#the protagonist's love interest is almost always framed as being wanted by everyone

[chirpsythismorning]

Mike being the OG protagonist + Will having some girl crushing on him almost every season, tells me everything I need to know...

[anthurak]

So I recently saw some discussion on Luz being a ‘Chosen One’-type character. And it really got me thinking about how Luz is, if not an outright subversion, certainly a very interesting exploration and twist on the ‘Chosen One’ trope.

See, Luz technically fits most of the criteria for being a Chosen One, namely being ‘chosen’ by a greater/higher power (the Titan) and gifted great power (glyphs) which she winds up using to defeat the big bad (Belos). However, when we look at the context, execution and subtle nuances of Luz’s relationship with the Titan, we see a lot of differences from what we would expect from a more ‘typical’ Chosen One.

Consider for a moment when most Chosen-Ones are actually ‘chosen’. Usually it’s from the moment they’re born, or in some cases even long BEFORE even that. Alternatively it’s at the very start of the story as part of whatever inciting incident kicks off the protagonist’s role in the plot. Basically, a protagonist being a ‘Chosen One’ is almost always closely tied up in whatever is bringing them into the story in the first place.

But that’s NOT what happened with Luz. She’s not some ‘destined savior’ who was singled out by the Titan when she was born, or even when she first entered the Boiling Isles. No, the first time Luz became known to the Titan (barring time-travel chicanery*) was almost certainly when she began to befriend their son.

I mean, think about this: it’s not until episode FOUR that Luz actually becomes ‘chosen’ by the Titan when they show her the first glyph.

On top of that, there is nothing ‘destined’ about the Titan showing Luz the glyphs. I mean I think it’s pretty clear that the first time they showed Luz the light glyph they were simply trying to help Luz and King to pacify Eda. And after that, they kept showing Luz more glyphs… simply because they wanted to.

The Titan didn’t show Luz the glyphs as part of some grand, thought-out plan for her to defeat Belos and bring peace to the Boiling Isles. Luz didn’t pass some ‘secret test of character’ to become ‘chosen’ by the Titan. She was simply kind and befriended King, and so the Titan decided to just… help her out. First by showing her the first couple glyphs and then showing her more because, well… they LIKE Luz.

The Titan may fill the role of some greater, higher power of the series, but when we finally meet them, they aren’t really presented as one. The Titan is characterized as being quite grounded and down to earth. For all of the incredible power and influence they have over the series, the Titan isn’t presented as some ‘godly’ figure, but simply as ‘King’s Dad’. And not even in some ‘all-knowing, omnipotent entity taking on a form the protagonist can comprehend’ way either (see Amphibia’s finale), but instead simply as a person who wanted to do the right thing, made some major mistakes, and now in large part just wants their son and his new family to be safe and happy.

Again, it all frames the Titan reaching out to Luz to show her the glyphs not as part of some grand plan to defeat Belos or some other ‘destined purpose’, but as the Titan simply wanting to help Luz.

Contrary to what I think a lot of people think, I would call Luz’s story fundamentally distinct from the typical ‘Chosen One’ narrative. Despite the surface-level similarities her story might have, there is nothing ‘destined’, ‘predetermined’ or ‘chosen’ about Luz’s story. She really did stumble through Eda’s portal door chasing Owlbert by pure chance. And it wasn’t some hidden, secret, inborn ‘quality’ about Luz that led to her receiving knowledge from the Titan, or even pure, random happenstance either. Luz simply befriended the Titan’s son and slowly grew into his adoptive older sister.

Just as Luz’s friendliness, kind heart and love for the Boiling Isles and its people endeared her to Eda, King, Amity and so many others, it also endeared her to the very Titan themself.

*If anyone is going to bring up the time-travel point, I would like to remind everyone that is the ‘Stable Time Loop’ trope. NOT ‘The Chosen One’ trope.

[goblins-riddles-or-frocks]

for the violence ask game: 1, 12, 19!

Choose Violence Ask Game

1. the character everyone gets wrong

I feel like this is fairly low hanging fruit because this is something I complain about a lot but the darkling!! I feel like softening him far too much was always a fandom tendency but after the show basically overtook all fan interpretations it’s gotten real bad 😂 like he’s just not interesting if he’s a crybaby sad boy who’s never done anything wrong in his life?? why is that even something people want from this character??

he can be sympathetic and horrible at the same time! that’s simply more compelling!

12. the unpopular character that you actually like and why more people should like them

also a fairly basic answer but I’m a die hard alina defender at this point. this character gets treated so poorly by canon and fanon alike.

I guesssss I can get people disliking her but she’s usually treated like she’s a blank slate generic protagonist and I think that’s simply untrue! I really like her just being so sour, recalcitrant, and snarky, especially next to the darkling’s grandiose fantasy villain monologuing. she’s such a like normal dumb teenager, and I think that’s fun!

19. you’re mad/ashamed/horrified you actually kind of like…

agshdhff I’m struggling a bit here because I have no shame

generally I guess my taste is very predictable! if characters try to kill each other I will ship it. if there’s a villain/hero dynamic I will ship it. also just anything with like lol questionable boundaries or any sort of fraught dynamic.

it’s also a little frustrating because I’ll almost never like dynamics where the romance is the point and meant to at all be endgame. I tend to only be interested in relationships if the fraught aspect is narratively genuine and meant to frame the characters as like off limits to each other.

anyway trying to think of questionable things. like eye think the funnest alarkling moment is when he threatens to skin her rip. I read bear and the nightingale recently and couldn’t be bothered to care about the actual romance because the fucked up dynamic with the priest was too much fun. I reread twilight last year and skipped right past the actual love triangle and was instead very very intrigued by the possibilities of bella/carlisle.

oh also like if there’s any sort of trope falling into the typical “white/blond haired anime boy ruins one person’s entire life” I’m probably into it! so like jonadio, griffguts, ryokira, the list goes on.

[sundaysundaes]

Falling

Lee Donghyuck/Haechan X Reader | Smut, Fluff, Angst | NC-17 | 11K

Summary: In the absence of your warmth, Lee Donghyuck begins to reminisce the loving memories he’s shared with you in the past three years, regretting how your first fight turned into something that ended it all. Lyrics are taken from this beautiful song: Harry Style’s Falling.

Warnings: Unprotected sex (please practice safe sex!), oral sex, alcohol consumption, swearing

I'm in my bed

And you're not here

The small, barely prominent crack on the ceiling of his bedroom has always gone unnoticeable. It stands only as a silent witness of the meeting between a pair of plumps lips to redder ones, the breathless sounds of frantic moans, and the sacred exchange of loving words. But not tonight. Tonight, as he lays on his bed, sheets all crumpled but with the absence of your warmth, Donghyuck notices everything.

He notices how quiet his room—his entire apartment—feels when it’s only the sound of his own, soft breathing echoes through the air. The walls, the carpet, the bedsheets, the framed photographs that remind him of the joy that used to bloom on his face—everything feels monochromatic. Empty. Shallow. Because ever since you walked out of his life, you’ve taken all the colors with you, leaving him solely in black and white.

And there's no one to blame

But the drink in my wandering hands

With the bitter taste of vodka sitting on his tongue, Donghyuck closes his eyes, allowing himself to remember but not forgive the words he once said to you. 

Regrets start to suffocate him at once.

Forget what I said

It's not what I meant

And I can't take it back

I can't unpack the baggage you left

What hurts from a break-up is not the parting of two hearts, but the memories that had been drawn deep within them. It’s not the kiss that he misses, it’s the taste of your lips—the faint scent of strawberry that sits pale in comparison to your natural flavor. It’s the way they move against his own, timid at first then consuming all at once. And how there will be no other girl that will taste the same, feel the same, or emit the same kind of feelings from him.

It’s funny, Donghyuck thinks, how he can only see your smile behind his closed eyelids these days. But he doesn’t find himself laughing. He can’t even remember the last time he found a reason to smile, now that you’re gone.

The moon was hiding behind thick clouds, he remembers, that night when fate walked in and introduced you to one another.

Donghyuck’s eyes were glued to the silver screen, adrenaline pumping through his veins as he witnessed the battle between the villain and the protagonist grew deadly. The thrill of it soon perished, however, when a scent of chamomile shampoo fleeted through his nose.

Your head was falling onto his shoulder as you waned into your dreamland. Unbeknownst to you, you had been leaning your weight entirely to a stranger whose bergamot perfume compelled you to focus on anything besides the movie. It was as pleasant as it was distracting. But after being sleep deprived for three days, exhaustion finally took over and you fell asleep so deeply, you didn’t even have the strength to dream.

Your weight on his body was unfamiliar but it wasn’t uncomfortable for twenty-two years-old Lee Donghyuck. As he took a glance at your face, it wasn’t your beauty that kept him frozen—except for the gentle smile that broke on his lips. It was how peaceful you looked, almost like an enervated child curling up after spending her time chasing butterflies on the field.

Donghyuck shifted carefully on his seat, attempting his best to give you comfort by providing more space for you to lean your weight on. Then he stayed still, his smile never faltered away, the movie long forgotten. He didn’t spare a glance at the screen even when people were gasping at the sight of the protagonist dying in his lover’s arms. He was more intrigued by the thought of your name, wondering whether it would sound as nice as the smell of your shampoo.

When the credits rolled, Donghyuck told Mark and Jeno in hushed whispers to leave without him, throwing icy glares at them when they grinned devilishly at the sight of you sleeping on his shoulder. He went as further as kicking Jeno on the shin when his voice rose too loudly, afraid that he’d wake you up, which made the other man complain because certainly, the background music was louder than anything else in the room.

Nevertheless, you were still deep in your slumber.

Donghyuck begged for more time when one of the concessions workers asked him to leave. Refused and left with no other solution, he sighed and turned his head toward you.

“Hey,” he whispered, heart palpitating in anticipation of finally hearing your voice. “We have to go.”

His voice was foreign to your ears but it was so soothing, almost like a lullaby, that you snuggled closer, wanting to hear more of it. It took Donghyuck three times more with his cheeks reddening to call upon you until you finally found the power to detach yourself from your stupor.

“Hey there,” a boy—beautiful boy—with glowing, sun-kissed skin; round, enticing eyes; and a voice as sweet as honey, beamed at you with a smile so warm, it nearly melted your heart, and you decided ah, I don’t ever want to wake up from this dream.

It was when the usher popped into your vision, stating, “I’m sorry, Ma’am, but we’re closing,” that you internally screamed oh God, no, this isn’t a dream, what have I done?

“So that’s what he said.” Donghyuck’s smile was sheepish with a tint of teasing, and your heart moved on its own, yearning for him to display you another one. “But if you still have time to spare, we can go get some coffees or something. I can fill you in on the details.”

“A—” Your voice was hoarse from sleep, embarrassingly so. “About what?”

“About the movie you just missed.” The grin he showcased grew wider and this time, it was so utterly mischievous that you had to break your gaze before heat rushed to your face. “The fact that you’re here watching a movie by yourself must mean you’re interested to see how it ends. I can help you with that.”

“Umm—” You rummaged your purse, pretending like you were searching for something when it was only a poor excuse for you to not be captivated by his eyes longer than you already were. “It’s fine, I can look it up online.”

“But then what should I do with this?” He brought his right hand in the air, pursing his lips. “My arm’s falling asleep. Shouldn’t you take responsibility for it?”

The horrified look on your face made him laugh, and his laughter became the reason why you decided to throw all common sense away and just went with what felt right.

Awkward conversations made you anxious but they died before you could finish your coffee. They were reborn into something that was supposed to only be shared between friends instead of strangers, but with Donghyuck, everything felt so natural, you didn’t even find the will to question it. His affable, carefree attitude was almost inspiring, breaking through your facade as easy as counting his fingers.

“So, how come you went to the movies by yourself?” Donghyuck asked, his coffee long forgotten on the table as he was more drawn to you and the little smile you retained on your lips. “Boyfriend too busy to come along?”

A bit flustered, you brought your head down, hiding your eyes behind your fringe. “I don’t... have a boyfriend.”

Donghyuck raised an eyebrow, lying his chin on his palm as he rested his elbow on the table. The way he stared at you made your stomach flip, and he reciprocated with nothing but a hum, tapping a finger to his cheek. His tiny smile held a thousand meaning.

You hurriedly took a sip of your coffee. “I, uhh, I had some free time today and it’s my favorite movie franchise—I just got to see how it ended. But all my friends have seen it, so…”

“They didn’t invite you?”

“They did. I was just busy with work.”

His voice dropped an octave lower. “And they didn’t wait for you.”

“It’s—” Your chest tightened. “It’s fine, really. I mean, it would only make me feel bad if they waited for me. My schedule is crazy. I haven’t been sleeping properly for three days because of my deadlines.”

“Yeah, I noticed that.” He chuckled and you noticed how his teeth were a little jagged. “I could still smell your drool on my shirt, actually.”

“Oh my God,” you spluttered. “I’m—Please let me wash it for you.”

“And you expect me to walk home half-naked?” His naughty eyebrow raise made your skin tingle. “Or are you inviting me to stay over?” Seeing you part your mouth but lost for words, Donghyuck tittered. “I’m kidding. I would’ve waited for you. No matter how busy you were, I would. And even if I’ve watched it first, I wouldn’t mind watching it again with you.”

You shook your head, both in attempts to disagree with his words and to erase your blush away. “But that would be a waste of money—”

“That wouldn’t be a waste, and you know why?” He leaned closer, body almost halfway through the table. “Because for me, it’s never about the movie. It’s about watching it together with you. About us complaining about the plot holes, talking about the bad acting, laughing at each other when something reminds us of one of our inside jokes. That’s what makes it worth.” As Donghyuck realized how your eyes were locked with his, your breath hitching in your throat with the proximity, he quickly plummeted back to his seat, flushed. “I mean, it applies to everyone—not you, specifically.”

So he could be shy, you wondered. And what else could he be? Maybe buried underneath those mischievous grins, laid a caring heart. Maybe he could be the one who’d understand when you missed three of his calls as you tried to survive your deadlines. Maybe he would cook you breakfast instead of just reminding you to take one. Maybe he could taste sweeter than any boy you’d ever kissed.

So when his curiosity for you matched the intensity you had towards him, you let your walls crumble, welcoming him with open arms.

“It’s going to rain,” Donghyuck mentioned, eyes observing the night sky, dark clouds rumbling as they hovered above you. You were walking next to him, knuckles nearly grazing one another from how near you were though none of you was brave enough to close the distance.

Although obvious, you decided to humor him. “Yeah? How can you tell?”

“‘Cause I’m psychic.” The added wink in the end was a bonus but to you, it became the main reason why you had to drag your gaze to your feet.

Funny how for the past three hours, your smile never faltered away—almost to the point that your cheekbones began to hurt—when you could barely remember the last time you found amusement in anything.

“Are you cold?” he asked, and you promptly shook your head no. Unfortunately for you, your body betrayed you. Donghyuck chuckled softly when he noticed the shivers that ran through your spine. “Want me to lend you my jacket?”

“Oh—no, it’s fine, I’m—”

“It was a rhetorical question, dummy.” The body heat that was imprinted on his leather jacket made you well-aware of just how warm he actually was. The scent of his bergamot perfume was overwhelmingly delightful, but there was another scent underneath it—something that reminded you of summer, sunlight, and sandalwood—that made you wonder, maybe, if he wasn’t wearing this perfume, he’d smell just like this.

He pushed your hair away from your neck, straightening the jacket until it enveloped you entirely with its warmth. “Better?”  

You eventually managed to snap yourself out of your reverie. “Were you always this smooth with women?”

“No, I just practiced in front of my mirror a lot.”

“Practiced what?”

He wiggled his eyebrows. “The art of seduction.”

“Is that so?” Your cheeks began to warm but it was probably because of the jacket. “Guess I should try that sometimes,” you joked.

“I don’t think you need it,” he cooed, bending himself down a little so you were eye-to-eye. “You already have me wrapped around your fingers from the second I laid my eyes on you.” When you became petrified by his words, his laughter reverberated through the air. “Now, that’s an example. How did I do?”

Ignoring your racing heart, you retorted, “Terrible.”

“Then will you let me practice on you so I can get better?”

Just like that, you found yourself sporting another smile. “Now, that’s smooth.”

Your life had been dull, repeating the same routines over and over again with your job taking most of your precious hours. Being with Donghyuck was a breath of fresh air—a stranger who was attentive to every little gesture you made, every little word that escaped your mouth, as much as he easily stole your attention away. His confidence was inspiring, his laughter was contagious, and you adored every little bit of his quirkiness.

“This feels like a date,” he professes, smiling diffidently to himself. “Would it be okay for me to think of it as a date?”

Suddenly, your vocabulary had diminished into nothing but his name. You nodded, and surprisingly enough for you, Donghyuck snickered, hand reaching out to playfully—almost childishly—ruffle your strands. “Thanks. Then a date it is.”

You wished time could go slower so you could savor the moment, memorizing the heart shape of his lips when he grinned.

You stopped in front of your apartment building, a breeze of cold night wind caressing your cheeks. “Umm, this is me,” you said, dismantling his leather jacket of your body. “Thank you... for this.”

Donghyuck’s fingertips grazed against your knuckles and it took longer than necessary for him to retrieve it from your hand. “You’re welcome.”

“And...” Your mind strayed away from forming the right words as you took notice of him wearing his leather jacket, how it fitted him so perfectly, how handsome he looked. “Umm, thank you for walking me back.”

“Thank you for giving me the chance.” His smile reminded you of spring, your favorite season, the way it blossomed on his face, so warm and beautiful. “I could’ve been a serial killer, you know. Showing me where you live isn’t too smart.”

“You don’t look like a serial killer to me.”

“Yeah?” His smile turned impish. “Then, how do I look like to you?”

You were fast to pivot on your heels. “I think I should go.”

His laughter filled the air. “Wait, I haven’t even said good night yet.”

“Then good ni—“ Your words died on your tongue when a pair of plump lips found their way to your cheek, just brushing lightly against the skin but your entire breath escaped your lungs at once. He retraced his steps before you could respond properly, biting the corner of his lip, looking somewhat unsure.

“Sorry if that’s—“ Donghyuck cleared his throat. “Umm, good night.”

You felt lightheaded, and you shortly blamed it on the amount of espresso you’d gulped too much during the day. “Good… night…”

Donghyuck was too bashful to meet your eyes, which was why you were brave enough to sneak a glimpse at his face. You decided that his sly, confident grins looked alluring on his face, but they were nothing compared to how adorable he seemed when he evinced that nervous, shy look on his face.

It took a few seconds before Donghyuck gave you a weak nod and walked away, taking the same direction from where you came. Something queasy grew inside your stomach, your grip around your purse tightening. 

Is it all there is? Am I never going to see him again?

With a heavy sigh, you walked toward your building.

Maybe he doesn't like me that much... But what do I do now? I want to see him again.

I don’t want to let him go without knowing whether I could see him again.

God, for once, just do something for yourself. Do something that makes you happy, be brave!

Taking a deep breath, you chose to gamble.

At the same time you turned on your heels, shouting his name, Donghyuck was calling upon yours and you both met each other halfway, breathless when it didn’t even take you more than twenty steps to reach one another.

“H-hi,” you greeted, voice quivering but not as much as the fingers you curled around the hem of your blouse.

“Hey.” Donghyuck’s gaze softened. “I was wondering—”

“Can we meet again?” You didn’t intend to cut him off so abruptly, but the anxiety within you nearly made your heart burst that you ended up asking the question without waiting for him to finish his. “I—I mean—I’m sorry, I didn’t mean to interrupt—”

“Yes, a thousand times yes,” he answered in one breath, with his sentence ending in chuckles. “You’re adorable, do you know that?”

Your heart was still about to burst but for an entirely different reason. “That’s…” You tucked a loose strand of your hair behind your ear—a habit that seemed to appear whenever you were too embarrassed to function. “That’s great. I mean, the fact that you want to see me again, not—” Oh God, okay, stop. “Well, then, umm, I guess I should leave now.”

He concealed his grin. “Aren’t you going to ask for my number or something?”

You mentally slapped yourself. “Y-yes, that would make it easier.”

The way Donghyuck was gazing at you made you feel like you were about to fall from the edge of your seat. He must think I’m an idiot. But had you been brave enough to see the gleam in his eyes, you would’ve noticed how he was staring at you so adoringly. “Give me your phone then.” When you just stood still, too busy trying to comprehend that a cute boy was really going to give you his number, Donghyuck added, “To add my numbers, Sweetheart. What, do I look like someone who flirts with pretty girls just to steal their phones away?”

“I wasn’t—” You quickly handed him your phone. “Here.”

Donghyuck’s smile grew playful again. “Care to make it interesting?”

“What?”

“I’ll add my numbers except for the last digit. You gotta guess it.”

“What? Why—”

“Because you’re cute,” he repeated, cocking his head as he returned your phone. “And it makes me want to tease you even more.” You unconsciously began to pout and he nearly whimpered at the sight. “Don’t do that, that’s not fair.”

You mumbled quietly, “I don’t like being made fun of.”

“I’m not making fun of you, I’m teasing you. There’s a difference.” He sighed, fingertips aching to reach out and swat your bangs away from your eyes. “A huge difference.”

You jutted out your bottom lip. “Feels the same to me.”

Donghyuck leaned in, calloused palm finding its way to cup your cheek, lifting your face so the streetlight could illuminate your features. “You need to wash that pout away from your face,” he whispered, eyes slowly going down to your lips that you had to remind yourself to breathe. “Or else I won’t be able to hold myself back.”

It was supposed to be another teasing, you knew he only meant it that way. But all trace of playfulness quickly vanished from his face when he noticed your eyes drifting to his lips—just for a split second—but that was enough. He saw the sign, he felt the chemistry, and there was no way he was going to let it pass just like that. Not when he had been thinking the same thing repeatedly for the last three hours you’d been together.

It wasn’t your first kiss—nor your second or third—but it was the kiss that mattered and you weren’t sure why. Three hours ago, he was a stranger. Now, he sent a trickle of electricity through your bloodstream, as if he was your first love. As if you had been wanting him for years.

A gentle rain began to pour over your heads, tiny droplets staining your cheeks but all you could think about was the way his thumb was caressing your cheekbone, how his lips were warmer and softer than anything you could have imagined, yet fierce and powerful at the same time.

“Am I going too fast?” He asked in a broken whisper, parting away just enough to murmur the question but close enough that you could still feel his words grazing your lips.

“Yes.” But you curled your fingers on the front of his shirt, tugging him closer. Donghyuck sighed into your mouth, eyebrows furrowing as he let himself drown deeper in passion. What started as a chaste kiss became ardent, and you allowed him to taste you enough so that he would fall asleep thinking about your lips. Donghyuck took a hold of your wrist, detaching your grip from his fabric and moved it up, silently telling you to wind your arms around his neck instead. The second you did it, he melded his lips with yours in a passion that matched the blazing sun, entangling his long arms around your waist, nearly lifting you off your feet as he embraced you tighter.

You wanted to preserve this moment. Right here, kissing fervidly under the soft rain in the arms of a stranger, drowned in the feelings of excitement. Because if you were oxygen, then Donghyuck was dying to breathe.

