#that impact the thing that they are talking about

[becausegoodheroesdeservekidneys]

When you point out how neurodiversity affects whole areas of the brain, not just what we see as the presentation symptoms, it seems so obvious. I've known that many neurodivergent conditions have high rate of co-morbidities, but haven't thought about what that would mean. I really liked your explanation of what else dyslexia affects, it made me recategorise some of my sister's mom behaviours. I see time blindness, some executive dysfunction, organisation difficulties and go, yup, I've got that too, it's normal, and forget that most people don't struggle with that (I've suspected I have undiagnosed ADHD for years, but never got checked for it, since I suggested it my dad freaked out, insisting there was nothing wrong with me. I really should though)

May I ask how your synaesthesia manifests for you? I'm always curious about how neurodiversity manifests in people and how it affects them, because there are so many minor and major things not talked about. I apologise if that question makes you uncomfortable, you don't have yo answer it.

Anyway, thank you for your explanation! It made a lot of things click all at once for me.

If you want lots of examples of how my synaesthesia works, I have a tag you could trawl here. But, I have a few different types; the common numbers-have-colours one, but I also get textures and sensations and feelings, and about... literally everything. Numbers, words, people's voices, names, personalities, the plots of media, images, everything.

Soooo, yeah. Sensory overload is the big impact; trial and error over the years has shown me it's primarily auditory, so if I can wear earplugs I can cope for longer in 'busy' environments. The other thing is that it really does a number on my mathematical ability, though, because, I shit you not, the colours get in the way. When I was a small child I was shown that 3 + 5 = 8, and my brain went "Yes, orange + pink = brown, got it" and ever since then if I see a 3 and a 5 together in a sum it DOES NOT MATTER what the operator is, I immediately assume the answer is 8. 3 plus 5? 8. 3 minus 5? Also 8. 3 times 5? Buddy you'll never guess. But it's 8.

It takes conscious effort not to do this T_T

The other thing is that I really, REALLY suffer from this thing where someone goes "Hey, we should watch Program X" but the problem is, you see, the problem is, I cannot stand the sensation I get from the name Program X, and therefore I will not watch it out of disgust that is totally unrelated to the actual show. This applies to all media, places, human beings, etc. (It is obviously a thing I have to be careful of when it's human beings.)

I think everything else I have is ADHD-related though, so that's probably everything I can put down to the synaesthesia.

[ff-killjam]

How The Tables Turned [Ford x reader oneshot]

Summary: This time, its Ford making you stop what you're going to make sure you get sleep.

Rating: SFW and very fluffy

Warnings: Aside from a slightly suggestive part, none!

AO3 version

A/N: Actually based on a period of time where I tried to learn how to use unity (before the whole drama of it happened). I refused to do ANYTHING but to work on my little project no matter how much I was starving for a few weeks straight. lol.

It’s basically routine at this point for you to drag Ford out of his lab to head for bed. Even if you remind him of the benefits on sleeping and how the lack of it will impact his work, you still needed to get him into bed, sometimes having some food ready for him to make sure he didn’t sleep on an empty stomach.

That’s how its USUALLY IS.

Lately, you’ve started your own personal project involving learning a game engine to play around with. It was mostly just a random idea one day, wanting to try your hand at making your own little “video game”. Nothing too fancy, just something fun to put together and to learn some new skills along the way. There was A LOT you needed to look into and learn to make this happen, however.

From learning a coding language, the game engine itself, a mix between finding free to use assets and even making your own when nothing suited your taste- you had a lot on your plate. It wasn’t all that bad really, considering how this whole thing turned into a full blown hyper fixation fairly soon after starting it. It was easy to let the hours fly by as you were split between watching tutorial videos, drawing and fixing any errors/bugs in any of the codes you wrote down. You were aware of when you needed to sleep, eat and do other things for your health, but something about working on this project made you refuse to move from your chair. And you weren’t the only one to noticed this.

After a decent amount of time being with you, Ford has grown used to the routine of you coming to his lab to check up on him. It got to the point where he purposely stayed late in the lab to get you to come in and “pester” him to take care of himself better. The feeling of knowing you cared and loved him so much to go out of your way to make sure he knew that was something he relished in. Of course, he did felt a little “silly” and “immature” doing this instead of straight up telling you, but there was no harm being done anyways, so it was fine.

So when you stopped checking on him after a few nights, he couldn’t help but to worry a bit. At first, he figured you were just a bit busy, possibly even out for the night, so he didn’t think too much of it. However, when walking into your computer room and seeing you up staring at your screen with an open notebook with various random things written on it, he couldn’t help to smile a bit as you reminded him of his university days. You were just working on something, nothing too bad.

But as time passed by, he soon realizes he only ever sees you in your computer room. You barely went out for anything, even for food. Ford didn’t want to jump to any conclusions, but he was worried. Things escalated for him when he barely sees you in bed anymore.

It’s not like he didn’t talk to you as you were deep in your work. He would sometimes check in on you when things felt a little too quite after he started to noticed your absent in his lab. Ford was happy you were able to pursue something new and to take the time and effort to do it. He was aware of the little game you wanted to make for the sake of saying “I made this!”. When he had the free time, he’ll listen to you talk about the things you learned, some of the issues you faced and how you fixed them, etc etc. But he can only take so much before he had to really step in for your own sake.

The sky was dark out, and it was around 1am. You weren’t in bed yet. Again. Ford was really concerned for you now. Walking through the dim hallway, he opens up the door of your computer room. He can see you fully concentrated on your screen, looking over some codes you put together, as if you were trying to find any errors in the lines of text that was presented in front of you. It was obvious how dry your eyes were, how your body longed for rest, but the urge to keep going and to fix this one mistake kept you from wanting to sleep despite how much you felt the need to do so.

It was almost funny to him. A taste of his own medicine some would say. It reminds him of the many nights on how he too would refuse to stop for the night, always needing to do one more thing before he could let himself rest. How you would do your best to persuade him to let himself walk away from his work, to take care of himself to avoid any health complications, and to spend time with you in the comfort of your bed.

It made him feel guilty as well. The things you did for him and how much you loved him to always go out of your way to show it. Ford knew he was taking full advantage of that, and he wanted to repay it back.

You jumped a little in your seat when you felt his familiar six finger hand land on your shoulder, being so focused on the lines of text on your screen that you forgot where you were for a good bit. You look over at Ford as he stood beside your seat, giving him a weak smile.

“Oh hey! Do you need anything?” You asked before quickly looking back at the screen again.

