REVACHOL R-ROCK CITY. ALL YOU HOOLIGANS, DOWNTOWN DRIFTERS, SIDEWAYS SALLIES AND POWERSLIDING PIERRES."

The only song we hear on Speedfreaks radio is described as:

"If, when a motor-carriage's engine was ignited, it could drive by its own accord off to a high mountain and there write a song -- perhaps it'd be something like what you're hearing now."

We know that the music is rock and it's fast and has the essence of something a car would write as well as a clear association with car culture.

Similarly around the mid to late 80s metal rock music was gaining popularity in the mainstream.

Including a subgenre of metal known as speed metal.

Anyway, I'm not a huge metal fan, in fact I'm a complete noob when it comes to the genre.

But I've done my best collecting some metal from the time period that I think would be played on Speedfreaks FM and would be to Kim's tastes.

As well as a few more anachronistic additions plus some songs just for fun.

The mix isn't quite done so if you have recommendations leave em in the comments or notes!

Also check out my similarly done Disco Mixtape.

Also also check out my Kim fic I'm working on.

[writingquestionsanswered]

I don't know if this question will make sense or if it's too vague, but here goes: how do I get my OCs to feel more like blorbos? With my favorite characters from books/movies/etc, I go feral about them, I want to put them in jars and poke them with sticks and see what makes them tick. But with my original writing, I'll have ideas for stories but despite following all the traditional advice for fleshing out character motivation, flaws, etc, I keep finding myself horribly bored with my own characters. This might be too vague to answer because what makes a blorbo for one person won't necessarily be the same thing that makes another person go feral, but I was wondering if you happened to have any thoughts on what keeps my OCs feeling so un-blorbo-ish? Thanks!

"Blorbo-izing" an Original Character

Quick question to start with: have you ever cast your characters with real actors or models, or commissioned an artist to create character art of your character? I feel like it's a fairly common thing for writers to do these days, but I'm still always surprised by the number of writers who don't do this.

I have a post about casting here (Guide: Casting Your Characters) but here I'll just say that, for me, casting or getting character art made is an essential part of "blorbo-izing" my characters. I spend lots of time creating and fleshing out my characters before I ever cast them or have character art made, but they almost never feel completely real to me until I have a visual representation of the character that exists outside of my own head.

Outside of that, I thing it's a really good idea to do some character development exercises that go beyond the scope of your story. Some of my favorites include:

Character Interview - imagine that you’ve pulled your character out of a story into the room and now have the opportunity to interview them. What questions would you ask them? What do you want to know about them that you don’t already know? What do you think the reader would want to know? What might be pertinent to the story that you haven’t thought about yet?

TV Crew follow around - Imagine you’ve dropped an invisible TV crew into your story’s world to follow your character around through an average day (even if it's anachronistic). Follow them from the moment they wake up until the moment they go to bed that night. What are they like when they wake up? What is their morning routine? What do they eat for breakfast? How do they get ready? What do they do throughout the day? Who do they interact with? What else do they eat and drink? What do they do for fun or relaxation? How to they make money or meet their basic needs? What is their bedtime routine like?

Letters or Journal Entries - Look at your character's back story, off-screen events, etc. and find something for your character to write about in a journal entry or a letter to another character. What would they say about this event? How does it make them feel? What do they think about it?

Use Your Character in a Writing Prompt - Look at some writing prompts and do one using your character as the main character. You can keep it within your story's world or plop them into a whole different world. Whatever works for you and your story. This is about getting to know this character in a different context than the events of your story provides.

Create a Character Mood Board/Aesthetic - Mood boards go a long way in mentally fleshing out a character for me. Being able to have a visual representation of their style, their vibe, things that are important to them, etc. really turns them into real people in my mind.

Create a Playlist for Your Character - I think playlists can also be a really great way to mentally flesh out a character in your mind. Sometimes, just having a particular song or a playlist of songs that makes you think of them gives them some dimension they wouldn't otherwise have.

I hope that helps!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[the-girl-wh0-cries-w0lf]

Could I request a House fic with the general prompt being a Doctor/Patient pairing? Like House is attracted to (reader) patient. Your choice of fluff or smut

So sorry it's late but this is my first House fic so I wanted it to be good! Hope you like it!

********************************************************************

Dying's Easy

House x reader

description - you don't want to do the surgery and House is determined to change your mind.

word count - 781

warnings - talks of death, illness, terminal illness, hospitals, surgery, being put under.

a/n - my first House pairing fic so let me know what you think!

Masterlist

REQUESTS OPEN - request here

Your whole body ached and felt like your blood had been drained and replaced twice over. You tried to curl up onto your side, in search of the comfort you received from such a childlike pose. But the wires and your fragile bones screamed for you to stop. You fell back onto the bed as tears of frustration poured down your cheeks.

A knock from a distinctly wooden object halted your crying. Upon seeing the face of your doctor you quickly wiped away your tears. But he had already seen.

He limped forward and place a chocolate pudding cup and spoon in the space between your hands. Before moving away he squeezed one of your bony hands, a little part of him sunk at the feel of your fragility.

“I got you a present.” He gestured to the dessert with his cane.

You looked at him suspiciously. “They’re free for patients.”

“I never said I paid for the present. Does our love mean so little that you must attach monetary value to it.” He dramatically placed his hand to his heart in faux hurt.

