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archaeren · 3 months

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How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

#creative writing #writers block #writblr #writers on tumblr #writing #writers and poets #writerscommunity #fanfic writing #writeblr #writing advice

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photomatt · 7 months

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You gonna do anything or make any statement about the rampant transmisogyny on this hellsite, especially in cases like predstrogen recently? Or yall gonna stay silent and keep letting/making us get pushed off of it.

I have a number of asks about this, so this is to address all of them, I won't do each individually.

We generally do not comment on individual cases, but because there seems to be mass misinformation around this, I will make an exception and comment on predstrogen.

First, Tumblr has a number of LGBT+ including trans people on staff, and they see things from the inside fully, and they're not protesting this case.

Why do we wrongly have a transphobe reputation? We did have an external contract moderator last year that was making transphobic moderation (and also selling moderation, criminally). As soon as we were aware that person was fired, and we later terminated the entire relationship with that contracting firm and have brought almost everything in-house (at great cost). I have previously commented on this publicly, several times.

I am not aware of any Automattician (people who work at Automattic and Tumblr) who has made any transphobic moderation actions. If it's reported it is investigated immediately, if anything were found that person would be terminated for cause immediately.

Predstrogen's account was suspended for:

Repeated mis-tagging of adult content against Tumblr's community guidelines. This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.

Multiple cases of harassment of other Tumblr users, not just me.

Multiple threats of violence, not just the one I share below.

These represent a breach of our Terms of Service, and we've exercised our right to refuse service.

Threats of violence are never okay. Threats of violence are not protected speech. We will work with police and FBI where appropriate, though to be clear prestrogen's case hasn't warranted that so far. I'm referring to what we may potentially do for other threats. I just got a death threat yesterday from someone mad about predstrogen, and that account was immediately terminated.

So regardless of whether you still think Tumblr staff is somehow a bunch of transphobes, know that threats of violence or death are still not acceptable and will result in immediate and serious action. Know that when you rile people up, they can do dumb things with possibly permanent consequences.

(2 hours later update: I have changed instances of the pronoun "they" or "their" to "the account" because I am unaware of pronoun preference in this instance and don't want to misgender anyone. Thank you for the people who reported this as an issue. Update 2: "She" is apparently better, the post now says that. Sorry for the mistake.)

Here's one (of many!) examples of the harassment violations, this one targets me but there are others targeting other users on the site.

The second part seems to indicate she wanted to be suspended, I'm unaware of why, perhaps to create this sort of uproar. I agree the hammers feel silly, but the start, "i hope photomatt dies forever a painful death" is a violation of Tumblr's community guidelines and terms of service.

The car part did hit close to home as I have almost died twice in car accidents.

Update 2: Added this text to the adult content part: This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.

#transgender #tumblr #ama #automattic #predstrogen

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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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birdantlers · 1 year

Text

A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.

(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)

it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it

...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..

Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.

I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.

(2nd vid is "Subjectivity in Art")

“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.

“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”

The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.

I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?

I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.

Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.

Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.

So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.

Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!

Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol

What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.

I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.

Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.

Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.

How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’

i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.

I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.

I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”

….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.

No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.

If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.

His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.

We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.

Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.

You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.

The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.

And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.

You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.

Give a heads up.

Something.

But don’t. kill. the media.

The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.

Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.

I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.

It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.

Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.

If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.

And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.

Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.

the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.

The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.

Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.

Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.

If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.

•

Muting notifs

#artists on tumblr #Artistic #digital art #art history #anthropology #humanity #art discussion #art theory #skit yells

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osaemu · 1 year

Text

GOJO SATORU: ❛❛ MEET ME IN THE AFTERGLOW ❜❜

.ೃ࿐ post-sukuna fight: no victory comes without a loss, and his win came at the cost of his eyesight

contents: fem!reader. some combination of hurt/comfort, angst, and fluff.

author's note: inspired by levi at the end of aot ꨄ︎

7:58 PM

satoru gojo had always had the best eyes. sorcerer, curse, human – you could search the whole world, and nobody else would even come close.

but the aftermath of satoru's fight with sukuna changed everything. after a long, painful battle, satoru came out on top, but at a great cost. his eyes.

dying wishes are powerful, especially from a curse as strong as sukuna. right before the king of curses was done for, he pooled everything he had left into a final attack to ensure that satoru gojo would never be the same. he succeeded.

now, almost a week after the fight, long after the dust settled and peace had reclaimed the jujutsu society, satoru still insists on wearing his blindfold around the clock.

no matter what you try or how you ask, he stubbornly refuses let you see underneath. actually, it'd be more accurate to say that he doesn't respond at all. after all, to your dismay, he's a master at avoiding questions and delaying answers.

you weren't even sure if there was any change to how he looked. maybe he looked the exact same underneath. maybe he had a couple scars. fuck, for all you knew he didn't even have eyes at all anymore.

you just wish he would let you see the new him. he doesn't even have it that bad – thanks to six-eyes, he can still see the silhouettes of cursed energy. and he wore a blindfold most days anyway, so it wasn't too much of a change.

which is why you weren't sure why he wouldn't just take the damn blindfold off.

"satoru, please let me see," you beg, tugging at his shirt sleeve. "i miss your pretty face. and honestly, who wears a blindfold to bed?"

he laughs at your incredulous question, but it sounds forced and unnatural. satoru tugs his arm away and waves you off. "let me take a shower, 'kay? i just got out of work, and i'm probably covered in germs."

you hate this new satoru – the one who won't let you get too close or even see his face anymore. he just won't open up to you, and it's frustrating. "satoru, please? let me in."

at the sound of your pleading voice, satoru rests one hand on the bathroom door and sighs before turning around to face you. he's smiling, but it seems so off – like all his smiles do nowadays.

"you try'n to watch me shower, sweetheart?" he cracks, running a hand through his hair. "i know you love seeing me naked, but-"

"satoru."

"get off my dick," he grumbles lightly, before strolling into the bathroom and shutting the door behind him. maybe you imagine it, but you could swear that you hear the soft click of a lock turning.

10:34 PM

"good night, sweetheart," satoru mumbles, pressing his lips to your shoulder and rolling over onto his side. he still has his blindfold on, and the almost undetectable glow eminating from his skin shows that he has a very subtle form of limitless active.

it's been like this every night.

"satoru, can we talk?" you whisper, trailing a hand through his damp white hair. "please?"

"is it about the blindfold?"

"obviously."

he sighs and rolls over again to face you, the soft glow fading from his skin. "give it a rest, yeah?" he says, exasperated. "i'm not ready for anyone to see."

"satoru, even you don't know what your eyes look like under the blindfold," you murmur. "and do you really trust me that little?"

he lifts one of his hands and rests it on your shoulder, thumb tracing circles as he leans in and says "of course i trust you."

you shake your head and sit up, pressing your back against the headboard. "no, you don't."

"then why'd you as-"

"why do you sleep with limitless on now?" you interject, crossing your arms. "what happened to 'i never have limitless on around you'?" you whisper, quoting something he told you when you two first starting dating. back when he could look you in the eye.

satoru sighs again and sits up alongside you. "you know why."

"you seriously think i'd do that?"

"i..." he trails off, slipping a finger underneath his blindfold to rub one of his eyes. "i don't know. all i know is that i'm not ready for anyone to see me like... this."

"satoru, you can't keep running away from everyone forever," you say, shaking your head again. "you-"

"i know, i know," he mutters. "it's not that simple."

he's stubborn – he always has been. and you're mostly used to it, which is why you know that the best way to get satoru to change his mind on something is to ease him into it instead of pushing and shoving.

so you switch gears, and instead of arguing more you reach out and take his hand. "what are you afraid of?"

"nothing. i'm the strongest," satoru replies automatically. the response sounds so automated, so pre-written that you can't help but smile.

