#the world is light embodied

[davnittbraes]

Series: Completed, takes place between Season 1 and Season 2

Summary: You have a good life. You move from planet to planet as you see fit, work wherever your skills come in handy, dodge your past whenever it threatens to haul you back and generally find contentment wherever you land.

Until a Mandalorian and his kid interrupt your vacation.

Pairings: Din Djarin x F!Reader

Rating: I am marking this entire work as Explicit because it deals with dark and potentially upsetting subject matter (and yes it also contains smut)

Word Count: 155,600

Notes: In this series, first name Din, last name Djarin.

General tags/warnings: Reader-Insert, AFAB and female reader, Anxiety, Slow Burn, Angst, Blood and Injury, Emotional Trauma, Violence, Negative Self Talk, Panic Attacks, Discrimination, SMUT, Tooth-Rotting Fluff, AU, Each chapter is also specifically tagged but this covers the big stuff

The First Step

Chapter One | Chapter Two | Chapter Three | Chapter Four | Chapter Five | Chapter Six | Chapter Seven

The Second Step

Chapter Eight | Chapter Nine | Chapter Ten | Chapter Eleven | Chapter Twelve | Chapter Thirteen | Chapter Fourteen

The Third Step

Chapter Fifteen | Chapter Sixteen | Chapter Seventeen | Chapter Eighteen | Chapter Nineteen | Chapter Twenty | Chapter Twenty-One | Chapter Twenty-Two | Chapter Twenty-Three | Chapter Twenty-Four

The Fourth Step

Chapter Twenty-Five | Chapter Twenty-Six | Chapter Twenty-Seven | Chapter Twenty-Eight | Chapter Twenty-Nine | Chapter Thirty | Chapter Thirty-One | Chapter Thirty-Two | Chapter Thirty-Three | Chapter Thirty-Four | Chapter Thirty-Five

The Fifth Step

Chapter Thirty-Six | Chapter Thirty-Seven | Chapter Thirty-Eight

Smutty Snippets

Literally just the smut scenes 😉

The Problem | Sanctuary | Say It Again | Opportunities | Eyes Open | Focusing Exercise | A Moment of Quiet | Safe. Protected. | Forever, If Possible | Only You | Worth It

Other stuff:

Series masterlist artwork - credit to a lovely fan who wants to remain anonymous, please do not copy without permission

Chapter banners - credit to Canva and my clearly insufficient graphic design skills

AO3 - link in my bio

Inspo tag:

#the world is light embodied inspo

[emlvi56]

My #fanart cover for @davnittbraes SUPERB Mandalorian fanfic novel, The World is Light Embodied. The story is beautiful, saucy, emotional, romantic. You'll love it. Read it on Ao3!

[starlytenight]

Been seeing a lot of Mirror World stuff on my feed and wanted to doodle up some of my own DMK's angst c:

[contrappostoes]

gary the pictures I take will never be able to adequately reflect the things I saw with my eyes in the moment

[m0ohtia]

halal love is worth the wait

[peapod20001]

Shhh they don’t know my characters and stories have deeper meanings behind them...

[solarisgod]

Micah's terrestrial parents, Maria and Caelum, are so full of soft love for each other, and then xyr celestial parents, Fengári and Ílios, is just them constantly bickering at each other.

[alchemania]

I'm feeling absolutely bonkers rn so I wanna talk about music again because I'm crazy about the OST of this game so!!!! Here I go!

I've been thinking about Raiden and Wanderer's themes a lot and I love how they contrast - so, you have Raiden, who like. Her theme starts OFF strong and triumphant you have the horns you got the drums and everything is crescendoing and you feel it in your soul and your bones and then it drops and it's more muted but then by the middle of the song it crescendos again like thunder do you feel me it's about insane power all at once and then it's gone and it builds and builds and builds again and that's the cycle!!!

Whereas with Wanderer it starts off gentle and slow but there's a steady beat that only gets stronger as the song progresses and unlike Raiden who starts off virtually capturing your soul with the baseline this song steadily keeps on moving and building and building it's like a gentle hand that gently takes yours and begins to walk with you and gradually gets faster and faster until you both are virtually on the wings of the angels, running as fast as you can possibly go!!! Power showcased in completely different ways and I love love love them both Raiden is like power just. In who she is you LOOK at her and you know she'll mess you UP but in Wanderer's case he's like. A wild card who seems unassuming but is extremely dangerous if not taken seriously it's like dormant. Dormant power. Do you feel me.

