#that i'm never writing

[yellowocaballero]

how do you come up with your ideas?

Augury, mostly!

Haha, but no. Everybody has their own story ideas in their own ways. Mine would be no good to anybody else. I can only recommend the same thing that would generate any stronger story - consume a lot of highly diverse books, shows, movies, news, etc. Watch Hellraiser and the Seventh Seal back to back and have the weirdest dreams of all time. A lot of my stuff is built off a place of "this is a retro Kid's WB cartoon!" or "this is a Disney Channel Original movie!" or "this is a satirical war novel!" or "this is an issue of a vintage comic book run!". I have a PBS kid's programming Zoboomafoo-type idea in my head that would only work in a webcomic form that I can't write and it makes me SO ANGRY that I can never realize this vision.

In terms of me, personally, and how things end up working for me. Jokes with friends, overwhelmingly. Very often one idea will spring another - for example, I think I got the idea for New Wave when I was writing the prophetic spring and I ended up constructing a Steph & Bruce relationship that was a) really interesting and fun to write, and b) made me think about how Steph would have been fucking perfect as the first Robin for a million reasons. Covid puppy story was really as simple as a "What if...?" about a Batman arc in the 90s, plus a lot of jokes. Mostly jokes. TBH, most of the time, reading/watching something and going "this is funny, but it would be much funnier if...". Most of my fic is from consuming something I find vaguely mediocre yet enjoyable and riffing on it relentlessly until an actual full concept emerges. So often my brain is just "I want to write Spider-Man 2099 fic but I don't know WHAT to write" and I just have to. Wait til I find a good idea. Shit just happens.

But also I can't explain much. I read a volume of the origin story of Green Lantern Kyle Rayner and then my younger sibling woke up to 80 Discord messages about my perfect complete redo of Kyle Rayner and how I would write the best Green Lantern four season TV show of all time.

It would fuck. By the way. It would fuck hard.

[bizarrelittlemew]

UPDATE WITH MORE (and new codes for three of these)

Are you frustrated you can't leave second kudos on AO3? or third kudos? or whatever-who's-counting kudos?

Well, have I got the html for you!

Plop any of these in a comment (by copy&pasting the code) to make an author's day and show your appreciation!

Second kudos: <img src="https://i.ibb.co/tHMjbb6/second-kudos.png" alt="second kudos">

Third kudos: <img src="https://i.ibb.co/52bggQH/third-kudos.png" alt="third kudos">

nth kudos: <img src="https://i.ibb.co/6y7qGtC/nth-kudos.png" alt="nth kudos">

yet another kudos: <img src="https://i.ibb.co/wKtcj0s/yet-another-kudos.png" alt="yet another kudos">

It will look something like this (and will be transparent with white outline on dark backgrounds):

Feel free to spread and use these as much as you like!

UPDATE July 2024: some of the image links are broken (Third kudos, nth kudos, yet another kudos) - feel free to upload these to your image host of choice and replace the url in the code 🫶 or get the new ones here!

[crispyliza]

Fanfiction in the late 2000s-early 2010s was wild bc you'd find a beautifully written story with the most compelling heart-wrenching plot you've ever seen and the author's note would be like:

Author with a username like ~SasukesWaifuxD~ : Ohayo gozaimasu! ↖(^▽^)↗, I'm sowwy it took me so long to update (๑•́_•̀๑)

tsundere twink from their fic : It was about damn time you idiot (눈‸눈)

~SasukesWaifuxD~ : Hey now! It's not my fault the plot bunnies kept wunning away fwom me (╥﹏╥)

tsundere twink: W-watever, it's not like I missed you or anything (💢,,>﹏<,,) b-baka!

[joshpeck]

[demigods-posts]

i'm one hundred percent certain that after percy and annabeth made out underwater. and he wanted to make their relationship official. the question was not "will you be my girlfriend?" but "can i be your boyfriend?" i don't care what the canon says. percy gave annabeth the space to take the lead in the relationship. because after a lifetime of being abandoned by everyone she dared to care for. and then watching her on the brink of a panic attack at the thought of losing him the last four years. he wanted to honor a new beginning between them by follow her lead and moving at her pace.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[poorly-drawn-mdzs]

The Dungeon Meshi crew 'leap' into action!

[no-passaran]

Spain lied about not selling weapons to Israel.

Even after October 7th, Spain has sold more than 1 million € of weapons to Israel. Norway and Finland make it possible.

In January, Spain made headlines word-wide when the government's Minister of Exteriors, José Manuel Albares (PSOE), claimed in Congress and later again in a radio interview that Spain had stopped selling weapons to Israel ever since October 7th. Israel's intensification of violence in Gaza following October 7th meant that, on top of decades of apartheid and ethnic cleansing, between October 7th and January 23rd Israel had already killed 28,000 people and forced 2 million out of their home. In this context, many people were demanding their governments stop arming and funding the genocide of the Palestinian people, and here on Tumblr and other social media sites like Twitter I think we all saw the many posts praising the Spanish government for this.

