#the only true worthy story

[lord-squiggletits]

"Rodimus is a better Prime because it didn't hurt for him to bond with the Matrix while for Optimus it did" headcanon/theory my beloathed.

One day I'm literally gonna snap and make a whole post addressing why what's wrong bc I'm tired of the inaccuracy and tired of ppl not understanding the Point TM of IDW and its version of the Matrix/Primacy and even more tired of people putting down Optimus in favor of Rodimus by essentially arguing that being unworthy means you deserve to be punished/put in pain bc you just weren't good enough to hold the Symbol of Ultimate Authority

[ardentpoop]

spn gave u yet another archetypical bad boy soldier boy james dean w a big gun and a chip on his shoulder and they rounded him out by giving him a wife to challenge his destructive tendencies and his overly simplistic (read: dangerous) view of his "job"..... but the wife was his brother

[agentravensong]

thinking about how the extra area added on to a pacifist run of undertale, the true lab, is about alphys's past mistakes. how it ends with the story reaffirming that, despite the pain she's caused, the thing that matters is that she has now made the choice to do the right thing. she's still worthy of her friends' love.

thinking about how undertale doesn't expect the player to get a pacifist ending for the first time. how it's more likely than not that the player will kill toriel the first time they battle her, how lots of players don't initially figure out how to end undyne's fight without killing her, etc. what it expects — not even expects, really, but hopes — is that the player, if they care enough, will use their canonically acknowledged power over time to make up for those mistakes.

no matter how many neutral runs a player has done before committing to the pacifist run, the thing that matters to the characters, to the story, is that you've chosen, now, to do the right thing.

compared to alphys, the player honestly gets off lightly, in that you're the only one (other than flowey) who really remembers any harm you might have caused. and any direct guilting the game could have done about it is long past at this point. instead, as undertale often does, it makes its point via parallels: alphys caused harm, and she knows it. she has committed to being better. in doing so, she has unlocked for herself a better ending to her story. and she deserves it. she's forgiven.

those structural narrative parallels are all over undertale, if you know where to look. and that's one of the things that makes it so fuckin' good.

[misophoria]

pushing urself towards getting good at looking for people and situations that suit/care about u VS towards getting good at surviving and compromising with people and situations that don't

[maddie-grove]

One trope I really dislike in love stories (mostly common to fanfic and romance novels but it can be found elsewhere) is when the author goes out of their way to (a) establish that a protagonist had absolutely no significant positive feelings for their previous sexual/romantic partners and (b) presents this chiefly as proof that the other protagonist is uniquely Worthy and that the main romance is True Love. This is a pretty specific scenario; I’m not talking about, say, the hero who has no romantic or sexual experience, or the heroine who married young and her husband was shitty in a specific way, or the protagonist who enjoyed their past relationships but they never totally clicked. I’m talking about “the hero has slept with so, so many women, but don’t worry! He never felt so much as slight fondness for them or admired any of their non-physical qualities. He might as well have been using a blow-up doll every time.” Or “the heroine has only ever loved the hero. She has never looked upon another man with lust in her heart. If she ever dated anyone else, she never felt affection or respect or admiration for him. This is proof of true love, not the result of dating only shitty guys or maybe being kind of a tool.” I promise, it’s not going to ruin a romance if the hero is like “my ex-girlfriend was a good person” or the heroine is like “I enjoyed having sex with the guy I dated for five years.”

[kirain]

Wall of the faithless isn't canon in bg3. They changed alot of things actually. So no Gale isn't "scared" he's just an obsessed asshole who doesn't learn from his mistakes.

Oof...

There's really nothing I can say except: you're wrong. The City of Judgement and the Wall of the Faithless are canon to BG3. If you don't like Gale, that's fine, but you don't have to make things up or completely disregard the lore to do it. Larian Studios literally hired people from Wizards of the Coast—the company responsible for all the canon lore, characters, and campaigns in D&D—to help them with the story. It took them five years, I believe, to fully study and understand the lore. They constantly conferred with the team to double, triple, and quadruple check every slice of content they added to the game, and parts of the game are now considered canon to D&D 5E.

As for Gale "not learning" from his mistakes ... when you first meet him, he literally admits he made a mistake with Mystra. Though personally I don't see it as the "power-hungry" move people seem to think it is. Gale simply wanted to be considered an equal to his partner (really his groomer), which is a perfectly healthy and normal desire for anyone in a relationship. Your partner should treat you like an equal, but Mystra very clearly saw Gale as a pet. A trophy. A worshipper. Subservient. Beneath her. A silly mortal with delusions of grandeur (which she cultivated), which is really rich when you learn she was once mortal herself. Mystra is a hypocrite.

Gale tried to prove himself worthy of equality by trying to bring Mystra what he thought was a piece of her missing Weave. For anyone who doesn't know, the current Mystra was torn to pieces by Cyric and Shar, then put back together by her Chosen. Though back to full power by the events of BG3, she's still technically missing pieces of herself, and Gale mistook the Karsite Weave for one of those pieces. Instead of simply telling Gale it was corrupted Weave, she let him go on believing it was hers. Personally I think that's because she was tired of him (maybe he got too old for her 😒) and was hoping he would do something that, in her mind, would justify abandoning him—but I admit that's full conjecture on my part. What is true is that she knew the orb wasn't hers, but for some reason she let Gale think it was. Even after she abandoned him and left him to die, she never told him. Not until she realised she could use him.

In Act 3, while the argument can certainty be made that he's thirsty for power, Gale ultimately becomes fed up with the gods because, as he knows better than anyone, they treat people like commodities. While I have no intention of ever ascending him myself, it looks like he actually makes good on his word. He doesn't threaten or toy with his followers, he inspires people to walk their own path, he only asks for prayers as payment (as without some form of devotion, gods in D&D cease to be), and if you romance him ... he ascends you into godhood as his equal. Mystra could have done this for him, she just didn't want to. And if you don't want him to ascend, it's genuinely so easy. I don't understand what people are complaining about. It takes one conversation with zero checks to convince him to completely abandon his ambitions. One. If he was truly "power hungry", it wouldn't be that easy.

Again, I would argue that Gale's true goal isn't really power, it's freedom, and divinity gives him that freedom. He has many conversations where he makes it clear he doesn't want to live under the gods' thumbs anymore; which, in a world like Faerûn, is extremely understandable. As I said in my Wall of the Faithless post, he's scared. Eternal torment for a simple mistake, one of which could've been avoided if Mystra told him the truth or treated him like an equal? When your partner is a goddess, how can you not feel inadequate? And if you convince him to give up the crown, he's perfectly content with Mystra's forgiveness. Even in the Early Access, that's all he really wanted.

Gale's far from perfect. He's arrogant and overconfident and insecure and he can be prone to emotional outbursts (most of which he apologises for, however), but he's nowhere near the heartless, power-hungry monster the haters seem to think he is. He is, in fact, one of the most compassionate companions in the entire camp, to the point that he accepts everyone, including Minthara. He votes for Astarion to stay when you find out he's a vampire. He gets mad at you if you surrender him to the Gur. He's one of the only companions who will openly marry/stay with you if you become a mindflayer. He's willing to sacrifice himself to save the world, and willing to damn himself to be with you. He loves every act of kindness, while hating every act of cruelty. I understand that the bugs from launch ruined a lot of people's perception of him ... and unfortunately some of those glitches are still present even now, but he is a good man.

[inafever]

On how much Aziraphale has learned since season one:

This is about character development. Inside of a story, everything that happens, happens for a reason. It's meant to tell you something, to teach you or the character of your story, something.

So if the story continues and your character repeats the same mistakes again you know that they are bound to be doomed this time, and even worse the audience is going to certainly lose respect for them, cause they have made the same mistake twice, they haven't learned anything, they're gonna do it again another time, they don't deserve a happy ending. (yes I'm talking about good omens here) So you don't do that to a character that matters to you and you respect even the tiniest bit.

A Lot of us here are thinking that this is what has happened to Aziraphale's character at the end of season two, that he has done it again, repeated the same mistake again and has left Crowley to join heaven and it's been because of reasons like wanting to change Crowley (not true, see this post), still believing in heaven's goodness (not true at all), not being on the same page with Crowley (I'm gonna talk about this one especially in this post) and such likes. But these are the things he should've known better about after 6000 years and all the events that we've learnt about especially throughout season two. (It seems to be rather the whole point doesn't it?)

But we all seem to rather believe that he's made that mistake again nonetheless. so what we're doing here is trying to find reasons to justify the mistake and somehow make the reason behind the wrong actions something relatable to ourselves so we can forgive him when the time comes.

In fact I don't believe that he's made a mistake. for Aziraphale's character to be redeemable, what he has done, must be the only option that he's had for saving them both. I don't care what kind of situation could have resulted in him making this decision, but the only reason, the one and only reason, must be his love for Crowley. Otherwise it'll prove that he hasn't learnt his lessons or doesn't love Crowley enough to make a compromise, and in both cases, he's not worthy of love. He won't earn his happy ending by being tortured and feeling sorry and doing the apology dance for Crowley if he's hurt Crowley out of selfishness and stupidity again

But I'm sure he'll earn his happy ending and I'm sure he's learnt his lessons and it's too late for him to have unlearned them all in a matter of a few seconds. (He is an idiot but he's not stupid) and it's mostly because of this, that I believe the reason why he made that decision, must be very different from what it appears to be on the surface.

