#sorry it was a long reply

[anastacialy]

guys, i think the hermits are going to accidentally start a prank war again. because just like last time, a game of telephone has begun. first, false made iskall's build into ''false beans,'' her shop from the previous season. however, to give herself plausible deniability, she signs it with "love, Joel. x" due to his username, smallishbeans.

next, iskall sees this, and completely believes it. he thinks it was joel who pranked him, and as he says to pearl while showing off the sign, which he kept even after tearing the prank down, "joel gave me a kiss." in his most recent video, he pranks joel by sending him loads of anonymous messages in order to completely spam and fill his inbox, preventing him from getting any more mail, with notes such as "thinking about you. x"

of course, joel is going to have absolutely no context for this, because he didn't make the initial prank. so who is joel going to assume sent him all those messages while he was away on holiday? well, i have a guess.

etho.

[egophiliac]

Serious question.

Do you think we’ll see the parents/family of each of the guys???

Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….

Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.

I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)

Anyhow, any idea/headcannon about this? Who do you want to see first?

I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)

but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!

characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.

[cutie-lumi]

Cosmic 💐🌟

[linktoo-doodles]

i cant believe akis afraid of thunderstorms………….

EDIT: oh my gosh I didnt realize this I feel sick

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[wispscribbles]

why are you and your drawings so cool 😭🙏

afdsasdfasg thank you !! irl ppl would laugh at me being called cool lol - Have a ghoap as thanks <33

[parientou]

The piece I did for @bktdfantasyzine 💫

[chio-chan2artbox]

Had a dream the other night where you had created a royalty perrysmertze Cinderella style au where doof said perry the platepus? Prince Perry the platypus?!

Perryshmirtz Cinderella AU

In this story, Heinz and Perry are on their 20s (Heinz is still older than Perry tho), the crystal slipper is replaced by a wooden arm 😂 ( @agentlizardofowca’s idea), that is what Heinz leaves behind and helps Perry to find him again.

[bison-appreciation-club]

Hi! What are some of your favorite things about bison?? Your pinned post says ask at your own risk and I'm very happily doing so

oughhh ok!! firstly, i think they just look really cool. i mean, look at them....

secondly (and for this i am referring solely to american bison, i don't know very much about the history of european bison) they are very historically and culturally significant. the native americans who lived on the great plains relied a lot on the bison for food, but also to make clothes, tipis, weapons, and bison were also a part of their religion. in the 19th century white settlers killed most of the plains bison. this was sponsored by the us government as a method of cultural genocide, by removing the lifeline of the native americans in the area and forcing them onto reservations

in the 20th and 21st centuries, bison have been reintroduced to national parks and indigenous land across america and their population has increased, although there will never be as many as there were before because there's just, you know, not enough room for them.

look at him.... very important creature

[askthisfishprince]

Wwell if you insist, I certainly wwont stop you…

[vi-visected]

in my head after the events of camlann merlin returns to camelot and, still riddled with terrible guilt and grief, confesses to leon about everything that had happened and everything he had done, magic and all. and instead of outrage or betrayal or scorn or judgement (or even death, as he had briefly considered) leon shatters him with a deeply apologetic expression and a whispered “my friend… you must have been so afraid, and so tired.” and merlin collapses into heaving sobs against him and doesn’t get back up for a long time.

[velvetwyrme]

Um hi!! I just wanted to say I fucking love your work and everything you do and I’m so glad to say that you have officially made me into a papyri lover and I request that you continue to feed me with your amazing art and writing😇 (I’m literally folding for Rus and Dare’s relationship and not to mention Flipping fate has honestly got me hooked and never letting me go)

Also! If it’s not a bother do you have any tips on drawing the two skeleton brothers? (Aus don’t rly matter!) I just adore how you do it (sketches and the finished product) and I just wanted to ask ;,)

WAHHH THANKUUU 💖💖 Welcome to the ranks of Papyri lovers...!! (APOLOGIES IVE BEEN SLACKING ON THE PAPYRI CONTENT ;w; [and also. literally anything in general recently agdjcbdk]) ALSO sorry this took like. months to reply to agahamjdbhsmf,jj,,,, I made a whole thing. and then accidentally deleted said thing? so I had to remake it after moping for like a month.

Anyway, here is. a very messy breakdown and some tips!! That are hopefully helpful!!! It's mostly about faces but if you're interested I can also get into the nitty gritty of drwing skeletons but these are like. Sans and Papyrus specific parts (so mostly their skulls lol)

Skulls are both weirdly round, and weirdly angular (a sentiment that I read in a fic once and committed to heart apparently. Like... yeah. They ARE weirdly round and angled.) As always shape language is your friend (real bouba and kiki moments)

Sans has more of a... chibi face shape LMAO. If you've drawn those before it makes drawing him a lil easier imo. As for Papyrus...

