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#sorry about the picture quality of some of these
simpliciaty-cc · 2 days
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ELIZABETH RINGS
20 Swatches;
The rings use a rarely used texture space, to get a higher quality texture, the only downside that I’ve found, is that they might not work with some EA/maxis hairs, sorry about that!;
3 versions (Right hand, Left hand & Both hands);
Ring Finger (Right) Category;
HQ mod compatible;
All LOD’s;
Nails by GiuliettaSims;
[ DOWNLOAD ON MY BLOG ] -  (Public Release: October 21st, 2024)
♥ Check hundreds of more creations on my Patreon page ♥
If you use please tag #simpliciaty in your pictures!
Thank you! ♥
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thislovintime · 2 years
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Peter Tork with Russian poet Yevgeny Yevtushenko, Toby and Bob Rafelson and others in Honolulu, December 1966; Davy Jones, Micky Dolenz, and Peter onstage in Honolulu on December 3, 1966. Photos by KRLA Beat, Jerry Y. Chong for the Honolulu Advertiser, unnamed (including a screenshot from Peter’s My Generation interview), Honolulu Star-Advertiser.
“The Honolulu International Center Arena was jammed when The Monkees took the stage. Even Russian poet Yevgeny Yevutshenko was there to see what the Monkees could do. The Monkees — David Jones, Mike Nesmith, Peter Tork and Micky Dolenz — are an ingenious combination of music and mirth. They sing fairly well — when you can hear them between the screams — but what they lack in vocal finesse, they make up in stage presence. Talk about energy! […] Micky’s take-off […] on James Brown — and remember those gaudy aloha shirts that were used? — featured some fancy footwork and from-the-heart wailing. It, easily, was the evening’s highlight. Perhaps the favorite Monkee was David who, with puppy-dog eyes and long, flowing hair, was the best-overall performer. His Broadway stage experience — he was in Oliver — was very much in evidence when he belted out ‘The Joker’ and ‘I Wanna Be Free.’ Peter, too, was a sensation when he plucked his banjo (he’s usually on guitar) and chanted a folk tune. He had a Ringo-like naivete, and looked like the Dutch Boy on the cleanser. Mike, unfortunately, gets into the act too infrequently. He has the makings of a real charmer — he’s a funny fellow — but he lets his buddies take the spotlight. […] The Monkees were dynamite.” - Wayne Harada, The Honolulu Advertiser, December 5, 1966
“Mike also does a very funny imitation of L.B.J. and during the hour and a half takeover of KPOI by the Monkees, he demonstrated this in what has to be the funniest newscast ever, anywhere. ‘Peter Tork, Honolulu, and Mike Nesmith, Honolulu,’ did a Huntley-Brinkley five minutes that proved their ad lib and improvisational ability. Mike reported, ‘President Johnson called the United Nations today and asked U Thant if he might be a little more familiar with him and call him “U.”’ Peter chimes in, ‘And he replied, “Nu.”’ [Micky] Dolenz was having such a ball playing disc jockey [(]’Hi there everybody, this is the [Micky] the D show on KPOI’) that he begged for permission to come back and do the all night show. […] During their hectic airport arrival last week, the Monkees were mobbed when several hundred screaming teenaged girls broke through a restraining rope. Their limousine was surrounded, but all the boys got inside except Peter Tork who was forced to climb on top [of] the car in the rush. One of the show’s promoters saw the car start to pull away and leaped on the trunk to try to keep Peter form falling. As the car sped down the runway, a safe distance away from the mob of girls still chasing after it, Peter turned to the passenger clinging to the trunk and said calmly, ‘Tom Moffatt, I presume?’ He was right! During the ride in from the airport, some enterprising fan pulled alongside the Monkees’ car and handed a wool hat to Mike Nesmith, who still clutched it as they checked into the Royal Hawaiian Hotel. As they rested in their rooms on arrival, devouring fresh pineapple as if they hadn’t eaten in weeks and listening to the radio, Mike said in his Texas drawl, ‘How come it’s so low?’ Although it seemed a normal level to me, he walked over and turned it louder than radio has ever been in the Royal. The Monkees clown among themselves just as much as they do before an audience. The Saturday night show was sold out even before the group arrived Thursday afternoon.
