#the one time i commit myself to a project

[stagefoureddiediaz]

7x07 Costume Meta

Well!! Where does one even start with this episode!!!

We start with Hen - thats where! Well actually we start by saying that no Bobby or Athena in this meta - as they were only seen in uniform!

I also want to say - starting with this one, I'm going to have to pull back from the very full on costume meta's I've been putting out each week - work has got incredibly busy (I'm about to undertake a massive multi £million project) and I just don't have the capacity - mentally and physically or the time, to write meta for every single one of our main (and the regulars/guest) cast. These metas take a huge amount of effort and energy and while I love writing them, I need to have the time to pursue other things alongside them, (which I currently don't) and give myself time to rest - I don't want my AuDHD to spiral me into burnout.

So while I'm still going to be putting out a costume meta each week, I cannot guarantee which or how many characters and costumes I talk about - I may do all the characters but not all their costumes or just a few of the characters but all their costumes - it depends on my capacity that week. I will commit to doing Buck and Eddie every week (unles they're only in uniform) because they are the reason I started doing these metas in the forstplace and are my blorbos!

I hope you can understand and still enjoy what I do produce and my inbox will always be open if you have specific questions you'd like to ask! Thanks for understanding

Now on with the meta - below the cut as usual!

Hen

Hens costumes go on a bit of a journey in this episode

Not going to lie - this t-shirt - I am obsessed with it as a choice for Hen and for this scene. Loewe t-shirts start at $300 - I am clearly in the wrong job and universe!! But that aside - we have this bright cyan blue (because its a cyanotype design!) which means trust and loyalty, but it is combined with a cow parsley print and cow parsley in flower language means safety sanctuary and refuge - due to its prevelance in church yards and churches being places where one could seek sanctuary (hisotrically speaking). So this is hen offering all of those things to Mara (on behalf of the Wilson family) and that is just beautiful to see.

Hen in a bright pink hoodie when the pink = naivety and innocence theme we have for this season is going strong, it does also play into the idea of secrets and cheating a bit as well - as we see Deidra give them a way to contact Maras half brothers family, and the implication that Mara's mother cheated on Maras father is made clear as well.

Then we get this birth of love jumper with pink roses on a gold background. gold in colour theory mean optimism, enlightenment and prosperity and with pink roses meaning gratitude and new beginnings, the symbolism of the sweater is pretty clear - even without the words 'the birth of love' wrtien on it - along with mara being in yellow and back in contact with her baby brother, all things are looking pretty positive in the Wilson household right now!

Maddie

its all about the pale blues and lavenders for Maddie this week.

The pale blue we see Maddie in here plays into the same blue theming we've seen Buck wearing since the end of season 5 - this is all about Maddie getting some closure and moving on from her past - leaving Doug and the trauma he put her through in the past. The blue bookends that mini arc for Maddie in this episode - showing her still doing a bit of processing over her trauma surrounding Doug and his kidnapping of her.

We also get the tan coloured jacket with its golden wrm undetones - its within the brown spectrum of the colour wheel and therefore plays into the theme of stability and protection.

We also get this beautiful lavender colour in the middle of it all as well. Lavender is a colour of cleansing and tranquility - which ties in nicely to Maddies pale blue closure and moving on journey for the episode.

Buck

Buck decided to just play out the green and blue colour theme on his own this week - the dark bottle green shirt with a navy blue apron thats messy and stained is an interesting choice! This is the second time this season we've seen Buck in this dark green shade, and both times have been around Eddie and both scenes have related to issues with Eddies relationship with Marisol and the idea of keeping secrets of some description.

combine this with the other times we've seen Buck wearing this dark bottle green and things become even more interesting

-2x18 - Buck and Ali relationship end -3x12 - skateboarding -3x16 - when Buck takes Red to see Cindy -5x13 - when he confesses to Taylor about kissing Lucy -5x18 - when he breaks up with Taylor

the skateboarding scene is the only one that doesn't fully fit the bottle green narrative at play in the other three scenes - its also the only other scene where there is no blue present - Eddie is wearing white and buff, so it can be discounted from the pattern by virtue of the lack of blue.

All 4 of the other scenes involve a relationship crisis point of some description - Ali all but ends their relationship (side point here, Buck is also wearing blue and green in this scene as the hoodie is lined in navy blue).

- Red discovers Cindy has dementia and cannot remember him - ending any hope of that relationship being something he can pursue. This scene does however sit slightly apart from the later scenes as well - by virtue of Red being the character involved - and not someone Buck has a close personal relationship with - Red is a new friend.

Buck confessing he kissed Lucy puts his relationship with Taylor in jeopardy and it then ends in 5x18 - both of these scenes play into the theme of the lack of trust and of secrets on top of the relationship crisis points.

So to combine those scenes with the two from this season - all involve a crisis point in a close relationship along with secrets and to a greater or lesser extent a lack of trust, leading to a breakdown or termination of a relationship. So while on the surface this is all pointing towards some form of relationship termination, my feeling is that isn't the whole story. I do think it still points towards a relationship crisis point for Buck and Eddie (as well as Eddie and Marisol and Eddie and Kim) when the fact Eddie is cheating on Marisol comes to light, the fact that Buck is also the one wearing the blue and not Eddie, points me towards thinking that Buck will also be the one to ensure that any break between him and Eddie is only temporary - because ultimately Buck has been on both sides of the coin - he has been cheated on (Abby did't technically end their relationship so Buck was technically being cheated on) and been the one to do the cheating.

Chris

Chris is the only colour in this scene - we have Eddie in white and buff and Marisol in white and black - both effectively devoid of colour - meanwhile Chris is sat between them wearing green and red - and check gets thrown into the mix as well.