“Love, when was the last time you ate?” Ford asked you in a gentle voice.

“Uh… I had breakfast?” You answered, only remembering you had some toast with a sunny side egg on top when you last ate. It didn’t seem like it mattered too much though.

“Its almost one am” Ford replied, a little stern this time. You quickly check the clock on your taskbar, feeling surprised from how much time had passed.

“Oh… oops” you spoke mostly to yourself, feeling a little silly for not checking the time more often. “I’ll probably head to bed soon”

“Not soon,” Ford points out, “you’re going to bed now.” His words made you look at him again, confusion viable on your face.

“Just let me do this one fix-” Ford says your name, stern voice again, causing you to stop your sentence.

“You are fully aware of the effects of not taking care of yourself” Ford spoke to you with a smirk on his face. You knew that he was referencing the many of times where you brought out the facts of how the lack of sleep and self care can affect your health and day to day life. It was the best way to convince him to come to bed and let you cuddle with him until you were both asleep. “You’re no different form me, sweetheart. Got to practice what they preach, as they say”

“Uh…. I’m built different?” You gave a half shrug and a low chuckle at your own joke. Obviously, this did nothing to change his mind. You knew he was right, and had nothing to say to argue back. Ford knew this too. “Fine… let me quickly save and shut off my computer…”

Ford watches you quickly save any progress before shutting off your computer, the light of the screen turning off and making the room dark as it was the only thing on. As you start to stand, your body fully conveyed how tired you really were. You were about to walk to the hallway door before Ford lets out a ‘let me’, and you were now being picked up bridle style in his arms. You let out a small gasp, often forgetting how much muscle the older man has as he often hides it away in his iconic turtleneck. The comfort of him holding you made the realization at your own exhaustion hit hard. You can feel yourself somewhat go limp as Ford carried you to your shared room.

Ford felt you quickly relax in his arms, feeling prideful as he carried you to your bed. Sitting you on the side and pulling the blanket back. He lays you on your pillow before fallowing suit into his usual spot on the bed beside you. Your eyes were shut as you let yourself sink into the soft mattress, the weight of the blanket being pulled over you giving a sense of security, along with how his arms wrapped around you to pull you close to his chest. You let out a sigh of relief as you feel him nuzzle his face into the crook of your neck, getting a few shivers down your spine.

“Sorry…” You mumbled to him, feeling guilty now for making him go out of his way to get you to bed. You feel him chuckle into your skin, the smile forming on his face being easily felt on your skin.

“Nothing to be sorry about sweetheart,” his replied, voice audibly sounding more tired, “I should be the one to apologize, making you go through this almost every night. I see how doing this almost all the time can be a bit frustrating for you.”

“Not if its you,” You were quickly to reply, “I’m always happy to make sure you’re okay”. Ford felt his heart flutter at your words. You always did surprised him with how much you loved him despite how many times you pointed it out.

“The feeling is mutual,” Ford placed a kiss on your skin as he caressed one of his thumbs that rested on you, “lets get to sleep now, I’ll be sure to do something for you in the morning” Ford gave another kiss on your skin, and you can’t help but to feel excited for what he had planned.

Silence followed as you two let yourselves slowly fall asleep in each others comfort. Feeling his steady heartbeat on your back lulled you to your sleep.

Ford smiled when he realized you fell asleep before he did. It was no surprise, you needed it really bad. Without fail every night when he has you in his arms like this, he feels like the luckiest man in the multiverse. He didn’t deserve you, but it was almost as if this is the repayment he deserved after many years of suffering, a way of life saying sorry to him.

And he wouldn’t ask for anything else.

[fruitgummies01]

What a way to end the first season of AYS!!

I don't even know if I can even put into words what I'm feeling after watching the last episode of Are You Sure. Grateful? Devastated? Sad? Overjoyed? None of those words do justice to my emotions and overall feelings.

What a beautiful way to end this first season. We really got to witness just how much Jimin and Jungkook mean to each other, and it really made it clear to me why they chose to enlist together and not be separated. I can't believe we as fans got to spend such a precious amount of time with jikook right before the start of their military service.

There were so many moments during this last episode that made me emotional. Jimin tearing up on his way to wake Jungkook up on their last day, Jungkook (who we've seen repeatedly enjoying his love for beer) choosing not to drink so that he could drive them to the airport (and have that alone time), jikook reacting to the first episode of AYS and laughing so hard (to the point that Jungkook had to keep wiping the tears from his eyes🥹), Jungkook trying to cheer Jimin up on that last day, Jungkook saying that these trips with Jimin were the best of his entire life 😭, and even the subtle touches. 😩

The car rides. They got to spend so much of their time in the car driving just the two of them since they were constantly saying out loud just how long their drives were, but we only got to see a few minutes of it. I love so much that they had that time just the two of them.

Jimin's absolute love for Standing Next to You is so amazing to see (and also understandable lol). He sings it in almost every episode. It says something about Jimin as a person that he is so selflessly supportive.

Jimin at the end talking about how impactful their trips were to him and how they made him appreciate things like this again. Jungkook wanting to go back to the first day of their trip 🥺. Like Are You Sure meant so much to both of them they even included a clip of them saying their phrase "Are You Sure" on enlistment day 😭.

I am so thankful that Jimin and Jungkook got to show these sides of themselves in AYS, in a way that's different and unique from all the other BTS content. I feel like I got to know them on a deeper level watching their interactions and experiencing some of the joy they were so clearly feeling. I hope Jimin and Jungkook know just how much fans enjoyed watching every minute of their show and the amount of happiness they've given to fans, and I hope they decide to keep the same format going forward with future seasons!! 💜❤️

[stagefoureddiediaz]

Everything Ryan says is so considered and interesting I’m obsessed with him!

His language is so loaded - and gives so many clues about is arc! Machismo and not talking about feelings - ties back to hero complex and his relationship with his father - but also his mother - especially his mother - because she was actually a big part of creating that culture in the diaz house - because Ramon was ‘never there’

Him saying Eddie has spent the last few seasons trying to re-navigate and take new directions but whilst still being the old version of himself - so loud and informative. The play on the Shannon of it all - and the repeating mistakes in new ways. The not allowing himself to actually move on and let go of his ghosts.