The Monkees demonstrated that they were actors, performers and showmen, and in live performances, that is what’s important, what with all the screaming that inevitably goes on.” - Dave Donnelly, Honolulu Star-Bulletin, December 7, 1966
“[W]e went to Hawaii and then we did our first hour long show. [...] We started off with just the four of us and then we broke down and solo turns with the backup band, the opening act band came out and backed us up for solo turns — and then they left and we finished the hour, just the four of us. We did an hour that way. It was nerve-wracking because we’d never played an hour in front of people before and we had a few ideas and we tried them and they didn’t work very well. But it was an out-of-town tryout. We were in Hawaii (laughs) and word was not gonna get back if we were really, really terrible. (laughs)” - Peter Tork, Rock Cellar Magazine, 2016
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ladye-zelda · 7 months
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Sorry this is kind of long overdue but here’s all of the Zelda related things I made prior to wolf link!
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Yeah they’re kind of cursed…
In order they are:
1. Octorok (Minish Cap style)
2. Ravio (he’s… seen some things lol
3. Korok! My very first one with needlefelting lol
4. Town minish
5. Forest minish with the town minish! Can you tell I was playing minish cap while doing these creations? XD
6. Navi
7. Blupee (my worst creation ever but enjoy the nightmare fuel)
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dylanconrique · 8 months
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not to sound too horny but i want a chenford sex scene so bad.
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paradoxbeta · 6 months
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Uhhjh hi you're art is really cool and inspiring The shapes are so cool sevkjcshkkhdkhxskhx
Seriously I adore your art. It's so shaped and I adore it sm
uhhhhhh do you have any ocs? No reason in particular
*hiding my art stuff behind my back*
thank you kindly!! im flattered :)) and funnily enough i was just thinking about a certain one of my ocs so youre getting the IUWAU BEAM
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BEHOLD! an alien with the stature of a cat and the brain of a fully grown adult! he is frequently annoyed with the other-alien crewmates on his ship and i love him so
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romance-incubomp3 · 1 month
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still haunted by when I saw someone in the notes of an atsushi photoset tag it “man tw”. what a scary world we live in….
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north-winds1 · 1 year
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Slugcat doodles!
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A few that I really liked zoomed in:
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Also some artificer AU doodles:
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variskonna · 11 months
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Here's a doodle that I drew of yuri briar.
Honestly I hate backround colour and the shading of this with a burning passion. but the drawing in its self is pretty good if you ask me. (especially for me since I don't draw men often lol)
Btw I'm really proud of myself for managing to actually post stuff and draw just in general lately, because usually I get the motivation to draw like once a month and then give up after a couple of days lol.
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undermostcorgi · 8 months
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ok i will post them because i love them and i worked way too hard on it and almost lost the file multiple times so i am forcing you to see Them
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ranger-crow · 2 years
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Marauder, Pandora, Hibiscus, and I are finally setting out for Galar!
See y’all on the other side
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in-deep · 2 years
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Let’s all be scared for Mike Wheeler
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A big glowing red number 1 hovering right by his head.
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Vecna’s here. I wonder what he has to say?
