#tell me how that's not a relevant factor!

[artbyblastweave]

Would you ever do an analysis of Wildbow's prose, esp. in Worm? I'd say it's very workmanlike, not meant to wow you but to convey the scene as smoothly into your brain as possible. There are parts of Worm I've no recollection of reading because my conscious experience ignored the act of the reading in favour of seeing the scene, like Behemoth's arc. (Which is why I sometimes totally got lost on if they were on top of a building or in the street.)

I've written about my take on Wildbow's prose before: I think it's good. If it isn't good, I enjoy it, which from my point of view is similar. And I think it does a good job (Worm in particular here) of painting a cohesive blow-by-blow visual picture of the fight scenes.

I can picture Ballistic hammering Crawler into the side of a building while Genesis lobs rubble at him. I can picture Weld brawling with Mannequin in the middle of a sea of flames. My difficulty (and this is one that other people I've made read this in real life share) is that the sheer volume of prose means that I on occasion will start reflexively speed-reading, and this is the point at which I start to miss details. I had no mental model for Victoria's Airborne Flesh Coffin for quite a while. But it's very difficult for me to decide whether that's truly a flaw with the text, or just a way in which I personally am ill-suited for engaging with this specific text unless I manually correct. Because once I started manually correcting for this and forcing myself to actually carefully read line by line, I found that I enjoyed all of it and got a lot more out of it. The line between "ill-suited for me" and "bad" is nebulous.

But there is a level, too, on which he just got better, or settled into a voice, or got a better flow going; there are some comic-book-isms in the early chapters, some patterns of speech and description which later faded out. Stuff that probably wouldn't survive a co-ordinated tightening up. I put up with a lot the dialogue in early Worm. I actively enjoy the back-and-forth in conversations in the back-half; Weaver vs. Phir Se, or Taylor's quiet discussion with Legend in the field hospital in arc 29.

As always, I'm extending a mulligan for the circumstances under which the work was written. Whatever deficiencies crop up as a result of the batshit seat-of-your-pants method of writing, it still produced a finished product for there to be deficiencies in. Also, I got to read it for free; the ratio of resources-spent-to-enjoyment-derived makes me charitable.

[girl-bateman]

Some days I'm pretty content with my childhood other days I'm ripping my hair out because it just doesn't add up !! someone is hiding things from me !! I don't trust anyone !!

[lady-lilly-gray]

also who's going to commit suicide? because you don't just drop a bomb like 105 and expect me to NOT think it's some kind of foreshadowing

[spacelazarwolf]

saw a post that gave me an eye twitch so i’m gonna break it down and analyze it bc i feel like it exemplifies a lot of what’s wrong with gentile discourse on i/p rn.

1. yeah, it is awful that zionist institutions and leadership use jewish trauma to justify why diaspora jews should unquestioningly support the current state of israel, regardless of the atrocities it commits against palestinians.

2. "israel is not your bube who survived the shoah" i don't know how to explain to you how fucking callous this sentence is.

3. for better or worse, israel did save jewish people. nearly a million jews from the swana region and 24,000 from ethiopia fled there after experiencing extreme violence and discrimination. you really think america or europe would have taken in a million black and brown jews? have you seen the current state of immigration?

4. "how do you argue with someone when their idea of israel is so rooted in their family trauma?" you don't. you validate their fears, make them feel heard, and then you offer them alternatives. the vast majority of diaspora support for israel is based in fear of persecution and eradication. if you offer real, legitimate solutions for the safety of diaspora jews, i guarantee you will be a thousand times more successful than just screaming at them and telling them "who fucking cares about your holocaust survivor bubbe????"

5. "how do you possibly tell them that the holocaust isn't relevant?" you don't, because it is. nearly 500,000 holocaust survivors moved to or were sent to israel after the shoah. some did not have a choice of where they were sent, some tried to go back to where they were living before but had no money and gentiles had taken their houses and belongings so they had nowhere to go, many faced violence upon trying to return to their hometowns in the form of pogroms, several countries turned them away. you cannot say the holocaust is not relevant to the current israeli population because gentiles in the diaspora are the reason they're there.

6. "i'm so tired of centering jewish identity in discussions over a nation state." are you stupid? genuinely, are you stupid? do you really not see how jewish identity and the history of the jewish people factor into a state with a fucking star of david on the flag that was founded after a genocide of 6 million jews that the rest of the world didn't want to deal with? seriously? no, jews in the diaspora are not responsible for the actions of the israeli government. we aren't more loyal to israel than we are to wherever we're living. but to say that israel has nothing to do with the jewish people is frankly laughable.

7. "how do you say that without sounding invalidating? like that just sounds horrible and antisemitic." that's because it is. you are being horrible and antisemitic.

edited to add: NUCLEAR SUPERPOWER?????????????????????????????? HELLO??????????????????????????

so please for the love of fuck educate yourself on the history of the jewish people and the history of the state of israel before making stupid ass posts like this. israel didn't manifest out of nowhere, it didn't come from "jewish supremacy" it came from hundreds of thousands of jews who were at their wit's fucking end with antisemitism in the diaspora, and from britain's colonization and imperialism paired with it's complete and total disregard for anyone who wasn't racially and culturally white. the monster that is modern day political zionism is a creation of the world's own making. people have been posting a lot about hamas being a response to 70+ years of israeli occupation, violence, and apartheid, but don't seem to understand that israel is a response to 3000+ years of persecution, expulsion, and genocide. the massacres and terror committed by hamas don't take into account the wellbeing of palestinians, and the oppression and violence perpetuated by the israeli government don't take into account the wellbeing of jews in israel or in the diaspora.

nothing will change if gentiles in the diaspora do not take responsibility for the rest of the world's role in the creation of israel. research your country, learn about how they treated their jews (not just during the holocaust but from the moment there were jews in your country), talk to your local jewish population, ask how you and organizations you are part of can help keep the diaspora safe for jews. because as an american jew, i don't want to move to israel. the government is borderline fascist, non ashki non orthodox jews are often seen as second class citizens, i don't speak the language, and my life is here. a lot of diaspora jews feel this way. but every time i see another group of nazis at a rally or get another bomb threat at my synagogue and look to see which country would be safest to move to as a trans person and as a jew, the only answer is israel, which is exactly what zionist institutions and leadership are counting on. if you want that to change, you and your community have to change it.

[glitteringobliteration]

Something bugged me about what Brennan said about Fabian’s new gold maximum legend tattoo: he’s now immune to Dragon Madness.

Why would that matter? Yeah, it’s probably great for Fabian’s future adventures but why would it be relevant now? The Bad Kids already got rid of all the gold they received from Kalvaxus’ hoard, right?