That’s also loaded in the other direction as well - this idea that it’s not just him still stuck as this old version of himself - it’s not just him that’s not allowing himself to move on - that the people who represent his past are still holding onto the old him as well - his parents - it’s a statement about how they view him - and ties into the theme of Eddie begins - the idea his parents think they know best and want to dictate how he lives his life - the insistence he should come home or that they should take Chris. Something that’s been brought back into focus with Chris leaving to stay with them. It’s the idea that Eddie us work to do about getting them to recognise and accept the person he is and wants to be - and not to keep treating him as they always have done.

reworking his idealisations of the past brought up with his learnings of the present - and the earlier reference to the 118 and the firefam teaching him stuff. This especially implies what he’s learnt about love - and that what he sees of that with the firefam is vastly different to his experiences of it back in Texas - and with Shannon as well. The Shannon part of it Particularly - it all speaks to Eddie having been wearing rose tinted glasses and putting his relationship with Shannon up onto a sort of pedastal.

Implement is an interesting word choice as well in connection with this. It indicates slow change rather than drastic change - the idea of growth and of not rushing to be fixed and healed.

Idealisation is a direct play on the catholic faith - it’s a play on idolism and

Learnings of the present is also a choice - present can be taken to read all of Eddie’s time in LA - but it infers especially the more recent past - so season 7. Why would Eddie be prepared to implement learnings of the present now at this point. It’s not just the loss of Chris from LA and his home. It’s a big part of it yes, but Season 7 is when so many things converge. It’s the glasses being removed when it comes to Shannon - the break through that’s been brewing. It’s also being confronted with religion and its long lasting impact on who he is. I’ve always found it to be particularly interesting that they chose to have Eddie start dating a diy-er who was a former almost nun. The idea of faith being something under construction (yes the construction on sunset metaphor never goes away) and something you build for yourself rather than how Catholicism is a prefabricated and built by others faith. The juxtaposition of the church - something with the weight of history attached to it and an inability to move with the times and change - and the concept of diy faith being something you construct and build to suit you - the updating of something so that it fits with where you are at now. Marisol is a lesson in choosing to not stick with the status quo if it doesn’t fit, and instead building what you want your life to look like from the foundations that pre-existing faith has given you. It gives rise to the idea that eddies present learning is in part that he can construct a life that fits him and he doesn’t have to mould himself to what someone else prescribed. That he can take the bits of his faith that he does like and build those into something that suits him.

But it’s also Buck - Buck making his own break through and figuring out this big part of himself and choosing to embrace it in season 7 is a part of giving Eddie the confidence to do that for himself. It’s not just about the buddie of it all. The very deliberate decision by the writers to have Eddie be the one Buck is the most concerned about coming out to - the one he intentionally tells in a 1-1 situation and have that be much of the focus of bucks arc in the immediate aftermath of his bi awakening is as much about Buck as it is about Eddie. Buck coming out to Eddie allows the spiral he’s in about his catholic guilt to take on a different direction and ultimately spiral out much further into something that blows up his life. It’s Eddie’s subconscious - his repressed inner self beginning to break free.

This quote also backs this up - the implication being that his relationships have all failed because they were built on a version of religion and spirituality that doesn’t fit with who Eddie is at his core. Referencing that Latino culture is built on Catholicism and that isn’t the actual bedrock of Latino culture is interesting. He also references the Mayans when talking about this and pre colonialisation mesoamerica. (This shows that Ryan is well read and thinks deeply on his heritage). That in combination is interesting as a concept for Eddie. The idea that who he is at his core is actually different to the person he has ended up becoming - implying that the true Eddie is hidden beneath a history that has been imposed on him - in the same way that the culture and faith of the mayans was buried and repressed when the Spanish invaded and conquered Mexico and much of South America.

Using the word ‘wrongly’ infers that Eddie is going to choose to reveal and embrace that repressed version of himself - the version of himself that is his truest form. I already made a post about the Mayan aspect of Ryan’s interview, but I will point it out here as well. The Mayan culture embraced homosexuality, it was an accepted way of life and largely viewed in favourable light and it was in fact a major part of many religious ceremonies and in the healing of people by shamans. So along with everything else I’ve said above, that’s hinting pretty heavily at Eddie’s arc leading to him embracing his queer identity.

[wilcze-kudly]

Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how

One: The Series genuinely wasn’t built around romance.

Two: We do gradually see the characters develop feelings for each other more across the show.

https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share

Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.

Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.

And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.

Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.

Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)

Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.

(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)

We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.

OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.

The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.

[diminuel]

I love your comics about Crocodad! In the Canon dynamics...how do you think Croc would react realizing after years that he beat up his son in Alabasta?😂

-PChan

I'm happy you like my Crocodad comics PChan! ♥

Since very little time passes in canon between Crocodile getting beaten up by Luffy and the "Luffy is Dragon's son" reveal at Marineford (we're talking a month, give or take), it'd still be very fresh in his memory once he realizes!

Depending on what his feelings are regarding his child his reactions might be different! I think he'd be momentarily shocked at the reveal, but whether he'd feel guilty, angry or even proud really depends on why Crocodile didn't keep him/ how he feels about the pregnancy/ how he feels about Dragon in general?

He doesn't really seem like a guy to dwell on the past too much apart from his beef with Whitebeard, so of course the circumstances around Luffy's birth might also be something that he's got bottled up and that he might be impacted by now that his son is just within reach. I can see him adapt and course-correct quickly into wanting to see what Luffy can achieve, so he'd protect him. Whether he wants a relationship with him or not would influence whether he'd tell Luffy (Luffy's reaction is of course also up for debate. Luffy completely rejecting the idea of it is just one possibility *lol* He might want to make Crocodile his family, even though I'm not sure what it'll take for Luffy to get over Alabasta? He does seem to be chill around Crocodile after that initial anger, not that we get a lot of interactions.)

That said, since I like to imagine that Crocodile loved his child but knew he couldn't keep him, he'd feel bad about nearly killing him and maybe even curse Dragon mentally that the kid is here on this battlefield, with a target on his back because Sengoku just told everyone who he was. What was the point of the one act of sacrifice for the sake of safety they did as parents? I think he'd be angry and determined to make sure Luffy is going to make it off this battlefield alive. And after that he'd have time to sink into the pull of his old wounds, to feel all that guilt, despair, anger, longing and love. And then he'd either make sure his plans didn't interfere with Luffy, maybe even make sure wipe out obstacles in his way, or he'd tell him and he'd get to be a parent, now that Luffy's making a name for himself in his own right and the world knowing that Crocodile is his parent wouldn't be the worst thing to happen to Luffy in the grander scheme of things.

Now I ranted about more than you asked *lol* Many emotions about this.

