#some notable exceptions being

[femmedefandom]

I know it’s a silly thing to get hung up on, but it drives me crazy to read a transmigration/isekai type story with a vaguely historical setting and have the clothing style be all over the place. Is it modern or not? Why do some dresses have backs and other are backless? What is going on with sleeves and straps? Why do some characters have ballgowns and others have thigh high slits in their gowns? Is the style form fitted or intentionally built up? Relaxed or structured? Flats, slight wedge, or full on stiletto? Are ankles considered taboo or not? Idk, it’s okay to be anachronistic but it really screws with setting up a world if the fashion isn’t at least consistent.

[chanrizard]

i still think he has nothing to be sorry for and making him post a whole ass apology just because some people on twitter don't know how to handle things like adults is a bit too much but whatever

[twilightarcade]

the Real question is are we normal style bleeding or Get Help style bleeding

[silasbug]

i have no idea what happened or how it happened, but i can finally play bar chords!!!!!

i am so fucking excited. i know it's nothing special but this is a big deal for me because my fingers are short and that shit is painful, but i can actually sound the chords!! and i can switch to them with relative ease, too!

i'm going to be an absolute fucking menace now that half of the songs i want to play are actually playable for me, ha. hahahahahaha. AHAHAHAHAHA.

[whatudottu]

Hmm Junji Ito making me think of horror and @gr3y-etiola making me think of how different alien cultures would treat horror in their own way from the DMs, all leading me to galvans. What do the galvans, one of the smartest species in all of the Ben 10 universe, fear the most to the point where they would create horror media? What could a species, who knows everything there is to know about the universe and otherwise would find out if they don’t, fear as a collective that they would have their own horror genre?

Junji Ito has my answer, and it’s the fear of ‘everything you know is wrong’ or just in general ‘things that by all logic should act and behave this way, but rather it doesn’t’.

From planets eating and consuming others to the absurdity of being haunted by spirals, things that are wrong and do not act as the brilliant galvan had theorised - perhaps even proven because they have the tech and lifespan to do so - are the best chance at horror to develop in Galvan Prime culture.

Who knows, it is perhaps this wrongness - this ‘not-quite-right’ness - that Malware is seen as this feared being who cannot even garner a shred of sympathy because he’s not like other mechamorphs, a species created (even if accidentally) by the galvans themselves. How can a being, a member of a species made by proxy of making a neighbouring moon habitable, be born to tear and sunder?

How could something that they created be formed so wrong?

[dyketubbo]

yknow i think ive fucked myself being so attached to this url lmao

[godsfavoritescientist]

thought about billford for too long and now eldritch horrors give me gender envy. what the fuck

[exopelagic]

I wiped out so hard tonight my KNEES

[thereblogbogblog]

I need my exactly 2 mutual to understand that I didn't really like Nerdy Prudes Must Die itself because I felt super underwhelmed and there was a lot of missed potential-

but I am really banking on fandom tumblr's ability to put on rose colored glasses and make fanart and fanfiction that makes me feel something more.

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

[am-i-the-asshole-official]

AITA for not having time to read my mutual's writing?

Met a mutual on here, bonded through fanfic, have been tight with them for a few years with pretty much no bumps in the relationship, just overall had a really good time hanging around them when I could. We both write a lot and share our writing, and occasionally we talk about that writing/workshop it in passing.

In the past few years I've gone through a ton of life changes. Most notably I went from a multi-person household to a single-person one, and I've been living alone in a prohibitively costly city for a while now working 40 hour weeks and barely scraping by. As soon as the transition started I spent the last of my free income on a shitty little laptop so I could still write, putting down words on my bus/train commutes in the morning and quite literally writing on my breaks at work because I feel insane when I can't create. I bring this up to really stress that I don't have the time for the hobby, I force myself to make the time and even then it never feels like enough.

The only thing I can really stand to do with my 3 hours of free time at night is hang out with my moots online. I'm an extrovert so being around people recharges me. If I don't have designated social time I get super depressed and can pretty much feel my soul withering away. I also feel like I should probably mention that I kinda have a slew of mental issues, personality disorders and PTSD and AuDHD and the works. Point being, shit is rough my dude, but I am a person who likes to work hard and face challenges head on and even though we strugglin, we doing it with a positive outlook.

But! I am an incredibly solution-oriented person and I have found what I personally believe to be a good balance. No one should have to live like this, but I do, and I have found a way to be happy. My writing and my social time is all load-bearing. It is not something I just choose to do on a whim, it's all planned and scheduled and I adhere to those routines very strictly because, I cannot stress this enough, I will go fucking bonkers if I don't.