When it ended, you wished it didn’t have to. Donghyuck’s eyes were deep and intense as they peered into yours, growing a bit half-lidded when he shifted them back to your lips. “Hey.”

You mirrored his gentle smile, forehead pressing against his. “Hi…”

“I don’t know about you,” he chuckled lowly, “but as far as first kisses go, I think that was the best first kiss in the history of mankind.”

You tried to suppress your laughter but failed instantly. “Hyuck?”

“Yeah?”

“Judging from that line, I think you need to practice harder on your art of seduction.”

“Let’s just go back to kissing for now. I like kissing.” He pulled you in again, exchanging muffled giggles between playful kisses.

And if happiness had a form, it would’ve had his smile.

What am I now? What am I now?

What if I’m someone I don’t want around?

I’m falling again. I’m falling again.

I’m falling.

It’s almost laughable that the memories that once sparked so much joy in his heart have taken a shape of javelin, striking him deep in his chest, right where he ached for you the most. It tasted like summer when he kissed you in the rain, and the pain that swells in Donghyuck’s heart whenever the memory of it suffices is harder than the storm. And now, it’s the silence of the room—the absence of your presence—that pierces his skin.

It was easy for him to fall in love with you. So easy, it frightened him at first. After his first relationship, the way his first love shed his heart to pieces, he thought he wouldn’t be able to love someone ever again. Wouldn’t have the courage to even try. But when you came into the picture, Donghyuck didn’t even have the strength to resist. You were everything he ever wanted, an epitome of the woman that graced his dreams. And he was a prisoner, trapped under your spell.

So, why does everything have to end?

Now that he’s falling without you catching him, what is he going to do?

He hates who he’s become. He loathes the fact that he can no longer easily smile like he used to. He despises how grimly he envisioned the world these days. As if you were his entire future, and now that you’re gone, his whole world collapses. Donghyuck no longer knows himself, as you were the one who defines him. The one who gave meaning to his life. The one who mended his broken heart.

What if I’m down? What if I’m out?

What if I’m someone you won’t talk about?

I’m falling again. I’m falling again.

I’m falling.

You must hate me now, Donghyuck ponders, bringing his arm over his face, nibbling at the corner of his lip. The things I said… How I let you go without even giving us a chance… I must have hurt you…

It all began that night, on the day of your twenty-sixth birthday. Two years had passed since you shared your first kiss. Little fights over your differences couldn’t be avoided, but they helped nurture the bond you had with him, making it stronger. And each forgiveness was sincere and was rich in kisses. Donghyuck always made sure of that.

As you were fond of movies, your perfect date must involve watching a movie together with him so Donghyuck, dressed unusually handsomely in a white button-up shirt and black khakis that caught you off guard, took you out to the movie theater—the place where fate once meddled in and brought you to one another.

Knowing your taste, he paid two tickets to see the latest romantic movie, two buckets of popcorn, and a coke for him but iced green tea for you, realizing full well how soda had become one of your biggest enemies ever since your diet started. He made sure that your seats were located on the corner top of the theater, private enough for him to snuggle close to you or steal kisses whenever he felt like doing. You didn’t mind because Donghyuck would only kiss you when you seemed bored, never wanting to bother you when you were too immersed in the movie. He simply kept his hand laced with yours the whole time to make up for the loss.

Complaining about the plot holes and making jokes that only you two could understand had become Donghyuck’s habit to keep you entertained during the movie and it was something you always looked forward to. But that night, he was quiet, his eyebrows creasing in irritation but because of what, you were clueless.

“Are you okay?” You asked as you exited the building, this time being the one who reached out for his hand first. Donghyuck stiffened but his shoulders soon relaxing as he intertwined your fingers together.

“I’m fine,” he assured. “Why, do I not look fine?”

You weakly smiled back, uncertain. “You just seem awfully quiet, that’s all.”

He rubbed his nape, somehow looking a bit perturbed. “I just… It made me remember something I’ve been trying my best to forget.”

“You mean the movie?”

“Yeah.” He sighed into the night, puffs of hot air erupting from his slightly chapped lips. “I don’t know about you, but I think the way the movie depicted their long-distance relationship is just bullshit.”

There was so much bitterness in his words that it nearly made you stop walking. Suddenly, there was a thick tension around you, one that made you aware that it would be wiser to drop the conversation. But curiosity was eating you from the inside. He looked so crushed, so angry, and Donghyuck was turning into a whole other person before you.

You asked him what happened.

“I don’t think I want to talk about my past relationship when I’m celebrating a special night with my girlfriend.” He forced himself to laugh about it, but it sounded hollow.

You unconsciously tightened your grip around his hand. “I just wanted to understand you better.”

“Hey.” He pulled you toward him so abruptly, you ended up falling on his chest. His smile was warmer when he looked at you. “Without even knowing my past, you already understand me better than anyone.”

You were still unsettled when Donghyuck kissed your lips to divert your attention, softly biting your lower one just to joke around to ease the tension. “Ah, I can’t wait until we’re home,” he whispered when all laughter had receded and he had his fingers tucking your loose strands behind your ear. “I want to make love to you.”

Your heart beat thunderously inside your chest. “You’re—you’re just gonna say it so blatantly like that?” He used to be so shy about it, asking you to join him in bed by pressing open-mouthed kisses down your neck instead of using words.

“Just wanted you to know my plans beforehand.” He simpered. “Or do you not want to?”

Face aflame, you hurriedly took a couple of strides forward, leading the way with your hand clamping his wrist. “Where are we going?” Donghyuck frowned but followed you nonetheless. “The restaurant is right there.”

“We can have dinner after.” You threw a look over your shoulder, too nervous to smile, but hoped your words would deliver. “Aren’t we going to make love?”

His astonished look soon turned delicate. Donghyuck’s smiles were always beautiful, but the ones that were caused by you were the brightest. 

As soon as the door clicked open, Donghyuck half-pushed, half-carried you inside his apartment that smelled pleasantly like him. He didn’t wait until it was properly closed before he latched his parted lips on your softer ones, fusing perfectly in the way no one ever could. A stinging pain erupted from the back of your head when Donghyuck drove you to the wall, not knowing his own strength, but when you groaned against his mouth, it was solely because you needed him as much as he needed you.

“I love you,” he breathlessly said against your neck, tearing your coat away from your body, fingers slipping underneath your dress. “I love you so much, it’s insane.”

It had been three months since you first exchanged the sacred three words, but no matter how much Donghyuck had whispered them to your ears, painted them to your skin with his lips, it still felt like the first time you heard him say the words. It wasn’t just because of how many promises he held underneath them, it was the way he said them—so sincerely, so desperately, as if you were running out of time and he needed you to hear them before you disappeared from his life.

“I—” You flinched, pulling him for another kiss again when Donghyuck hooked his fingers on the side of your lingerie, hastily pushing it down your thighs. “I love you too—Hyuck—”

The bed was not more than twenty steps away but it was long forgotten when Donghyuck, still with his teeth ghosting across your lower lip, hastily unzipped himself and pushed his jeans and boxers lower enough for your hand to find and stroke him to life. “God, baby—” he hissed when you curled your fingers around him, hot breath caressing your jawline. “I want—I need to be inside you—just—”

No one had ever wanted you the way he did. Every kiss was nearly bruising, every hug was almost suffocating, the thrill of it all was overwhelming. 

It was almost a whine that escaped his lips when he vocalized your name. As soon as his desperate gasp and pleading moan reached your ears, the butterflies came alive in your stomach. Your skin tingled, even with the lightest brush of his lips. Your fingers found home in his hair when he kissed the valley between your breasts, tugging at his soft strands and earning a low grunt in response.

You gave him a sign, affirming that it was okay to continue and Donghyuck wasted no time. Pushing the fabric of your dress as much as he could until it pooled around your waist, he lifted one of your legs and wrapped it around his hips, one hand sliding down to prop up your thigh, the other one aligning his tip against your entrance.

The friction made you moan, both in pain and passion, as Donghyuck slid himself in one swift motion. The second he was sheathed deep inside, waiting for you to adjust to his size, he drew out a long sigh, eyes shut close as he relished the sensation. But when your gaze met, his half-lidded eyes were gentler than they had been the entire day. Careful fingers framed your face, his thumb rubbing comforting circles along your cheekbone. “Are you okay?”

You weakly nodded, smiling sheepishly. “Are you?”

His chuckles were light and bashful. “I’m feeling great,” he said. He moved his hips without warning, just a little, not too fast, not too deep, but the sensation was enough to make you whimper and Donghyuck swallowed every little noise you made directly with his lips.

A certain thrust made you squeeze around him and he drowned out his moan by mouthing against your shoulder, teeth prickling against the skin. “Fuck, do that again, baby, please.” And as he continued hitting the same spot, it was a given that you provided the same reaction.

Donghyuck was insanely good at making you feel good, and in return, you wanted to give him everything that he desired. “I love how you feel around me,” he confessed under his breath, as if he was talking to himself. “Perfect—you’re so perfect for me—”

Your arms were frantically clutching around his neck, trying to maintain stability when Donghyuck pushed you up the wall, now lifting both of your feet off the ground. He buried himself deeper, moved his hips faster, and kissed you with the desperation of a dying man.

You tried to hold back but you couldn’t. It was too much. His breathless moans in your ear, the frantic sway of his hips, the closeness of your bodies—everything was overwhelming and you came hard on his length, legs wrapping tightly around his waist as Donghyuck chased after your lips. 

“Fuck,” he breathed heavily, his jaw hung low. The way you quivered and clenched around him sent fire through his veins. “Did you just come?” he whispered and you bit your lip in shame. The tiny laugh that broke free from his lips were both playful and filled with tenderness. “Already? That was fast.”

Flustered but not given the chance to react, you inhaled sharply when Donghyuck picked up the pace. He was almost growling when his lips grazed against the shell of your ear. “Actually, me too,” he moaned, “Is it—can I come inside?”

You nodded fervently, embracing him tighter and Donghyuck buried his head in the crook of your neck, hips stuttering as he came.

When he let you slide down to your feet, your knees gave out under your weight and you stumbled back to his chest. He held you close, laughing as he kissed the top of your head. “I’m sorry, come here.” Bending down slightly, Donghyuck hooked one arm under your knees and another one behind your back. He carried you in his arms, teasing, “The sex was so good, you could barely stand, huh?”

You playfully slapped his chest. “Shut up.”

But all of his mischievousness dissipated as soon as you both slipped under the duvet, his bedsheets felt silky smooth under your spine. He cleaned the stain that dripped down your thighs with a warm towel, but dipped his head down to taste you directly with his tongue the second he was finished with it. Donghyuck’s eyes never left yours, placing gentle kisses on the inner sides of your thighs and two more on your clit before he slid his tongue along your folds, slowly, as if he had the whole time in the world to please you.

He was always gentler the second time, slower with more feelings instead of sheer passion. So when he slid himself into you again, his forehead was pressed against yours, lips curving up into an innocent smile. “I never want to let you go,” he chuckled between tiny moans. “I want to stay just like this with you, forever.”

“I don’t think it’s physically possible,” you giggled, raking your nails down his spine and he arched his back in response. 

“Wouldn’t it be great if we could stay connected like this all the time, though?” Donghyuck broke away, sitting on his heels as he rested one of your legs on his shoulder. His fingers were kneading the skin of your thigh, hugging your leg close to his chest as he rocked his hips slowly, savoring every moment. “I mean, ah, doesn’t this feel good?”

You nibbled at your lip, sighing. Good was an understatement but you weren’t sure you could find a term to perfectly define how amazing he felt around you. From where you laid on the bed, you could take a good look at Donghyuck’s eyes—the way they drooped slightly, clouded with both affection and infatuation every time they met yours. How the muscles in his abs were flexing with every movement. The sinful, obscene sway of his hips. The little smirk that broke on his face when you accidentally moaned his name too loud—Donghyuck was... Beautiful. Irresistible. Sexy. 

“Baby?” Donghyuck called, chuckling softly as he peppered open-mouthed kisses to your ankle that made you stare in a haze. “You okay down there?”

You pursed your lips. “Just enjoying the view.”

“Yeah?” He brought your leg down so he could fall back into your arms, mouth meeting your jawline before it moved to playfully bite the tip of your nose. “Well, I’ve got something else you could also enjoy.”

You hummed, trying your best to contain your moan when he suddenly brought his fingers down to rub against your clit. “And what’s that?” Though by the way he slammed his hips harder against yours served as an obvious answer.

“Some caramel pudding,” he answered, nipping against your neck as he grinned, careful enough not to leave any marks. “They’re in the fridge. You’ll love them.”

It was hard to focus when he kept hitting the spot that made you curl your toes. “Hyuck...” You pushed a loose strand of his hair behind his ear before you caressed his cheek. “I love you.”

His movements stopped, eyes peering into yours, stunned at first, then melted into something softer than the breath of summer. “I love you too.” His lips never left yours as they spoke each loving word with more sentimentality and less urgency. “And happy birthday, baby...”

When both of you had no strength left but to cuddle in each other’s arms, you gathered the courage to ask once more. “Hyuck?”

“Hmm?”

“I still want to know, after all. About what happened to you earlier. You looked so distraught—I can’t rest before I know what upsets you.”

Donghyuck’s fingers stopped momentarily from carding through your strands but with a heavy sigh, he surrendered.

It was his first relationship with his first love, back when he was sixteen. They were together for four years but knew each other for ten. She was a close friend that grew into something more. Even loving words didn’t need to be exchanged as they could practically finish each other’s thoughts. You felt a pang of jealousy gnawing at you from the inside, at the thought of him having someone so important in his life—someone who had stayed with him longer than you’d met him—someone whose name couldn’t be spoken as it triggered too many emotions.

But for the sake of understanding him, you cast your jealousy aside, no matter how much it hurt.

Donghyuck’s voice had lost its usual cheeriness when he reminisced his past. By the time they graduated high school, she decided to continue her study in Japan. Donghyuck let her go, supporting her plans and dreams like the perfect boyfriend that he was. They were committed to each other, faithful to one another. Donghyuck never doubted her, not even once.

Until one day, during a summer break, he decided to pay her a visit. He bought airplane tickets with the money he’d saved up for months, along with a thoughtful gift for her birthday. But the second he saw her opening the door to her apartment, he realized that she wasn’t alone.

She was never alone. He was.

“Why are you here?” She asked, as if his presence was a bother. Him, the man whom she claimed she’d loved with her entire soul for the last four years. The man whom she had made love to on his bed just six months earlier. Donghyuck would never forget the look she had on her face that day.

“It’s funny how you’ve been with this person your whole life,” Donghyuck breathily said, eyes locked to the ceiling. “And you thought you knew them like the back of your hand and then one day, they betrayed you in the way you thought they were incapable of doing.”

You couldn’t find your voice, blending in with the silence of the room.

But he didn’t hate her, Donghyuck confessed. He hated himself. He hated how stupid—how innocent and gullible he was. He hated how easily he let someone else carry his heart around and let them do whatever they want with it. He knew that she wouldn’t have the power to destroy him, if he didn’t give her the chance. Maybe, if his thoughts weren’t as clouded by his feelings, he would’ve noticed the little sighs she made whenever he told her he loved her. He would’ve noticed the way she sounded much brighter when she talked about her life instead of their lives together during their late-night calls. He would’ve noticed how distant she sounded whenever she spoke his name, as if it was just another meaningless word and not the one that she used to murmur in short gasps near his ear.

And maybe if I hadn’t fallen in love...

Donghyuck fell mute for a few seconds as if he was drifted to another time and space. The hurting look on his face was so vivid that it broke you just by seeing it. Attempting to wash the pain away, you placed a hand on his cheek and Donghyuck grew rigid once before he melted into smiles, leaning into your touch.

“I had to stay for a whole week in a country I didn’t know because I couldn’t refund my ticket. All alone, since my girlfriend cheated on me and didn’t even care to apologize about it,” he murmured against your palm, still sounding bitter but with more ease. “So yeah, I probably have some trust issues now because of that.” He tried to laugh it off. “But it’s all right. I don’t care. I have you now, right?” He laid on his side, facing you with a boyish smile that made your heart race just a little bit faster. “I’m starting on a new page with you. And as long as you’re here with me, I’m the happiest man in the world.”

You reflected his smile though your heart was unsettled. “You’re lame.”

“Excuse me, I’m in love,” he corrected, pouting. But when his hand found yours, his expression grew tender again. Kissing each of your fingertips, he murmured, “We’ll always be together, right? Promise you won’t do that to me, ‘cause I don’t know what I’d do without you.”

He knew what loving you could cost him, but you were different. And he was different. He wouldn’t fall into the same trap. He knew how to protect himself this time. So he allowed himself to love you just as much, if not more, moving on but never forget.

Your eyes were focusing on the way he brought your index finger between his lips, the tip pressing against his hot tongue. “Yes,” you softly whispered, hooking a finger around his silver necklace, pulling him in for a kiss. “We’ll always be together.”

So when you received a job promotion a year later, you didn’t know what to say to him. It was your dream job, finally achieving that position after practically hanging on for dear life for five years working in the company. The salary exceeded your expectation, and you would be working under a senior that you admired. The company would pay for all your living expenses, give you your own flat to live with a balcony where you could see the sun rising behind the skyscrapers. It all sounded so perfect. Too perfect.

Except for the part where you had to move to another country that stood three thousand miles from where he was.

You knew you should’ve said something to Donghyuck the first time your director broke the news to you. But you couldn’t as you didn’t know how. During the three years of your relationship, both of you had avoided talking about matters that could lead to fights, only allowing yourselves to discuss trivial, daily things that would make the other pout in annoyance but not fury. The first time you noticed this happened, was when both of you became too busy dealing with your own lives. You had your job to think about, while Donghyuck had his thesis to work on and there wasn’t much time to focus on each other even when you were staying in the same room.

Donghyuck often released his stress by nuzzling his nose against your neck, pulling you into his lap, whispering, “I miss you,” and you reciprocated each time with a kiss but you both stopped before it got too much, with you patting his cheek, apologizing to him with both words and your eyes, “I’m sorry, but I have a Zoom meeting in an hour so I really need to get my presentation done.”

He just sighed, pressing a tiny kiss between your eyebrows. “Well then, I’m gonna go catch some sleep. Don’t work too hard.”

And as he walked to the bedroom, closing the door behind him, leaving you alone in his living room, you realized the distance that grew between you. He used to look back, peeking his head through the door, saying, “Would it really kill you to just join me for, like, fifteen minutes? I’ll be fast, I swear,” which you would answer with a laugh, assuming he was joking. “Why are you laughing? I’m serious!”

Now, he doesn’t even stop to say good night.

You knew you could fix it—he knew he could fix it too—but none of you ever said anything about it, afraid that it would trigger something bigger that neither of you wouldn’t be able to fix.

It didn’t mean that you didn’t try. Every weekend, you would commit yourself fully for him and Donghyuck would accept your unspoken apology with all his heart. You once attempted to drop some clues about your promotion during dinner when he made you your favorite dish, grinning from ear-to-ear as he waited for your reaction. Donghyuck’s Spaghetti Aglio e olio never disappointed you, but you know your words would. So when he was smiling at you, his thumb gliding along your knuckles as he took your hand in his, how could you tell him? 

I just need more time to prepare myself. To find a better way to explain.

But before you could find your words, Donghyuck found your promotion letter.

“What is this?” He asked to your horror, body leaning against the doorframe, your letter in his hand.

The maroon dress you were trying to fold fell from your lap as you stood up abruptly, eyes widening in shock. “That’s—where did you get—”

“What is this?”

“It’s...” You trembled. “My promotion letter.”

“Are you planning to tell me about it?” He wasn’t shouting, didn’t even raise his voice, but to your ears, his voice was thunderous.  

You fidgeted, fingers fisting the hemline of your shirt, desperate for comfort. “Of course, I—” But there were no words. Your brain was too jumbled to find a proper excuse. So when Donghyuck just lowered his gaze, eyes growing colder, and left the room, you could only call out his name.

He only stopped in his tracks when you grasped his wrist. “Did you say yes to this?” His voice was quiet, eerily so, that it sent shivers down your spine.

You nibbled at your bottom lip. “I was—”

“Yes or no?”

He only allowed you to choose, not explain. With a deep breath, you mumbled out, “Yes.”

There was a moment of silence where you could only hear your stuttered breathing but none of his. “Three months,” he murmured, voice deep and hoarse that you barely recognized it. “The letter is three months old. You had all this time to tell me.”

Panic was bubbling up your chest. “I was going to tell you but—”

The rest of your words died instantly the second Donghyuck slammed the letter on the dining table. Without another word, he stomped off to the front door, grabbing his coat.

“Wait!” You chased after his trails, knees wobbling. “Where are you—”

The door was shut close with a bang.

No matter how many times you tried to call him, he never answered. The only thing you could do was stay in his apartment and waited until he came back to his senses. Now that you were alone in the living room, you began to notice just how much of your belongings were positioned in every corner of his apartment. Your toothbrush was next to his, your clothes were hanging inside his wardrobe, your favorite books were on his shelf, and the walls were painted with more photographs of you than his own. In every picture, you could see yourself smiling in his arms, laughing at something he did or said because that was it, wasn’t it? Donghyuck was the only one who could make you smile so freely, without a care in the world.

So why are we in this position?

It was your first big fight and you had no one to blame but yourself. Hours had passed by and tears began to well from how frustrated you were with yourself, but the front door flung open before they could outline your cheeks.

“Hyuck,” you called out, heart breaking at the sound of his name. Donghyuck’s hair was ruffled by the wind, his nose and cheeks reddening from the cold night air. His hands were in his coat’s pockets, his eyes hiding behind his bangs as he kicked his shoes away. He walked past you as if you weren’t there, heading straight to the bedroom.

Judging from the scent and his droopy eyes, you knew he had been drinking. “Are you okay?”

No answer. He took his coat off, throwing it to the bed, along with his phone—which was clearly functional as always. You had expected him to dismiss your calls, but it still hurt being ignored.

Eyebrows knitting in concern, you went to the kitchen to make him a cup of coffee, hoping that a little caffeine would ease the tension as it was something you were both fond of. You stopped to catch your breath, noticing that it was one in the morning.

What should I do?

“Hyuck…” You carefully said, voice quieter than usual as you walked into the bedroom and closed the door behind you. “I’ve made you some coffee. It’ll help warm you up.”

Donghyuck was sitting at the edge of the bed, his phone in his hands, blatantly ignoring you.

“Can we…” You hesitated, fingers curling into tiny balls of fists. “Can we talk..?”

But the silence was deafening.

“Hyuck—”

“What?!” He suddenly roared, making you take a step back, flinching. “What do you want to talk about?”

“I…” You swallowed your breath. “I know you’re upset about me leaving and I’m sorry—”

“Oh, so now you want to talk about this? After I found out about your letter?” Donghyuck didn’t wait for your response. “I can’t believe you’ve been keeping this a secret from me! What else are you not telling me?”

Heart dropping to the stomach, you weakly replied, “Nothing, just... I was going to tell you—”

“Yeah? When, exactly?” Donghyuck stood up, throwing his phone to the bed. “When you’re about to go? When you’re about to disappear from my life just like her?”