"okay," you say neutrally, trying to reword your question. "why don't you want to show me what your eyes look like? you've haven't even seen them yourself."

satoru smiles sourly and his hands curl into white-knuckled fists around the bedsheets. "and i never will. i'm blind now, remember, sweetheart?" his words are laced with bitterness, even (and especially) in the final word.

but it wasn't you who satoru was resentful towards. it was himself.

how could he have so foolishly let down his guard before sukuna was confirmed to be dead? how could he let his characteristic arrogance get the better of him? he made the same mistake when he was a teen, and now he's done it again as the strongest – although this event may have stripped him of his title.

a mixture of emotions crosses what little you can see of his face, and it's now more than ever that you wish you could be there for him.

but he's the only one alive who knows what it's like to be the strongest.

so as much as you wish you could tell him that everything's going to be okay and that he'll always be the strongest, you know damn well that you don't know and that he might not be.

somehow, this conversation has evolved from your desire to see his face to something more.

a silent, mutual understanding passes between you and satoru, and the thickness in the air slowly dissolves.

"sorry," you breathe. "i was being selfish, wasn't i?"

satoru shakes his head, a smile growing on his face. "nah, you're right. i don't even know what i look like."

he lifts a hand and slips his thumb underneath his blindfold, and after a brief moment of hesitation, slides it off.

to your surprise, satoru looks more or less the same. his eyes aren't cloudy and they still glow with that familiar bright blue. the only difference, which was expected, was how his eyes didn't quite settle on you. they were pointed in your direction, but his eyes didn't entirely focus on you.

"so?" satoru asks, running a finger over his eyes. "how bad is it?"

"satoru, you look the same."

he blinks and doesn't answer for a second, as if he's processing the information. "really?" he asks, an unreadable expression on his face.

"yep."

"oh. well, that was anticlimactic," satoru says with a lopsided grin. he leans forward and scoots down from his spot against the headboard, laying his head on a pillow and pulling you on top of his chest. "my bad."

"you idiot," you mumble, pressing your face into his neck. "i didn't get to see your pretty face for a whole week."

"ah, i believe it was only six days."

"and satoru, you even turned on limitless at night! the hell would i even do? cut your blindfold off in the middle of the night?" you grumble, looking up at him with narrowed eyes. "and i can't believe that the only reason you didn't want to show me your face is because you thought you weren't pretty anymore!"

satoru grins lazily and rests one of his hands on your waist, slipping a finger under the waistband of your shorts and idly rubbing your skin. "keep venting, sweetheart. it's cute."

he laughs when you swat him with another pillow and pulls you in for a long kiss. and that's when you know that things might never go back to how they were in satoru's glory days.

but as the night falls and slips away in satoru's arms, you think that maybe, just maybe, this works too.

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shadesoflsk · 6 months

Text

THE OLD WAY

pairing: Leon Kennedy x fem reader

summary: Living at a farm and being married surely has it perks. However, Leon can't help but think something is missing.

warnings: smut, MDNI, oral (fem receiving) p in v, mating press (??), creampie, breeding kink, outdoor sex, age gap (unspecified), established relationship, fluff, Leon is so husband in this, mentions of pregnancy, domestic bliss.

word count: 4k

author's note: Hello! I had this fic in my drafts for sooo long. I was kind of ashamed to post this since it's not my usual type of content but !!! fuck it !! Ovulation goes brrr. I hope you all like it!I had an older Leon in mind but I used a re6 leon pic for funsies. (And please... don't judge the lack of creativity in my title... I didn't know what to write.)

MY MASTERLIST

City life was no longer fitting for a man like him. Job was not the same and he was afraid he might not get up from one of his falls one day. Joints no longer worked like they used to, a painful reminder of how his age was getting to him.

That's why he chose to retire, rather early for the average citizen. But he believes his position as a federal agent has aged him to the point where he could easily describe himself as an 80 years old man who needed help crouching down.

With that in mind, he wasted no time buying a home away from civilization. Money was no problem and owning a ranch now sounded like the best idea he could come up with. Days turned into weeks, weeks into months, and months into years. Time seemed to flow faster as he settled down in a peaceful lifestyle.

Solitude was very much welcomed. The sounds of blood dripping and ragged screams were replaced by the soft pitty patter of the rain and the usual rooster’s crow each morning, announcing a new day.

But, as much as he has grown to love and appreciate his simplistic routine, the monotonous daily work and the lack of companionship were hitting him hard. When night came and his thoughts clouded his rational side, he yearned for a change in his life. He was never the romantic type, never been. His previous job as an agent cut off any possibilities of having a partner and settling down like any normal person would. But years made him a sappy man, it seemed.

Life works in mysterious ways, though. He wouldn’t have thought that farm life would bring him a sweet thing like you. It all started with your car breaking down a few meters away from his farm. You wanted to thank him for his help, there was no way you would simply express your gratitude through words, not after his assistance.

So, your first visit consisted of a home-baked pie which he reluctantly accepted. Not because he didn’t want to but it had been a while since he was last gifted something. That first meeting soon turned into a couple until you were basically there every day.

“Stay with me,” shifted into a “Be my girlfriend” and therefore the “Marry me?” finally came.

You were the best thing that has ever happened in his life, a peaceful life away from any danger the city may bring and a beautiful wife by his side? God granted him the most perfect miracle ever.

He followed the milestones of your relationship to a T. Even though the lack of knowledge was sometimes obvious, he knew the basics of how to keep a girl—his girl— happy. It was in his nature to provide, and living with you meant no exception.

He always strived to do better, to be better. Your needs were always met and he took pride in knowing he was your husband. No one else but him.

However, he felt selfish when none of that actually fulfilled him. He was happy with you, don’t get him wrong. Nothing was like before when he thought he would die alone with no one who cared about him. But something in the back of his mind kept bothering him.

And ever since he realized something was missing, he couldn't help but try to find out what it was.

For days and weeks, he tried picturing the change both of you needed. More pets? You had enough with the dog you both have. Vacations? He had already taken you to the beach. More space in your home? The house at the farm was alright… Maybe a little too big for just the two of you.

Oh.

Oh…

The problem was the two of you. Or rather, being just the two of you on this big ranch.

He had come to realize that he could, in fact, dream bigger. A few years ago, he would have thought that being married was a faraway dream, unachievable and stupid. But now he’s a husband and maybe if he tries hard enough, he can get to be a family man.

However, nobody has taught him how to face these types of situations. Even when he asked you to be his wife, he needed months of preparation. How was he going to explain this desire to put a baby in you?

On one peaceful night, he was spooning you as always. It was his favorite activity after taking care of his chores at the farm (and even doing some of yours just so you could relax more). But even when there was nothing but a comforting silence, his thoughts wouldn’t stop flooding his mind.

He let one of his hands rest on your abdomen, caressing the skin there with circular motions. He tried closing his eyes to prevent more of those thoughts from coming to his mind yet it was useless. His imagination was running wild when he pictured you carrying a life in your belly, swollen and round, the perfect scenario.

He imagined taking care of you. Of course, his pretty wife won’t do anything if she’s next to him. There was no way he wouldn’t take that opportunity to show her how much of a man, a good man he was.

Pressing a kiss to your cheek as he rested behind you, he spoke before even thinking what he was supposed to say.

“You would be a good mom, you know?” It slipped out of his mouth, he should’ve used a more discreet way of speaking his mind. Now it was too late to draw back.

“What?” You chuckled as you turned your head to look at Leon. “I’d look great as a mom?”

“Yeah.” He whispered, finally admitting his desire to have a family. “What do you think?”

He wouldn’t push the matter if you don’t feel the same. As much as he loved the idea of having mini versions of both of you, there was no way he would force you to do it.

“Mhm… I think you’d also be a great dad.” Your voice was as soft as his, indulging in this little moment of intimacy and raw honesty.

The word dad rings in his mind. His life before having his ranch was violence-filled, then years of solitude surrounded by nothing but nature cornered him to think that being alone was his destiny. Now, you brought him a newfound desire to come back home and finding you and your child. A family.

“You think so?”

“Absolutely.”

Leon had a silly smile formed on his face. His dreams were actually achievable and domesticity and tranquility were now his everyday life.

“We can try if you want.” You added, feeling how Leon continued drawing shapes on your stomach. “How many would you like?”

Leon didn’t think he would get this far.

“Want me to be honest?” Leon’s lips curled into a mischievous smile. “I wouldn’t mind having an entire football team with you.” He joked, hearing how you gasped in response.

“Leon!” You slapped his hand out of your abdomen. “I’m the one having them!”

Both of you laughed as the night embraced both of you like a blanket. Confessions have never been so much welcomed as tonight’s.

“I love you.” He murmured as his eyes closed. It was a reassurance that whatever life had in store for both of you, he would gladly accept it.

