#sorry for the tangents

[classificationhell]

How would Adam treat a little? What if it was his little one?

Adam, whether he likes it or not, is a Beta Caregiver, so Littles are kind of his personal weakness. He does have a heart underneath that exterior. Yeah, he doesn't see Sinners as even remotely the same as Winners even though they are literally human souls, and he is a staunch misogynist, but he didn't exactly have an example to follow, he just happened to be the first dickhead to have the thought that men should be the head of household. However, that also means he was the provider, the one making sure there was a means to eat and kept the family protected. Clearly he became more lax and chased flights of fancy in heaven where he didn't have to work for anything, but anybody will stagnate or worse deteriorate morally, emotionally, and intellectually if there is no real push for them to be better and heaven is the pinnacle of that. Every need met and catered to and Winners don't need to worry about falling no matter what? You bet your ass prolonged exposure to this setting would fuck even the best person up to the worst parts of their character, and Adam is literally the oldest soul in heaven.

I'm guessing for the first while he'd be alone and would be told about his second wife's betrayal (if he didn't already know, there's this whole thing about Cain being the son of the serpent if you wanna know more Google it but this combined with the fact Lucifer implied he also had sex with Eve leads me to believe it could've somehow happened while they were alive, buuuut there's a whole other tangent there because they state Adam was the first human soul but then does that mean Abel didn't get into heaven or was his soul waiting for Adam do Cain and Abel even exist in the universe?!) [[For the purpose of this AU, they exist, and Abel just waited for his father at the gate because he didn't want to go in without anyone he knew there. However, for whatever reason, they've grown apart and don't see each other anymore.]]

Ehehe, sorry about that massive tangent above. This is the first Adam ask, and there's kinda some groundwork to cover for this to even make sense for a lot of people. Anyhow, back on track after his second wife's betrayal he would be in no hurry to get anybody to try and fill in any sort of spot as someone he genuinely cares about and needs him and all that. Hence, he becomes something of a playboy. Also, being the first human soul in heaven and finding out about the secondary gender and designation system he wouldn't properly understand it, all he knows is that he's a fucking Beta cuck and by the time reassigning treatment for it comes along there's already too many people here for him to just go in discreetly so he's stuck using artificial hormones and things he can get under the table through two or three parties before reaching him so nobody would ever know. Over half of his "I'm the original dick" bullshit is literally just this front he puts up to keep the facade that he's an Alpha. He even uses injections to give himself a fake rut at the same time a normal cycle would happen. His avoidance of connection leads him to staying away from places where he might bump into Littles leaving him to joining a band that plays at the strip and bar joints (it's probably tamer than hell but you're really telling me there's no one in heaven who's a good soul but just horny or likes the occasional drink? Like I get that those who indulge in excess are guilty of the sin(s or a combination) of Gluttony, Lust, and /or Greed but like once their up there you're telling me it's all ice cream shops and petting zoos and singing? Especially in this version? I mean, at what point does fun become hedonistic or overindulgence? Can you have no sex except vanilla behind closed bedroom doors? Boy, if I got redeemed, I'd be clawing my way back down extermination or no if you're telling me BDSM is outlawed. XD I am lowkey tired while writing this, so sorry for the obscene amount of tangents, cursing, and odd tone) just so he can avoid them. When Lute comes, he has someone to project his needs of caring for someone onto even though Lute is an Alpha Neutral. (90 percent of the exorcists are Alphas actually and it simultaneously passes him off, because why the fuck isn't he an Alpha, and gives him a power rush since he commands them easily and they're eating out of the palm of his fucking hand.) Granted he's not the best at it, but he's trying and also Lute is a bit much for even him at times, plus she's the only one who will correct him whenever he's wrong or about to do or say something completely stupid so he kinda hates that even if it is very rare.

Anyway, by present day he's so far pushed back his actual instinctual needs to care for someone that the very first Little, Sinner or Winner, that touches him his Caregiver is going to bond with and he's going to be stuck with them. If they're a Sinner he's sneaking them into heaven and hiding them away and at first he fucking sucks but he can't stand to see them crying especially when regressed so he gets better pretty quickly. If they're a Winner he's better to them but still somewhat resentful they're harshing his whole unattached Alpha male stud vibe he had going on. It'd be a learn to be better type story. If Lucifer found out he might be very concerned because he knows the kind of man Adam has become and he wouldn't trust the man with a goldfish, let alone a Little. (But that's a story for another time)

Anyway hope that all made sense and wasnt offensive or anything somehow I'm literally falling asleep typing.

TLDR: Adam wouldn't go within ten feet of a Little if he could help it, but when he has one of his own more and more of the man he used to be is awakened and he becomes a better Caregiver if not person overall.