He's a pain!! He's got lots of expressions and I usually have to redraw his face like sixteen times. His eyes are just like 2 fucking vertical lines and yet. AND YET. My beloved boy is so difficult. At least he has very expressive eyebrows. I also use the corners of his mouth to give him more range of expressiveness since he has no lips! Also the lines for his "individual" teeth... I can take it or leave it. Sometimes it works sometimes it doesn't!

I only give Papyrus lower eyelids because if you give him upper eyelids/lidded sockets he looks like Underswap Paps LMAO,,

Sans on the other hand has "lips" but doesn't use them hrkfhdk,, I always make sure to give him the little holes at the corners of his mouth as well.

Also that's all about their heads/faces so here's a note about how I do bodies which is. Shapes. These two are so Shaped.

Seriously though the best thing to do is just to try emulate other people's artstyles or pick out parts of them that you like and incorporate them into your works. Like how someone draws Sans' eyes? Try it and apply it!!

People also tend to draw the skeletons with slightly different facial proportions, so experiment with that and see what you like as well! I've gotten pretty good at eyeballing it and drawing them directly (with the exception of Papyrus around 40% of the time, wherein I have to redraw his face sixteen times before it looks good).

[clairiko]

all i ask for is to see a full ref of four in the academy au also what do some of the other zeldas besides sun do?

i'll do you one better! here's four and shadow :D

dusk works in the library! and tetra plays soccer and does track and field together with wind.. and thats all i have for now for the zeldas 😅

[erwinsvow]

i feel like pogue!reader with rafe would have an interesting dynamic with barry. like, he doesn’t particularly like her - knowing her connection with the pogues, especially jj but at the same time he’s dealing with rafe and pogues as a collective have gotta stick together. he’s also just morbidly curious about how she and country club have became a thing.

barry laughs when he sees you walking into his place, attached to rafe's side.

"ain't that-"

"that's my fuckin' girl. so watch your mouth." rafe cuts him off before he can finish the rest of his sentence, which is sure to have something to do with the fact that the few times barry's seen you before, you've been with the pogues that rafe supposedly hates so much.

"your girl? is that right? well, pleasure to meet you again, m'barry-"

you look up hesitantly at rafe, wondering if you should say something back, and you briefly reflect for a moment just how different things used to be. with your best friends, with jj and john b and pope at your side, the group of you would go and make yourselves comfortable anywhere. they'd charm their way into the good graces of the host and you never felt like you couldn't just speak your mind.

rafe is different. you don't know if it's bad, if he's bad for you, or not. talking to someone when you know he doesn't want you to feels wrong, feels bad. and you like him taking lead, him showing you the way and calling all the shots.

so you smile at barry but don't engage, looking up at your boyfriend instead. he looks down at you for a second, but you can tell you did the right thing.

"sit down and shut up. c'mon, we got shit to discuss."

"tells me to sit down. in my own fuckin' house. i gotta tell you princess, you picked a real winner here in rafey boy-"

"did y'not hear the shut up part?"

a laugh escapes, though you try to keep it quiet. they go on discussing something that doesn't mean much to you, while you go on your phone and text your friends. rafe's phone rings, and he just steps away for a minute to answer. barry doesn't hesitate a second to get the answers he needs from you.

"so. you and country club. how long's that been goin' on?"

"um, a couple months."

"your boys know 'bout him?" you bite your cheek. they don't, yet.

"not yet. but, soon, i guess. waiting for the right time.." you mumble, playing with a loose stitch on your skirt.

"yeah. i'd get on that. not gonna be too happy, are they?"

"maybe."

"don't they hate your boy as much as he hates them? ain't that.. awkward?"

you think you should be offended by the line of questioning, but rafe talks about barry often enough for you to know that he's not a snitch, that he doesn't care. he's just curious.

and he should be. up until a few months ago, you were never seen without your boys, as barry put it. you used to be attached to jj's arm, permanent passenger princess in pope's truck and the twinkie. it all feels like a lifetime ago.

"i'm hoping we can all make amends," you finish softly, fresh waves of guilt washing through your body. it burns where it goes, a stinging similar to what your friends are gonna feel soon, when they find out you've been dating the boy who's been terrorizing them.

"for your sake, i hope so too."

"what're you two talkin' about?" rafe asks, coming back inside and taking his place next to you. he puts his hand on your knee, brings you in close without having to ask.

you hope it's all going to be worth it.

"nothing."