“I love you more.” You replied with the same fondness as always. Drifting off to sleep was easier than ever.

Days passed and the conversation wasn’t forgotten. Nonetheless, you let the flow of time and life decide for both of you.

Daily chores needed to be completed no matter what. So, he’s now washing his hands after feeding the horses. You’re holding the garden hose which makes a wet mess given the force of the water.

“Didn’t know it was raining.” Leon jokes as the water soaks his shirt and pants.

“Shit, sorry.” You turn off the garden hose as you giggle watching how drenched Leon looks.

And while you are genuinely sorry since Leon still has things to do on the farm, you can’t help but appreciate the image your husband is offering. White shirt now see-through, giving you the perfect view of his soft abdomen clinging to the fabric.

When you first met Leon, he had told you what an amazing body he had. With so much pride, he once showed you pictures of his past self. Images of a toned torso and strong arms would look appealing to your eyes. But each time Leon and you are intimate, you get to feel his slightly rounder belly pressed against you, his strong arms clinging to you. In those moments you can’t help but thank God for the gorgeous man you have.

“Enjoying the view?” Leon breaks the silence when he feels your eyes not leaving his body.

“Maybe…” You quietly whisper as you drop the hose and walk closer to him. “Can’t help it, my husband is so handsome.” You add, hiding your face in the crook of his neck. Inevitably, you inhaled the scent you have grown to love.

For a moment, you stay there, just drowning in the affection letting your hands rest on his sides unaware of how Leon could feel the slight friction of your breasts against his soaked shirt. The thin fabric of your dress does a poor job of preventing Leon’s hands from wandering around your body.

A pool of arousal starts setting in Leon as he reaches your ass and gives it a firm squeeze.

With one swift and smooth move, he lifts you off the ground. Your feet are no longer touching the floor as Leon walks away from the barn. And, as if on command, you wrap your legs around his torso, allowing him to walk easier to whatever destination he had in mind.

For once, Leon hates the fact that he owns a big ass farm. His place is a bit far away from the barn, so his decisions are fogged by the desire and neediness he is feeling at the moment. Years in solitude led him to think he was imponent but with the way his jeans seem to get tighter each time your lower half brushes against his, he knows it's not true.

He is a gentleman, don’t get him wrong. He’d have picked you up and carried you to his bedroom as usual, laid you on the bed, taken off your clothes, and fucked you gently (or rough) like he usually did. However, a newfound wish piqued his interest, and even though you're in a secluded area, he wishes everyone would know what pretty girl he got.

Without further thinking and no complaints made, he places you down on the grass. The sensation of the blades tickling your skin is, in a way, bothersome, but your brain is easily turned into mush every time Leon dares to touch you.

Leon, however, wouldn’t allow you to feel any discomfort. His sun-kissed skin would be exposed in swift motion as he takes off his wet shirt. Those antagonizing seconds of admiring him unbuttoning the fabric push you to press your thighs together, seeking any type of release or mere pleasure.

“Up,” And after those endless seconds of him taking off his shirt, his hand taps your hip, motioning you to lift the lower half of your body for him to lay his shirt there. Giving no second thoughts, you raise your rear, pathetically quick, and Leon notices. “So needy, have I been slacking off?”

And his tone gives him away. He is looking forward to letting nature be the witness of your lustful acts. The sun being your light and the grass your makeshift bed. His body embraces the position on top of you.

“Of course I have.” He cooes, bringing his face lower and lower before pressing his cheek against your inner thigh. His stubble resembles sandpaper with how it scratches your skin, but at this point, it brings more pleasure than annoyance. “Look at her, already crying for me.”

His breath tickles the middle area between your legs. The wet spot in your panties is obvious to Leon who wastes no time to bring up that fact. And you want to thank yourself for choosing a dress today because there is no way you could do anything besides laying on the grass and letting Leon treat you so nicely and tenderly.

“How could I?” He hums against the soaked patch of the fabric. “Been neglecting my pretty girl.” He presses a kiss on your clothed area, dragging down the anticipated pleasure you’re looking for.

“Mhm… please.” Your babbles gain a chuckle out of Leon’s lips. He is enjoying the whole setting, he wouldn’t have known he had a thing for outdoor sex but then again, he loves discovering new things with you.

Antagonistically, he lifts your dress until it reaches your abdomen and exposes your lower half.

And finally, his fingers hook around the sides of your panties, yanking down the fabric, allowing himself to admire the way he has made a mess of you already.

As always, he was ready for his favorite meal in the whole world.

Lying on his stomach, he props up on his elbows, his mouth dives into your pussy as his tongue laps at your clit. A moan escapes your lips as the sensation of being eaten out by Leon floods your mind and soul.

He feasts like a starved man, like he is eating his favorite dessert. He delves into your aching hole, his tongue tasting the sweet and well-known flavor of your juices. He brings your legs over his shoulders, propping you to raise your lower half and reach even deeper.

“Shit,” Your fingers tangle in his dirty blond hair, shoving his face into your cunt. His lips suck your clit, paying close attention to that part, drawing moans and whines out of you.

A plethora of names are being said as Leon continues being trapped between your thighs. He flicks his tongue while he feels how some of your slick drips to his stubble. And with the way your legs squeeze him even tighter, he can already guess you’re feeling so much pleasure from his tongue alone.

You arch your back, trying to bring him even closer to your core. The wet noises of his saliva and your slick mix with the outdoor ones. The soft rustling of the trees’ leaves and the birds chirping are a reminder of the scenario you both are in.

Whimpers leave your lips as Leon's tongue makes out with your cunt. Your fingers grip the shirt Leon placed as a makeshift blanket. Heat starts pooling in your belly as the antagonizing seconds of Leon eating you out bring you to the edge.

At last, your body jerks and comes undone in Leon’s grasp. He holds you in place, flattening his tongue to collect every drop of your slick. He could easily cum too just by the fact he was tasting your release.

“My sweet girl, always so perfect for me.” He finally disconnects from your pussy to crawl back to where your face is. He places some kisses on your neck which is glistening with a layer of sweat given how much pleasure you were previously feeling.

At last, his lips reach yours and he passionately kisses you. You could easily taste yourself in the kiss yet you don’t care at this very moment.

For a moment, he indulges in the tenderness of the kiss after bringing you to heaven with just his tongue alone. However, the easily noticeable restraint in his jeans was getting harder to control.

You feel him grind against you, seeking any type of friction to ease the aching feeling of his erection.

“Leon… I can’t….” Leon’s intentions are obvious as you feel his clothed dick humping your leg like a needy man yet, you are still tender from your ecstasy.

“You can…” He brings his face against the crook of your neck once again, placing wet kisses around your skin. “Just one more baby.”

He pleads, he begs, he needs to feel you wrapped around him. Those thoughts about leaving his mark, leaving his seed in you are still pretty much present. So at last, you nod. That’s when you can feel a smile forming on his lips which continue being pressed against your neck.

“Thank you, thank you.” Acting like he hasn’t touched for ages, you hear the rustle of fabric and his belt buckle falling to the ground. You see how his dick springs out of his boxers when he pulls them down, already leaking precum just from eating you out.

In less than a second, you feel him collecting your previous release, sliding his cock through your folds with such ease that it had you gripping air.

“Fuck…” He murmurs as he pushes himself painfully slowly, taking his time to feel how your walls tighten around his length. Pinned underneath him, you feel overwhelmed by the sensation of having his body so close to you.

“My pretty wife…” He whispers as he is finally all the way in. “Look at you, so pretty full of me.” He adds while one of his hands caresses your hair.

He starts gently rocking against your body, the pace is slow and comforting as if trying to remember the way your velvety walls clamp his dick, the stretch being something you’re accustomed to.

“I love you so much, you know that?” He says as he thrusts inside of you, this time a little more urgently. The hand that was previously running through your hair wraps around your waist and lifts it slightly.

“Mhm…yes.” You nod as your eyes lock with his, witnessing a newfound desire you haven’t seen before. Maybe it was the fact that both of you are outdoors, you don’t know.

The sounds of his skin slapping against yours mix with your heavy breaths. The perfect music for the perfect scenario. As soon as Leon hits that sweet spot of yours, you whimper his name like a mantra.