[sparrowlucero]

I love the licensed doctor who ttrpg where the author clearly has some sort of personal disdain towards non human or campy player characters but contractually can't exclude them (on account of it's doctor who) so instead opts to passive aggressively bully people out of playing aliens and having funny names

[lotus-pear]

these losers again

[hawberries]

vultur volans | paradisaea

[tofixtheshadows]

Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are

Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.

So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.

I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.

Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.

And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).

The misdirection here is more about structure than about character (but also, yeah- a little about character).

What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.

And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.

Maybe that's why Ryoko Kui gave her white wings.

It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.

I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.

Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.

If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.

Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.

The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?

And she tries again in bed.

Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.

With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.

Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.

And I love that she carries a little bit of that with her when she's resurrected again.

Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[sharkenedfangs]

— ☆ “YOU REALLY ARE A FREAK . . . KYLAR .”

promise he didn’t mean to stupidly jack off to you , it was just hormonal urges acting up, yeah.

Fuck, underneath this thin layer of pure impulsivity, he’s undeniably aware that he should’ve stopped things here the second it escalated— Hastily shut off the cheaply recorded clips hazily shown back towards him by the dimly lit monitoring of his screen. He had his tell-tale suspicions secretly simmering deep within, yeah, lil’ freak here knew you weren’t necessarily the most loyal of people ‘round town. Didn’t mean his skittish eyes to instinctively seek yours out in a crowded room, hidden amongst the numerous people he’d usually glance over in bare disinterest when in search for your own recognizable frame. A harmless crush, he’d initially call it to soothe the lurking urges annoyingly gnawing at the back of his mind, repeatedly whispering to him the instinctual need to fervently possess you further, sweetly leave his fair share of littered marks all around your unblemished skin so that the town may notably take notice of your cherished bond.

Still, this is— this is so fuckin’ unfair, y’know?? How dare you merely prove your brazen disloyalty to him time and time again and here he is, curled fist stubbornly snug around his leaking cock, tacky globs of pre-cum profusely dribbling out of his swollen slit as if he’s not crudely getting off to the sight of you— you, fucking getting your whorish boy hole ruined by another person. Desperate bucks of his hips, jeans carelessly slung down to his ankles below, rest of his sticky with cum underwear probably thrown somewhere along the scattered mess in his room. It’s sick, downright vile and he knows it, but fuck— it has started off with a familiar scowl making its way past his normally soft features when faced with your usually placate room devoid of anyone else but his watchful eyes carefully taking in the sight of your snoozing frame comfortably tucked away under the woollen covers.

Except, you’re not truly alone and ah, here goes.. Robin? Seamlessly sneaking himself into your room instead, not him, but that fucking friend of yours constantly sticking to your sides at school, outside of there too — yes, he’s checked, no he’s not a creep for it! — Affectionately nosing along the crook of your neck, muttering out wistful words, he, himself cannot possibly hope to discern considering his— well, namely cheap equipment he has to forcibly deal with, here. Subtle brush of your best friend’s palm sneakily disappearing underneath the thick blanket, though he can barely make out the outline of his hand dizzyingly slipping its way past your boxers, probably.. hah, feeling your cute cock up, sticky mess pervertedly staining the material already. The little, heated sighs collectively tumbling forth from both of your lips, discreetly obscured within the dark corners of your narrow room shouldn’t be affecting him this much. Yet, it is as proven by the burning flush heating his cheeks, teeth instinctively digging into the rosy flesh of his bottom lip. Inwardly seething at the pure display of love intimately being shown to him — without your aforementioned knowledge too, by the way — and that his cock itself is painfully reacting to it, stupidly tented against the front of his ripped jeans, craning his neck closer as if it might magically allow him to see your movements beneath.

Don’t need to wait all that long for it since you decisively do the honours for him of course, or unfortunately Robin here, whose hands and lips are busying themselves all over your originally untouched body. Supple fingertips coyly caressing rhythmic circles along your hips, thumb lovingly circling around the edge of your hot, drooling tip freed out in the air. Relishing in the hitched gasps, slightest shivers of your curled frame snugly pressed against his, adorably pleading for more with a needy whine of his name. A name, name that should be Kylar’s — not his. Repressed freak frustratingly chewing at his chipped nails, gaze not leaving your glazed over eyes for the briefest of seconds in favour of freeing his fat, throbbing cock from the tight of confines of his pants. It’s— It’s not bad! He’s just helping himself because at the end of the day, he’s nothing but a man too, just like you. A pathetic loser who’s wracked in a mess, stupidly fisting his cock at the bare sight of your figure being sinfully defiled by your best friend hidden beneath the haphazardly spread sheets. Swollen, pink nipples shown out in the cooling air for his eyes to breathlessly take in, soon also taken by Robin’s mouth hungrily latching onto one of them. Audibly suckling on the perky buds with noisy sucks, relishing in the muted gasps gradually being drawn out of you. Noticeable scrunch of your face, timid grasp finding its way entangled along the soft strands of your best friend’s hair in a shy mewl for more cuz’ shit, it must feel good, right?