The fact he is placed directly between them for most of the scene is an indicator that it is this 'family' dynamic that is going to fall under the curse of the check pattern - the check is foreshadowing the entrance of Kim later in the scene, as well as the future end of the relationship between Eddie and Marisol and Chris and Marisol.

The green is also closer to Eddies army greens than we've seen Chris in before - playing into the idea of Chris and Eddie being similar in their behaviours and mannerisms - again its a form of foreshadowing Eddies cheating arc sitting in parallel to Chris's one.

Meanwhile the red is a signal of danger (it can mean passion, love etc as well, but in this instance - as its being used in check pattern - its more a symbol of danger - a warning!).

I'm also fascinated by the foreshadowing this outfit gives us as well - the red and green of Buck and later outfits - a signifier perhaps of the check also hinting at conflict ahead for Buck and Eddie over the fact Eddie is lying to Buck and to Chris - as the use of the two colours on all three of them in the episode (and only the three of them) really highlights them as a unit once again.

Then we have Chris in a white tee and a two tone denim jacket. I am sincerley hoping that the white tee is not a signifier of the same things as Buck being in white - Chris so rarely wears white, that I am hoping it is merely playing into the idea that Chris is a true innocent in the tangled web that Eddie is weaving - the web centred around his internalised idea that he needs to find another mother figure for Chris.

Marisol

Marisol in back and white stripes is paying into stripe theory rather nicely - its indicating that change is coming. We see the beginnings of that change later in the scene with the introduction of Kim. The choice to have the stripes in black and white is also telling - its a literal representation of things being black and white and plays into the theme of Eddie and Marisol's relationship lacking colour - its very telling that both her and Eddie have worn black and or white around each other far more than any other colours, I'm not saying we haven't seen them in other colours - we have - Marisol has also worn the bright pink top in 7x01 and the blue dressing gown (and the blue top from later) and Eddie has worn his army green but the fact of the matter is that black and white are the over arching colours the two of them wear in relation to one another and tied into that is the fact that none of the scenes she has been involved in have been about establishing her as a character in her own right - all of her scenes have been set up for either Chris or Eddie - the audience is being given very little to endear her to them and the black and white also plays that out - in fact we have had more establishment of Eddie and Tommy as friends in one episode than we have had of Eddie and Marisol as a couple across multiple episodes.

There is also the fact that white means purity and innocence - which as a novice nun is on theme for her - but it also plays into the idea that she is also an innocent party in the road Eddie is about to send them on.

We also get more Marisol in Blue - its a bright blue that is very reminiscent of the bright blue that the Virgin Mary is depicted wearing in Catholic art - it plays into the theme of Eddies Catholic guilt that was established in 7x05 when Eddie found out she was a novice nun - its just yet more layering of this positioning her as a representation of the Catholic faith - as a representation of purity and goodness - she is intentionally meant to seen bland and too good an pure - its her literal narrative purpose.

Kim

Ok sooo Kim the Shannon Doppelgänger! They've done a great job with costuming her to make her look very differnet to Shannon - which is a key thing. To start with all the colours we've seen her in so far sit on the opposite side of the colour wheel from Shannon - who was much more in the yellow orange and pink side of the wheel, while Kim here sits in the blue side of the wheel - interestingly the same side of the Wheel that Buck sits on. I've spoken at length about How Buck in the pale blues we've seen him wearing since the end of season five was about his journey of self discovery and figuring out who he is and what he wants - about moving forward and leaving the past in the past. The same could be said for Eddie here its just manifesting in a very differnet way - Kim is a projection of Shannon, so moving on from Shannon and leaving her ghost in the past is what Eddies journey is all about.

I am fascinated by the fact that this suit choice - with its vertical striped pattern and white shirt underneath also plays into 6x01 Buck and the lasagne of it all - especially considering we see Buck attempting a new lasagne later in the episode - there is something in the concept that Buck getting his lasagne right in that blue zip front jacket when Eddie is there to eat it, and then not getting the new lasagne he is trying out right when Eddie is not going to be eating it - things being successful and right when the three of them are together as the Buckley-Diaz family, but not being successful or right when one of them isn't present.

This as a concept places Buck along side Shannon - something we've already seen explicitly stated on screen in this season and in direct contrast to Kim - because not only is Kim a doppelgänger for Shannon, she becomes a doppelgänger for buck as well.

The blue and white striped top in the second Kim scene also mirrors Buck costumes from season 6 - the vertical stripes and the use of blue and white - it further emphasises the paralleling of the pair of them - because the implications are clear - Eddie thinking he's found this second chance with Shannon - a second chance at happiness with when the reality is that Buck has been there all along - it plays perfectly into the Vertigo arc that Tim is using as well - Buck in the place of Midge - the best friend but the actual right fit for Eddie who has been there all along.

This black sheer top and leather jacket with the knotted updo is playing into so many themes that it makes me happy! the first and most obvious one is that its a very stereotypical 'other woman' outfit - the sophisticated seductress. It also plays her into the opposite of Shannon - dark versus light - all the flashbacks of Shannon we saw in this episode were brightly lit and bathed in light - giving her an angelic and heavenly aura - a play on her status as an angel (both in terms of her being dead, but also in terms of Eddie having rose tinted glasses on in regards to their relationship and her as a person - that common trait of making saints of the dead - especially when their death was traumatic and left things unfinished - as we have with Eddie)- Kim her is lit far more darkly and the glow of the light has a much more orange and therefore darker tone to it - its a play on temptation - the updo and leather also give her a slightly serpent like air - she is Eve tempting Adam to eat the fruit - it is serpent like. This theme plays on the other religious theme we've had established around Eddie - with Marisol being placed into this Virgin Mary role - here we have Kim being placed into her opposition as the devil - I am not saying she is evil - this is about Eddie being tempted by trying to get back what he has lost - she is a physical manifestation of what is happening - of Eddies internal struggles with his catholic guilt - much in the same way Marisol is a manifestation of the opposite side of that catholic guilt coin - they are the extremes that are pulling on Eddie in physical form and Eddie needs to find the balance.

