#super long rants

[fnafs-ex-boyfriend]

People shipping aroace characters because “uuu there’s no angst if no ship uuu” well fuck that because remember the “what the fuck is wrong with me” angst. Remember the “oh fuck this person likes me but I don’t like them back” angst. The “should I pretend to date this person so as not to hurt their feelings” angst. The

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[pachimation]

redrawing my very first chiscara comic/art i ever did for chscr day!!

old comic under the cut!!

lol a bunch of sappy semi serious stuff below bc i cant help but be a bit genuine about this ship today :’3

i cant possibly put into words how important this silly little ship and its community mean to me haha,,,, this comic was made in 2021 but i didnt really get serious about chscr until late 2022 after a bunch of pretty bad interpersonal stuff happened and i needed an outlet,, COINCIDENTALLY a certain someone was announced to be playable around then and i was already thought chscr was Pretty Neat™️ so i ended up diving headfirst into the ship. it also gave me a good excuse to work on more comics too!! i’d done a pretty big zhongven comic earlier that year in the summer, but in terms of lore there was only so much i could have worked with at the moment.

childe and scaramouche have that perfect combination of silliness and angst and violence that could be explored or expanded in so many ways and i love love love seeing other people’s interpretations of their dynamic and relationship. they’re so complex,,,,they’re narrative foils,,,they’re narrative parallels,,,they’re trans allegories,,,they’re flies in the spiderweb of the games lore,,,they’re my stupid little meow meows,,, they’re just two losers i want to see make out,,,

in a nutshell, they’re everything to me. well, i hope i get that kind of sentiment across in my own comics,,,,

and i cant get started on all the people ive met through chiscara or the way that having something i can call “my thing”, as in, the thing that i like and that i will spend a lot of time and effort (and money, but lets not talk about that) to surround myself with because it makes me smile. its stupid to say, but being a nerd about these two stupid guys who have never had a single canon onscreen interaction in some random game has made me a much happier and confident person that i could have ever imagined back in my freshman year of college,,, when i say i dont know who i’d be if i hadnt gotten into chiscara, i really do mean it lol

i’m actually surprised i’m making it to over a full year of regular-ishly making art, especially for the same game and ship! thats never happened before and my art has improved so much over this past year!! more than anything else, i’m happy! i get to be excited talking about these characters with my friends and i love to see art of them pop up on the tl. i make stickers of them and decorate my phonecase with them and have little figures of them in my room that i look at when im up late at night working on schoolwork. sometimes just the thought of finishing a comic or daydreaming about a scenario or seeing what my mutuals are up to are some of the few things getting me through a tough day.

,,,,so believe me when i say, to both childe and scara and to everyone else as obsessed with these pathic losers as i am, thank you! i’m having a lot of fun!!!

(also i just found out tumblrs copy/paste doesnt work on my ipad??? idk if this ends up legible i may or may not have deleted smth by accident and im not in a mood to proofread haha)

[polorizetheory]

No Lilith is not "Evil" or a "Bad Mom"

I said what I said. We don't know what happened to Lilith, we don't know why she and Lucifer split, and if you saw the pilot, you would know Charlie choose to confide in HER about her worries and fustrations. That is a clear sign that as the queen of hell, the woman whose songs brought hope to the demons in hell, had more confidence in her daughter than Lucifer was afraid to have. I saw a post that said "also how bad of a fucking mother does lilith have to be to ignore her daughter for 7 years jfc". As if that is the only reason Charlie hadn't heard from her? Not even a possibility something bad might have happened or had really very important business to deal with as the queen of hell?? And it's even more bizzare how people just assumed that flashback was her "keeping Charlie away from Lucifer". Like hello, it's called putting your child to sleep? And also

Does this really look like a vile woman to you. Did you really see this portraits and went "Oh yeah she hates her husband," NO THAT IS FUCKING IN LOVE WITH HER HUSBAND! SHE IS HAPPY WITH HER CHILD, SHE IS PROUD OF HER FAMILY AND KINGDOM, SHE WANTS NOTHING MORE THAN TO BE WITH THE MAN WHO SHOWED HER MORE LOVE AND COMPASSION THAN BITCH ASS ADAM, AND STUCK WITH HER FOR MILLENIUM AFTER BEING CASTED OUT OF HEAVEN. EVEN WRAPPING HER ARMS AROUND HIM AND CHARLIE

Fautisse, the person whose been at the birth of Hazbin Hotel, even believes Lilith adored her husband just the same as he to her. But shit happens, and something caused her to leave. For reasons WE DON'T KNOW WHY! But unfortunately for her as a female character, the fans and even anti fans have reduced her to another "Stella". Despite the fact Charlie confides in her, and despite Lucifer having pictures with her in his office and still has his wedding ring on. There is a definite reason Lucifer acts this depressed, otherwise he would be acting like Stolas, someone who actually hates his wife.