He could make you feel way better than that, promise! Though that’s the very last repetitive protest on his blurring mind, dumbly shut off as he jerks himself off. Slippery slides of his palm gliding along his cum coated length in an audible squelch!, rhythmic up-and-down motion of fisting his cock raw against his palm, furiously humping upwards in time with each controlled thrust of Robin on the other end. Hah, wonder what you’d do if you truthfully knew what he’s currently doing, how that precious owl toy gifted to you on that faithful day wasn’t for innocent intentions and all that, wasn’t to kindly look over you to make sure you’re always at ease. He means, it is! But, not necessarily that, no— in fact, it’s for opportunities like this. Like a pervert, he’s shamelessly getting off to your tight, little fucking hole being stuffed full of your best friend’s fat cock, bobbing dick cutely swaying between the tantalizing spreading of your thighs. Legs deftly locked around Robin’s hips in a tentative beg to keep going! and feels so fuckin’ good! and oh, how he wishes he was the one stupidly balls deep inside of you. Subtle arch of your back, peppered kisses being repeatedly planted against your pouty lips, lolling tongue and rolling eyes and fuuuckkk—- it’s the second you make immediate contact with him, maybe not out of purpose. No, definitely not, but the split second of eye contact you both share, slightest flicker of your gaze settling upon the owl who’s flickering camera is blinking back, recording this all — that has his hips stuttering, head impulsively thrown back and whiny moans hurriedly spilling past his open lips as hot spurts of his sticky seed spurt out of his cock and into the air. Stiffening limbs wracked with his orgasm, quivering legs sat atop his creaking chair all the while milking every last drop of his cock, till it uselessly dribbles out in pitiful droplets onto the ground.

Ah, look at the effects you have on him that he embarrassingly enough, cums so quickly from a mere glance of your eyes in his direction. And really, how he should be properly blaming you for the coated mess on his wooden floorboards which he should be currently cleaning right about now, lest his parents find out again. Truly, he should probably go and.. grab a wet rag now.

..And some tissues for later.

[hypewinter]

Hal bent down as the little girl approached him. Even then, he still managed to tower over her with how small she was.

"Hey there little lady," he said. "Anything I can help you with this fine evening?"

The little girl looked at him anxiously, fiddling with her hands. Ok so not a nervous fan. Hal immediately switched to serious mode, scanning the crowd for anyone who could be her parents. He didn't see anyone running up to the two of them or even so much as keeping a watchful eye from a distance.

"Is something the matter?" Hal questioned, making sure to keep his voice even and calm.

The girl continued fidgeting, her big blue eyes scanning from side to side. Finally she spoke. "You wiff da space po-eece yes? Not da am-ear-ree-ca one?"

Hal smiled at the girl. "Yes, I'm with the space police." Honestly that was oversimplifying the Corps a little but he had long since gotten to citizens calling him a space cop.

The girl offered up a small nervous smile of her own. "So you won't tell da gov-ment what I tell you wight?"

Hal was on high alert now. Just what was this little girl trying to tell him? "I won't tell. I promise," he said after a second.

The girl broke into a big smile at this. "Really? Dis way den." She started tugging Hal along and he began to follow.

"Where exactly are we going?" he asked.

"You see," was all she replied.

Hal was led down a couple different alleyways and was beginning to think he was walking into a trap when they reached an abandoned building. The girl dashed in and up the old rusted stairs, with Hal following closely behind her.

If this really is a trap, I'll never hear the end of it from Batman, he thought morbidly as he cleared the last step. Instead of finding himself facing an ambush however, he saw a boy curled up on an old mattress. The girl was already by his side as Hal approached.

"Don wowee Danny, I got help. Like I said I would," he caught the little girl whispering as he knelt down next to the boy. He had to have been older than the girl. Three years older maybe? Yet he was still so small. Hal took sight of his condition. He was in pain. That much was certain by his little face scrunched up in agony and his quiet moans. He was also sweating profusely. His raven black hair sticking to his forehead. Fever maybe?

Hal continued his observations as he scanned down the boy's body until he got to his stomach. The boy was clutching it and Hal could make out blood bleeding through from underneath. Oh no.

He quickly yet carefully removed the boy's arm to get a better look at the wound. The kid let out a groan as his arm was peeled away. Hal couldn't help but thank Oa for all his training that helped prevent him from letting out a gasp.

The boy's chest was covered in blood. Dark red mixed with flecks of green soaked through his shirt and there were bandages that had been amateurishly tied around the wound.