And then again, the thought of a family floods his mind. The mental image of your belly stretching out, making space for the baby is everything he longs for. And not only that, but he craves to take care of you, his pretty wife. You wouldn’t need to lift a finger for the nine months of pregnancy.

“Wanna fill you up.” He finally confesses in a moan. He isn’t a stranger to dirty talk, you know it well. The way his words come out like a promise and an already-made decision is proof of his not so hidden wish. “This farm is lonely with just the two of us…”

And as he presses his forehead against yours, you see in his eyes the devotion he has for you. The same man that promised you the world is now promising a life, a new life who is going to be the perfect combination of both you and him.

“What’chu mean?” You feign ignorance just for the sake of hearing those words coming out of his mouth again. And as you try to say some more teasing words, you can feel the way his thrusts get rougher as if trying to make a statement. The statement being that he wouldn’t stop until you get pregnant.

“You know what I mean…” He is huffing by now, letting out a grunt as he utters those words. “Wanna get you nice and full.”

Ultimately, your dreams are the same as his. So you allow him to transform this dream of his into his—your—reality now.

“Yeah?” You say through your teeth, trying not to whimper from the fact that his cock is reaching so deep into you.

“Yeah.” He groans, his sticky forehead never leaving yours as he looks into your eyes and your dazed-out expression. “You’re gonna look so goddamn beautiful as a momma.”

Out of desperation to fuck you even deeper, he brings your legs to his shoulders, just like he previously did when he was eating you out. But this time, it is an attempt to let his dick mark your womb.

It is his mission to one day see a positive test. It’s his mission to show his devotion to his princess and the now-future mother of his children. He’d never stop looking at the telltale of his seed making its home in your body.

He wouldn’t let you do anything besides resting and growing your little miracle. He’d cook, he’d clean, he’d feed you if you ask him to.

“Keep squeezing me like that, I’m gonna—fuck—cum…” He effortlessly bends your knees even more, bringing them closer to your chest. “Gonna fill you up until I’m so damn empty.”

He takes advantage of the vulnerable position you’re in to bring a hand to your clit. Rubbing it, he waits for the imminent climax of both of you.

“Cum for me, princess.” He presses his body on top of you, the position allowing him to let out an almost growl against your ear. The sense of purpose that Leon is showing prompts you to finally reach your climax. With a broken voice and your fingernails leaving crescent moons on his back, you coat his dick with your release. A gooey ring forms at the base of his cock every time he pulls in and out of you.

His actions don’t stop there, though. He was so close to spilling right inside you and making his dreams come true. He brings the hand that was previously teasing your clit to your face, brushing away some of your hair that has stuck to your forehead, he looks right into your eyes.

“Fucking love you so much.” He grunts, his deep sea eyes never leaving yours, as if trying to engrave this moment in his mind. To forever remember the time when he finally achieved his dream. “You’ll be the prettiest momma ever.”

Although his thrusts are too much for you to handle and the overstimulation turns into a slight discomfort, the way his hand is gently caressing your cheek—a juxtaposition of his determined attempt of marking you— makes you melt on the spot.

And especially since the cold feeling of his wedding ring reminds you of the amazing man you married.

“I'm cumming.” He warns you as his thrusts get sloppy and without rhythm. He's seeing stars at this moment, every time he plunges his dick into you he reaches the sky. And at last, with the way his breath gets laboured and heavy, it announces his high coming.

The head of his dick spurts rope after rope of cum into you, the angle you are in makes it easier for it not to drip out of you. He wouldn’t allow a drop of his seed to go to waste.

You feel the warm and thick liquid filling your insides, proof of Leon’s actions and therefore fulfilled wish. For a moment, you stay there letting his weight crush you and your bent legs.

After a while, he slowly slips out of you, carefully placing your legs on the ground. You feel the grass blades tickling your calves where Leon’s shirt doesn’t reach.

Leon rests his arm next to your head, admiring the dazed-out expression you have after letting him fill you.

“Hey…” He murmurs before letting out a soft chuckle.

“Hi you.” You respond with a smile amidst the exhaustion that is running through your veins. “We really just did that.”

“Yeah…” In his eyes, you can observe how much love he has for you and how eager he is to know if this one dream will be a reality.

With his free hand, he grabs yours and places soft pecks on your knuckles.

“Are you okay?” He once again speaks, now making sure you are alright.

“More than okay.”

He gives your knuckles one last kiss before he lets out a breathy laugh, shaking his head while doing so.

“A penny for your thoughts?” You ask.

“Nothing…” He shakes his head once again. “It's just that… I may have some dad jokes already prepared.”

“Shut up, Leon.”

You couldn’t wait to know if your dreams were achieved by this act. You couldn’t wait to see if your life could get even better than this. And especially, you couldn’t wait to experience being a family.

💬 shadesoflsk: Comments, reblogs and likes are very much appreciated.

#leon kennedy x reader #leon kennedy x you #leon kennedy fluff #leon kennedy smut #leon kennedy #leon s kennedy #resident evil

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chososdiscordkitten · 9 months

Text

Sub!Choso♡

MDNI

pairing: Choso x gn!Reader Content: no use of y/n or pronouns, beginning is some reassurance to Choso, no intercourse, sub!Choso, softdom!reader, light teasing, guided masturbation, overstimulation, praising, use of sweet boy, good boy, and hon, reach around hand job in the mirror, multiple orgasms; all just Choso..... Word count: 3.7k (a.n) ...... is this a safe place to post this? I started writing this thinking it was gonna be short- I was wrong. I got a lil carried away. Wrote this while listening to 'Take Me to Church- Hozier'

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Dating Choso came easy. He was nice, he was strong, caring. You always saw the tough side of him. He never had anything to complain about when it came to your relationship.

Always ready to hear your opinions and thoughts. And when you'd ask him what he think when it came to certain things he'd always reply with, “If it makes you happy, I'm happy.” never wanting to say something that might hurt you.

Always so eager to shut down your harsh words towards yourself whenever a certain shirt didn't fit the way you wanted to. And you’d compliment him, saying things like how handsome he was, how good he looked, or when he'd help you carry the cases of water, never hesitating to kiss his bicep and tell him how strong he was.

And everytime he would return a shy, “Thank you.” turning away from you, knowing how red his cheeks got anytime you'd praise him. So when he asked you;

“Do you like me?” One tired night after coming home from work, it took you by surprise.

“What do you mean?” You asked, looking at him through the mirror in the corner of your shared bedroom.

“Do you like me? Like that?” he asked, hands between his knees. His eyes on your face in the shape of saucers, sitting on the corner of the bed.

“Of course I do.” you replied, not fully understanding why he was asking that. “Have I not shown you that I do?” You asked, concerned that maybe you had failed him in that aspect.

Turning around to look at him, seeing him look down. “No- I just.” he puffed, trying to find the words to tell you how he feels. “I don't see why you'd want to be with me.” He let out, almost a whisper.

“Choso.” You sighed, seeing him tilt his head slightly up. Taking a step closer to him, reaching for the sides of his face.

“If im with you- it's because you are you.” You smiled, your thumbs caressing his cheeks.

He looked up to your gaze, “But-” he started, “No buts. What are you doubting?” You asked, soft tone in your voice as he closed his eyes.

“I just don't see why you'd want to be with me- I can't talk about my feelings- I cry too much.” He started, seeing tears form in his waterline. His hands hugged around your waist as he tried not to cry.

“I see the way people look at you- and it makes me feel like maybe I'm not enough.” He whispered, hot tears staining the shirt you were wearing as he pressed the side of his face to your sternum. Your hands caressing the sides of his face as he lets out quite whimpers into your shirt.

Pulling him from you, looking down at his flustered face and wet cheeks. “You're more than enough Choso.” You wiped tears from his cheek, “I know feelings are so hard to talk about, and your crying just shows me just how sensitive you are.” You assured, seeing him not find any reassurance in your words.

“But-” He started again. Nodding your head no as he stopped speaking.

“What do I have to do to get you to see what I see?” You asked, smiling as you leaned down to kiss his forehead. His hand holding your wrist, pulling away and placing a gentle kiss to his lips. Half lidded eyes locked on his as he parted his lips, almost as though he was trying to think on what would assure him.