Being put in the same position as the person who tore his heart to pieces was both sickening and infuriating. “Of course not, I won’t do that to you! I won’t leave you—”

“But that’s all that everybody fucking said!” He threw his hands in the air. “That’s what she said when—”

“Well, I’m not her!” The booming sound of your voice startled you both, but it grew weak in comparison when the eerie silence followed. “Hyuck, you can’t blame me for what she did. I’m not her. I’m not her replacement. Don’t compare me with her.”

For a moment, Donghyuck’s lips were pressed tightly until they grew white. “I never compared you with her,” he said through gritted teeth. “Not until now when you’re doing the same thing, saying the exact same thing to me.”

You cowered slightly under his gaze. The sound of the ticking clock had never felt so loud when you fought for words to say. “It’s my dream job, Hyuck. I’ve been waiting all my life to get this position.”

“Congratulations.” He scoffed, clenching his jaw. “I’m so glad you get what you wanted.”

“You don’t have to force yourself to say words you don’t mean.”

He clicked his tongue in vexation. “Yeah, well, I would’ve meant them, if you had told me about this sooner.”

“I wasn’t able to tell you because I thought you’d be upset about it—”

“Well, I suppose, postponing it until we’re counting days till your leave is going to make me feel fucking elated, isn’t that right, Sweetheart?” There had never been a day where you thought his adorable, warm laughter could turn into something so spiteful. “Let me guess. You’re leaving in like, what, a month?”

You rubbed your tears away before they fell. “Six weeks.”

“Oh, that makes everything so much better! Six weeks!” He cynically laughed, throwing his head back. “You know what? You’re right. I’m so happy. Never been this fucking happy in my whole goddamn life—”

“What do you want me to do?!” The frustration that welled inside your chest finally broke through your lips. “You want me to turn back time so I could tell you right after I heard the news three months ago?”

Donghyuck averted his gaze, his hand going to his head, pulling at his hair roots. “I just don’t understand why if this is so important to you—and if I’m so important to you—why don’t you talk this out with me? Don’t you care about what I think? About how I’d feel?”

Tears were running faster than you could wipe them off your cheeks. “I couldn’t find the right time to tell you.” You choked out. “ And you were busy working on your final thesis too, I didn’t want to bother you—”

“That’s your excuse?!” he gasped in disbelief. “I don’t fucking care about my thesis. I care about you! And you knew how I felt about this—about being in a long-distance relationship—"

“That was the reason why I was waiting for the right time until—“

“Until you can tell me that you’re leaving.” He sighed, massaging the bridge of his nose. “Look, I’m tired and we’re going in circles. Why are we even discussing this when you’ve made the decision all by yourself.”

Embittered, you asked, “Do you want me to choose between you and my career?”

“No. I don’t.” He finally peered into your eyes, and you could see how there was not as much anger as sadness that emerged in his eyes. “But I’m making my own decision.” When you frowned in confusion, Donghyuck looked away, staring at the wall that was filled with memories as he spoke. “I don’t think we should see each other anymore.”

“What?” It felt like the world was swallowing you whole. “What did you say?”

Exchanging stares with you, Donghyuck appeared more weary than furious. “I just don’t see how this is going to work.”

“You’re drunk.” You reasoned out, both in efforts to calm him down and to wash the fear away from your chest. “You won’t be saying any of this if you were sober.”

Donghyuck’s eyes grew colder. “If that’s what makes you sleep at night, sure. Go ahead and think that way.”

Dread was coursing through your veins, making you feel terrified of what was coming. “Wait,” you almost pleaded, “We need to talk about this.”

“I think we’ve talked enough.”

“Can’t we at least try—”

“I can’t.” The confession escaped his lips, his eyes were heartbroken, as if it was you who was breaking up with him and not the other way around. “You know I can’t do this. I don’t want to repeat the same mistakes. I don’t want to be that guy who constantly gets suspicious or overly protective of you because of my past. It won’t be fair to you.”

“I don’t care if you’re being unfair,” you replied shakily, “I just don’t want us to end what we have now.”

“I don’t want to hurt you.” His voice grew softer. “If we continue this, I know I’ll end up saying things I never mean to say. With three thousand miles between us, how often do you think we can see each other? With you being so busy with your new job, how often can we speak?” But the bitterness in his voice came alive when he added, “We could barely do that when we were in the same room before.”

“It’s about that..?” Realization washed over you like a wave. “Why didn’t you say anything before?”

“Same reason as you,” he replied, “To protect our relationship. That’s what we always do, isn’t it? Pretending everything is fine when it’s not?”

“Hyuck, I’ve tried my best to spend time with you... I thought you’d understand that I have a job—”

“You’re right, but unlike you, I don’t.” Donghyuck weakly smiled. “I don’t have anything going on with my life except you. I don’t even know if I can graduate in time. But you’ve achieved so much. You’re only a few years older than me and yet you’ve already had everything figured out, and I admire you for that.” His words sounded sincere but it only tore your heart open even more. Donghyuck walked closer, his fingers pushing the bangs out of your eyes like the way he used to do but it didn’t feel the same. “You’re already perfect the way you are now. You don’t need me in your life.”

“No.” The desperation was so thick in your voice, that it made you wince but not regret. “You’re wrong, you—There’s not a day where I don’t need you, Hyuck. I want you to stay with me. Come with me. We still have time.”

You don’t mean that. Donghyuck brought his head down, unable to meet your eyes. If you did, you would’ve told me about this sooner. “And then what?” he sighed, sounding so tired. “What am I going to do if I come with you? I haven’t even finished my study, let alone having a job.”

“You can find one in—”

“In a country where I can’t even speak the language?” He bitterly smiled. “I doubt it. I’m not gonna let you pay for my needs—”

“Then, I’ll make some time for you, I promise. Better this time.” Your fingernails were sinking into your palms from how tightly you curled them. “No matter how far we are from each other, I’ll call you every day.”

“I don’t want that.” His words were laced with frustration. “I don’t want you to force yourself to do something for me. And I don’t want to spend my nights imagining whether you’re spending yours with someone else.”

“You...” You were so quiet, you wondered if he could hear you properly. “You don’t trust me?”

But Donghyuck shook his head, gaze softening. “I do. I just don’t trust myself.”

Your mind turned into a blank slate, unable to form a word. Donghyuck’s breathing tattered a little when he exhaled, walking to his wardrobe to pick out some clothes. “I’m gonna go stay at Mark’s for the weekend. Feel free to take out your stuff. Just drop the keys at the lobby when you’re finished.”

You stood still, frozen. It almost felt like a heart attack from the way your heart was hammering against your ribcages. “I don’t want to lose you, Hyuck,” you quietly professed, “I thought we could work this out...”

Donghyuck’s movements were put to a halt, just for a couple of seconds, before he continued shoving his clothes down his bag.

You stood on the side as he walked past you, his natural sandalwood scent had disappeared, buried under the amount of alcohol he’d consumed. “So, this is it…?” You fretted. “For us..?”

Donghyuck stopped walking, glancing at you from over his shoulder. “It’s better for both of us, don’t you think?”

But he didn’t wait to hear your answer.

When you dared to appear at his front door six weeks later, it was the night before your departure. He hadn’t called, hadn’t sent you a single text, as if he was a ghost, only living in your imagination. But knowing it was your last chance to see him, you decided to take the first step.

Donghyuck was wearing the same navy blue knitted sweater that he wore the first time you told him you loved him. You remembered how startled he was back then, unsure of what to say as he was afraid to love someone else after knowing how it felt to have his heart shattered to pieces. That time, he only responded with a hug and a small “Thank you.” As you laid in his arms later that night, you spent every second with your eyes closed but your thoughts awake, trying to figure out why won’t he say it back? 

But when you left for work early on the next morning, one arm holding an umbrella over your head to protect you from the morning showers, Donghyuck was chasing after you in the same knitted sweater, his hair messy from sleep but soon be drenched by the rain.

“I love you too!” he shouted, breathlessly, both from running and the rush of adrenaline that pumped through his veins.

You turned around, eyes wide in astonishment, though you didn’t catch his words. “What—” You were about to run so you could shelter him from the rain, but Donghyuck reached your spot faster than you could reach his. “What are you doing? Why didn’t you take an umbrella with you?” You dropped your handbag to the ground, not caring if it got wet from the rain as you focused more on the man who was shivering in front of you. You rubbed his arm up and down before cupping his face. “You’re shivering.”

“I’m fine. I just have something to say before you go.” He broke into a tender smile, pressing his palm against the back of your hand. “I’m sorry I didn’t say it back last night. I was afraid. Being in love with someone means you’re giving your heart for them to hold or to crush and I didn’t want to go through that pain again but—” He stepped closer, his temple nearly touching yours as he brought his head down. “I love you. I want you to know that I love you too. I don’t want to lie to myself anymore and I don’t care what’s gonna happen in the future. I just love you, so much, that both my heart and my head feel like they’re going to burst.”

And you could only stare, dumbstruck and in awe.

“Say something, please?” He begged, cold fingers caressing your cheek. “Otherwise, I might have to crawl into a hole and die from shame.”

You chuckled lightly, overwhelmed by the sheer happiness that washed over you. “I love you too.”

He seemed so relieved, almost as much as you were, and he twisted his fingers around your strands, chasing after your lips. The kiss was sweeter than honey but knowing him, even the sweetest kiss emitted so much passion, it left you breathless.

“I’m sorry, I know you gotta go to work,” he said, slightly pushing you away before his emotions defeated him once more and he slanted his lips against yours in a more frenzied manner. “God, I know you have to go,” he whispered between needy kisses. “But just—one more—”

When he finally had the strength to break apart from you, his eyes were conflicted, his thumb caressing your cheek, and Donghyuck wetted his already glistened lip as he stared at yours. “Must you go? I want to be with you today.”

It didn’t matter that the two of you just spent the entire weekend together. No amount of time would be enough to satisfy your needs for each other’s touch. So you answered him with your lips meeting his in a frantic kiss, casting your umbrella aside and it didn’t matter that it was cold, with big droplets of rain easily drenching you from head to toe, because Donghyuck was always ready to warm you up. 

“Then take me home, Lee Donghyuck.”

But you realized as he tugged you back into his arms, soft lips pressing against your temple, you were already home.

Now… That memory felt like a fantasy, one that you could only dream of having.

“I…” You couldn’t meet his eyes. “I just wanted to get the books I left on your shelf.”

He didn’t say a word, only stepping to the side to give you some space to enter. A month had passed by since he broke up with you, and his apartment still smelled delightfully like him, but instead of making you feel joy, it broke your heart even harder.  

“It’s in my room,” he said, all stern with no warmth like he used to have. You nodded, making your way to his bedroom. When you closed the bedroom door behind you, hot tears were about to spill and you tried your best not to be suffocated with the memories of the nights where you used to share your feelings with him, bodies tangled underneath the sheets, lips carving marks on each other’s skins.

You couldn’t breathe.

By the time you managed to collect yourself, you came out of his room with two of your books in your hands while you left ten more on his shelf. You didn’t need any of them. It was only a poor excuse for you to see his eyes once more before you bid your final farewell.

“I made you some coffee,” he said, leaning against the coffee table. “It’s cold outside so…”

You weakly smiled. “Thank you.”

You used to spend hours chattering behind a few cups of coffee, talking about the things that mattered and things that didn’t because everything felt special when you shared them with someone you loved.

But today, every sip of your coffee sounded louder than your voice as no words were shared.

You said you care

And you missed me too

And I'm well aware I write too many songs about you

“How are you?”

“I’m doing great,” he answered formally. It’s funny how he didn’t need spiteful words to hurt you. The absence of his affection in his sentences was more than enough to strangle you.

“Are you… still writing lyrics for Mark’s songs these days?”

“No. I’m busy these days.”

“Oh… With your thesis?”

“Sure.”

Donghyuck didn’t tell you the truth. Didn’t tell you how many papers had been written, scratched, discarded just so he could deal with the thoughts of you. Didn’t tell you the words he wrote about your pretty eyes, your pretty smiles, your kindness, your passion, your everything.

The reason why he let you go was because he knew, you would probably stay with him if he’d asked the question. He didn’t want you to have any regrets. Didn’t want you to choose him because you felt like you had no other way.

It felt like you betrayed him when you kept it a secret for months.

What else will you keep from me, if you can’t even tell me you’re leaving? Will you keep it a secret when you no longer love me the way you used to? Will you keep it a secret when you find someone new, someone better, someone who can stay to wipe your tears and hold you in their arms while I’m three thousand miles away from you? Will you pretend like everything is fine, when we’re straying further away from each other every day?

In Donghyuck’s mind, he thought you’d be better on your own. At such a young age, you managed to chase after your dreams while he was still unsure of what he wanted to have in the future. To him, you were always a step ahead. And tomorrow, you’d be taking your first step to another place where he wouldn’t have the strength to follow. 

His thoughts about you were never-ending. And he wrote so much, poured every feeling down to papers, that now as you stood before him in person, there were no more words left to be said and he could only reply your sentences with silence.

And the coffee's out

At the Beachwood Cafe

And it kills me 'cause I know we've run out of things we can say

“I’ll be leaving tomorrow,” you eventually said and Donghyuck glanced at you from behind his bangs, but never stayed for a second longer.

He knew. Of course, he did. He had been counting the days, dreading every second of it. “Take care of yourself,” he responded in a way a stranger would say to another stranger at the end of their brief meeting. “Good luck with your job. I’m sure you’ll be fine, Noona.”

Noona... He didn’t even want to call you by your name or the sweet terms he’d once associated with you. You were truly strangers now.

“Thanks.” You forced yourself to smile, nails sinking into your thighs as you brought your hands to your lap. “You too. Don’t forget to take your breakfast every day. You always skip it.”

It was your job to remind him, who used to serve fried eggs and toasts on his plate and maybe Donghyuck remembered that too because he brought his head down, and simply replied with a hum.

When you took your leave, you handed him a note to your new address. “Just… Come visit whenever you’re in the country. I’d love to show you around.” It sickened you how formal you sounded, but you couldn’t say it any other way.

When Donghyuck took the note, your fingers brushed against his, it almost seemed like the time stopped, just for a little, and he wanted to pull you into his embrace, to tell you how much he’d been missing you the same way you’d been missing him. To tell you how much he wanted to be selfish, to have you choose him over everything in your life because that was how you meant to him. You were everything to him.

Just like how you are to me.

So when he dropped his hand, tucking it inside his pocket, you knew it was really over. Finally, the word goodbye took its true form.

And I get the feeling that you’ll never need me again.

[fukurodaze]

october

pairing: third year!tsukishima kei x third year!fem!reader genre: fluff, suggestive word count: 2.7k warnings: cursing, mentions of hickeys, makeout session hehe synopsis: “tsukishima” and “high school sweetheart” are a unique combination of words

LISTEN TO: lowkey - niki; used to you - mxmtoon

lowercase intended!

nobody knows about this.

nobody knows about his offhand banter and longing gazes. if you and kei go back exactly five months from today, you’d be asking him a question about the research assignment as you were about to leave the library and he surprisingly follows his answer up with “i’m going home too. come with?”

nobody knows him on facetime, staying late until his eyes can barely open after a blink. you’re used to his texts, somehow so much funnier and warmer than everyone seems to know him. and maybe one day he’d kissed you; on the right temple, as you fell asleep on your bed; on the back of your shoulder, when he did it subconsciously during a movie. and maybe you kissed him too; a short peck on the lips when he went home through your front door; another on his calloused and bandaged hands after a block had left it bruised. 

nobody knows that now, you’re straddling the boy you’ve known for a while as you suck his tongue until he gets breathless. his hands roam up and down your body, finding themselves under your shirt and holding onto the bare skin of your waist like he can never let go. when he tugs on the hem of your shirt, bunching it up your torso, you let him take it off, the moment away from his lips making you realise his lips are swollen and his glasses have been thrown somewhere on your bed. you freeze for a bit when he spends a little too long staring at your body, and you freeze even more when you realise you’re not wearing the bra you would’ve liked for this occasion, but you’re cut off when he starts nipping on your neck, leaving open-mouthed kisses as he mumbles, “you don’t have to suck in your stomach.”

you relax a little, small whimpers coming out of your mouth as he continues to work on your neck, the little shocks of pleasure filling your senses as hands on bare skin start to feel more familiar than foreign. you could get used to this. 

“wait, don’t leave any, uh, marks or hickeys or whatever,” you breathe, “people might see.”

he hums, and yet his grip on you tightens as you think he’s coming back to your lips, but he doesn’t. he just stops there, face inches away as his lips barely ghost yours. he purses his lips for a second, like he’s thinking of something to say, but the microwave makes its strange appearance when it beeps loud enough to make you jump a little in his lap. he still holds you close. 

so, so close. and nobody else knows.

“i’ll get the popcorn.” right, because tonight you had planned to watch a movie with him. like the usual - talk, cuddle, whatever. 

come to think of it, your relationship with kei sounds weird; feelings so well understood without ever being spoken. you liked it at first, when he told you he liked you on a saturday morning, your reciprocated feelings tasting of warm rice and milky eggs and an unspoken convention that this stayed between you two and you two only. but as the days passed, and the thrill of a secret relationship wore off, you’ve started to wonder how it would feel like to be able to show people that, yes, tsukishima kei is your boyfriend, and yes, you like him very much.

when you take your shirt, he says, “wear my hoodie. it’s cold.”

you grin when you hear that, opting to simply wear his hoodie without a shirt underneath. it’s the same black hoodie he wears literally all the time and probably doesn’t wash regularly (which is gross) but if there’s one thing you learned about these feelings is that you couldn’t care less.

when you pick up the popcorn, kei only lays against the headboard of your bed, feeling slightly empty at the words he’d heard from you. serves him right, he thinks as he picks his glasses back up; this relationship, or whatever it is, isn’t something both of you wanted everyone to know. he’d get sick of all the attention, and there was probably no need for the two of you to share everything. it’s high school anyways, who knows how long it’s going to last.

yet, when you come back into his room, lips soft and hair tousled, holding a bowl of fragrant popcorn, kei finds himself letting go of those thoughts.

you take a seat on the floor against your bed frame, already having set up the laptop in the middle of the floor. you motion to the boy on the bed to come down, and he brings your entire duvet with him.

as he settles next to you, your shoulder touching his upper arm, you set the popcorn in the space where your knee meets his thigh, over the blanket. the movie you two had decided on earlier tonight starts playing, and you feel your head slide into the crook of kei’s neck, like it always does. 

the night starts off slow; just the two of you making remarks at the movie, laughing at plot holes and cliches. then, by halfway, the bowl of popcorn is empty; as the protagonist kisses their love interest, you feel a flush up your cheeks; and as the movie ends, kei’s arm is around your waist, pulling you into his side. it’s a pretty shitty movie.

“well, that was a shitty movie.” 

“agreed,” you grunt as you stand up to place the bowl of popcorn on your desk, to be taken out at a later time. you fold your laptop onto your desk as well, and kei gets the cue to sprawl your duvet back onto your bed. it’s only nine pm. you climb back in your bed, motioning for him to come with you, too.

slowly, his tall figure holds yours in an embrace filled with something you could only identify as care and affection. and here, especially with his glasses off, sight blurry and only really being able to see you in full focus, it makes you grin at how strikingly different he can be in your room and at school. not that you had ever seen him at school very often, as most of your relationship was crafted of video calls and secret little dates in the night. 

you wonder if he’ll grow out of this.

“oh my god, something kind of funny happened today after the english exam,” you chuckle, your head resting comfortably on kei’s chest. he lets out a questioning hum.

“the girls in my class thought i was seeing osawa,” you stifle a laugh, “at me they were like, you’re definitely dating a guy from the basketball club.”

“wait, how’d they know you were dating someone?”

“word got out. they asked for details, and i told them he was in a sports club.”

“they didn’t think about the volleyball club?”

you shake your head, “they did, but they literally went - ‘we know it can’t be kageyama or tsukishima, so, yamaguchi?’” kei snickers at those words, remembering that even the boys in the volleyball club don’t know about you.

“i love how they just glossed over the chances of you with either me or kageyama,” kei tsks, “and who’s osawa?”

you roll your eyes, hearing his voice tinted with a bit of jealousy when he hears other people think you’d go better with this random guy at school. “he’s a guy i partnered up with for biology. why?”

“nothing. just good to know.”

“alright, whatever.” you flip over, your chin now pressing on the backs of your hands on his chest. your grin is wide. 

“your hoodie smells like sweat,” kei says, trying to divert the topic away from your eventual accusations of jealousy.

“it’s your hoodie, asshole!” you jokingly exclaim, and he pulls the hood up to your head. you look cute, he thinks, even with his over-worn hoodie and messy hair. it’s in moments like these, when the both of you let go of the fronts you put up at school, and just live like nobody else exists. of course, it will all be over in a few hours, but that’s not to say he doesn’t secretly text you under the desk during class or that you don’t have the liberty of an extra pack of chips in your locker from the early mornings kei has practice.

“okay, but, hoodie aside, you could’ve just said i was your boyfriend.”

you like the sound of it; something so distant yet so close. so you make him repeat it again, “wait, what did you say?”

kei exhales through his mouth, “you could’ve just said i was your boyfriend.”

“would you like a boyfriend badge with that?” you tease.

“shut up. at least it sounds better than you and osawa,” he mumbles, sitting up, leaning on his arms. “not that anyone would ever know about us.”

your arms wrap around your boyfriend’s neck. his eyes stare straight into yours, and though he still feels uneasy at first, he likes the feeling of you so near him, so warm and fluttery in his stomach. it makes you hope, at least, in the way he’s looking at you, that he might want to show you off more than he lets on. 

“you know, kei, it wouldn’t hurt for some people to know about us,” you mutter, almost a whisper, and he catches your words perfectly.

“but i hate how everyone shits on couples all the time.”

“no, you just shit on couples all the time.”

he sighs defeatedly, “okay, but everyone’s just gonna be annoying when they know. like they’re shoving their noses into our business.”

“yeah, but-”

“on top of that, my mom would constantly nag me about the details of our relationship. i don’t need everyone knowing so much about us.”

you fall silent, running out of things to say. admittedly, the way he’s so quick to shut down all your reasons is getting to you.

“see? there’s no point in other people knowing.” kei’s hands run under your hoodie to caress your bare skin. he likes the way you shiver slightly from the sudden coolness of his fingers, but it does give you an idea.

“i’ll let you leave marks under my school blouse.”

“as hot as that is, no.”

you groan, slouching against his larger frame. you shift your weight onto him, making him fall back on the bed, and you settle with lying beside him. kei, like the reluctant cuddle bug you’ve found him out to be, immediately wraps an arm around your torso, like every second spent at your house that doesn’t involve his limbs intertwined with yours is a second wasted. 

you exhale through your mouth, “kei, i just wanted to be proud.”

his grip tightens.

“like, we don’t have to tell everyone what happens between us every single day, but, god damn, i don’t want to keep sneaking you in like this, or having to send you off at like, four in the morning so nobody knows you were here.”

“do you care more about what other people think than how i feel?” now you’re letting it out. you realise you’re frustrated - so fucking frustrated - that you barely even get to see him every week because of school and clubs, and that you don’t even get to save his contact on your phone under his own name in fear that people might find out. all because nobody knows.

