Just saw someone with “use whatever pronouns you use for yourself for me” in bio. I honestly never considered the depth the pronoun metagame could have, we’ve barely scratched the surface with this shit
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I love the little AU that skinny people live in where they have the same problems as fat people and can relate to the Experience.
artists references are only for fat bodies, artists that do draw thin bodies are getting DMs from people going like "omg I'm so happy I discovered your art, it's so rare to find an artist who draws small bodies!!!!! for the first time I see people who look like me 😭😭"
skinny people going "omggg I finally found a clothing brand that sells nice dresses in XS, I wish they weren't so so overpriced though"
skinny people getting home from the doctor's office and collapsing on the couch to tell their roommate that their doc spent the whole appointment quizzing them about their diet and they were told they need to gain 40 pounds. but the doctor didn't want to check out the weird scraping sound they make when they breathe in, just that they should probably gain weight first.
skinny celebrities and influencers spending thousands of dollars getting plastic surgery to transfer fat to their stomachs and jawlines.
all the main characters in tv shows are fat. when you watch cartoons as a kid, there's one skinny character, and they're really dumb and annoying and get laughed at by the other characters. they're a loser and never get a boyfriend/girlfriend.
the same clothes that are stylish when worn by fat people just get you made fun of.
desirable romantic leads and manic pixie dream girls twirl their hair and say "yeeah I've just been fat my whole life, I just never lose weight no matter what I eat hehe" and this is an extremely endearing and attractive trait.
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For the mafia bad sanses, what if we did try and run away?
Oho, the hunt is on.
Horror likes a chase. He always has, he's a hunter at heart. He's also very good at it; he pays much closer attention than people realise to the very small details. On top of being excellent at following scents, easily capable of tracking your movements, he knows your habits and routines like the back of his hand and he can accurately predict where you'll go and what you'll do during your brief escape. Nightmare absolutely expects Horror to find you first - the other two use him like one might use a bloodhound, following his bulldozing lead through the city.
Though it's fun to chase you down, Horror's genuinely worried about you the whole time you're gone. It doesn't help that Nightmare feeds his paranoia to ensure Horror is a vigilant guard - don't you understand he's trying to protect you? He will bring you back. He has to keep his loved ones in places he can keep an eye on them. He's not angry when he finds you, he's not even upset... he just checks you for injuries, and asks if you're hungry.
When you get back, he'll get you a snack.
Dust understands. He really does. He would run away, too, if there wasn't so much on the line for him. But he really feels like an idiot. Somewhere, in the back of his mind, he had started to think of the situation as you and him against them. He started to feel like, maybe, there was... a connection forming? He started to feel like maybe you understood him. Maybe... maybe you trusted him. Maybe he could open up.
... You fleeing is a jolt back to reality. You didn't tell him anything before you left. You don't trust him; he's not your friend. You see him as one of them. Now he feels stupid and embarrassed.
Dust drags his feet about hunting you down. He follows Nightmare's orders, like he always does, but it's obvious he's just letting the other two do it. He still looks after you - he would never go back on his word. But you can tell something's changed.
Killer certainly enjoys chasing. He likes tossing you over one shoulder once he's found you and he's itching for a reason to kill anyone who scared/hurt you before they found you. But once he's actually got you, he's... mature? Sympathetic? He talks to you gently, but without being patronising. What the hell, is this even Killer? He chats with you during the trip home, assuring you that you're not in trouble. He genuinely wants to know why you ran... he wants you to get it out, insisting bottling it up won't help anyone.
... He also explains that when you're outside without them, you're in real, genuine danger. Nightmare is infamous - his enemies might want to take out their frustrations on his prize human, but on top of that, some of his allies might think you're a defector and grasp the opportunity to prove their loyalty by hurting you. Killer's words are gentle, but he paints a vivid picture.
Seems like he really doesn't want you to leave.
Nightmare is frustrated.
When you're brought before him again, you think he's angry with you. He's certainly angry. But at you? Goodness, no, never at you. He's angry at his guards for finding you so slow, and not sufficiently preventing your escape. You're not to blame here, it only makes sense that a pretty bird like you would take flight through the first open window it sees. Nightmare doesn't appear phased by this at all - in fact, the only real consequence (if you could even call it that) for you is that Nightmare is insistent on having a garden built for you, so you can get fresh air to avoid cabin fever. He keeps asking what flowers you'd prefer for it. It's kinda alarming, how blase he is about someone he likes trying trying to flee him.
(Nightmare's very pleased that this has driven a wedge between you and Dust. Better you focus on him instead, dear.)
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As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.
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