You giggled. “Thank you.” He smiled at the flicker of joy but his frown returned when he saw your hands uselessly attempt to open the cup in spite of their shaking. He rose and took the cup and opened it for you.

You gave him the sweetest smile you could muster but sunk down in the realisation of your inability to complete the task.

He went back and dragged his chair closer to your bed as you slowly tucked in to the delicious treat. Only taking small bites.

You had come to enjoy the frequent visits with your doctor. It seemed he only needed to be with you to soothe his own worries which you saw furrowed on his face. His team had often remarked how unusual his behaviour was, comparing him to manic genius with no sense of empathy. You found their quips funny especially because of how anachronistic they were to the man who helped you fix your pillows any time you so much as squirmed.

“I heard you’re refusing the surgery.” You halted your eating, your face fell. Of course it was this.

“I just don’t want to.”

“You realise you aren’t choosing between some cosmetic alteration, this is the choice between living and dying.”

“Well maybe I don’t want to live.”

“That’s ridiculous everyone wants to live.” He rolled his eyes.

“Living’s tiring.” Your voice became childlike in your admittance. This shocked him as his focus was no solely on you. “I’m tired, Greg.” Your words shook and were on the precipice of falling. He took your shaking hand in his and they lay linked on your bed.

“I know.” He cooed. “I know I’ve been wrong before, but I know I’m right about this. I won for you, now just let me fight it. For you.”

You still couldn’t bring yourself to look into his eyes, afraid you’d crumble.

“Being alive is the worst.” You giggled at his dark quip. “But dying is the easy way out.” He used a finger to gently poke your cheek as you tried to contain your smile. “And I never took you for a coward.”

He sat there with you for a full hour. You dropped in and out of sleep but he couldn’t bring himself to let go of your hand.

Eventually Cameron came to prep you for surgery. House still did not let go.

You lay on the table and the surgeons bustled around you, the anaesthetist approached with the gas. House stood next your head and softly stroked your eyelids to offer some comfort.

“Just one thing.” You managed out. “If I don’t wake up, there’s something I’d regret not doing. Can you kiss me?”

House was stunned for a moment and looked around at the surgeons managing one ear on  the interesting turn of events. He carefully leaned down and planted the softest kiss onto your cracked dry lips. As soon as you connected he felt the stress leave your body and you welcomed whatever was to come. The gas mask was placed over your nose and mouth.

“See you in a bit.” House teased.

********************************************************************

Your heavy lids fought open and your blurry vision focused on the outline of your hospital room. Despite the post surgey pain, you could sense that everything else was gone. You were going to be okay. You strained your neck to turn to the side where your eyes landed on House, who’s bedraggled clothes indicated where he had slept waiting for you.

“Welcome back.”

You reached out a weak arm and cupped his cheek.

“Thank you.”

[stuck-in-the-ghost-zone]

HI MAC. FINISHED SEASON ONE OF HANNIBAL. THOUGHTS: AHGHSGHFAHSGDKDFHKJGHKJGD OHGHGGG WILL GRAHAM THERE IS SOMETHING SO WRONG WITH YOU. i am holding him by the scruff of the neck and looking directly into his sad autistic eyes. i love this little guy. he needs severe medical and psychological help. i love him more than anything. dr lecter is so fucking interesting i need to grab him by the neck and strangle him he is such an awful person but such a cool character agh ough agh. he says he's will's friend but then he manipulates him and does all these horrible things and i just!! wanna know why!!!!! if he is your friend why are you hurting him!!!!! or is he actually your friend at all?? do you see him more as something to play with???? someone who thinks in such an interesting way that you wanted to know what lengths you could push him to???? I DON'T KNOW!!!! I WANT TO KNOW SO BADLY!!!!! pls tell me will doesn't die i am so attached to him i am putting him in my pocket and feeding him jellybeans <3 i am going to watch season 2 once my cold is gone because when i feel bad physically i feel bad MENTALLY so i am Not in a good like. headspace?? to watch it rn what with the death and blurring of reality and such but MAN. MANNNNN oh it is so cool i am kicking my feet and giggling i am so excited to watch the rest oghhh it is so fucked up <3 i love fucked up weird murder stories 10/10 amazing show no notes thank u for recommending it 2 me i love it v much :3

NORMAL HANNIBAL EXPERIENCE. OH MY GODDDD im so glad u sre enjoying it so farrrrr <3 its like. beloved piece of media to me but also it fucks me up in the brain. its a good horror reset for me . occasionally im just like. i need to feel weird about blood and gore and death and then i will watch a couple epispdes of hannibal and just sit there like

TAKE YOUR TIME. OF COURSE. dw dw i was the same way watching it for the first time because it gets SO weird and existential sometimes and. tbh the artistic gore kind of got to me in ways i did not expect ??? it can be so overwhelming sometimes and my exact feelings on it are very hard to articulate and i could sit here for hours discussing it and not actually ever get to a point . SO I GET U. it's just the kinda show you gotta take ur time with. and thats totally cool :) I CAN TELL YOU WITH. MINIMAL SPOILERS. will graham doesnt die . absolute mess of a man. u know that post thats like "what a beautiful man . i would love yo see him in a fit of despair" thatd me about will graham. and also covered in blood. and let me tell u this show fucking DELIVERS.