Eddie

Boy oh boy do we have a lot to talk about with Eddie this week!1

There are three key themes at play with Eddie in his costuming this week and its so so good, I'm obsessed with the choices being made.

Starting out with this white tee and buff suede jacket which ties into three separate scenes which are key in relation to Christopher and Eddies relationships with women and the the theme of Eddie looking for a mother for him.

up first - the moment Eddie lets Shannon back into Christophers life - this one is pretty obvious on the mother front - Eddie is literally letting Christophers actual mother back into his life. this jacket is closer to brown than the buff colour of the one above, but it still plays into the theme - its the point at which the theme is established.

Then we have Eddies talk with Bobby about Shannon and re proposing to her as well as the possibly of her being pregnant again. Its a key turning point in his the relationship with Shannon - it is the moment that idealisation starts to creep into Eddies perspective on her and the moment when past, present and future collide - the concept of having Shannon and not having Shannon.

Finally we have the skateboarding scene - which while being a key moment of bonding as the Buckely-Diaz dynamic continues to be established in season 3. The jacket here is the closest to the one from 7x07 and this scene comes on the back of a couple of scenes with Ana - who was wearing pale blue in one and white (with red flowers) in the second.

All of these scenes when combined with the scenes from 7x07 establish this white tee - buff/beige jacket or shirt colour way as being about Christopher and Eddies desire to give him a mother figure - that the final scene - the skateboard scene very clearly shows Buck becoming a key figure in Christophers upbringing in a far more visual and physical way - Eddie is and active participant rather than standing on the sidelines as he is in all the others - along with the choice to show buck in the dark green in the same episodes - showing Buck in a semi parental role back then to show him in an even more parental role in this one (the 'we won't wait up' was a definite choice on the script front when it had been established that Chris was staying over at Bucks and Eddie wasn't returning until the following day) - especially when you also have Chris wearing red in both episodes.

Eddie in a black shirt - one that is the same as the one from 7x06.

There is a lot at play with this black shirt, and a lot at play with black on Eddie more widely, but first up - The Christopher watch. It was so very present in this episode - the shirt cuff has been tucked underneath the watch to ensure that it is visible - because they want to ensure that we see that Christopher is still front and centre in Eddies mind through all of this - it is an indicator that Eddie is not dating any of these women for himself - they are all in one way or another for Chris.

The clincher on the watch front is that the first time we see it is when he goes on his first date with Ana - the first time he is trying to 'recapture' the magic he had with Shannon and the first time he starts dating to try and give Chris a mother figurre. The fact it is so present when he goes back to the store to see Kim the Shannon doppelgänger is proof enough that this is as much about Chris as it is Eddie - the ghost of Shannon continues to loom large in both of their lives and Eddie is very much still trying to find her again for the both of them.

The other - slightly more unhinged aspect of this is that he wears the Christopher watch out to his date with Kim later on - making it still about Christopher. The reason this is unhinged is that the one time we have seen Eddie go out on something resembling a date and not wear the Christopher watch was the poker night with Buck - I said at the time the fact that both Eddie and buck were wearing new watches was important - here we start to see its significance play out - that poker night was for Eddie (and Buck), not for Christopher in any way - if Marisol or Kim were meant to be endgame or even truly long term - then he would be wearing that watch on his dates with one of them - the fact he hasn't speaks volumes (and speaks volumes for the buddie of it all!).

the shirt itself being worn for this meeting and coming off the back of two key scenes in 7x06 tells its own story. Whilst Bucks coming out to Eddie scene is about his coming out, it is also about establishing Eddie not knowing/realising that Tommy was gay, as well as about the idea of

His wearing it to reverse his relationship with Marisol back to them not living together - to start over is obvious - the magic with her wasn't magicking, but because of his determination (subconsciously) to find a mother for Chris he rewinds rather than ending the relationship. This remains the key scene for this shirt in that episode and ties into his wearing it in this one - its all about rewinding the clock and trying again.

The thing with Eddie in black (apart from the singlets which are their own themed thing - although it still ties into the wider Eddie in black theme) is that its a colour he has worn so specifically in relation to his mental health and in connection with Christopher (and Shannon).

I'm not going to go through every instance of him wearing black - it would take way to long, but I am going to pick out a few key moments when he is wearing it - specifically shirts

2x17 - the reproposal/ divorce scene 3x12 - parent teacher night at school - mets Ana for the first time 3x15 - Christopher birth (flash back scene) 4x13 - follow your heart not Christophers scene 5x01 - Panic attack scene 5x10 - tells Carla about the hostage situation - after Chris's meltdown 5x17 - Ramons retirement party

We also have him in 6x11 in his widows weeds at Bucks bedside and in 6x17 a long sleeved waffle tee when he 're' meets Marisol at the DIY store

In regards to Marisol - he has worn black more than any other colour in relation to her (not that they've had many scenes together, but half of their scenes have been in black, and that includes their 're' meeting in the hardware store - not technically their first meeting, but Eddie was in uniform the first time they met.

The black is playing two roles with Eddie - there is the fact that it has duel meaning - it is associated with magic - specifically dark magic as well as darkness/depression, secrets and power. I know I haven't listed all of the scenes he wears black and long sleeves above - but the fact that those scenes I've listed are so very central to Eddie, fatherhood and the various women in his life is pretty telling. The fact that both Ana and Marisol were both met in scenes where he was in black or that so many of the other scenes were connected to pivotal moments in his relationships with all three women (Shannon, Ana and Marisol) - in the same way the the dark green has been for Buck - and the fact that so many of the scenes tie into the theme of his heart and not following it plays into this idea that he is in mourning - that his grief is central to all of these relationships - and that includes this new one with Kim.