Anyway, this post is about what Aziraphale has learned and how he's changed.

I have made a post about their moments of conflict from both season one and two, it's here and you can look it up. This is where you begin to understand how Aziraphale has changed since season one because these are his dialogues after he's had a fight with Crowley in the bandstand, season one:

"even if I did know where the antichrist was I wouldn't tell you we're on opposite sides"

"friends? We're not friends. We are an angel and a demon. We have nothing whatsoever in common. I don't even like you"

"there is no our side Crowley. Not anymore. It's over"

And then there's season two, when they disagree on what to do with Gabriel, Aziraphale is the one to point out that they both rely on the life they've built together

He's asking him to help him take care of Gabriel together and in response Crowley leaves

In the final scene he asks Crowley to come back to heaven

"work with me" "We can be together as Angels, Doing good" "I need you."

He says anything he can think of literally to convince him to stay with him and it doesn't work

We start from "we're not friends" and arrive at "work with me. we can be together"

Even if we don't know the reason why he's insisting on taking Crowley back to heaven with him, this is an Angel that has picked up the pace. That wants them to be an us. No matter what.

But these are only a few dialogues. I think there's more than that. I think the show in five and a half episodes (out of six) has tried its hardest to make the point quite clear about how Aziraphale feels about Crowley (or how strongly he feels those emotions). all through the way he looks at him and through his gestures and soft touches from time to time

I'm gonna make another post of those moments separately and I'm gonna link it to this when I do.

update: (here's the post. not just average moments of Aziraphale looking cute, it's something about the way he looks at him)

And I'd like to even compare those wishful glances to some of those from season one, but I can't, cause they are nonexistent in there.

[noxtivagus]

no thoughts only ffxiv fr

[sytoran]

𝐅𝐀𝐋𝐋𝐄𝐍 𝐂𝐑𝐀𝐃𝐋𝐄𝐒 || mdg pt. 5

timelines and lifelines have torn you and natasha apart, but the two of you are bound by the child you have created. though subjected to earth, loki, god of mischief, dangles the possibility of a future with natasha by making you a god.

pairing: goddess!natasha x mortal!reader (not for long)

note: this is the 5th installment to the goddess!nat universe, as per the 4k celebration! please read the other parts first if you haven't already. this part contains depictions of violence. this series is 18+ only.

word count: 1.8k

series m.list | main m.list | AO3

Previously…

Your relationship with the Goddess of Lust, Natasha Romanoff, comes to a screeching halt. Torn apart by timelines and lifelines, you’re not coping well, and neither is Natasha — especially when she finds out she’s pregnant with your child.

On the other side of the universe, Loki, God of Mischief, breaks into your apartment to offer you a deal. Worse still, he eats your leftover pizza.

Now…

When you come back to consciousness, you feel like you’re floating. Not in the whimsical, psychedelic cocaine-induced way, but in the Help-I’m-Physically-Suspended-In-The-Air way. 

And it is true, much to your demise, because despite the fruitful hours of work spent in the gym, your arms and back can’t quite handle the excruciating pain of being strung taut like a rope.

Against the will of every screaming cell in your existence for you to fall the fuck back asleep, you forcefully sit up and open your eyes.

It takes about two seconds for the headache-worthy hangover to sink in, and three seconds for you to regret every godforsaken decision you had made the night prior.

Last night- oh, fuck. Last Friday night. 

(No, this isn’t going to entail a radio pop song with a curly black-haired Katy Perry, because the only curly black-haired one in this story is the God of Mischief himself. Both equally as sassy, but expounding on that would fracture the entirety of the space-time continuum.)

“Oh, you’re awake.” 

Speaking of the devil (quite literally), Loki forces you to bring your blurry gaze up to the cocky expression painting his angular face.

“Fuck you,” you spit, dry and hoarse, memories surging through your teetering consciousness. All you were aware of was the mother of your problems was the man himself.

Now, you were suspended like a puppet in your very own living room, strings of golden magic encircling your body, keeping you stretched to the edge of insurmountable agony.

“Funny,” Loki says dryly, eyes raking over your pathetic form. “That’s exactly what you said last night that put you in this position.”

You would’ve laughed, truly, if not for the ache in your ribs and your back and your– you get the point. “You offered me a proposition,” you comment, licking your cracked lips with distaste. 

“And you said ‘fuck you’ and threw up three bottles worth of alcohol on my ridiculously expensive snake-scaled shoes before promptly passing out from your hissy fit of a heartbreak.”

“Deserved.”

“I will hang you upside down.”

You roll your eyes – however much you can roll them in this position. “You gave me an offer. That means that I had a say in this, and I certainly did not consent to take part in this BDSM-worthy fantasy of yours.”

Loki scoffs at this, shifting in his seat. Your seat, actually, his black robes draped over your armchair like it belonged to him. 

“My sex life is none of your business, and more than often entails men,” Loki begins, putting a finger up. “The only reason I’m taking interest in a hopelessly lovesick woman-lover is because you have something that I want.”

You exhale roughly, lungs and ribs screaming in protest. You weren’t of a godly status by any means, but based on his identity and the fact that a God was lurking around Earth, you were competent enough to figure out what he wanted.

“You wanna get back to the land of the Gods,” you state, eyes narrowing in seriousness. “Like me, you’ve done some shit that made SHIELD put a target on your back. Except it’s ten times worse, considering you’re a God. That’s why you’re here. What you want is connections, because I have – I had – a relationship with Natasha Romanoff.”

Natasha.

It pains you, to even put it in the past tense, that what you had with Natasha would only ever be history.

“Oh wow,” Loki responds, acting shocked. “There’s actually more to you than this himbo attitude you exude.”

You don’t give him the pleasure of a response to his provoking, despite your incessant need to sucker-punch that face of his. But uncovering his plan has that layer of composure slipping, for a second, and you delight in it for what it’s worth.

"Put me down first," you say instead through gritted teeth, looking up with a ferocious glint in your eyes.

"Say yes first," Loki answers promptly, folding his arms over his chest with a self-satisfied grin.

"Put me down and or I won't consider your absurd request," you try again, a wracking cough making your stomach lurch in pain.

"Funny you think you're in a position of power," the arrogant god taunts. "Who's to say I won't torture you to the brink of death until I get what I want?"

"...Who's to say I'd eventually break?" you say finally, narrowing your gaze. You sure as hell were scared as fuck, but you had to survive. "Threats only work on people who've got something to lose. I'm forbidden from ever seeing the love of my life again – I've got nothing to lose, y'know? No amount of torture will get you what you want."

Your little speech of sorts, delivered with an unwavering tone despite the pain coursing through your body, plays out perfectly. Loki's gaze is unreadable as he contemplates upon your counter-proposition.

Unceremoniously, you're dropped to the ground, hitting reality with a grunt of pain. “Shit,” you wheeze, clutching at your ribs with sore wrists. “Warn a girl, man.”

Loki waves you off dismissively. “The pain won’t matter anymore.”

“Wait,” you struggle to say, reaching out to nothingness as the man closes his eyes and raises his hands to the lands you once roamed.

It’s only then that you realise you’re surrounded by candles, so many candles. You’re in the center of some kind of ritual board, and what you assume are ‘offerings’ circle you.

From skulls to black flames, you know something is wrong. Very wrong. Loki is muttering incantations under his breath, a language beyond your human tongue, and the pressure in your room rises to an extent that forces you downwards.

“What,” you ask, exhaling roughly against your cracked ribs. “What kind of God am I going to become?”

Your question goes unanswered, lost in the swirling black flames that surround you. Loki’s eyes open again, and this time they are completely black. He begins a chant, crafted from an inhuman tongue, a language you’d never heard before.

That’s when the pain starts.

You scream, brain waves throbbing, a loud ringing sound echoing in your ears. Psychedelia takes over your conscience, producing images all around you, dark and distorted and everything you thought you’d buried.

“ибяѓюгэю юдякиэҁ, эиѫч ҩ рэд.”

Unbridled darkness, enemy of peace.

Natasha’s face is at the forefront of your mind, unblemished and happy and everything you’d ever wanted. You reach out, spluttering and breathless, trying to grasp that wistful memory like it’d materialize in front of you, like she could ever be yours.

“бцэт юҩщи ҩцядрҩи дю ғдг ҩця ҩиэҁ.”

Put down your weapons and fall to your knees.

Her face gets shattered into smithereens, scattered throughout the dark swirls of your mind, overtaken by shadows. Horrifying screams and flashes of a graveyard overwhelm you, and you yell through the misery for the love of your life.

“тҩ фэн тнэ юэҁѓяэ ҩғ џэиəэдисэ lə'”

To quench the desires of vengeance and rage.