[urhoneycombwitch]

in sickness, to cherish

foreword: so excited to release this lil’ babe into the world. PTSD and trauma healing is of special interest to me, I hope you enjoy 💖 (p.s. from my limited research I don’t think they would have used a heart monitor for low-risk patients but it is literally integral to my plot so I’m breaking my anachronistic purity rule. soz)

wc: 3k

cw: descriptions of seizure, PTSD + hospital/medical trauma for the whole gang, brief mention of non-consensual drugging, R is referred to once as “Mrs” & “girlfriend”, angst w/ comfort

___

The mounted clock on the wall of the dingy Hawkins Memorial waiting room ticks over to nine PM, a brutal reminder that time (for everyone else, at least) has not, in fact, stopped.

Nine o’clock. As you pace from one end of the plastic chair-lined aisle to the other, you run the numbers in your head, fingers spastic at your sides- it’s nine right now, and Steve was admitted just after six, which means they’ve been running tests for three hours, even though the charge nurse said it should only take one…

”You wanna step outside for a smoke?”

Eddie speaks up from his seat at the end of the row, catching your bleary gaze before you’re turning on your heel again to complete your looping track.

His voice cuts smoothly over the buzzing fluorescents, the old television in the corner droning with last week’s news cycle; it’s enough to disrupt Robin from her half-sleep against Eddie’s shoulder, blinking into consciousness and stretching her stiff limbs as you respond.

“No, thanks.” Your hands slip to the inside of your elbows, squeezing through layers of soft cardigan in a near-bruise, feet continuing the rhythmic pacing. “You can go, though- I’ll make sure Robin comes to get you if anything happens.”

Eddie clears his throat, sinking back into the hard plastic, rings clicking at the armrests. “Nah, I’m good without one. Just thought you’d want a change of scenery, maybe some fresh air would calm-”

“I’m staying here.”

There’s a sharpness to your voice, a rarity- Robin winces, fingers in her lap twisting and fidgeting as she tries to change the subject. “God, Steve’s gonna be spitting mad when he wakes up. He’s the most doctor-adverse person I know.”

Eddie latches on to this with a humorless chuckle- “Stubborn bastard. Wouldn’t let those lab goons go near him, even after last year-”

“Fuck.” The swear comes from the bottom of your toes, even as you swivel on the balls of your feet to loop back in front of your friends; their faces snap to you, a blur of motion as you pass them again- “You’re right. Steve fucking hates doctors. I should’ve-”

Your next breath comes stilted, fingers a vice-grip on your own arms as you pace, pace, pace- “I should’ve treated this like taking a dog to a vet. Crushed up some pills in his food, or something- he never listens to me when I nag him about his hearing getting worse- do you know how many meals, how many glasses of water we share, every day?”

From the corner of your hazy vision, Robin’s gone still and pale, her voice tremulous- “I didn’t mean to imply- this isn’t your fault, you know-”

But you’re not ready to hear that, guilt surfacing like a sick wave, tears pooling, moments away from spilling over, voice trembling with anguish- “Could’ve been so easy, tell him we’re going for a ride, load him up into the passenger seat, he goes to sleep and I could’a passed him right off to a doctor, to someone who could have prevented this-”

Eddie rises from his seat to stand in the middle of your path, hands lifting to soothe and appease, but you’re still in flight mode, like a bird beating its wings against the confines of its cage.

You flinch away from his touch, standing with your back turned to them both, staring out the dark window, unseeing. “You know what Steve said to me? Right before he hit the ground? He said, ‘Don’t panic, I’m gonna pass out, try not to let my hair get too messed up.’”

An edge of misplaced humor draws a dry laugh from your throat. The dark window reflects your own face back- tear-streaked, red veins encroaching on the whites of your eyes- as you shake your head in disbelief. “He made a joke. To try and distract me from the fact that he was about to hit the ground and go all… all spastic-”

Unbidden flashes of memory surge to the forefront of your mind: victims of last spring. Twisted forms snapped at the bone, Max’s arms and legs bent at horrifying angles, plaster casts from head-to-toe, freckled face still and sallow against the starch-white hospital sheets-

A leather-jacketed form in the reflection behind you, Eddie’s hand solid on your back against the shuddering breaths wracking all the air from your lungs. You don’t flinch away this time.

Your beautiful boy. Steve. With his eye-crinkling smiles and sharp wit and gentle heart, stiff as a board in the middle of your living room, eyes rolled back in his skull like a downed deer, unreachable, just three hours ago.

“I thought it was Vecna. It’s been so long but I thought he’d come back, somehow, I was this close to running upstairs and grabbing our Walkman-”

”But you didn’t.” The hand at your back is joined by another at your arm as Eddie pulls you to face him, his gaze locking on your own, brown eyes full of grave compassion. “You heard the nurse. She said tipping him on his side was the best call you could’a made, sweetheart- you saved him.”

”But I didn’t know,” you insist, “I didn’t know that’s what would help, I just did it ‘cuz I was worried he was going to choke on his own tongue-”

“Semantics. You intuited it, then.” One of Eddie’s hands leaves your arm briefly to make a dismissive gesture through the air- “Which, in my book, is all the more impressive.”

Unconvinced, your voice small and tightening along with your chest- “What if this happens again, and he’s alone, this time? What if he’s working one of his three closing shifts a week, without Robin- what if he’s driving?”

You can’t help the spiraling of your thoughts, what-if scenarios jumping in line, each one more horrifying than the last.

Robin rises to stand beside Eddie, opens her mouth- to deny, to comfort, it’s unclear- but is interrupted by a new nurse who’s just appeared in the doorway.