[bozers]

Random Mk character headcanons Pt.1 THE MENFOLK

Raiden

Sweaty. Sweats like a mf even when he isn't working. Has to wear undershirts to combat the waterfall coming off him.

Never struggled with anger issues until becoming a champion and getting the amulet.

Secretly a bit freaky. Is down for pretty much anything eye emoji

Reiko

Has a mild ED. Was worse when he was younger, but he's getting better about it. Used to hoard food. Struggles with body dysmorphia due to unrealistic expectations, comparing himself to Shao ( a completely different species...)

Allergic to cats.

Loves the ocean. Dreams of one day owning his own boat to take out sailing whenever he wants.

Kung Lao

Weirdly enough? Introvert. Raiden is one of very few people who doesn't deplete his social battery.

Struggles with bouts of depression. Self medicates with Marijuana.

He is incredibly secure in himself and none of his confidence is an act. That doesn't mean he can't get discouraged sometimes, but he won't try and hide disappointment behind false smiles.

MOAR BELOW vvvvv

Johnny Cage

Struggled with contamination OCD tendencies all his life and coped using substances. His lifestyle is in direct conflict with his illness and it acts like immersion therapy in a way.

Cancer runs in his family so he is vigilant about getting screened once a year.

Life in Hollywood almost crushed him into an apathetic cynic, but somehow, he has managed to stay hopeful if not a bit delusional at times. His hunger for recognition rivaled only by his boundless curiosity.

Smoke

He had a tongue ring for many years and wants to eventually get a tattoo but can't settle on a design.

Can "Slav Squat" and isn't shy about showing off to friends.

Struggles with unhealthy attachment styles.

Rain

Is actually an extrovert. He may think himself above others, but he still requires validation and gets sad if he doesn't get to talk to those close to him.

Iron deficient

If he had never been appointed as High Mage, he would have gone on to teach magic theory at the academy.

Geras

He may be immortal, but that doesn't mean he just sits in a room all day. Geras is endlessly curious, as this is a core part of his very being. Observing and learning new things is both his primary function and an endless font of joy.

He knows how lonely Liu Kang is. Knows that even he can't fill the void left in his masters heart. Time for him is just a function, whereas for Liu Kang, it is and endless road of isolation

Will search up humans in funny situations on the hourglass to watch. It's like his version of FAILARMY.

Liu Kang

Is and has been incredibly lonely for eons. He really thought he would fill the void after reuniting with his old friends, but the feeling isn't the same. They don't know him. Not really.

Once he found a way to connect to his Titan friends, he visits them often. Being able to talk with Lord Raiden again alleviated the strain on his heart tenfold. Reuniting with Kung Lao, (his boy, his bro!!) has also helped give him hope for the next few eons. Same goes for Kitana. (She was the one to find him again after the dust settled.)

His brother is alive in his timeline. Of course they have no relationship, Liu choosing not to intervene due to fears of drawing danger to him. Instead of becoming a shaolin monk, Chan lives happily in the united states as an Ice Road Trucker.

Shang Stung

Has BPD and narcissistic personality disorder. This severely impacted his ability to live peacefully in society and pushed him to grifting. Taking advantage of others was less exhausting than pretending to be a friendly employee to some shopkeeper.

He is half human. Shang's mother traveled to outworld during the last tournament 100 years ago. She was a servant to Liu Kang's champions but ended up running away with a disgraced Edenian.

Doesn't identify as a specific gender, especially after learning shapeshifting. Will often times swap between whatever he feels like that day.

Syzoth

Double jointed and hyper flexible. Shang Stung had to find a way to control him other than shackles, cuz he could always slip out no matter how tight they were.

He is very at ease around children, and falls back into dad mode immediately. Is also a purveyor of terrible dad jokes.

Has Gilberts Syndrome. His species use of bile/acid attacks puts a lot of strain on his liver. Due to his rough living, he didn't get adequate nutrition and now his body struggles to keep balanced out humors.

Only needs to eat once a week, but will happily snack if something tasty comes across his path.

Shao

Has no biological children. Despite his family's standing and pressure to continue the prestigious line, Shao has never taken a wife. Multiple concubines and bastards, but no wife or suitable heirs.

He doesn't view any of the young men and women he mentors as children, just tools. Even though he saw himself in young Reiko, his affection is entirely dependent on his loyalty. Reiko is more of an extension of himself, a way to overcompensate for what he lacks.

Has IBS.

Kuai Liang

He left the Lin Kuei a few years after Tomas was adopted. At odds with his father at the time, he left to go live with their allied clan: the Syrai Ryu. He was born a cryomancer like Bi Han, but chose to pursue pyromancy to distance himself from his lineage. Though able to wield fire, he is still weak to it. When he finally returned home, his father welcomes him back like the prodigal son he was. Bi han deeply, deeply resented this.

Got his tattoo in Hong Kong while he was totally plastered (not a reputable place. They even got the tattoo wrong lol)

Unreadable poker face. DO NOT play cards against this man.

Kenshi

Was forced to drop out of high school to support his family when his older brother was killed, and subsequently got wrapped up in yakuza shit. Has since taken his high school equivalency test (GED) and passed with flying colors

Is addicted to caffeine.

LOVES holidays! Especially Christmas. He may not get all his friends gifts, but the ones he does give are very well thought out and personal.

Bi Han

Doesn't take care of himself or maintain his appearance very well. But he basically won the genetic lottery so it's not that noticeable.

Has a type A personality and is a perfectionist. But he is actually a very gracious person at heart, and will silently shoulder the brunt of responsibility to spare his brothers.

Was happy to mentor Tomas when he first arrived, even though Kuai and Tomas had the stronger friendship. His attitude changed, however, when Tomas choose to stay after Kuai ran off. Instead of seeing the loyalty of Tomas's decision, he saw it as a shallow way to win his fathers favor.

(he couldn't see it was actually jealously. That Kuai could have a choice to leave but he didn't. Tomas had an actual valid reason to want to leave, but he is the one remaining? Bi Han has big feelings and does not process them well )

Quan Chi

Once he started losing his hair, he decided to go bald.

Much prefers to spend his time in the Netherrealm. His dominion there is near absolute, and he would much rather be in the company of those subservient to him. He doesn't see anything wrong with this dynamic, believing this the superior to mutual friendship. (this is laughably hypocritical given his relationship to Shang mf Tsung)

Indulges in all kinds of delicious foods. Sweets, fine drink, rare cuts of meat- the works. Even if he dislikes it, he will eat it anyway just for the sake of it. He made himself ill by eating an entire box of chocolate once.