Fury slugs through you, as you crawl away from cold hands that pull you back. “No!” You yell, but your voice is not yours anymore. The only thing to describe what you feel is chaos, darkness creeping in from the shadows, a slithering worm into your ear, a rotting carcass and the stench of carrion.

“ҩҁэ бҩиэҁ сдҁт ҩғ ҁсчнэҁ дию бдюэҁ.”

To see bones cast of scythes and blades.

The world snaps from reality, and you get flung into a different dimension. This place you’re trapped in is unfamiliar. You’re standing on a pile of dead human bodies, and there are ghouls and demons cheering your name. Blackness seeps through your veins, infiltrating your mindwires. 

“Revenge,” you spit, a devilish noise, and the cheers rise again.

You scream, as black wings tear through your back, ripping your collared shirt and spreading towards the sky. You launch from the depths of whatever hellhole that may have been, an inhuman screech echoing around the void, soaring towards the heavens in search of the one you’d lost.

“ҩѫэҩя, гдск-щѓəэю юэџѓг, эт ндҁ иғцяг”

Come forth, black-winged devil, let chaos unfurl

Upon descending on holy ground, unfamiliar faces intrude into your mind, prominent and unmistaken. Backlogged information begs its worth — God of Thunder. Goddess of Magic. God of Science. God of Justice. 

Then one word rings above all, high and mighty, and the darkness of your mind clears to reveal the people that had taken your Natasha away.

SHIELD.

“энҩгю яҩѫ нэг, ҩю ҩғнэ Циюэящҩягю.”

Behold from hell, Ruler of the Underworld.

Reality drives into your side like a thousand semi-trucks, bright and flashing, and then you’re back in your living room. You stay on the ground, all-fours, spluttering and gasping for air. 

Natasha.

Black wings flap behind you, resplendent and marvelous. Those had been real.

Arising from the ground, gone is the fear in your eyes. No more shreds of hope. No more sense of justice. Your blackened eyes burn red, searching for Loki. He stands in the corner of the room, and he seems so much smaller now, compared to you and your bloodlust.

“She was mine,” you growl, dangerously, fearsome and inhuman.

“She is yours,” The God of Mischief answers, marveling at his creation, for there was nothing that could stop you now.

***

“Rockabye baby on the treetop,” Natasha sings softly, a hand gently caressing the swell of her stomach. Colours sweep into galaxies as nightfall arrives, cloaking her land in gentle beauty.

“When the wind blows, the cradle will rock.” As if on cue, the wind gets a little chillier. Worry clouds Natasha’s face, edging in on her safe haven.

“When the bough breaks, the cradle will fall.” A holographic image of The God of Justice materializes before her eyes. It meant that it was an urgent message, from one God to the next.

“The SHIELD base is being attacked by an unknown force. We’re in grave danger,” Steve says, urgent and frantic. Screams and chaos can be heard in the background, and the God barely ducks a crashing marble pillar.

Natasha almost scoffs and switches off the image. The Gods had ignored her very existence ever since they had banished you, which was convenient in hiding her pregnancy, but at the same time rather annoying, now that they were begging for help.

That is, until Steve persisted further. “Natasha. This perpetrator has power beyond measure, dark power. It could even exceed Loki’s.”

“......What does this harbinger of hell want?” Natasha asks, steely eyes surveying her homeland.

“Natasha,” Steve repeats, weary eyes hooded with anxiety. “They’re looking for you.”

Down will come baby, cradle and fall.

so that happened.... any thoughts about our new and improved y/n, ruler of the underworld?? loki rlly stirred up a lot of shit huh

reblog or no y/n x natasha reunion

series m.list | main m.list | AO3

[mahgyu]

JJK MEN reacting to you asking for love advice about someone else to them

๑ featuring: Gojo Satoru, Geto Suguru, Kento Nanami, Choso Kamo, Toji Fushiguro and Ryomen Sukuna.

๑ content: Unrequited feelings (they like you in case it wasn't clear from the title), manipulation of feelings in certain parts, light angst. No fluff, I'm back to my era of pain (*evil laugh, the return* )

๑ a/n: Actually, there's nothing to say, I hope you enjoy it

GOJO SATORU

"Well, if he doesn't notice how amazing you are, he's an idiot. But, you know, sometimes idiots need a little push. Maybe you should... show him."

As Satoru sat next to you, the woman he secretly loved, he struggled to maintain a relaxed facade, smiling as he took in your every word. Inside, however, your heart was beating wildly, yearning to be the man you sought advice from. Your every gesture and laugh only intensified his desire to be by your side, as he battled to hide his emotions and waited for you to realize the truth behind his rehearsed words and gestures.

GETO SUGURU

"Ah, you deserve someone who treats you like the queen you are. And if he can't see that, then rest assured he's not worthy of all your effort. But you know, there's someone out there who has always known your worth..."

Suguru, with his captivating smile and persuasive skills, listened attentively to your romantic dilemma, calculating each word in his mind as he weaved his suggestions with subtle persuasion. He highlighted the flaws of the man in question but discreetly praised your qualities, seeking to show his own interest deliberately. Behind his serene expression, Geto calculated every move in the hope that you would see in him not just an advisor but a potential lover, eager for the moment when you would recognize his true worth and choose to share your world with him.

KENTO NANAMI

"My suggestion would be to approach the situation calmly and rationally. Communicate your feelings in a clear and direct manner. After all, communication is the key to any relationship. If he is worthy of you, that will be enough."

While Nanami Kento listened attentively to your venting, he offered practical and direct advice, demonstrating his usual calm and clarity. However, internally, he grappled with his own unexpressed feelings, hiding his deep emotions behind a serious and professional facade. Every word of comfort he offered you was a painful reminder of his own unrequited desires.

Despite the intense internal struggle, Nanami continued to counsel you, keeping silent about his own pain. He wondered if he would ever overcome the fear of ruining your friendship by expressing his own feelings, remaining trapped in a cycle of anguish and doubt.

CHOSO KAMO

"I... know what it's like to feel that way. I think... maybe he just needs a little push to realize how special you are. If I were him, I wouldn't hesitate for a second..."

Choso couldn't hide his emotions, his gaze reflecting internal anguish as he listened to your love story. While offering advice, he was emotionally honest, sharing his thoughts and revealing the weight of his unrequited feelings. Choso saw in the situation an opportunity to perhaps get closer to you and show what he truly felt, longing for a deeper connection and hoping that his honesty would touch your heart, as he prepared to face any challenge to be by your side.

TOJI FUSHIGURO

"You're wasting your time with that idiot. Men like him will only make you suffer. If this guy is too blind to see how amazing you are, then you're better off moving on. But, of course, if you prefer to keep deluding yourself, I'm not the one to stop you. Just don't come crying later when things don't work out."

Toji, with his impatient posture and piercing gaze, doesn't hesitate to launch biting criticisms about the man in question while you vent to him. However, internally, he grapples with his own inability to express his feelings, using his rudeness as a shield to hide his vulnerability. While his sharp tongue continues to push away those around him, Toji yearns for an opportunity to truly connect with you, but fear of failure and rejection keeps him trapped in his role as a solitary tough guy.

RYOMEN SUKUNA

"Ah, so you've come to me seeking advice about that fool? Hmph, he's just another insignificant worm, don't waste your time with someone like him. You know, I'm not one to flatter, but you, you're too good for that piece of shit."

Sukuna, with his ironic smile and malicious eyes, absorbs every word that comes out of your mouth, carefully choosing each piece of advice to weave his manipulation web. His enigmatic words, full of double meanings, cast doubt on the man in question while subtly suggesting that he himself would be a better option for you. He delights in the control he exerts over the situation, using both you and the man as pawns in his power game, relishing the feeling of power it gives him, determined to achieve his own ends at any cost.

[heartfullofleeches]

Offer me your flesh... Not like that

Yan Cultist + Forest Entity/Deity Reader [+18 mdni]

Warnings/Tags: Breeding, monster fucking but you are the monster, tentacle peen, slight size difference/kink, brief mentions of gore/blood but not related to the fucking dw

The watcher of the woods.

A creature known by many names for none of which it cared but remained its mantle to claim. Skin akin to aged bark; horns rooted from the base of its skull like the curving arches of branching trees - the beast towered over all sort of man and earned its title for its eyes. Rare were nights starless, but upon an eve without a single dot in the sky it was common to find them hiding out in the trees. As ancient stories foretold - it's said that on those days the guardian of the forest used all its strength even the light of the stars to lead lost souls home. Imposing as it may be, the creature was a peaceful giant, protecting its land and those who treated it in kind, but as legends of old often became lost in translation - it too fell to the hapless adulteration of time and unwavering, blind devotion.

The worship of humans was a peculiar mistress. Old as the soil itself, the watcher predated the existence of mortals in the region and civilization as a whole. When the founders of the town at the base of the hills culled its land to build the foundation their homes - the watcher taught them cultivate the furtile ground and keep peace. It consindered all who entered its lands as members of its flock - no matter how strange they may be.