“Mrs. Harrington?”

This snaps you back to earth, a bit, another watery laugh as Eddie takes a step back, allowing you to swipe at the mess of tears on your face before turning to the nurse- “Yeah. As good as, I guess. How’s he doing?”

With a last look at your friends, the nurse leads you down sickeningly-bright corridors while reading from a clipboard- most of it’s medical jargon, your foggy brain struggling to keep up as you stay on her heels.

What you gather, as you’re led to his room, is nothing new- Steve’s had a seizure, likely due to the trauma his brain incurred from the ‘earthquake’ of ‘86, and it’s unclear what triggered it, or if it’s likely to happen again.

“We’re going to keep him overnight, just to monitor his condition.” The nurse stops at a door labeled Room 202, hinges squeaking as she pushes it open. “He was really lucky, this time. Must’ve had a good guardian angel looking out for him.”

Heart thrumming thick in your throat, you almost ask the nurse to wait, to give you a second- maybe a quick bathroom break to splash some cold water against the tear-tracks, or even an extra few seconds to pretend at being stoic- but she’s already ushering you in with a kind smile.

The nurse pulls the door shut, and you’re left alone with the boy in the bed.

He looks exhausted, dark circles pulling at the soft skin below his eyes, which are full of relief, trained on you as you approach.

“Hey, there’s my girl.” There’s a scratchy quality to Steve’s voice, on its way to being lost.

You were doing really well, no crying or anything, before he spoke. But hearing him, paired with the awful sight of a medical cord wrapping around the width of his broad chest, has your face crumpling in an instant.

“Oh, shit. Aw, honey. C’mere-” Steve reaches for you, halfway to sitting up off his supporting pillows, and you quickly close the gap, sitting near his hip on the bed.

“No, hey- stay down,” you chide through the tears, pushing at the shoulder of his white hospital tee. “Don’t put any stress on your body.”

“Cut the stress, she says,” Steve grumbles, leaning back against the stack of pillows but compromising by pulling you in closer. “My baby’s crying, and she tells me no stress?”

His left palm slips over your cheek, thumb swiping away tears, while his right hand- IV taped flat over the back of it- slides to rest on your waist.

”Gonna tell me what’s wrong, hm?”

Under different circumstances, you’d laugh at his question- christ, where did he want you to start: but with that amber gaze so full of empathy, desperate to fix what’s making you sad, you’re stripped raw with sincerity.

”I was just- I was so scared, Steve-”

Steve pulls your face towards his, needily, a breath away from begging for a kiss before you lean in for one.

He tastes salty, like sweat and tears, lips plush and softly seeking against the seam of your own. Between the kisses, he’s mumbling apologies, “sorry, so sorry”, broken by the need to be as close to you as all the medical gear will allow.

There’s a soft noise from the back of his throat, and you pull away just enough to bump your nose into his, hands running up to push through the soft strands of his hair.

Steve practically purrs under your touch; you’re careful not to disturb the tubing wrapping around the length of his chest, leaning your weight into his shoulders instead.

A vein of hilarity spikes as you remember Steve’s last words before he went under: and here you were, fingers pulling at his dark roots, breaking his one request. When you start to giggle, Steve’s eyes pop open, baffled, hair sticking up at the ends when your fingers leave his hair. Both hands now squeezing at your hips, he feels left out of the joke- “What?”

“I just- nothing. Never mind. I’m really glad you’re okay.” It’s the truth. You frame his lovely face with your hands, kissing his forehead once before sitting up fully. “I don’t wanna fight about it here, okay? Let’s just focus on you feeling better, and then-”

“See, now, wait a minute-” Steve holds up a finger to interrupt. “You don’t get it. I’ve been hoping and praying for hours now that my pretty girlfriend would come in here just so we could have a good fight.”

He tweaks at the skin of your hips (with the IV-hand, so you can’t just smack it away, dammit), smiling up at you far too dreamily for someone reclining in a hospital bed.

Settling against the length of Steve’s torso, your arms cross over his stomach just under the tubing as you start, carefully- “You know, Max had one of these- when she was in the hospital?”

”Yeah, you’re right.” Steve’s hands worm their way under both your cardigan sleeves, seeking out the comfort of skin like a magnet- “Think it tracks heart rate. Or something.”

“Mm-hm. And… you know how she had to go to physical therapy three times a week? For, like, half the school year?”

Steve’s thumbs swipe absently at your wrists, a line pinched between his brows, trying to piece together your angle. “…yeah?”

“Takes a lot of time, to heal from something like that.” Your eyes drop to his chest, throat swelling with the effort of holding back a sob. “And I’m just- just thinking of all the times you might be alone, and how we could have prevented this, and-”

“Hey, hey, hey- shhh…” Steve soothes, shaking his head. “Honey, it was inevitable, okay? Nothing we could’a done. The doc told me this shit can happen, like, years after a big event. I’m fine. I’ll be fine. I promise.”

Fighting against the wall of emotion that makes speaking harder, you return his head shake, desperate for understanding- “But you can’t promise that, baby. You had a seizure- an actual, medical emergency, and… we don’t know if it’ll happen again.”

With a purposeful straightening of your spine, you state, resolutely: “I want a different promise.”

Steve presses the crown of his head back into the pillows, melodramatic, resurfacing with a tsk. “So stubborn. What promise you want, then, huh?”