[raggedytiger]

how do you draw so.. raggedy ann..

aargh such high praise!! this ones especially for you!

for real thank you so much :D a few people have said this, esp since i've drawn ragatha. and to be honest i am pleased as punch. i've been watching that 1977 movie on repeat it's so beautiful.

if you wanted an actual answer, i don't know if i'm bright enough to be able to explain it, but i think its mainly a mix of medium and the way i draw fabric!

the raggedy ann & andy movie is traditional hand-drawn animation, ann herself being primarily animated by the one and only Tissa David. most of my character art is scanned in from pencil on paper and edited for higher contrast. this might be why, since that gives it a slightly sketchier finish, which raggedy ann definitely has (in comparison to like, recent ghibli movies).

as for fabric, i really like drawing fabric. it's so fun to make ragatha as soft and stitched and pillowy-looking as possible, especially compared to a kind of rubbery, stretchy-toy pomni. in my head, ragatha hugs pretty much replicate the feeling of being cosed up in bed.

earlier today me and a friend were at college on a bear-hunt online for this spread, which he found, and which is so fun and informative:

note the unironed dress, baggy shoulders, and hands like mittens a size too big! literally adorable.

i want to get my hands on the book that this came from because hoo boy there are some beautiful drawings from it i've seen dotted around niche animation blogs and forums.

anyway thank u so so much and if you were looking for an attempt at answering your question then i hope u have it ^_^ if not then anyone can feel free to ask/recommend/show me stuff about illustration & animation bc it is my study and i love to talk about it! if anyone wants the few other development pages of the raggedy ann & andy movie that i've managed to scoop together then do ask!! (& if anyone has links to more then u know what to do o_<)

[sssammich]

💚 true love's kiss / magic kiss / healed

i got you anon! sorry this took a while.

💚 true love's kiss / magic kiss / healed for supercorp*

ask meme

THIS ABSOLUTELY RAN AWAY FROM ME IM SO SORRY

---

"your true love is an alien."

well. there's certainly a lot to unpack from that, isn't there?

let's try.

first. this short and frumpy old lady with both hands on her hips is standing in front of her desk, somehow able to bypass security and her assistant, jess, who is mysteriously absent from her desk.

second. aliens aren't real. right? (right?)

third. the concept of true love is laughable. this is the 21st century and subscribing to these silly fairytale notions of true love is a lot of bullshit. let alone the idea that there is someone even out there for lena in that capacity. nevermind that apparently the only possible candidate for such a title is someone who isn't even human.

fourth. what does this even all mean? and why is she allowing her conference call to madrid get completely derailed by this woman who looks like she's more suited for the kitchen of a small hole in the wall italian restaurant and not the middle of a fortune 500 corporate office.

(all this to say that when lena eventually looks back at her life, she'll think that this is probably not even top five of the weirdest things to happen to her. it might just barely squeak into the top ten, though.)

still, she's faced with a strange predicament at this time. like how to get this lady out of her office.

yet instead of shooing this lady out, her mouth opens to say, "what's next, are you gonna tell me that magic is also real?"

the old lady in front of her just shrugs. "true love is magic, dearie. keep up, mm?"

when she opens her mouth again, she's just about to dismiss this lady, but it doesn't even matter because as soon as she blinks, she's alone.

-

something saves her.

no wait, it's someone. someone saves her.

her helicopter is crashing, the pilot is dead and dying beside her, and they're plummeting.

until, of course, they're not.

because someone is carrying her burning helicopter down on a hellipad and yanking the door out to check on them. lena's heart is in her throat and her lungs are somewhere in her stomach and she doesn't know if she's still even alive. but this someone is definitely hovering before she's holding lena securely.

"hi," the woman says, tentative, blue eyes and blonde hair and armsarmsarms and a red cape and--

something inside of lena's heart changes-transforms-evolves.

and then she passes the fuck out.

-

when she wakes, it's to dim lighting in a hospital room, the beeping of her heartrate monitor. distantly, she hears very little outside which means she's in a much more private wing of the hospital.

she sits up a little when a nurse comes in holding a tray.

except it's not a nurse at all. but the same lady from before.

"you."

"hello, dearie."

so many questions jump at the forefront of her mind. understandable and reasonable questions like hey lady what the fuck are you doing here? how did you get in? what do you want from me? are you here to kill me? stuff like that.

except the flashes of earlier appear in her mind and she recalls blonde blue red. she gasps.

the old lady smiles. "very good, dearie. they did say you were smarter than the others."

"what do you want from me?"

"nothing."

"then what are you doing here?" she asks, her voice gaining strength, her hands balling into fists by her side.

"just consider me an invested party."

before she can voice anything, the old lady places her cup of jello and plastic spoon by her thigh.

"take care, dearie. tell her i said hello, mm?"

lena's brows furrow, questions crowding her mind as she attempts to make sense of everything but failing to do so. the last she hears is a snap of fingers and she falls into a dreamless sleep.