Please bear with the red-string bulletin board-making side of my brain while I talk through my theory:

It’s always struck me a bit odd how much attention is being paid to Fabian’s finances this season. I totally get that it’s partially due to his parents being gone all year/turning 18 and gaining access to the funds left by his papa, as well as the general arc Fabian is going through of navigating going it alone for the first time, but it feels like there’s more to it than that. Fabian has never wanted for money before, and it hasn’t really factored into this season either (for him. points about Adaine being broke are irrelevant rn.) beyond the handful of conversations (and one altercation lol) we’ve seen between Fabian and his banker, Alston Hughes. A couple of things that Brennan has mentioned feel very much like breadcrumbs, and I’m not sure if the Intrepid Heroes have clocked any of it yet (as of Ep 15: The Last Stand).

Fabian banks with KVX, which Alston Hughes tells him has gone through a shift in management since their board of directors were smote by the Council of Chosen. Their branding and logos have changed from Kalvaxus red, to blue.

I also find it worth noting that we did discover Alston Hughes to literally be a member of The Harvestmen. 👀

This brings to mind the subject of Oisin.

Oisin is a blue dragonborn in his junior year at Aguefort, the conjuration wizard of the Rat Grinders. We learned at the shrimp-jump party that he’s descended from a blue dragon, who’s said to live atop a great hoard of treasure.

Oisin offers to help Adaine get some of her much-needed spell components, and she turns him down.

Aelwyn tells us that Kipperlilly can’t use Oisin to get the material components she needs - hence why she’s using Aelwyn. Kipperlilly says she needs to protect Oisin.

Why?

I’m willing to bet that his family has something to do with the new management at KVX. I’m also willing to bet Kipperlilly knows exactly how to protect herself from Dragon Madness.

And Fabian’s new tattoo is gonna save everyone’s asses. True Maximum Legend.

[redflagshipwriter]

Hot Ghouls in Your Area 8

Chapter 8

Masterpost

“You're just now going to campus?” Jazz said. Danny scowled ahead at the sidewalk. Her tone wasn't judgmental so much as mildly surprised. He still hated it. “That's a lot later than usual. Is everything alright?” Danny hunched his shoulders up and consciously reminded himself not to get defensive. He wasn't slacking. He'd gotten home after his class and slept 13 hours. He still felt wiped out.

“Ghost stuff,” he said cryptically. “Ruined my night.” He dodged someone on the sidewalk without thinking about it, used to the crowds by now.

Jazz inhaled sharply into his ear. “They're supposed to leave you alone to focus on your education,” she hissed. “Just so you know, I do have the venomous Fenton electric creep stick-”

“Yeah, I know,” Danny cut her off. She was probably holding it up right now, thumb on the trigger. He couldn't fight off the rueful smile. She had his back, didn't she? Always did. With that in mind… “I think I need help,” he admitted. Oof. Felt bad. Not as bad as failing his classes, though, which was the danger if he got pulled too deep into more Ghost bull honkey.

“Of course!” Jazz enthused. He stepped off the curb and then quick-stepped backwards to avoid getting hit by some asshole running the red light. Danny lifted up his free hand to flip them off as he hung on his heels on the edge of the pavement drop. He dropped lightly back onto the balls of his feet and jogged across the street.

Jazz was still talking, voice clear over the morning meld of honking and running engines. “How about you come over to my place after your classes tonight? My roommate is out for a conference.”

“You just don't want to come to Crime Alley,” Danny accused her. “Even for me, your beloved baby brother.” He dodged a car that was parked on the cross walk and made an ugly face at the driver. “Despite your professed love for crime, when it counts, it's all talk.”

“I don't love crime,” Jazz reiterated with her inhuman patience. She didn't take the bait of his deliberate mischaracterization of her career plans. “But I am exquisitely stabbable." Her tone went lofty with the brag. "So yes, I avoid Crime Alley.”

Danny blew an unimpressed raspberry to show what he thought of that.

He hadn't met anyone in Gotham yet who he thought would really throw Jazz for a loop. She was a 6ft 2 judo black belt, and she was liminally spooky as fuck. “No one would stab you,” he said, making it sound like an insult. His janky ass was more likely to get held up. "But fine, I'll haul my poor broken corpse all the way over there to do you a favor-”

“So I can do you a favor,” Jazz corrected wryly.

“My poor broken corpse,” Danny cut back in, because that was a really relevant factor to him. He put the back of his hand to his forehead and swooned a little. He felt like he'd been in a tumble dryer. Missing a full night of sleep was an insufferable insult to his desperate shoe-string construction of a healthy routine.

“I would so get robbed if I came there,” Jazz argued. “Maybe even kidnapped.” He could all but hear her flip her hair.

He snorted but let her keep her delicate feminine delusions about not being one of the scariest motherfuckers in the crime capital of the country. He wasn't actually worried about her interning at Arkham Asylum. Maybe he'd freaked out a little when she'd moved here, but that wasn't why he was here. No matter what anyone said.

“There's no immediate danger, right?” Jazz checked. “No reason I need to be concerned today?”

“Nah,” Danny reassured her, as the campus came into sight. He had about an hour before class to spend in the lab before his lecture. “It's not that kind of problem.” He felt his face arranged itself into a wry smile. “You might like this one.”

“Oh?” Jazz asked, intrigued. “Do tell.”

“Only after I've sworn you to perfect silence,” Danny shot back instantly. “I mean it, for real, you can't tell a soul living or dead or nonliving or-”

“I think I get it,” she cut him off. Jazz huffed. “As if I can't keep a secret. You think I can't keep secrets? I know the most incredible things that you could never dream up.”

“...Big if true,” Danny snarked, pretending that he wasn't extremely interested.

“You never knew what happened to the Robinsons,” Jazz said airily. “And you never will.”

“...that doesn't bother me at all,” Danny lied. He stopped walking.

“Ahuh,” Jazz said knowingly. “Hey, remember the neon cheese incident?”

Danny gritted his teeth. “Can't say I do,” he said. It was bullshit, and even he knew it wasn't convincing Jazz. He was dying to know the truth. It had been the talk of the town for weeks and was still occasionally featured on unsolved mystery podcasts. He'd gone far enough to ask the Dairy King, but even the dead wouldn't speak on it.

“Have a good day of classes, little brother,” Jazz said sweetly. She ended the call.

He rubbed at his temples. Ancients, she gave him a headache. She was fantastic. She was killing him and absolutely ruining his unlife. He couldn't even beg her for answers about the neon cheese, because if he managed to badger it out of her, it would prove she could be manipulated into telling secrets. That would be a loss anyway. It was more likely that either she didn't know anything or that she knew and her lips would stay sealed: Danny didn't have any to waste his breath.

He did a few calming rounds of breathing, now that he was thinking about it, and then went on with his day a bit invigorated by the familial aggravation.

Danny felt a little better about focusing on class now that he knew he could count on Jazz in his corner. She was the smartest person he knew. She could probably get him divorced by the end of the day. Hell, she probably already had a contingency plan for getting him a divorce. She was so ready for him to have a relationship so that he would have relationship problems to ask her about.

When he finished up on campus, Danny cut across town to pick up takeout food as an offering. He presented it to Jazz as soon as she opened the door, head bowed and food theatrically high.

“Oh, come in,” Jazz said, exasperated. She grabbed him by the back of his collar and bodily pulled him inside. “My neighbors are going to think I'm so weird, Danny!”