[xxinkyshadowxx]

Little reminder for the people who forgot Kieran is 14 years old FOURTEEN meaning that any suggestive content of him automatically makes the poster of it weird as fuck ESPECIALLY if they are an adult but even if they are a minor posting suggestive stuff of a fourteen year old is still super weird so maybe don't do that

[thasorns]

I cannot shake my thoughts about this and I’ll know I’ll keep this drama close to my heart. The fact that Myung ha’s ‘sunbae’ opened the riff to the world with the question “would you change it for me?” Also the fact that Myung ha’s alternate universe/game world started with the sound of an ocean tells already a lot about it but we won’t know until Episode 8 why. Throughout the series we watched Myung ha doing everything in his power to make Yeo woon happy while he himself couldn’t rely, couldn’t trust, couldn’t open himself up to him. We know the phrase of his ex gf “you don’t know how to love anyone.” left a deep scar in his soul which he carried with to the alternate universe/game. I try to think the system errors which occurred during the game was a way to change Myung ha’s mindset to not make the same mistakes and/or go on with his habitual habits he did in his life before he drowned himself. Also the different tasks was it actually for Myung ha to realize that he’s the one who makes Yeo-woon happy (which he didn’t). He retreated himself from Yeo woon because he couldn’t choose between the most important persons in his life as we saw his grandma died in real life which makes me think if he also knew that because in one sequence in the game/au it asked him if he wants to bring back some memories of Myung ha’s life. Also the last I love you from Yeo woon was the cherry on top to let the system completely crash where he distanced himself from Yeo woon. “I want to spend my remaining time making Yeo woon happy as best as I can. But it seems the more I try, the more unhappy I make Yeo-woon.” Which Myung ha remembers what Yeo-woon said: “whenever I see you, I both feel good and want to cry. I feel so much about every little thing. But I’m not happy at all right now.” Which again I try to think it is about why Myung ha doesn’t rely more on him? Why he doesn’t open himself up to him? A relationship is based off of trust, give and take… etc. but Myung ha goes into this relationship with deep rooted traumas which causes lack of self love. If one loves not itself enough how can they expect to love someone else which what explains Myung ha’s last phrase in the same scene so much. “Why did I think I could make you happy?” It’s as if he doesn’t think that a loner like him could be the one to give him love and happiness. What follows after is that he choses Yeo woon’s happiness even if he’s not his happiness… which again brings me to the beginning where Myung ha thinks “but I prefer lonely supporting characters to happy protagonists.” In this case he’s the lonely supporting character to our happy protagonist Yeo-woon. “But being fated to live that kind of life… is just so unfair.” He knew/knows how cruel life can be so he chose his happiness over everything and got vanished from the game. He realized by now that Yeo-woon is/was more important than he wanted to admit. Yeo-woon is/was a glimpse of happiness in Myung ha’s life. What brings us to the tragic backstory of his life and how he lived. All the obstacles he endured and went through led to his drowning (at this point we saw Yeo-woon’s obstacles in the alternate universe/game at least in my opinion). This is the turning point for Myung ha. “I was hoping if you saw yourself from someone else’s perspective, you would learnt to love yourself. I thought if you learned to love someone, you would be a little happier.” I want to make a reference here to the title itself “Love for Love’s sake” because all the sacrifices he did and cared more for others than himself… but he found happiness. In Yeo-woon. And he chose his own happiness for once. It’s the way he chooses all these things for himself, to open himself up for him, to rely and be cared for. “It would be nice to have someone. Someone who cares by my side. Someone who gives me chances when I fail and feel hopeless. It would be nice to have someone who always gives me love.” Which they found both in each other.

[tv3headz]

Long af rant about Velvette's old design and character as I share my art of her :D

Pilot Velvette/ Og Velvette gives extreme babydoll harley quinn vibes, which is a stark contrast from how she ended up being in the show. I like to imagine that something extreme happened to her, like a horrible breakup or betrayal, and she went all crazy. This is the version of her we see in the pilot. The Voxtagram stories seemed to lean into this, depicting her as more immature, bratty, and murderous. She also depended more on Vox and Val like she saw them more as father figures than co-workers. (Just a thought.) However, as she adapted more to the landscape of hell she became the Velvette in the show; A fashion icon girlboss who is much more independent and while not serious, much more mature than her pilot counterpart, and even the other Vees. They ditched her psycho vibe to replace it with something that made more sense to her character.