I'm mutuals with a lot of writers obv, and I sadly don't have time to read their work anymore, unless I get some extra time on my days off or something gets cancelled or like, I end up taking a vacation. I carry a great amount of guilt for this, though, even though I logically know it's reasonable. I try to support them where I can, cheer them on when I see them writing and tell them how cool their ideas sound, hype them up even when I can't actually read & review.

One of the things I do is sometimes I leave a kudos on fic I haven't read. I'm not trying to be ingenuine, and if they asked me I'd tell them like 'Oh I didn't read it yet, just wanted to show support!' but to me it's kinda like ripping a paper tab off a poster so that other's feel inclined to do the same. Plus my pals get a little email and a hit of serotonin.

Except one of my acquaintances, the one I mentioned at the start here, saw that I left kudos on a couple pieces another mutual of mine wrote this year. They more or less blew up my DMs with a ton of accusatory (like, literally presented like a 'GOTCHA!') stuff about how I was selective in who's fic I read, more or less implying that I secretly held some sort of grudge or negative feeling toward them and was making the conscious decision not to read or interact with their writing because of. Something, I don't actually know what they were trying to say. They also told me they vented to their friends about this MULTIPLE times, but they never once approached me to let me know they were feeling paranoid or neglected, they literally just took the most bad faith reading of it possible and then presented that to me like it was something I intentionally did, while the whole time I was unaware.

I tried to explain to them the kudos thing, that I didn't do it to every story, just ones I caught/noticed in my busy schedule. And I laid all this out and asked, multiple times, what free time am I supposed to read with? They didn't answer, and doubled down, kept trying to show me 'proof' that I was shorting them and no one else. Once they started to realize how wrong they were they backed down, but they didn't really apologize, or admit they were wrong, and they tried to end our relationship and left every single server we were in together. Because of some other unrelated stuff going on in my life, I didn't really consider them to be a close friend, but they were someone I really held dear and would've walked through hell for if they'd asked.

I still feel like there is something I'm missing here, and that's why I wanted to ask if I'm TA. I'm a pretty good communicator but one of the things I told myself when talking down my disordered thoughts (guilt about this prior) was "no one in their right mind would use reading fanfic as a metric for friendship." Now that I've had that exact thing happen, I'm starting to think maybe those thoughts weren't so disordered. Maybe this IS a big deal, and I should think about it more, but I don't even know what the solution to that would be. I just. Don't have time to read something lovingly crafted and appreciate it for what it is. All the hours in my week are used up, I'd have to lose sleep for this and with my mental health the way it is that is not an option.

Feel free to be a brutal, my skin is thick. Thanks!

What are these acronyms?

[silasbug]

... just realized i have an awkward propensity towards light haired characters in fandom for some reason?

[iberiancadre]

I've talked about this before but I have a deep dislike of sentiment like this within "leftist" circles, regarding unions. And it's practically always from USamericans, go figure.

(Before anyone interprets this post on bad faith, which is inevitable, I am not against being in a union and I am not telling people not to join a union, it's the most inmediate form of protection workers have and that is, in fact, good)

It's this overbearing insistence on joining unions, treating it like the best (and only) way of achieving workers' liberation, and I think that shows either a bad understanding of what unions are or a bad understanding of how capitalism works. Unions are bargaining bodies for workers, that's it. They aren't revolutionary, and they aren't going to kill your boss. And I want to really hammer in this point. They aren't revolutionary. Precisely because their role is to bargain, and to achieve better conditions within the system of salaried work.

You are never going to "liquidate the ownership class" by getting longer breaks, paid holidays and an excellent health plan. Keep in mind, bargaining with the capitalist is necessary, and that in itself isn't non-revolutionary, not necessarily. But the only purpose of a union is to bargain. I really don't think people get this. A union's only purpose is to bargain, it is to negotiate. Negotiations also necessarily imply compromises and unsatisfactory deals. Unions are not a magic key to not being exploited, and they especially are not the way to liberation.*

I think this is especially prevalent in the US because of two things:

Their labor movement is so fucked that any kind of opposition to capitalism is by default radical. And therefore some people feel it's enough to just tell people to join a union. However, this isn't unique to the US and many places have it much, much worse

Living in the imperial hegemon makes it very easy to ignore any other place outside of their little sphere. People can go years engaging in left-of-DNC circles but without ever leaving their USamerican community, they end up not knowing who James Baldwin is, to give a topical example. This affects the US labor movement by allowing them to ignore other places' struggles, so it's very easy to see anything they do as the horizon of political action. They only need to look to their own country for examples in action, and the truth is that the labor movement in the US has been largely very mild. In the cases when it has not been mild (notable exceptions include the Black Panthers), it's largely forgotten, demonized or revised in bigger circles.

