#the year kind of got away from me a bit

[batsplat]

It's a thing I already knew but all your beautiful analysis really made obvious (to me) how much of a grudge holder vale is. That man is never letting it go he's gonna hold his grudges into his grave

you know, I do think this is an interesting issue, because I'm not sure this is true of all his grudges. just sticking here with the grudges he accumulated in his capacity as a competitor, rather than just his general approach to life or whatever... how you judge this will kinda depend on how you feel about the 'reconciliation' he's experienced with some of his rivals - and whether you read the whole thing as sincere or not. now, personally I reckon he still dislikes biaggi, but also you are allowed to just dislike people so I'll give him a pass for that. some of the others, I'm a little more convinced by the whole reconciliation schtick

let's get valentino's take:

interesting that he mentions those three together, isn't it? and like, he's still not messaging biaggi or inviting him to his home - "even with max" kind of tells you all you need to know - but the other two? they said some proper nasty things to each other over the years!! I mean, the casey rivalry, there's some remarks from both sides where quite frankly I think I would struggle just a touch to get over it

I don't know, obviously this could all be pr stuff, but I kind of feel like... y'know, why bother? it's 2022, you're retired, who gives a fuck? sure it's a good look to be all magnanimous, sure it can be a bit of a way of twisting in the knife to the guys left in the cold, but also, who would care if you don't play nice? I think especially with jorge, you surely don't need to do all that, inviting him to your home and dancing with him... (which, again, some of the spats those two had...) and with the casey rivalry, if there's one guy who's still hung up about what happened between the pair of them, it's obviously casey (speaking of blokes who can hold a grudge). maybe this is giving valentino too much credit, but personally I buy it's more or less sincere. there's nothing to really indicate he's still particularly bothered by any of their past disagreements - he's basically going for the 'all's fair in love and motorcycle racing' approach. he knows he was an asshole, he accepts they were assholes too, whatever, that's how these things work. he's generally a fan of drama in rivalries, unsurprisingly, and he was happy enough to contribute his fair share - but he does see it as fundamentally being part of the game

to point out the obvious, check out who he's left out: sete and marc. that's where he can't let go of the grudges... because it's not about the offence itself as much as it is about the betrayal. this is the thing with valentino, right, it's about what kind of bond you had with him. if you weren't his friend in the first place and then piss him off as a rival then, y'know, whatever. obviously he's going to be vicious in trying to get back at you, but also he's really not going to waste his time feeling too aggrieved by it. I mean, think about how all the bullshit between him and casey dropped off sharply post-2012... from valentino's end anyway. think about how jorge and valentino pretty quickly got on again whenever they weren't fighting for supremacy within yamaha. they weren't friends in the first place, then they were enemies for competitive reasons for a while there, then it's over and valentino is basically happy enough to call it bygones

but... if it's a certain kind of bond you had with him and then you wrong him... that little mental list of all his past grievances, all your past transgressions, that's where it comes in. that's where he ices you out. denies you any emotional warmth. ensures that any interaction going forward is conducted entirely on his terms. where even any public 'reconciliation' won't truly be sincere.... or, certainly he's not going to forget what happened. if something else happens... it's like you've always got the potential of triggering this lingering resentment, in a way, where all that past stuff is still primed and ready to be called upon. he certainly doesn't just let it go

or, as he puts it in his autobiography:

Biaggi and I never talk to each other. I mean, we've never had a real conversation, anything that's lasted more than the requisite time to insult each other or put each other down, in the nastiest way possible. In any case, I don't hate him. It's true, we've never been friends, but hatred is something different, and that's too serious a word to describe our relationship. Far too serious. No, we have a reciprocal antipathy. No doubt this is a result of what we do for a living and the fact that we both want to win every single time. And perhaps it's also a function of the fact that we have very different personalities and very different ways of seeing things. Still, I don't think this means we hate each other, as some journalists have written. I think I could feel hatred for someone, but only for someone far worse than anything Biaggi has done. For example, if I were betrayed by a friend, then, yes, I could hate him. But Biaggi will never betray my friendship for the simple reason that we are not, and never have been, friends. Our relationship is very clear: we compete on the track - outside the track, each goes his own way. You could say we detest each other cordially.