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corv-idae · 2 years
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Hello!!! I was wondering if you could tell us about your tattoos? I love all of them and would like to similar ones :>
Hi!! Absolutely I can go over them for you!! Omg this is so exciting
I’m assuming this is in reference to this post from a while ago:
If it isn’t please forgive me 😭, but if it is this is about a year old so I’ve collected a couple others than the tattoos you see in these photos! I’d be delighted to go over them all though! Please feel free to use them as references for your tattoos (please don’t copy them directly out of respect for my tattoo artists who designed them (if not respect for me!) ((all artists listen here will be embedded with links to their respective social media pages))
The two that are probably most important are the ones on the backs of my arms! Revali’s Great Eagle Bow and Miphas Trident! (this photo was taken the day these were done by Saraostattoo) :
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The first tattoo I ever got is on the back of my shoulder, I forget it’s there all the time, my mom proof read this for me and asked about it being missing lol it was done by mariangelo.tattoo this photo is healed 3 years or so
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I’m also rockin a couple pieces by politeslut !
The first piece she did for me was a Big Flash sheet design of some rose hips! (Ouch ouch) picture is 6months healed
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She’s also done a Celtic symbol on my upper arm that matches with my aunt (I won’t get into explaining symbolism, sorry this photo is also terrible taking these on my own with my cellphone is proving to be not my forte, yes this one needs to be touched up)
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And most recently for me she did a Great Big Freehanded Snake! (this one is so difficult to take pictures of & only a month old/healing but you can find the process pictures of it here)
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The last handful & majority of my tattoos were done by rat.tooth.tattoo ! The first one he ever did for me being a Postage Stamp Flash Piece this photo is from the day of:
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He then did my elbow ditch Dynamax Butterfree, photo also from the day of (this is a common theme):
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My video game herb bundle half sleeve, this one’s a doozy so you get the TikTok and the drawing:
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He’s also done my hands as a memorial piece for when I lost my cat this past year (he lived to be 21 and he was an awful old bastard & my best friend)
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Thank you if you made it this far, I don’t think I’ve ever made a post this long before! If there’s any questions or if you want to share your tattoos with me I’d love to see them! I hope this is what you were looking for & if not let me know what I can do to fix that :D
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basilseedcookie · 2 years
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good day today. heres some things about kingdom aloe
- attempted to build a robot powered by time, an accident happened while trying to materialize time in a physical form and ended up in another world - doesnt specify where shes from but prefers being called 'doctor' as it was in her original world (which is to say, is the same aloe from blue star/survival) - there was one occasion where a kid broke his bike while running away from waffle lizards. aloe appeared, chased them off, fixed his bike (with meat for some ungodly reason), and sent him back with the message that no one should come to the valley because the engineer who lives there hates cookies - drives off intruders by projecting her voice through the valley and declaring that she hates cookies, pretending to be a hydra or giant robot - does not like being called mister/uncle - cool watch that creates holograms - generally hostile but actually nice to anyone she welcomes - vampire fell asleep on the floor and she built a coffin for him and sent him off - was about to return to her world before brave and co arrived, and seems to have done so at the end
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stanfordswifey · 24 days
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Stanford Headcanons!!
(Bf ver.)
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Giggling hes so pretty in this picture-- COUGH COUGH SORRY ILL GET STARTED (pre-portal)
Loves physical touch. Would lowkey miss you whenever he's working so he always hugs you, and gives you cuddles whenever he can.
Kisses? Yes please, he'd be flustered at first but reciprocate it sooner or later, he's a shy lil dude.
Gift giving!! He'd make silly gadgets for you for no reason, you need a pen holder? Boom made you one, need anything at all and he'd get started on it just for you <3
Quality time is something he'd like also, since he'll be working on the portal so much he'd spend time with you whenever he can, sometimes it'd just be the both of you cuddling in bed and he'd start infordumping about the most random shit ever.
He would promise to take you to the galaxy and even farther, that he'd show you everything and adore it with you, but out of every gorgeous sunset, out of every prettt flower, he'd always see you as the most beautiful little thing he'd ever lay his eyes on.
Might be possessive, just a little! He'd 'accidentally' leave hickeys in obvious spots on your body (neck, chest, etc)
He'd take you on dates, he would cook your favorite food, setup the table and for nighttime lazy dates he'd just get some popcorn and you two would watch documentaries together or go looking for a new creature to document.