Something that I personally wonder is: Why was Velvette like this in the beginning if she was meant to focus on fashion? A puffy Lolita dress goes against the Vees whole idea of being up to date, so what was the original vision for her? People have complained about Velvette already having too much going on for her, being both the overlord of fashion, master of social media, backbone of the vees, selling a love potion, etc. If those ideas were already there, did they just think a crazy serial killer girl would be even more extra clutter to her personality? 

A concept many fans I've talked with is if the Vees personalities in the pilot stayed. Val would be pretty much the same, but the other two were almost different characters. In the Voxtagram stories, Vox let Val beat him around, had a goofy pet, and seemed to care less about his public image to remain more villainous. Velvette I already discussed was extremely different, the only thing connecting her to our Velvette is her connection with the Vees and fashion.  In this universe, would Velvette see Vox and Val as toxic dads who kept breaking up and getting back together again, instead of seeing them as equals and KEEPING THEM TOGETHER? it's a wild shift. 

Essentially, Pilot Velvette acted more like a bratty little girl, while her show version acts more like a annoyed but controlling teen. We see her pilot look as her profile picture, so this 'phase' of hers is still canon. I know she already died as an adult, which is why I'm so curious as to why she originally acted this way. Did Viv think she would be a better contrast to Vox and Val like this? To be fair, a spoiled brat AND annoyed girlboss are both contrasts of their personalities, just two different approaches. Was their originally going to be a backstory for her as to why she was this way? or was she just crazy to BE manipulative? or you know, just liked murder while looking cute like Niffty. speaking of Niffty…

I think Niffty is the most likely reason why they changed Velvette's design and personality. we already have a little crazy girl who admires 2 men she sees as older figures and enjoys murder for mysterious reasons. It mightv'e seemed a little counter-intuitive if there was 2 versions of the same character stereotype. Another reason they could've changed her is that she stands out more. If we're supposed to take Velvette as an overlord seriously, how are we supposed to do that when she leans back on the other two guys and looks like she's from a horror movie? Sure, I'm positive pilot Velvette could've been intimidating at times when she got legitimately frightening. however, this didn't seem like her vibe 95% of the time. It might've made her blend more into the background of the Vees than she practically already does. (Which is just a problem for female Vivzie characters but that's a whole separate rant.)

A headcanon of mine is that this was just her psycho little girl brat phase, and she is hella embarrassed over it. like a teen being embarrassed over their phases of when they were a kid. and Vox and Val would constantly piss her off by reminding her of it. That could lead to some fun banter in the future I would love to see as a reference to the pilot. 

Anyways, sorry for the literal Essay I wrote here again, just a ton of over-analyzing which I'm best at. Personally, I do vibe with Velvette's new design and character for the show, I just cant help but think of why she used to be so different and arguably had the BIGGEST character shift from pilot to show In Hazbin Hotel.

[pkmn-smashorpass]

blaziken will always be special to me cause after I had a car accident, holding onto my tiny blaziken plushie made me feel safe enough to get into a car again, so I'd say Blaziken has already smashed me, in my heart.

YOURE NOT ALLOWED TO MAKE ME CRY ON THE POKÉMON SEX BLOG 🥺

[jounosparticles]

the fact that tecchou canonically and frequently stabs jouno (in the foot, in the behind, etc) to get him to stop bothering people.

it’s so funny to me like

the wording of this panel implies that tetchou regularly stabs him in the ass. "don’t poke my ass every single time!" alright buddy are you sure that’s the right choice of words?

they mean everything to me

[voltfruits]

i have very strong feelings about bisexual + genderfluid sunny and i also strongly believe that aubrey is the first person he comes out to, and the person who helps him make sense of his queerness (post good ending). aubrey is the only girl who sunny's really close with, so when he starts to have thoughts about being a girl, or sort of a girl, he goes to her first. likewise, his gaydar is strong enough to tell there's some kinda spark between aubrey and kim, so he picks her brain about same sex attraction.

there's definitely something noteworthy about how drinking the mystery potion in headspace allows omori to enter the girls' bathroom alone with aubrey, where they discover sunny's idolized version of the feminine: flowers, treasure, festive streamers, graffiti that says YOU ARE BEAUTIFUL. sunny is clearly so intrigued by the idea of femininity and gender nonconformity, and he wants aubrey to be the person who takes the first step into that new world with him.