Pressing another kiss to his lips before letting out a ‘Hmm?’ seeing him gulp his embarrassment. “What do you like…about me?” he asked, his ears now warm against your fingers.

Choso was never the type to fish for compliments, he never asked you to praise him whenever he did something for you.

But he wanted to hear it, he just never had the guts to ask.

The corner of your mouth curling into a smile at his brazen question, “I love your eyebrows.” You smiled, placing a gentle kiss to one of his eyebrows, “I love your eyes-” his eyes fluttering shut, pressing a kiss to one of them.

“And your nose.” You hummed, pressing a delicate kiss to the center of the black stripe that adorned his face. “Your cheeks-” He closed his eyes as he felt you pepper his face with gentle kisses.

The pink on his cheeks turned redder as he felt you kiss the shell of his ear, “And your earrings.” you smiled, his hands on your hips.

Feeling you straddle his thighs, lowering your lips to his jaw. “And your jawline.” you smiled, feeling him shift under you.

Trailing kisses on the edge of his jaw. Placing a kiss to his chin, “And your lips.” You whispered, pressing a soft kiss to his plush lips.

Your hands on the sides of his face, looking deep into his eyes. “I love every part of you.” You smiled, feeling his hands roam up your back. Pulling you close to hug him, your chin on his shoulder as he held you tightly.

“I love when you make me laugh-” you whispered, “How caring you are-” his grip on your back pressing firmer.

“When you do things for me without me asking you to.” You continued, you hand rubbing circles on his back.

The other trailing to his bicep, “And how strong you are.” You smiled, feeling goosebumps form as you trailed the tips of your fingers on his thick bicep. Tracing your hand down his arm, moving it so you could intertwine your fingers with his.

Pulling away from his hug and looking into his eyes. “And your big hands.” You hummed, feeling his thick fingers against your smaller ones. The tears in his eyes now gone as his bottom lip trembled.

Closing the few centimeters that separated your lips, Choso hesitatingly deepening the kiss. Feeling his lips suck on your bottom one. The hand on your back is going to hold the side of your face. Pulling away from you with nothing but hearts in his eyes.

“I love you so much Choso.” You whispered, seeing him hold back a smile- almost too shy to smile.

Eyebrows furrowing together when you felt something poke your thigh. His face of embarrassment showed you what he felt, not even looking down to see what poked you.

“I’m sorry-” He started, apologizing before you even said anything. “I just- felt so happy hearing your words-” he babbled, wanting so badly to tease him. But you knew now wasn't the time for that.

Taking one of your hands and brushing the hair from his face. “Don't be sorry-” you hummed, looking into his face that was full of shame. Smiling as he tried to avoid your gaze.

“No- I am. You're just trying to be nice and I ruined it-” he mumbled, looking down. Trying to look away from the embarrassment. Seeing an opportunity to show him just how much you liked him. Mumbling a quiet;

“It’s okay.” before pressing a gentle kiss to his lips and taking your hand and trailing it to his clothed chest. Then down his torso as his breath hitched.

Your hand resting to the side of his hip, knowing he didn't wear any underwear whenever he'd be in his pajamas. Your hand cuffing around his clothed cock, earning a soft gasp from his lips.

Dragging your hand to where you knew his tip was, your fingertips grazing it delicately as he closed his eyes. Trying his best not to whine at the feeling. Smiling when you saw him try his hardest not to get too loud from such simple touches.

His cheeks flushed and such whiny sounds falling from his lips made something deep inside of you itch. Taking the hand that was on his cheek, placing the tips of your fingers to his lips.

Choso’s eyes opened to look at you, such deep devotion in his gaze when he looked at you. Kissing at the tips of your fingers before widening his mouth to welcome them.

The hand on his clothed cock felt a small wet spot at the tip. Making you smile as he sucked at your fingers, hoping they'd be enough to quiet his moans. They weren't, his groans vibrated against your fingers causing a chill to run down your spine.

The mere sight of him making your own arousal pool in your stomach. Feeling his hips buck beneath you, you smiled. A certain image you've had in mind popping into your head when you saw the face he made before he was going to cum.

Stopping your movements as he looked into your eyes, almost asking you why you’d deny him this. Pulling your now wet fingers from his lips, seeing his face of confusion.

You raised yourself from his thighs, his face full of betrayal as you looked behind you. Pulling the small ottoman in the bedroom in front of him. Sitting down and looking at him, eye to eye but much further away than he wanted.

Smile on your lips as you saw his face churn with shyness. Feeling your gaze on the obvious wet spot on his gray sweats. Thinking he had never felt this hard in his life. “If I wasn't here; show me how you’d take care of it.” You hummed, seeing him look at you. Eyebrows furrowed showing you how unsure he was.

“Take care of…it?” he whispered, his hands going to cover the obvious wet bulge in his sweats. Your eyes looked down to his hands, you mumbled a small ‘Mhm’ as his lips cracked open to say something but not finding the words.

His eyes widening at the realization of what you were asking of him. Goosebumps forming on his back. Seeing you rest your elbow on your knee, propping your head in your hand while you waited. He stood up, taking his shirt off quickly- not wanting it to get ruined. His chest almost heaving from how flustered he felt.

Tossing it to the side and sliding his sweats down to his knees, his eyes avoiding your gaze as his throbbing cock flung out of his soiled sweats. Seeing a smile form on your lips when he sat back down on the edge of the bed. His eyebrows pinched together when he saw how lovingly you watched him.

“So pretty Cho.” You hummed, making his heart clench. Looking down to his leaking cock, and back to you. “Go on.” You smiled, the look on your face as though what you were asking of him was some innocent act.

Gulping as he took his hand, grasping the middle of his pale shaft. Inhaling sharply as he slid it up to his tip slowly. Choso had done this many times, never feeling shame or embarrassment for doing what seemed to be something normal.

But not once did he ever do it infront of you, the feeling of being so exposed while you watched him. Fully dressed and praising him. You've said it to him before, but you always liked the way his face churned when you'd tell him, “So big.” you'd purr, his eyes squinting shut at hearing your words.

His hand took a snail pace, stroking up and down slowly as he looked to his cock and back to you to see if you saw what you were hoping for. His sweats falling from his knees down to his ankles as he let out soft whines. His thumb caught the very tip of his cock as he looked to your approving gaze.

“Does it feel good?” you hummed, hearing him let out a choked moan, he let out a soft ‘Mhm’ as he stroked himself. “Use your words.” You demanded, his face showing you how reactive he was to your tone.

“It-” He whined, trying to get the words out. “It does-” he managed, eyes flickering back to you.

“Always so cute when you're like this Cho.” You smiled, seeing his hand speed up the tiniest bit at your words, seeing his free hand hold onto the edge of the bed while trying not to cum too soon.

“Are you gonna cum?” Your tone came out more teasingly than you meant for it to, seeing him nod his head no, going back to the slow pace he kept before.

“It's okay. You can cum.” you hummed, seeing him look to you with pained eyes as his hand sped up. All but asking for your permission. Gasping at the feeling of his fist brushing against his crying tip.

Chin in your hand watching his fist come down his shaft, making him throw his head back and let out a groan. Stroking his cock through his orgasm, only making himself more messy. Whining as he came down from his orgasm, looking back to you to see if you found what you were looking for.

“Again.” You smiled, loving look on your face when you looked at his fucked out one. Wincing when he heard your words, almost like you didn't have any issues about demanding another one.

His hard cock twitched as his hand connected again, stroking slowly at his shaft, making sure to not touch his tip too much. Knowing how sensitive it still was, soft whines left his lips once more as he saw you furrow your eyebrows at his movements.

“If you're not gonna do it right, don't do it at all. Choso.” tone now deprived of all sweetness. Now sounding more upset.

“M’sorry-” he whined, stroking past his tip. Bucking his hips into his hand, choked whines falling from him. Soft sighs from him when he saw your eyebrows unfurrow.

Looking at him again with a smile. “There you go,” You cooed, “Good boy.” you continued, earning small whines from him at your words. Looking at you with a shamed face before asking;

“Can I-” Seeing you lift your head from your hands and rest your palms above your thighs.

“Can you what?” you teased, seeing his hand move sloppily as he heard your tone. He moaned, babbles of ‘pleasepleaseplease’ as his hand tried to keep the pace he set for himself.