He would let you draw on his journals or add some stuff in, decorations, notes, etc.
He's the type to pat your head when you do something good
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simpliciaty-cc · 7 months
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DOLLY RINGS
20 Swatches;
The rings use a rarely used texture space, to get a higher quality texture, the only downside that I’ve found, is that they might not work with some EA/maxis hairs, sorry about that!;
3 versions (Right hand, Left hand & Both hands);
Ring Finger (Right) Category;
HQ mod compatible;
All LOD’s;
Nails by Chih;
[ DOWNLOAD ON MY BLOG ] -  (Public Release: April 10th, 2024)
♥ Check hundreds of more creations on my Patreon page ♥
If you use please tag #simpliciaty in your pictures!
Thank you! ♥
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the-merry-otter · 2 years
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If you’re on mobile, you may have to click on the images for better quality!
Plain text version with image descriptions is under the cut.
Please note that the image descriptions will be reflecting what I am trying to convey with the photo, rather than the total look of the photo itself. For example if I am trying to describe a dress, the hair colour of the person wearing it will be ignored. This is to reduce the total word count of the descriptions, because I have a lot of images to describe. On this note, I have also streamlined the information as much as possible.
[Plain text description:]
First slide: Mariota’s Guide to 14th Century (Medieval) Women’s Clothing
This slideshow is brought to you by @the-merry-otter on tumblr
ALRIGHT LISTEN UP MOTHERS AND FUCKERS. I’m bored, so today we’re going to be talking about medieval clothing. Specifically fourteenth century English clothing because that’s what I’m good at. (Source: trust me bro I’m a reenacter). Also this is all female stuff - sorry masc leaning folks, I’ll get to you someday!
Disclaimer: this is not completely comprehensive or nuanced in the slightest, it’s just a quick overview guide. Do your own research xoxo.
[Image ID: to the left is a picture of a woman in a light blue dress and a pink hood gazing out at a lake. The hood has a skirt that falls over her shoulders, and there is along thin pipe attached to the back of the hood that dangles to her knees. The edges of the hood are decorated with burgundy crochet. The picture is captioned “beautiful, stunning, gorgeous, literal goals.” End ID]
[Image ID: To the right is a picture of a typical renn faire outfit. It has a white poofy underdress, a black corset, and a brown skirt. There is a red cross drawn over the image. It is captioned “very pretty, but definitely not medieval sorry!” End ID]
Second slide: Underwear (ooh la la)
Now with nasty pocketses
[Image ID: a picture of gollum, from lord of the rings, snarling in disgust. There is a line in The Hobbit where he asks Bilbo what he has in his nasty little pocketses, which is what I am referencing. End ID]
So, corsets, stays, and shapewear in general kind of wasn’t a thing yet. So your underwear was a shift, which was awesome because it was also your pajamas. They were usually made of linen, though some might have been made of cotton is you were rich.
[Image ID: A plain white linen garment laid out flat on the floor. It is a dress that hangs to about knee length, with elbow length sleeves. An arrow points to it with text reading “this is a shift”. End ID]
There is evidence for supportive shifts for busy support, like this one from the fourteenth century!
[Image ID: a second shift, worn by a female presenting person. It is laced up the front, and is a lot tighter and more fitted, especially around the bust. It has straps instead of sleeves. End ID]
There’s also this bra like fragment found in Austria, but that is a whole debate so.
[Image ID: A bra-like garment fitted to a mannequin. It seems to be made out of white linen, coloured with time. The left cup is damaged, and overall the garment looks incomplete. End ID]
Then, over the shift, yet under your main dress went your pockets, which tied on at the waist. Your dresses had slits do that you could get at your stuff without flashing everyone lol.