[xoxo-ren-xoxo]

really weird thing ive noticed lately re: hermits getting critiqued for stuff theyve said or done is that as soon as someone holds a shit opinion (even if it's just them being stupid, or a centrist, or saying a bad word without knowing what it means, or whatever) people immediately seem to flock to the 'this guy should die' 'kys' 'why are we giving this person a platform' rhetoric and like. that's not how meaningful change is made?

like, yeah, if one of my beloved CCs posted a tweet or video tomorrow about how much they hate gay people, or believe in conservative ideals, or they just said a bunch of slurs or whatever (these are hyperbolic examples obviously) then yeah, fuck them, they should go rot. but like, having some dumb takes, or saying bad things in the past, doesn't = evil terrible person...

idk, i feel like we can critique content creators without getting so insane about it. like, shit, there are things some of my favourites do that i don't like, but theyre not even really worth bringing up tbh. unless its something actually important, i feel like it just creates more drama out of nothing and all these assholes come crawling out of the woodwork to tell everyone how much they hate that creator. or find their content boring anyway so clearly they have no real merit to anyone.

more of an explanation of what i mean in the tags but yeah.

[pensivespacepirate]

it's still speak your language day over here so I want to offer up my Cantonese translation of the Hayward rant from S1 of The Silt Verses

You know what?

你知唔知啊，

Back in Glottage, we don’t have to put up with this shit.

喺Glottage根本就唔會發生呢啲咁撚白痴嘅事。

Day after day, the vast majority of people go to work. They say their prayers. They get through the day intact.

啲人日日返佢既工、祈佢既禱、冇甩漏咁過日子。

Reality stays within the usual permitted confines.

現實維持喺已知嘅界限裏面。

And out here in the countryside...towns flood. And dirt-patches eat you. And people turn into fucking shrimp.

跟住喺呢啲咁嘅郊外地方……大水浸。啲泥地會食你。啲人仲會變燃成蝦。

Keep your gods on a leash.

栓好你地啲神嘅狗繩。

It shouldn’t be this hard.

係咪有咁難先？

Should it?

係咪？

[scary-lasagna]

Question: do you prefer Fandom slenderman where he cares for everybody as a family or canon slenderman where he doesn't care about anyone not even the proxies? Also do you write for canon slenderman because I have a request I'll send in if you write for canon slender but I wanna see what you say for. Thank you have a good day ❤️✨️

Just and FYI to everyone in the fandom since the topic was brought up: Creepypasta doesn’t really have a solid “canon”. I see this around a lot and just wanted to mentioned that everything in the Creep fandom is just ideas welded together with the foundation of not very well written scary stories. Some of people people can like, or not like, and decide to implement what and change other things. I’ve seen some debate about what’s true canon. (Mostly with Ben being a child, Jeff always wearing a white hoodie, or even Slender eating children vs consuming souls.) But the reality is (coming from someone who’s been in the creep fandom since 2013), there is no true canon. Go crazy. Make Jeff trans, make EJ a cat-boy, give Offender a better name since his brothers deserve a fourth, make Zalgo a big softie instead of the usual hardass!

(Also, my dear anon, this isn’t directed toward you. The word canon reminded me of this topic, and I’ve been wanting to mention it to my blog. Although I usually see it on tiktok, I sometimes come across it on Tumblr as well.)

howEevveeerrr, back to responding to the ask, I do love writing for characters what an opposing personality from their usual self! :] I had an idea a while ago about what if Slender was pushed too hard and turned cruel and strict in order to keep everyone alive.

But yes I would definitely write for Slender who was cruel and didn’t care about anyone but himself. The proxies may attempt a bit of mutiny.

[chibishortdeath]

Ok, I’m sick of seeing only Netflix posts lately so I’m ranting about Simon lol

Unfortunately I had some nice paragraphs written for this but tumblr crashed while I was writing so this is my second time making this post (TwT)

TL;DR with the rant under a cut for easy scrolling, I am deranged and have studied all of Simon’s outfits, here’s some fun tidbits and I guess kinda a guide about his fashion sense :3

Oh boy, where to start XD. Castlevania has a lot of intricately detailed usually gothic and/or visual kei inspired fashion designs, usually with some amount of historical accuracy, thanks to Ayami Kojima, that the series is known for. But before this, the character design style was very different. From the very 90s shonen anime inspired Richter, to Christopher being deadass shirtless in a skirt at one point, to John Morris being in basically casual clothes, there’s a lot of variety in it.

Well, being the silly Simon super fan I am, I’ve studied all his outfits a ton over the years I’ve been a fan of the series and oh boy they are INTERESTING :3. I’ve noticed a lot of elements are consistently reoccurring, specific to him, and some are very much not specific to him lol. Anyway, just trust me on this one, overanalyzing the closet of an NES barbarian to be able to make new outfits for him is FUN >:3c.