So you get people who call themselves communists just for being unionists. But a communist is someone who identifies the core of exploitation to be the very structure of capitalism and work and attacks it. You are not a communist, however, for believing the core of exploitation is your shit boss who refuses to pay for dental.

And what's funny is that 90% of what people on here claim to be communist and anti-capitalist is just the norm on most of the world. People will hype up the DSA or VoteSocialist2024 as if they're breaking ground, and then you read their programs and they're just socialdemocrats. They are nothing more than reformists, just another manager of capitalism.

My father works for one of the biggest textile manufacturers and distributors in the world, and unionization is the norm, it's a "union job" but it's still shitty and exploitative. There are in fact 3 unions, and they engage in petty electoralism within the workplace, only sometimes actually protecting worker's rights, and that's a country-wide norm. This is what unions end up becoming when they become established, especially with a friendly government in place.

CCOO was a union created in the late fascist dictatorship in Spain, and they were genuinely fighting (with guns!) against the dictatorship. And the moment the dictatorship ended and they became the largest union in the country, they slowly became less and less radical, and more complacent. Last year they signed a labor reform that legalizes highly precarious and inconsistent forms of work contracts. That's not "liquidating the ownership class", that's just social-democracy when it doesn't need to be the opposition anymore

To wrap up, a note on syndicalism, anarcho-syndicalism, etc.

Unions are by their very nature an organization that only operates within one aspect of the life of the working class, the workplace. Sure, it's the main one and the part that defines us as a class, but it isn't the only one. In order to actually "liquidate the ownership class", you have to take power by force, and that will have to involve intervening outside of the workplace. What syndicalists used to claim is that unions can be the base of a socialist society and organize the entire working class to destroy capitalism. However, at that point, you have created a party and called it a union. And not only a party, but a myriad of them, each with their own characteristics and desires. So a multi-party system. I will not get into the viability of multiple parties in socialism in this post, but they are not unions in anything by name.

Footnote under the cut:

*I know I'm repeating myself a lot these days on this topic, but if you live in an imperial core country, there is no way to have prosperity (as the example above puts it) without some of that wealth coming from imperialism. It does not matter if your particular country never had colonies, it does not matter if your country is stereotypically nice (fuck the Nordic countries). And no, the expoliated wealth does not only remain within the capitalist class, there is always at least some circulation of wealth from the capitalist to the workers within any welfare program. If your workplace can afford to have long breaks, that is at least in part because your capitalist is profiting from the exploitation of the third world, and because the entire economies of imperial core countries uses the wealth extracted to support their deficits and to stabilize their currencies.

It's not a hard concept. If you can understand that it's basically impossible to manufacture batteries for renewable energy without exercising violence on places like the Congo, it's not that hard to understand the same is true for most things.

[bonchobrick]

Dead on Main au where Jason is of course Danny’s Fright Knight and like all knights do he has a weapon—except it’s his gun.

The batfam + justice league + everyone (except ghosts duh) don’t know that his normal average everyday gun is actually like a super powerful spiritual soul shooter that is, yaknow, capable of blasting someone into an alternate dimension where their greatest fears become real.

So imagine there’s like a big battle where a ghastly ghoul reigns terror on Gotham. The world sends their best hero’s—wizards and occultists are notably high highest in demand—to stop the ghost but, nothing works. All of the weapons and spells and chants fail.

But,

As the fights worsens and the heros scream for people to flee suddenly--

Loud squeaking footsteps echo across the ground. Jason yawns strolling into the battle zone in a ghostbusters t-shirt plaid pants bunny slippers--he strolls up in pajamas--as if annoyed at being woken up and cocks his fucking normal 'i could buy you at walmart' gun at the ghost.

His brothers screech at him yelling ”Are you insane” and to "get the hell out of here" in fear and panic because their idiot brother is trying to kill a real life ghost with a damn gun.

But then Jason shoots the ghost and it works.

The ghost fizzles down with a cry into just a little blob.

The young man then spends 30 minutes lecturing the spirit saying things like “you’re glad I’m not calling the big guy” and “you know our highness would not be happy learning what you’ve been doing” before taking out a thermos of all things and sucking the ghost into it.