”I want you to promise that you’ll see a doctor- a real one. A head guy. Not some… family medicine quack.”

Steve grins, charming even while unusually pale- “I love it when you talk medical, really gets me going-”

He decides to bail on the rest of that sentence when he sees the flare of irritation on its way to real anger in your face, raising both hands in appeasement- “Okay. Hey- I promise to see a real head doc. I don’t intend on putting you through this again.”

WIth a sigh, you surge forward again, mumbling “Thank you” into Steve’s lips, a kiss of relief and gratitude. Best news you’ve heard all day.

His groans vibrate through you, hands running down the length of your side, near the bottom of your cardigan; you squeak at the intrusion of his cold palms on the bare skin of your waist but they warm quickly, and you’re willingly distracted as his tongue presses against the seam of your lips.

Perhaps not exactly hospital-appropriate, but as it’s been an evening full of adrenaline-filled panic and heartache, you figure some making out might be a good cure for the both of you.

“Won’t scare you like that again,” Steve says, lips already pink and spit-slick, intense and breathless as he clings to you between kisses- “Gonna be okay. You saved me, angel. Love you s’much…”

Your hand, previously resting on Steve’s knee, automatically slides up at his words, notching into the soft expanse of his inner thigh over the thin sheets- “Love you too, so much…”

A bright, electronic noise jolts into frantic beeping- the monitor that Steve’s hooked up to is loud enough to startle you into sitting up.

There’s no time to process or even rearrange yourselves before the nurse from earlier bustles into the room to glare at the machine’s screen; best you can do is a swipe across your mouth, hopefully hiding any evidence of moments-ago spit-swappage as you stammer out, “Um, yeah, sorry- h-he was trying to sit up and that set it off, I guess…?”

Steve lies placid and amenable against his pillows, giving the nurse a gold-medal grin, which unfortunately does nothing to allay her suspicions.

“Uh-huh.” The monitor alarm is stopped short with the press of a few buttons, and she gives Steve a sideways look, clipboard tucked under her arm- “You ready for your other visitors, Mr. Harrington, or should I give you a few more minutes?”

“Bring forth the party, Patricia.” Steve folds his hands behind his head, wincing when his IV gets bumped but covering it with a wink.

Nurse Patricia leaves. You cover your heated face, mortified- “Oh my god. She probably thought I was giving you a handjob or something, jesus, Steve-”

He’s outright laughing at you now, unable to help it- “Come on, no she didn’t. And even if she did…”

Steve is momentarily distracted, frowning down at his chest, following the monitor’s line to the machine; you watch through cracked fingers, his face lighting up, triumphant. “See, I bet if we unplug it from the wall same time as disconnecting it from here, we might be able to fit a handy under the radar, after all!”

Robin and Eddie enter the room just as you’re swatting Steve’s shoulder; over your subdued and mildly horrified laughter, he groans in faux-pain: “God, you two got here just in time. She’s beating me up for no reason.”

As Eddie settles into the plastic chair under the opposing wall’s window, you scooch down the mattress, patting the side closest to Steve with an encouraging smile at Robin.

She takes the seat, appreciative, her clammy hand slipping into yours for support as she addresses Steve: “Y’know, if you did this to get out of doing inventory this weekend, you could just say so.”

“You caught me, Robs,” Steve says, thumbing over her knuckles fondly. “Finally gonna join my conspiracy to make Keith’s life hell?”

You’re about to cut in, emphasizing that no one else should be making any hospital visits, when a metallic screech has the three of you on the bed whipping around.

Eddie’s managed to crack the barred window- judging by the sound, it hasn’t been opened since the 70s. He freezes with all the attention, then speaks around the cigarette clenched between his lips, suave again- “Pardon the interruption. Anyone else care for a smoke?”

Everyone in the room blinks at him, in various stages of disbelief; Steve starts laughing, first, which gets Robin going, and eventually you, too, until Eddie’s grinning around the cigarette, lighter halfway to his mouth as he chuckles- “Well, can’t say I didn’t offer…”

Robin makes a comment about nicotine fumes, which quickly devolves into her and Eddie fiercely bickering.

The elevated chatter of your friends fades into the background as Steve takes your hand atop the sheets, head tilted to get you in his line of sight again- love you, he mouths.

Love you, too.

[spotsandsocks]

Buck Vs. the 'tache

The moustache is… it’s just so… that’s the trouble Buck has no idea what word finishes that sentence but he does know that he can’t stop looking at it

Welcome to the inner turmoil of Evan ‘Buck’ Buckley’s head following Eddie’s questionable facial hair choices.

Buck is not a fan… except…. maybe he is?

999 words rated Teen for some swearing

This fun and silly little ficlet is to celebrate my 3 year writing anniversary and will get me to a nice round 1 million words (94 fics)

I have mixed and confusing feelings about the moustache myself so I gave them to Buck to deal with. Hope you enjoy 🥸

Spoiler alert - the moustache won 🏅

Conflicted.

That’s a good word for it.

Conflicted, but strangely intrigued, he’s compelled to keep looking at it.

That’s the trouble, he keeps looking at it. Can’t help himself.

Looking and looking.

Probably because it’s new.

Yeah, that’s why, because “it” had certainly been a shock.

Unexpected, very unexpected, completely out of the blue, no time to prepare, no time to adjust.

One day it was just there; being weird, looking ridiculous.