[Image ID: A picture of medieval pockets. They are upside down teardrop shaped, but the point is flat and is part of the waist ties. There are slits in the side up the top to access the inside. They are cream coloured with bright floral embroidery. The caption reads “these bad boys can fit so many cool pebbles.” End ID]
[Image ID: A young female-presenting person wearing medieval clothing. She has her hands in the pocket slits of her dress. They are just below hip height. End ID]
Third slide: your dress, or the cotehardie. (Pronounced coat hardy)
Over the shift you put your dress, sometimes referred to as either a kirtle or cotehardie. 14th century people started actually form-fitting their clothes more than previous centuries. These needed fastenings, which were mostly lacings (spiral lacings specifically), or buttons made of either metal or cloth, used at the front of the dress from neckline to waist, and on the sleeves from elbow to wrist, with exceptions of course.
(Sidenote: fuck sleeves, all my homies hate sleeves)
[Image ID: a woman in a warm yellow dress to the left of the text. The dress is constructed simply, with a single piece of fabric used for the length of the body so there is no waist seam. The skirt is widened by inserting four triangles, one each at the front and back, and one on each side. The front has buttons made of the same fabric as the dress, that go down to the belt at the waist. The sleeves have similar buttons from wrist to elbow, on the outside of the arm. The woman is also wearing a liripipe hood. End ID]
Dresses seemed to be mostly wool, though I often use linen for mine because I live in Australia and it’s hot in summer and I don’t want to die. Most often they weren’t lined (that is what the underwear was for).
[Image ID: in the top left of the slide is a woman wearing a green woollen dress. It is constructed the same as the previous image, except it has spiral lacing on the front instead of buttons. The sleeves are fastened by three small buttons. She is wearing a simple and veil. End ID]
[Image ID: the top right of the slide shows a woman in a teal coloured dress, similar to the one before. This one has metal buttons at the sleeves and down the front. She wears a veil only. End ID]
The neckline of these dresses was usually round or an oval shape, and some manuscripts have it so wide that it falls off the shoulders slightly.
[Image ID: A photo of a medieval manuscript, depicting six medieval ladies in a row holding hands. The neckline of their dresses is wide enough that the tops of their shoulders are visible. The image is captioned “me and the girls on a Friday night”. End ID]
Clothing was a lot more colourful than the movies would have us believe lol.
[Image ID: Three women, each in dresses similar to the ones before. To the left is a forest green, the middle one is bright saffron yellow, and the one to the right is a vibrant tomato red. End ID].
Fourth slide: Dress two; electric boogaloo
[Image ID: Merry and Pippin from lord of the rings. Above them, meme text reads “we’ve had one, yes”, and then continues below with “but what about second dress?”. End ID]
You could also wear an overdress, which was usually of a contrasting colour and had shorter sleeves.
As well as fashion, they would have been used for extra warmth, and so were usually made of wool.
[Image ID: a woman in a maroon coloured dress like the ones on the previous slide. The sleeves stop just above her elbow, revealing a blue dress underneath. End ID].
Common people would have only owned a couple of different outfits, as fabric was super expensive.
[Image ID: various pictures of women with examples of an overdress. They are all constructed the same as the overdress, but with shorter sleeves that reveal a second sleeve of a different colour underneath. End ID]
A common late thirteenth to mid fourteenth century overdress was the ladies surcoat, which had big holes instead of sleeves.
Belts would have been worn underneath the surcoat.
[Image ID: three photos of women wearing surcoats. They are normal dresses, except there is a large D shape cut out of either side, leaving a large hole from the shoulder to below the hip. They have no buttons down the front. One of the surcoats is made of red brocade, and obviously belongs to an upper-class impression. End ID].
Fifth slide: Hair and headwear
Hair was worn braided and pinned up, with a coif (cap) and either a wimple or veil, or both. The wimple and/or veil were usually pinned to the coif, or secured on a band of fabric around the head.
Veils would be either oval, or a D shape. Wimples were rectangular. A wimple goes under the chin and a veil goes over your head.