... I mean. he said it, not me. and given this book was first published in '05... biaggi can't betray his friendship because they were never friends... I'm not saying he's thinking about sete, but it has to at least be a possibility, right? he's talking about one rivalry here and refusing to even mention the other... and the one he's refusing to mention is the one where he was friends with the other bloke. I don't know, maybe that's reading too much into it! and anyway, even if this passage wasn't really about sete, it's obviously still revealing. "detest each other cordially" is essentially what he was doing with casey and jorge (or from his point of view in any case, not entirely sure they'd agree with that). the grudge comes when he feels let down by you... and then, yes, he'll never let it go

of course, he's willing to set aside his grievances for a while if there's sufficient motivation for him to do so. in 2009, when he had so definitively won that rivalry with sete, why bother kicking up a fuss? in 2016, quite frankly it was just too much, and it was getting to the point where it was obviously hurting him too. on the one hand there was the media furore that had been going on non-stop since sepang, on the other hand it was also hurting his own approach to racing. there's reports from the time how visibly aggrieved he still was in the first few races of the season, and it took until they got back to europe for him to... y'know, have fun again. it's not sustainable to be walking around with a constant dark cloud over your head and broadcasting burning resentment towards your two main rivals. certainly not for someone like valentino - he needs to be having fun! the slight rapprochement needed to happen, in a way, because otherwise those years would have been even worse for everyone involved. but that doesn't actually translate to forgetting any of those grudges. this is about convenience more than anything else

goes to show, really... most of the time he doesn't take these things personally. I talked about it a bit in this post, how maybe it's also something that changed over time for him: the question of whether he was willing to develop these kinds of bonds in the first place with competitors... because he does possess a certain level of self-awareness in terms of what these kinds of rivalries are like and what they do to interpersonal relationships. ideally, you don't want to be hurt by a friend like that, right? better not to have that kind of emotional attachment with your competitors in the first place. how unfortunate it'd be if all those years after sete the circumstances aligned for him to see a competitor as something like a friend again... because, after all, those are the only people who could betray him. those are the only people where he thinks he could truly hate them

[hit-tab]

(from arisenreborn) Pawn #3, Arisen & Pawn #11, World #3

Pawn: If they were infected with the Dragonsplague, are there any specific ways they would act differently?

René has this really intense energy when he's plagued! He will be more aggressive, sure, but he will also hover very close to the Arisen he's serving like he's watching for something. If you call out this behaviour, he will act like he thinks it's 100% normal pawn behaviour. He might also pace around the Arisen and refuse to talk to them sometimes, when asked later, he will claim that he was 'protecting' them from a threat that he refuses to elaborate on.

Arisen + Pawn: Are there any specific or unique items they carry with them?

Epilear carries a worn set of daggers that he doesn't actually use anymore. Ever since becoming more proficient in magick, his physical skills have largely fallen by the wayside, but something in him is loathe to leave his blades at home. René carries a tiny sachet with a lock of light-coloured hair in it. He says it's a good luck charm, and he's had it since before the start of this cycle, so it can't be Epilear's. Right?

World: Regardless of whether you adhere to the in-game counter or not, how long do you think their journey took? Did they book it with a sense of urgency, or did things get drawn out - and why?

The looming threat of the dragon, the waiting gaze of those around him, and the echoing footfalls of the pawn legion at his back only strained on Epilear's tenuous sense of self-worth. Who was he (a mere fisher pressed into service!) and how could he prove himself worthy of the weight of these expectations? And so, his journey started as a mad dash to the dragon, though Epilear often found himself waylaid by various other matters. Even without a heart, it would appear the damned thing still bled; he found comfort in helping those he met along the way, even when it had nothing to do with the dragon. Every new encounter opened his world a little more-- the little girl who was abandoned but no less content for it; the bright and determined spirit of a plucky apprentice; the cautious hopes of a people too used to doing aught themselves; even long-ago would-be heroes with resignation in their eyes... Rather than simply taking back his heart, meeting all these people reminded Epilear what this fight was truly for. It made him slow his steps. It made him rest well. It made him remember to live. 'Twas an important duty he'd been entrusted with, and it was not about him. … The journey was long, but it was over in a flash. One year. Three hundred and sixty-five days of truly living.

