GOOD MORNING! my name is Jolly, and I'm a novelist. Today, I introduce you to your new favorite main character: DELILAH JONES!
She's a freelancer, and her entire job is fighting the bastards that ordinary folks can't. Corporate fascists, crooked cops, and more. She lives in the cyberpunk future, in a city in Northern California named REDWOOD.
The first anthology featuring her stories is coming soon, by the end of July, and it's called:
THE REDWOOD FILES.
She's a six-foot-one beastly queer trans woman who carries a revolver and a bowie knife. She grew up in Seattle, but was chased out of the city at 19, and she wound up riding a freight train south. She'd intended to go to LA, but the Railroad Marshal put her off in Redwood.
She found her way, transitioned, and found a niche hand-delivering consequences to people who never, ever find them.
In this anthology, she'll fight a corporation trying to hijack the soft RAM in our skulls to turn us into unwilling assassins, she hunts for a kidnapped lover and tries to unravel someone's attempt to start a gang-war in Redwood, she helps an old Jew get reparations against a nazi-sympathizer who ruined the old man's life, and more.
You can read all the individual stories early, as well as get your name added to the supporter credits, by visiting the link and signing up for a dollar!
Everyone who subscribes automatically gets a copy of the e-book when I publish it next month. So click the link, and support a queer novelist writing queer genre fiction!
thank you for your time <3
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you're in the habit of denying yourself things.
if someone asked you directly, you would say that you love a little treat. you like iced coffee and getting the cookie. you drink juice out of a fancy cup sometimes, and often do use your candles until they gutter out helplessly.
but you hesitate about buying the 20 dollar hand mixer because, like. you could just use your arms. you weren't raised rich. you don't get to just spend the 20 dollars (remember when that could cover lunch?), at least - you don't spend that without agonizing over it first, trying to figure out the cost-benefits like you are defending yourself in front of a jury. yes, this rice cooker could seriously help you. but you do know how to make stovetop rice and it really isn't that hard. how many pies or brownies would you actually make, in order to make that hand mixer worthwhile?
what's wild is that if the money was for a friend, it would already be spent. you'd fork over 40 without blinking an eye, just to make them happy. the difference is that it's for you, so you need to justify it.
and it sneaks in. you ration yourself without meaning to - you don't finish the pint of ice cream, even though you want to. the next time you go to the store, you say ah, i really shouldn't, and then you walk away. you save little bits of your precious things - just in case. sometimes you even go so far as putting that one thing in your shopping cart. and then just leaving it there, because maybe-one-day, but not right now, there's other stuff going on.
you do self-care, of course. but you don't do it more than like, 3 days in a row. after that it just feels a little bit over-the-edge. like. you can't live in decadence, the economy is so bad right now, kid.
so you don't buy the rice cooker. you can-and-will spend the time over the stove. you can withstand the little sorrows. denial and discipline are practically synonyms. and you're not spoiled.
it's just - it's not always a rice cooker. sometimes it is a person or a job or a hug. sometimes it is asking for help. sometimes it is the summer and your college degree. sometimes it is looking down at scabbed knees and feeling a strange kind of falling, like you can't even recognize the girl you used to be. sometimes it is your handprint looking unsteady.
sometimes it is tuesday, and you didn't get fired, and you want to celebrate. but what is it you like, even? you search around your little heart and come up empty. you're so used to denying that all your desires draw a blank.
oh fuck. see, this is the perfect opportunity. if you had a mixer, you'd make a cake.
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Older bf!Simon makes my brain go brrrrrrrr I wanna smooch ur brain for all this good content. I would call him ‘old man’ every so often (sometimes endearingly teasing him other times bc I want him to bend me over the nearest surface n be condescending while he fucks me <3)
brain enjoys the smooch, its tired tonight! 🫶🏼
i think calling simon “old man” goes one of two ways and you’re going to have to hear me out:
first way is yeah, he’s bending you over and he’s making your eyes well up and he’s made you cum a good couple times already and he’s not relenting and it’s about him proving himself to, well, himself.
he’s got his lips pressed to your ear speaking something crazy like “y’like letting a dirty old man fuck ye? huh? d’ye?”
and he’s not beating the old man allegations but he’s also not denying them because, he is in fact an old man but he doesn’t fuck a day over 20.
second way is ARGUABLY my favourite and that’s when you’re saying it in passing and he’s snatching you up, pulling you into him despite all your squeals and he’s wrapping you up so tight.
“who y’calling old man? y’little tart” and you know he’s fucking with you and maybe he’s teasing your sides cause he likes how you giggle and squirm and call his name.
it’s when you’re struggling against him that you realise half the giggles are actually simon’s- the man is actually giggling and you realised you’d invent new words to call him if it made him this happy.
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The biggest problem I have writing Space Operas is feeling like the space we're flying through has stuff in it.