For the majority, the humans adored their new guardian. The teachings of gods known before where easily tossed aside in favor of a new master. Caring as it may be- the watcher's fair intentions were mistrude as otherwise when it was found to take the bodies of those lost forever to the forest back to the mountains where it lived. It had seen the way humans stored their dead and wanted to honor their cultures as best it could. Its followers mistook its deeds as a call for sacrifice from the crop it had harvested - and who were they to deny their God.

Those who oppose and those who worked their entire lives towards the ultimate goal of being sacrifice to their God were the first to face death. Blood drained; bodies butchered and displayed on the forest floor like fine feasts. Their God was not pleased with their actions and was repulsed by the smell of human blood; diet consisting purely of what its land birthed and the occasional scraps left behind by the natural hunters of the woods.

The humans would sacrifice those worthy at mass and considered new loses to be god's will. It was seen as sacrilegious to return after a night lost in the woods. The watcher lost favor in their humans through these massacres- and the heart wrenching sobs of a lost hiker it had savecthroughly mislead in their worship and bestowed their false knowledge on new generations - but there was one thing they had gotten correct with their research and discoveries involving their lord.

A shift in behavior - marking the change between seasons summer and fall. The watcher's hardened shell withered and softened into thicker, mossy flesh; antlers curling twice as thick and pained whines the kind to send anguish into the hearts of all beings if not for the pleading moans and scents it gave off. The guardian longed for mate - just like every creature in its forest.

In true alignment with their predecessors, the new age failed to realize the correct way to approach their God in such a sensitive state accordingly. Bathing in the blood of the fallen and wandering naked through the wounds - it repulsed the creature so it fled into premature hibernation to rid itself of the aches and frustration. Doomed for entity - the only of its kind; the watcher suffered countless falls with release. It no longer desired the company of man yet yearned for embrace. Alone, wretched, miserable - the watcher imagined its remaining years trapped in endless parallel and pain... and yet as with the seasons-

All things change.

It happened as the trees were stripped of their bearings and nights grew fringed. A musk within range of the watcher's natural intensity wafted over the forest. The fresh dew of spring and the warmth of summer - two elements that brought the creature comfort in harrowing times. Following the scent, the lewd slick of flesh and muffled moans overlap - flooding the lesser god's loins with familiar ache and need.

The watcher tread out into the clearing to find a human perched beneath one of its trees - fingers at work between their legs and shirt tucked between their teeth. A circle of candles and incense surrounded them; a bed of leaves and spare blankets cushioning their body from the hard floor. The tee helped between their teeth was the same color as the moss encasing the local deity's body and the emblem of its horns. A ranger - one that bares resemblance to a face once riddled with fear; now barring the opposite emotion. Lowering the match the mortal's height, the watcher did as it does best - studying the human's acts of self pleasure with intent. Startled by a pitched whine, it's antlers knock against the trees as it lurches.

"You're finally here, huh? Kept me waiting."

The watcher reals as the ranger spreads their legs, fingers plunged deep as they wiggle their hips at the air.

"Don't be shy... We have a special connection you and I.... I'm talking to you."

With a soft chitter - you exit the trees. Stalking forward on all fours, you sniff at the human's arousal as your snout draws against their skin. Black tongue wagging, it sweeps their tender flesh pleased to find no traces of acidic blood and a hint of ripe fruits instead. Enthralled with their taste and scent, the fright as they bring a hand up to your face is enough to cause second retreat. They coo, swallowing the stimulation of being in their lord's presence, and reach out - free hand carding through their hair.

"Hey - hey, don't panic- You remember me, don't you? I was that hiker you saved a few summers back. I always thought the legends were bullshit, but I was still afraid of the unknown. It turned out to be beautiful - my soul mate. See this? I got it when I fell in the river and hit my head on the rocks."

A dated scar bleeds through their hairline. You snort, breath fanning their neck as you cage them to the trees with your larger body, awaiting their next move. Faith unwavering - their hands skim and carcass your torso, glinding through the mossy fur down to the build up of your tension. Teasing the sheath with their nimble digits, you shutter - legs parting as a tendril the color of the night sky and thick as the ranger's thigh unfurls from the slit. Quick to work, the human slides under you - both hands at the base of your appendage. You whine as their lips haul your girth in a trail of kisses - length traveling the side of their face as they reach your thigh.

"You must be in so much pain. So many years with everyone in town going about things the wrong way. It's crazy to think I'm the only one to have figured things out - but it just further proves we're meant to be. Don't worry - I'll take all of your loneliness and pain away."

You don't bother to piece together what their saying. The exhales between each word heightened your sensitive to their mouth riding up to the tip of your growth - lips wrestled slack by the weight pressed to them. You cushion their head and neck with one hand as you thrust, seeking the heat of their mouth. The tendril, slick as it may be - only hits quarter way before the human chokes; the convulsions of their throat drawing a pleased hum from your throat which drones into a concerned murr at the tears lacing their flashes. You pull free - bending down to lap at their face. The ranger's heart swells seeing the light of their god's eyes shine for them solely.

"Don't worry about me - I've prepped for this day since you sent me home. My body is a vessel for your desire - and our future seedlings."

Lost in translation - you get the general picture as they on their back, body displayed for your taking. Devotion engraved into their very being and supple flesh free of damage - this is all you've ever lusted for. The mortal body at your beck and call, captured in its purest beauty. You press forward - crying out in pure frustration and agony as your tendril glossing over its intended target. Rutting and huffing through desperate attempts - your follower guides through your eagerness and their own dire need, and angles themself properly beneath you - wind knocked from their lungs as you sink in at last.

Pushed to edge by every muscle contracting around you, and the sweet relief of finally, finally- obtaining an outlet for your insufferable heats - you howl in frenzied glee. Wasting no time, you start off at a brute pace - jowls snapping in rhythm to each slap of skin. Your follower mewls along with you, hands based on your torso - praying the entirety of the town below can hear your unity. Their stomach bulges with the outline of your tendril and they clench around you conjuring the swell of your young.

"Yes! Ah! My love - breed me! I've waited for this for so long. Take me as you. Give me your love, your young - anything, please!"

Their worship is cut short by the infiltration of your tongue down their throat. Choking as they did on your cock - their eyes dart back as you pin their knees to chest, steady on yours as you plow them into the makeshift bedding. The slick plap of their wetness dragging you back in and the suction of it drives you deeper with every grind. The lack of oxygen from your tongue altering the flood of air makes their muscles tighten further - ripping the first orgasm of the eve out of you as your talons pucker their flesh. Stilling momentarily - thoughts overload with the realization of your true purpose in this realm. Breeding every hole offered to you.

The smell of blood premonating your scents does little to waver the force and intensity of your release - years, decades of build up breaching as you slam against them - pursuing that increasing, staggering high. Your cum floods their hole - leaking around your cock and down their thighs. Rubbing your cheek against their head, you lazily fuck nearly every drop back into them as they twitch and spasm around you. The blessing of being the first real sacrifice to their God was tear inducing.

Your tongue pulls from their mouth, licking salty tears and saliva as apology for nearly asphyxiating them. Your follower gasps and pants, lips formed in conversation but missing the voice to speak. You slip out of them, fluids gushing from their stuffed hole. The sight causes another stir in your nether reigion. Picking them up like an oversized doll, you lean back against the tree as you lower them into your lap - this time being the one to guide your tendril into their greedy hole. Head rolling back, a hand shoots out to grab your horns as you rock upwards into them. Pleasure rocks your very core as they hold onto your sensitive mounts, hands climbing with each bounce. Your cock throbs as they eventually catch on and pour the remainder of their strength into rubbing every curve and bump of your antlers.

Mouth agap - the skin of their shoulder catches in your teeth. Having lost all restraint and repulsion in the stench you bite down, marking as they likely desired. An assumption proven seconds later as a scream tears out of them, body stuttering as they cum around your appendage. Your hand pads their stomach, adding surface for you to better fuck your squirming length into them. You take both of their wrists into your hands - slamming them back on your cock as you finish at the end of their peak - overestimating their shot senses as your length spasms against their fleshy walls. More of your spend leaks from them as you pull out which they shove back as you slump against the ground still cradling them in your arms. The ranger attacks your jaw and chest in kisses, warming your tendril with their thighs and rubbing their own sex against it. Your eyelids fall heavy, twinkling lights dimming. The ranger nestles into your chest - fatigue on the horizon but job far from complete.

"We'll be amazing parents someday. I'm so happy you chose me. Rest now - I'll take care of everything else from here on. Sweet dreams, Dear~"

A new scent - the smell of pine needdles in the winter. Winter - the season when you fell into a deep sleep."

[buckyysdoll]

— 𝐡𝐢𝐬 𝐰𝐨𝐫𝐥𝐝 —

જ⁀➴ — bucky still struggles to come to terms with deserving the life that you gave him; cw: being parents?, brief mentions of Winter Soldier past, killing etc, bucky’s poor self esteem/trauma :( pairing: post fatws! bucky x f!reader

MAIN MASTERLIST

Bucky looked down at the bundle in his arms, swaddled up in a baby pink blanket. Sweet little eyes — his eyes — looked back up at him, and in his hands was a faint, running tremble.