“no, i care about-”

“i want to hold your hand in public, kei. is that too much to ask?”

you take a deep breath, sitting up against the headboard, “my friends think i bail on them all the time. i want to tell them it’s because i’m going to see my boyfriend instead of some lame excuse, kei. and i want to cheer you on at the spring high nationals in january, because you talk to me about volleyball so much and i want to see my boyfriend do what he’s been working so hard for.”

there’s a hanging silence in the air, coupled with the whirring of your heater. you can’t make eye contact with him - what if he gets mad? your fingers fiddle with the string of his hoodie, knotting it and untying the knot. and it’s only then that he sees you, gaze unsure and lips pursed, that he knows what to do.

it’s not so bad, kei thinks. he wouldn’t have to save your number under a name that’s not exactly yours, and he wouldn’t have to always rush to leave because he has “something coming up”. he can walk you to class in the mornings when you arrive after his morning practices, and it’s like he can imagine the way he’ll hold your hand and make sure everyone knows you’re with him. his train of thought might have gone a bit too far, but he can’t deny the thought of wanting to show you off as his. hell, he’s had a crush on you since your second year (though he’ll never tell you or anyone), and now that he’s got the girl, he might as well be proud of it, too.

so he comes up and kisses you. chastely. “okay.”

you give him a flick to his shoulder, earning an ‘ow’ from him. “that’s it? okay?”

“you said i could leave marks as long as it’s gonna be covered by your blouse, right?”

another finger flick, to his forehead this time, “you asshole.” but you smile. you know him.

when you pull his lips to yours, this time, he makes sure to keep you busy with his hands around your body and your hands in his hair, shirts and hoodies being pulled up to eventually be taken off. suddenly, he stops, and it’s only then that you hear something that you’ve only barely heard once before, on a warm saturday morning when it was summer, months away from today’s october.

“i really, really like you, y/n. and i’m not afraid of that.”

as he cradles you in his touch, kisses trailing down your jaw and beginning at your collarbone, you make sure to ask if he’s okay with reusing the same uniform he wore today for tomorrow. his answer slips out easily; yes.

“is it always this cold in the mornings when you practice?” you tighten the scarf around your neck, shoving your hands into your coat. kei hums in response as you two near the gym.

“to be fair, you could’ve worn tights. doesn’t help when you’re basically half naked in the winter.”

“wearing a skirt does not mean i’m half-naked, kei.” you scoff, but you do take a mental note to start dressing warmer for the coming seasons. 

“i’m just saying, the wind can just go up your skirt-”

his sentence is cut short when a louder, higher-pitched voice runs through.

“woah! tsukishima’s with a girl?” you recognise it as one of the kids in class 3-2, hinata shoyo. his orange hair isn’t exactly easy to miss. behind him is the boy you recognise as kageyama tobio, remembering the way kei would sometimes slip in a snarky mention of his name on the nights he’d call you from his training camp in tokyo. you introduce yourself to the two boys.

“why is that such a surprise to you?” kei points out sharply. a number of second and first years pass by the three of you, and they exchange casual good mornings.

“i think i’ve seen you around. are you friends with kana-san?” hinata names one of the girls in your class, and you nod, telling him you’re pretty close to her. 

"are you going to be watching us practice?” hinata asks, and as you look frantically between kei and hinata, you tell him, “yeah, is that okay for you guys?” kageyama and hinata nod.

you don’t miss it when kei takes your hand and intertwines your fingers with his. it makes you feel a little warmer in chilly weather. it makes you smile.

“go ask team captain over there,” kei shrugs, cocking his head at yamaguchi, who currently has a content smile on his face.

“so this is your girlfriend!” 

you immediately snap your head at kei, as if silently telling him no fair, how come yamaguchi knew all along?! kei shrugs, “he saw me going to your locker one day.”

you roll your eyes before introducing yourself the same way you did to hinata and kageyama, and you hear kageyama huff out, “she looks too nice for you.”

kei scoffs, “well, that’s rich coming from you. maybe you’re forgetting how-”

“alright, tsukki, let’s just go up to the clubroom first.” yamaguchi thankfully cuts in, letting hinata and kageyama go to the gym first.

“oh, y/n-san, you can go to the gym first, too, since we’re going to be changing in the clubroom. we don’t want you to wait outside, after all.” yamaguchi adds, and as you let go of kei’s hand with a reassuring smile, hinata takes it upon himself to make even more conversation with you on the way to the gym. you find his and kageyama’s company entertaining.

“if he’s you’re boyfriend, does he, like, insult you all the time?” kageyama blurts out, his words making you break into smiles.

you giggle, swatting your hands, saying no, no. it makes you realise how different he really is when he isn’t with you.

your hand wanders to the uniform bow around your collar, and you play with the ends of it, the area of your body reminding you of the hickeys you saw littered around your chest and collarbone this morning. when you told kei about it, he only shrugged with the most smug face you’ve ever seen. thank god for collared uniforms.

“so, y/n-san, how’s tsukishima as a boyfriend?” hinata chimes in.

you catch your lip in between your teeth, sucking in a soft inhale. you wonder if you could tell them that he’s the guy that buys you your favourite snacks on the way back from volleyball practice, or that he puts all your favourite songs into his daily playlist so that he can sing along with you when he comes over. still, even after the news about your relationship, you think there’s no harm in keeping some things private. so you exhale.

“he’s an asshole,” you laugh, gleeful, “such an asshole.”

[queen0fm0nsterz]

Someone did posted on twitter how they find it very odd that all of the little nightmares protagonists go out their way in attempt to help Six despite how they just met her and they didn’t help anyone else before meeting her unless it’s for something to advance their way through almost like they’re drawn to her in some way?

MASTERPOST

This is a really interesting theory and I love the concept. I definetely think that could be the case. After all, Six is stated to be a special little one and plus she's the protagonist - don't forget that. Each one of the LN installments is telling us her story and how she became the person she is today. Everyone else, Rcg, RK, even Mono... they're just side characters to her plot, even if we get to see things from their point of view.

That being said, I actually want to offer a counter point to this. Maybe Six just got lucky and met really nice kids on the way... or maybe not?

OH YES, SUPRISE RCG, RK AND MONO ANALYSIS LADS!

Let's get into it.

Out of all the protagonists, I would say Raincoat Girl is the one who is most eager to help others. We actually see her going out of her way to lend a hand to other children and nomes multiple times, even before she met Six. For example, she risked being captured by the Craftsman to retrieve the key of the Ushanka Kid's cage.

Unfortunately, we all know what happened to that poor child...

Moving on. A contraddiction to this would be her leaving Six behind during the Butler chase, but I come in defense of RCG here. Six was laying on the ground without moving - RCG probably thought she either got hurt or died and didn't have time to check since... you know, the floating man with telekinesis who has been trying to kill her on sight is running after her.

Still, when she sees that Six is alive and needs help, RCG lends her a hand while she's literally being chased down a mountain by the Pretender.

Now that is dedication. Every time she has the chance to save a kid from what will almost surely result in death, Raincoat Girl takes it. Commendable, really. She's also the only LN protagonist who never had to end a life.

Next on the list we have the Runaway Kid!

While we never see him interact with any other child, I'm pretty sure we all know the boy proclaimed himself the Nome King at this point. He rescues a lot of nomes during his adventure in the Maw. The little guys really found comfort in him and being to trust him, helping him in return for his kindness.

Plus, he actively helps them getting the furnace going, even though he didn't have to.

Then, we have the (in)famous moment.

Since we know RK is an helpful kid and he has just been turned into a nome, it makes sense he would lend a hand to Six.

And as the achievement said... "Kindness will be your undoing!" Perhaps, it wasn't only referring to Six and her thoughts on the matter, but to the Runaway as well. He met his demise after offering his kindness to her, after all.

Now, Mono is a peculiar case.

He's been described to be quite protective of Six, which we see in the game. He's the one who offers his hand to her when he broke into her "prison" in the Hunter's basement, so we can also assume he's a kind hearted kid - which I'm not denying, not at all! He puts his life at risk multiple times when rescuing her.

At the same time, he's not willing to go out of his way to help someone who isn't Six.

A blatant example of this would be the kids in the sixth comic - but, like I did with RCG, I come in defense of Mono here. The situation was critical and he needed to save his own life.

Then, we have the child the Teacher was punishing. I previously theorized them to be the Lollipop Boy, but even if it's just a random kid, the focus here is that Mono didn't do anything to help them.

Once again, justifiable. If he interviened, he would have risked to get killed or captured by the Teacher, which he couldn't allow. Not because he's afraid for his own life, but because he was running in Six's help.

To Mono, Six will always be the priority.

Another thing I want to point out is how Mono is shown to be rather cautious. It took him 44 days to rescue Six from the basements, as shown by the tally marks on the wall.

Since he broke in the Hunter's cabin in a day where he wasn't there, I'm going to assume Mono spent that month and an half observing the Hunter and learning his routine so that he could sneak in safely without encountering any danger.

When they meet in the comic for the first time, it's framed as a special occasion. History is being made for them both.

My final thoughts on the matter are: while RCG and RK are naturally helpful children, I believe Mono may be drawn to Six (and viceversa), like anon said. The reason why I think Six may be drawn to Mono as well is because, when they met the first time, she literally didn't notice the Hunter approacing her.

(Like... come on. How do you miss him? He's big and loud.)

It would make sense, since they're essential to each other's transformation into the Thin Man and the Lady.

[mp100fanworkstranslation]

Better than when you found it -Part 2-

Part 1 Here

-The Second Day: Saturday- 

Ekubo: Yawwwwn~~What are we doing today?

Reigen brushing teeth: There’s a DVD rental kiosk around the corner. Wanna check it out? 

Mob: Yes I’m here

Reigen: Wait, Mob what? (btw you have foam on your face.)

Mob: Weren’t you asking me where I was?

Reigen: No?

Serizawa pops out: Did someone say movie?!

Mob thinks: I keep hearing someone calling my name.

One unspecified adult: What movies are we getting?

Another unspecified adult: Lets go take a look at what they have.

--20 Minutes Later--

Unspecified Adult: Alright! What do we have? 

(It’s not specified who is speaking here, but based on the speech form it’s either Reigen or Ekubo, not Serizawa)

Ekubo reads: The Hunger Games?

Someone else: We’ll that’s....

Mob: I’ve heard of it before.

Ekubo: Yeah?

Mob: Master told me about it. -He holds up a clothes hanger-

Mob puts the clothes hanger on his head: Yeah! Hunger Games!

Ekubo: Um....

Reigen: NO NO, That’s not it.

(Can someone explain this reference to me? I’ve never seen the Hunger games. I have no idea what this is about.)

Somebody: Whatever. Lets try it. 

There is a loud scream from the TV. Serizawa is startled into dropping his tea tray. Ekubo covers Mob’s eyes. 

Reigen is pissed: WHO PICKED THIS VIOLENT FILM?! Take care of Mob!

Mob peeling Ekubo’s hands off his face: Um... I’m fine with it. I just.....I just feel like something is wrong. 

(He’s actually referring to the presence of the spirit in the apartment. He’s been talking about it since the first panel. The adults are having too much fun they forgot.)

Reigen: You.....You’re not likeing this violence are you?  hmmmmmm

Reigen: Okay Mob! Listen up! I’m gonna teach you the right way to approach media like movies and TV.

You gotta put yourself in the shoes of the protagonist.

(I LOVE THE WAY THIS PANEL IS DRAWN. The framing of the panel is encouraging and mentorly, like a coach telling his player to go out there and do his best, ........except it’s Reigen...teaching Mob to watch movies.... He’s 14, I’m sure he’s seen movies before.)

Reigen puts his hand on Mob’s shoulder: You think you can do it? 

Mob: um....

Reigen: Try it out! I guarantee you’ll get a different experience out of it.

Mob is watching intently while all three adults look bored. The room is filled with fighting sounds.

Mob: That looks like it hurts.

Reigen looks over at Mob and fails to notice the rustling behind him. 

Reigen’s Phone Rings: Crap I forgot

Mob: Is it a client?

Reigen: Yeah

Reigen: I’m just going to go on my own, it’ll be quick.

Ekubo: Are you gonna be okay on your own?

Reigen: Yeah it’s fine, It’s just an in-office consultation. I’ll be back at around noon.

Mob: Okay, see you later

Reigen: yep

Ekubo: So.... what are we gonna do?

Serizawa: Ummmmm

(I like how Ekubo hangs out on top of Mobs head, the way he does all the time as a spirit.)

Serizawa gets an idea looking at the microwave: How about we cook while waiting for Reigen to return?

Mob: That’s a good idea, he’d be hungry when he comes back Mob thinks: I don’t know how to cook though. 

Ekubo rolls up sleeves: Lets do it! It’s not like we’re busy. I’ll show you my signature dish!

Serizawa: Ekubo-kun...

Ekubo: Alright lets divide up  the work.

Mob: Okay

Serizawa: ah! Yes!

They start cooking. Mob cuts himself chopping vegetables.

Serizawa: Ah! You’re bleeding!  Mob: Ow ow... Ekubo: You cut yourself AGAIN?!

They’re almost done.  Mob: Im hungry Ekubo making fried rice. Should we make something more than just this? Serizawa: Ah, we can add a salad!

It’s 12:42

Reigen Returns: Ugh this place is so far from the office. I’m starving.

He’s jiggling the key in the lock: lock is acting up again. 

Huh?

(This is a callback to the beginning when he was working the lock, he told everyone to do things in pairs to avoid being possessed. He forgot and went off on his own.) Reigen gets possessed

The door clatters and he enters the apartment. 

Mob: ah! Master! Welcome back!

Mob: Master?

Reigen: What have you guys busied yourself with? 

Ekubo: Um.... what?

Serizawa: We made lunch

Mob: eh? ehhh?

Reigen:THIS is what you’ve decided to whittle away the last few hours on?

(This is so hard to translate, but it’s what I love about translating. His word choice here is saying that 1. they acted without permission. 2. they did something that wasted time, and resources and was ultimately unnecessary. 3. they’re screwing around like children.)

Reigen: No one asked you to do this. Why you did is beyond me. 

Others: ?!

Reigen: I put a lot of effort into planning what foods to bring and what the meal plans were going to be.

(Reigen doesn’t normally have light colored eyes. That’s a nice touch.)

Ekubo is looking at Mob

Mob: I....Im sorry

Ekubo remembers how eager mob wanted to cook for Reigen, how he cut him self trying. 

Serizawa: Mr. Reigen, this is very unlike you. Is something wrong?

Ekubo to Reigen:  I don’t like your tone.

Serizawa: Ekubo-kun!*

Ekubo: Look, I’m not sure what’s gotten into you but.......

Reigen: Hmm?

(*This wasn’t made all that clear in the manga, but Serizawa is ALWAYS very deferential around Reigen. He’s never direct with him, meekly suggests things rather than outright stating them. He doesn’t treat their relationship as that of equals, he’s the subordinate and he expresses this in the language he uses and the tone he takes. As opposed to Ekubo who is direct and not afraid to confront Reigen. Ekubo’s pronouns, word choice and tone expresses the belief that he is an equal if not better than the people around him.

Which is why Serizawa is shocked that Ekubo is so direct. Like, How could he just outright say “I dont like your tone” TO Reigen?)

Reigen: got something to say? 

Ekubo: ....how dare you? What gives you the right?

Serizawa: ....?

Reigen: What gives YOU the right? It’s not YOUR body. It’s not like I asked you to possess this man. You did that yourself. 

Serizawa notices that there’s something on Reigen: Ekubo-kun w...wait!

Ekubo: Bastard, if you don’t stop running your mouth....

Reigen smiles: Hmmm? Are you not an evil spirit? You REALLY think you live a normal human life again? 

(I love that panel with Reigen’s silent open-mouthed smile, he knows he’s won.  He’s gonna pull the trigger now.)

Ekubo: ..... I see 

Mob: Eku~ Ekubo: I understand now. -He walks out and closes the door being him-

Mob stands at the door: Ekubo?

Serizawa: Ekubo-kun

(AAAHHH I LOVE HOW YOU DON’T SEE EKUBO’S EXPRESSION IN THE FIRST PANEL THERE)

Reigen: Enough.... he’s so much trouble.

Mob is still at the door:..... Ekubo

Mob: When we were cooking, he said....

Ekubo: He’s considerate in a way.... For an evil spirit like me, he treats me no different than anyone else around him.... that’s something. 

Mob: Eventhough Ekubo is an evil spirit, and a dangerously powerful one at that,... he’s an uncharacteristically a good person.

Mob opens the door and runs outside after him. 

TO BE CONTINUED

I like this part SO GODDAMN MUCH. Reigen is really good at reading people and knowing what to say. He can use his words to get people to feel how he wants them to, and the idea of him getting possessed and unleashing his ability on other people to destroy them is so goddamn cool. 

You’ve heard of Empaths. They are people that easily understand the emotions of others. But in psychology, there’s a lesser known personality type called a “Dark Empath” that can understand peoples feelings well but is also a sociopath that has no problems hurting other people.

Dark Empaths use their understanding of other people to hurt, defraud and other take advantage of others. These are people that convince others to commit suicide or charm people out of their life savings etc.

I wish there was more Dark Empath! Reigen fics. This is something I’ve not seen in Fanfiction, in fact, this comic is the only place I’ve seen it. It’s such an interesting concept. Like, if there were fics that cast him as a villan, then it’s perfectly in-character and logical for him to be a Dark Empath.

[iamanartichoke]

... All right, let’s do this. 

Under the cut bc there’s SO MANY images, and I’m sorry, and I know the cut is worthless to mobile users but, well, here we are. Please don’t unfollow me for this post specifically. 

^^ I can’t decide if this woman holding the Tesseract is impressive or not bc, I mean, she’s wearing a glove - but, Red Skull probably was, too? Also the TVA are obviously not humans, so “impressive” may be generous. On the other hand, “only beings of enormous power” can wield the Tesseract/infinity stones, so. 

Loki looks pissed. 

“I know what this place is.” I like this, bc it provides us with some narrative evidence that Loki has always known much more about the universe and How Things Work than anyone cared to realize. Loki’s always known what’s going on; that he isn’t ignorant to the existence or inner functions of the TVA feels in-character. 

Inception! 

Lokiception! 

Why does every shot of the TVA’s headquarters look like the inside of a poorly-lit DMV? Though I guess it fits with the “timelessness” of it all as, after all, time ceases to exist or have meaning once you enter the DMV. 

But I digress. 

I’ve already remarked on the “I’m smart” comment, but I do like this shot. 

I really love what Loki’s hair is doing here, I don’t even care. For better or for worse, his hair’s doing it’s own all-natural thing and I dig it. Let it move, let it dance, let it fall into his face and obscure his features as fanfic has allowed so many times. 

I’m not a fan of the exaggerated jump or “wtf” expression along with “this is absurd” but THIS moment? Classic Loki. He looks 500% done and we’re only 51 seconds in. Also, I refuse to believe that stack of papers is everything Loki’s ever said. I know we all complained about the “you love to talk” line but, I mean, certainly he’s said more than approximately the total sum of Ulysses in his 1000 years of existence. 

Here’s what I want to know: 

1. How does Loki taking the Tesseract result in so many new timeline branches? Surely he’s only responsible for one new timeline? I really, really hope they address that this is all the Avengers’ fault. 

2. What timeline is WandaVision and TFatWS taking place in? The main one, I presume? How do we know it’s not one of these alternate ones? 

3. Which timeline is Agents of SHIELD in and will they be addressed? Bc they got up to all kinds of Time Shenanigans in seasons 5, 6, and 7 to the point where I’m pretty sure they split off into their own universe (which is why they weren’t affected by the Snap or that whole thing, or so I’ve heard). If Loki crosses paths with Coulson & crew, I may pee my pants.

4. So where does Jessica Jo - ah, forget it, I’m not even going to ask. 

I wonder what it is about this “unique Loki perspective” that Mobius is interested in recruiting. (Incidentally, I don’t think I’ve ever seen Owen Wilson in, like, a real role - wherein he’s not playing some version of Owen Wilson, that is. He’s got a costume and everything here. Fun to see!) 

This is a bamf shot, okay. The way it’s framed is pretty intimidating. 

“You listen well, brother -” 

“I’m listening.” 

^^ I figured out what kind of energy this moment has, lmao. 

“It’s adorable that you think you can manipulate me.” I mean, do I even have to comment? I am here for narratively validating the “Loki is ten steps ahead” (heh, and I quote) canon. Here’s another place where I feel like Tom was involved, since I’m pretty sure that somewhere, he’s literally said “Loki’s always ten steps ahead of everyone else.” 

That said, I’m not crazy about the delivery of this line; the over-confident tone of it smacks of “here’s someone about to get knocked the fuck off their pedestal” and I’m not here for that. 

That said, these next scenes - 

- not only show Loki with the upper hand but, also, it’s clear that Loki goes rogue at some point, possibly early on, and I do like that. Drag me if you will, but I want to see Loki scheming and being manipulative, in his own interests. 

I think that Loki being the protagonist will allow them to portray his manipulation in a way that the audience is on his side. I don’t think that the TVA is being framed as the “reliable narrator” through which the audience should view Loki, or “good guys” at all; I think that maybe they’re not evil, but there’s probably a lot of morally-grey shenanigans and goings-on. 

I also think Loki is capable of outwitting them; Loki, being ten steps ahead, has probably figured out something that the TVA has not even thought of yet, so he’s going to fix things his own way, according to his own plan. And I want to see that, because I think that this will give the narrative room to really explore both how Loki thinks and what he does when his plans go awry (as I’m sure they’re bound to do); like, how will he fix it and still remain on top in the end?

So, I mean, I’m pretty intrigued (and still cautiously optimistic). 

Lots of action shots happening, I won’t add even more images to this post, but this magic is still giving me life. 

What is this, a food court? (Speaking of which , what’s up with all the action in the mall earlier?) 

“I’ve studied almost every moment of your life” 

(^^ Missed opportunity)

“and you’ve literally stabbed people in the back like 50 times.” 

Receipts or it didn’t happen, and that’s all I’m gonna say about that line right now. 

Thanks, I hate it. This is all wrong, this whole thing - just awful, scrap it, toss it out. Tom, I love you, but this was the wrong delivery and an all-around bad acting decision. It’s too over-the-top, too earnestly “well I never!”, too comical (as in, feels like it belongs in a comic with a speech bubble as opposed to funny). 

Once more, with feeling. From the top! 

I like that we get to see Loki doing a wardrobe change, as I don’t think we’ve gotten to see that before. He always just shows up in a new outfit or illusions one on. 

That’s one ugly ass outfit, but you make it look passable, Loki. You’re beautiful, in case no one’s told you that today. 

The remaining shots are very visually pleasing and action-y and I dig them, except the volcano one (stop posing with your arms outstretched every five seconds, Loki, it’s kinda cringe. In the above still, it works; in front of a volcano, it’s just tonally off. I say this with love, don’t @ me). 

Overall, I think I maintain my 7/10 rating. I think that the trailer hints at a lot of potential in the story that I will enjoy seeing, and I think that the nature of it being a trailer means that it’s a little tonally hyperbolic (this is kinda the format for Disney shit; show the flashy bits, the funny (”funny”) bits, to draw in the casual viewer. Save the story bits for the show. (Case in point: there’s a lot of great material in TFatWS that happened just before or after the one-liners shown in the trailer.) 