If I've got a sailing crew on the ocean on some sort of cargo run, then I can have them beset by storms or pirates or evil whales or krakens or--
Ya know stuff and things.
But space, while beautiful and boundless is fucking EMPTY and the cool shit between spaces is so far apart that it's quite difficult for me to fill those spaces with Things and Stuff and Conflict Fodder.
Because my primary Thing I write about are interesting people trying to do cool things and they're interrupted by NONSENSE and they gotta save the world or some shit.
It is one of the few things where realism creeps in for me.
How does space become so profoundly busy that shenanigans can ensue?
Though that's just a world building question I suppose.
Food for thought! Later though. I'm pondering existential writing things in bed again.
Say gnight chat.
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"Welcome back, it's been a while."
After a long time has passed, how might the Obey Me! demons welcome you home with a hug?
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Lucifer tries to approach you in a calm and collected manner, but that facade easily crumbles as he gets closer. His pace quickens and his expression melts into an inscrutable blend of emotion. The man is fighting to stay composed.
He pulls you towards him, unwilling to wait a moment longer to have you in his arms. His gloved hands wrap around your back and waist with a secure grip. Your toes brush the ground as his hug lifts you to eye level, pressing a kiss to your forehead. "Welcome back, I've missed you."
---
Mammon sprints up with the goofiest grin imaginable plastered on his face. He catches himself at the last moment though, grinding to a halt as a blush creeps over his ears. He wants to be cool. "You sure are a piece a work to keep The Great Mammon waiting."
His arrogant act is betrayed by the many glances in your direction. By the way he's clenching his fist so hard his knuckles are white, and by the way he immediately crumbles into your open arms the second you reach out. He throws his arms around your shoulders and digs his face into your neck. He grips the back of your top a little too hard, as if you might leave again any moment.
---
Leviathan sheds his insecurities and doubts, all negative emotions, just to be able to bask in your presence again. It's a moment he's looked forward to for weeks. He puts trust into the belief that you've also been looking forward to seeing him.
He wraps his arms and legs around you, unconsciously aiming to get as much skin contact as possible. "I've really missed you, you know!?" he half-shouts before burying his face in your shoulder. You fight to stay standing upright. Every little movement, every minor adjustment in posture you make causes Leviathan to snuggle closer until you can't tell where your limbs end and his begin.
---
Satan can't control all of the overwhelming emotions that hit him at once. He grabs hold of your hand, and with a palm on your back he pulls you close until your entire weight leans against him. At your touch, all he can do is smile.
"Glad to see you again." The two of you sway back and forth, turning your hug into a psuedo-Waltz. When you look into his eyes, Satan gives your hand a kiss and presses your intertwined fingers against his face.
---
Asmodeus laughs as he barrels into you. "Did you miss me? Of course you did!"
You stumble back several steps yet he catches you before you fall, latching onto your side like a matching puzzle piece. He rubs his cheek over your head, pausing every few seconds to give you a kiss as his free hand enthusiastically traces its way up your back.
Asmodeus is the most reluctant to let go. Making a mess of your hair and clothes only gives him a calculated opportunity to touch you more as he tidies up your appearance. His caress lingers over your collarbone and around your ear. His fingers brush against your mouth, which he then brings to his own lips.
---
Beelzebub falls to his knees, relieved to see you return safe and sound and glad to be by your side once more. His arms curl around your hips. He noses his face into your chest and looks up with a content smile as he greets you, "welcome back."
You lean over to return the hug, running your hands through his hair. You don't expect Beelzebub to stand, picking you up in the process. You steady yourself on his shoulders as he rises, his violet eyes not wavering from you for a second, tempting him to steal a kiss.
---
Belphegor wraps his arms around your shoulders and practically falls on you. He doesn't seem concerned that you're sinking to the ground. In fact, he's so preoccupied with cuddling up to you that there's no way to avoid sitting on the ground with this demon on top of you.
He curls his body around your legs. You feel his warm breath on your neck as he slowly exhales, "welcome back." He's awake, but nothing will stop him from pretending to be asleep as his grip strength loosens and his face trails down your body.
---
Diavolo laughs amicably as you approach. He wants you to come to him, and is so thrilled to have you back. He bends down to latch his arms under yours and swings you around, sweeping you off your feet as you twirl two, three times, then slow to a stop.
"How have you been?" In due time he wants to know everything, and hear all the stories of your time away in detail. For now, he's got you locked in a bear hug. You feel his lips brush over your hair as he lightly swings you back and forth.
---
Barbatos' hug is the most restrained. It's simple and polite. At first he was content to just greet you with a gentle handshake and loving gaze. Though, when you request a hug, there is no way he can say no.
He extends his arms around your back, gives you two soft pats, and hesitates for just a moment before letting you go.
At night that evening as you prepare for bed, you find a note in your pocket that Barbatos must have cunningly slipped in without anyone noticing. It's a detailed letter with everything he didn't get to tell you in person.
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