It is ridiculous; an anachronistic, 70s throwback tragedy of facial hair, or maybe it should be 80s. Chim had said something about Magnum whoever that was. He keeps meaning to check but it keeps distracting him. 

Anyway, it’s awful. 

Awfully fascinating.

He keeps looking.

It’s ridiculous, it’s an eyesore… it’s eye catching.

Conflicted, that’s the word because despite ridiculous and weird, despite the shock and the teasing from everyone else when he looks at it he feels….

Something. 

Head to ao3 for the rest

[the-magiarcheologist]

Reading the Ancient Magic Book Pages

I propose to you today a short analysis of the sections of text on the pages of the Ancient Magic book we find below the restricted section.

High-res images of the book’s pages have been shared by a kind soul. Here they all are:

I was working on a completely different post when I realised that the text on the last 2 pages was easily readable and written in Latin. So I just did a quick search and discovered that these are verses from the Vulgate (4th century translation of the Bible in Latin), more precisely from the Gospel of Luke from the New Testament.

A bit more research and I could find exactly which source they got this text from: the Book of Kells, a Celtic Gospel book written in Latin and illuminated in the Insular style (a combination of Celtic and Anglo-Saxon styles). The precise origins of the Book of Kells are debated but many believe it was created around the year 800 at the monastery founded by St Colum Cille on Iona Island in western Scotland.

Here I put side by side the pages of the Ancient Magic book and the pages from the Books of Kells where the text is from (folio 204r and 275r):

The verses they used are Luke 22:23

Et ipsi coeperunt quaerere inter se quis esset ex eis qui hoc facturus esset.

Which translates to:

And they began to enquire among themselves, which of them it was that should do this thing.

And on the second page, Luke 4:8-14

Et respondens Jesus, dixit illi: Scriptum est: Dominum Deum tuum adorabis, et illi soli servies. Et duxit illum in Jerusalem, et statuit eum super pinnam templi, et dixit illi: Si Filius Dei es, mitte te hinc deorsum. Scriptum est enim quod angelis suis mandavit de te, ut conservent te: et quia in manibus tollent te, ne forte offendas ad lapidem pedem tuum. Et respondens Jesus, ait illi: Dictum est: Non tentabis Dominum Deum tuum. Et consummata omni tentatione, diabolus recessit ab illo, usque ad tempus. Et regressus est Jesus in virtute Spiritus in Galilaeam, et fama exiit per universam regionem de illo.

Which translates to:

And Jesus answered and said unto him, Get thee behind me, Satan: for it is written, Thou shalt worship the Lord thy God, and him only shalt thou serve. And he brought him to Jerusalem, and set him on a pinnacle of the temple, and said unto him, If thou be the Son of God, cast thyself down from hence: For it is written, He shall give his angels charge over thee, to keep thee: And in their hands they shall bear thee up, lest at any time thou dash thy foot against a stone. And Jesus answering said unto him, It is said, Thou shalt not tempt the Lord thy God. And when the devil had ended all the temptation, he departed from him for a season. And Jesus returned in the power of the Spirit into Galilee: and there went out a fame of him through all the region round about.

I’m not christian and don’t know much about the Bible so I have no idea why they chose these particular verses. Maybe someone more educated than me will be able to chime in. My hunch is that these verses were just chosen at random from old manuscripts that the artists for the game were using as reference for the art style.

Now, since I was on a roll, I also looked at the text on the other pages. Pages 1 and 3 have some text written in some old form of Icelandic (figured that out from the few words I could sort of read on those pages). So I started looking into old Icelandic manuscripts but it took me a ridiculously long time to find the exact source the text is from! I was starting to go mad but here it is! It’s from an illustration of the Prose Edda found in the Icelandic manuscript ÍB 299 4to., in particular the illustration of the god Týr presented as Mars (folio 60r).

They took the short text in the little box and copy/pasted it mosaic style to give the illusion of the full page of text but you can see it’s just short sections that repeat over and over on both pages.

(To note: this manuscript is from 1764 so it’s sort of anachronistic for them to use this source for an Ancient Magic book that already existed in the Keepers time, meaning the Ancient Magic book is from the 15th century or older.)

Týr is one of the principal war gods in Norse mythology (alongside Odin and Thor) but he also presides over justice and the law. Latin texts often identified him as Mars (hence the subject of the illustration).

I could not find any transcription or translation of the text on the image, I could only decipher some words here and there such as «sigir hielldu» which google translate tells me could mean «victories held» in Icelandic. A bit further down there is «orrustu guð» which could mean «god of war». So it seems to be a short description of the god Týr and at the end there are roman numerals that identify the section in the Prose Edda where the story of Týr can be found.

Again, I can’t really see how this text makes particular sense in the context of the Ancient Magic book, probably just placeholder text from some of the sources they were studying as inspiration.

There is one last book page, but the text on this one is so blurred I didn’t even try to decipher it. Although I do note that the artist has traced over some letters which are: W S M I(?) I(?) I(?) Z N R(?) P(?) G W Q O U(?) H W R(?)

Don’t know… some of them are hard to read or could be not from the Latin alphabet. Again, I just can’t make sense of that. There are not enough vowels for it to be an anagram of an English or Latin phrase so… what else? I leave this mystery to others with more powerful brains than mine!

Anyway, this is it! Not really much to say about this but I think other people are also planning on looking into these book pages so maybe these findings can help them out!