Setting his first meeting (as in actual conversation) with Kim against this backdrop of his previous relationships, grief and his 'struggle's with fatherhood (including his relationship with his own father) sets this relationship off on the wrong foot regardless of the cheating aspect or the fact she is Shannons doppelgänger.

Sorry, both the pictures from 7x07 have terrible lighting - it was basically impossible to get a good still of either shirt that showed off the colour!!!! I am however obsessed with the choice to put Eddie in maroon twice in this episode - and in long sleeves at that!

The reason for my obsession - the way it plays into yet another Christopher theme. Eddie wearing Maroon long sleeved shirts (espeically Henleys) in relation to Christopher and his choices as a parent. So in this Episode it happens twice - we have his meal in the Diaz kitchen with Marisol, and then at the end of the Episode - his date with Kim - While neither scene directly involves Chris, both play into this idea of everything Eddie does in terms of his relationships in connected to Chirs - he daydreams about bringing Shannon back into Christophers life - in a better more honest way than he actually managed to do in the real world (proof of his rose tinted glasses being firmly on when it comes to Shannon) - righting the wrongs he feels he did her, then later on he drops Chris off with Buck (the other actual parental figure in Chris's life) before going on a secret date wit ha woman who looks like Shannon and Eddie is viewing as a second chance - a second chance not just for himself, but also for Chris - because Chris is missing his mom - something the show established early on in the season and the trigger that is sending Eddie into this current spiral.

All of the scenes Eddie has worn this colour in previously (by this I mean without the presence of other colours via jackets etc) - and they're aren't that many - are deeply connected to Chris and Eddies struggles with fatherhood.

We have this scene from 2x10 when Chris confesses his Christmas wish is to have his mom back - which leads to Eddie feeling guilty about his choices as a father and ultimately leads to Shannons return to Christophers life.

then we have Fight club Eddie in the aftermath of nearly killing a man from 3x08 - This is the only other time we see him in a Henley and the fact that the conversation he has with Bobby is so heavily intertwined with the concept of Eddie needing to be in control for Christopher - he is once again at the heart of the scene, even in his physical absence from it. It is also turning out to be an even more key scene - Bobby makes the all important comment

'Eddie I just want to make sure you don't think you have to lose everything, before you can allow yourself to feel anything'

this line is very much coming into play now - Eddie did not listen to Bobbys advice and is now setting himself on a course to lose everything. That implies that he will then finally start to feel things - able to move past his continued grief and build a future for himself. The overarching implication is that Eddie has remained in fight club mode since this scene - just that the fight club is internalised and with himself - his failings as a husband and father.

Chris goes off to summer camp in 3x18 - again a scene about Chris and Eddies role as father

and finally his first date with Ana - this scene while not obviously about Chris in the moment - is in fact all about Chris - we see it borne out over the course of Eddies relationship with Ana, but the key factor is that this is the first time we see Eddie wearing a different watch to his work watch - a second watch - his Christopher watch - which I explained the significance of above.

I've also included this tee from 6x12 because although it has short sleeves rather than long ones, it is adjacent to all of the above - he is making Christophers lunch while he and Buck talk later on after Buck has enjoyed his nap on Eddies couch, but it is also the closest they have come to talking about the will. Eddie is also not wearing a watch at all at this point - in a precursor to the poker date two episodes later, this moment - about letting yourself feel things rather than boxing them up inside feels like a key counterpoint to the reality of Eddies arc for this season.

The other thing about the red shirt black jacket combination along with all the above, is that it also juxtaposes the date with Vanessa that Pepa set him up on - the idea of wanting to be on a date versus not wanting to be on a date, whilst also ensuring black is a central theme with Eddies costuming arc this season.

Thats all for this week - Sorry again that it took so long to get written and posted - but I hope you enjoyed it none the less!

Tagged people below!

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks

@bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering

@oneawkwardcookie @leothil @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses

@radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove

@sherlocking-out-loud @satashiiwrites @lover-of-mine @yramesoruniverse @extasiswings @favouritealias @pop-kam @b-dwolf @maygrcnt

[yasmeensh]

Finally got to paint something a little more proper for my project. Paleolithic kids see a dragon come down from the sky 🐉

a few more doodles of my OCs Tam Kujo below >>

drew this one in the span of three days during class time :p. A few lines here and there while I wait for the prof to set up the slides and start the class. Kept going until I felt like not adding anymore.

two more

[roseofcards90]

Writing for me has somehow become both a chore and the reason for me having mental breakdowns and idk why

[scorpiusmalfoylovesoscarwilde]

just looked at the word count for one of my documents that's just a bunch of discordant notes for a novel idea

91,776 words I've written in the last two weeks 💀💀 of just stuff outlining the lore and general gist of the plot for this story idea, jfc I need to go outside more

[butdudethatsmysandwich]

everyone else has some talent that they can sell in times of crisis and im just fucking here

[crayonurchin]

First art of the new year is all about re-structuring your internal monologue.

In my early 20s I was working full time in London with many social commitments and a variety of hustles and side projects.

In my later mid 20s I cater to many sensory and social drain needs I have and indulge in special interests while respecting my lower energy reserves and celebrating my different way of processing the world.

Did I get more autistic? Nah. I got less fake.

-

[Art description: Three panels showing figures on a black background. Long descriptions follow.