[thedreadvampy]

so MAYBE I spent 4 hours in IKEA on a whim instead of cleaning my flat BUT! BUT!!!!! I bought several forms of Tiny Shelves which as any fule kno makes everything instantly tidier.

added yet another tier to my stack of tea/coffee/cocoa/misc shelves to control The Collection. got trays under all my draining plant pots so I can actually water them. and I got a new monitor stand which is wide enough to fit both my A3 tablet and my A5 tablet underneath and has a shelf with enough space to trade out my work and home laptops easily. plus it's like 3in less deep than my old one, so that's freed up a bunch more desk space.

also of course vitally we did get the Small BLAHÅJ which was the whole point.

I also found a portable freestanding bag situation (toybox from the nursery section) which is both a) a way better option for storing glass recycling and hauling it down 3 flights of stairs than my previous solution "small cardboard box which holds 8 jars/bottles until one of us can be bothered to transfer them into a bag" and b) HAS A REALLY CUTE WHALE ON IT

plus we (Sam) got some new plant friends and the next size up of a lidded pyrex box I've always found super good for lasagne. and Sam got several things he's needed for a while (as well as a wee shark)

in summary did I spend too much money at IKEA and fritter away a full day walking around aimlessly for fun to the point of exhaustion? yes. was it extremely sensible and adult and I'm actually correct in all regards always? perhaps.

[ruvviks]

vitali being willing to give up everything for vincent is something that can be so personal

[tj-crochets]

🐸 (for the ask game)

🐸 What do you wish people who don't craft understood better? That crafting things is not usually cheaper than buying them, and that it takes a lot of time and effort to make things But also, one specific non-crafter pet peeve. Like, literally I have had this problem with one person: making someone a beanie is not a way of asking for some kind of committed relationship. There was this guy I was good friends with in high school, and we lost touch for a year or two afterwards, and then he reached out to me on facebook. We chatted a bunch, and (crucially) this was after I started crocheting but before I figured out what to actually do with the stuff I crocheted. He talked about it being cold where he was living compared to where we both grew up, so I offered to crochet him a beanie, and we'd been talking about pokemon and our favorite eeveelutions a lot, so I offered to send him an amigurumi espeon To me, this was a combo of "I make a LOT of things all the time*", "I have zero use for beanies it never gets below like 60 degrees here", and "hey eeveelutions sound fun to make but I have no desire or space to keep them", which combined with "hey! a person I can give these to! Give him something he likes, get things I've made out of my house so I'm not overrun, win-win!" To him, this was "I am spending a lot of time and effort to make something especially for you, after giving you a nickname important to my culture**, clearly I expect our relationship to progress after this" He stopped talking to me. For years. Because I'd offered to make him a beanie and an espeon. He told me the offer of the beanie made him uncomfortable? Which, like, fair, if it made him uncomfortable I am glad he let me know and drew a boundary, but I am still baffled. So I guess the thing I wish non-crafters understood better is that, while gifting someone something you made can be a big deal, it can also be not a big deal at all. I have literally given more beanies to strangers than I have to people I know (I donate them to a local shelter) OH MY GOSH I just realized I sweater cursed myself but with a beanie with someone I wasn't dating lol. The unsweater unboyfriend curse *I cannot sit still unless I am doing something, and I found making physical objects is very very good for my mental health so I am pretty much always making something and have been since like...2012ish? 2011? Definitely since 2013, but I'm pretty sure it started earlier than that **It wasn't. He gave me a nickname around the same time I briefly interacted with my bio grandpa, who is Russian. The association with my bio grandpa did not last long (like...one visit) but I learned and really liked the word solnyshko (it means "sunshine" but is used like "sweetheart" and I think that's cute). I also really liked the word "chickadee" as a nickname/term of endearment at the time so like...it was 50/50 which one I was going to use? I'd never really been given a nickname before but figured it was the sort of thing I was supposed to reciprocate

[fingertipsmp3]

People need to train their dogs and I’m not asking nicely anymore

[continuousmeowing]

Girls will take a nap at eight pm, have an extremely realistic dream about the apocalypse, and wake up at midnigjtb with absolutely no thoughts except “what the actual fuck”