So, yes. Sorry this is such a mammoth post, I just needed to explode my feels. If you think the trailer’s awesome, kudos and I love you. If you’re disappointed and upset, I’m sorry and I love you. If you’re hovering in the middle, still in cautiously optimistic territory, pull up a seat and have some popcorn with me. 

That is all. 

[ghostietea]

On Tohru and Akito: a long overdue analysis

As some may know, Tohru Honda and Akito Sohma from the manga Fruits Basket are pretty much my all time favorite protagonist/antagonist pair. They just work incredibly well as thematic pieces and driving forces of the story in relation to eachother. And beyond even the surface level they have a rich and layered goldmine of parallels that make them fascinating to think about. While it may make many a newbie raise an eyebrow, I think this is a fact that is to some level pretty widely acknowledged in the fandom proper. However, there is another level of their relationship that is often mostly left out of analytical conversations about them and their parallels: their eventual friendship. Something which, partly due to screentime, is often somewhat simplified down and misinterpreted. Which I think is a shame because, when you look at it, their eleventh hour friendship is deeply interwoven with their parallels and the very thematics and ending of the story. So then, what’s really going on with the girls that stand as part of the thematic core of Furuba? Beyond (most of, true analytical objectivity is impossible in interpretation) my personal sentimental feelings, let’s talk Akito and Tohru: their parallels, relationship, and role in the story overal. Read more present, this is going to be a long one but I hope you stick around 😊

One facet of Akito and Tohru’s role in relationship to eachother that I think is both interesting and imperative to understanding their purpose is their nature as eachother’s foils, especially their parallels. See, the two girls are both opposite and the same. Takaya sets them up as foils before we even properly meet Akito, as you can see in these panels: 

However, their foil relationship becomes a lot more intriguing once their similarities become more apparent later in the story. Just think about it: two girls with boy’s names whose fathers died when they were young, leaving them alone with their mothers, who both developed behavior that, according to the environment that they grew up in, would keep them from being abandoned. Akito, coming from the cultish Sohma clan where she was treated as a God to the point that she thinks she can do no wrong and has tied all of her self worth to the role, plays the part of a male ruler who must uphold tradition and keep the zodiac with her by any means. Akito is terrified of being abandoned, especially since she has no idea how to have relationships outside of the context of the bond, only exacerbated by the fact that Ren, one of the only people that openly questions her role, has constantly told her that she’s useless and will be abandoned. This is something that informs all of her (many, terrible) decisions and leads her to try desperately to keep the curse together, something which puts her in direct conflict with Tohru, who actually wants the curse broken in part so that she won’t be abandoned. Tohru may not be as obvious with her abandonment issues as miss screeches-at-people-not-to-leave-her, but they still inform a good deal of her character. Like Akito, she develops behavior around the time of her father’s passing to try to keep herself from being abandoned, mirroring her father’s proper speech because she was worried that she was losing Kyoko.  But, as she grew older in her much warmer environment, Tohru turned to kindness instead of fear to capture others, maintaining a facade of extreme positivity, politeness, and determination so as to not bother anyone. And, while she hides it, Tohru just gets worse after losing her mother. She becomes dedicated to preserving her feelings about her mother as is, refusing to move on much as Akito also refuses to move on from the curse and what her father wanted. Then comes the beach house reveal, where Tohru learns that Akito plans to take away her new family, even locking up the one most precious to her. Tohru tells herself that she’s going to break the curse for the freedom of the zodiac and cat, but she is also, in a way, doing it to keep herself from being abandoned. Later this feeling changes to become more focused on preventing the loss of Kyo himself, something which Tohru doesn’t want to admit. Tohru is a truly good and kind person and does want to help, yes, but also some part of her is doing this to keep the ones she loves by her side, understandably as she is a teen that recently lost the person she revolved her whole life around. But it comes to a point that you have to realize: Akito and Tohru are both motivated by the same thing, they just present it in wildly different ways. I don’t think that I have to explain how exactly their behavior foils eachother, the more worldly and modern Tohru acting on radical kindness and acceptance and thinking she deserves nothing while the sheltered, traditional Akito uses manipulation and fear to get what she thinks she is entitled to. It’s very apparent, but just gets even spicier in the context of how similar they are. Another parallel is in Tohru’s mom picture vs Akito’s father box, both relics of their dead and favorite parent that they are extremely protective of and treat almost like it is their deceased parent. Early in the series Tohru is seen carrying around a photo of her mom which she talks to, something which seems pretty harmless, until we consider how terrified she is every time she thinks she’s lost it, even going as far as to refer to it as if it were her mother.  Notably, it barely shows up in the second half of the series, as she reluctantly drifts away from her mom and towards Kyo. In this later part of the series, we are introduced to Akito’s box, which she (semi, it’s complicated) thinks contains her father’s soul. Akito’s box is shown in a much darker light, from how the reveal of what it us to her is framed to how cruelly she reacts when it’s being stolen. Akito’s box is to Tohru’s photo what their owners narratively are to eachother: a dark mirror.

Ok, and now for the reason that I think it was important to bring all these parallels up first: because as you cannot understand Tohru and Akito as enemies without understanding their differences, you cannot understand them as friends without knowing their similarities. While it is easy to write off Tohru reaching out to Akito as just another case of Tohru being Tohru, that does a disservice to the full picture. I’ve seen around in the fandom that a good deal of people seem to think Tohru trying to befriend her is just Tohru being overly kind and forgiving, and this is something I think ties back a bit to some early fandom misconceptions about Tohru. Bear with me for a second, this is going to be a bit of a tangent but it ties back. It’s died down some now, but in the early Furuba fandom it was very common to just think of Tohru as a pretty flat nice girl doormat character, which besides misogyny is probably partially the fault of the 01 anime, which cuts off before we get to see more of Tohru’s insecurities and tones down what we do see (also, in the case of the relationship I’m talking about, 01 ads in that God awful end confrontation that I despise for being everything that I’m about to argue the ACTUAL confrontation that I like is not). Manga Tohru is a very subtle character, she hides a lot of her feelings behind a perpetually happy front which doesn’t start to let slip until later. And, since it’s later on in the manga which went unadapted for years and is mixed in with a bunch of crazy stuff, I think Tohru’s quiet development is often somewhat overlooked. For example, early series Tohru is very well known for the speeches she gives to the zodiac when she first meets them, speeches that, importantly, always tie back to things that her mom said. Tohru’s worldview back then revolved completely around Kyoko, so it’s probably a bit of a thing that in the later story, when Tohru draws ever nearer to the realization that she must move on, she does not give her mom speeches anymore? As opposed to the early story, when it was pretty much back to back character intros, in the late story Tohru notably only gets to befriend two new Sohmas: Isuzu and Akito. Notably, she doesn’t quote her mom either time, these are both people that she can relate to on some of her more hidden issues, and she shows a more personal side of her emotions in her turning point confrontations with them than she did earlier. It is especially important to realize that, in her confrontation on the cliff, Tohru is deciding that she is willing to go against her mom. Early series Tohru was a front anyways, and is a different Tohru from the one that finally gets through to Akito. I was using it as an example, but the evolution of Tohru’s befriending confrontations will be important later. Furthermore, there is the perception of Tohru as a doormat. Listen, Tohru may be very kind and polite, but one of her defining characteristics is being very determined and strong willed when need be. This is something that is especially relevant to her interactions with Akito. From the first meeting outside the school, Tohru knows to be wary of Akito and even breaks politeness and shoves her when she senses that Akito is making Yuki uncomfortable. This sets up immediately that Tohru can and will stand up to Akito. This is driven in even farther at the beach house, when Tohru, after again physically getting between Akito and a zodiac, decides that she will directly go against all of the Sohma family’s centuries of tradition and Akito herself to break the curse.  There’s even a cute moment when, upon remembering Akito telling her not to, Tohru just decides to meddle even harder. Tohru, while polite about it, does not like Akito and puts herself in direct opposition to her. Tohru does not originally want to be Akito’s friend, or to have anything to do with her. The cliff scene is not just Tohru befriending someone because she just is over forgiving and loves everyone (an argument can be made that she still goes to easy on Akito, but it’s in line with how the narrative treats her too so that’s another conversation), there was a specific reason both that she chose to try to get through to Akito and that it actually worked. Up until their big confrontation, Tohru still thinks of Akito as a threat, and while she has gotten more information that shakes up her view of Akito, she still doesn’t understand her well enough to see her as much more than an obstacle. Then Akito barges into her yard when she’s just been rejected, crying and confessing how terrified she is of being abandoned, of things changing, and Tohru just goes still, eyes wide in shock. And she realizes: her and Akito have been afraid of the same thing the whole time.  This is when Tohru decides to try to reach out to her. Because Tohru, on a deep level, sees Akito because of their similarities.  She calls Akito out on her insecurities, and Akito reacts badly, accusing Tohru of being “dirty” and trying to condescend.  Tohru partially rebukes this, not trying to hold herself above Akito as pure and righteous, but instead confessing her own fears of abandonment and change in an attempt to empathize with Akito.

At this part of the story, Tohru is fully coming into the realization that, in order to live her life, she needs to stop clinging to this idea of an “unchanging” relationship with her mom, something that scares her quite a bit. She realizes that, while she saw the flaws in Akito’s “eternity” and tried to destroy it, she had not been as perceptive with herself, clinging to that same notion. Tohru is an incredibly repressed character, especially in regards to emotions she thinks of as “dirty,” and she is showing a remarkable amount of vulnerability in this scene. Another thing to note about Tohru is that she, in her immense repression, will often process her own issues through other people. We see this throughout the story, from her showing grief over her mom by crying for Momiji and his mom to her projecting her fear of losing Kyo onto Kureno and Arisa. So then, it’s quite something to consider that the last Sohma she befriends is the one most emblematic of the issues she keeps locked up tightest? That as she’s speaking to her she’s deciding to move forward from her own fears? In a way, could accepting Akito be a symbol of Tohru accepting what she thinks are the darker parts of herself? Akito is also coming to a realization about moving on, acknowledging that the zodiac curse is coming to an end and that everything she believes is a lie, and she is absolutely distraught about it. But Tohru, in a way that nobody else does, understands Akito, and wants Akito to be her friend. Not out of pity or reverence, but a desire for solidarity. And this is the very reason why Tohru was actually able to get through to Akito. As we see with Kureno before he gets stabbed and Momiji at the beach house and when his curse breaks, it’s not like people haven’t kindly tried to get through to her before.

Of course, the reason it worked for Tohru can also be partially chalked up to the fact that Akito herself has come a long ways in personal realizations to the point that there’s just some things she can’t deny anymore, but that’s not all. Akito tends to react very negatively to what she sees as condescension, she thinks people want to try to pick her apart and see how she ticks just so they can look down on her, so they can see her as lesser. She thinks Tohru is trying to condescend too at first, especially since she perceives Tohru as this holier than thou saint wannabe. Fascinatingly, Akito’s view of Tohru is incredibly similar to that early fandom idea of Tohru as an angelic mary sue, and she hates her for it. She thinks that Tohru is trying to be like this and is seen as such, and that she (Akito) is the only who can see that Tohru is wrong somehow.

But Tohru rejects this notion of a pure her that both the fandom and her early self tried to project, presenting herself as flawed and human and purposefully trying to not put herself on a pedestal above Akito. She makes it very clear that she’s not trying to condescend, she is the same way (well, sorta) and she gets it. Notably, after this point Akito doesn’t accuse her of looking down on her, instead freaking out temporarily because of how much Tohru called her out before venting about her fears to her. And, while, partially due to outside circumstances, it does take Akito a bit longer to accept her offer of friendship, she legitimately manages to get through to her very soon after this point. If Tohru had tried one of her early series mom speeches on Akito, or just tried to blindly accept her without understanding, it would not have worked. Akito would have just written it off or reacted badly and left it there. But because Tohru tried to befriend Akito out of understanding as an equal it actually worked. You can’t separate Akito and Tohru’s parallels and their eventual friendship because one aspect is integral to the other.

A connected aspect of their relationship that I see talked of very little but is actually a pretty strong undercurrent is that of equality and power. To explain this, we have to look at Akito for a bit. Throughout her life, pretty much everyone around Akito has either put her on a pedestal or looked down on her. This is something that not only greatly damaged the way she thinks of herself and others, but has given her an intensely hierarchical view of relationships. We even see this notion clearly take form for her in the black paint scene, where she decides that Yuki, who she’d previously seen as the same as her, has to be lesser or else she will become useless.  From the moment Akito was born she was “God,” an existence above everyone else. Even her own father only seems to give her affection for being God, and when he dies and she takes his place as the head of the family she is just elevated even farther at an extremely young age. The only people (she thinks) she’s close to are the zodiac, and the curse itself puts an inherent power dynamic into that relationship that can only be overcome with its undoing. Akito clings to her power, to her rank in the hierarchy, all the while the very thing she desperately upholds has made her the real outsider. Akito, who does everything in the name of belonging, was always alone from the start. As Tohru points out, as long as she is above the group she cannot be a part of it.

Simultaneously, and almost contradictory to the pedestalization and power dynamic aspect, Akito is extensively coddled and pitied. A lot of the older adults around her treat her almost like a crotchety, spoiled child. A child who is coddled to the point of never being given any reprimand or instruction on just how to behave like a functional human being until things have gone far too far. Then you have cases like Kureno, who seems to still see Akito like a kid, pretty much just coddles her as a job, and only stays because he pities her. This leads to a strange dual sided dynamic in multiple cases, where Akito is seen as someone’s better and has more power but is also being looked down upon in a way too. Akito has never in her life been seen and treated as an equal, so it’s pretty important when it is made clear that Tohru tries to befriend her as an equal. After all this time, Tohru, an outsider that is not under Akito’s control, who can hold her ground in a challenge against her, is finally the one to meet her on the same level. There’s this page that I adore that symbolizes this idea really nicely. It opens on a panel of Akito sitting a distance away from the zodiac who are all having fun together, a motif we’ve already seen a few times, but this time Tohru sits down right next to her.

This page comes at a critical moment, when Tohru is offering her hand in friendship to Tohru, it’s Akito realization of what Tohru is trying to do. Later on, we get Akito narrating what this page was showing, which I think I just need to put in:

We also see a bit of their conversation after they reunite in the hospital later, where Tohru again denies that she is better than Akito. Now, I think both the Tokyopop and Yen Press translations of this scene are a bit weird, the Tokyopop version uses the word “pretty” (confusing) while the Yen Press uses “kind” (don’t think that’s the best word). However one time I saw like a Malaysian english release in the half price books that used “pretty on the inside” and I like that best so I’ll just pretend that’s it.

I think this scene is interesting because it could seem like they’re just talking about morality but that’s not it. This is, once again, Tohru pretty explicitly trying to stop the creation of any sort of hierarchy between her and Akito. It’s not about right or wrong, Tohru know very well that Akito’s done things wrong and actively worked to stop her, it’s about not wanting them to be put on some sort of different rank based on morality and Tohru understanding Akito enough to empathize with the fact that (wrong or no) Akito was really hurt by Tohru and they won’t get anywhere if they don’t acknowledge that. Furthermore, I’ve already talked a bit about it already, but I think the way that Tohru asserts that she gets what Akito’s feeling and thinks she herself is “dirty” during their confrontation is relevant here too. She is, again, presenting herself as someone on the same level who understands Akito and is not being nice out of pity. This then leads to the page I talked about before which is again, Akito realizing this! This is a huge moment for her, someone who has had all of her relationships messed up by inequality and has no idea how to have a normal relationship, who is having a breakdown because she thinks that because of this it’s too late for anyone to love her, to have someone who understands her and wants to meet her on the same level. Even if she tries to deny it and shift blame, at this point Akito has realized that the zodiac bond is not what she thought and that she has been acting horribly. The groundwork is already there for Akito to have a change of heart, especially considering that a lot of her horribleness stems from legitimate extreme ignorance and her obsession with the bond so once she’s snapped out of that… The main thing that’s holding her back past that is that she’s panicking and cannot see a way forward. So then when there’s someone who actually gets where she’s coming from instead of just tolerating her and is offering her the sort of friendship that she’s never gotten to have of course she’d go for it! Tohru Honda has proven Akito wrong in ever way and, in the end, she even proves her wrong on her greatest fear: that she can only be wanted because she’s God. Because of Akito’s specific issues, nothing could have been more powerful for her than someone coming to her as an equal. Again, the piece about why Tohru could get through to her. It just wouldn’t be the same if Tohru didn’t have a reason to want Akito around or if she somehow saw Akito as below her, the very core of their relationship is the destruction of hierarchies. From the beginning Tohru has been trying to destroy the hierarchy of the zodiac, and when it comes down to it she does not take Akito’s spot at the top, but decides to stand beside her and the zodiac instead. Early in the series we see Akito trying to have some power over Tohru through fear, but when the time comes and Akito is pretty much defeated Tohru does not take power as the victor, hoping that Akito joins her instead of being somehow defeated. And at the end of it all this works, and Akito dissolves the zodiac and with it most of her power and her godhood of her own accord. 

Despite their relative lack of page time, Tohru and Akito’s relationship has always been something that I come back to. Sure, a lot of that is just sentiment as they meant a lot to me when I was younger, but I think there’s something there. They work amazingly as protagonist and antagonist, contrasting nicely and working as symbols of both sides of the thematic conflict. There’s a palpable tension to their early interactions that makes you both scared and interested to see what happens when these two inevitably have to go head to head. But then, as the story goes on, it seems more and more like they are a tragedy, so similar yet on different sides of the story, fated to have one of them stuck with an unhappy ending brought on by the other.

But, even as dark as it gets, that wouldn’t really be Fruits Basket, would it? In the end, Tohru and Akito’s similarities win out, not their differences. I think it would have been so easy to just make this a story where the sweet heroine “saves” the villain just because, but that is so blatantly not what’s going on. Tohru simply sees herself in Akito, she’s not trying to somehow fix her and nor should she have to, she just wants to be her friend. And then the two manage to overcome their driving fear of moving on, forging new bonds and inspired by their interaction with the other. It’s not like Tohru somehow fixes Akito’s problems, Akito has to do things herself and in fact independence is a big theme of her endgame arc. Tohru simply offered her friendship, and that was enough. There’s a distinction to be made between how Tohru inspires Akito and Tohru somehow “saving” her, because Akito very much has to learn to save herself in the end after a lifetime of pushing her issues onto others. And, as a side note, all this is sort of why it bugs me when people act like Tohru would be like a mom to Akito. First off, Tohru shouldn’t have to be the mom to everyone. And, kind as she is, Tohru is also not a Kureno, she sees and interacts with Akito in a completely different way and their relationships with Akito are one of the big points were Tohru and Kureno differ. Second off, Akito has spent her life coddled and clinging onto anything that she can hold onto as a resemblance of parental affection to a toxic degree. Part of her arc is that she needs to grow out of this, become more independent, and have more balanced relationships. Akito at this point does not want or need to make a mommy figure out of one of her peers, and doing so may in fact be regressive. Sure, she will definitely need a level of guidance going forward, but it would be more beneficial for her to learn from example and under more of a friendly, balanced context coming from multiple people, not one person holding her hand. For all the reasons I’ve gone over in this entire post, I think it is much more meaningful for Akito to have Tohru as what she was canonically presented as in text: someone who sees her as an equal. The whole point of their relationship is, again, the defiance of hierarchies, something which I think is often sorely overlooked even though it is very openly there in text. And that, in part, is why I think their relationship is so powerful to me. Beyond hero and villain, right or wrong, or any story roles, it’s about two girls finding solidarity and friendship on a very personal, human level. This is Akito for the first time being seen not as this distant, untouchable male deity or some pitiful being, but as a flawed, hurt human girl who is nonetheless capable of change and being loved. This is Tohru coming out of hiding, presenting her flawed, terrified human self to someone she saw as an enemy. Fruits basket is, in part, a story about friendship and defeating systems of power and abuse. Even in a messy third act that muddles its themes at times by weighing character endings too heavily on het romantic love, especially in regards to the women (Hello Rin, Machi, Uo, ect.), Tohru and Akito stand out as a friendship that is given a huge amount of narrative weight. It just feels nice that, in a story that often focused on the power of relationships between women only to ditch all that and focus primarily on their relationships with men, these two girls are one of the driving forces of the endgame. The curse didn’t get broken by romantic love, but by the friendships everyone made along the way, including Tohru and Akito. Tohru has gotten it to this point, and now Akito just needs to bring it to a close and finally end things. At the very beggining, before this all started, all the cat wanted was for the God was to move forward and live as a person among the humans, and, finally, a long time later that wish was granted. The tale of the zodiac gets its happy ending not by a villain being defeated, but by the power of friendship and solidarity between women.

[gaymershigh]

How about Deuce, Azul, Idia and the Leech twins' if it's not too much, (smoll)male s/o saying "I love you." for the first time ? Thanks !

Sure, annonie! Since I also have a smol boi I can imagine this scenario in my head and It's! SO! CUTE! o(^▽^)o

Triggers: None

Deuce, Azul, Idia, Jade and Floyd small male s/o saying "I love you" for the first time

Neither of you two have said the phrase "I love you" no matter how much you two really want to say it because you two are too nervous to initiate it. He never had a romantic relationship before and is also as nervous as you so it's not really a surprise if you said it first.

He was always taking good care of you and always showing you physical affection. He enjoys hugging and cuddling your small figure, always nervously complimenting how pretty you are petting your head and everything. Yes, he has the balls to do all this but apparently not brave enough to say "I love you". Yes, very tragic.

So when you first said those magic three words, he was startled. Not sure what he really felt at the time but all we know is that he's shocked. When those words came out of your mouth, he made a dramatic gasp and stood like a statue, staring at you with his eyes all bugged out.

Despite him being probably ticklish, poking him even at his most sensitive areas won't even make him flinch, this is the most life changing moment for him. (almost correct, he's just being dramatic at the moment) He's aware that you love him but you saying it is still a shocking thing, this feels just like the time you confessed that you also have feelings for him. It takes a few minutes to go back to reality and when he does, his face is as red as Riddle's hair and fuming face combined.

He would feel ashamed about not being able to say it first. He would spit out thousands of apologies for not saying it first or not being not good enough because he didn't say it first. So he decided to spill all his feelings and what little things he loves about you in such a quick pace to the point he sounds incoherent. He'll get weird stares from other students and will get teased by both Ace and Grim later if they coincidentally walked pass you two.

Azul has said his love for you multiple times but it's not often as the others as he either doesn't have that much time to spend with you because of work or because he despises saying those words in public. Of course, he still wants to say his love for you but he has a reputation to hold and being overly affectionate is not something a gentleman nor a businessman would do! No matter how much he would love to hug your smaller figure from behind, it's just unprofessional.

He really doesn't give one if you haven't said you love him back but if this lasts until months, then he's getting anxious and antsy. He knows you love him back but he would appreciate it a bit more if you said it as well. He really craves to hear those three words from his s/o when dating. Plus, he has said it so much to you, why haven't you said it to him? He has these thoughts, thinking he was ready to hear it any moment but when he did hear it from you, he was caught off guard.