Well, it turns out it was a lie.

According to Albares, "Since October 7th there are no more weapons exportations [from Spain] to Israel". But in November alone, Spain exported weapons to Israel for 987,000€, as was published on the Spanish Government's official website dedicated to exterior commerce (Comex). A researcher from Centre Delàs (an independent centre for peace studies) found it and published it, and it has also been verified by newspapers such as elDiario.es.

This 987,000€ worth of weapons in November was not the only ammunition that Spain has sent to Israel in 2023. In 2023, Spain exported a total of 1.48 million € in war material to Israel.

All of the weapons sent in November come from the factory of Nammo Palencia (Castilla y León), a corporation that is 50% property of the Government of Norway and 50% owned by a public Finnish business. However, even if the owners are foreigners, the ammunition was sent from Spain and thus it had to be authorized by the an organism of the Spanish Government named Junta Interministerial de Defensa y Doble Uso, whose deliberations on whether a weapons exportation is accepted or denied are kept secret. The only cases where they have denied exporting weapons to Israel have been when they thought that Israel would re-sell these weapons to the Philippines.

Spain has had a close relation with Israel for years. As published by the Spanish Government, Spain has sold 20 million € of weapons to Israel between 2012 and 2022. Spain also buys weapons and military software from Israel (for example, the Spanish Intelligence Service has been using the Israeli software Pegasus to illegally spy on Catalan activists, journalists, politicians and civil society members and their relatives to attack the Catalan independence movement), and Spain has continued buying from Israel and allocating defense contracts to Israel even after the October 7th attacks. It is very difficult to track the concessions of public contracts such as buying weapons, but some contracts have been known. For example, on November 24th 2023, Spain bought 287.5 million € of missiles from Israel. This is not unusual: between 2011 and 2021, it is publicly known that Spain bought war material from Israel for at least 268 million €, but experts say that the real number could be two or three times as much.

Spain has also continued allocating concessions to Israel. For example, on December 15th 2023 Spain allocated a contract worth over 576 million € to Israel for a rocket launcher programme. On November 22nd, Spain allocated another another Israeli company to provide missiles for 237 million € at the same time as the Spanish army bought Israeli inhibitors for 1.4 million €. The very next day, November 23rd, Spain signed another military allocation to Israel for 82,600€. The following week, Spain signed yet another allocation with a different Israeli military corporation for 3.7 million €.

Spain also allows Israeli weapon manufacturing companies to produce weapons through their branches located in Spain. This way, Israeli weapons make their way to markets with which Israel doesn't have diplomatic ties but Spain does, like Saudi Arabia. And since Spain is a member of NATO, Israeli weapons produced in Spain are approved according to NATO standards and access it easily. In the same way, these Israeli weapons manufacturers also access European Union defense funds through their branches in Spain. (source).

As I said, I saw a lot of positive posts around when Albares said Spain was going to embargo, but I haven't seen any post about how they didn't do it. I also (personally) haven't seen anything on international media, and barely anything on Spanish media, which is already busy with the PSOE covid material corruption scandal. So I share this in the hope of helping put pressure on Spain to cut all ties with Israel immediately.

SHAME ON EVERYONE WHO GIVES ISRAEL THE MATERIAL AND MONEY THAT WILL BE USED TO MASSACRE THE PALESTINIAN PEOPLE. SHAME ON SPAIN, NORWAY, AND FINLAND.

[naydralikessoup]

jojo's bizarre adventure is a life altering series if you're susceptible to the brainrot pathogen. if you're not i'm sure it's kinda whatever but if you are. you get enrolled in a secret jojo club and you lose the ability to fully speak your mind outside of it. you realize a tantalizing desire to sightsee in italy, but know that you must never, ever set foot there, else you'll risk annoying everyone around you with the constant pointing out of familiar locations. you cannot go to an aquarium without thinking, "jotaro kujo would love this." when you take a drink of water that's especially refreshing, you think of okuyasu, in tonio's restaurant, where he cried the sleeplessness out of his eyes, and wish you could do the same. and like a zombie, you attempt to spread the disease to others, the people you love most. you say to them, with a sly smile, "hey, there's this anime i think you would like," and if they're not sick of hearing about it, on the off chance they decide to try it, and like it, you'll rejoice at having another person share your curse. now you're both ruined, swapping looks and pointing out things "you just thought were cool." you have matching cherry earrings. your music taste is better than it's ever been.

[wardingshout]

Zelda goes mushroom girl

[ofswordsandpens]

thinking about a world in which RR actually committed to the path he set Percy on in hoo (wherein Percy has become jaded, angry, and resentful at the gods for breaking their sworn promises, is frequently sympathizing with Luke, is getting more and more powerful, and frequently losing himself to wrath) and instead of the subsequent Percy Jackson books being about getting recommendation letters, we could have gotten a trilogy exploring a fallen hero arc for Percy (that would ultimately have a positive resolution to it.)