[kraviolis]

my transition goals consist of analysis, deconstruction, and then reconstruction

[cyberstabbing]

i hate bad and abusive parents so much. they're the reason my best friend has so much trauma and so many mental health issues. and then to kick her out? and then to somewhat reconcile like nothing happened? it's just so awful to see my best friend struggle mentally and barely (and not even tbh) make rent and Knowing that her parents won't be any help at all. like if she has to move back with her mom it's going to be okay for a while and then her mom will start drinking again and all hell with break loose. and her dad is either incredibly oblivious or just chooses to pretend like nothing is wrong while he plays house with his new family. when my best friend lived with me for 9 months after she got kicked out, even my stepdad daydreamed about going to meet her dad so he could yell at him for not taking care of his daughter. anyways now she's trying drugs with her equally unwell partner and they're not being safe and her eating disorder is getting worse. so her other best friend and i are meeting up to figure out what to do.

[goodnightwindy]

did i ever tell you guys about heatstroke river

[unboundbnha]

I’ve started *gags, chokes* writing….again….*spits out blood, gasps and gurgles as I fall to the ground*

[gyudons]

despicable

updates as of 22 oct

Travis Dermott knew that he would draw attention with his actions in the Coyotes’ home opener against the Anaheim Ducks at Mullett Arena on Saturday. The Arizona defenseman just hoped that the spotlight might shine on the issue that he was addressing, not on him.

“You don’t really want to go against rules that are put in place by your employer, but there’s some people who took some positive things from it,” Dermott said. “That’s kind of what I’m looking to impact.

“You want to have everyone feel included and that’s something that I have felt passionate about for a long time in my career. It’s not like I just just jumped on this train. It’s something that I’ve felt has been lacking in the hockey community for a while. I feel like we need supporters of a movement like this; to have everyone feel included and really to beat home the idea that hockey is for everyone.”

“I won’t lie,” said Dermott, who is playing on a one-year, two-way contract. “From the outside, it’s easy to see that I’m putting my career on the line for something. I definitely went through some emotional ups and downs that night, not regretting anything by any means, but I’d love to have maybe done a couple of steps a little different by making sure that everyone was aware of what was going on before I did it.

“I don’t want to put my teammates or my coaches or my GMs or the equipment managers in any kind of bad light when it’s their job to kind of look out for something like this happening. It was definitely something that I did just by myself and was prepared to kind of deal with whatever repercussions the league decides to push towards that. I’m not going to back off and say that this battle is won, but we’re going to find better ways to do it.”

As Dermott noted, LGBTQ+ inclusion is an issue that he has supported for a long time. Without getting into specifics, Dermott said the issue is personal for him because it impacts people close to him.

“I’d be lying if I said I haven’t shed tears about this on multiple occasions,” he said. “So yeah, it’s something I’m definitely very passionate about.

“I’ve met a lot of people that from the outside, it looks like they have everything going right in their life and they have a smile on their face every time they talk to you. But sometimes when we get closer to people and get comfortable enough for them to open up to you, you can see that there’s some pretty dark stuff happening to some good people. It doesn’t take too many times encountering something like that for it to really change someone.

“I’ve been blessed to have some of those opportunities put in front of me to really change my view of what being a good person means; what being a good father and a good example and role model means going forward. You really see how people are hurting and it’s because of a system that maybe no one’s intentionally trying to be malicious about, but until you’ve really had that first-person experience seeing people hurting from it right in front of you, it’s tough to kind of take steps.”

It would be a surprise if the league handed down any sort of punishment. The optics alone would add to the public relations damage that the original ban created. Even so, Dermott reiterated his desire to bring the entire franchise into the fold before he takes similar actions in the future, but he also made it clear that he will not be silenced on the topic.

“It’s not like I’m shutting up and going away,” he said. “I know more questions are going to be coming. We’re just going to be as prepared as we can be to just spread love. That’s the thing. It’s gay pride that we’re talking about, but it could be men’s health. It could be any war. It’s just wanting world peace. Everyone’s got to love each other a little bit more.

“Like my parents said growing up, ‘How awesome would it be to be the guy that people look up to?’ That’s what really hit home when I was a kid, especially from my mom. You want to grow up and be that guy. You want to be the guy that’s having the impact on kids like NHL players had on you. If they had been racist or bigoted, that’s going to have an effect on you.