His daughter had all her mom’s beauty, and to look down at her was to look at you, too. Both of his girls, he loved beyond life. The slight tremor spread to his left, phantom limb.

He had never imagined that parts honed for killing could’ve been so gentle as this: to cradle a child, his child, his sweet baby girl in the arms that had only been weapons.

Bucky didn’t think that he even deserved such a chance to prove it was false, either.

That was, until he met you. Until you gave him the life that he held.

Still, it had taken weeks for your husband to touch your pregnant belly — with both hands, with the limb that had only stopped feeling so foreign to his body when you’d shown him how to love it. Because you had — you did — you loved it just like any other part of him; his story was his, and you’d sooner live swathed in his darkness than anyone else’s light.

Bucky often thought back to the first night it had changed. You’d been two months along. And he had cried to feel the baby kick up through the mound of your belly, and to the vibranium.

Almost as if his little girl was saying that it was okay. He was worthy. That no matter what he had done, he was here with her now. Her daddy.

It was seven months later by now, and that sweet little bump was a newborn child. It was two in the morning, and you slept soundly in the bed that you shared and that Bucky had crept from.

At least that’s what he had thought.

A soft gurgle had sounded from the beside monitor, and though she was most likely still sound asleep, Bucky couldn’t resist just one little look. He’d just go and check in on her. For a moment. That was all.

So rubbing his eyes and cricking tension from his neck, he had padded barefoot and half dressed into the nursery.

The one he’d painted any colour but red.

God, he’d spent hours putting that room together by hand — both hands. Day after day, until his eyes had read through furniture manuals to bleed.

You, of course, had helped too; painting walls but getting most of it all on your clothes.

And already, back then it was beautiful: the thought of your future, and the life that you’d made. And she was with you for all of that time, growing soundly and strong in your stomach.

His daughter.

Even now, it still felt like a miracle. Felt like more than he deserved. There were nights when his past still rushed him, and he ran cold with sweat, chased from dreams in your bed.

What if he hurt you? What if he hadn’t truly lost him, and he hurt his own child?

The Winter Soldier may be gone, yes — but how much was left in the man who remained?

And so, that voice came back again and again, all the time. Every day. The one that said that he shouldn’t have this; and that someday, someday he’d see. He’d be washing the dishes, cooking dinner, or walking the aisles of some grocery store — it didn’t matter. There was nowhere in the world where he could escape those thoughts — you do not deserve this life.

Nowhere but for this room. The room where his little daughter slept every night.

Because it was true, after all that he’d done. The people he’d killed, when it should’ve been him. He was never meant for it, should’ve died in the Great War back when he was meant to.

But then he wouldn’t have met you.

Wouldn’t have fallen in love with the woman who’d shared his apartment building, and who’s smile had taken his breath so completely that looking away seemed a crime. And to think he had somehow earned the privilege of the life you’d given him — to spend every night sleeping beside you, and waking up to your face? — was too much.

You, who stood in the doorway to the nursery right then, looking in, your face soft. Of course, you’d noticed his absence like an absence of yourself, and you’d turned in bed, felt for him and reached only empty space.

All warmth, all comfort gone.

But you stood there, now, in his tshirt, arms gently folded over where she had grown; your child who, now sleeping soundly in her father’s arms, was a plain and clear daddy’s girl.

Your eyes met Bucky’s tired ones but his smile was true, and so loving it ached. Love for his wife, for the home that you’d built so far from the hell that he’d long left.

Love for the daughter who yes, had your husband’s devotion.

You wouldn’t change it for the world.

[h4venpha]

i think i find comfort in vashwood because of their unwillingness to say outloud how they care and love for one another. like CANONLY, theres so, so much they dont say, yet their actions reflect everything.

i’m pretty sure i’ve spoke on this before but i like to think that they never say more than they need to because of the world they live in, the type of people they are, the type of upbringings theyve had. it all stems back to them not really feeling worthy of the love they are offered.

wolfwood who only thinks of himself as some fucked up modified killing machine and that he believes theres no chance someone as kind hearted as vash would see the good in him, or what little there is left of the good in him. he’s done nothing but kill, he could never redeem himself, and yet vash isn’t scared nor shuns him for it even with his pacifistic ideals.

vash who has seen the brutal truth of wolfwood’s being and still decides he loves him to the very end.

vash who doesnt believe he deserves any ounce of love or commitment because he only hurts those he gets close to. it’s happened before and itll happen again, like hes a walking time bomb and everything will blow up again and the people close to him will die no matter what he does. and wolfwood who canonly sticks beside him until the end! literally calls himself his guide.

vash who has never had true companionship in his 150 years of living, and wolfwood who follows him to the ends of gunsmoke.

just up until vol10, theyre still toeing the line of the relationship theyve created. but the exact moment vash shows up and chooses to prioritize wolfwood over going after knives (the fucking thing he’s been working towards since the big fall, over a hundred years ago) is the moment he steps past that line. its so extremely open and explicit, even wolfwood asks him ‘why are you here?”

while what he says here is true yes, it also sounds like “you cannot die, i’m here to ‘save’ you because i want to live.”

then to this when wolfwood knows and accepts he will die— the sheer HORROR on vash’s face when he realizes wolfwood wont allow him to save him.

few pages ahead, vash’s monologue starts and these old panels come up. “deep down, he had become very close to me.” basically implying that back then, during the ‘shoot’ moment, they weren’t really close. and when vash accused him: “you’re the coward here.”, “you give up all hope so easily”, it was almost surface level in a way? talking to him at surface level

but now, so many chapters later when wolfwood really does give up hope, vash, with all of his developed love through out the story realizes how differently he feels now. wolfwood made him put a fucking gun to his head (giving up hope), and vash who only scolded and accused him, vs vol10 where when wolfwood gives up hope, vash feels straight terror, that he’s really going to lose him. (also the inverted panel is just so gorgeous.)

the whole “isnt that right, wolfwood?” just proves my entire point that vash’s presence here in this fight steps over the line of vulnerability they had created. he knows how he feels, and he knows that wolfwood feels the same, even if hes speaking to him indirectly.

[hah-studios]

Wish Rewrite

Okay so I got this outta my system. I'm in no way saying this idea is better than the movie. But at least I'm getting my Star Boy fix!

Prologue read via old timey story book:

Once upon a time, not so long ago, there was an island called Rosas. While beautiful, Rosas became terrorized by a monster. The brave, good people of the island tried to slay it, but they were beaten each time.

Then, out of nowhere, came a powerful sorcerer named Magnifico; with his abilities he slayed the beast and freed the people. Rosas was so grateful they named him and, his his beautiful wife, Amaya, king and queen.

The new king would go on to prove how generous and good he truly was: by using his magic to grant wishes…

We are introduced to Asha, who was reading the history of Rosas to her baby goat, Valentino. Several books are surrounding her at home, one of which Valentino is trying to eat. Through talking to the small goat the audience learns more about Asha, while intelligent and hard working, she is shy and a workaholic, always studying and offering tours to visitors. Today is the day she applies to be the apprentice to King Magnifico, like the rest of Rosas she idolizes him and believes following in his footsteps will give her a sense of self. She will look at a picture of her late grandfather who raised her, promising that she will help make wishes come true in honorof his that was never granted.

She goes to guide the newest tour (Welcome to Rosas, with an added on segment talking about the love the king and queen share) where we learn of how King Magnifico and Queen Amaya benevolently rule the island. When citizens turn 18 they offer their wishes to Magnifico who will protect the wish until it is time for it to be granted.

After the tour Asha goes to the royal kitchens were her best and only friend Dahlia is a royal baker. They talk about Asha’s application. Dahlia reassures Asha that she will get the job, and admits she hopes it’ll give her a boost of confidence to maybe make some new friends. Asha says she already has Dahlia and doesn’t need anyone else. It is then Queen Amaya (holding her skinny tabby Lulu) arrives to escort Asha to the king. This version of Amaya feels untouchable, her voice calm and collected as she tells Asha to not waste time, don’t ask to see the wishes, and yes they had received the several letters Asha sent asking for an interview.

Asha is then left in a study where she notices a peculiar door, but Magnifico arrives before she could examine it. He is a charming man, his presence seeming to fill the room as he carries a staff with an emerald tip. Asha is clearly intimidated but he’s polite as he introduces himself, even offer his condolences for her grandfather’s passing-knowing she’s an orphan. Trying not to trip over herself Asha praises the king for his hard work and shows off her knowledge of magic and Rosas. Magnifico is impressed. And after Asha passionately tells him how her ‘wish’ is to help protect Rosas, it’s people and wishes, Magnifico decides she’s worthy to be his apprentice and they’d have the announcement that night.