AUGHHH I LOVE THIS GAME'S SOUNDTRACK IT'S SO GOOD IT MAKES ME WANNA CRY PLEASE TALK. TALK TO ME ABOUT IT .

[fell-court]

Hmm

On the one hand, I still like the idea of Lorenza not having an associated ancient. It sort of plays a lot more into the idea of her being a product of the sundered shards and their calamities, a sign that the worlds can still create brand-new life that is significant and unique. Or something.

On the other hand, I do have an idea for who it’d be if I did give her one, and I do keep thinking of more and more things I could do with the concept. So, maybe I can do more with her having had one than not

(It’s Linaria, again)

[x31043]

I guess im just bothered that when youre born an called a woman youre then constantly told to shut upforever,but when the opposite is true youre constantly encouraged to speak up.Youre ridiculed for not doing it, but to me thats different than being hurt or even killed FOR doing it. That means that childhood sucks. Adolescence sucks. Youre really in a place of forced subservience for your whole existence. You have to break out of that so hard. Youre physically smaller. You are trained to ignore yourself until you are broken. You are trained to be something that someone uncaring will shove themselves in and take, take over. You are literally raised to be an object to be used and discarded. That is UNIVERSAL. I know some people epxerience that without being born & assigned women, but for those of us who are this is literally a universal experience. You are fucking made to be a fucking sex robot and a servant and an agreeable nodding nothing whose opinions dont matter and nothing else. You are TRAINED in social cues and spend your whole life noticing every little thing and forcibly keeping all your opinions inside. Everyone should be lifting our voices up!!! Trans people should be screaming up at the sky not at others to keep their voices down!!

This literally makes me want to scream. Women are not treated better than men. Why would trans men be treated better than trans women? Where are you seeing that, where??? They have SPECIFIC, DIFFERENT experienes and also many that are the same! Because its a fucking spectrum, remember that discourse? When youre trans it doesnt work all neatly in two categories like that. I look like a trans women. Many trans women look like me. Many of us are non-binary and our gender is basically the same regardless of how we were brought up. Why can you ask me my genitals now and if i dont answer i get canceled. what the FUCK is that. Why has it become like this. It started as “our experiences are different, we need a space to talk about the ways they are not the same.” and now its-- disclose whether youre dmab or dfab to be a good ally to trans women. We have to talk about it ALL THE TIME. WE have to go based off genital differences to determine how you are privileged or not. That’s not the fucking way to move our community forward or to connect as individulas. And Guess what?? Trans women don’t even want it!!!

TME is a term that trans women made for VERY SPECIFIC CIRCUMSTANCES. It can be applied to SPECIFIC CIRCUMSTANCES which require a very nuanced and exact language. I may be fucked up for saying this but There are times when trans mascs and butches face a speciifc, different type of transphobia to trans women, too. And they deserve a space to talk about it, too, while still DEFENDING trans fems from terfs. This seems fucking obvious to me. when its white ppl it all pales against transphobic racism anyway.

And that’s the long and short of it, bc trans women arent the ones I see taking about TME. They arent the ones actively claiming they have worse epxeriences with gender and dysphoria. Thats all like cute Nonbinary transmascs typically who are white telling me my experience was a lot easier than others in my community. And to me thats a part of this fucked up socialization--always talk youself down, and hold others like you accountable for reaching beyond their capacity. Other DFAB people telling me to shut up about my transness is fucking ironic in a way that doesn’t make me want to laugh. You were told to shut up your whole life, so now you’re going to put that on me?? Why are we doing this in the first place then?? WHy if not to reclaim the voice that was stolen from us?!

My genitals are thought of as absolutely inconceivable. The 20 pounds of weight on my chest is thought of as a dirty thing I literally need to press and constrain into tight and uncomfortable shapes or I will be violated when I go outside. Do you have any idea what that does to a kid?  I bet you know what it does to an adult. It’s a very similar experience! We need a space to talk about this without being called terfs or told to check our TME privilege. I am going to one day be a man with a beard in a dress. Whats not clicking?