“Please what Choso?” you hummed, seeing him almost cum without permission.

“Can I cum- please.” He managed through various whines, blushing so intensely that it roamed down his neck, onto his chest.

“Go ahead, hon.” You smiled, seeing his face churn as he chased the fleeting orgasm at his own hand. Unable to keep his fist tight enough to make him cum from how fucked out he already was. Barely managing to come once his eyes met your gaze.

Standing up from the ottoman as he came down from his second orgasm. Pressing a delicate kiss onto his forehead as he stroked himself slowly.

“You're so pretty like this Cho.” You cooed, holding his head in your hands as he looked up at you through his eyelashes. Seeing his eyebrows pinch together at your praises. Placing a kiss to his lips, eyes half lidded before pulling away.

“You did so good.” Pushing away the strands of hair that stuck to his forehead. Opening his mouth to speak- hesitating as he looked into your eyes.

“Touch me. Please.” He whined, feeling your hands on the sides of his face and his cock hardening once more. Pulling away from him before slipping off your shirt- knowing just how messy he gets. Kneeling before him, hands on his bare thighs as he squirmed at the feeling.

“I always liked how sensitive you were, Cho.” You started, taking the tip of your finger and tracing it on his darkening head. Seeing his thighs tremble against the feeling.

“How pretty you look when you ask me to help you.” You continued, slowly trailing the tip of your index finger down his shaft, hearing how he became breathless at the simple feeling. Taking your finger and gathering the mess he made at the base of his shaft, looking up to his eyes and licking it from your finger.

Smile on your face from the flavor hitting your tongue, seeing him try his hardest not to whine at your words. “And how sweet you've always been.” You smiled, leaning against his thigh. Seeing his mouth want to say something, lip quivering at trying to get the words out.

“Pl-” he started, a gasp leaving his lips when he felt the tip of your finger circle around the opening of his tip. Hearing you let out a teasing, ‘Hmm?’ As his hands gripped the edges of the bed. “Please-” He whined, seeing only the tip of your finger dance around his angry head.

“Please what?” You asked, seeing his tip let out a fat tear.

“Touch me-” He started, soft gasps leaving his lips at how sensitive his tip was.

“I am touching you, aren't i?” You smiled, hearing his groans become more and more frustrated. Looking up to see his face, a twinge of regret in your heart when you saw teary eyes looking back to you.

“Okay, okay.” You smiled, raising yourself slightly so you'd be closer to his face, pressing a kiss to the corner of his opened mouth.

Looking into his eyes when you wrapped your hand around his base, gasping at the sudden feeling. Pressing a kiss onto his lips as he exhaled in relief, resting on the back of your calves as you slowly started stroking him.

Rolling the palm of your hand onto his tip as he squirmed beneath you, looking up to see his head thrown back, choked whines leaving his throat as you continued. Your free hand going to his balls, caressing them gently as he moaned more pleads.

Sadistic grin on your lips as you looked at the messy sight before you. “You gonna cum for me, Choso?” You smiled, seeing him flip his face back down to you.

Muttering a gasping ‘yes’ as your hand sped up. Seeing his cock leak out small pumps of milky white cum onto your hands. “You wanna make me happy?” you smiled sweetly, knowing that all you needed to do was ask him that one question and he'd be putty in your hands.

Nodding his head yes, not being able to speak from the whines leaving his mouth. You pulled away, making him let out a groan.

“You look so pretty- you have to see yourself.” You smiled, crawling onto the bed, hearing how hard he was breathing. Bare chest against his back as he whined. Feeling your hands snake beneath his arms, touching his ribs and grazing his chest.

“Look-” you whispered into his ear, being able to feel the shiver that ran down his spine. Seeing him lift his head to look into the mirror in front of him.

“Look how beautiful you look like this.” You whispered, lips brushing against his ear as your hand trailed down his torso. Fingers slowly tracing the ridges of his abs, hearing him exhale at your words. “You look even prettier when you cum.” you grinned against him, making him let out a soft whine at your dirty whispers.

“I'll show you-” you grinned, almost too eager as your hand trailed from his abdomen down his happy trail. Already feeling him writhe against your touch.

Seeing his gaze fall from his own body to your face peeking behind his shoulder. Feeling you slowly push the tip of his cock through your fist. Making him shift his hips, your other hand going to hold onto his thick bicep. Slowly stroking his cock as he felt another orgasm pool into his stomach.

“I’m gonna cum-” he whined, feeling that the sight of himself in the mirror and your sweet voice in his ear was too much.

“Already? I've barely touched you~” You teased, pressing your thumb onto the bottom of his tip. Sliding it up and down as you waited for him to answer, not stroking him just to see what he'd say.

“I’m sorry-” he whined, making you let out a small laugh.

“My sweet boy. Always so polite.” You smiled against his ear, making him buck his hips up your hand to get some stimulation. Seeing his eyes squeezed shut through the mirror, “Open your eyes.” You demanded, seeing him open them and look into the mirror.

“Look at your arms-” you started, slowly stroking his cock as he tried his hardest to not close his eyes. Feeling your hand caress his bicep, fingers pressing down at the small vein forming. Moving the hand on his bicep to his side, keeping the slow pace as you stroked his cock.

“And your chest-” you hummed, sliding your hands past his hardened nipple, making him gasp at the feeling. “Look how pretty your cock is.” you giggled, seeing his eyes trail down his own reflection- exhaling when he saw your hand stroking him.

The feeling of your other hand rolling the bud of his pink nipple between your fingers made him almost cum on the spot.

Seeing his face churn in the mirror you whispered, “Are you gonna cum again?~” as he muttered various ‘yesyesyes’ feeling your hand polish the tip of his cock.

“Look at yourself Choso-” you smiled, seeing his eyes scan his body with low gasps. Whining when he felt your hand speed up, making him cum once more. Barely being able to keep his eyes open as you brushed your thumb across the tip.

“Look how pretty you look~” you gasped, feeling his cum fall between your fingers that grasped against his cock. Choso’s eyes falling onto his own face as he came down from his orgasm. His breathing slowed as he felt himself give you the last of what he had.

His cock softened in your hand as you felt aftershocks flow through his body. Kissing his shoulder before letting his cock go.

Almost feeling him fall back onto you, before you laid back into the bed. Feeling him flip over and resting his head onto your sternum. Holding himself close to your skin as you rubbed circles onto his bare back.

Tired eyes looking up at you, “Thank you.” he whispered before leaning up to give you a soft kiss to your lips. Placing one of your hands onto the side of his face, your fingers trailing above his pierced ears, feeling him hum against your chest.

Trailing the hand on his back up to his hair, combing it away from his face as you felt him slowly becoming heavier- showing he was falling asleep. “I love you.” You hummed, earning a small grunt from him as he tried to stay awake.

I wrote this cuz I personally find it to be one of the most attractive things I can think abt- and when looking for some like this abt Choso, I found very few which was UPSETTING!!!! its one of the few things that made me take 5 min breaks like every few sentences because i felt so flustered writing this. again I suck at writing aftercare. im SORRY. I needed to write something nasty- I felt like I was punishing myself or something. I needed to get this out of my head before I wrote pt 7 of obsessive!Choso!!! im getting to work dw

#jjk #choso kamo #choso my beloved #choso x reader #jjk choso #jujutsu kaisen #choso smut #choso jujutsu kaisen #jjk x reader #choso x you #sub!choso #dom!reader #jjk smut #jjk x chubby reader

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churipu · 9 months

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I love you so so much omg ur posts, ur content, un vibe everything. you’re so so nice and yet you have me crying over every single post because of how good this is. Like yesterday i had a whole debate talking to myself abt how good of a person you were and how the likes were not doing you justice.. usually I never send requests mostly because i’m scared they take a look at it and be like “you cannot be srs”. Idk if it makes sense but oh well😭😭

can i request u make a scenario where the reader is insecure and worried their partner is going to leave them for someone prettier but they dont say anything and just start to distance themselves from them from how big of a toll it was taking on the reader? thank you sm😭🫶🏽

YOU BEING INSECURE + JJK MEN

featuring. gojo satoru, nanami kento, sukuna ryomen x reader

warning. cursing

note. ANON YOU'RE SO SWEET OMG BRB SOBBING HAVE ABIG FAT KISS, and i love this request so much, you don't have to worry <33 thank you for requesting my love, sorry it took so long :')