[Image ID: a close up of a woman wearing a wimple. It is made of a light fabric, likely silk. The wimple wraps under her chin and is secured at the back of her head. A narrow band of fabric or possibly leather circles her brow, which would have been used to secure the wimple. End ID.]
[Image ID: A picture of YouTuber Morgan Donner wearing a wimple and veil. The wimple wraps under her chin, and the veil is placed on top of her head, draping down past her shoulders. It does not cover her face. Loops of hair are visible either side of her face. End ID]
All the headwear would be made of linen, thin wool, or silk, depending on class. The veils could also be made really fancy by ruffling the front edge or by attaching pearls.
[Image ID: a woman in a wimple and half-circle veil. The edge of the veil that frames her face is elaborately ruffled. The edge of a coif is visible under the veil. End ID]
I ride the bus in my medieval gear a lot because of events, and way too many people think I’m Amish because of my veil. It’s honestly just funny at this point. I should keep a tally.
[Image ID: a woman wearing a St Birgitta’s coif, pinning a wimple at the back of her head. The coif is a simple white linen cap that encloses the head, with a line of lace down the centre of the head. It is secured with a loop of linen around the head. End ID].
[Image ID: a picture of someone with plaits that have been pinned around the head like a crown. It is captioned “you could also pin your hair up like this”. End ID]
Working women might have just wrapped their head in a scarf instead, fuck this fancy shit right?
[Image ID: a woman in a headscarf that has been twisted and then looped around the front of her head. It is captioned #girlboss. End ID].
Fake braids were a thing! Blonde hair in particular was very fashionable, and bleaching or fake braids were sometimes used to achieve that.
[Image ID: two fake braids made of a coarse fibre. They are blonde in colour, and are looped like a hairstyle seen on many of the reenactors. They have white ribbons attached to the top end to help secure them to the head. End ID]
Sixth slide: Cloaks and hoods
These would have actually been two seperate garments! Integrated hoods on cloaks didn’t actually become a thing until the … seventeenth century or so? (Citation needed).
Cloaks were a lot simpler than the typical cloak we think of nowadays. Often they were just a rectangle of wool, or by the fourteenth century, sometimes a half circle.
They were almost always wool as far as I know, and were generally fastened by a cloak pin or buttons.
[Image ID: a metal cloak pin. It is a circle with a small opening at one point. A long pin is attached via a loop, allowing it to slide along the pin. It can fit through the opening in the circle. To use one, you would gather the fabric on the pin, and then slot the circle over the pin and then turn it, so the fabric is trapped between circle and pin. This is much easier to demonstrate than describe. The picture is captioned “these bad boys are the real MVP’s though”. End ID].
[Image ID: a diagram showing the construction of the bocksten man cloak. It is a half circle pieced together by laying strips of fabric together. In the centre of the flat side, a half circle is cut out for the neck. End ID]
[Image ID: a reconstruction of the bocksten man cloak. It is orange wool, and lined with an off-white linen. It is fastened on the right shoulder by three fabric buttons. It would fall to just above the wearers knees. End ID].
Women’s hoods could be short and open, or with a longer skirt and closed with buttons. Liripipe (pronounced leery-pipe) hoods were named for the tube of fabric that dangled off the back of your hood, varying in length. As well as a fashion statement, it could also be wrapped around the neck like a scarf if it got cold.
Hoods were nearly always wool I’m pretty sure, though they were often lined with linen, silk, or cotton.
[General description: a short liripipe hood would be open, with the bottom only reaching your shoulders. They were made from a single piece of fabric that would wrap over your head, with the seam down the centre back of your head. It was flared at the bottom by inserting triangular gores. At the front edge near your face there would be a strip jutting out that went from one side of your chin, over your head, and down to the other side. This would usually be folded back, revealing the lining colour. The bottom of the hood could either just reach the base of your neck, or reach down to just past your shoulders. The former would usually be open at the front, with fastenings optional. The latter option with the longer skirt was almost always able to be fastened up the front with fabric buttons. The liripipe itself was a thin flat tube of fabric fastened at the centre top back of the hood. End ID]
Fun fact, 90% of why I decided to reenact the fourteenth century specifically was because of liripipe hoods.