1. A drawing of OP as a person with hip-length hair and a dress standing sadly with her hands clapsed together in front of her. She is coloured a muted rainbow gradient. Behind her, two pairs of nondescript figures chat while smiling. White text says, ‘I’m getting more and more autistic the older I get.’ 2. OP’s colours are brighter, and her expression looks happier. Crayon-like scribbles have crossed out the text from the previous panel. 3. OP’s colours are vibrant, and she balances on one leg and throws her arms out as she dances. The text above has changed to say, ‘I’m becoming more and more myself the older I get.’ \End descriptions]

[spacelazarwolf]

apparently a bunch of ppl on social media are trying to call for a boycott of rick riordan because of this statement in a blog post:

Becky and I are just back from a busy weekend with events at the Boston Book Festival and New York Comic-Con.

Before I get into that, however, some words to acknowledge the ongoing horrors in Israel and Gaza. As many of you may know, I am no longer on social media. My accounts post only updates on my books and related projects. I do not read posts, reply to posts, or share my thoughts about world events on those forums. That doesn’t mean I don’t have strong feelings and reactions. It means I am offline as completely as possible, except for the occasional blog post like this one.

I will say this: Over the last eighteen years, I have received many fan letters from young readers, both Israeli and Palestinian, who often told me that my books helped them escape the fear, grief and anxiety they were dealing with at the time. Some had lost family members to violence. Some were writing while in the distance they could hear explosions, gunfire, and the launching of rockets. They used my books as a way to escape into another world, where the monsters were fictional, and where demigods usually saved the day. While I am always glad that my books can help young readers find joy during difficult times, my heart breaks every time I hear about the things they have to deal with. I am grief-stricken by the horrific events now unfolding, especially because I know that they are part of a long historic pattern that has been robbing too many children of their childhood and perpetuating hatred for far too long.

I am also quite aware that when anyone, myself included, tries to speak about this issue, the reader is waiting to pounce, thinking, “Yes, but whose side are you on?” That is exactly the wrong question. If there are two sides to this issue, those sides are not Palestinian/Israeli or Muslim/Jewish. The two sides are humanitarian and dehumanizing. Dehumanizing has a long evil history. It is appealing and easy to buy into, because humans are tribal animals. We are hardwired to think in terms of ‘us’ versus ‘them.’ We are the real humans, the good guys, the ones with God on our side. Those other people are evil monsters who don’t deserve empathy. Hate mongers have thrived on dehumanizing for as long as there have been humans. It provides them with a purpose, a way to rally support, power, and scapegoats. It is easy to point to atrocities committed by our enemies, while justifying or minimizing the atrocities committed by ourselves or our allies.

Humanitarianism is a much harder sell. It requires us to empathize, to see other groups of people as equally deserving of dignity and quality of life. It requires not always putting ourselves and our needs first. But in the long run, humanitarianism is our only hope. If violence could end violence, if we could put an end to “those other people” once and for all, human history would read very differently than it does.

So yes, I am appalled by the Hamas attacks on Israeli civilians. I am appalled by the suffering of Palestinian civilians in Gaza. Both things can be true. Both things must be true. My thoughts are with all the people who have died, who have lost loved ones, who have had their worlds and their lives shattered, especially the children. More death and violence will not break this cycle, which has been going on for generations. There is no military solution. Even since I first wrote the post, only twenty-four hours ago, the Israeli government’s brutal retaliation against the entire population of Gaza has reached genocidal proportions. This is not only an atrocity. It is folly. Answering misery with misery only creates more fertile ground for extremism, dehumanizing the “other side,” letting hate mongers thrive, stay in power, and reduce us all to our most monstrous impulses. The only real solution is treating each other like equally worthy human beings, and negotiating a peace that allows all parties a chance to live in security and dignity, with hopes for a future that does not include bombs and rockets and gunfire. This means security and support for Israel, yes. It also means a secure Palestine which is allowed to get the international aid and recognition it needs to build a viable state.

Do I think that will happen? Unfortunately, no. Humans are simply too selfish, too ready to blame “the other” for all their problems, too ready to dehumanize, though I also believe, perhaps paradoxically, that most people just want to live their lives in peace and have a chance for their children to have a brighter future. The problem is when we don’t allow other people to have those same hopes and dreams — when it becomes a false choice of us versus them.

What can I do? I will continue to write books that I hope will give young readers some joy. I will resist the urge to demonize entire groups of people. I will call for less violence, not more violence. And when asked whose side I am on, I will tell you I am on the side of humanitarianism.

So with that said, I return to the world of books . . .

honestly, if you have a problem with this statement, it’s probably because he’s talking about you. this is exactly what legitimate activists (as in not just random westerners who share social media posts but on-the-ground activists who are doing real work) have been saying for decades. and i think all this really speaks to just how disconnected a lot of westerners who claim to be pro palestinian are from those activists.

if you can’t read a statement that says “i am on the side of humanitarianism and less violence” without immediately jumping to cancel them, you are the problem being discussed in the above statement.

[seventh-district]

my sincerest apologies to anyone who’s messages, comments, etc. that i haven’t replied to yet. i’m just so terribly stressed and busy irl that i’ve barely even been online at all for the past week and at this point i can’t make any promises about when i can update things or reply to things but just. know that i’m trying my absolute best and lowkey running myself into the ground over here and i know it’s probably not obvious and it sounds like an excuse cause i don’t seem like a busy person but there’s a lot of things that happen in my life that i can’t/don’t/shouldn’t/won’t talk about and i really am just. so overwhelmed from it all that i can’t have the consistent online presence i’d like to have. i’m sorry.

i will get back to any comments or messages on all my various platforms as soon as i can. i promise. i just don’t know when “soon” is at this point.

[beegalactica]

hot girl tips to be more productive

With a million things to do, where do we find the time? Sometimes it can be so easy to just procrastinate, not do your work and keep pushing it back till it's too late. Let's not do that anymore.