"How did this happen?" Hal asked, turning back to the girl. He did his best to keep his tone as gentle as possible.

Her smile was gone now, and her eyes welled up with tears. "He pwotected me," she said. "Dey wanted to huwrt us. Dey shot at us. Danny pwotected me."

Anger boiled within Hal. Who would shoot at these children? They were only little kids. If what the girl had said earlier was anything to go off of, the answer had something to do with the government. He would have to take care of that later though. For now, this boy needed medical attention.

"Let's get Danny to a hospital," Hal said resolutely, as he got up.

"No!" the little girl screeched. "No has-pee-tail. Too dan-er-us!"

"But he needs-" Hal started but then he met the girl's eyes. There was abject fear in them. As if going to the hospital would be a death sentence for both children. Where else were they supposed to go though? The boy- Danny needed medical attention stat. That much was certain.

Hal paused. There was one place. He sighed. Batman was going to kill him for this.

"Okay okay. No hospital. But what about space?"

"Space?" the girl repeated.

Hal nodded.

The little girl smiled. "Danny lobes space!"

"Well then. That's perfect."

Hal constructed a new bed for the boy, carefully easing him onto it before putting a protective dome around both children. The little girl giggled as he lifted them up. He then turned to the wall where he created a giant hammer to knock it down. Then they were off. Flying higher and higher, towards the atmosphere. As the Watchtower got closer in sight, Hal couldn't help but groan. Taking civilians to the Watchtower? Oh yeah, Batman was definitely going to kill him.

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: hiii idk if u take these kinds of requests but id like to see jealous reader (preferably if reader and hoshina are already in an established relationship and reader works in a different division, meaning they dont get to see each other much) like maybe he’s used to calling okonogi “my dear” and its the first reader heard him call anyone with a pet name like that and she starts to overthink and gets pouty/ sulky and hoshina doesnt notice it at first but when he does he starts teasing her which doesnt help HAHAHAHA if its ok can it be hurt/ comfort and end in fluff & HELLO!! can i request an angst to fluff with hoshina where reader thinks he likes okonogi more than him especially since he is against revealing him n reader’s relationship to the third division (for other reasons of course). hopefully this isnt too specific!! i hope u have a wonderful day:))

notes: hoshina calls the reader “darling”, hurt comfort, him accepting jealousy a valid emotion (very important to me i fear), so sorry i merged the reqs!! i hope this was satisfactory for both TY FOR THE REQ!, this is a twt thread i thought about while writing this, (l/n) mention in the bonus part

wc: 1400

Oh, you hated when this happened. You hated when your heart started to tighten in this horrible way you knew well. You hated being jealous.

You hated how self centered it made you feel and how it ate away at your thoughts and feelings. It made you feel like your good thoughts were disintegrating to horrible ones. However, what you hated even more was how it meant you were doubting his love for you— and that was the last thing you wanted to do. You didn't want to doubt him, nor did you doubt him, but when the jealousy got to your head it was over. You were stuck in a loop.

To top it off, the cause of this all was truly harmless and hardly that big of a deal, but that's usually how most anxious thoughts start. They start little.

You were called to visit the 3rd Division to help with research on a field you were particularly knowledgeable on, and you happened to hear Hoshina's laughter from the operation room, so you went in to take a peek.

“It was not that funny,” Okonogi was saying to him, but Hoshina only continued to laugh.

“Yes, it definitely was,” he laughed. “I knew Kafka would forget about that hole in the training grounds again.”

“Why don't you remind him, then?”

“Comedic relief, of course.”

“Alright then.”

“Okonogi dear, you're no fun,” he said.

They said a few more things, but you couldn't seem to focus on their words. ‘Dear’? Was that merely a simple pet name? Or was there more to them than you initially expected?

Oh, the worries started to fill your head. And they were things you didn't want to be worried about— Okonogi was always so sweet to you when you popped by and you knew Hoshina loved you. The last thing you wished to do was doubt them, nor did you want to make things awkward around them. There were just so many things that you just didn't know about, being in a different division as him. You doubted they even knew you were dating, and the voice in your head would only get louder.

It was then that Hoshina saw you at the doorway and called over to you.

“Are you done with work?” he asked, his voice excited and hopeful. Your heart stung.

“Not quite yet,” you tried to sound disappointed, but for the right reason. “I’ll get going now.”

You walked away from the room as quickly as you could, seemingly naturally. You didn't want to be there and you didn't want to talk to him before calming down first— you were sure you'd say something silly if you spoke now.

Yet, immediately you heard footsteps behind you and a hand you knew well grab yours.

“Soushirou?” you asked, turning to look behind you.

“What's wrong?” he asked, his voice soft and visible concern in his eyes. “Do you feel unwell?”

