I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.
I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.
This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.
When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.
And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.
It's unsustainable and untenable, and it's also the expectation our audiences have.
If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.
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one piece is set in a nautical world with presumably nautical idioms and exclamations to match, right, like swearing by the sea rather than on a god etc. to wit, there's five seas (the four blues + the grand line) so we can assume when you're feeling particularly dramatic, you might refer to all those vast oceans to get your hyperbolic point across.
keeping that in mind, lets live in a stupidly romantic corny ass world for a moment ok? take my hand.
"I swear on all six seas, if you don't shut the fuck up right now—"
"What?" Sanji looks at him like he's stupid. Nothing new, really.
"Ha, even you're going deaf having to listen to your own annoying ass whining all the time, Cook. I was—"
"No, you—"
"Don't interrupt me! Oi!" he yelps as a wooden spoon bounces harmlessly off his shoulder. He's not impressed that Sanji manages to catch it before it hits the counter.
"You said six seas," Sanji states.
Zoro stares back in lieu of an answer.
"Huh, maybe this has something to do with why you're always lost. There's only five seas, dummy."
And ah, now he gets what the idiot cook is on about. He's surprised and a little disappointed, honestly. You'd think the guy would be a little more aware about his own fucking dream, but whatever. He's got that annoying smile, smug and cocky like he's oh so much better than Zoro.
"Would you like me to count them out for you? I know it's a big number, it's probably confusing for a simple creature like you."
Zoro crosses his arms in clear warning, something the cook, as always, blatantly ignores. He's leaning on the counter that's between them now, eyes sparkling with glee. Idiot. Zoro's thoughts do not have a fond tone to them. Thoughts don't have tones at all, thank you very much.
Sanji lifts a hand and proceeds to count off on his fingers with the precision of a drill sergeant.
"I'm sure you at least know our ocean, the East Blue. There's also the West Blue, North Blue, South Blue, and of course the Grand Line," he wiggles all his fingers as he puts his thumb up for the last one like he's emulating fireworks.
Zoro snorts indelicately. "And?"
Sanji frowns with a tilt of his head.
"And?"
Zoro holds up his index finger.
"And," he says, stifling his amusement as Sanji goes cross eyed trying to follow said finger as it arcs towards him, "your All Blue. Dummy."
He punctuates the last word by poking Sanji in the forehead, snickering when he sputters and swats the digit away in a huff. Then Zoro's words finally sink in, and he straightens up almost too fast. It's not endearing at all.
"Wait," he says quietly, "you count it?"
Zoro doesn't like how Sanji's looking at him with an open expression he's not usually allowed. He looks earnest and sincere. Zoro feels suddenly out of his depth.
"Don't you?" he deflects uncomfortably.
"Well yeah, but that's different. You're—" he shrugs half heartedly and looks away. Zoro can't tell if the end of that sentence was going to disparage him or the cook. Odds are likely split down the middle. Sanji keeps looking at him, and he feels pinned. The bright look is gone, replaced by something more reserved but perhaps...searching? Considering, at the least. It's making him increasingly self conscious. He needs to get out of here.
"Okay. I'm gonna steal some alcohol now," he says shortly, striding to the cabinet and swiping a bottle before Sanji blinks out of his stupor.
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do you ever think about how in the day i picked up dazai side b dazai had to lie emotionless and soulless—like a corpse, almost—beside the man that gently brought him in, nursed his injuries, held him while he was in pain? he had to keep those suffocating bandages around his entire face, lest this man gain some sort of recognition for the little boy he saved. he had to lay there curled in the fetal position, bleeding and in pain, perhaps thinking about how, in another life, this man cooked for him, tried to build up his strength. read to him to pass the time while he curled up against him like a child listening to a bedtime story. played cards with him. saw through the heartless mafioso. the ruthless killer. and instead saw a boy.
imagine knowing this man, the man who saved you in more ways than one, was going to die one day all because he knew you. because he reached his hand into the darkness and plaintively, like a small child wanting a parent's touch, you grasped back desperately. imagine thinking all of that while that man is just a stone's throw away, making coffee in the next room just like he used to for you in another life. the scent, although you've never been here before, is reminiscent of home. and the tune he's humming? it's the silent melody that plays through your mind seven years later, for the last time as you fall backward off the building with your arms out like an embrace. but, hey. that man is alive. he's happy, although he never knew you. you can die with no regrets.
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