Jason then sighs and walks away as if he hadn’t just defeated a hell raising ghost with a gun people can buy off a corner pawn store and a soup container.

Immediately the bat family swarms him with questions

Dick grabs him by his shoulders tense with worry, “Are you okay?”

“Um yeah—“ Jason tries to reply squirming in his hold

Damian cuts him off, “How the hell did your gun a physical weapon hurt that ghastly demonic spirit!”

“Uh that ghost is actually pretty chill you guys just pissed him off." Jason replies plain

They stare at him with a look saying 'you did not call a ghost that has been decimating gotham chill' probably because he did just that.

Tim is the first to break out of the disbelief stupor as he very inteligently says, "What?"

Jason responds easily with a confused quirk in his brow, "Second, my gun affects entities of all sorts, perks to my job and all that."

"How did being a vigilante and also probably crime boss give you a gun that could do that?" Dick asks

Jason sends him a look saying "are you an idiot" as he replies, "Yea, sure, kicking petty thieves and druggies got me my all powerful spirit weapon--No you dumbass, it's from being the bodyguard of the King of the Infinite Realms! How the hell did you guys not think of that!”

Tim breathes in, then breathes out, then breathes in again and screams, "Why the HELL WOULD WE THINK OF THAT JAY?!"

"The--" Batman, suddenly beside them, chokes, "Bodyguard of T-the what."

Jason blinks at his family then his eyes widen, "Oh shit."

"What?!" His family screech in panic

"Oh fuck," Jason says with a growing hysteric smile, "Danny's gonna have a big ol' fucking laugh with this."

"Brother who is Danny!" Damian demands for an answer

Jason coughs into his palm, "Oh yeah you guys really dont dont know. So I may have forgotten to explain some... things."

Bruce levels him with a stare that says "you think?"

Jason chuckles nervously, "So y'know how I'm half dead?"

pause

Damian very eloquently responds for the suddenly dying screaming combusting members of his family, "...sure."

"Well I met the King of the afterlife which is like the Ruler of Everything and he was really cute--" Jason says distant in his own world

"Theres a afterlife?" Superman asks casually appearing beside the emotionally wrecked family

"Yea its pretty cool. So I start flirting a bit with the guy and we hit it off, I now im his zombie ghost knight boyfriend lover for all time. Oh and i got this sickass gun." Jason says with a happy grin

"That is a pretty sick gun." John Constantine nods

"I know right?" Jason chirps

"You wouldn't mind if I inspected--" John reaches his hand

Jason slaps it away, "Not a chance you soul whore. Y'know your basically the tax evasionist of the Ghost Zone right?"

John only sighs and leaves

"But yea so I'm like the ghost world equivalent to married with the king and became his knight and thats how I was able to stop that ghost guy." Jason reiterates as if explaining a simple question, "Y'guys get that?"

Tim is on the ground trying to decide whether; sobbing hysterically, interogating jason to find out all the things he doesn't want to know or sleeping would be a better use of his time.

Dick has decided to blame himself and has started to draft a reddit post in the middle of the street starting with "I (23 m) have a younger brother (19 m), who I used to resent but really regret now, he died and came back and doesn't even tell me about what goes on in his life anymore. How do I fix our--"

Damian is just staring at the gun and... Jason pushes it deeper in his holster and shifts to the side, better to be safe than sorry with this thieving shit.

As Jason adjusts his weaponry he hears Bruce sob in the background, "He didn't even invite me to the wedding! Am I that horrible of a father!"

Wonder Woman pats his shoulder reasuringly whilst the rest of the League seem to be trying to calm him down

Jason looks around tiredly at the mess he had created and decides fuck it

"Alright I'm heading out for the night, you guys get home safe!" He yells and without caring to listen to anyone and everyone voicing their confusion he zips open a green portal and stumbles in

He crashes down on an unbelievably comfortable bed

Danny blinks blearily before sending the young man a sleepy smile, "Hey Jay, what kept you up so long?"

Jason slipping under the blankets with a yawn says, "You would not believe the night I just had."

------------------

Edit: UMM HII The fic is out now here!! you guys are awesome I'll post the new chapter 2 in a hot sec after editting ^^

[radiance1]

The members of the Justice League sat in silence, joined by a few members of Justice League Dark.

They were almost ready to start their meeting.

Almost.

"Where is John Constantine?" Batman stared at those gathered around the table, one spot currently vacant. Zatanna spoke up. "He's coming."

Batman narrowed his eyes.