“My liege,” he intoned seriously. “I come bearing- ow! Stop hitting my- hey, my face!” Danny wrestled away from the horrible pinching grip his terrible sister had on his cheeks, scowling. “That hurt,” he complained. “Have you ever thought that you're getting caught up in the cycle of violence?”

“I don't lose sleep over it.” Jazz lowered herself delicately onto one of the weird puffs she had instead of chairs and made grabby hands at the takeout. “What did you get me?”

“Coal,” Danny snarked. But he handed over the bag without a fight and plopped himself onto the closest poof thing. He fully laid out and let his head flop past the edge to hang upside down.

“Inversion therapy, so chic,” Jazz said absently.

He considered flipping her off, but his balance was really off in this position and it would be hard to defend himself if she lunged at him. Hell, if she picked up his legs he'd probably tip over onto the floor. Danny dug his heels into the side of the poof in defensive preparation. He kept her in his peripheral vision.

“Oh, Malaysian,” Jazz enthused. “I wanted to have this!” She sounded a little too surprised.

He shot her a thumbs up. Two days ago, she'd sent him a screenshot of a text landing from someone else that had shown most of her screen was the active map app she was using to get to an appointment. The Malaysian restaurant had the star mark that she put on the places that she wanted to try.

He'd gambled that she hadn't gone yet because she hadn't had a late night at work. Jazz only got takeout with company or if she got home too late to cook.

“Cool,” Danny said, because he didn't want his rotten sister to think he cared about her interests. “It was on the way and it smelled good.”

Jazz hummed and put the food on the side table. “So I see.” She folded her fingers in front of her face and peered at him over the steeple. “What happened? What ghost do I need to soup with a fragrant combination of turmeric and saffron?”

“Please don't waste that, ghosts taste fine on their own,” Danny said.

Jazz grimaced. “Ew, Danny,” she enunciated carefully. She paused. “Ew.”

He shrugged and accidentally slipped a little closer to the floor. “Just saying. But actually, no one dead was involved, unless we count-”

“We don't count,” Jazz cut him off, serenely unbothered by his attempts to score empathy points off his death. She was a cold customer.

“Boo,” Danny said, because he knew his brand and respected ghost tradition. “Anyway, Jeremy Waters. Remember -”

“How could I forget,” Jazz muttered. She put her hands on her face.

“Hey,” Danny said, offended that Jeremy got that reaction and he got a big fat impassive nothing no matter how annoying he was.

“What’s Jeremy done?” Jazz sounded exhausted by the concept.

“Well… He uh.” Danny stared at the ceiling. He couldn't look at her directly. “Well. You know how he wants the good favor of the god of the underworld?”

“Yup.” Jazz hit the ‘p’ sound hard.

“He uh, hit the idea that uh. Maybe a Persephone of sorts was just the thing to suck up.”

He heard fabric rustle as Jazz sat up. “He did?”

Wow, she had one of the most fascinating ceilings in the world. Danny stared intently up at a splotch that looked vaguely malign. She ought to get that checked out by an expert before it possessed somebody. “Yeah, so he's been trying to vault people into the Ghost Zone as bridal sacrifices.”

“Ahuh.” Jazz sounded a little bit choked up. She wasn't laughing, so he couldn't complain.

“I had Dani get Vlad look into it-” because Dad or Mom would have been mortifying- “and apparently, he told her the odds of some hack wizard managing to send a living human to the ghost zone was laughable.”

He paused. He couldn't go on.

“And Vlad would know,” Jazz said leadingly.

Danny put a hand over his face. “Yeah, see, the thing is that I'm now very concerned that Vlad might not know.” His words came out muffled.

Jazz was so intent on him. He pretended even harder not to know she was leaning in towards him. “Does- does the ghost king have a bride, Danny?” She somehow managed in a professional tone.

He nodded miserably.

She promptly lost her shit laughing at his misfortune.

[augustinewrites]

alhaitham almost walks right past you in the hall, too engrossed in whatever he’s reading. it takes you gently grasping his wrist for him to look up, expression brightening briefly before diving right back into his papers. 

“is everything okay?” you ask when you notice the knot that’s formed between his brows. “i’ve hardly seen you all day.”

“i’m fine,” he tells you, which lets you know that he’s certainly stressed about something. he sighs, returning the correspondence to the envelope tucked underneath his arm. “i just don’t understand why dehya won’t accept the akademiya’s job offer.”

in his capacity as the acting grand sage, he’s been trying to get her in the akademiya’s employ for weeks, but the mercenary’s been as tough to wear down as the wall of samiel itself. “ah. still having trouble recruiting her?”

“i’ve already offered a generous salary, benefits, a signing bonus, even a housing stipend. she’d practically be working side by side with the general mahamatra.”

“well, working with the matra means she’d have to spend a great deal of time in sumeru city,” you point out. “that’s probably something she doesn’t prefer.”

“why not?” he asks (because while your man is smart beyond belief, he can be a little dense sometimes). “we have everything here.”

“that’s true, but we’re also quite far from aaru village,” you say slowly, hoping he picks up on what you’re implying. 

“i appreciate the geography lesson, but that doesn’t help me figure out how to hire–”

“i was trying to be obscure,” you press, drawing a breath. “because being in sumeru full-time means that she’ll have to spend time away from candace.” 

he stares at you blankly, waiting for you to elaborate.

“haitham–” you say, pressing your hands together and glancing around quickly to confirm no one is within earshot. “dehya and candace are knocking boots.” 

he seems taken aback by what you’ve just whispered, pausing in his stride to process it. “wait, what?”

“it’s an old expression from mondstadt that means–”

“i’m familiar with the expression. i’m just asking why you’re so positive that they are having… relations.”

“because i just know. they have crazy chemistry. nilou sees it too.”

“do either of you have evidence?”

you hesitate. “no…”

“then you’re not positive. you’re only speculating.” 

“i’m not speculating,” you insist with a pout, crossing your arms over your chest. “i just know–”

“oh, like you just knew that kaveh was only going to stay with me for less than a month?”

“that’s different,” you argue. so what if kaveh’s been staying at alhaitham’s for more than six months? that was due to various, independent factors that had nothing to do with you. “but the way they are around each other–”

“gossip is an unreliable source of information,” he says flatly. alhaitham, as a rule, did not deign to entertain gossip. it was a premise built upon the unsteady grounds of conjecture, and he could not care less to waste his time surmising about other people’s personal lives. 

“but–”

“therefore, your advice is redundant.”

you take the files from under his arm, reaching up and smacking him on the back of the head with them. “my advice is always relevant. you can trust me on this.” 

alhaitham adjusts his headphones with a sigh, a pained but contemplative look on his face. He knows you’re right, and he knows that he’s hit a wall with this proposal. “fine. i will utilize your…advice, to adjust my proposal.” 

“that’s what i like to hear.”

the two of you continue walking in silence, yours smug and his pensive. then, after a moment, 

“you realize you just hit the acting grand sage, right?”