[stu-dyingstudent]

Sakura Haruno fic recs: time travel AU

I'm finally getting around to recommending some good Sakura-centric time travel fics! There are plenty of them out there and they can be kind repetitive, but I always eat them up. Typically speaking, I really don't care much for the whole introduction bit at the start where it's the actual process of her being sent back... So just make it past there before you decide whether or not to continue!!! Also, I'm starting to think this list is getting kinda long, so maybe I'll do a second one?

I've been dying to post some of these fics in a list, so please enjoy!

Started: 2024.08.16

Last Updated: 2024.08.26

note: feel free to check out my master list which has a bunch of Sakura Haruno fic recs (all organized)!

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Sakura - lilac haze || ffn/ao3 || M || minasaku || time travel AU || complete

AU. Non-Canon. Time Travel. Please see inside for full warnings. Cross posted on Ao3. On his deathbed he was granted eternal peace and place to rest for all of time. Of course that was not appealing to him. Ever unpredictable to the end he had a counter offer. One that the Sage had to consider. In which Sakura's going to have a rough time. A really rough time.

If there is one thing I want you to take away from this list, it is this fic right here. I kid you not, Sakura is one of the best fics I have ever read. I have never felt so gutted, so heartbroken, so giddy, so stressed, all from one work. It's a masterpiece all while being criminally underrated. The characterizations and storytelling are beautifully done. You feel for the characters and the relationships formed along the way are truly great. Please share this author some love.

Check TWs before hand!!

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The Misadventures of Kakashi and the Girl From No Where - Goldfishlover73 || ao3 || kakasaku || M || time travel AU || complete

When a girl called Sakura seemingly falls in the sky, Kakashi is skeptical. Far more skeptical than the rest of Team Minato are. War is approaching quickly and this strange girl is leaving more questions than answers in her wake, Kakashi must decide where his trust and loyalties lie in a constantly changing world.

Told in the perspective of Kakashi in his youth! Really interesting take and I love how strong Sakura is in this in addition to the fact that we get to see a different side of Kakashi that we aren't used to.

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Anachronistic Drift  - Elesrea  || ffn || gen || T || time travel AU || incomplete

Her plan was flawless. Save Shisui. Save the world. Time-travel, Sakura-centric AU

Sakura spends years training to be sent back in time and save the world from Sasuke. Whilst masquerading as her younger self, she poses as an unofficial ANBU to stay anonymous in her efforts of changing the shinobi world for the better.

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Tourniquet - lilac haze || ffn || T || minasaku || time travel AU || complete

She was his tourniquet. She stopped the bleeding, she stopped his bleeding. She stopped his pain, his despair, his loneliness. She was the first face he saw. She was the first person he trusted. She was the first person to keep his secret. She was his tourniquet. He did not love her. He only loved the idea of her. SakuraXMinato. Time-Travel Fic. Alt. Universe

I quite honestly think this is a hidden gem amongst time travel AUs since I never see people recommending it, but Touriquet is so good! What's interesting here is that it isn't Sakura that's playing with time, but rather Minato. The night of the Nine-Tails attack, rather than dying, he is sent to the future where post-war Sakura is the one to find him and keep the former Hokage alive. It's a delicate situation and one which is kept a secret from many, but through Minato's depression and difficulties with his new life, Sakura becomes a close confident.

Same author as Sakura! I gotta read more of their works

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Armour-Sleeved Single Hit - thatdamnuchiha || ao3 || T || madasaku || time travel AU || one-shot complete

Sasuke always told Sakura she was weak. Even after she trained with Tsunade for years he only had eyes for Naruto whom he considered strong. She would forever be invisible to him no matter how many mountains she toppled. Being a member of Team Seven despite Sasuke’s refusal to acknowledge her meant she got herself into her fair share of sticky situations. Getting stuck a hundred odd years in the past had to take the cake though. But she was just a weak little girl and compared to the shinobi of old she’d be ridiculously pathetic. Sasuke had said she was weak to him – a modern day shinobi who hadn’t been forced into battle after battle like they did in the Warring Clans Era. Obviously she’d be nothing more than a spec of dirt in the eyes of the Founders.

Sakura manages to find herself in founding-era Konoha! While trying to prove that medical ninja are capable fighters she unknowingly gains the affection of Madara Uchiha. After all, the Uchiha find beauty in strength. Super cute read!

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here are the fruits of your labor (would you like a cherry on top?) - snickiebear || ao3 || M || shisaku || time travel AU || one-shot complete

Shisui smiles and it is unlike any smile she has seen before. She cannot remember the last time she had seen a smile. 

Sakura manages to fix everything and now tries to live her life in a past she doesn't know. Shisui is the first to find her and the two of them form a close relationship that continues through her journey of recovery.

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The Moon Knows Best - darth_healer || ao3 || E || madasaku || time travel AU || complete

The Moon has played a cruel trick on Madara. He's still home, but it's not the same. Instead of a tranquil forest, there's a colorful vibrant village. Instead of the cliffside he knows so well, it's a collection of Senju faces, one of which belongs to his good friend Hashirama. And instead of Hashirama, Madara is saddled with a very interesting, pink-haired girl. MadaSaku in which young Madara goes forward through time.

Madara finds himself far into the future where the first to stumble upon him is Sakura. He's such a brat, but his and Sakura's interactions are rather entertaining.