“With how many eyes are on us, especially with the young kids coming up in the new generation, you want to put as much positive love into their brain as you can. You want them to see that it’s not just being taught or coming from maybe their parents at home. They need to see it in the public eye for it to really make an effect.”

[fuckyeahgoodomens]

Terry Pratchett about fantasy ❤

Terry Pratchett interview in The Onion, 1995 (x)

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?

Terry: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.

O: It’s a rather ghettoized genre.

Terry: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.

O: It’s certainly regarded as less than serious fiction.

Terry: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus.

Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.

Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.

(Pauses) That was a bloody good answer, though I say it myself.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[ragingbookdragon]

It comes as somewhat a surprise when the others realize that something has obviously happened between their resident Lieutenant and Private, as she’s quick to fall silent whenever he appears, and even more so make herself scare when she can when he’s around. It’s only the third time that Soap sees it that he says something, because if he doesn’t no one else will, and where’s the fun in that?

He watches her duck her head and leave the break room, Gaz, Soap, Price, and Ghost sitting alone at the breakfast table conversing over soggy cereal and cooling tea; Soap pushes a piece of bacon on his plate and asks, “Trouble in paradise, Lt?” the corner of his mouth arches with a slight grin when he hears the warning grunt come from Ghost.

“No.”

“Seems like it,” he retorts, taking a sip of his coffee. “What’d ya do? Tell her ta fuck off?”

“Drop it, MacTavish,” Ghost warns darkly. “Nothing’s wrong.”

This time, Gaz jumps in. “C’mon, Lt., it’s obvious that something’s wrong. I mean, she won’t even look at you, let alone say anything unless you speak first.”

“An’ she’s callin’ ‘im ‘sir.’” Soap adds, pointing at him. “Christ, Lt., ya musta done a number on ‘er. Poor Puffin. So sweet and kind. Broke ‘er heart ya did.”

Price can tell that Ghost is close to snapping at the both of them but gets to it before he does. “Soap, Gaz, go catalogue our inventory for the mission next week.”

“Aw, but we already d—” Soap falls silent when Price shoots him a look and quietly grumbles to himself as he grabs his plate and cup, Gaz following in suit.

It’s only until the two soldiers are alone that Price asks, “What did happen, Simon?”

Ghost lets out a long sigh and rolls his head back, staring at the ceiling. “Pretty much told ‘er to fuck off.”

Price watches quietly as Ghost begins rattling to himself—he’s never really had to ask the man to explain himself. All he’s gotta do is prompt him to do so and Ghost does the rest.

“I just got mad. She’s always ‘round and practically up my arse, and I got caught up and instead of ‘andlin’ it properly, I shoved my fucking foot in my mouth and scalped her.” He rubs a hand over his face. “I meant to be gentler but once I started, I couldn’t stop. It just kept comin’ out. And now she fuckin’ hates me.”

He pulls his hand down and looks up at Price with a scowl—the man is smiling at him, but it’s that stupid smile that means more than Ghost wants to admit it does.

“Quit that.”

“You care about her,” Price murmurs, rubbing his chin thoughtfully, though his admonish is still harsh. “And instead of telling her how you felt like a grown adult, you took the ten-year-old way out and decided to be a cunt to her.”

“I didn’t mean to be such a cunt.”

“But the fact of the matter is that you did, and you’ve screwed up team fluidity and cohesion.” He looks at him. “You know a team divided—”

“Can’t stand,” Ghost finishes with an even worse scowl. “Yeah, yeah, I know.” He looks away. “I just don’t know how to even start tryin’ to fix it.”

“Well, apologizing might be a good start,” Price rumbles with a grin. “She’s a good kid, Simon. Her heart’s in the right place, even if it’s a bit much at times. Shows she cares. More than most do in our line of work. She’s a rare one.”

“I know,” he admits in a much, much softer tone. “I just don’t want her to lose that doin’ this.” His eyes meet Price’s, and they hold such a misery. “Look at us, Price,” he mutters, gesturing between them. “Middle age, unmarried, no kids, too fucked up for anything like that. She doesn’t…” he clenches his jaw. “She deserves a better path, a safer path, than this life. She deserves to go out and have a life where she comes home to a family.”