The people crowd before the castle that night, Asha hurries to tell Dahlia the good news. But Gabo overhears her announcement and makes a snide remark about her overworking and ‘sucking up’ to the king and queen. He is quickly shushed by Bazeema who looks almost afraid of Asha now that she has such a high status. But she returns to the stage to witness Amaya whisper in Magnifico’s ear. He then announces the person to have their wish granted that month; a woman who wants to be a professional dress maker. After using the staff to grant the wish he makes a joking comment that she can now make his wife hundreds of beautiful dresses. He then summons Asha forward to announce her as his new apprentice. Asha happily exclaims how excited she is to help the people, but she is given a frosty reception, murmuring about how they find her weird, are resentful for failing their own applications, and don’t know how this shy girl who never engages with the locals outside tour duty, could become someone as great as their king. Asha takes the doubt but once she can she leaves the stage, tripping in the process and embarrassing herself further. She runs off with Valentino into the forest (This Wish) and ends up noticing one of the brighter stars. She remembers hearing how once upon a time, wishes came from stars. Not seeing any harm to it she wishes to become a wonderful magic user and become as great, if not greater, than the King himself.

The star suddenly seems to glow brighter and get bigger, Asha realizes too late it’s because it’s getting closer. She is knocked into by a human sized ball of light, rolling across the grass before kicking it away from her. It’s to her great shock that the ball of light was…a boy. A handsome boy he glows faintly, his hair a pure golden color that flows like he is underwater, he dusts himself off as he hovers off the ground. They have an awkward but cute introduction, the Star not understanding personal boundaries and getting right up into Asha’s face, giving her a too enthusiastic hand shake when offered and floating around as if there’s no gravity. Asha quickly deduces he’s a star that came down when she summoned him. Her hypothesis is further proven when he tosses some dust on Valentino who then starts to speak. (He is not voiced by Alan Tudyk in this rewrite, instead he will have a voice that better fits his character design. He will be a mixture of Olaf and Jiminy Cricket in terms of personality/role in the story). Asha asks Star to give her the same dust so her wish will be granted, but Star shakes his head. He is mute and tries to explain using sign language, but that’s one book Asha hasn’t read yet. She decides to call him Star before leading him back to the city, he can stay at her house until she figures out what to do with him. On the way he fonds over the animals, hitting them with a few clouds of golden dust (ex. A brown squirrel turns red, a bird’s nest gets an upgrade).

The next morning Asha brings Dahlia over and shows her Star (both he and Valentino would be hiding out in the chicken coop). Dahalia is at first concerned her friend has a man hidden away, but after Asha explains they agree to take him to King Magnifico to see what he has to say. However they want Star to stay under the radar and not get noticed by the townspeople. This is when Star reveals he’s a shapeshifter, transforming into a copy of Valentino, the only different is his eyes are still gold.

The four arrive into town and while things go to plan at first, Star’s natural curiosity has him running off to explore the town, Asha and friends trying not to lose him. He comes across Simon who looks miserable and exhausted at an outside table. Empathetic, Star discreetly puts some star dust in his cup of tea. When he drinks it he’s suddenly energized and is flabbergasted. He turns around just as Asha appears and picks up Star, he asks her if she’s already learned magic from Magnifico, even stating he had just been wishing he could take something that would make him less tired. Asha is awkwardly silent, not wanting to take credit but also not wanting to reveal what Star is. But Simon pays no mind and drags her to his friends so he can show them he’s no longer tired. There is then a montage of the seven dwarves based characters showing off their problems and Star uses his abilities to grant these small unspoken wishes (he gets a jar of honey for Safi to help with his allergies, a chicken coop so Dario can have his own chickens, dancing shoes for Hal, a stress toy for Gabo, Bazeema’s secret introverted hide out, and even a bag of a very rare ingredient for Dahlia so she could make a special recipe she mentioned at the beginning of the film). Throughout this scene we see Asha opening up a bit more to the characters, starting to form friendships. While in Bazeema’s new hideout they talk of having a little party with dancing and treats and in his excitement Star accidentally drops his disguise and reveals his true form. The group is shocked and Asha is forced to explain who he is, though when Gabo tries to accuse Asha of tricking them Star immediately puts himself in front of her, defending her from the accusation. The other characters also come to Asha and Star’s defense and Gabo relents, though snarkily asks if they should tell the King there’s a wish granting, shapeshifting guy from space in Rosas. Asha will go alone to ask, leaving Star with the others.

She arrives at the castle, King Magnifico and Queen Amaya are surprised to see her so soon as he hadn’t summoned her but lets her in. Asha, feeling uncomfortable to just out and say what had happened, asks Magnifico what he knows about stars. The king looks momentarily surprised but quickly shrugs it off, he tells Asha that many years ago stars would grant peoples’ wishes, but only so they could have the human indebted to them. They were malicious creatures pretending benevolence so they could control the masses, one of the worst things was granting evil wishes and having people turn on the ones who wouldn’t make wishes. Amaya retells her how her parents were oppressed by stars after merely asking for food and a roof. Eventually it was decided that the newer generations would never wish on another star, and Magnifico dedicated himself to learning magic so he could help good people have their wishes granted without having to pay him back. And, unlike stars, he has a moral compass, so he would not grant any wishes that would harm people. He then looms over Asha and asks her if there’s something she needs to tell him. Asha looks visibly torn, her respect and admiration for Magnifico clashing with what he told her. Star is not at all like he had just told her, and Asha ends up reassuring him that no, she has nothing to tell him.

She returns to the hide out feeling like a traitor, wanting to talk to Star alone. But the group is already starting their party, dancing and making music. Star, spotting Asha, immediately pulls her onto the dance floor. The group cheers her on as they dance around, and Asha’s anxieties melt away as she’s swept up into the dancing. A spark is lit.

Asha, Star, and Valentino return to her house and this time the two go to her living room where he admires all her books and notices the picture of her grandfather. She tells him how much she loved the man, how he had taken care of her after her parents died, how much she missed how, how she wished his wish could’ve been granted. Star comforts her in her grief and she feels safe enough to tell him about what Magnifico said. Star reassures her the king is lying and Asha finds herself believing him, and yet the King is a great man who has done so much for Rosas-why would he lie to her?

It is Valentino who suggests they go do some snooping (not him though, he’s going to eat a cook book as soon as the two leave).

Star carries Asha into the sky, unable to resist showing off to her first. Asha let’s herself enjoy the feeling of being in the air, feeling like she could reach out and touch the star or hold the moon. They slip inside via the highest balcony, Star transforming into a mouse and riding on her shoulder as Asha sneaks through the castle. They are only spotted by Lulu who tries to eat Star before Asha reaches the study and slams the door, the cat slamming its face into it.

Said study is empty and at first Asha thinks to skim through the books for answers but Star notices the door. Transforming into a flea he slips under the door and opens it from the other side. It leads down a dark stair case with a golden light at the bottom. The two share a glance before starting to go down-only for green light to envelope them both and drag them back up the stairs into the study.

The King and Queen are standing there, Lulu on Amaya’s shoulder, clearly the one who had warned them of the intruders. Magnifico tells Asha she didn’t have to sneak in to deliver them a star, the young girl immediately puts herself between her friend and the king. She tries to tell them he’s not like they think, he’s a good kind person who helped people grant wishes without asking for anything in return. But with his staff Magnificio wraps the green energy around Star like chains and Amaya drags Asha away from him. They call Asha a fool if she thinks they’d let one little star ruin the years of work they’ve put into maintaining their kingdom. That they picked what wishes are to be granted. That the people worshiped them. Asha is forced to realize the kind rulers she wanted to be like-are a lie. Magnifico comments to his wife that Star’s power could be very useful to them. In an act of desperation Asha kicks out, knocking the staff out of the king’s hand. Amaya, not expecting Asha to lash out, looses her grip on her. Once the staff hits the ground the green chains evaporate and Star transforms into a giant golden bird, grabs Asha and flies out of one of the study’s high windows.

Magnifico is furious that they got away but Amaya calms him down, reminding him that the people of Rosas would not believe those two over their loving rulers. She remarks that maybe it’s time to grant Lulu’s wish. Magnifico agrees and his magic mutates the cat into a sabortoothed giant tabby that runs out of the room to go hunt down Asha and Star. The king and queen reprise the segment of Welcome to Rosas dedicated to them, now in a minor key with new context.

Asha and Star escape into the forest, where they first met(they are next to a lake). Asha is crying, heartbroken and scared over what will happen next. Her whole goal in life was built around a lie. How will they stop people as powerful as the royal couple?

Author’s note here; this is a part where I’m not sure how to go about it. My idea is Star comforts Asha and it will lead into a duet, because the demo version of At All Costs is heavily romantic-coded and is perfect to show how much the two have grown to care for each other. But my version of Star is mute so I haven’t figured out how to work around that besides the song being sung over them instead of being sung by them. So please hold that thought

The two share a romantic scene, flying in the sky, dancing among the clouds and coming this close to sharing a kiss.

They are interrupted by the arrival of Lulu who tries to attack them, Star transforms into a giant cat as well, putting himself between Lulu and Asha. But before the Queen’s cat can attack them, Dahlia and the others suddenly appear via carriage and accidentally knock the giant cat into the lake. Lulu splutters out of the water and runs back to Rosas.