Havik

Was born in secret to slave parents. They hid him from the government for as long as they could, and so he was able to live a relatively carefree childhood. Other's his age, and of unsanctioned birth, would be seized by the state and put to work as soon as possible.

Fierce passion aside, Havik is very introspective. When not fighting, he often sits in silent contemplation for hours at a time. Before his mind begins to degrade from the blood magic use, he would sit and scrutinize every action he took.

Unlike Quan Chi, Havik cannot bring himself to indulge in luxuries. He feels tremendous guilt given how many of his people are still unable to enjoy even the barest bit of comfort.

He leaves his dick and balls at home for safe keeping.

[zer0brainc3lls]

Dps yap session about how Todd’s relationship with Neil and Mr Keating (mainly Neil) grew his character because I’ll never stop thinking about it (spoilers for the book)

In the movie we all know Todd has issues with public speaking but in the book, it’s not just public speaking. It’s speaking to almost anyone in general. He stutters and pauses between sentences, even being unable to finish what he’s trying to say.

“I… would…. Prefer…. Rowing….. sir,” - Todd “rowing? Did he say rowing? But here it says you played soccer at Balincrest?” - Mr Nolan “I…. Did…. But….” - Todd

The dots are not exaggerated if you haven’t read the book. That’s how it’s shown. Now he doesn’t speak to everyone like this, mainly if he’s asked about an opinion or something of that nature, despite this he speaks softly almost all the time in the start of the book.

But as time goes on and he becomes closer to the dead poets + Mr Keating he opens up, he may not speak much in meetings and in classes doing anything publicly still scared him but he opens up more nonetheless.

Towards the halfway/end of the book he watches Neil find his own voice through acting, standing up to his father and watching Neil grow confident in himself he too becomes more confident. Even putting a lamp shade over his head just for fun, in front of people, being silly. (The lamp shade part is never talked about omg.)

When Neil is performing he even mouthes the lines to himself, even though he knows Neil needed no help. And at the end of the play TODD starts the standing ovation (I think? He’s definitely one of the first.) with a smile on his face, no embarrassment, no shame. Just happy for his best friend for standing up and finally being himself.

This was never shown in the movies but after the play he reaches out for Neil, trying to tell him how well he did and when Mr Perry’s car drives off he screams Neil’s name. In front of a crowd of people.

After the car scene they go back to the cave, not just the dead poets, Chris is there to (someone Todd barely knows!!!) and you know what Todd does? He expresses his anger. In full.

“Todd suddenly jumped up and pounded the walls with his fists. ‘Next time I see Neil's father I'm gonna smash him. I don't care what happens to me!’ ” after this, HE RECITES A POEM IN FRONT OF ALL HIS FRIENDS, MR KEATING AND CHRIS. (THIS WHOLE CAVE SCENE WAS SUCH A PIVOTAL MOMENT FOR TODDS CHARACTER IM SO MAD THEY FUCKING CUT IT)

Todd gained his own voice watching Neil and the dead poets gain theirs.

Then Neil died.

After Neil died? Todd lost his voice. Almost. He almost went back to stumbling his words, he almost went back to speaking softly. But whenever someone tried to speak ill of Neil or Mr Keating? HE WAS ON THEIR CASE.

“You don’t seriously think his father…” -knox “not with the gun! Damn it even if the bastard didn’t pull the trigger he..” - Todd

“ ‘Who else do you think, dumbo? The administration? Mr. Perry? Keating put us up to all this, didn't he? If it wasn't for him, Neil would be cozied up in his room right now, studying his chemistry and dreaming of being called doctor.’ - Cameron ‘That's not true! Mr. Keating tell Neil what to do. Neil loved acting.’ - Todd

And in the books he took a large punishment instead of signing the note to get Mr Keating fired and of course we cannot forget the desk scene at the end of the movie. Todd may never be the same as when Neil was alive and Mr Keating was still his teacher but he grew a confidence from them, even them no longer being apart of his life could take away the impact they had on him.

Idk if this yap session is a “yeah no shit” kind of thing but thanks for coming to my ted talk yall

[purpurussy]

I feel like the "dan is bi" anon is trolling but just in case they're genuinely confused: yes dan said in BIG that he loved and felt attracted to his high school gf (although he also made it pretty clear that they did not have sex so idk where anon is getting the idea that he has slept with "multiple women" 💀), and he alluded to his attraction not being confined to a specific gender in the part where he talked about labels, but you're completely taking all of that wildly out of context and missing the point of the whole video by calling him bi. I feel like this is probably the part that's frying their brain:

(shoutout to the legend @goldenpinof for this transcript!)

But firstly, imo it was very clear from BIG, as well as other stuff he's said over the years, that he just doesn't like labels. Which I find very valid, it took me a long time to figure out how to label myself. I still don't know what my gender is lmao but I started saying "bi" for my sexuality because it's a widely-used term that gets the point across. And I think that's the thing here: he came to the conclusion that the labels "gay" and "queer" are the best descriptors of his identity, which do the most accurate job of approximating something extremely psychologically complex and multilayered and nuanced in a simple everyday term that gets the point across to other people.

Obviously words mean things and it doesn't make sense to just pick a label at random (like for example it wouldn't make sense for me to identify as a lesbian, since I definitely feel attraction to men as well as women and everything outside the binary, and am interested in acting on that attraction at times, so I wouldn't be conveying accurate information to other people if I used the label lesbian for myself) but a label is just supposed to serve the task of conveying relevant information to other people (if a lesbian feels some kind of abstract attraction to dan and phil, that doesn't mean that the alphabet council needs to immediately revoke their lesbian card!! Since the word "lesbian" still does a perfectly good job of conveying relevant information to other people. Likewise if a straight dude has a fun little gay dalliance with his college roommate, but has absolutely 0 interest in men beyond that incident, it wouldn't be remotely necessary for him to start calling himself bi if he didn't want to, because what would be the point in that if he's only interested in women? Like if he told a gay dude who found him attractive that he's bi, only to backtrack... Do you see what I'm saying here?). It's perfectly valid for Dan to use "gay" and "queer" as umbrella terms that in his opinion do the best job of describing him, out of the language that's available. If he's like essentially a kinsey >5 and decided to just round it off to a 6 at this point, who are you to tell him he can't lmao

(shoutout to the legend @goldenpinof for this transcript!

Human sexuality is often way too complicated to boil it down to a single label in a way that doesn't erase any of its nuance, and I feel like this is something he's struggled with in the past, especially with him being a public figure. He's mentioned multiple times that feeling like he had to choose a label was a factor that prolonged his decision to come out.