Seventh slide: Feet (not in a weird way)
Hose were used to keep your legs warm. For women they were usually knee height, and fastened just underneath it with a garter or tie.
[Image ID: a single light yellow hose, belted beneath the knee with a leather garter. The seam is down the centre back of the leg going all the way to your toes, and then around the top of the foot in front of where it connects to your leg. End ID]
Hose usually would have been made from wool, and were cut on the diagonal (bias) of the fabric to get the maximum stretch possible from the fabric. They still were looser than modern tights are though!
Knitted socks were also a thing I’m pretty sure, but I don’t know enough about them. Sorry!
Shoes were simple, usually referred to as turnshoes because of how they were made. Fun fact: the lack of foot support means that turnshoes are similar to going barefoot in terms of how you walk. Some reenactors love it, some hate it, and some are indifferent lol.
[Image ID: a pair of turnshoes made of dark leather. They have a strap that would fasten around the front of the ankle, similar to some modern shoes. The toes are pointed, and it is captioned “pointy toes were fashionable, especially for men”. End ID].
Because shoes were really hard to waterproof, (ask me how I know), and didn’t have solid soles, wooden pattens (pronounced pat-tens) were worn to keep you off the ground while outside.
[Image ID: a person wearing a pair of wooden pattens over their shoes, standing on a drenched cobblestone street. They are wooden platforms with an archway on the bottom, and are attached to the foot with leather straps around the toe, ankle, and around the back of the heel, similar to modern sandals. The image is captioned “ye old crocs”. End ID].
[Image ID: a woman’s leg with the skirts drawn back, revealing the bright yellow hose underneath. It is fastened below the knee with a strip of fabric. She wears a turnshoe with a buckled strap. End ID]
Eighth slide: Accessories
These are a few other items that might have made up a working woman’s outfit.
Aprons would definitely have been used while working. One were just a large rectangle of cloth tucked into the belt, some were smocked to draw in the fabric. They generally stopped at the waist.
[Image ID: a woman in a red dress, with a very light brown apron. It is smocked at the top, and is attached around the waist with a string. End ID].
Pretty broaches and other jewellery existed! There was cheaper stuff made of pewter for the lower classes.
[Image ID: five gold brooches, studded with different jewels and pearls. End ID].
They had a funny sense of humour as well… and they weren’t all prudes.
[Image ID: a pewter broach of a cat carrying a dick and balls in its mouth. It is captioned “you can actually buy these. I know a website.” End ID].
Eating knives were worn on the belt, though it is debated whether women would have carried one. I do because I’m a modern fourteenth century woman.
[Image ID: a small knife with a wooden handle, laying on top of a leather sheath that has been dyed red. End ID]
Belts are a curiously debated topic. Some people reckon that women would have definitely worn them, others say they they weren’t used by women much at all. As far as I know there are depictions of both, so choose what you’d prefer. They are great for hanging stuff on I gotta say.
[Image ID: a coiled up brown leather belt. The buckle and tip are a gold metal, and it has decorative flower studs along its length in the same metal. End ID]
Pretty little purses would have probably been worn. I don’t know enough about them to say anything else though.
[Image ID: two different pictures of reenactors wearing purses. One is brocade and the other a red fabric. They are in the shape of an upright triangle, and both have five tassels hanging from the bottom edge. They hang off the belt with long drawstrings. Unrelated to the purses, one of the women is wearing a gorgeous orange liripipe hood, that is embroidered and dagged on the bottom skirt edge. End ID]
Ninth slide: Fancy Shmancy
There is a lot I haven’t covered, especially in the realm of the upper classes. Here is some of what has been missed. (Buckle up because this section is very image heavy. I will be as concise as possible).