“That’s not your choice to make, son,” he replies gently, but there’s a firmness to it. “If this is what she wants to do, then she will. We can’t make her get out of service.”

Ghost growls low in his throat. “She has so much more potential than being cannon fodder. She could do somethin’ with her life. Somethin’ good. Somethin’ that won’t have her dying face down in the sand with a bullet wound in the back.”

Price simply watches him.

“But she’s so fuckin’ stupid. She wants to be here. She wants to spend whatever time she has dodgin’ bullets and wakin’ up every night in sweat ‘cause she can’t escape the dreams. No one wants to do this. We don’t want to do this. We do this because we have to. But her? She’s happy here.” He lowers his voice, it’s as if he’s in disbelief. “She’s happy here.” He looks at Price. “Why? Why is she so happy here?”

It's another long moment before Price speaks.

“You hear, son, but you don’t listen.” He moves the cup on the saucer. “She bounced around homes growing up, scraped by on the skin of her teeth. She has no one. But here, she has something. She has people who care for her, if nothing else, they won’t let her die alone.”

“Oh what? So, it’s found family bullshit?” Ghost spits. “If she dies, at least the team would mourn her?”

“Isn’t that what you’ve done too?” he replies, and Ghost falls silent. “People like Gaz, Soap, and myself are different than you and she are, Simon. We have homes. We’ve had families that have loved us, that do love us. But you two? Simon, you’ve made a home where you’ve had to. Made a family out of people you’ve bled for, would gladly bleed for. You’ve made something that’s yours. You made a family for yourself. And so did she. She’s made us her family. The one she never had the privilege to call her own.”

Price lets out a quiet hum, and pats his thighs, standing up and pushing his chair in.

“Think on what I’ve said, son. And if nothing else, apologize and leave it at that. Put the ball in her court and let her make the next move.”

As he walks off, he hears, “And if she doesn’t want it?”

He tosses a knowing look over his shoulder. “I’m sure she’ll take it.” His eyes twinkle as he adds, “Takes an awful strong woman to care about a man like you.”

[chelseeebe]

gimme a hand

okay so i saw a silly tiktok abt how guys take nudes wrong and thought our lovely best friend reader could help eddie take some !! i am a little tipsy so pls excuse any mistakes

mdni. 18+. smut. like, literally just smut. fem!reader x eddie.

“so.. how are things with you and.. whatshername?” clicking your fingers in his face.

eddie scoffs, batting your hand away, “chrissy is her name,” correcting your childish behaviour, “and it’s good, we’ve been.. texting a little,” shrugging nonchalantly.

you and eddie had been best friends for years, though these hang outs were few and far between now. both too busy with the perils of adult life to sit around and smoke weed all day, like you used to.

that meant that your relationship had skewed a bit, no longer as close as you once were. though you still tried to feign an interest in his, mostly nonexistent, love life.

he understood though, your life was far too interesting to care about the very small roster of girls he was seeing.

“texting?” you exclaim, stubbing the embers of the joint out into the ashtray, “so you haven’t seen her since?”

eddie shakes his head, realising that what he had thought was an exciting update, was actually just a pathetic retelling of a long text thread.

“i think we’re just.. testing the waters,” brushing off your disappointment. he contemplates even telling you anymore but what kind of a best friend would he be if he didn’t at least tell you all the details. “she sent me pictures the other day,” wriggling his eyebrows.

“pictures?” a slight mocking tone to your voice that he doesn’t like, “what kinda pictures?”

his face scrunches up, cheeks flaming red, as if it wasn’t obvious. “you know.. naughty ones.”

you whistle, blowing the air from your cheeks in the most sarcastic manner, “naughty pictures.. wow eddie, you’re really moving up in the world. did you send any back?”

his head dips, regretful of ever sharing this with you. you had never had a lack of choice for guys lining up for you. even back in high school. of course you wouldn’t understand.

“no..” shrugging again, “i don’t.. don’t know how.”

“you don’t know how to send nudes?” utter shock rippling through your voice, “didn’t i teach you anything?”

“not how to send nudes!” he hits back, getting increasingly frustrated that you’d rather mock him than help him get laid for once.

“i can help you if you want,” you offer, “i don’t have to watch.. i can just.. guide you?” proposing the question as if it were a completely standard conversation for you two to be having.