So, I’ve seen him not wearing pants thrown around as a joke before, but it’s actually the truth! Besides the Haunted Castle wedding suit (an outlier that should not be counted lol), I actually have never run into a design where Simon is wearing full length, proper pants. The closest he ever gets is black tights in Simon’s Quest and occasionally shorts, but on that topic, shorts aren’t even his most common choice! Let’s look at some of his oldest designs:

This one is really hard to tell, but based on the angle of the lines, the shadows, and context clues from other art for CV1, I don’t know if that’s actually supposed to be shorts 💀💀💀!

In both his cute little manual doodles and his almost more adorable teeny 8-bit sprite, his outfit is a belted tunic of some sort! So like, the equivalent of a really tiny dress or a long shirt XD. And really, his cover art design is kinda just a more detailed version of these. They both have a distinction between a top and bottom part of the upper half, they both have big belts, they both have the tall boots and arm guards, they both have teeny skirt part, and Fun Fact! They both have red in the hair! I color picked a nice high res scan of the CV1 cover art, and yes, there’s red in his hair!!! It’s like a nice mix of dark reddish blond, it’s a very fun hair color :3.

However, that’s not where CV1 ends in tunic vs shorts debate:

THAT’S A SKORT— DO YOU SEE THAT DISTINCTION BETWEEN THE HALVES, ONE IS DEFINITELY A PANTLEG LMAO. So yeah, skort Simon is also a thing thanks to this particular magazine scan lol, thus leaving us with the possibility that it is both a skirt and shorts on the CV1 cover that he’s wearing X,,,,D. Never change, Simon, never change.

Besides the tunic, there’s some other interesting details to his CV1 era designs! :D In a lot of depictions he has this neat cape, something that returns in some Simon’s Quest art and Smash Bros lol, but he’s never shown wearing it in game. What’s interesting is that Trevor actually gets a cape in his game’s opening as well as Christopher in Belmont’s Revenge if I’m remembering correctly. It’s very neat seeing Simon character design details rubbing off into other characters :3. I like to think lore wise that it’s the same cape that’s been passed down to Simon from those two.

He also has the headband! Iconic! But have you noticed the little ball shapes at the ends of the tails? They’re either knots or, infinitely cooler option, beads :D!!!!!!! And I wouldn’t be surprised if they were because that leads me to another design: X68000–

Now this one is one of my favorites :3. It’s kinda like a forward facing version of his original design but with some new details! And his headband gets this cool lookin, intricate distinctly metallic design on it, something I’ve seen a lot of artists simplify to a general crescent moon shape. But it is kinda similar to the shape on his belt buckle, something that I still have no idea what it’s even supposed to be. Also, his arm guards and the thing at the end of his necklace (which may or may not have vampire teeth on it, they could just be metal spikes though) are similar; it makes me wonder if it was an attempt at a tortoiseshell pattern? Filigree? Whatever it is, they’re all matchy matchy about it.

This design also gives him the staple left shoulder pauldron, of which has these huge stitches holding it on and an added belt that connects to his other belt armor. Get used to belts, he has a lot of those X,,,D. What’s really neat about this one’s belt is that he has both a hilt for the family sword but also one for the whip on the other side, and they’re on the wrong sides for drawing the weapon properly 💀💀💀💀. Which is also funny considering his CV1 cover art has the sword on the other side, which is kinda wrong too? Who knows, maybe he’s ambidextrous and just doesn’t care what sides they’re on lol.

The biggest thing I can say about this design though is that a lot of these accessories and armor pieces look homemade, like as if he just took teeth as a trophy himself and strung them on a cord or made a shoulder piece and put it on an already existing belt he had. Adding onto this, there’s also the possible beads on his headband and the cords around his boots (which could be an attempt at a certain actual historical type of shoe that I cannot remember the name of for the life of me rn, in which case would make these not boots and actually corded shoes with very nice big fluffy socks hehe, I am forcing you to imagine him with big fluffy socks—) and yeah! I can see him making his stuff on his own :3. Which is so cool! I love this idea so much, it makes for a lot of things to imagine him doing hehe. Also gives him a hobby??? Yeah :)

No indication of if he’s got shorts or not in this one, maybe I’ll count how many have skirts or shorts and put that at the end of this lol.

But shorts get another point again cause we’re looking at Chronicles:

Oh Chronicles. Well, the first thing I wanna mention is that, this is Ayami Kojima’s design for him, so here we are seeing a very interesting mix of the visual kei style and 80s barbariancore in a way that honestly slays (figuratively and literally). And, surprisingly, there is something historically accurate about this design, and it’s not what you’d probably expect. Based on the width, material, cross rivets, and the buckle on the front, Simon is wearing an actual dog collar. Like, for dogs. Like it’s dog armor used primarily for hunting dogs I just— Again, never change Simon, never change 💀💀💀.