Pang in your chest again.

“Not at all, nothing's wrong?” you said, but you could see the way he pursued his lips— the hurt in his eyes from how you wouldn't tell him what was troubling you. Gosh, why did you feel this way? Why must you feel much silly emotions.

“It's truly so stupid,” you said. “I'll tell you another time.”

“Alright,” he said, letting go of your hand. That one was your bad— you knew he wouldn't push you any further, even if he wanted to.

Dinner that night was awkward. You weren't even that jealous, but the fact that you felt something was gnawing at your brain upset you. Not to mention the fact that you were keeping something from him made you feel even worse.

“How was your training?” you asked.

“Alright, I suppose,” he said. There was a horrible moment of silence. You weren’t sure what to say.

“I think I’m getting a hang of this new technique,” he finally continued, but you wouldn’t look up at him— you were afraid he wouldn’t look your way.

“I see,” you said. “That’s really cool… I’d like to see someday.”

“I’ll show you as soon as its better,” he said.

The rest of dinner felt… quiet. The two of you still talked throughout it but it was terribly different from the usual lively catch-up you’d have— it was heart-wrenching quite frankly.

So as you’d imagine, going to sleep was even worse. You subconsciously faced away from him and pretended to fall asleep quickly, hoping he’d sleep soon too. You hated what was going on, but you just couldn’t bring this up. You knew it was silly and you knew you’d forget soon enough. You’d probably regret making such a big deal out of it.

“Darling,” he said, and immediately you turned to face him. He was already facing you. “You don’t have to tell me if you don’t feel like it… I’m sorry I pushed you.”

Gosh, you thought. You gulped. You wished he wasn’t so kind.

“You’re going to think I’m so annoying though,” you said, voice cracking in a way you didn’t wish for it to and immediately his eyes widened.

“Darling, what happened?” he asked, suddenly worried. “You could never be annoying to me.”

“I… heard you…” you started and he just listened— he waited. “I heard you calling Okonogi, ‘dear.’ And suddenly I—”

“I’m so sorry,” he said, without hesitation. “I hadn’t even realized I did that, it was completely by habit. I won’t anymore.”

You finally met his eyes and the way he looked so horrified he had made you feel bad was so prominent in his eyes.

“No, Soushirou,” you said. “I didn’t mean for you to have to change anything— I know so well that both of you are so sweet to me and there’s nothing going on. I just—”

“Darling, calm down,” he said, cutting you off. “You’ve done nothing wrong, why are you beating yourself up? This was my bad and that’s about it. None of this is you.”

“I—,” you said, taking a moment to collect yourself. “I hate to be jealous, Soushirou. I’m so sorry.”

“Why?” he asked and you paused to look up at him, utterly confused.

“Why?” he asked again.

“It’s such an… ugly feeling,” you said.

“Is it?”

“Is it… not?”

“What’s wrong with being jealous?”

“Because it’s like I’m doubting you or something… when I don’t at all.”

“I think that’s a different thing entirely, no?” he asked. “You can know in your head that I’m in love with you and still feel something else— they’re not always the same. A little jealousy is perfectly healthy, I think.”

“Oh…” you said. You wanted to say so much more but there was so much to process first. Your heart swelled with such warmth.

“I get jealous too. I hate when Narumi gets too close to you or bothers you when I’m not around,” he continued on. “But in my head I know you’d never do anything to hurt me and you’d stop him if he crosses a line. I’ll try to stop if that bothers you though.”

“No,” you said. “That sounds… nice. I’m rather… happy… you were a jealous actually. But I’ll make sure to keep some more distance between Captain Narumi next time.”

He laughed. “Sounds good. But you tell me if there’s anything more that bothers you okay. I’ll fix myself up.”

“I will,” you said and he kissed your forehead. “But Soushirou, I don’t mind much anymore. You can stay the way you are.”

“No, no, stop overthinking. You need to sleep now, you have an early morning tomorrow.”

“Yeah. You too Sou,” you said and he hummed.

Once you were certain he was asleep, you kissed his cheek and slipped your hand into his. You liked holding his hand when you fell asleep, but you weren’t sure if it made it harder for him to fall asleep.

“Thank you,” you whispered to him. “You mean the world to me.”

You lightly kissed his cheek, careful not to wake him up, but to your surprised he smiled. He squeezed your hand and without opening his eyes, “You missed,” he said.

He kissed you on the lips and you laughed, snuggling up against him. “You were awake.”

“I was waiting for you to hold my hand,” he said. “I like when we hold hands when we sleep.”

BONUS:

From then on, Hoshina stopped calling Okonogi “dear” as much, and it’d only happen when it truly slipped out of him from force of habit.