The gang tells the two they saw Star flying away and then the king and queen made an announcement that Asha is a traitor and trying to usurp them and ruin Rosas. The news not sitting right with the group they decided to follow, worried for the two. Asha is grateful for their help and touched when they point out its what friends are for. But now they must go hide because the whole town will be looking for them.

On the way back Asha tells them what had happened. Like her they are shocked the king and queen could be villains, but they also don’t think Asha and Star are liars. So they have to make a plan to figure out what the two are hiding and, if necessary, defeat them. (What I Know Now, which adds in a segment for the king and queen ‘lamenting’ that their people don’t know what’s best for them). There is a short moment during this song where it’s revealed Valentino knows sign language, having learned to read from Asha reading to him-and making a point to read books before he eats them. Asha tells him there’s a saying she’d like to learn but the scene cuts before we learn what it is.

The plan is that Star will dash the group with some dust to make them glow and they’d run through the town and forest ‘pretending’ to be Star. This would serve to distract the king and queen long enough for Asha and Star to go back to the study and go through the door. Star also gives Asha a stick and blesses it with his magic for her use. The plan is going off without a hitch, Asha while trying to find information in the study comes across a small journal. She reads it aloud as they open the secret door and go down the stairs:

Years ago, Magnifico wished for magic. A star came down to grant his wish, admiring his ambitions. However Magnificio turned on the star and trapped her, now absorbing her power to grant peoples’ wishes. They reach the bottom of the stairs to see an older woman chained to the ground; the star from the journal. Asha and Star are horrified by this revelation, but before they could free her Magnifico appears having expected them to come back.

Asha accuses him of lying about the stars being malicious, and the king instead says the stars were too scared to risk coming down to grant a human’s wishes. “Except that one, it seems.” He glares at Star and tells him that he would be his new battery and help lead Rosas to even more triumphs. In fact, why stop at Rosas? He could grant wishes of people all over the world, they’d be so grateful they’d do whatever he asked.

Furious Asha lunges at him but Magnificio stops them with his staff and drags them back upstairs to where Amaya is waiting. He offers Asha to his queen, not needing her. Amaya then reminds the young girl of the history of Rosas, how there was a monster that terroized the people…Asha watches in horror as Amaya transforms into a large dragon-esque creature. She is able to escape the study and Amaya chases after her. Star, furious and terrified transforms into his own version of a golden dragon-esque creature and manages to escape Magnifico’s grasp.

Asha is chased outside, nearly killed by Amaya before Star arrives and knocks her away. While the two giants fight Asha hurries back inside to deal with Magnifico.

We cut to a scene of Dahlia and co being surrounded by the villagers, but the townsfolk are starting to waver having seen how much happier the group is thanks to Star granting their wishes. Lulu then appears, prepared to eat them. Valentino, leading an army of the animals Star befriended, chases the big cat off into the woods. Disillusioned the townsfolk follow Dahilia, Valentino, and co back into town to witness the rest of the battle.

Asha, still brandishing the wand Star gave her, witnesses Magnifico dragging the star out of her cell and absorbing so much of her magic that the woman loses the rest of her glow and falls to the ground. Asha tries to attack him but the king teleports the two of them to the roof, ready to throw Asha off and strike Star with his magic. Asha is able to use her wand to keep him from hurting her or Star, but eventually he is able to snatch the wand from her and break it. Desperate, Asha tries to physically wrestle the staff away from him.

 Suddenly there’s a scream, Amaya having bit down on Star’s neck. Magnificio moves to fire at Star to finish him off, but Asha with her own hands still on the staff is able to redirect it and the blast hits Amaya instead. She is evaporated and Magnifico cries out in horror and rage. However the damage is done for Star, transforming back into human form he floats up to Asha slowly losing his golden glow. He holds her cheek for one moment before falling on the roof, completely gray and presumed dead. Asha cries and hugs him, unable to believe this is how the story ends. But then Magnifico grabs her with his magic and drags her away, Asha desperately trying to fight against it, only able to hold onto Star’s hand. The king summons storm clouds to completely cover the sky, vowing revenge against the entirety of Rosas, against the entirety of the world for killing Amaya.

All seems lost, yet Asha starts to softly sing (This Wish (Reprise)), and after a few moments her friends and the townspeople below start singing along, wishing for Star to be revived. We have a short scene of the star woman waking up and hearing the singing from outside. But everyone's sincerity in the wish allows Star to be revived, glowing brighter than ever. Asha, relieved and full of hope, gets up to face against Magnifico. He tries to shoot her with magic but Star’s glow serves as a wall of protection for her, and as she slowly walks toward the man he gets more frantic and desperate, unable to see because of Star’s bright light. He continues to step back until he reaches the edge, loses his balance and starts to fall, Asha grabs his staff as the man vanishes into the roiling ocean below. She then shatters the staff on the roof. The magic shoots out into the sky, wishes given to Magnifico returned to its owners and the star woman brought back to her full strength.

Star is flying around the sky, ecstatic. Asha calls his attention and we see her sign/say the words: “I love you.” (having learned them from Valentino). It is like a firework goes off as Star happily picks her up and twirls through the sky with her, Asha laughing gleefully before finally kissing him.

When the two return to the ground they receive a group hug from their friends. They find the broken stick Magnifico had tossed and Asha apologizes to Star for breaking it, but he simply puts it back together. Dahlia comments that her magic use was pretty impressive considering she had had no real experience. Valentino smugly saying she was greater than the former king. It’s then Asha realizes that Star had helped grant her wish-she just needed to meet him halfway. He winks at her when she makes this realization.

The star woman then appears, stepping out of the castle, looking poised and formidable. Asha tells the townspeople what Magnifico and Amaya had done to her and the people are filled with shame that she had suffered right under their noses. Asha gives her a formal apology and after a moment the star woman nods and smiles kindly, having been impressed by the goodness in these humans. She had thought they would all be vile like the king and queen.

She starts to float, planning on going back to the sky. She looks expectantly at Star, expecting him to come with. Asha is stricken at the thought but reassures him she wouldn’t be like Magnifico and force him to stay. In response Star holds Asha’s hand and gives the star woman a resolute look. She blinks, looking a bit surprised, but then nods and even gives them a small curtsy as if they were royalty. She then shoots upward to become the brightest star in the sky.

At the epilogue Asha and Star are learning all they can on how to lead Rosas, the town wanting them to be their new king and queen. She is getting better at her magic and signs fluidly. They have Dahlia and co be a sort of council for them. With Star’s encouragement people are doing their part to make their wishes come true. Valentino is in charge of Lulu who is going through a program to be nicer, it’s a work in progress.

The final shot is Asha and Star standing at the balcony, sharing a kiss as the scene pans up to show the night sky. The stars look brighter than ever.

Credits roll.

[heyimdove]

More on why Persuasion is the real Jane Austen parallel to Aziracrow, and why Pride and Prejudice is not, because I can’t stop dwelling.

There’s a lot here so I’ll try to structure this in a way that makes sense. Wish me luck.

I’ve seen so many people equate Aziraphale to Lizzie and Crowley to Darcy, but these comparisons don’t make sense. Character-wise, they are far more like Anne Elliot and Frederick Wentworth, respectively.

We’ll start with Elizabeth Bennet, who I love with all my heart and is one of those characters I feel like I know (I’m delusional, it’s fine). Elizabeth is wonderfully intelligent, but she isn’t “accomplished” and isn’t a perfect specimen of Regency womanhood. Instead she’s sharp and headstrong. She wants to live how she wants and with someone she loves for a partner. She rejects a match that is, on paper, perfect and would solve all her family’s problems, because she won’t settle for unhappiness. You know who that doesn’t sound like?

Aziraphale, were he a Regency Era woman, would be considered very accomplished for the time; well-read, polite, even a music tutor. But he’s more unlike Elizabeth because he desires to “do what’s best for the family”. In other words, if Elizabeth Bennet was more like Aziraphale, she’d be married to Mr. Collins. She would’ve considered it her duty to marry him because it would protect her loved ones (see Aziraphale accepting the Metatron). For Aziraphale, his duty to protect trumps his personal desire.

So does that make Crowley our Lizzie? No, that doesn’t fit either, and not only because Aziraphale makes a terrible Darcy. Sure, Aziraphale’s status as an angel might be considered comparable to Darcy’s elevated status as a rich person, but Crowley has never hated Aziraphale, never even considered it, and wouldn’t hate him even after the rejection. Lizzie’s hatred is what spurs Darcy to grow. Darcy needed to be completely despised by her to decide to put in the work to be worthy of her.

Okay, so then is Crowley Darcy? Perhaps we could shoehorn that in somewhere because Darcy doesn’t seem good but actually is, or is considered grouchy, but it’s such a loose connection, it barely works-

-Especially when you consider how much better the two fit as the protagonists of Persuasion.

(And yes, shut up, I liked the Dakota Johnson one and I will be using the gifs.)

Where Pride and Prejudice is about two different people gradually seeing the value in the other, Persuasion is the story of two different people seeing the value in the other right from the start, but who then repeatedly make mistakes that keep them separate and in agony.

Aziraphale is *so* much like Anne. First, Anne is the only reasonable (read: likable) member of her high-born family, who believe people in other societal castes to not only be inferior, but disgusting.