5-minute rule - start small. If you've been putting something off for a long time, trying to commit 1 hour to it can be challenging. You can't do a marathon without a warm-up first! Could you set a timer for 5 minutes to do that task? After 5 minutes if you want to continue, go for it; if you don't, that's okay, because at least you've done 5 minutes today, which is better than 0. Tomorrow or later in the day, try to challenge yourself to do 7 minutes this time, then 10, then 15, and you will get into that rhythm.

Eliminate distractions - it's all because of that damn phone 🙄 but seriously, tech and social media can have such a tight grip over our productivity and our attention. If you cannot control your usage, set app timers that lock the app after you use it for a certain amount of time or delete the app. I've been using a minimalist phone launcher called 'OLauncher' that removes all my icons and makes me manually have to type and search for the app. In the time it takes me to search for the app, I get to ask myself, "What am I looking for? Do I need to use it for something specific or do I just want to scroll?"

Schedule properly - note down all your commitments and non-negotiables in an app like Google Calendar and make sure all your big events are displayed there. Some people can fall into the habit of planning every second of their day, but I instead delegate a few tasks to each day and give myself any time within the day to complete them, the important thing being not when I do them, but that I do them in the end.

Write to-do lists - now this doesn't just mean in-app lists, which are very useful. Physically write them out. I use a scrap piece of paper and I write: "Today I WILL..." and then list all the things I want to get done. Having it written down helps me commit to it more and the feeling of ticking it is so satisfying.

Know your WHY - Why are you doing this? Why do you want to be more productive? Why do you want to study more? Always look at the bigger picture. Where do you want to be and how will your productivity help you get there?

Celebrate your wins - whether you completed all the things on your to-do list or just one, be proud of it. Some days, you will feel super motivated and fly through all your tasks, and other days you just want to stay in bed and do nothing. Making an effort is the first step to your success.

No matter whether your goal is to complete a project, get good grades, get into the school of your dreams, or just get your work out of the way so you can focus on other things, tackle it little by little. Just 20 minutes every day for a week is better than trying to do 140 minutes worth of work on the last day.

[acutecoral]

Transcript for Quackity's recent stream

[Quackity start talking around 1:03 in, but before he speaks you can hear him breathe and sniffle a little]

Quackity: Hello everyone, uh…uh, I'm just waiting for enough people to get here. This is a very important stream. So I'm just going to wait a little bit.

Quackity: Um…[sharp intake of breath] Hello! I hope everyone is having a good night. I'm doing an urgent stream. Only to keep everyone updated on everything that's happening.

Quackity: I wanna apologise for this scuffed stream. I'm not on any of my set-ups right now, I wasn't expecting to stream right now so I don't even have a camera. But I wanna to let everyone know, that I've been out and I'm catching up on a lot of matters right now…

Quackity: Including a statement, that was just now, made without my approval.

Quackity: I've been notified, about an ongoing situation regarding Quackity Studios and I want to address it. Please bear with me as I'm barely catching up on a lot of these matters.

[He sniffles again]

Quackity: One gathering is that volunteers for Quackity Studios: are not being paid and are being given too many hours of activities.

Quackity: I wanna let everyone know that I was aware of a voluntary position, and I was under the assumption that there was a process volunteers would go through, to integrate themselves to the team with a fully paying job. What I was not aware of, is to what extent and conditions were being required from the volunteers.

Quackity: And I wanna thank everyone who brought this to my attention, because it is very clear to me that I need a much deeper involvement in the administrative part of my team. Something I have not been very involved with recently.

Quackity: I'm gonna perform a deep investigation, personally, on this matter as to see exactly what's happening. But one thing is very clear to me.

Quackity: There are going to be very drastic changes in QSMP moving forward. From the administrative perspective, and from the creative perspective as well.

Quackity: My responsibility relies on knowing what is happening in the project I am running. And for not being more involved? I want to deeply apologise. This should have never happened, and I am extremely disappointed.

Quackity: From here on out, I wanna make one thing clear: Everybody involved in Quackity Studios will be paid. And if at any point my own funds are not sufficient enough to pay workers or maintain the project? Then the QSMP cannot continue and it will close down. That's how committed I am to this project.

Quackity: So I wanted to make that extremely, extremely clear as to where I stand on this.

[Quackity in the next line sounds choked up]

Quackity: And this…n-next topic is very difficult for me to process, and it's an extremely sensitive thing, and I was waiting for the correct time for me but…that can wait, no longer. And I need to let everyone know that Wilbur is no longer a part of the QSMP.

Quackity: Lastly, I wanna thank everyone for their patience. This…year…has been very turbulent…for me. And I'm going to be very open; it's been one of the saddest years of my life.

Quackity: I'm trying to move forward and give everyone the best version of myself, and I'm very, very sorry if I've disappointed you.

Quackity: But…nonetheless, I gotta keep moving forward and I'm gonna keep working hard and I'm going to do what's right. And I wanna make this very clear.

Quackity: So thank you everyone. And um, yeah, I hope everyone has a good night. Thank you.

[art]

Creator Spotlight: @jdebbiel

Deb JJ Lee is a non-binary Korean artist based in Brooklyn, NY. They have appeared in the New Yorker, New York Times, NPR, Google, Radiolab, and more. Their award-winning graphic memoir, IN LIMBO, about mental illness and difficult relationships with trauma, released in March 2023 from First Second.

Below is our interview with Deb!

Have you ever had an art block? If so, how did you overcome it?