“oh please, you don’t scare me.” you meet his amused stare with open defiance, getting up on your tiptoes to press a kiss to his jaw, then his cheek, and finally his lips. “and when dehya accepts this job proposal, i can think of a few ways you can repay me.” 

_____

“you want to offer me what?”

“you heard me,” alhaitham shrugs, leaning back in his plush desk chair. “the akademiya is willing to offer you compensation of up to ten thousand gold for any and all travel between sumeru city and aaru village.”

alhaitham may be in charge of the entire nation at the moment, but he doesn’t quite feel like it when dehya is in the room. she leans forward, resting her elbows atop the highly important documents on his desk as she stares at him. “why would you do that?” 

“so you can stay in contact with your loved ones.” 

the mercenary scoffs at that. “alhaitham, come on. i know you’ve done your research. i don’t have any family in aaru village.”

moment of truth.

“i was actually referring to…significant others.”

dehya’s brows raise in surprise.

_____

when he returns that night, the first thing alhaitham does when he joins you in bed is take the patient files from your hands and place them on the nightstand.

you frown, reaching for them. “i wasn’t done with those.”

he doesn’t argue with you, instead climbing on top of you and caging you against the bed, a knee pushed between your legs. he merely chuckles when you push at his chest, cause you’re not really trying.

he simply chases after you, and any fight you had to get back to your work dissipates when he presses his lips to yours.

“oh…” you sigh, quickly looping your arms around him to drag him closer, patting your lips to let him deepen the kiss. you gasp when he moves down to press kisses to your shoulder, slowly trailing more up your neck, your jaw, the shell of your ear.  

“dehya must have accepted the offer then,” you breathe, your eyes beginning to flutter shut.

“part time only,” he murmurs. “but she signed on.”

you hook your leg around his waist, grinning “oh, so i was…what’s the word?” 

he nips at your ear in reprimand, only making you laugh as he mutters, you were right, under his breath. 

“oh, don’t pout, baby,” you tease, hands roaming the well sculpted planes of his chest. “let’s just—"

“if you say ‘knock boots,’ i’m going to leave you here and sleep on the couch.”

[evilkitten3]

ok so like i know the reason is just. sexism but one thing that really irks me about how the post-timeskip naruto manga handled which characters became medic nin bc it makes absolutely no sense to me

sakura's decision to train under tsunade makes sense, and i love that she got a super strength power up, so no notes there, but the other teams.... yeesh

so first off, team ten. we're told that ino decided to follow sakura into mednin land to keep being rivals with her... despite that at no point factoring into their rivalry at all beforehand. ino never showed any interest in that, nor was the yamanaka clan ever mentioned to have anything to do with healing as far as i can remember. it's like going to art school to stay with your bestie when your goal is to become a dentist. why are you there. find other ways to spend time together. it also kinda goes against her family's whole thing as. the guys who do the torture stuff. and it's barely ever relevant anyway

for team ten, i think the team medic should've been shikamaru, and i think this not just bc i think it makes more sense skill-wise (something about the way the nara clan's various shadow jutsu work just screams "you need good chakra control for this" to me), but also bc i think it would make asuma's death a thousand times more painful. bc shikamaru is a slacker. he's not learning medical ninjutsu bc he wants to, he's learning it bc someone on the team has to in order to stick together. they're all chuunin now; one of them has to be a medic. them's the rules. but he doesn't really care that much, even when he is trying to learn, and he's so used to being smart enough to not have to pay attention in lessons anyway that he's not prepared for classes that require his full focus. and then asuma dies and shikamaru is doomed to spend the rest of his fucking life wondering if he could've saved him by paying just a little more attention to those medical ninjutsu lessons (he could not have (but he'll never know for sure))

team eight makes some sense, since giving the girl who struggles with fighting the healing job isn't exactly out of nowhere, but i do feel it was the lazy choice. kiba already had a sister involved in the medical business, even if she deals more with animals, so he could've started learning from her and found that he liked it. plus kiba's goal is to be hokage, and the current hokage is a mednin, so it's not like it wouldn't support his goal. or shino could do it; would add another layer to his character. hinata works fine but. it's just not a very interesting development imo

but what really gets me is team gai. good freaking grief. out of every single team, team gai was the one with the most obvious choice. bc there was only one choice. lee can't do any kind of ninjutsu, and tenten's only real backstory is that her chakra control isn't good enough for her to be a medic nin. so it had to be neji. canon establishes that every team has to have a medic; this is a policy tsunade got passed even before she became hokage, so no way in hell is she going back on it now.

moreover, neji becoming a medical ninja - especially if hiashi encouraged it - would show some development for the hyuuga clan maybe starting to suck a bit less. bc as a medic, neji would be bound by oath to stay alive for as long as possible. imagine a world in which hizashi came back and hiashi was able to tell his brother that not only was their family starting to change, but his son had chosen a path that would prevent him from ever following in his father's footsteps. it would be the first step (of many) to show that the hyuuga clan was freeing itself from its own bullshit.

also it would've made sakura catching the zetsu pretending to be neji a thousand times funnier. like that's her coworker. they've shared shifts at the hospital together. she's seen neji drink vodka straight from a bottle and then crash on her couch after they got out of a twelve-hour surgery on the fucking dumbass chuunin who managed to step on his own boobytrap. she knows him.

[comicaurora]

ooooh the wisdom of 3 AM has just inspired me with a very cool and sad explanation for something in TotK, I'll try to phrase it as spoiler-neutral as possible just in case it breaches containment or tumblr's formatting borks again

so of course if you do the complete geoglyphs quest quickly enough you find out very early that [SPOILERS SPOILERS SPOILERS], and despite having many, many opportunities to tell his friends and allies this information at many relevant points, Link never does. It's never even a dialogue option, even after you get near the end of the game and it becomes very, very obvious.

Mechanically it's a gameplay/story integration thing to make sure the player isn't locked out of major events and questlines just by doing things out of order. Narratively, Link is enough of a blank slate that this decision on his part is interestingly jarring, and makes us wonder why we don't even have the option to get the other heroes up to speed.

There are a number of fascinating internal reasons he might do this - guilt, grief, denial, angsty lonerism - but a very simple factor just occurred to me.

Nearly everyone he has the opportunity to tell this information to is a selfless heroic type who is very worried about not having enough power to beat Ganondorf and save the world, and is willing to do anything to succeed. He's seen the type. He IS that type. He knows how that headspace works.

And he knows from nearly minute one that they're all about to get secret stones.

He has a really good reason not to give them any ideas.