[lazuliquetzalart]

Don't watch the coin, idiot!

the boss fight of ALL time

[patolemus]

There’s just something about Stiles being so unflinchingly violent if it’s to protect Derek, of him having vivid fantasies about bashing his bat against Kate’s pretty blonde hair until her brain splatters across the room, about cutting Jennifer’s tongue and arms off so she can’t spell or touch Derek ever again, about lighting Gerard on fire and ripping Kali’s head off her shoulders...

[corkinavoid]

DPxDC Changeling AU pt.2

This idea got me in a chokehold, so I'm here to add more.

I'm sticking with the 'Talia outplayed the fae in order to acquire 2for1 deal of babies' for this one and probably for any later continuations.

Damian knows his brother is not human. He knew it from the very beginning since no one bothered to hide the fact. Yet Danyal grows up just like any other human baby, acting like a child he is supposed to be. He trains by Damian's side, he eats just like everyone else, he likes the stories and lessons their Mother teaches them both.

But Damian knows. His brother is no human. He sees it in the way Danyal tilts his head like a curious bird, in his swift, flowing movements that remind him of snakes, in his eyes that reflect the moonlight in a way cat's eyes do. He knows it by how some of the assassins lose their names to his brother and how Danyal never lies but also never tells the truth.

More than that, he sees it in the way Danyal smiles. Others would call that smile a mischievous one, but Damian sees no mischief in there.

He sees amusement.

And it drives him up the wall.

So he trains. He works harder than ever to prove himself better. He is worth not just simple amusement, he is the Heir, the Son of the Bat, he demands respect, even from his brother. Danyal will never take his place - not that he even could, Grandfather would never allow an unpredictable being to become the next Demon Head.

And he learns, from his Mother and from the old books, and sometimes from Danyal himself. He learns of customs and rules, of names and wordings, of odds and debts, and of tricks and riddles.

Damian has his own pride, and he wants to show it to his brother. To see the amused smile fade from his face, to make Danyal understand he is not just a weak mortal who's been simply allowed to exist beside his brother.

He wants to defeat Danyal.

And one day, he does.

Danyal is on the floor, and there's no smile on his face. Instead, in his eyes he sees the calm tranquility of a lake, frozen to the bottom, as he looks at Damian. And Damian? Damian grins, victorious at last.

Yet it is only after Danyal stands up and leaves a soft, cold and barely noticeable kiss to his forehead before disappearing in the shadows, that Damian realises:

His brother never asked to have his name.

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[hedgehog-moss]

I was talking with a friend the other day about how I was fascinated with American school life when I was a teen because it seemed so different from how things are in my country (I knew about US high schools thanks to Hollywood, an accurate and trustworthy source) and we talked about which aspects of US schools felt foreign or strange to us and one thing I brought up was, how American teens only seemed to have like 15min for lunch (I had 1h30 here in France), as evidenced by the cafeteria scenes (no one seemed to eat a proper four-course meal? I definitely never saw a separate cheese course), and I was like, I envied a lot of stuff about US schools but not this

... and I went looking in my old diaries to see if I ever wrote about this, and you know what? I was wrong. I did envy their school lunches which, like almost everything about US schools, felt intriguing and different and cool. The reason middle school-me thought American school lunches were superior to French ones is because, since American teens in TV shows only seemed to get like 4 chicken nuggets and a milk carton for lunch, their lunch tray was very light and they could hold it with one hand under it, the other hand in their pocket or holding their bag strap on their shoulder all casual-like. Sometimes there was no tray, even!

I envied these American teenagers for their lunchtime nonchalance. I would have liked to handle lunch in this cool-cat way but my French lunch tray being loaded with 4 different heavy and breakable plates, I had to hold it carefully with both hands. In my view this was unfair as the hindrance of governmental nutrition guidelines made French students look like uptight nerds, unable to strut around the cafeteria with one hand in our pocket like we didn’t care. Same for the absence of lockers in our schools, we had to carry all our books on our back all day like studious turtles whilst the beautiful 25 year old American teens on my television casually leant against their lockers chatting with friends then strolled around school with just a couple of books tucked under their arm like they were in Dead Poets Society. Thank god there was an ocean between us, imagine a French kid entering a US school cafeteria carrying 3 binders and 5 textbooks in their big rucksack and holding their tray with two hands like a complete loser

Note that these comparisons are quite worthless since I don't know what US school life / food is like in the real world (I imagine it varies a lot!)—I just find it funny to re-read old diaries and discover what was important to kid-me. Discussing these little cultural differences gleaned from US TV series, adult!me is like "yeah I remember being intrigued & envious about a lot of things! Not their school lunches though, they didn't look balanced and nutritious"—meanwhile middle school-me, focused on what mattered, was like, imagine what we could be... imagine being able to hold your lunch tray with 1 hand instead of 2 thus accessing a realm of coolness unfathomable to us in our backward country