Anne sees this is not true, and falls madly in love with the low-born Wentworth- only to be persuaded by outside input not to marry him. Station and familial duty play a part in this decision, and she regrets it for years. She is completely unable to move on.

Like Aziraphale, Anne is certainly more accomplished, for one thing, and she plays by the rules of women of her time and status. BUT her sense of mortality breaks often from that of her family. When she tries to impart her good morals upon them, they are dismissive and insulting, reacting as if Anne is the one who “doesn’t get it”.

She spends eight years with a family she barely belongs to, wondering why she ever thought the company of people like this was worth the loss of Wentworth.

For all of Anne’s kindness, she is a pushover. She’s rarely confident in herself. When she needs to speak up, or just have a direct conversation with Wentworth, she doesn’t. She can’t. She repeatedly makes Wentworth come to her.

Wentworth, meanwhile, is a far better match for Crowley than Darcy is. Wentworth will never be an aristocrat like the Elliots, but he carves out a life he considers valuable using new rules. Sound familiar?

Are Wentworth’s and Crowley’s morals obviously a bit different? Yes, of course. Crowley is a DEMON, after all. But Crowley conducts himself in such a way that he’s literally cast out of Heaven and removed from Hell- in other words, he’s twice been given “the rules” for how to act and has twice decided, nah, that’s not for me. Wentworth was given the rules for what he could have as a low-born man and became a wealthy, high-ranking naval officer. And Wentworth didn’t do that for love, either. He found the consideration of one’s wealth in determining whether they should be loved abhorrent. Wentworth did it for himself initially (bitterly too, maybe), just like Crowley saves the goats and the kids for himself.

And, of course, Crowley’s confession parallels Wentworth’s position in relation to Anne far more than Darcy’s position to Lizzie. Crowley says “if they (two apparent opposites) can do it, so can we,” because he knows he and Aziraphale love each other. At the start of Persuasion, Wentworth asks Anne to be his wife despite their differing societal rank because he knows they love each other. At the end of Persuasion, he asks again because he knows they have both been in agony, that they both love each other as much as they ever did.

Darcy, meanwhile, does not know if Lizzie loves him, but arrogantly believes she will accept on the basis that what he can offer her monetarily is better than what anyone else can, not knowing what she actually values. She demolishes him.

On that note, that’s really the only parallel between Aziracrow and Darcy/Lizzie, only Aziraphale is Darcy. Aziraphale believed Crowley would accept his offer because he believed Crowley would want to be an angel again. Crowley believed Aziraphale would accept his offer because he knew they loved each other.

These are all very different characters, but ultimately, I think we were gunning for Pride and Prejudice and wound up with Persuasion; the slowest, most agonizing burn with the most beautiful reunion. So we didn’t get “you have bewitched me, body and soul,” in S2. We got the events leading up to Persuasion, and will have S3 to watch them play out. Neil knows that Aziraphale and Crowley’s relationship is the most compelling part of the story, so I doubt they’ll be separated for long. But everything is so messy, isn’t it? So it makes sense to keep them, like Anne and Wentworth, in close proximity, in mutual, bitter, unspoken pining, but still not together. It will be absolutely delicious to watch. Isn’t that what we loved the most from S1?

Because we know they love each other. And whatever catalyzing event forces them to say it out loud will be all the better if every moment they don’t say it hurts. I don’t want a “you have bewitched me” moment, I want “I’m half agony, half hope.”

[mindfulstudyquest]

❥﹒♡﹒☕﹒ 𝗯𝗲 𝘀𝗺𝗮𝗿𝘁𝗲𝗿 ( 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰𝗮𝗹𝗹𝘆 𝗯𝘂𝘁 𝗻𝗼𝘁 𝗼𝗻𝗹𝘆 !! )

𝟭. improve your writing skills ( ✒️ )

i feel that not everyone has the perception of how important it is to know how to write. you don't have to be a poet, nor the new emily brontë, but fluid, conscious, rich writing makes the difference. really. you could write a page without saying anything at all, but if that damn page is written good and smoothly, then you can be sure that you will get extra points. take the time to improve your writing skills, the best advice i have for doing so is reading. read as much as you can. read novels (non-fiction in this case doesn't help because the content is preferred rather than the form), read contemporary authors – you don't necessarily have to read sophocles' tragedies, but read quality stuff. expand your vocabulary, your knowledge of syntax, learn to use punctuation! and then write, tell stories, write love letters, write reviews of films, books, cultural festivals, open a blog on tumblr and write to practice, reread what you write ad nauseam, until it is perfect, until the form of your essay is pulitzer prize worthy.

bonus some of my favourite authors (tell me in the comments about yours!): ian mcewan, banana yoshimoto, haruki murakami, george orwell, josé saramago, albert camus, khaled hosseini, hanya yanagihara

𝟮. develop critical thinking ( 💭 )

if you have always studied passively by absorbing information and vomiting it onto a test sheet then you have wasted your time. taking on information is not enough, you need to know how to rework it and develop your own idea about it. especially in the arts and literature one may disagree with certain information provided by a textbook. developing critical thinking is not easy, especially due to the school system that teaches us to standardize thinking. always consult all available sources on a given topic, compare them, analyze contradictions. it might be difficult and tiring – our brain spends more energy processing two conflicting pieces of information than processing two pieces of information that agree – but it will be worth it. by practicing critical thinking and improving your argumentation skills, you will not only be able to improve in your studies, becoming able to present complex topics and make interdisciplinary connections, but also in daily life, you will become much less influenced and manipulated by external information.

𝟯. find yourself an interest ( 🌷 )

it could be anything, but find an interest that excites you and you enjoy and do research about it. watch videos, documentaries, read articles. it doesn't have to be school-related, it must be an external topic that you are passionate about and that allows you to rediscover the joy of studying and learning every time school seems to suffocate it. sometimes i'm not in the mood to study for exams, so i dedicate myself to my personal research and finally find my spark, my seek for knowledge. for example, my interest is true crime, it has always fascinated me since i was little, but yours could be wild animals, makeup, comics, ships, planes, ocean flora, literally anything. there is no constraint.

𝟰. analyze your mistakes and recognize your wrongs ( 🫒 )

there is no shame in making mistakes. everyone makes mistakes, we are human, but the real sin is getting bogged down in mistakes, refusing to acknowledge them, and continuing to make them again and again. we should be continually growing, continually discovering ourselves, both intellectually and emotionally. how many of you were the "gifted kid" when you were little and then grew up into burned out high school / uni students desperately seeking academic validation? there comes a time when talent isn't enough, you have to put in the effort, and this doesn't make you less intelligent or gifted, in fact, quite the opposite. dedicating time and attention to your personal and intellectual growth also means having to ruminate on your mistakes. it's scary, but it's the most effective way if you really want to improve. take a notebook and at the end of the day reflect on the highlights and the wrongs, what you could have done better, where you would like to push forward tomorrow, what you achieved today. did you make a mistake? first ask yourself why and then look for a way to solve the problem, make every bad moment a lesson, a brick on which to build the version of you you wanto to become tomorrow.

𝟱. don't be afraid of doing researches ( 🧃 )

the amount of fake news and misinformation online is appalling. opening any app like tiktok or instagram we are inundated with information that is often (not always, but not so rarely) inaccurate. don't be afraid to conduct your own research, if you have time to mindlessly scroll through tiktok you will also have five minutes to read an article regarding that information provided. don't know the meaning of a word? look it up before using it. not sure about a piece of information? check it before using it in your argumentation. in the age of immediate access to data we have no excuse to be superficial.

𝟲. master communication ( ♟️ )

mastering communication is essential in both personal and professional realms. it's the cornerstone of building meaningful relationships, whether it's conveying ideas effectively in academia or fostering connections in the workplace. developing strong communication skills not only enhances your ability to articulate thoughts but also empowers you to listen actively, empathize with others, and resolve conflicts constructively. ultimately, honing these skills cultivates confidence, credibility, and success in all aspects of life.

𝟳. push yourself out of your comfort zone ( 🧸 )

build your confidence. confidence is uncomfortable. don't be afraid of it. you are young, this is the right time to experiment, take risks, discover who you really are. this is the best time for you to do those things that you would otherwise never do, you don't want to regret later in life that you didn't accept that scholarship, that trip abroad, that job opportunity, because you didn't feel comfortable enough. do things that take you out of your comfort zone until everything becomes your comfort zone. go on solo dates, be a social butterfly, tell the girl at the bookstore you love her t-shirt, go to the theater alone, eat at a restaurant alone, take that trip. if it goes badly, you'll only have one funny story to tell.

𝟴. stay informed about the news (but not too much!) ( 🌍 )

this might be controversial, but: stay informed about the news, just don't overdo it. personally, i am an easily influenced person and i realized that being constantly exposed to the bad things happening in the world had drained me and made me terribly depressed. don't get me wrong, you need to be informed about what's happening in the world and in your country, just being constantly surrounded by horrible news repeated ad nauseam on TV programs is of no use. be aware.