[learnastrowallura]

How to read birth charts (my method)

1st house:

I usually start with the rising sign, which already gives me an idea on how the individual's perception of the world, how they approach new challenges/situations in life, and how others might perceive them based on first impressions or from afar. Then I look at other planets in the 1st house which would influence the above; depending on the planet it would either intensify or reduce the effect of the rising sign on the personality of the individual, and then I look at aspects to the rising and the ascendant degree as well (I have provided an example of this interpretation here)

Most important birth chart placement

Ideally next I would take a look at the chart ruler (rising sign ruler)'s placement as it tells me a lot about the essence of the person; for example a someone who has pluto as a chart ruler is going to be pretty intense, Mercury would be eloquent with their words, Saturn might be strict in various ways etc

Day chart/night chart factor

Day chart:

Sun placement would be more important

Benefic placement is Jupiter

Malefic is Mars

Mercury placement is neutral

Night chart:

Moon placement is more relevant

Benefic placement is Venus

Malefic placement is Saturn

Mercury is neutral

There is something to be inferred from the Mercury placement as well, aka if it is constructive or debilitating. Check out my post about Mercury <3

Conclusion:

Of course this is a very simplistic/basic approach and I do look at other placements depending on what the person is curious about, if not that then I take a look at the dominant planet, dominant element, some aspects, and I briefly describe/interpret all 10 planetary placements and I go into more detail when we are talking about angular house placements

If you wish to look at an example of a birth chart reading done by me, take a look at this

I will add a part two probably

That is all

Thank you for reading <3

Paid readings available

Masterlist

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[sunnyaalisse]

Wanna know how to manage anxiety effectively? (I'm a psychologist) Formulate your anxious thoughts in a form of "What Will I Do if X happens?" and then answer as best as you can. You will find that there are 4 main types of situations your anxiety might be asking about: 1) nonsensical, unlikely, useless (WWID if I get kidnapped by a UFO?) 2) rational, predictable (WWID if I get a bad grade?) 3) rational, unpredictable (WWID if I go to a new job and something bad happens?) 4) unpredictable and uncontrolled (WWID if I get attacked on my way home?) Here's how to deal with each type: 1) unlikely, useless, nonsensical? answer it like the person who's asking you this question is a 13 year old child who's trying to annoy you. "that would suck, Timmy, but it sure would make a cool story that I would tell to anybody who would listen if I survived" 2) rational, predictable? make a date with this question. find time to sit down and legitimately think of a plan on what you're going to do. "I'll go talk to the teacher, ask what I can do to improve my grade, then I'll talk to my friends and ask them to explain the topic to me, then I'll talk to my parents and explain the situation if they're interested in hearing about it" 3) rational, unpredictable? you don't have to answer it in a detailed way, just decide on the first few things you will realistically do in any sort of distressful situation. "I'll call my friend and tell them about my situation, then I'll buy myself some ice-cream and figure out my next steps with the help of relevant people, google and determination." 4) uncontrolled? plan for what happens after the part you can't control, once you're in charge again. "I'll call the police, I know where the nearest hospital is, I have my friend's numbers memorised so I'll call them, either way I'll deal with whatever happens once I'm in control" anxiety related to the events that already happened (I said "you too" to the waiter who said "have a good meal") truly means to ask about either the consequences (what if now they think I'm dumb?) or the repeating of the situation (what if I do it again?). you can still reformulate these questions the same way: "WWID if they treat me like I'm stupid next time I'm there?" and "WWID if I say the same thing again, how can I make it charming?" or "WWID to avoid repeating the same situation again, what can I say instead?" anxiety is a mechanism that means to fill the gaps in a person's perception of their future, it seeks clarity, stability, normalcy and control. It doesn't need to clarify IF the situation will happen, it needs to clarify how the situation will be DEALT WITH if it does happen. unanswered "what will I do if..." questions tend to become a broken record because the need for clarity is not fulfilled. more often than not if the needs for clarity and normalcy are fulfilled, anxiety lets up. even questions like "WWID if I die?" can be answered: "if there's an afterlife I'll try to punch god" or "I'll ask if they have soda here" or "if there's no afterlife I'll do nothing, but the world will go on without me, complex, busy and beautiful" also, since anxiety can be caused by physical factors like exhaustion and overuse of caffeine, dealing with these factors could be very helpful. this type of anxiety doesn't come from the mind, it comes from the body, so grilling yourself with questions won't help in this case. rest, nourishment and sleep will do a lot of good though.

[onesidedradiostatic]

vox's outfits through the years, based on what little we can see

let's talk about the eras of vox's outfits. I've been trying to figure out how to properly express this post for a while considering the poor quality or little details of the photos we've seen but it was difficult.

this could easily be a bit inaccurate because of that

but REGARDLESS.

so you know how it's a common theory that vox modeled his outfit after alastor, bowtie, pinstripes, upturned collars? even with a cast full of bowties (like man vivzie really loves her bowties), their outfits are pretty similar, sir pentious likely modeled himself after one or both of them too (but he's not relevant to this post, just thought I'd address him since he's the other one with the similar fit)

but you know when those aspects aren't visible in vox's fit?

his picture with val

(where he... presumably partners up with him for the first time?)

in this picture, there's no bowtie, there's no upturned collar, you can barely see any visible pinstripes (although difficult to truly tell due to the quality of the picture, I can only see a vague stripe across his sleeve), even the coloured tips of his fingers aren't visible in the picture, the qualities that are reminiscent of alastor are barely present

however, in his photo with alastor...

which is presumably taken BEFORE the one with val which we can assume because

val fell 20 years after vox, and alastor fell before vox, giving a 20 year period where vox likely associated with alastor without val

the alastor photo is black and white while the val one is in colour

in that photo...

...vox seems to have visible pinstripes on his shoulder. which isn't much, but when he's standing right next to alastor like that, the similarities stand out. even with that small part of his shoulder, it clearly mirrors alastor.

of course, most of vox is obscured in this photo so I can't say it with 100% accuracy (we can't tell whether or not he has a bowtie and upturned collar or not. whether he started out with the stupid orange-red turtleneck). but with the alastor mirroring? seems to show mimicry of alastor during the time when they were friends.

this is working on a LOT of assumptions right now due to unclear details of the photos but what it seems like to me is

vox mimics alastor's fit -> vox/alastor falling out + partnering up with val -> stops mimicking alastor -> alastor disappears for 7 years -> starts mimicking alastor again? (current fit)

the possibility of him changing his fit to not mimic alastor in his picture with val could put his falling out with alastor at around the same time as his partnership with val, but this is working off a bit of a weaker assumption due to like 80% of vox not being visible in the vox + alastor photo. so feel free to take this one with a grain of salt.

very interesting to me though, that there was a period of time, in the beginning of his partnership with val where he wasn't mimicking alastor, but somewhere down the line to his current fit, he decided to start mimicking him again, despite this definitely being an era after their falling out. that he for some reason, despite hating alastor now, decided to go back to mimicking alastor, whether consciously or not. maybe even because of how much he felt his absence during those 7 years?

or maybe vivziepop just really likes pinstripes and bowties and upturned collars and there isn't a deeper meaning to this who knows

this is a post I've wanted to make for a while, but the finer details of the photos being unclear has just made me constantly make edits to it due to unknown factors, like I said, it's very possible certain details are inaccurate due to lack of information, but I'm trying to work with something here, so hopefully this is comprehensible.

although not the cause of this post, this comic got me to revisit this in my drafts (and has a really good take on vox mimicking alastor during his 7 year absence, which DID inspire one of the hypotheticals of this post) so check that out