"I don't know how," Zatanna nodded. "But he's coming."

The table was silent for a few moments, before Superman hesitantly spoke up. "Maybe he's running late?" At Batman's look Superman felt the need to add. "You know, he could've gotten stuck up with another magic user, or something."

Superman brought a hand up to rub at his neck as he laughed awkwardly, before promptly shutting up at the look Batman sent with an even more awkward smile. The silence was notably loud, such that it made it quite easy to determine who and where the sound of crunching came from.

Flash swallowed. "What?" He dug his hand in the bag of chips, only to pout at it being empty. He quickly ran from and to his seat in, well, a flash. Laying down his armful of chips, he picked up one and opened it, back to stuffing his face. "It's not like we're starting yet or anything."

Batman's eyes narrowed.

Flash blinked, looking down at the chips in his hand, the one on the table, and then back at Batman. He picked one up and held it out in his direction. "Want one?"

Batman glared.

Flash hesitantly brought his hand back down, before sticking his hand in his chip bag and eating some more, this time quietly.

Minutes passed by with the various League members gathered around sitting ramrod straight. A few more minutes passed, and they started to relax (except batman), a couple more and some of them started up conversation with each other, with some others joining in.

Batman took the time to work through a few files, giving the occasional grunt and hm whenever Superman and Wonder Woman tried to drag him into their conversation.

It was then that a noticeable heat spread inside the room, rising in temperature with each passing second until it was no longer ignorable. Just then, when the heat reached its highest point, with the members of the League already standing from their seats, a wave of black flame appeared in a circular pattern and the League tensed, magic gathering at the fingertips of some and battle stances being fallen into by others.

The circular flame shot up, high enough to reach the ceiling and not a second later, in its place was a giant mass of flaming feathers curled into a ball.

A groan came from the middle of it, and a few seconds later-with what sounded like a huff- did the mass uncurl just enough to see the owner of said groan.

"Ello." John Constantine raised a hand and gave a two fingered salute. Everyone in the room blinked at the man currently leaning against the- creature? Being?- in just pants. "I would say this isn't what it looks like, but its exactly what it looks like."

Zatanna's eyes narrowed, before she inhaled sharply. "Constantine." She hissed out quietly, as if trying not to draw the being's attention. "What is-" She gestured at the creature. "-He of all beings doing here?!"

"Being used as a living heater."

Zatanna blinked again in surprise as she stumbled over her words. "I- what-?"

"You heard me. It's colder than Santa's tits in our house, and I'm not paying even more money for a heater when I have a living one right here." Constantine deadpanned, very shamelessly sinking back into the mass of feathers behind him and giving a most certainly exaggerated sigh to prove his point.

"But- But he's," Zatanna gestures at the phoenix again, this time with both hands. "Him. How are you okay with this!?" That time she spoke to the phoenix, rather than Constantine.

The being in question peeked open an eye, before huffing in annoyance and closing back its eye.

"So uh," Flash spoke up, rubbing his hands together. "Not to interrupt, but uh, do you mind explaining for the rest of us not in the know?"

Zatanna blinked, staring at the other League members in surprise as if she forgot they were there. She awkwardly coughed into her fist. "Right, yes." She cleared her throat, before gesturing towards the giant mass of feathers. "That being is one of the more infamous of those heralding from the Infinite Realms, because that's its goddamn Duke." Zatanna rubbed her head, as if she were getting a migraine just thinking about it. "Constantine, how did you even-"

"We met on a rainy night, and he lit up my cig and proposed his love for me." Constantine said simply.

The League stared in bafflement. Zatanna had a skeptical look all over her face. "I'm not believing that. It's too much of a stretch, even for you."

Constantine shrugged. "Okay so would you believe me if I said I sold like half my soul and conned this other guy by swearing my soul to this big guy for his protection?" Constantine deadpanned.

"Yes, actually." Zatanna matched Constantine's deadpan with a look of her own.

[beaft]

i've been trying to put my finger on why i enjoy aziraphale as a character so much, and i think part of that is he feels like a realistic portrayal of someone who Does Not Like People. he doesn't dislike them, per se, and he's (mostly) polite and kind when he does interact with others, but - with a few notable exceptions* - he's naturally quite reclusive. and that's fine! it's never shown as something that needs to be changed or fixed! so many characters who Don't Like People are portrayed as being misanthropic or mean or insecure, and while i don't have a problem with that archetype, it's less usual to see someone who just... prefers his own company, without that having to represent some deep underlying issue. i don't know. it's nice

*one notable exception