“Vice-Captain, you’ve started dating (l/n), haven’t you?” she said to him one day while they were sorting through files.

“How... did you know?” he asked. The two of you had been dating for quite a while now, but he was more surprised she guessed you correctly.

“It’s terribly obvious you’re completely in love,” she said.

He blinked. And then he laughed. 

He’d have to ask you that night if he can share the news with everyone, properly, then.

[painfullyprickedandticked]

a common debate within the fandom is the annual question of “is striker a supremacist?”

particularly, whenever one makes an analysis on striker, there’s always one comment mentioning “he is a supremacist.” however, there have been, recently, arguments that he is not a supremacist but rather just believes himself to be superior.

let’s look into both sides of this debate and draw our own conclusions.

the argument on why he isn’t:

BLITZØ is the one who refers to striker as a supremacist and blitzø isn’t particularly good at perceiving people. he tends to resort to insults instead (like when he called fizz a “peppy fuck doll” and verosika a “drunken whore”).

if someone’s views contrast with how blitzo sees the world, he immediately resorts to throwing an insult and that’s his perception of the person up until they shake the viewpoint. we’ve seen this with clown boy and we’ve seen him relent with verosika. basically, there’s some bias on blitzo’s end towards cowboy snake dude.

a supremacist is someone who believes a certain type of person is better than another. striker doesn’t believe imps are superior to other hell species, he thinks HE is superior to other hell species. therefore he’s not a supremacist, he has a superiority complex. those are two different things.

“what is a superiority complex?”

 examples of evidence proving striker does have a superiority complex include:

he wrote a song dedicated to his own victory in harvest moon festival, with lyrics literally declaring “i’m so much better than you.” he’s always been self-centered, having an overexaggerated self-worth. 

a lot of his anger towards moxxie can be taken as self projections, and same with fizz.

the reason striker mentions to blitzø that the two of them are superior to most of their kind was a manipulation tactic to throw blitzø off of his case when he was caught trying to shoot stolas

it amazes me how many people miss this context when its so clear as day. its also apparent that hybrid imps can sniff out other hybrids, akin to how in real life, if youre mixed race, you can often have a gut feeling that someone might also be mixed.

another point someone made: blitzø doesn’t know about striker’s past. we know striker implied it in western energy, but blitzø himself doesn’t know. if he understood what happened to him, then maybe he’d gain more of an understanding of striker as a person instead of this “evil supremacist” facade he sees.

“"Look. Not every ring is some fancy ass city, with some fancy ass mansion, that only fancy ass royals get to live in. Some of us have hard lives to live. And some of us have everything we care about taken away by fuckers like you."”

I’ll quote someone I discussed this topic with, though I won’t tag or name because I don’t want people to go after them. I’m not here to start discourse—I’m here to explore viewpoints. Here's their take:

“His anger and pain is so genuine and so real, you hear it in Ed’s performance, i don’t get how ppl look at the disgust in his voice and his face whenever things get personal (his speech to Stolas and his reaction to Fizz saying he’s no better than any royal) and take it as he’s putting on an act and lying about it.” […] “Extremist is a better word for him imo than supremacist and he def has some self-racism/hatred going on for sure hence how he put downs imps he feels are lower than him but upholds those he feels meets his standards, if that makes sense yk? It’s about what he sees as weak or embarrassing for his own kind. It’s not actually about wanting any class to be superior, it’s about him and what he thinks.”

it’s important to note, no matter how you view the angle of coding characters who aren’t human – giving them racial coding and all – there is an allegory within the series. imps are the lowest on the hierarchy, and the goetias are merely only a step below the deadly sins and lucifer (+ charlie and lilith). so if we put imps into the minority role, that implies imp hybrids are, well, mixed race.

we notice this in an example of how stella treats imps, even including striker himself.

[attempted script format here. didnt work, lol]

he doesn’t like working for her. he puts up with her because that’s his meal ticket. it’s payment. there isn’t a moral high ground he stands on, but there is a ground where he’s below her and he knows it – he’s exhausted. he’s tired. resorts to a slur because that’s how much she exasperates him. because she’s a privileged royal lady, and he’s at the bottom of the caste system. he cant pick or choose, unlike with IMP and their jobs.

it’s a lot more nuanced than a lot of people are willing to take on simply because some don’t like striker and dismiss everything surrounding his character that isn’t those specific lines talking about superiority or blitzo’s supremacist comment. 

as i finish writing up this section, i wanna make it clear i also like blitzo and stolas and i’m not justifying striker’s treatment of anyone. i’m not being an apologist, but i’m examining this particular case “he’s not a supremacist” because, yknow, you gotta look at the other side sometimes when it is presented in a calm manner and not just straight up character bashing or disrespect to the creator bc “omg my ship didn’t happen” or “whaaaat? the villain was always a villain and NOT a love interest? how dare that BITCH” [these takes exist and my brain melts each time…]

okay, i think im done with this side. ill make the rest pretty concise and cite someone else here who's detailed things for the other side of the argument. thanks to TVM for letting me quote you. im tired to write up the other side because my fucking google doc with these notes got erased. i hate it here!!!!!!!

why striker at least has some Certain Ideals (sigh)

"Blue Bloods"

"Disgusting, rich, pompous goetia"

"Some of us have everything we care about taken away by fuckers like you."