That implies I am over my art block, but I’m still in it! I think about Kiki’s Delivery Service a lot and how she had to stop doing a thing, and that you can’t really force it, and you have to let it come back to you. It’s a pretty humbling moment, realizing there is more to life than just drawing. I’ve been trying to consume other content like reading or watching movies—anything that is not drawing-related—and to trust that it will come back to me. I think not being afraid to do the small pieces before committing to the big pieces is helpful. Because big pieces are what I am known for, I dig myself into a deeper hole, thinking that each piece has to be bigger than the last one. So yeah! Relaxing and doing the small things before overcommitting to a big piece is the best way to go about it for me.

Which 3 famous artists (dead or alive) would you invite to your dinner party?

I feel like these are all artists that I have second-degree connections with! Jillian Tamaki, Victo Ngai, and Tillie Walden would be my picks!

What are your file name conventions?

…What file name conventions? I mean, I don’t have specific file name conventions, but I actually have a public Google Drive archive! But I usually put “djjl_whatever-the-title-is_final,” and I would always know it’s the final and legit version.

What is a recent creative project that you are proud of?

I did an illustration for the whiskey brand Johnnie Walker. It’s so wild because I only had four days to finish it, and it usually takes me a week and a half if I rush. And honestly, it’s probably one of my best pieces from this year, which is funny. It was for the Mid-Autumn festival, so I made it as Korean as possible.

How has technology changed the way you approach your work?

I only use my iPad to draw everything now, and if I want to pretend that I have a steady workstation, I’ll use my Cintiq. I still am not as comfortable on the Cintiq as I am on Procreate, but it’s still pretty solid and nice. That’s the good part about technology. The bad part about technology is how AI art has been messing things up for me. I’m currently in a lawsuit about AI art as a class rep. Some of my stuff got turned into AI art late last year, so I have to give a deposition at some point. 

What is a convention experience that has stuck with you?

Honestly, they’re all good! I feel like Lightbox Expo has been really nice because it’s truly been a convention for artists. I feel like that’s where most of my audience is, and they’re all around because their purpose is to be better at art. That’s where a lot of original artists do well because they’re getting art they’re inspired by, not so much fanart. I like the Lightbox Expo because it encompasses the pure love of art very well. 

Top tips on setting up an Artist Alley booth?

Use a Y axis, not just your X axis! Take advantage of it! Branding is also something to think about. It is definitely something I’m getting better at. Having an assistant is also very important. I’ve also heard that 8.5x11 to 12x18 inches is usually a good size for prints, but I also provide postcard-sized prints because sometimes people don’t want to commit to a larger size. 

Who on Tumblr inspires you and why?

You know this is so funny. I’ve been following @alicexz for over a decade on Tumblr and other platforms. I’ve followed her work since high school, and we’ve only recently become peers. I found her, and we met for the first time in real life, and she recognized me. And then I found all my drawings from when I was in my Alice phase, back in high school, and I was like, “Yo, this is when I was trying to be you so badly!” and she was cracking up and was like “Wow, this is so good!” It was such a sweet moment. I wanted to take a picture of her holding my drawing up. It’s really nice because now we’re peers.

Thank you so much for stopping by and sharing, Deb! Be sure to check out their Tumblr blog over at @jdebbiel.

[gruffmcgrimedog]

doesn't help that I work 40 hrs a week getting paid absolute dog shit to break my fucking back for a store that makes a million dollars a week. I don't have any time for myself. I can't afford to have any time for myself. I have enough strength to make dinner and do it all again the next day.

[kbspangler]

This is the public statement from @alepresser and myself which went up at Webtoons tonight.

Now for some ranting. Just from me, not from Ale—she's innocent of the art crimes I've committed in the past, and boy howdy have I committed art crimes.

This is the first page of my first webcomic, A Girl and Her Fed. I started this thing back in 2006. (I don't actually need a head count of those reading this who weren't yet born in 2006. I'm sure you're delightful and I wish you well in college.)

And this is the last page I drew in early 2020 before I turned art duties over to Dr. Beer. It's better, right?

Well, these days, A Girl and Her Fed has pages like this:

I drew this comic for fourteen fucking years because it's a story I wanted to tell, and I thought webcomics were the perfect format for it. I didn't know how to draw. I got better through sheer obstinate perseverance and sticking to deadlines as best I could for, again, fourteen fucking years. I sought out a replacement artist when I ran into time constraints and couldn't do art plus writing anymore; I'm a much better writer than an artist, so I had no problems whatsoever kicking art to the curb.

The first time Ale sent me art that would go up on the website—art I hadn't needed to draw myself—I literally cried in relief because I had been grinding myself down for, yet again, fourteen fucking years.

So when I read comments from people who say they want to make a webcomic but can't draw themselves and therefore need to resort to AI, that little line between my eyes gets dangerously deep.

This isn't like I'm some old dude who's bitching over student loans getting cancelled after making regular payments. This is me, someone who threw raw art onto the internet like a monkey hurling fresh poo, because I wanted to make a webcomic and the art is part of the process of storytelling via webcomics! I could've (arguably should've) hired an artist right out of the gate, and that would've been part of the process of making comics, too: a partnership between an artist and a writer is also something which grows and develops over time.

For example, after Dr. Beer and I spent two years working on AGAHF, we decided we enjoyed our partnership so much that we set out to make another webcomic! It's great! It's got wonderful art and consistent storytelling! You should read it!

But turning art duties over to unaltered images generated by AI because you want to make a webcomic but "just can't draw" is, frankly, a bullshit excuse. I'm not talking about persons who are physically unable to draw due to disability—I'm talking about people who say they want to make webcomics but simply don't wanna do the art part.

Friends, if you don't want to show your entire ass in front of God and country, you don't actually want to make a webcomic.

Do the thing yourself.

If you're scared, don't be. Take the plunge. Set a goal of twenty strips and do the thing yourself. If you can already draw but can't write? Great! Write twenty strips, write forty panels, etc. You might surprise yourself. If you can write but can't draw? Great! Draw twenty panels and see what happens.