GOJO SATORU. even if gojo didn't seem like the type to be aware of his surroundings — he is very much aware. behind those blindfolds and dark glasses, his eyes darts everywhere, making sure everything is fine. even if one small thing is different to his eyes, he'll notice.

so when you began distancing yourself from him, he notices off the bat. but decided to say nothing just to make sure of it, gojo did not want to jump into conclusions. it started off as you telling him that you're busy to go on dates, or even declining his offers when he wanted to come over to your place.

he didn't think much of it until it visibly worsened, you looked miserable. when he sees you, it was like the shine in your eyes have gone away — gojo didn't know what happened, but he automatically assumed that he was behind the disappearance of it. when he asks you if you were okay, you brushed him off with a forced out smile, and he was dying to push you to just tell him everything.

but he didn't. he was afraid that if he'd push you, it would spiral an argument. for a while, he was walking on eggshells around you, you were like a ticking time bomb ready to blow up at any minute.

it was gnawing internally in gojo's mind, what did he do? what happened to you? what happened to y/n?

his y/n.

so when shoko drops the bomb on him, asking if he had broken up with you. gojo was mortified, is that what it looks like to other people? him and you calling it off? he was terrified, scared, nervous. the strongest sorcerer. yeah — he was scared.

and so he felt like it was a now or never situation.

"y/n, can we talk?"

you grimaced at his soft voice, wondering if this is the part where he's had enough and decided he'd leave you. but you nodded your head, your mind was ready, you were ready to hear it, those words: "i want to break up with you."

"please talk to me. i can't do this whole...you avoiding me, tell me what's bothering you...please." the desperation in his voice was visible, almost as if he was in the verge of tears.

his cerulean eyes were filled with such hopelessness, one you've never seen even when he was fighting a curse. you widened your eyes and inhaled sharply, "i...i'm sorry, satoru."

that was all you managed to muster up and gojo was clueless, he needed more answers, he needed answers to why you were like this, "baby, i don't... is it me? did i do anything wrong to you? please tell me, don't run away.. let me make it up to you."

it pained you to see that he thinks it was him, when it was you behind this. you shook your head, "'s not you 'ts me."

and that made gojo even more terrified than he already is, a lot of questions spiraling in his mind, did you find someone else? did you get bored of him? were you finally breaking up with him because of his constant bothering? so many questions.

"i just...there're so many more people prettier than i am. i just can't stop thinking about it. you leaving and all. 'm sorry i distanced myself from you." when you said that, gojo felt like half of his questions were all useless and he felt a bit relieved to finally get an answer to his speculations.

gojo wasted no time pulling you into his embrace, he needed it, you needed it. both of you needed it just as much, you felt so small in his embrace, head buried into his chest. gojo didn't move a bit, fearing if he moved at all — you'd break, you looked so fragile and so dainty, it scares him.

"i..love you so much." was all he could say,

"'ts you, 'ts you that i love. it hurts me to hear you talk like that." you felt like shit, you really do — so you said nothing back, you kept your face hidden in his chest.

and gojo didn't pry you away, he just needed to be close to you, "sorry."

that was when he pulled away, "you don't have to be sorry, but please talk to me, 'ts not fair if we're happy together and you have to be sad alone.." you hated crying in front of people, especially gojo, and he knew that about you.

so when you cried in that moment, gojo knew this wasn't something light — he didn't need any more explaining from you, he was just there by your side the whole night. and the next day. the next week. month. year. both of you never spoke of it again.

he's in love with you and nobody could change that, he thinks you're the prettiest anyways.

NANAMI KENTO. nanami's eyes are always on you. nobody else. and everyone knows that.

everyone except for you, unfortunately.

usually he comes home and you were always there to greet him, with a hug and kiss. it was an inseparable combo he made a routine, but for the past couple of days — he hasn't been getting that.

instead, he was greeted with silence. and just from the second time, he knew that something was definitely wrong with you. he'll find you curled up in bed, under the covers like it was the only thing that mattered in the world; but he tries to see it as a sign of exhaustion.

nanami watches your every move, for the past couple of days. you have been out of it. to the point where it was plain obvious and nanami tries asking about it, but you tell him it was just because of the stress. a sweetheart he is, he tries telling you to get some rest from work — he'd even excuse you if it's needed, but you tell him that wasn't needed and that you were fine.

obviously lying. he could see it, smell it, hear it.

it was suffocating. everything was suffocating to you, it's like everything was slowly masticating on every fiber in your body. you wanted to just, drop down and cry but whenever you try to, you just end up sitting on the floor blankly staring at nothing.

it scares yourself sometimes how empty your eyes look.

you wouldn't be surprised if nanami didn't come back home one day because he's so fed up — that's what you've been planting in you. that nanami would leave you for prettier people, for people who don't overthink, people who are generally better than you.

"y/n?"

oh. you didn't even hear him come home, you sat on the bedroom floor trying to push yourself up. and you couldn't even do that, so when nanami opens the bedroom door, seeing you on the floor — he said nothing, not even a hello.

nanami just scoops you into his arms and lays you down on the bed mutely, his slender fingers brushing your hair, "i love you," he murmurs quietly.

that was enough to make tears dwell up at the corner of your eyes, and he said nothing, grazing your tears away, "'m sorry. 'm so sorry, kento."

nanami didn't understand why you were apologizing, he hushed you, cradling you in his embrace as you let your tears free fall, "why are you sorry?"

that's when it struck you, why were you apologizing?

nanami didn't question you any further but he held you close, pressing chaste kisses onto your forehead, "is something in your mind?" you nodded slowly, "do you want to tell me about it?"

you nodded, inhaling sharply, "i just don't feel pretty enough...i feel like you deserve better than me, ken."

nanami laced your fingers with his, kissing your knuckles, "why do you say such things?" you didn't answer him, and it just breaks his heart even more, "you're perfect for me."

his words fall into deaf ears, but you didn't continue saying your worries, you just feel like nanami gets a gist of it. nanami didn't leave your side, cradling you in his arms like you're the most fragile being, "i love you," he kissed your forehead, "so much," and he kisses your lips.

nanami makes sure to spend every second telling you how much he loves you, telling you how beautiful you are, and how you're the most perfect for him.

SUKUNA RYOMEN. he hates it when you ignore him without any explanations, he's told you before, "if you have anything to say, say it to my face, don't ignore me."

but this feels like something you couldn't tell him, how you feel. it's obvious that you were distancing yourself from him, when he calls you, you sometimes pretend like you didn't hear him — and when he confronts you later, you tell him that you just didn't hear his calls.

"you're ignoring me, hm?"

"what? no— i just didn't hear you calling out to me."

don't even try to lie to him because he will always confront you about it, he sees right through you and your lies. the second time you try to run away from him when he calls out to you, he wastes no time holding you in place; confronting you right at that moment.

"why're you running away, brat?"

"i...oh, i didn't realize you were here, ryo." sukuna clicks his tongue in mere annoyance — what a bad actor you are, it's so ridiculous sukuna wanted to just burst out into laughter.

"bullshit. why're you avoiding me?"

that was it. you were cornered just like that. sighing, there isn't any way out unless you tell him — sukuna just won't let you go unless you tell him everything behind your recent behaviors.

"just don't feel pretty enough for you," you mutter out, avoiding his sharp gaze, "i feel like you can do much better than me. you deserve better than me."

sukuna gave you nothing but a mere smirk, pushing his lips onto yours. god, he didn't want to admit it — but he hates the way you talk shit about yourself, if he could tell you everything that he loves about you, he would. but he didn't because he's a jackass (and he's too shy to tell you that).

"that's it?" that's it? that's it?

you were about to push him away when he gives you that glare of his, "which person has been making you think like that?"

"no one. me."

he flicks your forehead, "then stop."

if only it was that easy, you grumbled at his response, and said nothing else so you could just leave. but sukuna, despite his ignorant answers always makes sure that you never run away from him anymore, he's a lot more touchy than usual — and he (tries) to compliment you and your appearance.

keyword: tries

he fails at it though. but you gave him kudos for trying, that's all that matters, really. that he makes you feel loved.