When you do say it, he stopped whatever he was doing. Yes, it was very unprofessional for a businessman to get so surprised over something so simple as that but give him a break. He might not be human but he still has the feelings of one. Plus, this is the first time he heard it from you. He managed to cover up his slightly shocked expression by clearing his throat and saying he loves you back, acting like nothing happened and tried brushing it off.

When he's in his workroom with both of the Leech twins there, he is having a hard time. Both having a hard time to focus and a hard time to keep his cool from his cheeks reddening in front of the devilish pair. He really cannot get that thought about you declaring your love for him, looking really cute and extra points for your shorter height making it seem more innocent and cuter. He kept adjusting his glasses and pinching the bridge of his nose. The two do realise that something's going on inside the mind of the octopus boy and decided to pester him about it later.

In his bedroom, a place where nobody is sure to see him doing whatever in there because he had forced the good habit of knocking and asking permission before entering to his dorm members, he's more of a mess since there's nothing restricting him from showing his true emotions. He's shifting all over the bed to the point of no return, all blushed up and still trying to cover it despite that nobody's there. It's always fresh in his mind and just prays for it to go away as fast as possible. It will, spoiler alert but it'll take a few couple of weeks or even months for the memory to fade away for now.

He has said his "I love you" to you before but it's not really that surprising or anything to be that shocked as he only declared it in text form. There's no way he's going to confess it verbally on irl because that's such a "normie thing to do"! And also because he's just anxious to say it in general. Yeah, it's just three words but they say so much and it's easier said than..actually saying it, especially in front of the person you want to say it to. Except he can't even say it in voice chat either.

It's like saying it in front of a cute anime girl character that every fan probably adores. You even have the cute height of an adorable move shoujo manga deuteragonist, the protagonist's love interest! cute, short and just the character's fan favourite, you know? It will either always take some time or it takes the end of the manga for the protagonist to confess. It's like the same thing except they're already together!

It was a normal day of voice chatting after a nice match of an online fighting game. He kept praising your amazing skills and tricks for playing for the first time and hoping that you two can play again. Then from that, he kept wanting to read these mangas he thought was interesting with you. He was very excited and filled with energy, how can't you not think that's straight up adorable and not express how you love that part of him?

So when you did, he went immediately silent. There's not even a noise of a ceiling fan. Just dead, utter silence. You kept calling out for his name no matter how many times he hasn't answered. Out of nowhere, he cut the call, leaving you alone. In just a few minutes later, he went offline. You were worried, what the hell just happened? You knew that kneading freakout about your sudden words but you for some reason didn't expect it to affect him that much. You might have to contemplate whether you should visit him to check if he's ok or not.

He's not ok, at all but not like in a bad way. He's happy but he's panicking. First, he's such a wimp for not saying the words first to the point you have to declare it first. Even if saying 'I love you' is such a normie thing, he's aware it's something important to say if you're in a goddamn relationship. Second, what was he supposed to say after that? 'I love you too'!? How? As much as he wants to spit it out, he couldn't. Though, one day. Maybe he could learn to say it back? Through the teachings of a shoujo mangas of course!

Jade is wonderful at saying his love for you verbally. His words can go from simple "I love yous" to a list of 150 reasons why he loves you in alphabetical order. Though he won't say it as much in public, his love language from both physical and verbal are endless! If you're a cheesy, affectionate man then he would be the perfect man for you! (though, he's always perfect for everyone in general)

There's no way for him to describe his love for you, especially his love for your small frame. It's obvious that he's a giant when compared next to you and he has pride for that. You unintentionally give him power and dominance just by staring at you. Just by holding you, he's amorous. He's always holding you close on his bed, whispering sweet nothings and the three words that never rolled out of your tongue until now.

It was another casual cuddling session after the long day of work of Jade. He was doing the normal thing, complementing your tiny body and saying his 'I love yous' and that. You were hesitant but after all this time of him praising you and after a long day of work, shouldn't he receive his reward and the thing that he should hear after months of being together? When you say the magic words, his eyes widen for a few seconds only for his face turns into his iconic toothy grin. He kept teasing you to repeat them as he pretended that he couldn't hear you.

He expects you to say these words more often now that you finally said it. For the entire time, he secretly waits for you to say those words because as much of a gentleman he is, he anticipated that you're supposed to say those words back not just because you're boyfriends but because he deserves it after all those comments he tossed to you. (don't worry, he means his words, it's just that my guy wants affection too) and when he finally gets it, he's very and finally satisfied, like he finished his final mission or something.

He might not show it since he's a master of hiding his emotions but he's genuinely joyful about it. He finally got one of his dreams about or with you finished and he was way more satisfied at the result. You're small innocent self finally saying I love you back is kinda like the dream for him for some reason.. Please say your love for him more without him begging because the last thing he wants to say to you is saying "say you love me"

Knowing Floyd, he doesn't care about what anyone has to say about his affection towards you. No matter where you are, if he's in a good mood then he has no resistance to just fling and run himself into your comfy arms. There's a reason as to why he chose you as your boyfriend after all.

He has a thing for people smaller than him and it's shown by bullying Riddle till he's about to blow up like a volcano (or already blown up, depends on how he feels or what he said) and you being his boyfriend won't make you immune to his teasing. If anything, he will bully you about your height even more but he knows where to cross the line unlike with other students. He's very touchy so expect him to touch your small torso every time he has the chance.

He doesn't even realise that you haven't said your love for him if your love language leans more to physical. He wouldn't mind if you don't say it if you're also returning his hugs and super invested in cuddling sessions. Kiss him, hug him or do anything that's physical and he would be just as happy but if you don't do any of that, then he might say something about it or puff his cheeks out, pouting.

You were on his lap, cuddling like always, ignoring the judgemental stares you two are getting. Brave enough for them to try staring down at your giant monster of a boyfriend. He pours everything interesting that has happened to him or he has witnessed, aka the normal things he does everyday (surprising of how consistent he was) and it was adorable especially with his cooing voice when he mentions something he really thinks is cool. You accidentally said that is what you love about him and he stopped and looked at you for a second.

"Oh, Is that so?" oh, get prepared to be teased for that by the way. He's more in love with more than ever when you said that, especially the way you said it confidently, knowing that well it's unintentional. He has no shame to ask you to say it more or he'll squeeze you. Unsure if that's just a joking statement or not. I mean, he's technically squeezing the life out of you, screaming "I love you" at a ridiculously fast pace so he's probably not. Unfortunately or fortunately for you, he will ask you where's his daily "I love you" if you haven't said it yet before you separate your ways to your dorm for the next day to rise.

Can you tell I panicked when writing Floyd's part? Don't know why I panicked in the first place though, lol~

~𝕸𝖎𝖗𝖎

[bloodbenderz]

humaniterations (dot) net/2014/10/13/an-anarchist-perspective-on-the-red-lotus/ this article from oct 2014 is very dense — truly, a lot to unpack here, but I feel like you would find this piece interesting. I would love it if you shared your thoughts on the points that stood out to you, whether you agree or disagree. you obv don’t have to respond to it tho, but I’m sending it as an ask jic you feel like penning (and sharing) a magnificent essay, as is your wont 💕

article

i know this took me forever 2 answer SORRY but i just checked off all the things on my to do list for the first time in days today so. Essay incoming ladies!

ok im SO glad u sent me this bc it’s so so good. it’s a genuinely thoughtful criticism of the politics in legend of korra (altho i think its sometimes a little mean to korra unnecessarily like there’s no reason to call her a “petulant brat” or say that she throws tantrums but i do understand their point about her being an immature and reactionary hero, which i’ll get back to) and i think the author has a good balance between acknowledging like Yeah the lok writers were american liberals and wrote their show accordingly and Also writing a thorough analysis of lok’s politics that felt relevant and interesting without throwing their hands up and saying this is all useless liberal bullshit (which i will admit that i tend to do).

this article essentially argues that the red lotus antagonists of s3 were right. And that’s not an uncommon opinion i think but this gives it serious weight. Like, everything that zaheer’s gang did was, in context, fully understandable. of course the red lotus would be invested in making sure that the physically and spiritually and politically most powerful person in the world ISNT raised by world leaders and a secret society of elites that’s completely unaccountable to the people! of course the red lotus wants to bring down tyrannical governments and allow communities to form and self govern organically! and the writers dismiss all of that out of hand by 1. consistently framing the red lotus as insane and murderous (korra never actually gives zaheer’s ideas a chance or truly considers integrating them into her own approach) 2. representing the death of the earth queen as not just something that’s not necessarily popular (what was with mako’s bootlicker grandma, i’d love to know) but as something that causes unbelievable violence and chaos in ba sing se (which, like, a lot of history and research will tell you that people in disasters tend towards prosocial behaviors). so the way the story frames each of these characters and ideologies is fascinating because like. if you wanted to write season 3 of legend of korra with zaheer as the protagonist and korra as the antagonist, you wouldn’t actually have to change the sequence of events at all, really. these writers in particular and liberal writers in general LOVE writing morally-gray-but-ultimately-sympathetic characters (like, almost EVERY SINGLE fire nation character in the first series, who were full on violent colonizers but all to a degree were rehabilitated in the eyes of the viewer) but instead of framing the red lotus as good people who are devoted to justice and freedom and sometimes behave cruelly to get where theyre trying to go, they frame them as psychopaths and murderers who have good intentions don’t really understand how to make the world a better place.

and the interesting thing about all this, about the fact that the red lotus acted in most cases exactly as it should have in context and the only reason its relegated to villain status is bc the show is written by liberals, is that the red lotus actually points out really glaring sociopolitical issues in universe! like, watching the show, u think well why the fuck HASN’T korra done anything about the earth queen oppressing her subjects? why DOESN’T korra do anything about the worse than useless republic president? why the hell are so many people living in poverty while our mains live cushy well fed lives? how come earth kingdom land only seems to belong to various monarchs and settler colonists, instead of the people who are actually indigenous to it? the show does not want to answer these questions, because american liberal capitalism literally survives on the reality of oppressive governments and worse than useless presidents and people living in poverty while the middle/upper class eats and indigenous land being stolen. if the show were to answer these questions honestly, the answer would be that the status quo in real life (and the one on the show that mirrors real life) Has To Change.

So they avoid answering these questions honestly in order for the thesis statement to be that the status quo is good. and the only way for the show to escape answering these questions is for them to individualize all these broad social problems down into Good people and Bad people. so while we have obvious bad ones like the earth queen we also have all these capitalists and monarchs and politicians who are actually very nice and lovely people who would never hurt anyone! which is just such an absurd take and it’s liberal propaganda at its best. holding a position of incredible political/economic power in an unjust society is inherently unethical and maintaining that position of power requires violence against the people you have power over. which is literally social justice 101. but there’s literally no normal, average, not-politically-powerful person on the show. so when leftist anarchism is presented and says that destroying systems that enforce extreme power differentials is the only way to bring peace and freedom to all, the show has already set us up to think, hey, fuck you, top cop lin beifong and ford motor ceo asami sato are good people and good people like them exist! and all we have to do to move forward and progress as a society is to make sure we have enough good individuals in enough powerful positions (like zuko as the fire lord ending the war, or wu as the earth king ending the monarchy)! which is of course complete fiction. liberal reform doesn’t work. but by pretending that it could work by saying that the SYSTEM isnt rotten it’s just that the people running it suck and we just need to replace those people, it automatically delegitimizes any radical movements that actually seek to change things.

and that’s the most interesting thing about this article to me is that it posits that the avatar...might actually be a negative presence in the world. the avatar is the exact same thing: it’s a position of immense political and physical power bestowed completely randomly, and depending on the moral character and various actions of who fills that position at any given time, millions of people will or won’t suffer. like kyoshi, who created the fascist dai li, like roku, who refused to remove a genocidal dictator from power, like aang, who facilitated the establishment of a settler colonial state on earth kingdom land. like korra! she’s an incredibly immature avatar and a generally reactionary lead. i’ve talked about this at length before but she never actually gets in touch with the needs of the people. she’s constantly running in elite circles, exposed only to the needs and squabbles of the upper class! how the hell is she supposed to understand the complexities of oppression and privilege when she was raised by a chess club with inordinate amounts of power and associates almost exclusively with politicians and billionaires?? from day 1 we see that she tends to see things in very black and white ways which is FINE if you’re a privileged 17 yr old girl seeing the world for the first time but NOT FINE if you’re the single most powerful person in the world! Yeah, korra thinks the world is probably mostly fine and just needs a little whipping into shape every couple years, because all she has ever known is a mostly fine world! in s1 when mako mentions that he as a homeless impoverished teenager worked for a gang (which is. Not weird. Impoverished people of every background are ALWAYS more likely to resort to socially unacceptable ways of making money) korra is like “you guys are criminals?????!!!!!” she was raised in perfect luxury by a conservative institution and just never developed beyond that. So sure, if the red lotus raised her anarchist, probably a lot would’ve been different/better, but....they didn’t. and korra ended up being a reactionary and conservative avatar who protected monarchs and colonialist politicians. The avatar as a position is completely subject to the whims of whoever is currently the avatar. and not only does that suck for everyone who is not the avatar, not only is it totally unfair to whatever kid who grows up knowing the fate of the world is squarely on their shoulders, but it as a concept is a highly individualist product of the authors’ own western liberal ideas of progress! the idea that one good leader can fix the world (or should even try) based on their own inherent superiority to everyone else is unbelievably flawed and ignores the fact that all real progress is brought about as a result of COMMUNITY work, as a result of normal people working for themselves and their neighbors!

the broader analysis of bending was really interesting to me too, but im honestly not sure i Totally agree with it. the article pretty much accepts the show’s assertion that bending is a privilege (and frankly backs it up much better than the original show did, but whatever), and i don’t think that’s NECESSARILY untrue since it is, like, a physical advantage (the author compares it to, for example, the fact that some people are born athletically gifted and others are born with extreme physical limitations), but i DO think that it discounts the in universe racialization of bending. in any sequel to atla that made sense, bending as a race making fact would have been explored ALONGSIDE the physical advantages it bestows on people. colonialism and its aftermath is generally ignored in this article which is its major weakness i think, especially in conjunction with bending. you can bring up the ideas the author did about individual vs community oriented progress in the avatar universe while safely ignoring the colonialism, but you can’t not bring up race and colonialism when you discuss bending. especially once you get to thinking about how water/earth/airbenders were imprisoned and killed specifically because bending was a physical advantage, and that physical advantage was something that would have given colonized populations a means of resistance and that the fire nation wanted to keep to itself.

i think that’s the best lens thru which to analyze bending tbh! like in the avatar universe bending is a tool that different ethnic groups tend to use in different ways. at its best, bending actually doesn’t represent social power differences (despite representing a physical power difference) because it’s used to represent/maintain community solidarity. like, take the water tribe. katara being the last waterbender, in some way, makes her the last of a part of swt CULTURE. the implication is that when there were a lot of waterbenders in the south, they dedicated their talents to building community and helping their neighbors, because this was something incredibly culturally important and important to the water tribe as a community. the swt as a COLLECTIVE values bending for what it can do for the entire tribe, which counts for basically every other talent a person can have (strength, creativity, etc). the fire nation, by contrast, distorts the community value of bending by racializing it: anyone who bends an element that isn’t fire is inherently NOT fire nation (and therefore inherently inferior) and, because of the physical power that bending confers, anyone who bends an element that isn’t fire is a threat to fire nation hegemony. and in THAT framework of bending, it’s something that intrinsically assigns worth and reifies race in a way that’s conveniently beneficial to the oppressor.

it IS worth talking about how using Element as a way to categorize people reifies nations, borders, and race in a way that is VERY characteristic of white american liberals. i tried to be conscious of that (and the way that elements/bending can act in DIFFERENT ways, depending on cultural context) but i think it’s pretty clear that the writers did intend for element to unequivocally signify nation (and, by extension, race), which is part of why they screwed up mixed families so bad in lok. when they’ve locked themselves into this idea that element=nation=race, they end up with sets of siblings like mako and bolin or kya tenzin and bumi, who all “take” after only one parent based on the element that they bend. which is just completely stupid but very indicative of how the writers actually INTENDED element/bending to be a race making process. and its both fucked up and interesting that the writers display the same framework of race analysis that the canonical antagonists of atla do.

anyway that’s a few thoughts! thank u again for sending the article i really loved it and i had a lot of fun writing this <3

[mae-gi-writes]

Awkwardly In Love | Mingi (ATEEZ)

Volleyball player! Mingi can’t seem to take his eyes off the girl on the bleachers whose got her nose stuck in her book.

Genre: FLUFF AND CUTE AWKWARD MINGI SBGKJDGJ I CAN’T HE RUINS ME. 

Word count: you just gotta know that it iz quite a long ride. I apologize for that.

----

She's always got her nose buried in her book.

That's what catches Mingi's attention at first.

See, he's not one to read. Nor does he have any interest in reading and books and the things that come with it. Growing up in a household full of children involved in physical sport, books had counted for nothing but a minimal afterthought. That, and the fact that their financial struggles made it so that they didn't spend on books if it could be helped.

So seeing her always carrying around piles and piles of books has Mingi wonder how much extra cash does she have to spend on all this imaginary stories.

When he realizes that the reason she's always on the same spot on the bleachers is due to her cousin being in the same volleyball team as he is, he can't help but start asking questions.

"Yeah she's my mother's sister's daughter," Hongjoong says with a small affectionate smile, "we basically grew up in the same household so she waits for me after classes."

"You guys close then?" Mingi asks in a forced nonchalant tone. He keeps his eyes on the ball being served on the other side, palms already closed and upturned at the ready.

"Ready?" His teammate calls.

"Yeah!" They both holler.

He serves. The ball swoops in a beautiful arc and Mingi steels himself before receiving the ball with trained precision.

Pack!

"Closer than siblings," Hongjoong answers as the ball flies over the net, "why do you ask?"

Mingi is about to answer when he spots the ball. Hongjoong sweeps in, steering his legs to tap the ball high in the air.

Tap!

Mingi's head swivels up, catches the ball to throw it back at Hongjoong.

Pack!

"In!" The referree calls to signal that they've marked the final point to the game. The pair allow sighs to leave their lips as they slowly make their way out of the court.

"Uhm," Mingi's chest heaves up and down with effort. Sweat dots his forehead as he racks for an excuse, "just curious I guess."

"Want me to introduce you?"

"Uh-- I--That's not--necessary--"

It's too late though, for Hongjoong is already calling out her name, "Y/N!"

Her head lifts from where it's been buried in her book.

Her cousin motions for her to come forward and no sooner is she stepping down from the bleachers that Mingi's neck flushes bright red, and he knows deep down it's not from the fact that he's just exercised.

"Y/N, meet Mingi my teammate," Hongjoong's grin is definitely one that is suggestive, which does nothing for Mingi's confidence.

"Hi," she sends him a warm smile, extending a hand. Mingi shakes it and can't help but notice how tiny her fingers are in comparison.

Delicate fingers, so breakable. Cute.

"H-Hi, I'm Mingi," Oh god, he hopes he doesn't sound like an idiot.

"Mingi's always been on the team. He's the ace after all," adds Hongjoong.

"Ah, that's cool," Y/N nods.

That's how it starts really. At every practice, Mingi makes it a must to talk to her, even if it's juet a tiny greeting, or a slight wave of his shy hand whenever he's already on the court when she stumbles in with her pile of books tucked under her arm. There's just something about her, something that pulls him in like an invisible string even though he can barely make his way through one sentence when he's gazing straight into her eyes.

Once, he musters up the courage to ask her about the book in her lap and the amount of joy flushing up her cheeks makes it so palpable that he feels giddy from her own excitement.

"I'm currently reading Peony in Love," holding up the book so he can see, she continues, "it's a historical novel about this Chinese girl that falls in love with someone who isn't her betrothed, then dies only to realize that this someone is actually her betrothed."

"That's actually really heartbreaking."

"Yeah well, so are most romance stories," she shrugs, "like the titanic."

"I've never actually watched it."

"What?! You're kidding me?"

He shakes his head, ducking his head in embarrassment as he wonders whether she thinks of him as a loser because of his apparent lack of intellectual knowledge.

But instead, he is faced with her enthusiasm, "we should watch it someday! It's like a classic, you'll love it if you like dramatic endings."

"You--" he feels his chest tighten in excitement, "you're serious?"

"Of course I am! I'll let Hongjoong know."

His heart does drop a little at Y/N's cousin's name. He'd hoped that they'd be alone, just the two of them.

Nevertheless, he makes his way over to Hongjoong's flat on the said night and is surprised to find not just the pair of cousins But an entire group of familiar individuals that he's seen hanging around the corridors and classrooms.

"Hey you came!" Hongjoong claps Mingi's back as he steps into the doorway, "I invited some of my close friends too. You probably know them."

As Mingi greets the rest of the group whe exchanging soft pleasantries, he finally catches sight of Y/N's figure darting between tall frames before she emerges, grinning, "hi, Mingi right?"

He can't help but blush right down to his toes, "h-hey, what's up?"

"Sorry for all the noise. The guys just wanted to crash here. Told them we were watching titanic and they promised they wouldn't make running commentaries."

"It's alright. I know them all a little. We're in the same class."

"Ah cool. You guys all in the same major then?"

Mingi scratches the back of his head, "nah I'm in Psych. But since they're all in the sciences like Hongjoong we do have same classes."

"Cool. I wish I could've taken Psych," she puffs up her cheeks into a pout and Mingi's fingers itch to pinch her cheeks.

She can't be that cute. She just can't be.

"So are we starting the movie or what?!" One of the guys --his name is Yunho, Mingi guesses -- calls out.

"The way you're talking Yunho, it's almost like you're the one who really wants to watch it," Hongjoong replies sassily while throwing both arms around Y/N and Mingi respectively before guiding them to the tv room. He dips his head towards Mingi's ear as the group settles in, "don't worry bro, I'll make sure you sit next to her."

Blushing furiously at the older boy's comment, the latter doesn't even have time to defend himself when he is being pushed onto the couch right next to Y/N's figure.

"You a big tears kind of guy?" The girl murmured, popcorn in lap. She extends it out to Mingi, who shyly grabs a handful.

"I guess it depends," Mingi murmurs, "are there animals in there?"

"Oh so you're that kind of guy."

He flushes. What kind of guy is she referring to?

The movie starts with the narration of an old lady gazing at a sapphire necklace, bedore the screen gives way to a shot of the ship itself in all its splendour, glistening a bold black and white in the midday sun.

Mingi knows he should be concentrating on the movie. And it's true, he really should, especially when Y/N had asked him to because it is clearly a classic he can't possibly miss out on. But alas, his eyes keep dashing back and forth between the screen and Y/N's face, stealing looks whenever she is not looking. It's almost like a magnetic pull tugging his gaze back to her no matter how hard he forces his eyes away; flitting over her eyes focused in attention, eyebrows furrowed at the middle with her mouth hanging open like a child amazed with naked wonder.

What can she possibly be thinking? What is going on inside that imaginative mind of hers?

What magical dimension is she traveling to without his knowledge?

It's only when the romance between the two protagonists start blossoming that he finally tears his eyes away to focus on the movie itself, all the while sensing Y/N's heat permeating from her body to his in a way that causes a permanent flush in the back of his neck.

The movie ends all too soon, with tears in Y/N's eyes and some of the other guys as they debate over the ending and how stupid Rose was for not giving Jack some space on the wooden board.

