Creepypasta is inherently cringy. It's foundations are built on the backs of mentally ill teens and young adults from the late 2000s-2010s. Of course it's self indulgent, we were suffering and needed escapism. Of course some of the portrayals of mental illnesses are less than perfect, we were navigating an ableist world while struggling with said illnesses. Hell, many of us were being abused and the idea of a found family made it so we could make it through another day.
I've been in the creepypasta fandom since I was a little girl. 9 years old, in fact, 2009. The dawn of ARGs becoming popular. I've only recently began creating content because I felt the community has matured enough that if someone didn't like what I did, they'd move on rather than rant and rave over how garbage my art is. That's mostly the case. Mostly.
See, I'm seeing a rise in "mature" portrayals of these characters. Not NSFW "mature", that's always been there. I mean supposedly gritty, realistic, "made for adults" kind of spins. It'd be fine if the people doing it weren't fucking trampling on the heritage of the community in the process. We're a goofy community, and the slenderman is our dad that makes us waffles. We write bullshit, but still entertaining stories about serious topic, then put those characters in goddamn tutus. You can have your cake and eat it too. You just don't have to be unpleasant about it.
My favorite example of this duality is @carnalhaus 's Nine Jeff. His story is heartachingly sad, it's fairly realistic, it's got mature and NSFW themes at times, and yet... we've got art of him in a cat maid outfit. And it's fantastic. The duality of this fandom is what makes it so great. Shunning one part in favor for the other is just a fundamental misunderstanding of the media. Being all high and mighty about how "mature" and "realistic" your interpretation is isn't unique. It's sad.
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the way that one line from the new epilogue in an astarion romance is going to HAUNT me
just. what a profoundly intense thing to confess to someone.
like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.
in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.
how am i supposed to act normal about this.
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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Kabru/Mithrun is funny because it's: guy who lives to pull people's strings/guy who doesn't have any strings to pull.
Kabru/Laios is funny because it's: guy who lives to pull people's strings/guy who has one very obvious string to pull but the other guy doesn't want to pull it because its GROSS.
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meeting wyll at the grove, as someone who the tieflings trust enough to train their children, says so much about him. it's so sad that he doesn't get explored in acts 2-3 as deeply as the other companions, when his problems are equally intense. the average player probably long rests once before coming across the grove, but even if not, in that time wyll has already proven to the tieflings that they can rely on the Blade of Frontiers.
this is the immediate first thing he chooses to do after being condemned to slow death via ceremorphosis. his priority list in the first conversations with tav is: 1) hunt down a dangerous devil, 2) help zevlor with the goblins, 3) once nothing threatens the tieflings he will gladly search for a tadpole cure. wyll is perpetually his own last priority, and i wonder if it has to do with the lore about souls.
if he believes mind flayers' souls have been destroyed, and fiend warlocks will all have their souls sent to the hells after death, then becoming a mind flayer isn't the worst possible way for him to die. he would never become a mindless monster to save his own soul, but he's not gripped by horror the way that some of the other origin characters are. lae'zel has been made revoltingly impure to her people, astarion is terrified of losing the scrap of bodily autonomy he just regained, gale is guilt-ridden over the orb detonation if he dies, shadowheart has to survive to prove herself to her cult leader, and karlach has also just regained bodily autonomy and is desparate to live.
this is just another quest for the Blade, whose persona guards wyll ravengard against the vice of self-concern when he ought to be concerned for those in need.
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