[3liza]

thank you for speaking rational thought AS AN ARTIST into the ai debate. i get so tired of people over simplifying, generalizing, and parroting how they’ve been told ai works lmao. you’re an icon

some of the worst AI art alarmists are professional artists as well but theyre in very specific fields with very specific work cultures and it would take a long and boring post to explain all the nuance there but i went to the same extremely tiny, hypefocused classic atelier school in San Francisco as Karla Ortiz and am actually acquainted with her irl so i have a different perspective on this particular issue and the people involved than the average fan artist on tumblr. the latter person is also perfectly valid and so is their work, all im saying is that we have different life experiences and my particular one has accidentally placed me in a weird and relevant position to observe what the AI art panic is actually about.

first thing i did when the pearl-clutching about AI art started is go on the Midjourney discord, which is completely public and free, and spent a few burner accounts using free credits to play with the toolset. everyone who has any kind of opinion about AI art should do the same because otherwise you just wont know what youre talking about. my BIGGEST takeaway is that it is currently and likely always will be (because of factors that are sort of hard to explain) extremely difficult to make an AI like Midjourney spit out precisely wht you want UNLESS what you want is the exact kind of hyperreal, hyperpretty Artstation Front Page 4k HDR etc etc style pictures that, coincidentally, artists like Karla Ortiz have devoted their careers to. Midjourney could not, when asked, make a decent Problem Glyph. or even anything approaching one. and probably never will, because there isn't any profit incentive for it to do so and probably not enough images to train a dataset anyway.

the labor issues with AI are real, but they are the result of the managerial class using AI's existence as an excuse to reduce compensation for labor. this happens at every single technological sea change and is unstoppable, and the technology itself is always blamed because that is beneficial to the capitalists who are actually causing the labor crisis each time. if you talk to the artists who are ACTUALLY already being affected, they will tell you what's happening is managers are telling them to insert AI into workflows in ways that make no sense, and that management have fully started an industry-wide to "pivot" to AI production in ways that aren't going to work but WILL result in mass loss of jobs and productivty and introduce a lot of problems which people will then be hired to try to fix, but at greatly-reduced salaries. every script written and every picture generated by an AI, without human intervention/editing/cleanup, is mostly unusable for anything except a few very specific use cases that are very tolerant of generality. i'm seeing it being used for shovelware banner ads, for example, as well as for game assets like "i need some spooky paintings for the wall of a house environment" or "i need some nonspecific movie posters for a character's room" that indie game devs are making really good use of, people who can neither afford to hire an artist to make those assets and cant do them themselves, and if the ai art assets weren't available then that person would just not have those assets in the game at all. i've seen AI art in that context that works great for that purpose and isn't committing any labor crimes.

it is also being used for book covers by large publishing houses already, and it looks bad and resulted directly in the loss of a human job. it is both things. you can also pay your contractor for half as many man hours because he has a nailgun instead of just hammers. you can pay a huge pile of money to someone for an oil portrait or you can take a selfie with your phone. there arent that many oil painters around anymore.

but this is being ignored by people like the guy who just replied and yelled at me for the post they imagined that i wrote defending the impending robot war, who is just feeling very hysterical about existential threat and isn't going to read any posts or actually do any research about it. which is understandable but supremely unhelpful, primarily to themselves but also to me and every other fellow artist who has to pay rent.

one aspect of this that is both unequivocally True AND very mean to point out is that the madder an artist is about AI art, the more their work will resemble the pretty, heavily commercialized stuff the AIs are focused on imitating. the aforementioned Artstation frontpage. this is self-feeding loop of popular work is replicated by human artists because it sells and gets clicks, audience is sensitized to those precise aesthetics by constant exposure and demands more, AI trains on those pictures more than any others because there are more of those pictures and more URLs pointing back to those pictures and the AI learns to expect those shapes and colors and forms more often, mathematically, in its prediction models. i feel bad for these people having their style ganked by robots and they will not be the only victims but it is also true, and has always been true, that the ONLY way to avoid increasing competition in a creative field is to make yourself so difficult to imitate that no one can actually do it. you make a deal with the devil when you focus exclusively on market pleasing skills instead of taking the massive pay cut that comes with being more of a weirdo. theres no right answer to this, nor is either kind of artist better, more ideologically pure, or more talented. my parents wanted me to make safe, marketable, hotel lobby art and never go hungry, but im an idiot. no one could have predicted that my distaste for "hyperreal 4k f cup orc warrior waifu concept art depth of field bokeh national geographic award winning hd beautiful colorful" pictures would suddenly put me in a less precarious position than people who actually work for AAA studios filling beautiful concept art books with the same. i just went to a concept art school full of those people and interned at a AAA studio and spent years in AAA game journalism and decided i would rather rip ass so hard i exploded than try to compete in such an industry.

which brings me to what art AIs are actually "doing"--i'm going to be simple in a way that makes computer experts annoyed here, but to be descriptive about it, they are not "remixing" existing art or "copying" it or carrying around databases of your work and collaging it--they are using mathematical formulae to determine what is most likely to show up in pictures described by certain prompts and then manifesting that visually, based on what they have already seen. they work with the exact same very basic actions as a human observing a bunch of drawings and then trying out their own. this is why they have so much trouble with fingers, it's for the same reason children's drawings also often have more than 5 fingers: because once you start drawing fingers its hard to stop. this is because all fingers are mathematically likely to have another finger next to them. in fact most fingers have another finger on each side. Pinkies Georg, who lives on the end of your limb and only has one neighbor, is an outlier and Midjourney thinks he should not have been counted.

in fact a lot of the current failings by AI models in both visual art and writing are comparable to the behavior of human children in ways i find amusing. human children will also make up stories when asked questions, just to please the adult who asked. a robot is not a child and it does not have actual intentions, feelings or "thoughts" and im not saying they do. its just funny that an AI will make up a story to "Get out of trouble" the same way a 4 year old tends to. its funny that their anatomical errors are the same as the ones in a kindergarten classroom gallery wall. they are not people and should not be personified or thought of as sapient or having agency or intent, they do not.

anyway. TLDR when photography was invented it became MUCH cheaper and MUCH faster to get someone to take your portrait, and this resulted in various things happening that would appear foolish to be mad about in this year of our lord 2023 AD. and yet here we are. if it were me and it was about 1830 and i had spent 30 years learning to paint, i would probably start figuring out how to make wet plate process daguerreotypes too. because i live on earth in a technological capitalist society and there's nothing i can do about it and i like eating food indoors and if i im smart enough to learn how to oil paint i can certainly point a camera at someone for 5 minutes and then bathe the resulting exposure in mercury vapor. i know how to do multiple things at once. but thats me!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[am-i-the-asshole-official]

WIBTA For Snitching On My Brother?

tl;dr at the end, the submissions a bit long. sorry if this sounds like stupid teen drama, but i needed outside opinions. (tw for mentions of attempted suicide)

so for a bit of context here, me (14nb) and my brother (14m) both have Parental RestrictionsTM on our phones. In my opinion they are way more severe than they need to be. i am not allowed to have any social media at all, my mother barely tolerates discord. I cannot text anyone who is not my direct sibling or parent from 9pm at night to noon the next day and i cant use any "nonessential" apps during that time frame too. my brother has the same restrictions on his phone, but he has safari removed because my mother said he was playing "random internet games". however, he has found ways around this and ways around the app restrictions. i know how he does it. i really dont have any intention of telling our mother, its none of my business and i honestly dont care that much.