"Well to be fair, he would've probably sunk the entire board," Seonghwa argues. He's the pretty boy that everyone knows of, the one whom every girl has been crushing on since his admittance to their college.

"If I were Rose, I wouldn't want to keep living without the love of my life," Y/N points out, "I would've drowned myself with him."

"Jesus Y/N, that's terrifying," Hongjoong says.

"It's true though!"

The look in her eyes whenever she spoke of movies was a look of naked excitement. Like now, Mingi spots the familiar fire burning through her gaze, a gaze he finds alluring on her. It's like it breathes life into her face. It's similar to the one she wears whenever she's reading.

A few days later on campus, he bumps into her hurrying out of the library as he walks in, almost sending her flying before his arm snatches out to hold her shoulder.

"Sorry," he says hastily while putting her back on her feet and releasing her like she's just burnt him.

"S'okay," Y/N sends him a reassuring smile, "where you going?"

"Assignments. I'm late on my research paper because of practice," Mingi scratches his head. He nods towards her books, "what caught your interest this week?"

"Oh I'm just re-reading A Darker Shade of Magic," she grins like a little child being caught. Something in Mingi's heart softens like butter.

"What's it about?"

"It's so cool, it's like this guy with a super cool coat that has hundreds over coats inside it. And he's a magician and there are parallel worlds that have different wavelengths of magic. So he can travel through the different worlds and--" she stops abruptly then before her cheeks colour in shades of pink, "sorry. I'm rambling again--"

"No no no," Mingi cuts her off, causing her to blink, wide-eyed, "please...continue. I--I like it when you talk about your books. You--You always seem so alive and excited."

"Oh," her face flushes even more as another troop of butterflies tickle Mingi's stomach. She's so damn cute! "Thanks...Mingi."

He tries to analyze the flickering expressions on her face, though he guesses it is close to feeling embarrassed.

"A--Anyway I--I'll get going," Mingi hurriedly says, moving past her with flaming red ears upon realizing what he has just said, only to feel her hand clamp down on his.

He turns to see her, averted gaze and all, little fingers clamped onto his shirt, "do you--do you want to...go see a movie sometime?"

----------

Hongjoong had threatened Mingi with a multitude of ways of killing him in case he broke Y/N's heart, albeit the fact that the taller man stated that no, they weren't going on a date,.and anyway flirting had never been Mingi's strongest points anyway.

"Sure. If it's not a date, what is it then?" Hongjoong had asked with a roll of his eyes.

"It's just two people hanging out," Mingi had protested through red ears and scarlet tinged cheeks.

As per the said man's suggestion, the pair decides to meet up at the cinema entrance to choose the movie of their choice. Y/N is decked in a simple white t-shirt, loose cut-off jeans with red sneakers, and as Mingi silently admires her sense of simple fashion the heat that rises through the back of his neck is enough to make him avert his gaze bashfully.

They settle on a romantic comedy and he volunteers to buy the popcorn so that she can find some decent seats. As he settles into the cinema room and the lights dim into darkness, he places the popcorn box into her hands, waving her off upon her rising protests.

"But you--"

"I'll share it with you, don't-- don't worry," he replies, hand scratching the back of his neck.

Don't sweat it, he says to himself. It's fine. It's not a date. It's just two friends enjoying each other's presence.

Halfway through the movie, Mingi reaches for the popcorn only for their hands to collide. He retracts it like he just burnt himself, causing the said girl to chuckle softly. She reaches over then, with a handful of popcorn, before plopping it straight into his mouth without warning.

Mingi blinks. Heat goes straight to his ears.

When his eyes find hers, she only graces him with a timid smile, before returning back to the movie, totally unaware that his heart is now practically galloping out of his chest.

Jesus, what she does to his heart.

Mingi has never been so whipped in his life, but right now, he's pretty certain that he doesn't mind if that means she can accept his heart.

"Well that was fun," Y/N says the moment they step out of the cinema hall, "wasn't expecting it to be so lovey dovey though."

His head ducks, "I'm sorry," he mutters, "I didn't know you weren't into--"

"Oh no no! Not at all! We both chose it. You have nothing to feel bad about!"

"I'm not that into movies," comes his mumble.

"What?" Y/N stops in the middle of the road as she blinks up at him in shock, "you should've told me!"

"I wasn't interested in seeing the movie, I just wanted to see--" he hesitates slightly, "you."

What the fuck Mingi, he feels like choking himself foe his stupidity. Why was he acting like a total turd? This was ridiculous! She's just a girl, a cute one sure, but still! It's almost like he's lost all ability to make conversation.

He tries once more, "I'm--I'm sorry I shouldn't have--“

“No, I“m the one who's sorry. Here, let me treat you. Ice cream?” and then, her eyes widen, "you do like ice cream right?"

That'a enough for his lips to tilt up into a smile, "I'd love ice cream."

---

Once they settle on a bench at the nearby park, it seems like all nervousness suddenly ease from Mingi's consciousness and slowly, he starts opening up to the said girl as they lick at their ice cream cones. The sun sets over the horizon, turning the blue sky in scarlet hues that reminds him of summer days that last forever.

"Architecture's tough but honestly, that was the only thing my parents would let me study," Y/N says, empty ice-cream stick in hand as her gaze sweeps over the park and its passerbys.

"I guess it makes sense, considering our economy recently," Mingi agrees.

"And you? Why Psych?"

He lifts his shoulder in a half-hearted shrug, "I guess I just like analyzing people. It's intriguing, knowing how people think, how they act around others."

"You want to be a therapist?"

"I don't know if I'm strong enough to help people get out of their problems when I can't even help myself."

He feels her eyes on him and finds interest in the way the wind blows across the grass blades.

Her voice is soft when she says, "you don't have to be that kind of hero, if you don't want to."

His heart swells with warmth and sudden affection, though he says nothing but nods in agreement.

It's easily past ten when they trudge back to Y/N's house, with nervousness swimming through Mingi's stomach in apprehension to Hongjoong's earlier threats, though Y/N reassures him that Hongjoong is mostly all talk and no action. That reassures the tall man slightly, until his feet start bristling upon spotting her front porch.

"Thanks for keeping me company today," Y/N tilts her head up, her profile bathed in the backlight of her house, "next time, let's not go to the movies."

Mingi's heart skips, "I didn't mind it."

"I know, but I want to do things that you like too," she grins.

A surge of courage rises through his chest as he tells her that he'd like that a lot too.

Except the thing that falls out of his mouth instead is, "I like you too."

She blinks.

He blinks back, realization settling in like a dull ache in his stomach.

Horror sweeps through him. Oh no.

It hadn't been in his plan to expose himself like this, exposing himself like a dog who wants a tummy rub, but then again there's no sign of rejection that flickers across Y/N's face, which he takes as a good sign as he fumbles for the right words, "uhm, I-- I mean, I didn't mean--"

"You didn't mean that?"

"What?" His eyes widen, "no no! Of course I mean it, I just--"

He gasps at his own words, cupping a hand over his mouth as the girl before him explodes into an uncontrollable fit of laughter.

"Oh my gosh," her eyes crinkle up into those adorable crescents of hers, "you're so cute."

Scarlet pink blossoms across his cheeks. Averting his eyes, he wishes that the floor can just come and swallow him up right there and then.

"Right," clearing his throat, one hand reaches up to scratch his ear, "well, I-I'll just go--"

He's halfway turning around when Y/N's hand trickles through his, as gentle as water flowing through his fingertips.

"Wait," she murmurs.

His breath stalls. Inhaling a soft breath, he slowly shuffles back, not daring to meet her gaze when he feels like he's just put his heart on the table for her to do with as she pleases.

Her voice is a gentle breath of a whisper, "don't go."

And then, she's up on her tippy toes and pressing a light kiss to his cheek. Mingi's skin practically lights on fire as another round of butterflies erupt in his chest at her touch, and he can't help but stare down at her, jaw slack, as she gives him the shyest smile he's ever seen.

Cute! His mind screams. Cute cute cute!

"So," Mingi's mind comes back into focus upon hearing her voice, eyes finding her biting down onto her lower lip, “Well, uh--I guess--I guess this means I--I like you, or something.”

"uhm,” his ears are so hot with heat he feels they might fall off as he forces himself not to gawk at her, though it’s proving to be quite difficult as he’s trying to muster the courage to come out with a reasonable answer. 

“I--well, uh--how does this--I don't know--do you want to...uh possibly,” he swallows thickly, before exhaling the words in a rush,”...goouttodinnerwithme?"

Y/N blinks in confusion, "I'm sorry?"

Come on, Mingi! He thinks to himself in growing desperation. Don't be such a wimp!

"Do you... want to...go out with me? S--Sometime?" His throat is clogged with so much embarrassment he fear he might choke.

But when he feels soft fingers trace his chin, he looks up, right into her dark brown eyes sparkling with a tinge of playfulness, excitement and naked joy brimming at the corners.

"I'd love that," she whispers.

And she lifts herself up once more to land a kiss on his mouth, softly, shyly, a mere brushing her mouth against his.

Mingi stumbles upon impact, hands unconsciously grasping her waist as his back comes in contact with the railing lining her porch.

His eyes are wide when she pulls away, biting her lower lip like she can't help but feel nervous from this bold action that has taken him by surprise.

"What--" Mingi chokes on his words, lapses into silence while staring down at her.

The girl merely glances down. A blush taints her cheeks and even though his fingers are shaking and he feels like his heart is about to jump out of his chest at the mere prospect of their closeness, his body moves before his brain does.

Closing the gap between them, it's his turn to press a kiss now, a chaste one that tells her that he reciprocates these feelings wholeheartedly. And Y/N responds by wrapping her arms around his neck to pull him closer so that their chests touch, mouths moving slowly in harmony as they chase each other and mold together in a way that leaves Mingi breathless and his heart stuttering like he's just won a race.

If it is, then it's the most importance race of his life.

It is only when they pull apart, breathing into each other with barely millimetres separating their mouths, that he can't help but laugh at the realization that this girl in his arms is his.

"What?" She says while smiling up at him. So gorgeous, so breathtaking. And she's his.

"Nothing," he can sense the heat flooding his cheeks once more, "I just-- I'm just...happy."

And there it is, that same smile that he loves so much. The smile that holds magical words and countless secrets to the amazing mind she beholds. He can't want to delve into her thoughts and pick at her brain, knowing that all of them are going to be precious memories he'll hold dear to his heart.

That smile.

Hongjoong's voice suddenly erupts out of nowhere like a nightmare, "don't think I didn't see you guys kissing out there!"

---

I’m so whipped for Mingi and he’s like 2 years younger so I feel like such an old noona *sighs*. 

Anyway, let me know if you’d like more Ateez content! <3 Stay safe guys, and thanks for reading! 

[flclarchives]

Amusing Himself to Death, an Akadot.com interview with Kazuya Tsurumaki (director of FLCL and assistant director of Evangelion) from around December 2001. In the article, Tsurumaki explains a few things about Evangelion, his mentality behind FLCL as a whole, and the meaning of the name ‘FLCL’.

Full article text is under the cut, or read the article in its original form [here].

Kazuya Tsurumaki was a relatively little-known animator when Hideki Anno selected him to work as the assistant director on Neon Genesis Evangelion. For the TV series, which became a smash hit in Japan and one of the touchstones of the current surge of interest in anime in the US, Tsuramaki served as the main storyboard artist as well as assistant director, and when Studio Gainax began production on a trio of Evangelion films Tsurumaki got his first directorial assignment.

As he tells the story, Anno came to him after Eva and announced that he was out of ideas and that it was up to Tsurumaki to dream up the next project because, "you are next." Tsurumaki let his imagination run wild, but by the time he had written a script, Anno - despite his declaration that he had no stories left to tell - was already several steps ahead of Tsurumaki and in pre-production for his next series, Kareshi Kanojo no Jijo, leaving Tsurumaki a chance to have complete and unsupervised creative control of his own series FLCL.

FLCL, referred to as "Fooly Cooly" (or "Furikuri" by its American fans), is unlike any anime series to come before it. Wild, maniacally fast-paced physical comedy; exaggerated, exuberant animation alternately pushing towards surrealist- as when mecha exuviate from a bump on young Naota's head - and deconstructionist - as when the animation literally stops and the story is told by a camera bouncing across a page of black and white manga art panels; and obsessively, often irrelevantly, referential to obscure Tokyo-pop bands and anime insider trivia; FLCL was hyperkinetic and disorienting, yet mesmerizing, almost transgressive, and undeniably original. It inspired enthusiastic admiration for Tsurumaki as a creator, even amongst the perhaps 90% of the series' fans who were absolutely baffled by much of it. One is tempted to refer to it as announcing the arrival of full blown post-modernism in animation, or perhaps as the Exploding Plastic Inevitable of the anime industry.

When Tsurumaki visited Baltimore to speak to American fans at the recent Otokon Convention, predictably, many of the questions were along the lines of, "Hi, I really loved FLCL [or Evangelion], but could you please explain this part of it to me?"

Tsurumaki answered all questions genially with a self-deprecating and often mischievous sense of humor. For example:

Why does Haruko hit Naota over the head with her guitar?

Kazuya Tsurumaki: Naota is trying to be a normal adult and she belts him to make him rethink his decision.

Why does Evangelion end violently, and somewhat unhappily?

KT: People are accustomed to sweet, contrived, happy endings. We wanted to broaden the genre, and show people an ugly, unhappy ending.

Why is the character of Shinji portrayed as he is?

KT: Shinji was modeled on director Hideki Anno. Shinji was summoned by his father to ride a robot, Anno was summoned by Gainax to direct an animation. Working on Nadia [Nadia: Secret of the Blue Water, one of Anno and Tsurumaki's earlier projects] he wondered if he still wanted to work like this. He thought that working on Eva could help him to change.

Is there any particular reason why so many Gainax series feature very anxious, unhappy young male protagonists with no parents?

KT: Yes, the directors at Gainax are all basically weak, insecure, bitter, young men. So are many anime fans. Many Japanese families, including my own, have workaholic fathers whose kids never get to see them. That may influence the shows I create.

Could you explain the mecha bursting from Naota's head in FLCL?

KT: I use a giant robot being created from the brain to represent FLCL coming from my brain. The robot ravages the town around him, and the more intensely I worked on FLCL the more I destroyed the peaceful atmosphere of Gainax.

Why doesn't FLCL follow one story?

KT: In the third episode Ninamori was almost a main character, a kid who, like Naota, has to act like an adult.  After episode three her problem was solved so we wrote her out.  She has many fans in Japan and we got plenty of letters about that decision.  For FLCL I wanted to portray the entire history of Gainax, and each episode has symbols of what happened behind the scenes on each of Gainax's shows.   Episode one has many elements of Karekano; episode two, a lot of Evangelion references, etc.

Where does the title FLCL come from?

KT: I got the idea from a CD in a music magazine with the title Fooly-Cooly.  I like the idea of titles that are shortened long English words. Pokémon for "Pocket-Monsters" for instance, and an old J-pop band called Brilliant Green that was known as "Brilly-Grilly."

Is there any reason why the extra scenes added to Eva for the video release were cut in the first place?  Did you think the story would mean something different with them intact?

KT: The scenes that were added to Eva for its video release aren't that important.  We added them as an apology for taking so long to get the video out.  Maybe they'll help people understand things, because the episodes were done under tough deadlines the first time around.

Can you explain the symbolism of the cross in Evangelion?

KT: There are a lot of giant robot shows in Japan, and we did want our story to have a religious theme to help distinguish us.   Because Christianity is an uncommon religion in Japan we thought it would be mysterious.  None of the staff who worked on Eva are Christians.  There is no actual Christian meaning to the show, we just thought the visual symbols of Christianity look cool.  If we had known the show would get distributed in the US and Europe we might have rethought that choice.

After the panel, Mr. Tsurumaki sat down to speak with Akadot.

Do you enjoy confusing people?

KT: I have a twisted sense of humor.  I'm an Omanu Jacku, a contrarian.  [Writer's note- Omanu Jacku is a folk character a bit like Puck, a mischief maker]

What do you see differently now that you're working as a director rather than only as a visual artist?

KT: As an animator I have only the art; as a director story is really big.  I still feel as an animator and I often have trouble putting the needs of the story first.

Did you intend from the start for FLCL to be as bizarre as it wound up?

KT: From the very start I wanted a different flavor.  To achieve this I had to re-train the animators to be as stylized as I wanted them to be because I wasn't drawing it.  I knew that not everyone would get it.  I deliberately selected very obscure J-pop culture and anime sub-culture jokes and references.  Because Eva was so somber I always intended to make FLCL outrageous and wacky.

Why the choice to break out of conventional animation and use manga pages? Was it at all a response to how many anime are using computers to achieve smoother and more realistic visuals?  Were you trying to go the opposite direction?

KT: I like manga, not only to read, but the visuals.  The pen drawings, the frame breakdowns and layouts . . . This is the first time I have used digital animation, and those bouncing manga shots wouldn't have been possible with cel animation.   Personally I'm not interested at all in using computers for realistic animation.  I'm impressed by it sometimes, but I'm interested in using computers to do what was once impossible, not to do smoother versions of what has already been done.  I want to be less realistic.

Has using digital animation techniques changed the way you work, or the way you feel about your work when you see it?  Does it still feel like it's yours if a computer did much of it?

KT: Before I got into digital animation I saw other shows that were using it and I felt that there was no feeling, it was empty.   As an animator, there's a sense of release when you draw a cel.  There's something there.  Working on FLCL, though, I learned that computers can do more, and, most of all, that they allow room for trial and error and revising, more freedom to experiment.  That is why I now feel that cel art cannot win against computers.  For actual animation everything is still drawn on paper.  That work hasn't changed.  It's the other stuff, the touchups, and coloring.  If we didn't use paper, maybe the feeling would change.

Earlier today you said that you were trying to broaden the genre by giving Eva a sad ending.  Does the sameness of much of today's anime bore you?

KT: First of all we didn't use a sad ending to annoy fans.  When they're upset, that really bothers us.  Personally, I think a happy ending is fine, but not if it is achieved too easily.  That's no good.

For all the fans that are confused at all, if you had to define in one sentence what FLCL is about, what would you say?

KT: FLCL is the story of boy meets girl.  For me it is also about how it's ok to feel stupid.  With Evangelion there was this feeling that you had better be smart to understand it, or even just to work on it. With FLCL I want to say that it's okay to feel stupid.

Even though it may be strange to us, do you have in your head a logic behind it?  Are you trying to portray a story that follows the logic of dreams, or is it supposed to make sense symbolically?

KT: I'd like you to think of FLCL as imagination being made physical and tangible, just as it is for me when I take whatever is in my head and draw it.

So what are you working on next?

KT: Right now Gainax has told me that they'll support anything I choose to create, but I'm having trouble coming up with any ideas.

Why is that?

KT: Releasing titles for market, I know I have to make something to please fans, but I'm not a mature enough person to accept that fact.  If I'm not amusing myself I can't do it.  I feel bad that fans have to put up with such behavior from me.  I apologize. 

[holydragon2808]

Thoughts On Dragon Age II after Replaying (Massive Spoilers)

Hello fellow DA fans! It's been quite some time since I last posted anything here on Tumblr. Hope everyone has been safe during all of the world's craziness. Figured I'd post something to let people know I'm still alive.

Anyway, DA2 was first released back in 2011. I was 20-21 years old at the time. Back then, while I still acknowledged the lack of genuine player agency with Hawke (in comparison to the Warden before them), I did belong in the camp of people believing that people went way overboard with the DA2 critiques regarding those complaints, at least back then.

Now though? After replaying the game again a decade or so later, and also in light of the Inquisitor and DAI, I now personally believe that Hawke's story stands out as (overall), all the more unbalanced in comparison to both the Warden and Inquisitor.

Massive Spoilers for the franchise abound beyond this point. Last warning.

Despite a lot of the old critiques leveled at DA2, it isn't a 100% terrible experience, and despite the oncoming rant, I do love the game overall.

Even though I've personally always thought that DA2 story was centered around tragedy a bit TOO much, in light of the growing franchise and the directional tone of the other protagonists thus far, it unfortunately stands out even more to me, and not in a good way.

A shame really because DA2 could have been a better and interesting contrast to DAO in tone and direction had it been more balanced with meaningful successes and failures for Hawke as a character rather than veering too far over into angst and tragedy.

For example, in DAO, your Warden character is railroaded into success against the Blight no matter what. Regardless of the origin, regardless of what sort of allies you acquire, no matter if you live or die in the end or which warden gets the final blow, you succeed.

This sort of narrative framing gave the writers a much easier way to balance genuine tragedy and success throughout the journey without veering too far in one direction or the other, and also without making nearly everything the player does seem like an exercise in futility.

In other words, there were failures and successes more properly balanced throughout, from experiencing meaningful failures and heartache during the chosen origin stories, to failure at Ostagar, to having more balance with the party members and their struggles (they weren't too boring or too dysfunctional), romances that stood out as a light for the Warden amidst all the fighting and death and their massive burden, to succeeding with building the army to take on the Darkspawn, to potential personal sacrifice to save the world and so on.

The option to play a more tragic, angsty or "evil" character who alienates everyone around them and then ultimately dies in the end is there too. The point is that the game largely gave the player the reins and let THEM decide what sort of story they were interested in shaping within the confines of the narrative railroading.

This balance just isn't there with DA2 as the player progresses. Hawke is railroaded into failure in almost every way from start to finish, whether in their personal life or with the massive political struggles in Kirkwall.

I'm sure most people would have been fine with the main plot between the mages/Templars spiraling out of their control in the end (thanks Anders), the Qunari rampaging no matter what, and even the Hawke family being forcefully separated as the story progressed.

However, to me some of the railroaded bleak tragedy should have been offset by Hawke (and by extension the player) at least having the OPTION of being able to keep their family alive.

I'm fine with the tragedy of losing the whole family being ONE POSSIBLE option in the game, but when this tragedy along with the main plot failures, the dysfunctional party members that are too problematic to help ease Hawke's burdens (in fact, they all add to Hawke's worries, which if Inquisition shows anything, that it finally takes its toll on Hawke) is THE ONE AND ONLY OPTION in light of everything else wrong in Kirkwall, then that's a potential writing issue and could potentially alienate the player more than make them care about anything that happens and wonder why they aren't given the option to just nope out and leave Kirkwall to its fate.

Tragedy can be fine, don't get me wrong, but not everyone wants to role play a COMPLETE AND UTTER tragedy from start to finish with no option to deviate in any way from that narrative. Options in the way people progress (especially where people can break the story down and see the holes in the narrative where it COULD have possible but just wasn't allowed), should be presented in a ROLE PLAYING game.

I personally find it more realistic and relatable when a character experiences a nice blend of both MEANINGFUL success and failure. However, the writers seemed intent on railroading Hawke into just being at the mercy of the main plot with little to no agency.

In stark contrast to DAO, planning for the entire story in DA2 (or just in an RPG period) to end in failure no matter the player choices is already a bold enough risk on its own. It can definitely work with the proper balance of both positive and negative experiences along the way though in both the political and personal aspects of the player characters life, to keep the player actively engaged in a way that doesn't leave them thinking that their presence in the story amounts to little more than the equivalent of holding a book and simply turning the page rather than actively doing something.