-

when lena next wakes, she's back in her office. a week after the failed assassination attempt on her life.

the buzz of her intercom signals jess's voice. "miss luthor, your 2pm appointment is here. would you like me to let her in."

"go ahead."

she stands by her desk and brushes at her skirt just as the door opens to reveal a beautiful and bespectacled woman with her hair pulled in a ponytail.

blonde blue red.

lena's mouth dries and her insides do a somersault. she remembers the helicopter, the hospital, the old lady. the words your true love is an alien pinballing in her head (in her heart in her heart in her heart).

"hi, miss luthor. thanks for meeting with me."

lena looks at the offered hand. strong hands that have held her before. on a burning helicopter.

"of course..." she says, waiting for the woman to fill in the blanks.

"kara. kara danvers."

"well, kara, call me lena."

it takes five eternal seconds for them to let go of each other's clasped hands.

-

lena finds out about kara bit by bit. through interviews, through professional coffee meetings, through informal coffee meetings, through casual walks around downtown and the city parks, through casual lunches and dinners and desserts.

congregating around food so she holds a fork or a burger or an ice cream cone in her hand while she fights the urge to hold kara's hand.

lena learns about who kara is. a reporter by day (who moonlights as a superhero, lena muses, but kara doesn't share that information). an avid pop music lover and movie buff. a regular buff with hard cuts of muscles. arms arms arms arms--

kara is lame. a dork. goofy. foolish. beautiful. quiet. pensive. perceptive. deep. kind. loving. oh, so loving. so very loving.

kara is a hugger. a holder. an engulfer. an overwhelmer. she is the ocean and lena is the lone driftwood that crashes against waves. lena wants to be washed ashore only for the ocean to capture her once more because the ocean can't be denied.

she doesn't want to deny kara.

"lena?"

she blinks back to her present, washing away the cloud of her thoughts. right. they're at dinner. her fork held midair just before her mouth. they are in kara's apartment.

"yes, darling?"

kara smiles at her, though there is concern in her eyes. "where'd you go just now?"

she wants to say she went to the ocean but it's true either way when she offers her best smile to kara who mirrors it easily, breezily.

"i was just thinking that your cooking has gotten better."

kara ducks her head, her smile turning shy. "thanks, lena."

lena doesn't want to deny kara.

-

briefly, distantly, lena thinks that perhaps there's an inevitability to this moment.

this moment being:

kara is standing in front of her with her button down shirt opened to the fifth button where lena sees the S emblem over kara's chest.

"i wanted to tell you. f-for so long, i just--" she stops herself and takes a deep breath. "i'm sorry, lena."

lena is quiet. her vision unable to focus on any one thing. she looks at the blonde of her hair out of its regular ponytail. at the blue of kara's eyes. at the red of the symbol atop her chest.

blonde blue red.

"you're an alien." she announces it for the first time, despite the truth have sat carefully under her tongue for months.

kara swallows, then nods. "lena-"

what did that old lady say? she can't remember right now because her brain is buzzing, her heart is thumping, and the overwhelming urge to melt into kara is all she can think about.

she propels forward, pushing up on the tips of her toes, and kisses kara.

kara's arms are around her, hands holding her, body engulfing her.

soft lips slide against hers, press upon her, permanently transforming the chemistry of her body with the way that kara is now part of her.

when they break apart, she only grins at the dazed expression on kara's face.

"you...you like me too?"

she is beaming because of course she likes kara too, likes her more than like. so she answers by kissing kara again.

-

for their first date, kara takes her to a small italian hole-in-the-wall restaurant.

"this is my favorite italian spot in the city. in the state, actually. maybe even the country!" kara exclaims, excitedly talking and gesticulating but making sure that their hands stay interlaced with one another.

when they get there, they're seated right away, a young woman seating them in the back booth.

"hi, kara. table for 2?"

kara nods and lena watches. "you come here often?" she asks.

"yeah. i hit this place up at least a couple times a month. good thing my metabolism allows me to eat as much pasta as i want. the chef in the back makes it fresh every day."

amidst drinking wine and twirling their forks in their pasta, kara is leaning closer to her, the two of them sitting adjacent to each other, their elbows grazing each other on the corner.

when they finish, kara pays, insists on it, and asks if they can stop by the kitchen to pay compliments to the chef. with hands still intertwined, kara pushes the swinging door forward, and calls for chef nina.

lena watches as kara releases her hold of lena and approaches the short and frumpy old lady who only wipes her hands on a stained white apron before opening her arms up to receive kara's hug.

over kara's shoulder, the old lady winks at lena.

and lena?

well, she just laughs and laughs, kisses kara on the lips, and hugs the old lady.