Heraldic dresses! If you are interested, go check out Morgan Donners video on YouTube.
[Image ID: a picture of Morgan Donner in her heraldic dress. One half of the dress is red, and the other is green, except for where it has been cut out by white with an ermine pattern on it. Her hair is unbound and uncovered, except by a small flower crown. It is captioned “Morgan bestie do your hair properly :(“. End ID]
[Image ID: a drawing of two women in heraldic dresses. The first has a blue right half with a yellow printed design. The top left of the dress is yellow with a blue fish, and the bottom left is red with a white fish. Her train is held by the second lady, who’s dress is blue on the right, and white with green birds on the left. End ID].
Fancy headpieces for rich bitches only.
[Image ID: a reenactor doing a high class impression. Her hair is bound up in Pearl studded hair nets on either side of her head like modern earmuffs, with a spiked coronet around her brow. She has a sheer silk wimple on. End ID]
Fancy dagged edged on hoods, sleeves, dresses, etc.
[Dagging description: where the edge has been cut away to make decorative dangly bits. One hood has red leaves around the bottom edge for example, and another just has a pretty geometric pattern. End description].
Brocade gowns! So pretty!
[Image ID: several different pictures of high class ladies wearing brocade gowns of different colours. These are similar to the wool dresses we were looking at earlier, but with longer trains, and often long draping sleeves. There is even a brocade surcoat. End ID]
Fancy sleeves!
[Image ID: examples of different long sleeves. On some, the sleeve is normal until the elbow, and then it falls away to a long strip of fabric that dangles to the ground. Not mentioned on the slide itself is tippets, which was a band of (usually white) fabric just above your elbow, with a thin strip of the same fabric that draped down to the floor. End ID].
Dresses that were two different colours.
[Image ID: examples of dresses that are exactly like the earlier wool dresses, except they are literally half one colour and half another. The manuscript example is a blue and red overdress with fancy sleeves, and the reenactor example is a yellow and green underdress with a red hood. End ID]
And of course, some of the funky fun fabric choices.
[Image ID: a manuscript depiction of a woman carrying a dead bird. Her hood is red and white striped horizontally, and her dress is dark and light blue striped, also horizontally. End ID].
[Image ID: a manuscript depicting a woman talking to a second lady in a chair. The dress on the first has horizontal stripes of white, red, yellow, and blue, repeated, and the second has horizontal stripes of white, pink, and light blue. Interestingly enough the latter colours are very similar to the transgender flag which would make a very cool dress project. Hmm. End ID].
Tenth (and final) slide: In summery
(Small red text below title reads “I hope you have enjoyed” with a drawn smiling face).
Dis you notice all the “usually” “commonly” and “often’s” in there? That’s because I cannot possibly illustrate everything that we know of the time in only ten slides, nor do I know everything, so I have just tried to show what seems to be the most depicted.
Note: I probably even got some stuff wrong by the way.
If you’re interested in this stuff, I really recommend doing your own research now! Hopefully I have given you a good overview of what a fourteenth century womens outfit might have looked like, so now you can go fourth and know what you’re looking for.
If you have any questions about costuming, reenactment, or anything else, feel free to contact me!! I respond on Timblr decently fast ☺️
[Image ID: a reenactor sitting on a log, staring into the distance with a slight smile. She is wearing a grey-blue dress, belted at the waist with a small purse dangling from it. She has a dark blue cape and a light blue hood, that has fallen back to show a ruffled white veil. There is a pewter broach on her hood. A leather turnshoe peeks out from beneath the hem of her dress. End ID]
A list of helpful YouTubers:
Elin Abrahamsson
Morgan Donner
Opus Elenae
Miss Joss (her instagram is more active).
Now go hydrate!!
[Image ID: a woman in fourteenth century garb drinking from a jug. End ID]
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