"You don't get to talk over me. . . all you ever do is try to talk over us."

"Once I split your neck open and let you choke on your own blue blood, you won't be worth any more than the tomb stone you'll be buried under."

So . . . first, he doesn't actually say a lot that's solely about royals, and ALL of the quotes above are about how royals look down on people like him, NOT about any inherent flaws that they have. They're about class, not race, unless you count "blue blood" as race. I don't. It's tied directly to money. "Disgusting" comes up in reference to Blitz's relationship with Stolas, but the words "rich" and "pompous" follow immediately. Striker hates royals because he hates that society places them above him.

Imps

"Pathetic."

"You little things aint worth the cleanup."

"Oh I remember how easy you are to choke the life out of, little one."

"Blitz, come on. You know the two of us are superior to most of our kind."

"I still think it's embarrassing. You're wasting a lot of potential relying on a weak little . . ."

"Vermin"

I think that this is where Striker's worldview comes into clearer focus. He thinks that Moxxie and Millie (and by extension MOST imps) are inferior to him. The word "vermin" is particularly telling. There's something visceral about his disgust for "lesser" imps.

I think Striker worries that they reflect who he really is. I think he truly believes that imps are inferior to higher class demons, and he fears that if he doesn't prove himself to be special (through violent dominance), he's vermin himself.

Notice how in the image below, his edge over Moxxie is all about size and physical strength- the things he implies throughout the episode make him the superior being. Look at that wide smile. He loves the feeling of being superior.

Relationships between imps and royals

"You are so above sucking on a disgusting rich pompous goetia . . ."

"kill the unkillable . . . starting with the one that treats you like a plaything."

"Blitzy"

"You two are both embarrassments to our kind for meddlin' with blue bloods to begin with. But at least loud mouth here has the sense to only fuck his rich bitch, instead of being a little purse dog."

"This worthless little pet reeks of his over bloated master. I'll at least enjoy getting rid of him."

Striker clearly sees these relationships as imps lowering themselves. It doesn't seem to occur to him even for a moment that these relationships might involve genuine care because he sees all interactions between social classes as being about power and "who wins."

all sourced from here.

conclusion?

I don’t know how to finish off this post. I was trying to give both sides a microphone and at this point, every time I make a post on Striker, I have to make it clear that I hate the woobification of him from a loud majority who only do so because they’ve got a weird hate boner for Stolas. Y’all might not have seen it, but I have on Twitter. I have seen it from here. I have seen it in fucking AO3 with straight up disrespectful cross tagging of character bashing and actual flanderization (see here on why striker is not canonically ruined), along with straight up kill-fics and thinly veiled disrespect to the creators.

But lately I’m also hating the boring, simplistic take of “he’s just a supremacist” and not analyzing him more than that. He’s such an interesting, complex character in a show of complex characters, and nobody bothers to examine him! They just either dismiss him as revolutionary or a supremacist! They never go into his grey areas or “hey, why is he like THAT?” - no, it’s just the boring same old takes.

This guy has so many layers. He’s a minority within a minority. He’s turned off by sex jokes yet has such rizz. He has an adrenaline rush from fighting. He is self centered yet also emotional. Yes, he’s a dick and a murderer. No, he’s not just a rat bastard and no he didn’t threaten to kill Octavia - he simply brought her up to throw Stolas off. It was more so "shame your kid won't see you again", not "oh im gonna kill your baby girl after i show her your decapitated head". Yes, his layers and tragic backstory yet unyielding thirst for killing when he sets eyes on a target make him interesting. It’s called being a villain enjoyer but no one seems to like a villain for being a villain anymore in his case. They either gotta justify him or they gotta woobify him, or they have to demonize him. I’ve seen people make the worst comparisons and it baffles me.

I just wanna enjoy this rat bastard in peace but then stupidity resurfaces in my head and it’s inescapable at times. Tiring. </3

This isn’t the conclusion you probably wanted if you read this far. Sorry. But I'm at a loss of what else to say atp. I wanna find more normal fans of Striker who aren’t just insane people who woobify him to bash Stolas. And I'm also tired of people who actively bash him trying to weigh in on my stuff. Like... is there any normal enjoyer of him besides @eldritchcreatureofwords ?