We also see Simon preferring to put his armor on his left side again with the torn in half coat. It’s also somewhat similar to 1600s coats, not really of any specific country in fashion that I can tell, however the sleeve being that short is not accurate, leading me to believe that he probably tore that off too lol. Very Chrom Fire Emblem of you, Simon, and another example of him D.I.Y.—ing things. The basic elements still stay similar to past designs. Shorts, distinct upper and lower half of shirt, belts, armor on said belt, sword and whip hilts, arm armor and tall boots (shout out to the heels on this one), and armor on the left, unfortunately no headband though. But that distinct bottom half to the shirt part of his outfit in this one is defined with… a corset? Yeah!!! That’s a corset!!! Though the proper name for the time period might be a stay or a girdle, but Simon is straight up wearing a belt over a corset. And said corset over a coat. Half of one. Don’t question him—

But the main entries to his 80s bara-barian half of the wardrobe, let’s get to some knightly aesthetic outfits, of which he does have a good amount, starting with SCV4:

Simon’s knightly outfits are usually a similar silhouette as his original tunic look, just in metal this time and in various colors. SCV4 has his armor as gold on the cover, blue on the Japanese cover and manual art, and green in game! And they’re all pretty much the same with mild variations. On the cover art, his shoes are corded sandals with nothing under them, but in game and in most other artwork they are these metallic boots with the classic X shape of the cords baked into them. Some art gives his middle belt armor section this cross with snakes on it, which is an odd thing to be referencing here. It’s either a staff of Mercury, usually associated now with medicine but was an alchemical symbol before that, or something else I can’t find any info on. There’s also a big ab window because these are all proper half shirts lol. Straight up a metal breastplate with nothing under it, a pretty bad idea tbh 💀.

All in all, these are generally really simple, but there’s one more thing before I stop talking about SCV4:

I LOVE this design. It’s this really nice blend of the older CV1 era style and the metal armor of the later ones, very cool. Shout out to the eye creases and the dead stare shadow over his eyes too, they really conveyed the effects of witnessing the horrors well lmaoooo.

Again, tunic, belt, arm guards, headband, the usual, but, speaking of symbols, there’s something about this one that’s been driving me nuts forever: I cannot find out what that symbol on his paldrons and belt buckle is!!! It’s this upside down triangle with a bent rectangle missing the bottom line over it and it LOOKS distinctly intentional, but I can’t find it or what it means anywhere!!! I tried searching through lists of alchemical symbols, religious symbols, nothing so far has been close (TwT ). Regardless, great design, definitely in my top 5.

And what else is in my top five? Oh yeah babey, it’s Simon’s Quest time:

Ah, Simon’s Quest with his fuck ass bob and the stolen Ravenloft image— but unironically, that armor fucks fr. Again, similar silhouette! If there’s any take aways from this post, it’s definitely that Simon is a little shirt, little pants kind of guy. A severe lack of long sleeves and long pants legs until now, and even then, these are skin tight. Heck even his boots(????) are vacuum sealed, just look at those fabric creases by his ankle!

Now, it’s honestly really hard to tell if his “gloves” and “boots” are supposed to be in some parts metal due to the shading on them and the base armor being very similar. I personally like to depict the forearm and calf parts as metal and the hand and ankle parts as not, but eh. Like most things regarding Simon, I suppose this too is up to interpretation XD. There’s some variation in color in some scans having the underclothes be white, dark blue, or black, and the armor be any range of red to purple to brown too. But towards red and black is probably the most accurate due to his sprite being those colors.

But this is a shockingly rare case of Simon being fully covered in one of his outfits, and I’m inclined to think that there’s probably a reason for that. Not only does he have a rotting curse right now and drawing straight up gore on the cover of an NES game was just not an option lol, but he’s not letting his guard down anymore after being hit. Which would also explain the sudden change to all metal armor as that can’t be cut through as easily as leather.

Speaking of all metal armor, oh I looooove the detailing on his. The gold accents to his byzantine (a nice in between color of red and purple, a color that is also reused in Smash Bros again in the middle corset section of his outfit) are what I would call stylized floral patterns, kinda in the way that fleur de les don’t really look exactly like flowers but still are supposed to represent one. Not sure what kind exactly, but possibly some sort type of angel’s trumpet? Very neat regardless. The gems inlaid in it are all green on top and around the belt, but the center belt buckle is bright red. It’s a very jewel tones color scheme!!!