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gguk-n · 1 month

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Chapter 3- The Reveal

Unravelling Max's Mystery (Max Verstappen x Online Friend!Reader)

Series Masterlist

Summary- Y/N gets rejected for the sixth time. Max win's the Monaco grand prix 2023. Y/N decides she needs time for herself.

No hate to anyone, it's for the story

{Reader's POV}

I fell asleep crying, a faint buzzing from my phone was heard from the other room. I woke up after a few hours at 3 am when I found my phone which was burning up. The messages hadn't stop coming. They had gotten quite frantic as I scrolled through my notifications. I decided to reply to Max's messages.

He was still the guy I liked, I couldn't not reply. But I was hurt and in no shape to be talking to him. I don't know what Max said after my message because my phone shut down. I pushed myself to clean myself up and my surrounding. I was a stress cleaner and I'm so grateful to having 2 jobs right now. It meant my mind would be preoccupied. I cleaned my whole house before leaving for school in the morning. My eyes were red and puffy; I was on coffee. I had yet to switch my phone on. I wasn't ready to face Max yet.

Today was the worst day, not only because of last night's revelation but I had the least amount of classes today. None of the kids needed help after class either. That meant I was left to my own devices. When I switched the phone on, I could see missed calls and texts from Max and a couple voice messages; from the night before and today morning I guess. I opened up Google to check his schedule; he was in Monaco, which was also his home currently. I found out a lot about him, you think you know someone but then Google tells you otherwise. His dad was as shitty as he described. His records and feats were astonishing and if I wasn't this angry at him for hiding it from me, I would've been so proud and told him so. His Instagram feed was pretty and polished and he posted so much racing content. I found his streaming account with a team, he was exactly like the Max that called me everyday with occasional appearances from the cats on stream. People spoke so rudely about Max, it angered me to no end. He was a kind man, a liar but a sweet man.

The real kicker was Max's girlfriend's account where I found so many pictures of them together with her daughter, from what I found out. He looked happy, he had a family like he always said he wanted. I couldn't help but smile bitterly, a part of me wished that it was me who was the woman beside him with our kid. Life is cruel in some ways, mine is satire at best. Here, I can't date a man because I'm hung up on a guy I've never met before while said man has a family. I felt tears streaming down my face which I quickly wiped them off. I had enough of pity and sympathy stares since the morning to last a lifetime, I can't deal with any more of them.

I knew I wanted to talk to Max, the only guy who has ever understood me, however, I also knew that if we spoke I wouldn't be listening to him. I was scared I would lose the one true friend I have. Would Max understand where I was coming from? Why did he hide this from me? Did he not trust me enough? I get it, but you are a public figure. I don't know how to feel about all of this. It was the weekend tomorrow. I would be left with my thoughts and I probably shouldn't confront Max before his race on Sunday, right?

I spent the next two days planning how I would talk to Max. How I would ask him why he hid everything from me? I didn't want to fight him; my parents always said I was rude and difficult to work with, that my anger consumed me, that my words were harsh. I wasn't supposed to show such negative emotions they said. I didn't want to lose him; but was I allowed to hold on to him when he never let me have him?

Max called and texted me every day but I was very scared, scared of becoming the monster my parents said I was, sacred of hurting the one I love. There I said it, said Max and love in the same sentence. I had threaded that line so carefully but after all of this, I realised that I've loved him for years and watching him be happy with some else hurt as much as knowing that I never truly knew Max. It was Sunday night, I checked the news and saw that Max won. I wasn't sure if I was supposed to rejoice watching the man I love win at what he was best at or be hurt watching him live a life I knew nothing about.

I texted him at night on Sunday, maybe he would be busy celebrating his win, I didn't know. I didn't know a lot of things. As I waited for the text back, I logged on to my emails that I had forgotten about to find a reply from the publication I had sent my work to; to be met with dismay. Another rejection, I'm not sure how many more rejections I could take. My hands shook, making the laptop fall from my lap onto the bed. I got up and got myself a glass of water.

I laid on my bed for god knows how long before the familiar ring of my phone pulled me out of my trance. I had taken the day off tomorrow. I knew I didn't have the mental or emotional capacity to deal with anything. I answered the call to a worried Max.

Max- Schat, how have you been? Haven't heard a word from you in days. Y/N- I've been busy, school year ending and stuff. Why didn't you sleep yet? Max- You know my sleep schedule is non existent. Y/N- Yeah, I guess I do. Max looked at me confused. Y/N- You know how I do freelance editing Max- You've told me about it Y/N- The latest author I'm working with is a sports author. I was hoping you could help me since you are a walking encycylopedia. Max- sure schat, but what's up with you? You know I'm always there for you Y/N- Yeah it nothing, just stressed. Max- Take off, you deserve it Y/N- The summer break is here soon, I'll be fine. So about that author... Max-Yeah, what sport does she write for? Y/N- Formula One. I don't really like reading lengthy articles and I'm sure one article wouldn't do a sport any justice. I could see the colour leave Max's face. He licked his lips before speaking. Max- You did not go through google yet, right? Y/N- Oh no, what do you take me for? I got excited to learn about something new. Do you know who the reigning champion is? Max was quite, a sort of uncomfortable silence had enveloped us, for the first time in 10 years. Y/N- Some dude named Max Verstappen. You guys share the same first name. He has 2 cats too; named Jimmy and Sassy, who look exactly like your bengals. I mean he even looks like you, with horrible sleep schedule just like you. He even sounds like you. I felt my voice begin to crack while I spoke, the lump in my throat unbearably big, my breathing was uneven. Max- Schatje, I can explain. Y/N- You don't have to Max. I never asked you what you did. You don't have to explain anything. (I smiled with only my lips) Max- I wanted to tell you, it just never came up in conversation. Y/N- I get it, it's difficult to tell your friend who has amounted to nothing that you are the World Driver's Champion, best of the best in Formula One. Max- Y/N, it's nothing like that. You're great, you're kind, you're funny. I laughed bitterly. Y/N- Those are character traits I possess, they don't describe my career goals or achievements. I know I work 2 jobs to stay afloat while you make millions, I know I wish I was an author and not their editor, I know you probably thought I was too stupid to understand your rich and fancy world. Max- No, no, you're so talented. I've read your work and I'm sure the right publication will pick your work up. Y/N- I got rejected for the sixth time today. All of this is fine except that you lied to me about being single while having a girlfriend for years and having the happy family you dreamt off. You didn't have to introduce me to her; not like my boyfriends met you. But it would've been nice if I knew. Max- It just never came up. Y/N- I...we joked about setting you up with someone all the time. Please don't. I get it, we didn't tell each other about work goals or what we did as a job but personal life; I literally told you about every guy I've ever been with. I felt bad telling you thinking you were single. I feel stupid right now. I had tears streaming down my face at this point. Max- I'm sorry,Y/N. I promise I won't hide anything anymore. Please, don't cry. Y/N- My name is Y/N Y/L/N. I majored in literature in Uni and now work as a primary school teacher and freelance editor. I'm trying to get my book published soon. I broke up with my boyfriend 2 months ago. Max- Please don't do this. Y/N- I believe at least one of us should be honest. Max- Let me fix this. Y/N- Don't worry. There's nothing to fix. (I wiped away my tears) Max- Please don't say that. You mean a lot me. Y/N- Me too. That's why, I need time. I'll talk to you when I'm ready. Max- Please, I can't lose you. Y/N- You won't. I'll always be there for you. I just need time. Take care Max I saw tears streaming down Max's face. Max- Bye, take care Y/N. I'll always be here. And then the screen went black.

[Max spent the whole week worrying about Y/N. He couldn't think straight. This was weird, she was never this busy before. It was stressing him out, he couldn't eat or sleep. He never even thought about the fact that maybe his lie had been exposed. When Y/N texted him, he was at a club in Monaco with the other drivers to celebrate his win. He only saw it after he got back home and immediately called her. She looked different, there was this sadness in her eyes. The smile didn't reach her eyes. And then she started talking, his heart was beating very fast. The moment she said Formula One, his whole world came crashing down. The more she spoke the more he felt like he was falling deeper, in a pit of his own making. He wanted to tell her, he wanted to explain himself but no words left his mouth. Then she started talking about his girlfriend. He felt like this was the last time he would get to talk to her, the last time he would hear her voice. This felt like the last time he would have her]

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