Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
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if I had a time machine I’d erase harry potter from existence not necessarily just out of hatred for jk rowling(though that is a very strong reason) but also because it’s fucking annoying how culturally dominant it is I want people to stop talking about it I want to not think about it it’s not that good it’s not that interesting shut up shut up shut up shut up shut up shut up shut up shut up shut up SHUT UP SHUT UP. SHUT UP.
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oh I hate, hate, HATE how some mlw shippers act like they are targeted and oppressed; I hate hate HATE canon!izu///ocha because I genuinely believe it’s harmful for the characters (yes, it does reduce her to a love interest as her character would get fulfilled only by confessing and dating him, instead of accepting her feelings and guilt/mourning for not saving Himiko and still work into reach out to others; it reduces their whole story into “love this boy” and it’s disrespectful towards them as if she is a better girl, an actual good one that deserves to be dating the guy they both like; it would ignore the weirdness Ochako felt when she was liking him, and how the only times she was able to not feel something negative towards it was when she was admiring something heroic/cool he was doing; it literally sends the message of the story not being over unless girl and boy date, even if girl and boy never wanted to get closer to each other like that; it ignores Ochako’s heroism, it ignores her drive to be a better hero and how her storyline is about accepting her own negative emotions without isolating herself, to be able to rely on others like Izuku and Tsuyu; if this ends with them dating, it means her story was about accepting to learn that her heroic actions that involve him, like saving him, aren’t actually heroic, just romantic, and to accept that her greatest heroism is just her liking him; this was never about her needing to confess but about being envy of him and Himiko for showing their faces more than her, for feeling like she is so far behind and not wanting to bother others with her sadness. It would mean her story can’t end accepting her feelings and choosing to stay single/not dating him, it would mean Izuku’s story can’t end without getting a girl just because she likes him even tho we clearly see he doesn’t think about romance when he’s with her or tries to support her, there’s no togetherness about them but a common objective and goal to support others, and I think that’s way better than girl and boy get married; it would literally mean Ochako’s heroism is based on her love for him, not her having the heart of the hero too when the point is she is like him, helping everyone and putting everyone else over themselves).
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We are 9 episodes in on My Stand In and I'm still hissing at my screen every time Sol shows up.
That man was really out here ranting and raving and being all WHY AREN'T YOU GUYS MAD about Ming as if he was the one being wronged like Joe didn't whole ass watch his damn body be cremated the day before. He really thinks he a main character and he's not even the possible second choice love interest.
Like he really dragged Joe away while he was calling for Ming and then told Joe to snap out of it cause Ming doesn't love him. Good to see he's still willing to physically drag Joe away from things he doesn't like, no matter what Joe wants, even in his second life.
He also has the audacity to be out here refusing to read the damn room and see that Joe looks uncomfortable AF anytime he drops a random "I care about you so much" line because it's not needed nor appreciated. He smooth brought Joe into his press conference to call him his boyfriend! And we all know good and damn well Joe wouldn't have agreed to that.
And then he was out here trying to fight Ming at the afterparty saying he doesn't give a fuck knowing good and damn well it would be Joe's ass if a public fight happened because he is the most unknown of the unknowns, while Ming's family is wealthy and Sol is, at the very least, semi-famous.
He's just always talking mad shit about how Ming is terrible and how he wants to save Joe from him and blah blah, but then he's instigating fights with Ming left and right. And personally, if I knew my friend was with a shitty man, I wouldn't keep antagonizing that man knowing my friend is the one who's dealing with the consequences every time. But I would actually want better for my friend because I care about them as a person and not as an ideal image I built in my head of someone I want to date. And that is clearly where Sol and I differ.
Like Ming is a delusional asshole, no argument there, but Sol is a Nice Guy and nah. I want him GONE. Let him go back to Korea and get some dick there. Cause he's not an option for Joe, nor was he ever at any point during this show, yet he really thinks he has relevancy here. Ming is better than me (or more insecure) cause I would have long since told Sol you don't compare when you don't compete.
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