Lingering Pain
Whoever decided to have Obi-Wan's hair fall out of place to symbolize when he himself is falling apart is genius.
When he's fighting Maul, he doesn't want to defeat him, he wants to kill him. He's so angry, flashes of Qui-Gon lying lifeless on the floor go through his head and suddenly he's 25 again losing the only father he'd ever known. Suddenly, he's channeling all the rage of his youth and it consumes him because this isn't Maul versus Obi-Wan now, this is Maul versus a young man who'd never known loss like this.
Now notice all the lightsaber marks, and notice how they all come from Obi-Wan. Maul doesn't slash the wall. Maul has the advantage, he's calm, collected and he knew exactly what to say that would rile Obi-Wan, and it worked. All that trauma Obi-Wan went through with Qui-Gon's death, there wasn't a Jedi that could help him in the way he needed. So he buried all of it, but then Maul came back from the dead, and so did all that pain.
Maul still being alive isn't fair. It isn't fair that he got cut in half and was able to live when Qui-Gon didn't survive. Obi-Wan finds himself so angry because how does a creature so evil get to live and his master didn't? You see can it in his rage, it isn't fair, you can see the mournful root of his anger, it isn't fair, you can see it with each careless, striken blow, It isn't fair.
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Danver’s specific brand of racism is so intrenched in love it’s fascinating. Her daughter is precious to her and her daughter is Indigenous and in this town, an Indigenous woman is not viewed as a precious thing. They are abused and raped and murdered and therefore, being white is the ‘better’ choice. She is actively whitewashing her daughter, not only because she’s afraid of what she doesn’t understand and because of typical coloniser mentality, but because she doesn’t want to lose her. Danvers can’t distance Indigenous identity from white violence and it’s killing what she loves.
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they cast a 28 year old for Tyson 💀
[relevant rants: here and here]
yeah, i saw - i wasn't holding onto hope of them casting a disabled actor for Tyson (still disappointed, just not surprised) but casting a 28 year old for a middle schooler is really out of left field. It's just an odd choice? Particularly given how much they've been emphasizing age-accurate casting so far.
It makes me really wonder what major rewrites they have planned for Tyson's character. Because as things stand currently there's no way to make Tyson's existing character work with this casting. Tyson is supposed to be in Percy's grade, but Daniel Diemer sticks out like a sore thumb against the child actors. Tyson being in Percy's grade is pretty important for the entire arc of Sea of Monsters with the main character arc being Percy combating internalized ableism and establishing him as a character who stands up for other marginalized kids. If they remove that, what's Percy's arc going to be for that entire season? At what point are they going to establish that about his character? Or are they just going to exposition it at us like usual with nothing backing it up and no actual character progression? And in later seasons the age gap is only going to be more prominent - like how is Tyson going to work in BoTL or TLO? Are they planning on removing his character entirely for those scenes? Are they going to remove him as a recurring character in general? It'd be really weird if they killed him off or something.
I'm also afraid for if they do try to keep Tyson's disability coding in some form - cause there's kind of no good way it can go at this point. Either they completely erase Tyson's coding because they cast an abled actor for him and that messes up the entire arc of the book and his character particularly in relation to Percy, or they have an abled actor attempt to portray a character heavily coded as having down syndrome (and i believe they're already doing similar with iirc Chiron's actor is abled but they're doubling-down in the show on Chiron being disabled) and given how they've written the neurodivergence themes (or absence there of) in the show so far there's just no way that'd end well. Like, Tyson's characterization is a little questionable to begin with in the books, but given the show's writing so far it just feels like we're very rapidly ramping up for an extremely ableist characterization of Tyson. Like i'm sure Daniel Diemer is a great actor, but... i'm just getting real tired of the show erasing the entire premise of the series :T
anyways as per my initial post about pjo tv tyson casting theories i guess it's time for me to start tearing stuff apart with my teeth ¯\_(ツ)_/¯
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@kitxkatrp asked:
Dazai is gonna bury his face in those boobs because he can.
"D-Dazai-kun!" Oh she's already a flustered mess the moment he touched them.. They were really sensitive..
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the silly ever the when [how do people decide what to put here]
Silly Extra headcanon + my doodles under the cut
[decided to switch the scarf last minute]
I have a little headcanon that his right arm and most of his body glows when he uses his powers post Season 11 I find it very silly
Doodle I did of it a bit ago along with some for Cole and Nya [I thought it would be cool if Cole’s legs also lit up like his arms did since uhh, you know, standing on the ground and such]
also one with my first attempt at a more “humanoid” design:
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Oddly for a sequel show, Cobra Kai is putting far too much weight on the original TKK film. They keep acting like this is teenage Johnny and teenage Daniel going toe to toe, but these are adult men. They should have lived adult lives and processed adult experiences and emotions before getting to the beginning of Cobra Kai’s story. Why can’t Johnny ever seem to grow up in a meaningful way? Why does Daniel keep chucking his healthy wealthy family life to the side to get involved in random ass karate shit? Why do they refuse to truly mend the fences between them? I understand showing trauma affecting them and TKK being an important moment in their lives, but the show acts like that was THE important moment in their lives. Nothing was bigger or more life changing than that (basically a high school karate tournament that happened one time) even though they’re decades past it. These characters aren’t truly allowed to be adult men grappling with the past, they’re written like stunted teens who are simply walking through some strange daydream life where they’ve got kids and jobs. And if the writers don’t ever treat them like adults, they’re never going to act like it nor will they ever grow in meaningful and permanent ways.
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