And this is not even getting into the impact that his trauma from his childhood and also from spending a chunk of his formative years in the public eye probably had on the way he identifies or the way he chooses to label himself. It clearly took so much courage and strength for him to finally be able to call himself gay/queer please have some respect for our brave troops

Ultimately the point is that he uses the labels "gay" and "queer", not "bi", and it really shouldn't be difficult to respect that. It's also not biphobic for him to choose not use the label "bi" (again speaking as someone who uses that label). It's just that he feels "gay"/"queer" are better descriptors for him and nobody gets to determine that except him!! :) He wants people to know he's gay so he calls himself gay and that's that on that.

There are definitely people on here who are way smarter and more well-educated than me who would've done a much better job eloquently discussing this topic without rambling all over the place but that's my take (if anyone would like to add to this please do so, I'm always open to learn more about topics like this. And I'm also not saying that the way I see it is the only objectively correct opinion, but anon is definitely wrong so 💀). Thank you for coming to my ted talk

[appleflavoredkitkats]

i will make a proper analysis post for this one day but i genuinely think the "fundy's mind" stream is fundy's magnum opus. it does so much in one short stream. it perfectly portrays the fundamentals of fundy's character while also leaving so much to be interpreted and decoded.

like of course half of the metaphors and mysteries put into that episode hinted his involvement w las nevadas. but, and i think this point stands better considering how his story was executed and concluded, i think the stream was such a perfect encapsulation of the cyclical nature of fundy's abandonment and self-worth issues. it is "fundy's mind" after all.

we see glimpses of wilbur, literal monologues of how he feels brushed aside. i think back then, our interpretations of the books were a little too literal— which was not wrong to assume at the time. fundy was having prophetic dreams, of course it was normal to think he could have been a time traveler or something of that sort.

but, in the present day, i feel like if you look into the texts of these books in a more metaphorical sense, it makes a lot more sense. there's definitely a theme about "waking up" in a metaphorical sense, but the dreams flip this phrase on its head in some sort of way, as if dream!fundy was trying to get fundy to look away from the books.

i posit that dream!fundy demands fundy to wake up because it actually shields fundy from the painful truth deeply embedded in his psyche. meanwhile, sleeping actually causes fundy to dig into this truth more as it causes him to stay into this dream world. so when fundy chooses to sleep, he's not shielding himself away— rather, it represents the metaphorical "waking up", beholding truths that he typically shies away from.

but then what is this "truth"?

well, when dream!fundy gives up scaring fundy off, he confesses to an evil someone who will destroy fundy and everything he ever loved. of course, this pertains to quackity, but here's the thing. if dream!fundy wanted to protect fundy, then he would have obviously warned him about quackity without hesitance.

i'd argue that quackity being some big baddie is half the "truth" dream!fundy is trying to warn him about. then what is the other half that's missing? i think it has something to do with the "you're not real" statements.

those seem like a scare tactic at first. if not, it does not feel like it's meant to be the "painful truth" dream!fundy is trying to shield from fundy because he says it multiple times before the actual "truth" is revealed. but i think the reveal actually becomes more impactful if you read it as "there will be an evil person out there, always, that will make you not real."

and i guess to explain— there's, like i said, a cyclical nature to fundy's issues. he follows someone, dedicating himself to the country until it all inevitably becomes futile in the end. it happens with all iterations of l'manberg and las nevadas. i've always stated that fundy is the embodiment of the nations he's apart of, and he dies alongside it whenever it comes down to it.

so when the book mentions, "you are not real", "this place isn't real", and "but he [those who left him, specifically quackity] is", i feel like it's not just talking about quackity and las nevadas. rather, if we think about it, this is literally the formula in which fundy's arcs literally follow. he becomes nothing alongside the dissolvement of a nation, because those he trusted and followed were real threats.

and what i think this dream hints in particular is that, las nevadas would be the last straw. after this, his existence becomes virtually nothing. he is rendered nothing.

which is literally what happens in the end.

fundy's storyline has always been about being sidelined, always forgotten or used as a punchline for a joke. in this case, i feel that the dream isn't just warning him about this, but rather it's literally his destiny to be forgotten. that is the painful truth dream!fundy doesn't want fundt to know. that's why he sounded so defeated by fundy's stubbornness and curiosity by the third book— he does not want fundy to know that it's literally in his fate that he ends up becoming nothing.

and, well, it's true. the last we see of fundy is when he jumped into the l'manberg crater after cutting himself off from wilbur. it's even stated that fundy didn't die to end it all, but rather to "get away from wilbur". at the same time, we see fundy donate schlatt's sword, one of his prized possessions, to the museum.

he literally cuts off one of the most integral, most defining, aspects of his character— his devotion to nationhood and those who embodied it. and after that, we never see him again. when fundy chose to choose things for himself, to separate himself from l'manberg, physically and ideologically, he's gone.

it's as if he's not real.

we never really know if fundy left for the best or the worst, really. but in the narrative of the dsmp, separating himself from l'manberg literally makes him null. that's the truth his dreams were trying to shield himself from.

[timesomewhere]

in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.

Act One:

it was really fun watching this show in September given that there's two references to it in the first song

I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years

Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'

Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life

I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop

speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember

Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing

Caissie Levy's 'I Miss The Mountains.' Holy Shit.

I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't

'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted

The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever

Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me

also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face

for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song

"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play

Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible

The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment

Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life

'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good

Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was

Act Two:

'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*

Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.

Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1

"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to

Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well

Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous

"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail

"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening

the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat

The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well

The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest

"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.

how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing

When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....

Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild

Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"

the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"

"I am the one who'll heal you" being said to Dan not Diana this time

"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching

the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again

Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive

Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair

Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching

the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good

In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out

[sunspots-den-sorts]

The... sacs of blight speak? Or at least have voices coming from within them.

Under cut are some major choice&consequence type spoilers from Act 1. Gathered from multiple people + from a portion of the game they were not allowed to show footage of + information from trailers.

Higher up the spoiler scale + plenty of wild speculation. Proceed with caution.

I've seen a quite few people talking around this when addressing choice and consequence. e.g. Creator A saying: "You can straight up ruin entire cities." Or Creator B talking about where they: "had to save one of two cities." Both use this example when talking about seeing the consequences and significant impacts of choices.

Speculation ahead. About this choice:

We've seen footage from trailers of what seemed to look like blighted!Minrathous - is it one of the two cities?