Anyway, live laugh love Edward Bosco, bye.

[flowersfortony]

now that more of the internet (specifically tiktok) is loving logan, gotta say, i’ve seen a lot of people not really understanding the baseline of his character. like in that scene in the honda (before they physically fight) in deadpool and wolverine, when logan is chewing up wade and voicing is own hurt— for some reason people don’t like that that happened, but specifically in the ways of “he would not say that” and to that i say, yes he absolutely would. when he went into that spiel, not only was there the underlying theme of how he was talking more about himself than wade and how much a failure he is, pushing that onto someone else instead, but it’s 100% in character regardless if he was just being plain mean.

logan is a mean guy, even though it can be argued that it’s a defense mechanism. i mean, hell, his first appearance overall was him getting in a fight with the hulk, which is stupid and mean. logan is the most complex character i love, and maybe in general in the marvel universes, and this is not me saying he’s a heartless man or this is all he ever is, either. he’s a lot more than being mean, but i just feel like it’s best to understand this aspect of him as well.

[lunatic-pudge]

FUCKING PREACH IT, HOMIE!!!!!!

But seriously, this fandom has a serious infantalization problems with characters such as Scout and Pyro.

Like, they see Scout, they see how he's this hyperactive, childish merc who's "God's gift to women" and immediately immediately boil him down to him being a grown man-child. He's literally 27, can drive, kills people for a living, and has been shown to pull women.

Yeah, he's immature and childish, but you gotta remember he's almost in his 30's, is the youngest of seven older brothers, and works to help support his mom (who he had to watch struggle to raise him and his older brothers on her own)

And then you get Pyro, who gets the worst of it. Pyro's case gets me especially heated cause they're infantilized due to them being mentally unwell. These are probably the same people that wouldn't even sit near Pyro IRL cause they think "Schizophrenia=evil monster"

Yes, Pyro also kills for a living, but that's cause it's their JOB. Schizophrenia is such a complicated condition, and it gets such a bad rep. I don't have Schizophrenia, so obviously, I can't speak for those who do have it. But I know for a damn fact that those who have it don't appreciate how people treat it.

Now we know Pyro is an adult, what age are they we don't know. My guess is that they're close to Sniper and Scout in age. We also know that Pyro handmade their weapons and was CE-FUCKING-O OF AN ENGINEERING COMPANY. I can not stress enough that there's so much more to Pyro's character, but everyone and their Mother's wanna look at them and go, "Aww, look at the precious baby. They don't realize that they're hurting people"

I think another thing that plays into it is that they appear to like things that can be considered "childish" (Balloonicorn, bubbles, rainbows, ect.) But you can be a fully grown and functioning adult and like those things. I'm 22, and I have a huge ass stuffed animal collection. I have friends who are in similar boats as me. It's normal.

Okay, I'll shut up for now. I just hate how people treat some of these mercs.

[habken]

But it really is messed up that tenko never even had a chance. From the start he was doomed, and he was never going to be saved. All for one made sure until the very end that tenko was a pawn in his own story, how cruel is that

[mamawasatesttube]

it's like, i really do enjoy most of the bats as characters and i really do like a lot of their comics. but also i am sooooo tired of them being hailed as better than literally everyone else. both in fanon but also in comics (modern ones are esp egregious imo, like WHAT was that shit about batman and the joker being the most dangerous men on the planet. hi. have you heard of lanterns? speedsters? supers? actually if i keep listing groups who could kick batman's ass we'd be here all day). they're like kudzu. that shit needs to stay in its native environment (funky little neo-noir detective stories) and stop being an invasive species (putting down everyone else to make them seem cooler). put bruce wayne back into a murder mystery setting that isn't about saving the world but is about saving one person or one family that no one else would've saved right now or so help me god. the whole invasive species cross contamination thing is unhealthy for both him And the other ecosystems he keeps getting transplanted into. please. it's so dark in here

[chilfucked]

I'm thinkin abt when chilchuck does that cat thing where he looks up at you, like in your header, how he bares his neck by doin that, and how awesome it is that he feels safe enough with the touden party to do that so casually- rghhrgrhhr

dude i think about this all the fucking time. he’s such an expressive character it’s awesome. you can always tell what’s going on with him just by observing his body language

beginning of the series? before everything goes down? he’s open, relaxed. he’s really started to trust the people around again after years of not letting himself

you have him closing himself off after The Incident™️, his anger and frustration, and generally not feeling safe being on full display without needing to say anything

he closes off when he’s worried, scared, or being protective of the people around him

and he opens back up again once he starts getting comfortable with everyone again

i just. i love him so much, i love how no matter how hard he tries to keep people at bay. keep things to himself. he just. can’t. he’s an open book and boy howdy am i reading it

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week