[angorwhosebabyisthis]

i'm having Many Thoughts this rewatch about the... words. narrative devices and framing and tone of sdmi, and how they bring out a lot of food for thought re: aspects of media analysis which are easy to lose track of in media that takes itself more or less seriously than sdmi does.

unfortunately my brain is kind of soup lately, and when i try to put this bit into words it becomes Massive Overwhelming Infodump before it's halfway to my stylus. i have few brain cells available at the moment and it burns through them fast. 😔 ah well, hopefully i'll get around to making an actual coherent post about it sooner or later

[torgawl]

i'm so obsessed with wriothesley's concept. his constellation being cerberus, the fortress having the 3 headed dog insignia and also being the literal representation of the underworld is just so cool. the fact they mixed catholic influences too with the whole noah's arc plot is kind of crazy. he's just that guy!!!

[keplercryptids]

resolutions for 2024

assume the best of the ones you love. their arms are open, not empty.

it is not the end of the world yet. dabble in hope.

demand reciprocity, without apology. build community as an act of celebration.

marvel at the small & mundane.

your body's limitations are gifts, not punishments. honor them.

intimacy is a light you must always seek out, even when the darkness feels safer.

the best antidote is to learn something new. find the sacred in discovering you were wrong.

create & create & create & create.

defend/fight for/embrace/grapple with/embody/trust gender nonconformity.

love infinitely. rest often.

[critterbitter]

re: your thoughts on legendaries (which is very cool and based) what’s your take on the differences between legends:arceus giratina and platinum giratina, especially since you defined them as hating the world? specifically the bit where giratina (at least seemingly) actively defended the world from cyrus trying to destroy it, after trying to do the same thing with volo’s help centuries prior?

Weird ghost worm upon yee (AND MORE ART BELOW CUT!)

Anyways, here’s my mad ramblings about Giratina and Arceus’s backstory.

Tldr: Giratina’s a conglomerate of angry souls scorned by Arceus.

(Here’s the playlist. It’s all about worms.)

How it Started.

The original one has chosen favorites over the passage of time. Heroes, legends, protagonists…

Arceus intervenes for those it loves, and the consequences of a god touching the mortal world is devastating in its entirety. One act of divine intervention causes entire civilizations to collapse. One whispered suggestion drives an entire legacy insane.

So Arceus, paralyzed by its love for the mortal world, acts very little, learning from its mistakes. Apathy soaks through every motion. And thus is the way of the world.

But people love the Originator. Religions are born from Arceus’s rare deeds, and generation on generation taught its benevolence. Imagine spending your entire life chasing after that golden light. Imagine knowing its real and there, and it loves you.

Imagine begging it for help, and seeing it turn away when you need it most.

I think those people would feel very abandoned indeed, if they spent their lives worshipping, and receiving no response at all.

Giratina is born from the abandoned, the lost, and the angry. They’re a hundred thousand souls who’s adoration turned to spite. They’re an entity who demands for Arceus to look at them, so they can finally rest.

Arcues can not look at them in full, because if it does Giratina will fade.

(Scio, beloved. For I can not let you go.)

So the Original One banishes the Unwanted Beast into the distortion world, and Giratina seethes, and starves, and screams.

(Here are two truths about the Beast Between Dimensions—

1. Some part of them still loves Arceus. Arceus is their anchor, after all— the sole reason why they exist, why they are. But Arceus can not love it back in a way that matters, and that hurts.

2. Giratina is made of a thousand voices. Some of these voices remember that there’s a world above. They miss it.)

Why Giratina attacked Hisui in PLA:

PLA Giratina’s not a new god, but they’re very, very bitter and barely coherent on a good day. Volo serves as a conduct to help unite the broiling mass of ghosts against Arceus, and thus Giratina’s hatred overcomes any flickering affections they have for the land.

It doesn’t help that Arceus intervened for Hisui, sending Akari to directly stop Volo from summoning Giratina.

(As for Volo, well.

Imagine being a child who was thrown into the future due to Palkia and Dialga’s fits, who learned his people (his world) no longer exist beyond a shadow in the history books and a single, bitter lore keeper.

Volo doesn’t remember his original culture beyond vague imprints and singing praises to Sinnoh, but he knew he was loved, and he knew his family is dust four hundred years in the past. There’s a special sort of rage in him that echoes Giratinas.)

(Why did you abandon my people, Arceus? What kind of god are you, to leave those who love you so callously behind?)

(Maybe some part of Giratina recognizes Volo, beyond a feeling of kinship.

Maybe some part of Giratina grieves because it recognized the child Volo was.)

When Volo gets his pound of flesh, (when he realizes Arceus is not beholden to him, that the inherent alien morality Arceus holds is not a personal slight), Giratina will finally rest.