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In the Magic Hour - summersirius || ao3 || E || minasaku || time travel AU || complete

It's not perfect, but everything is beautiful. —Minato/Sakura

A sharingan mishap lands Sakura in the past where she drops down in front of team Minato. With her hope of returning to the present time dwindling, Sakura excepts her new life and tries to make the best of the situation and the new bonds that come with it. The dynamic between Sakura and the older generation is quite refreshing and her mentor relationship with the former team 7 is great.

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Stumble - writer168 || ao3/ffn || gen || T || time travel AU || complete

Sakura wanted to die.Sasori was fine with staying dead.But it seemed fate had other plans for them, because when they both wake up younger with blood pulsing through their veins, they had to remember how to live again.Time Travel AU

Sasori and Sakura are both sent back in time and they try to make a difference in their respective villages. Told in the perspective of both characters, but primarily Sakura. She ends up forming a pretty sweet bond with Ibiki and Genma (which I love) and they help her through some things. Sakura has a rough time

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A Twist in Time - wolf08 || ffn || sasusaku || T || time travel AU || complete

With Konoha on the verge of destruction, Sakura is sent on a last-resort mission to save her world by travelling to the past. Join her in coping with her old body's shortcomings, testing the natural laws of time, falling in love all over again, and rediscovering who she is.

With Sakura frustrated at being back to where she started in her becoming of a shinobi, she begins to train with Sasuke. This time around in her life, her relationship with her brooding teammate isn't so strained. Pretty cute read imo

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Return & Rehash - SpaceNugget11 || ffn || sasusaku || M || time travel AU || incomplete

"You," Sakura snarled with bared teeth. Sasuke gagged for air, clutching at her forearm, but she only pressed harder into him. Her green eyes crackled, and she wished she could burn him alive with the heat of her anger.

Sasuke and Sakura certainly did not end in their last life on goods terms and it is prevalent from the moment Sakura awakens and attacks her teammate.

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An Inch of Gold - KuriQuinn || ffn || sasusaku || T || time travel AU || complete

Team 7 is sent on a mission to investigate a disturbance outside of the village, where they encounter an unconscious girl in a crater. The mysterious Sarada insists she's a shinobi from the Hidden Leaf trying to rescue her teammates. When the team discovers she possesses a Sharingan, things become even more unbelievable. [Part of the Legacy of Fire Series]

Sarada lands herself back in time all while crashing into another team 7 mission gone wrong. An Inch of Gold is in multiple perspectives, but they're all done quite well. Sasuke and Sakura are obviously rather flustered by the situation and the fact they have to deal with it in front of the team makes it quite entertaining.

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These Eyes of Mine (I Can See) - tsukuyue || ao3 || gen || time travel AU || complete

They've lost. Naruto was dead, killed at Kaguya’s hands. Along with him died any illusions of hope that they could win. They couldn’t win, but perhaps they wouldn’t need to. In attempts to stop the Fourth Shinobi War from ever occuring, Sakura is sent back in time to the moment of her birth. Protecting the people she cared about would be much easier if she knew all the facts. OR Where Sakura can see the dead, and Danzō deserves to die.

I'll be honest, I can't remember much, but I do remember that it was really good! I believe a large focus is the Uchiha massacre.

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Trials of Change - Espoiretreves || ao3 || gen || time travel AU || complete

Haruno Sakura made a promise. Looking in the eyes of her Shisou and the reanimated Hokage, she took on the most important mission of her life. Go back in time and try to prevent the 4th Shinobi War. Now, Sakura is back to her 5-year-old body, with all the knowledge and haunting memories of the future. She vows to keep her precious people safe and stop certain events from happening, without altering the timeline too much. The trials her emotions and logic put her through have her questioning her very existence, but for the sake of peace, she has to push forward. No matter what.

If you love Shisui then you'll definitely like Trials of Change. Him and Sakura form the most wholesome friendship ever and try their best in taking down ROOT. A huge cast is present here and the whole thing is just great. It seems as if everyone has some character development lmao.

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Time Flies Like An Arrow - Katlou303 || ao3 || gen || K || time travel AU || complete

Sakura traveled back in time with the intent of changing everything, but something went wrong, and now she's four years old having nightmares about impossible monsters and losing friends she has yet to meet.

I always like the ones where Sakura isn't fully aware she time travelled. I find it interesting in this fic to see how oblivious Sakura is to her situation, she's a four year old in mind and body. However, she still feels the need to make a difference in the lives of the people around her.

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cut the head off the snake - itsthechocopuff || ao3 || T || time travel AU || complete

when eighteen-year-old, post-war Sakura is thrown back into her tiny, pre-Academy body, she makes a decision. she'd had a childhood once already, and this time, she's more interested in Not Dying when the inevitable shit hits the proverbial fan. so she will work harder, care less, kill more, and smile when she's done.and hey, if she ends up reviving an extinct nature transformation to attract the most corrupt, power-hungry man from her timeline, all the better for her, right?

Sakura decides that her first order of business after traveling back in time is to infiltrate ROOT and that's exactly what she does. Sai, Shin, and Shisui are all great characters and team Ro is present as well. Very good!

Update: just found out it was recently completed!!

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Q: Do you guys like my little comments? If you look at my other lists you'll probably notice that I tend to reuse some of what I say (bc I'm lazy), but for the most part I try to add something new whenever I put a fic on a list. I know that descriptions aren't always very helpful, so I like to put a little something for y'all to get a better idea of what to expect!

Send me recs if you have any!!!