If it is, then the equivalent 2nd would need to be... Treviso?

I think Rook will be deciding which one is saved and which one is doomed to the blight. The choice being - while the opposing force spends time eating this huge place, we can spend time bolstering our forces.

We will be able to go back to the "ruined city" - and see it now being eaten by the blight? The NPCs we encounter - will we hear them in the blight-sacs? If we get named NPCs talking out of those things - my heart will shatter...

About the size of the game:

Creators were allowed to play: the prologue, a companion recruitment mission, a range of side quests mid-way through Act 1, a major quest midway through Act 1, then the end of Act 1 - ending on a cliffhanger.

Considering they made a major decision and then saw the consequences, the choice between two cities seems to be the major quest midway through Act 1.

I presume we are meant to recruit all companions, meet all factions + have the chance to explore 2 cities prior to making this choice?That is A Lot of game.

Would they really sacrifice one of the two major hubs so early and not have it be useable beyond being blight-infested from midway of Act 1? I would doubt that - so I wonder if we will see significant time skips. Even though this goes slightly against what devs have talked about in terms of the urgency and immediacy of the situation Rook is dealing with.

Maybe it is a sacrifice in Act 1, we can "save it" from acute blight in Act 2 once we raise our reputation with all the factions, and then in Act 3 it is in recovery.

... This is all just so delightful. And I have the perfect solution: simultaneous-Rooks!

Don't want to hear that adorable vendor you met pleading out of a pustule? Simultaneous-Rooks will help! Just load up that 2nd run and everything will be a-okay! 😆😭

[novankenn]

Nah-Nah =8P

In their third year as Beacon students team JNPR was sent out on what was supposed to be a simple grimm cull... it was anything but. Under assault from all sides Jaune made a final call, ordering a retreat... it was the last commend he ever made... as he was overtaken by the horde of grimm before reaching the safety of the evac bullhead.

So gathered in a small private conference room, Glynda Goodwitch proceeded to read out Jaune Arc's last will and testament to his grieving team mates.

Glynda: Now considering there are clauses in this document specifically related to Mr. Arc's family, and have been given permission I will address Jaune's final wishes for you... his team. Pyrrha openly crying.

Glynda: I Jaune Luna Arc being of sound mind and body hereby...

Nora: I wouldn't say that... is entirely true.

Glynda: divide the entirety of my estate as follows. To Pyrrha.

Civilian with passing resemblance to Jaune: Honey, they're talking about you.

Pyrrha: *sniffles* What?

Glynda: My dearest Pyrrha, the one who first believed in me and the future I wanted to achieve. My partner who helped me overcome my own foolishness and trained me to be not only a better combatant, but also a better person...

Pyrrha: *sniffles*

Glynda: ... and who abandoned me...

Pyrrha: WHAT?!?

Glynda: ... and our potential future because she was too afraid to take a risk... I leave you... A BOOT TO THE HEAD.

WHAP!

Glynda: And one for the wimp she chose to date...

WHAP!

Pyrrha: *shaking away the impact of Glynda's booted foot.* huh? What? I don't understand?

Glynda: Wait there's more... Dear Pyrrha I know you'll want something to remember me by, and you've always had your eye on my Pumpkin Pete Hoodie... so I...

Pyrrha: Thank you, Jaune... I'll cher...

Glynda: leave you a BOOT TO THE HEAD.

WHAP!

Glynda: And another one for the wimp!

WHAP!

Glynda: To my dear teammate Nora...

Nora: Ah no... I don't want no boot to the head.

Glynda: Who while made my life as a team leader very interesting, but also drove me to the brink of insanity with your vapid schemes and chaotic behavior...

Nora: *Ducking her head under the table* I'm covering my head!

Glynda: I leave three cases of pure Forever Fall refined tree sap...

Nora: Oh wow! Thanks Jau...

Glynda: and a BOOT TO THE HEAD.

WHAP! THUD!

Glynda: And another to Pyrrha and the wimp...

WHAP! WHAP!

THUD! THUD!

Glynda: To Ren...

Ren: It's okay. I don't want anything...

Glynda: ... my friend, and a rock on which I could rest when things were getting too much. You gave me health drinks and teas...

Ren: It was my pleasure...

Glynda: You did you best to curb in Nora and prevent me from strangling her...

Ren: I tried...

Glynda: a BOOT TO THE HEAD.

WHAP! THUD!

Glynda: In closing I hereby leave the entirety of my vast hidden fortune to the people of Vacuo... so they can finally move someplace nice... and a BOOT TO THE HEAD for Pyrrha and the wimp.

WHAP! WHAP! THUD! THUD!

/==/ the Inspiration /==/

[not-goldy]

I think a lot of ship fights might be put to rest if Jungkook starts being more vocal about his relationship with the members.

Right now it's usually Tae and Jimin talking. Jimin actually reduced a lot now and Tae has just increased.

Jungkook can always speak more. Just more about regular things. Like I was out with Jimin, or I called Jimin or I ate with Jimin, you know basic things so Jimin doesn't get called a liar everytime coz JK never says anything to confirm.

Who's calling Jimin a liar???

Give me a lock of their hair☠

Also I don't think he's saying much these days either which to me is a very good thing. Silence is Golden.

On the part of Jungkook I see what you mean but I might have to respectfully disagree with you on this.

He tells and shows just as much. I mean had it not been for Jungkook we wouldn't know most of thr Jikook tea we know today. Their fights, Jimin staying up all night to browse the internet, them sharing a bed, Jungkook elbowing Jimin, their travel show, jikook stonewalling eachother etc

Jimin likes to talk about them but I feel he's very selective in the things he shares. While Kook doesn't have much of a filter so he'll share anything as and when the good and the bad and anything that leaves a lasting impact on him.

Eating Ramen on live- oh that reminds me of the Ramen Jimin and I ate yesterday. We were exercising at the gym last night. Proceeds to akiki over something random Jimin said and did when no one asked. Things like that.

Also, they are both triggered to share by different things. They both may share sometimes just to rub it in our faces. But for Jungkook it's usually when some members make it seem like they are more close to JM than him. He may not care what you or I think of their dynamic because we don't bother him much and he doesn't see us as a threat. Just a bunch of nuisance. However if there was someone present with them in a moment he felt threatened their dynamic he would get triggered sometimes.

Jimin cares about how you and I perceive their relationship. He is rarely bothered by the people around them- except for that one time with V where he felt he needed to assert himself. Even that I feel it was more because we were present on the live.