I recently moved to a new school. My brother and i were homeschooled prior to this during covid. And it was fine. We went to a homeschool co-op twice a week. A year ago we were both enrolled in Local Community College as dual enrollment students. A semester into that i was Not Vibing Well and ended up having a breakdown and getting a therapist. I would talk to her directly about this but i havent been able to see her in weeks due to scheduling conflicts. The workload seemed too much to me, there was no longer a distinction between School and Home. i felt like i was constantly on the clock, and i barely saw my friends. In addition to other factors at my co-op, I got very lonely. At that time the limits on my phone were 9pm-3pm (it was later edited to 9am to noon) . I cant remember exactly what happened, but i asked my mother to at least change the communication limits so that i could talk to my friends during the day. She said no, stating that I Do Not Need to Communicate With Friends During The School Day. i do not have a real “school day” i am at home basically 5/7 days of the week. And normal kids see their friends every day at school. The argument got dropped then.

Fast forward half a year, i felt increasingly lonely, out of place, bothersome, etc, at my co-op and have decided to try going to Local Public Highschool. This meant leaving my best friend (14f)  whom i love dearly (for the purposes of this post i will call her Z). Z is one of my favorite people in the whole world, we got platonically married, I lovingly refer to her as “my wife”, and i would genuinely die for her. She got a phone over the summer which means we have a better way to communicate, replacing discord as the primary communication system. Also at that time one of my best online friends fucked up their discord account somehow and the whole online group moved to text. there's about four of them? J, Other J, B, and L (ages vary from 12-16). I believe only B is directly relevant to this story but the others are worth mentioning. Additional context (tw for mentions of suicide from now on), all of those four are varyingly suicidal. B has attempted before, at least twice I believe. out of the group i am probably the most mentally stable.

School starts! I am already feeling a bit lonely due to leaving Z but we stay positive. I wake up for school at like 530 and check my phone at like 6:45. Woohoo a message from B! It was sent at 4 am. This is concerning. There is a glitch that i can use in order to view texts for between half a second and four seconds, it depends, and i use it. B’s message reads “Bye”. theres no fucking reason that they would be texting me goodbye at 4am in the morning unless they were going to kill themselves. I cannot properly view or respond to that text until noon, so eight hours. I wait to know if my friend is ok for eight hours, and at noon i check my phone again. In that time i’ve received messages from the groupchat. J, Other J, and L all received “bye” texts from B at around the same time period. After a few messages, we know B is ok, i dmed them privately and they responded both in ims and the gc. So they are ok. But i had to wait for eight hours to know that. Later that day i asked my mom if she had considered my proposal (i asked her a day or two before if she would at least turn off communication limits because it is also rather embarrassing to be honest to have to tell other people that oh i cant respond to your message right now, sorry my mom has limits on my phone :D. In addition i get anxious when i send a message that im nervous abt and it doesnt get responded to for hours so i hate leaving messages for longer than two hours). Once again, she said no. it goes against her Views As A Parent for me to have “unrestricted access” to my phone. She offered to add only Z to the list of people i can contact during the limits. This is better than nothing but Z texts more in the groupchat than she does in private messages so it wouldn’t work that well. We argued, it didnt work out, i got pissed off and we both went to bed. i very strongly feel that for like my mental health i need to be able to communicate with my friends better than i can at the moment. And i dont want to wake up to a message from a friend, have it be the last one they ever send, and not be able to respond for hours. 

Heres where the part where i could be an asshole comes in. (so sorry that that was really long i didnt know what parts would be needed as context and what were not so i just typed everything i think might be relevant). This isnt something that i am very strongly considering, as i truly dont want to fuck up my relationship with my brother and i love him a lot. I just want opinions on whether it would like be going too far i guess. I am considering offering a trade. I tell my mother how my brother has found ways around his limits, and she turns off the communication limits on my phone. WIBTA if i did that?

TL;DR: would i be the asshole if i snitched on how my brother got around some restrictions in exchange for me being able to communicate with my friends?

What are these acronyms?

[cripplecharacters]

Hello! First of all I wanted to thank everyone who runs this blog, it's wonderfully helpful in a lot of ways, and it's nice to see so much information coming from direct sources all in one place. I have a lot of anxiety around accidentally harming people with my work, so finding such a wealth of references, opinions, resources, and discussion is very valuable to me. It gives me the confidence I need to move forward knowing that I won't get everything right, but I can avoid what I know to be harmful.

I do have a question, sorry for taking so long to get to it. I want to write a story featuring a physically disabled character from at least a semi-accurate historical lens (specifically 19th century England), but I don't want to rely on notoriously ableist doctor's accounts. That's potentially useful for understanding how the medical field understood various disabilities and the social attitudes surrounding them, but I want to know more about the day-to-day lives of actual disabled people before modern medicine/research, especially those who may not have had access to hospitals. My intent is this- I want to understand my character and her disability from a modern perspective, but within the time frame I know this character would not have access to the same information and so would approach her life differently than a person today with the same disabilities would. Do you know of any particular historians or research organizations that might have that kind of information? I apologize for the broad scope of the question, but I am very lost on where to actually start looking and any help would be greatly appreciated.

Thank you for taking the time to read this ask, and for all the work you do in general, have a great day!

Hi,

Thank you for your thoughtful question.

I'll start of with the fact that disability history is painfully under-researched, particularly the further back in time you go.

Part of this is modern ableism, part of it is ableism from the past, part of this is scattered understanding of conditions in the past, part of it is that a decent number of disabilities need treatment for survival, and part of this is simply a lack of sources. There's other factors, of course, but these are all pretty relevant.

If I'm honest, I generally do my historical research in very sort of piecemeal ways and I get bits and pieces from various sources that I often lose years later, which I recommend to no one lol.

I usually end up reading scientific/historical modern articles that I go to like the third page of google to find, or try my best to find a period piece that will show me a sense of how a person with a certain condition could be treated,

However, let me point you towards some organizations that might help:

This is a page from Historic England that has a general history of disability from 1050 onwards. It's categorized in general time periods, starting with 11th-14th century and ending in the modern times. I like this resource and have used it often, and it's pretty accessible and easy to read since it's made for the general public as opposed to for researchers and historians. Historic England also has further Inclusive research, if you're interested.

The US's National Parks Service (unlikely source, I know) has a project named Telling All Americans' Stories, and has a section for disability history right here. It has a general overview, a section for places, a section for people, a section for education, and one for Franklin Delano Roosevelt's experience and impact re: polio and resulting disability. Of course, this source has more things connected to the national parks, given who is doing the research, but I still find it a pretty good source to start off with. It's also quite accessible since it's aimed at the general public and not historians or researchers.