Well anyway, if tumblr will let me have more images, I’d like to show off a few other random examples of outfit elements he’s had before I close this off with something :3

This was a pretty recently found scan of Simon wearing get this: a pleated miniskirt. Probably Roman armor inspired, as some of his other magazine scans have depicted him as such. One ad for SCV4 and another (live action even) for Simon’s Quest has him even wearing like a Roman helmet and everything, it’s odd. Add helmets to the list of things Simon might wear. Hmm maybe I should make a tier list of things based on how often he’s worn them…

Moving on!

This one goes for the bold choice of giving Simon not only an expected tiny belted tunic, but side slits on the legs! And uh um a little too much detail but uh— It’s also this kinda white, kinda bluish, kinda silverish color? Add this to Simon’s color palette I guess lol.

Which reminds me that I didn’t mention colors very much until now whoops. Throughout all of hie designs he primarily seems to wear neutrals like various browns, greys, and metal tones. But he also has a lot of color. Like as in there’s enough different colored designs to make a whole rainbow of Simon outfits. Common combinations like dark green, gold, and wine reds; blue and silver; brown, gold, orange, and kinda purplish greys; etc etc. And his HAIR. Oh boy, would this guy love modern hair dye X,,,,,D. He’s had it various blonds, reds, browns, even black at one point, blue, green, unnatural red, pink, and in one concept design white! Personally, I like depicting it as a nice in between of red, blond, and brown, it encompasses the most I think.

The final thing I wanna mention is the Smash Bros design, which I unfortunately can’t show because I’m on mobile and have met the 10 images limit whoopsie— (_ _ ;). This design is really a good culmination of a lot of elements. Not really definitive or anything, but very good :3. And it has something I didn’t mention earlier that I’ve noticed in some Simon designs: random belts or metal around his upper arms and thighs lol. The Smash Bros design in particular has the arm band things on both sides, Chronicles has it on the not half coat one, but this is another thing I’ve seen other characters (Christopher in particular, but his are just gold rings) have. The leg thing is less common, but yeah, that exists lol. Thank you Simon for uh bending two pieces of metal around your leg…? It’s cool XD. The corset also makes a return, as well as, once more, the same basic silhouette with the armor only on the left side, the belt armor pieces, etc etc. He’s very particular about that—

Well, anyway, Simon definitely has a vibe going on, but here’s a brief summary of things he seems to like:

Skirts, tunics, long shirts, and shorts (and skorts I guess), but nothing past about half his thigh, generally over the knees.

No long sleeves or pant legs (unless it’s tights when absolutely necessary).

Armor primarily to the left, unless it’s metal, in that case usually a full plate or paldron set.

Belts, hilts, belts on his arms, and neck, and hanging off of things, and legs, yeah belts—

Boots/tall socks, corded or not, and something on his forearms or wrists.

Headband! Seriously out of every Belmont he is the most dedicated to these lol.

Necklaces and beads and other little accessories and adornments are also cool.

Alrighty then, have fun Simon-ing and I encourage you to look through his or other characters’ designs and pick them apart a bit sometimes, even if it’s just through what’s on the wiki :3. If anything, I think it’s a good exercise in character design and consistency! But yeah, I wrote all this late at night and can’t think of anything else rn. If I do I’ll do a sequel I guess hehe. Either that or I might rant about another character hmmmmmmm—

[eddiebrockx]

⚠️ SPOILERS for Venom issues #164 and #165 (the 2016 to 2018 comics in general), Venom: The First Host, and the Venom comics in general. ⚠️

Incoming mini-essay! (TL;DR - Sleeper is the manifestation of everything I love about Venom as a comic series, Eddie and the Symbiote are top tier parents, and Spider-Woman is fucking awesome.)

Okay so, I know everyone jokes about issues 164 and 165 because “wow omg Eddie Brock is pregnant.” However, I feel like there isn’t a lot of discussion (that I’ve seen) around how Eddie and the Symbiote handled raising Sleeper because it reveals a lot about their growth up until that point.

It’s been previously established that the Symbiote has been through multiple abusive relationships in the past. The only people who have treated it relatively well as a host are Flash Thompson and, obviously, Eddie Brock. However, even in those relationships we see that it struggles with unhealthy tendencies. The most obvious being just hiding things to protect itself, which it has developed mostly as a coping mechanism (although sometimes it's just used as an easy way to create drama instead of as a sign of its trauma; the downside of having so many different people creating different comic arcs). Beyond itself, it has also seen all of it's children--Carnage, Riot, Lasher, Phage, Agony, and Scream--become incredibly violent in the hands of their hosts.

Because of this, it rightfully fears the idea of having any more children and seeing them become either like itself or its siblings. Comic issues #164 and #165 entirely focus on this idea because the Symbiote is going to spawn soon. Of course, usual Venom shenanigans ensue; people try to kidnap Eddie and the Symbiote, they escape, etc. But what's important is two things: 1) the Symbiote's dreams for the baby, and 2) we get to see Spider-Woman kick absolute ass.