Anyways what I’m trying to say is: Arceus is never a person, but a nebulous embodiment of the connection shared between pokemon and humans. It tries to experience what it’s supposed to embody, but millennia of watching people be and cease has given it choice paralysis, apathy, and a hoarding issue. If something lasts forever next to it? Good.

Giratina was once a person. (Correction, a LOT of persons.) They don’t think very linearly either, but they have context on mortal matters and are thus the more benevolent and malicious of the two. One day, time will smooth them into something like Arceus. We can only hope the two keep each other in check.

THE DIFFERENCE OF LEGENDS ARCEUS GIRATINA VS PLATINUM PEARL GIRATINA

If the ancient version of giratina is an angry conglomerate of ghosts scorned by Arceus, the modern iteration of Giratina’s a creature that’s more settled in its skin and more assured in its duties. Giratina still has beef with Arceus, but they unionized into one being who’s love of the mortal world has triumphed over its ancestral grudge. One might even postulate they have shifted their anchor from Sinnoh the god, to Sinnoh the place.

((We call this character developement. Good for you, weird ghost worm!))

(((FULL DISCLOSURE, VOLO BEING FROM THE PAST IS INSPIRED FROM FOXFALL. You know. The fic that got me into this fandom. Please give it some love.)))

[lilislegacy]

I really wish we could get a scene where Percy reaches his breaking point and uses all his abilities at once. I want to see a proper earthquake. I want to see what he can do with his control over storms. Like, I want to see him move mountains - literally move mountains - to take care of business. Maybe the world is about to end. Maybe Annabeth is in danger. Maybe Estelle is in danger. Maybe his own children are in danger. There are several things that could make him so angry and scared that his limits shatter.

Children of Poseidon, even demigods, are often referred to as monsters. Because like the sea, they are brutal and merciless. And Poseidon has implied that Percy has surpassed every hero he’s ever seen, even hercules, when it comes to his capabilities and determination. Leo and Hazel have said you can physically feel and see his power, even if he’s not doing anything. I want to see Percy really tap into the godly part of him. I want him to send his enemies running for their mommies. And I want to read it from someone else’s point of view. Someone who can describe what it really looks and feels like.

Becasue imagine the most frightening, intimidating man you’ve even seen - his wolffish glare, embodied by his sharp features, frightening enough to paralyze you in fear - flying straight towards you on an angry black pegasus. Hundreds of other angry pegasi fan out on either side of him, looking like something out of a mythical nightmare. Then a dark, gigantic wave spanning several miles, taller than mountains, rises behind him. It’s towering over the valleys and hills, casting a shadow over the land, and coming right towards you, ready to demolish and drown every semblance of your existence. Then all of a sudden the entire sky is dark and the air is cold, and the storm hits you with unforgiving force. The brutal winds and sharp cold rain is so strong that you can barely stand. The booming cracks of thunder make your ears ring, and the blinding bolts of lightning light up the sky like electricity is at war with itself. And now… now the entire earth is shaking. The ground is rumbling beneath you so violently that every part of your body is painfully trembling, your teeth chattering and eyes bouncing. The earth around you is splitting into wide chasms, boulders tumbling and tress falling. Oh also a fucking volcano just blew up. It’s suddenly hard to breath as rock and dirt rain down on you, and you’re about to be burned and buried by miles worth of molten ash. Pompeii part 2, brought to you by Perseus Jackson.

Only this is 10x worse, because every natural element is out for your complete and utter destruction.

Because Percy controls all of that. And if he hits his breaking point, there’s no telling what he could do if he set his mind to it.

[burntoutdaydreamer]

To Write Better Antagonists, Have Them Embody the Protagonist's Struggles

(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).

Writing antagonists and villains can be hard, especially if you don't know how to do so.

I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.

Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).

What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.

To show what I mean, here's four examples of the thematic roles an antagonist can serve:

1. A Dark Reflection of the Protagonist

The Devil Wears Prada

Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.

The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.

In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.

2. An Obstacle to the Protagonist's Ideals

Avatar: The Last Airbender

Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.

Why?

Because his very existence is a threat to Aang's values of nonviolence and forgiveness.

Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.

In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.

3. A Symbol of the Protagonist's Inner Struggle

Kung Fu Panda 2

Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.

Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.

Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.

Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.

4. A Representative of a Harsh Reality or a Bigger System

The Hunger Games

We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.

President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.

Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.

Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.

In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.