He cares about these things. So sometimes, sometimes, he likes to talk good about their relationship to us. And he likes to show off his man too. He gets giddy excited when Kook does things for him and he likes to share that too. He's more inclined to let us know he got the price you know, mah man treats me so well kinda shit. My man rich kinda shit. My man man man kinda shit.

Jungkook does this too. He just doesn't do it with words. He does it by bringing Jimin up every five seconds, forces us to watch ours and hours of Jimin content, and laughs all to himself while doing it🥴

They both whipped as fuck

And the fact he would follow Jimin around with a camera make him the focus of his attention zoom in on his face and lips-

He may not have to prove anything and he may not be questioned as much as Jimin is questioned because most times he comes with receipts.

I think what I all comes down to is people questions Jimin's assertions more than they do Jungkook's. Jimin gets called a liar when he shares more than Jungkook does.

I think it's the same for Taehyung. People question the intentions behind him showing off their dynamics more so than they would Jin Jungkook or any other member.

When Jungkook posts Jimin he is ship feeding. No one is assuming he is doing so to piss off certain groups of fans or to incite his shippers. When Tae does it, he is trying to incite his toxic shippers and to piss off jokers.

I think they may have contributed to these assumptions because time and again vmin are the members who frequently say they are taking pictures with Jungkook for "fans". So it stands to reason that people would assume they are fanning shipping flames when they post pictures with Jungkook or speak of their interactions with him

I won't lie to you, I have lost my train of thought 🥲

[jamethinks]

One thing I find very ironic about Spyxfamily is the way the Desmonds are portrayed. I understand that according to the narrative, they (namely Donovan) are the antagonists of the story, but I do find it quite tepid that so many character analysis is bonded by this very dichotomy style approach to understanding the characters (if that makes any sense).

I'm having a hard time approaching my point so bare with me if it starts to get confusing or disjointed.

I always see people talking about how the Forgers (aka the fake family) are able to have a happy relationship and a genuine bond while the Desmonds (aka the real family) are distant and uncaring of one another. There's a lot of emphasis on the parallels between Damian and Anya and how the presence of their fathers impact their lives. Most of the discussion is centered around shaming Donovan for not being more involved in Damian's life but not a lot of people are acknowledging why.

The whole reason for the fake family as part of Twilight's mission is because Donovan is a closed off skeptic who avoids unnecessary social interaction. This mission is supposedly the easiest way to get to him. As the story goes on, we gain a better understanding of just how shut off Donovan is and how much he actually isolated himself, even from his own family.

But the thing is, his actions are justified. The mere existence of Operation Strix validates his fears and anxieties. The fact that Twilight a spy is trying to expoilt the relationship he has with his children in order to get closer to him is the very reason he avoids them so much. It's people like Twilight that make him such a skeptical person.

Again, people praise Twilight for being a good dad, except he isn't really a good dad. It's all a facade. He's so dedicated to his goal as a spy for the West that he's willing to fake an entire family just to find out what Donovan is planning. Everything Donovan hates and resents is embodied in Twilight.

In the end, Twilight is just as harmful to Anya as Donovan is to Damian. He grabbed a random child from an orphanage and is using her for his own personal gain with limited regard for her well-being. We are not even sure what he plans on doing with her when the mission is over. Anya is obviously able to manipulate the situation to her own advantage, but that's only because she's a telepath. Any other kid would just be playing along, assume they just got themselves a new family overnight. We do see him grow and deepen his bond with Anya, in some cases threatening the mission for her benefit, but that was never a guarantee.

In a very frustrating way, Twilight is also contributing to Damian's strained relationship with his father and family. While Donovan obviously doesn't know what Twilight is doing, he's still aware that there are people out there who might. So, he continues to be guarded and make unreasonable demands of his children. He makes Damian feel he has to earn his place in his father's life because people like Twilight push Donovan to limit the number of people that are allowed in his life. I'm not saying it's Twilight specifically who's at fault, but people like him who are very much trying to force their way into his circle.

And I'm not saying of this yo defend Donovan or put down Twilight but I would like for less black and white thinking when talking about a Manga that hinges itself on nuance and the complexity of post war society. I find it a bit tired to keep categorizing characters as good or bad because it really hinders any conversation about them.

Idk I just feel there's a lot of moral ambiguity in sxf that really is intended to make us question our own moral code so it's weird seeing people ignore the actual harm Twilight and Yor cause just to reinforce their own limited moral values.

I don't think this makes much sense honestly.

[alshamswelnahr]

I’d love to share why Kimetsu no Yaiba is so dear to me but I could go on for ages so instead I'll briefly talk about what I love most about it

The Characters:

The characters are the real stars of this manga. They all have such unique, recognizable designs, and their introductions and story conclusions are really memorable. Each one is so different and interesting, both in their personalities and abilities. I love how the story really dives into their minds, flaws, and connections with others. Their story arcs perfectly tie into the bigger themes of the series. The focus on bonds, especially the emphasis on family—whether by birth or the ones we create—is particularly touching. And I love the way it shows the characters dealing with the same situations of loss and grief, highlighting their distinct qualities.

The Story’s Messages:

The story focuses on how love and the desire to support others are key to finding purpose and beauty in a cruel world. It shows the power of human will to fight against injustice and make a difference, no matter how difficult things get. The narrative also humanizes even those considered inhuman, allowing us to empathize with them, and understand the circumstances that might lead someone down a dark path. The story stresses that life’s cruelty isn’t an excuse for violence; instead, true strength comes from love, emotional openness, and connecting with others. It portrays death as both a painful loss and a continuation of existence through our impact on others. It’s all about justice and accountability without revenge, showing the effects of evil on everyone involved while still insisting on the beauty of life, even with all its challenges.

The Fights:

The fights in KnY aren’t just about physical combat—they’re deep and meaningful, involving emotional, ethical, and thematic battles. They’re set up between characters who share similar experiences, but how they handle things differently really highlights their personalities and contrasts.

The Heart/Emotions:

One of the main reasons I love this manga is the emotional depth. Whether it’s the backstories of demons and slayers, heartwarming reunions, or the gut-wrenching moments when characters give in to their worst instincts, the goodbye scenes or the emphasis on the love and bonds between characters, and what they’re willing to do for each other, it's all incredibly touching.

In Conclusion:

KnY is sincere, enjoyable, and easy to follow. It’s well-paced and knows exactly what it is without trying to be something else just for the sake of it. And of course, Ufotable’s adaptation takes all of this to the next level with their amazing production, flawless animation, and incredible music and voice acting.