But combining an already planned bleak ending with a very corrupt setting where the leaders on all sides are either completely moronic or passive, party members where the majority of them have too many burdens of their own to give Hawke a genuine sense of a reprieve from the madness even if romancing one of them (except for Varric, Aveline, and Bethany, if alive, everyone else is either a whiner or dysfunctional. It's very telling that Hawke's PET DOG gets more no strings attached visits from the party members than Hawke does. Just saying), railroading Hawke to lose the majority of their family in some way, AND having what little success and influence Hawke DOES acquire to come back and bite them in the ass in the end (Hawke struck it rich and became Champion of Kirkwall?! Awesome!.....right up until its revealed the red lyrium idol they found in the deep roads played a part in screwing up everything), then at that point, a serious argument can be made that the writers veered far too heavily into tragic overdone melodrama for some people.

How cool would it have been to be able to leave the game with "Well, okay, I couldn't do anything about the corruption in Kirkwall or the mage/Templar tensions spiraling out of control, but at least my whole family is alive and well"? There could have even been an achievement/trophy for this very outcome called "The pride of the Hawkes" or something.

Just one possible example of how the railroaded political failures could have been offset by giving Hawke, (and by extension the player), the OPTION for personal success in a more meaningful way. The option for extreme tragedy with some or even all of the Hawkes dying can still be there of course for people who want that degree of angst, but again having multiple OPTIONS is more likely to accommodate more people and their preferred play styles or stories, and thus, give more reasons to play the game multiple times.

As it stands now, sure, Hawke can save the life of one sibling, but they're still railroaded into losing one of them before the prologue is over, the other is either killed by the Blight or forced from their side in act 1 because the game said so, and the mother is forced to die in the most shock value induced way possible (nevermind not even being able to warn Leandra in act one or follow up on this quest until it's too late in act two or the guards and Templars being forcefully incompetent for this to play out like the writers want).

Those have just been my thoughts as of late. Some people argue that in a way, this is the entire point of the game. That sometimes only REALLY crappy choices exist and there may not be a third option. I agree with that to a point.

But "there might not be" and "there NEVER is" an option for an ideal third way are two very different things and IMO, DA2 suffered in veering far too heavily in the direction of the latter, often being too focused on heartbreak and shock value (looking at you "All That Remains") to really work as well as it could have.

Anyway, these are just my thoughts a decade later. Make no mistake, I still love DA2 for what it is, love the general concept and idea of DA2, just not the execution. It's just sad to me that this game could have been so much better with more development time, more options to shape Hawke's story on a more personal level (whether with an ideal outcome of everyone in the family living, or a semi tragic one where some can die depending on choices, or everyone dying), and not being railroaded into tragedy to nearly nigh ridiculous levels to the point where a giant spider nightmare residing in the Fade in a whole other game mocks Hawke for their "failure is the only option" status.

And just to further clarify my point here, true, Kirkwall was a ticking time bomb with or without Hawke being there. They made the tensions between the two factions apparent as far back as DAO. A Mage/Templar war was all but inevitable, as was Anders eventually losing himself to Justice/Vengeance and after exhausting all peaceful options, finally doing the unthinkable and "forcing everyone to choose a side". That part was fine. And it makes sense for this part of the story to remain static and unchanged no matter what (as I said before, the issue isn't necessarily that DA2 had a planned tragic ending or was framed as a set story within a story).

The issue is that, at the end of the day, regardless of whether this is framed as a recounting of events already played out, Bioware still chose to present this part of the story to the world as an RPG, not a novel. It's just too easy to pick apart the current execution of the narrative and find too many holes and inconsistencies, far too easy to see that Bioware wanted tragedy and completely railroaded the player into it regardless of whether or not it made sense to do so at times. Part of it is definitely that it was rushed, but not all of it.

" Genuine inevitable tragedy" (example: the mage/Templar rebellion) and "railroaded and just never given the option to question/change anything because the game/developers said so but still forcefully insisting and trying to frame it as an inevitable tragedy" are two very different things (outright confirming in Act 1 that the remains of the serial killer's vicitms did indeed belong to one of the missing women (Ninette's wedding ring) and he gave them white lilies but conveniently never given the option to bring any of this up to the guards/Templars or pursue the quest or warn Leandra until it's far too late). Leandra's death isn't the only example of this problem, but it definitely is one of the most prominent and IMO, takes away from the intended story of a good woman who met a bad end with their oldest son/daughter being unable to prevent it when the game failed to let them (and by extension the player) truly try.

DA2 could have been a great contrast to DAO. Rather than having the influence to shape the fate of the world like the Warden and succeed in their goal, they could have compromised in DA2 with having the fallout of the Kirkwall Chantry destruction and the rebellion still happening no matter what (i.e. Hawke "failing" to stop any of the madness and still ultimately forced to flee Kirkwall in the end after finally dragging the Amell line back into prominence) but still given the player the option to save their immediate family members across the story if certain choices were made throughout. I'm sure most people would have been fine with a more "bittersweet" option being presented for Hawke, (and by extension the player) in the game, especially where again, one can pick apart the narrative and see where it could have been an option, but just wasn't allowed for no other reason than seemingly because of the "True art is angsty" trope.

Bioware could still have their own canon (similarly to how Alistair is shown to be king in their canon no matter what as an example) of the ultimate tragedy if they wanted, but again, DA2 is still an RPG where players expect to have more meaningful choices reflected in how they progress, even with an inescapable darker and downer ending.

Complete and utter tragedy is fine, but I just don't think it was the best decision to have it as THE ONLY option in an RPG.

[beebrainedstudios]

A Few Notes About ADSOM’s Writing/Themes Type Stuff

Because I’m in the mood to ramble and have a few opinions about some smaller things in the series that I actually think are really cool/smart writing. This is all personal opinion and is based on a bunch of half-formed thoughts and realizations, so if you disagree or think I missed something, please know I probably did, I’m just jotting this down for fun and have not fully explored all these concepts yet. They just seem neat at first glance. Also, other books have probably done some of this stuff too; I’m not saying Schwab is the only one who’s done any of this stuff, I’m just saying that it’s cool that it’s in ADSOM. 

- First of all, props to Schwab for Alucard. I know there have been plenty of authors who have brought new characters in later in a series with no prior warning, but I have rarely seen one so immediately popular and gripping in a trilogy as Alucard except for Finnick from the Hunger Games. Alucard’s introduction doesn’t come at the cost of another character (as in, he’s not there to make someone who’s supposed to be bad look even worse) and his arc doesn’t supersede anyone else’s. He’s great, and the fact that he is generally considered part of the main group despite being introduced a whole book later is awesome and a testament to his character. 

- Sort-of connected to the previous point, but I think one of the reasons Alucard works so well is that he doesn’t have a giant arc. Everyone else in the series has a fairly complex internal conflict going on (excluding Lila, but she still has a long arc even if it’s shallow) and Alucard does too, but his is one that suits his shorter presence in the story; he doesn’t have to become king/learn to stop running from responsibility/change allegiances every five minutes. He just has to figure out how to confess a painful secret to several people who aren’t willing to listen. Schwab, especially in ADSOM, isn’t afraid to give characters different size arcs at different times; if you graphed them all, it wouldn’t be a bunch of near-identical lines that could be mistaken for one, it’d be a bunch of crazy curves that start and end at different times and reach different heights. When authors who have larger casts do this, it instantly makes the story twice as engaging. Alucard’s just a good example of this.

- I know this one’s a bit more controversial, but Kell/Lila actually has a lot of narrative potential for Threads of Power. In the main series, it’s framed against Rhy/Alucard, which is already an established relationship (even if it took a break) where the two characters know each other well; this is why, once Alucard can confirm he never meant to leave, the two get back together relatively smoothly and happily. Their relationship is much more matured than Kell and Lila’s, which is why Kell/Lila’s chemistry can sometimes read as a little strange (at least to me), and why I don’t think it’s necessarily a perfect relationship just yet. Lila is a very strong personality with a bit of a demanding streak; Kell in turn has a massive problem with caving to others and refusing to stand up for himself (I’m gonna talk about this later). Left unchecked, this will become a problem, but if addressed in Threads of Power, it can lead to two really engaging arcs with Kell learning he does not have to be everyone’s emotional punching bag and with Lila learning that it isn’t enough to just stay in a relationship- there has to be give and take, something she hasn’t demonstrated well yet. Maybe they’ll even take a break in Threads of Power to give the pair time to mature (I’m personally rooting for Alucard and Kell to somehow get stuck together while Lila gets stuck with Rhy). IDK, I think Kell/Lila is cool, especially when taken as a work in progress over a fully fledged relationship.

- This is part of the previous point and part of the following one, but I think the fact that Kell’s personality and problems are largely focused on his tendency to avoid conflict is a really cool idea for a protagonist, especially a man (note that I’m not calling him weak here). This may not sound like Kell’s personality, but let me explain. Kell is insanely noncombative, and almost everything he does to try and solve a problem reads to me as him actively trying to avoid confronting someone about it. “I don’t feel like part of the royal family because I have no princely attributes despite being one in name, and while I acknowledge I’m lucky I still can’t get rid of these feelings”- Smuggles instead of talking to the Maresh (he tried with Rhy and Lila and look how that turned out). “I’m feeling pent-up because I almost died multiple times in less than twenty-four hours/have trauma and am being punished with isolation/no longer even being called a son despite the fact my magic acts up when this happens”- Competes in the Essen Tasch instead of talking to Maxim. “I hate you because you hurt my brother’s feelings when you abandoned him and I had to pick up the pieces”- Consistently antagonizes Alucard instead of really confronting him/letting him explain himself because that would mean that Kell’s ingrained-trained protectiveness of Rhy has caused another problem. Kell is a character who seems very proud and sure of himself, but when one looks closer, he actually has very little confidence. He has no self-respect, and that sets him up great for his narrative foil- Holland.

- Holland and Kell have a complex narrative relationship as two very well developed foils, and a lot of this has been addressed by the fandom before, but one of the most interesting points I haven’t seen much of is their thematic exploration of respect vs pride. Holland is a character who doesn’t like himself- this much is obvious- but while he takes no pride in his own actions, he has an insane amount of self-respect. He has to be literally forced into following another’s will, he doesn’t let other people’s opinions get himself down, he gives as good as he gets always no matter how hard it is. Holland has to be beaten into submission, and even then he simmers with righteous anger over it because he knows he should get to make his own choices. Holland has self-respect; I may hate myself, but that doesn’t mean I will let you disrespect me. 

Meanwhile, Kell is a people-pleaser who puts on a facade of confidence who never actually uses it. Kell has pride in himself- in things like his magic, his coat, his wit- but he doesn’t actually have a lot of self-respect. He folds to anyone who is more demanding than him (AKA everyone else in the series), and the other characters abuse this constantly. Rhy, whether he means to or not, uses his influence over Kell to keep him from standing up to the Maresh over their constantly-shifting parenting positions. Maxim and Emira use their affection and respect like bait to get Kell to do what they want even when he’s uncomfortable. Lila can yell at Kell about his upbringing or accuse him of overprotectiveness (sometimes fairly, sometimes not) and Kell will simply stop talking. Kell just lets this happen; he doesn’t ever stand up for himself because he has been convinced things are usually his fault. I may like myself just fine, but I will let you walk all over me because it’s not my place to stop you and I’m probably the problem and also I shouldn’t have wanted XYZ in the first place. It doesn’t matter how much Kell debates with himself if he started the conflict or if he rails against the way he’s addressed- as long as Kell isn’t respected by his loved ones or the people around him, he won’t respect himself, and that is simultaneously really interesting and really, really sad. 

- Also on the Holland and Kell front, Holland using Kell as the metaphorical scapegoat for his issues makes perfect sense, especially since I think he actually knows he isn’t in the right. Kell is often in places where Holland is at least uncomfortable and at worst in pain, and he is the tangible representation of Red London, the world Holland hates most of all. I’m convinced Holland’s brain put two and two together, which is why Holland often punishes/hurts/hates Kell for Red London’s systemic issues even when it is obvious to everyone involved Kell isn’t to blame. Holland lashes out at Kell in their first meeting because he’s offended that Red London is successful and White London is not; this isn’t Kell’s fault. He blames Kell for a)killing him and b)killing the Danes and stealing his vengeance; this also isn’t Kell’s fault. He even seems to get a little bit of satisfaction over the idea of sicking Osaron on Red London through Kell, despite the fact that making a deal with Osaron wasn’t Kell’s idea either; it was Holland’s (Kell didn’t have a choice to kill him and didn’t think he’d survive, but Holland still seems to interpret it as Kell banishing him to Black London, even though he would absolutely do the same thing in his shoes). Holland is a very angry person and Kell is unfortunately put in his way a lot, but I still think it’s neat that the very-rational Holland seems to have an awareness that this behavior isn’t fair/has unfair intentions but still is unwilling to stop anyway. He’s using this grudge as a coping mechanism and that feels really realistic to me.

- Minor point here, but the knowledge that eye color and stuff is incredibly varied and changes with magic use makes my little artist heart very happy indeed. 

- I’m a big Osaron fan, and one of the things about him that I think is really cool is how completely unconcerned with revenge he is. Yes, he holds grudges against the Antari, but he doesn’t seem to care that he got locked in Black London for centuries. He has taken no personal offense over it, and that makes him seem even more inhuman to me- Holland spent like six hours in Black London and he carried that grudge for ages. Also, his complete certainty that he was not going to repeat the Black Plague in Red London is hilarious to me- he’s like a dog that keeps knocking its toy somewhere it can’t reach because it doesn’t compute that repeating the same action will always have the same result. Surely this won’t go wrong again, Osaron thinks, as the world once again starts dying off. He’s kind of an idiot, and I love that.

- The fact that Kamerov is both a knight and silver themed during a time when Rhy is throwing himself into his role as the Golden Prince may be unintentional, but is still cool nonetheless.

[littlefoxwithbighat]

Hi! This is talking about the plot of the dream smp in a meta sense and its a bit negative. The person behind this blog wants to remind you that you can skip if it's not for you and they still love the SMP. :)

ALL DISCUSSION IS ABOUT CHARACTERS. DON'T ATTACK CCS OR I WILL STEAL YOUR KNEECAPS.

I can't lie; I'm really annoyed and worried at the way the writers are handling Tommys character at the moment, and am increasingly concerned about it messing up the plot.

I wasn't very happy with the finale. I don't think that means all is lost, I think they can pull it back but it's going to take some work. I was worried about the way that things were handled before but the green festival was actually very well handled, so my worries were mostly assuaged. But yesterday? I don't know.

The fact nobody lost a cannon death is kind of disappointing. The weight of blowing up an entire city/ (country?) brutally is somewhat lost if there is no human loss. Nobody was hurt physically and the only people this had a big mental impact on was Tommy and Tubbo, everyone else wasn't very attached to L'manburg or had gone rogue, or were detatched from the while situation. And maybe it's the fact it's happened to them before or that they still have each other or that it seems odd/ frustrating that they still care so much about this place or that it was always a losing battle and they knew it, but I dont find myself really pitying them like I probably should. And I think that comes down to character growth or lack thereof, which I'll discuss later.

Niki and Fundy have started a villain arc, or at least a violent nihilism arc, and I actually don't mind it, in fact I'm a fan but it wasnt really foreshadowed, or really just showing them cracking as much as it should have been. I would guess this has mostly been started for both of them to tie Niki into the plot and I can't blame her for wanting that. Fundys acting is very good, and I REALLY hope the writers handle this well. For Fundy, regarding the fact that his father is going to be resurrected and that Fundy is following in his footsteps... If the writers don't realise that connection and make this a big step in Fundys narrative I will scream. Also Funboo bros are very interesting character foils and I hope their relationship is maintained so that they can play of off each other and also man I just really want them to keep being friends, it's a generally positive healthy relationship that makes both characters sympathetic and we need that right now. As for Niki, her character motivations seem to be mostly centered around Tommy and on the one hand I'm like ehhhh, because Tommy's character already gets a disproportionate amount of attention in terms of narrative, and I get it, but recently he's been a bit TOO much of the protagonist for a multi-person POV improve server... and I'm apprehensive. However on the other hand this has potential for a nice confrontation between Tommy and Niki. If that happens I want Tommy to be aware that this is going to happen and not talk over Niki, and I don't want it to be brushed over. I think it would be best if it was just the two of them. This also gives a nice chance for Tommy to examine his trauma with Dream and explain his motivations and Niki to get her anger out. I also want it to end positively, because it absolutely can and lack of communication when the viewer knows how to fix it is OK as a plot device sometimes but incredibly frustrating if it keeps happening (cough, Tommy and Techno).

Ranboo is reacting to the plot amazingly and I have as usual only praise for him, go, you funky enderman boy, go.

Wilbur is getting resurrected which is a thousand percent because Will wants the plot back and honestly I don't really mind, I think he'll do a good job. However I really hope he speaks to everybody about their characters, particularly Fundy, Ranboo and Niki because I don't want their characterisation and arcs to be thrown away.

Tubbo is doing very well, and I don't have many complaints to be honest. I hope he continues to get in with the acting with no shame, because he's an amazing VA when he wants to be, but sometimes he undercuts serious moments a little too much by laughing. Same criticism for Phil actually. But both are doing good.

On the theme of that, while I don't mind tension relievers or humour in serious moments there are sometimes too many. It was a lot worse about a month back and it was improving, but it seems to be creeping back in and ehhh. It's kind of Marvel-esque and not in a good way? I think it has a lot to do with bloopers and for some reason there are loads at the moment? Like Wilburs arc had almost none and this arc there's at least 2 every moment. Which isn't always their fault but maybe they need to take more steps to prevent them.

Techno is doing OK, he's quite a meta character so I'm not too mad about him undercutting serious moments but sometimes he does do it too much or in the wrong place. Like making jokes about Connor completely over the top of Tommy and Tubbos reunion, you know an event which has been foreshadowed for yoinks, prevented them from getting a proper flow going and kind of ruined it. And that made the reunion really dissapointing, which is a shame because it could have been so cool. However his characterisation is consistent and dedicated, his goals and relationships are clear and he's getting humanised more which is nice, and his monologues are great. I'm curious to see what he does now NL'M is gone but I have total faith in him.

Now Tommy. Oh Tommy. His character is such a mess at the moment, which is a shame because there were moments I saw people doubting his character choices and I was behind him.

Firstly the relationship with Techno fell apart. That was inevitable. Tommy didn't care about anarchy and Techno didn't care about the discs and both of their goals would impede the others. But the way Tommy talks about Techno is so... No? And now I understand that Tommy is going to have a biased perspective on the whole situation, and that's fine and good, but his character is so wrong about Techno it feels weird and painful? Like even from his perspective it went down differently to how he talks about it. They don't listen to each other and it's like watching two people scream at a wall.

The issue is the relationship was fairly well developed. I struggle to see Tommy saying he saw Techno as a friend but Techno never saw him as a friend because hold on, what? Techno, here's a respiration helmet because of that one of thing you told me about your trauma, a disc because those make you happy, plus top tier armour and weaponry, plus I'm going to spend time with you, calm you down from panic attacks, hide you and protect you from Dream, let you wander around L'manburg and achieve your own goals and help you plan things out Techno and Tommy didn't get ANYTHING from that? Plus after Techno opens up about his goals and his trauma, do the one thing that would hurt him the most, (use and then betray him) and then directly oppose his goals after he helped me? Ugh. It just leaves a bad taste in my mouth. I know he would never let Tubbo get hurt and thats fine, but there were ways around that. If you're framing this character as the protagonist, then he needs to be sympathetic or at least grow and Tommy using Techno again without remorse and then refusing to listen to his perspective or show any gratitude for anything makes it difficult for viewers to empathise with him in my opinion. Have him betray Techno and then listen to Techno when he explains why Tommys betrayal hurt him and apologise, fine. Have him listen to Techno and try and find a way to keep Tubbo safe regardless, fine. Have him betray Techno but apologetically and still trying to avoid Techo getting crushed or killed, fine. But THIS? Im sympathetic towards Tommys character but this throws away so much potential character development for Tommy, where at least he saw Techno as a person, and not only that but a nice person who despite everything has set aside everything to help him? And then for him to be exactly where he was at the end of season 1, both literally, and emotionally ? I understand this is a child soldier with trauma but this is supposed to be our protagonist and if he doesn't grow, and isn't sympathetic and destroys someone we care about, how can we root for him?

Now all of this could be forgivable, not great, but forgivable, if Tommy had moved on from the discs. The Goddamn Discs™. And the worse part is all the dominoes were lined up to suggest he had! We had his moment of "he watched me" where he realised Dream was the villain and controlling him, "I've become worse than everyone I hated" good, amazing, I see where this is going, "The discs were worth more than you ever were!" and then he retracts and apologises and you think horray! Tommy has realised the discs were being used to control him and if he doesn't care about them, they hold no value! Now he's going to realise that his friends are more important and he's going to stop going after the discs. His new character motivation can be killing Dream and protecting his friends, especially Tubbo. It's clearly angled this way, and this way the plot progresses and Tommy with it. What marvellous character development. Look at him go.

And THEN, after everything that's happened he says the most important thing is the disc and I want them back!?!? EH !!? Why... Who... Who gave the OK on that writing decision? That's so static and boring and unsympathetic! And then he's back to asking people do fight for L'manburg? What?

I'll be honest I was kind go hoping either Tommy or Tubbo would die with L'manburg. I didn't mind it they didn't, there are a thousand ways to make the plot work without them dying, but this was not a great one.

PLEASE let Tommy have some growth. Yes he's had some from not caring about L'manburg to fighting for it in season one, but that was ages ago and he doesnt seem to have changed since then in any way that really counts. And I know this is harsh and he's traumatised but you have to understand I am talking about this in a sense of characters and narrative and NOT in terms of real life. Tommy needs to be better and dynamic because he is a charcacter and I want him to be a good one.

Having said all that, here are my thoughts on the future of the SMP.

Firstly, I am worried that becuse it is such a good source of content, especially for Tommy that they will never ever kill his character and leave him fighting with Dream for eternity. And I love the Dream SMP but I've seen stories that get dragged out for plot or content, and however much you think you want it to never end, let me tell you, yes you do. It will get stale and repetitive and I want the dream smp, or at least Tommys arc to go out with a beautiful and brilliant and fabulous plot ending instead of being dragged into the dirt. And then maybe new characters take the spotlight. Just please god give it a goode ending.

I also really hope they don't throw other things away to make Tommy the centre of attention, especially if it's destructive to the plot, or kind of weird and obnoxious.

Secondly, I am intrigued about the prison and Schlatts book to Dream and Technos favour and the egg and what that entails and I hope they really think through those plot points carefully and make them work, and don't forget them or throw them away.

Thirdly, I am intrigued for Wilburs return and hope that he manages to fix it cohesively without too crazy a change of pace and style and keeping characters (especially Ranboo and Fundy and Niki) consistent.

I hope they prep for the future and think things thought and communicate with each other.

It might be interesting to see other countries finally discussed but I don't know how much that would intefere with other plot points so we'll see.

That's all! Reminder that this is about characters and plot and this is just a few criticisms. I love the dream smp, but there are somethings I wanted to get of my chest. Please be respectful and feel free to discuss in the notes. Also, again, no hate to any CCs!