The Minnesota State Government has a "Governor's Council on Developmental Disabilities," and this council has a general history of developmental disabilities resource right here. It's divided into pre-1950 and post-1950, but it covers a lot of ground while being pretty accessible. It's a pretty cool resource, actually. I'm pretty sure I've found relevant photographs here.

The Disability History Association was established in 2004 has a podcast and is focused on specificlly funding research of disabilities. They have a page right here with a list of recent books and articles about disability history. These are all 2016 to present and all seem to be English language. It also lists two upcoming research publications that are in progress. I haven't specifically used this for my research, but I recognize some of the articles it refers to on that second page I linked. It's entirely possible I've been on this site before without remembering, though.

All Of Us is a blog by the above DHA which seems to have multiple contributors. This one I have not used.

Inclusive Historian has a resource here on a sort of general disability history, and is aimed more towards historians themselves to use to write more effectively. I also see this as a potential tool for fiction writers, as it can be useful when it comes to combining historical accuracy (to whatever degree you want it in your fiction) with modern sensitivities for modern audiences.

Disability Social History project is a self-named newer project aiming to collect historical information about disability and disabled people. It has a resources page here as well.

The Missouri History Museum has a legacy website called Action for Access with a focus on the history of the disability rights movement. This is a narrower focus and earlier than the time period you're going to write about, but it has pictures to browse. I have not found a modern equivalent of this website. Be aware that this website might not fit accessibility standards more common today because it's a legacy website.

Anyway, sorry that this seems so broad and maybe less specific than you'd like — I still hope it helps you and anyone else needing a jumping off point to research.

– mod sparrow

[essence-inked]

Alright fuck it, maybe my two cents on this will be helpful to someone.

Content warning: this is about the Neil Gaiman thing.

I'm a victim of sexual harassment and assault, and I feel like my experiences would help explain my thoughts. And also, this is mostly stream-of-consciousness, so I guess y'all are getting some personal backstory on this one regardless, because I don't have the emotional bandwidth to polish this.

The first time, when I was harassed, I came forward. The guy who'd harassed me (and from what I learned later, I was damn lucky I happened to have the confidence to keep saying no despite repeated attempts at coercion) had assaulted other people, and this ended with his victims banding together to try to bring him to justice. We had an overwhelming pile of evidence, but the administration of our college kept dragging their feet, ignored their own policies, and eventually, after a grueling fight for justice that lasted long enough for him to assault another person who joined us, he finally got suspended. Conveniently, this was right when he was graduating and it wouldn't matter anyways, but we figured that at least we wouldn't have to deal with him at graduation - that is, until the school let him walk, and he used his chance to give a speech to misrepresent what had happened. I say all this to point out that the people with the power to actually convict someone of assault are often negligent, and as much as I want to say that I'll just wait and see what the investigation turns up, just because nothing comes of this doesn't mean it didn't happen.

BUT - and this is equally as important - that also doesn't mean it did. To my understanding, "always believe victims" means "don't presume someone is lying just because you think the person they're accusing isn't capable of causing harm." It means believing victims could be telling the truth when they come forward about trusted authority figures, or loved ones, or someone who's otherwise seemed perfectly nice. It means believing that assault CAN happen. This is where my second story comes in. A couple years ago, I was assaulted by a friend. I was too shaken to come forward, and scared enough that I just wanted to move on from the whole thing. A couple months later, though, I decided to tell a mutual friend what had happened, because I was worried if I didn't, she'd have the same thing happen to her. The important bit is that she didn't dismiss me just because this was a friend we were talking about, and she sat and listened and believed that they could be capable of hurting me. The point I’m trying to make here is that it is possible for someone to seem perfectly nice and not be, and doubly so with celebrities whose public persona is the only part of them we see. And when victims come forward, it’s not about necessarily accepting their claim as fact - it’s about understanding that you shouldn’t dismiss them on the grounds that the person they’re accusing would never do that, because you could be wrong.

The unfortunate fact of the matter is that you can't just wrap everything up with an easy conclusion. Anyone can lie - Neil Gaiman can lie, the two women who accused him of assault can lie, and hell, all three of them can lie to some degree at the same time. Is it eyebrow-raising that the source of the accusations is anti-BDSM (topically relevant since a lot of this centers around kinky sex, and whether Gaiman actually got consent to be that rough), and also affiliated with TERFs (who aren't exactly fans of Gaiman these days)? Yes. Would it be fucked up to just dismiss the claims because of that? Also yes. Then there's the bit where it's more likely for people to make false accusations against celebrities, but also, celebrities live in the weird ego-boosting microcosm that would make someone more prone to be a shitty person.

The bottom line is that we don't know anything for sure, and that is something we are going to have to live with and factor into how we make our decisions. Personally, I think I'll be able to appreciate collaborative stuff like Good Omens just on the basis that it's also Pratchett's work, and some of Gaiman's books hold a special place in my heart regardless of any personal feelings about him. But also, that may be subject to change, so who knows? Right now, I'm going to take a step back, and probably poke my head back in after a few months once the dust has settled and there's a bit more to go on (but as said, a lack of an official guilty verdict doesn't necessarily mean a definitive lack of assault, and we probably won’t get a clear answer here).

I'm seeing a lot of people either say that Gaiman for sure did commit assault, or for sure did not commit assault, and not back up either statement with any solid evidence, and quite frankly I think that's stupid and irresponsible. Uncertainty happens sometimes, and it sucks, and pretending like you can reach a definitive conclusion will not actually make the situation better. Instead, you just have to do the best you can with the information that you have, and try to make the most reasonable choices you can.

Edit: just to be clear, I'm not trying to express any particular stance on Gaiman himself - the most I've got there is it sounds like when I do delve down the rabbit hole more later on, I'll probably be disappointed in him. What I care about is that I'm seeing people reaffirm their stances with claims that someone quite literally couldn't lie (both in reference to Gaiman and the women who came forward), or citing the podcast's TERF affiliations as proof that nothing happened, or saying that Gaiman just gave off bad vibes, and that's proof he did do it. And like. That sort of rhetoric is what people point to when they want to discredit victims. That sort of rhetoric is how you wind up stumbling into having a bad take at some point and not being able to think critically about it. I'm more concerned about poking my head in here and seeing an absolute dumpster fire of shitty logic in every single stance than I am about whether or not an author whose stuff I've liked turns out to be a horrible person.

Also, re: the commenter who said he admitted coersion, that'd be super useful to know, but every source I've found in my short "okay what the fuck is going on" search says he's going full denial, so I'm gonna need a quote on that one. And to that end, that's exactly why I'm holding off on going down the rabbit hole, because I want to wait til there's a bit more coverage so I can get the story in one fell swoop rather than piecemeal. And also to that end, y'all are more than welcome to toss sources on here for me to check out at a later date, or for anyone else who might want them.