In issue #165, we get these panels:

“It's true Eddie. Didn’t want my baby to be another monster. Wanted it to be a hero. A hero like you. Like Venom.”

I feel Eddie had a right to be upset at this point in time--what with not being told that your significant other is literally going to give birth--but he also doesn't at all slack on getting the Symbiote what it needs next. A quick run to Alchemax later, and they are able to (with some complications) deliver the new symbiote. They decide they will raise it separate from a host within the lab, Eddie and the Symbiote carefully watching over it's growth. Their main goal is to prepare it for a host, so hopefully it won't join its siblings.

Also (sort of a side rant) but I really want to emphasize how much I love Spider-Woman in this scenario. She, like a lot of people in Venom comic history, initially tries to attack Venom. However, upon learning that the Symbiote is pregnant, and seeing it's side of things, she promptly leaves them alone. On top of that, she steps in to rescue them, even when it wasn't necessary to do so. I don't know, I just really appreciate seeing her here. She rocks, and this also means she's one of the few characters who actually understands the relationship Eddie and the Symbiote have (and she doesn't want to destroy it).

"It's beautiful, Eddie." "It is."

I really loves this for a lot of reasons. Mostly because I'm weak to good parenting in stories, but I really want to emphasize how important it is that they're trying so hard. Eddie and the Symbiote have both been constantly fighting and internal and external struggle against the idea that they are a monster. Their mistakes have defined both of their lives. After a lot of trial and error--being broken up and reuniting again and again--that they are now taking steps to improve not only their relationship, but their overall lives and the life of their new kid.

And their new kid is absolutely overpowered. Sleeper is probably my favorite character in Venom history by a longshot. Sleeper is calm, cool, and collected, AND they're strong as hell. We get to see all of that and more displayed in Venom: First Host.

For those who haven't read it, the gist of this arc is that the Symbiote's first host--a Kree--is on a mission to find it again, along with a Skrull. Meanwhile, on Earth, Eddie and the Symbiote are trying to raise their baby in peace. They save the Kree from the Skrull, who then asks the Symbiote to return with him. It, of course, declines. And then the Kree goes absolutely nuts and tries to steal their kid so they're forced to make a sacrifice: the Symbiote goes with the Kree.

"If that is your choice...I honor it. You have my envy, Brock. You must be a great man." "No. Not great. But together we make something...more."

Stuff ensues. Eddie has to go on a rescue mission with the Skrull from before to save the Symbiote; and his kid is more than ready to help. Which, is awesome, because Sleeper is OP. They have the ability to camouflage themselves, secrete a pheromone that confuses the senses of those around them, AND can live with a dead host (they lobotomize the Kree guy and use his body to go have adventures after Eddie and the Symbiote reunite. All of this is awesome, but the only part I truly wish to highlight to you is this:

"We wanted better for you." "And I'll have it. This body is strong. There are depths of knowledge and memories in this mind. Worlds. Galaxies. I've been kept in a cage my whole life. There's so much to see out there. And I will see it. I know you did your best, father. But I don't need a cage anymore."

Sleeper has grown up; Sleeper is free. Thanks to Eddie and the Symbiote's efforts, Sleeper is their own individual. It's hard for them to accept their child leaving, but it's alright. Not only because Sleeper returns to them in the next couple of arcs anyways, but because they succeeded. While they had hoped that Sleeper would end up with a good host, they've instead given Sleeper the tools to be free on their own. They don't need to rely on a host's whims to be a hero, to be good.

It's powerful, and I love it. It's so compelling to see these character who have had such a difficult time finding themselves, finding their place in the world, raise such a strong and good individual. Sleeper goes on to be a vital asset in the King in Black arc (which I have words for, but I appreciate Sleeper's role in it) as well as a good big sibling to his human brother.

I can't even fully articulate how much I love this entire arc, just that it's the encapsulation of everything I really love about Venom. We get romance, we get parenthood, we get growth, we get all the good shit. I love it. Anyways, I'll leave you with that. I just wanted to share some of my many (many) thoughts about these comics.

[stupidrant]

i think the most we will get is PC release (if that) this year but that means we gotta deal with those trolls bc changing angrb0da’s skin color is such a big deal to these mfs and i still dont understand that sweet baby inc shit bcuz all the information im seeing is just bundled bullshit LMFAOOO i feel like her actual character gets overshadowed by the made up problems and no one actually talks abt HER as a character or even analyses her fr (outside of here ofc) lol sms abt to make a banger with her and atreus istg