Whatever comes out of it, it's a thing you've done yourself. It's something new you've given to the world, no matter how big or small. Be proud of that. And if you need to partner with someone else to make your comic dreams work? You can do that, too! It's still a thing you've done yourself, and many projects are stronger when done together.

...but maaaaaaaaaybe hire that partner before you've busted your own ass for fourteen fucking years. That one's on me.

[drdemonprince]

I don't think I have it in me to be an abolitionist because I read that horrible story about the trans teen murdered in South Carolina and my knee jerk reaction is, those people should rot in jail, ideally forever, or worse. No matter how I look at it I can't make myself okay with the idea that you should be allowed to steal someone's life in such a horrible way and then just go back to enjoying your life. Some stuff is just too over the top evil.

You can have whatever emotions you want about that person's murderous actions, but the reality is that the carceral justice system is one of the largest sources of physical, emotional, and sexual torment for transgender people on this planet.

Transgender people are ten times more likely to be assaulted by a fellow inmate and five times more likely to be assaulted by a corrections officer, according to a National Center for Transgender Equality Report.

Within the prison system, transgender people are frequently denied gender-affirming medical care, and housed in populations that do not match their identity, which increases their odds of being beaten and sexually assaulted.

The alternative to being incorrectly housed with the wrong gendered population is that transgender people are also frequently held in solitary confinement instead, often for far longer periods on average than their non-transgender peers, contributing to them experiencing suicide ideation, self harm, acute physiological distress, a shrunk hippocampus, muscculoskeletal pain, chronic condition flare-ups, heart disease, reduced muscle tone, and numerous other proven effects of solitary confinement.

The prison system is also one of the largest sites of completely unmitigated COVID spread, among other illnesses, with over 640,000 cases being directly linked to prison exposure, according to the COVID prison project.

We know that number is rampantly under-estimated because prisoners, especially trans ones, are frequently denied medical care. And even basic, essential physical care. Just last year a 27-year-old Black man named Lason Butler was found dead in his cell, having perished of dehydration. He had been kept in a cell without running water for two weeks, where he rapidly lost 40 pounds before perishing. His body was covered in rat bites.

This kind of treatment is unacceptable for anyone, no matter who they are and what they have done, and I shouldn't have to explicitly connect the dots for you, but I will. One in six transgender people has been to prison, according to Lambda Legal. One in every TWO Black transgender people has been to prison. One in five Black men go to prison in America.

THIS is the fate you are consigning all these people to when you say that prisons must exist because there are really really bad people out in the world. We should all know by not that this is not how the carceral justice system works. Hate crime laws are under-utilized, according to Pro Publica, and result in few convictions. The people who commit transphobic acts of violence tend to be given softer sentences than the prisoners who resemble their victims.

We must always remember that the violent tools of the prison system will be used not against the people that we personally consider to be the most "deserving" of punishment, but rather against whomever the state considers to be its enemy or to be a disposable person.

You are not in control of the prison system and you cannot ensure it will be benevolent. You are not the police, the judge, the jury, or the corrections officers. By and large, the people who are in these roles are racist, transphobic, ableist, and victim-blaming, and they will use the power and violence of the system to terrorize people in poverty, Black people, trans people, "mad" people, intellectually disabled people, women, and everyone else that you might wish to protect from harm with a system of "punishment." Nevermind that incaraceration doesn't prevent future harm anyway.

You can't argue for incarceration as the tool of your revenge fantasies, you have to argue for it as the tool that it actually is. The purpose of a system is what it does. And the prison system's purpose has never been to protect or avenge vulnerable trans people. It has always been to beat them, sexually assault them, forcibly detransition them, render them unemployable, disconnect them from all community, neglect them, and unperson them.

[abowlofpetuniasandawhale]

honestly the worst thing about adhd for me is that a new hobby or hyperfixation is one of the greatest sources of joy, but its always haunted by the knowledge that it won’t last and i don’t get to decide or even know how long. I can’t count on being interested in anything long term.

it feels like theres a clock ticking above my head and i cant see how much longer i get to enjoy something. i can’t start big projects for fear of never finishing them. i have to hold myself back from anything that requires long-term commitments or consistency because i can’t rely on future-me to follow through.*

when i pace myself and try to casually keep up with something after the hyperfixation ends it just isn’t the same, the joy is gone. when i say fuck it and just let myself run, i end up trying to cram years of a hobby into weeks or months. i bite off way more than i can chew, burn out spectacularly, and spend the next month feeling guilty every time i look at the pile of expensive, unused materials that i sat down one day and never picked back up.

Theres a toll that years of it takes on your self-trust, it compromises your ability to make decisions without second guessing the most basic things. “What will I want?” and “what will I like?” aren’t any less opaque at six months from now than six years. I can’t count on what I want. In a way, I can’t count on myself and there’s a grief that comes along with that.

i see so much about dealing with adhd shame, but i dont think i’ve heard more than one person express the grief that comes with losing something you really love, not because it leaves you, but because your body simply decides without your permission to stop loving it.

[prokopetz]

Being technical writer and layout editor on the same project is great because you get to confront fun questions like "in order to avoid having a page break fall mid-table, do I a. try to re-word this sentence without loss of clarity for the sixth fucking time in order to shave off another couple of characters worth of horizontal space; b. fuck with the letter spacing and just deal with the fact that exactly one line on the entire page is going to be laid out visibly tighter than the ones preceding and following it and thus stick out like a sore thumb; or c. fuck with the default able metrics for the entire document in order to prevent this situation from arising in the first place and commit myself to re-doing my most recent QA pass on every other table in the book in case I just broke something else?"