“really?” his eyes bright and full of hope.

eddie really liked chrissy, she was sweet and the times they had hung out, they got on well. he just wasn’t equipped to match her flirting, afraid he’d overthink himself into losing her.

“sure,” you smile, grabbing his phone as you stand from the couch, “come on,” beckoning for him to follow you down the corridor to the bathroom.

you bundle into the trailers tiny bathroom, poised in front of the mirror with his phone in hand.

“you stand here..” you instruct, guiding him by the shoulders, “you need to get hard,” grinning as you look at him through the mirror, “i’ll stand outside and just.. tell you what to do, okay?”

eddie’s too high for this, wondering how you’d gone from a joint and a couple of beers to now helping him sext the girl he liked.

you disappear outside, shoving his phone into his chest, the knob clicking quietly as the realisation of what the hell he was doing sets in.

“so..” he poises, swiping onto the camera, posing himself in the dirty mirror, “pull my pants down, right?” wanting to make sure that he got nothing wrong.

“yeah, but not all the way, just like.. a little bit.”

okay, he thinks. tugging his sweatpants down just beneath his balls, his boxers following suit. he was getting hard just thinking about it, the fact that you were instructing him what to do wasn’t helping.

his fingers wraps around the base of his cock, pumping his fist a few times, stifling the groan that had settled in his throat.

this was already weird enough, he didn’t need to make it weirder.

“okay..” his voice quivering, “what now?”

you tut, “pull your shirt up.. or off, it looks bad otherwise.”

eddie does as you ask, taking his shirt off and tossing it into the floor with the rest of his dirty clothes. he peers at the image through the screen, inwardly cringing at how stupid he looked.

“i don’t know,” though his dick was already stiff, aching for him to continue. “i look stupid,” he frowns, attempting to position the phone differently, although nothing seemed to help his pathetic stature.

“no you don’t,” your voice rings through the door, “now you gotta pose it.. make it look good, sexy.”

his eyes squeeze shut, wishing you’d stop talking with that low growl in your voice. this was for chrissy’s benefit, not his. getting off to the sound of your voice while trying to arouse another girl was not the plan.

eddie exhales, opening his eyes to reposition the phone, closer to the mirror. his fist begging to move and finish the job.

nothing helped, in fact, it looked worse than before. chrissy’d block him if he dared sent anything like this.

fuck, he felt like a pervert. this was wrong. twisted.

“have you done it?” you call.

“no,” he gulps, frowning at the image of himself in the mirror.

you huff, knuckles wrapping against the door, “i’m gonna come in, okay?” giving him no time to think before you appear next to him in the mirror.

your eyes fall straight to his cock, widening every so slightly, “wow.. okay,” chuckling awkwardly as you snap back into it. “you have to..” your hand lowers his phone, straightening the camera position for him.

his breath is jagged, on the edge of exploding and splattering all over his bathroom. whatever buzz he had had from the weed had dissipated, replaced by the hazy tingly sensation of your hand near his cock.

“and then..” you look to him, in person this time, not through the safety of the mirror, before wrapping your fingers around the ones that were still lingering around his cock. “do this..” voice trailing off into a low whisper, using his fist to pump his already leaking cock.

a strangled gasp leaves his mouth, heat searing through his body. mind too fuzzy to truly comprehend the shit he was seeing and feeling.

the heat of your body presses against his back, delicate fingers still travelling the length of his cock, “film it,” not once letting your eyes fall from the side of his face while his stay firmly on the mirror in front.

maybe this way he could pretend it wasn’t real, that he was just watching some video and you weren’t actually jerking him off by-proxy.

eddie, ever obedient, presses the record button, sighing into his phone as your his hand continues to move.

his knees almost buckle, kept afloat by the sound of you panting into his ear. it was almost too much, his brain collapsing into itself as your hand takes over, ignoring the phone in his hand to continue making him whine and quiver like that.

the weight of your body presses him into the cold china basin, eyes travelling from his face to his dick and right back up again.

you could’ve told him to jump right now and he would’ve. other hand reaching around to grab onto whatever part of you he could get a grip on.

your lips trace against his neck, lingering against the skin. he couldn’t keep the phone straight, the video would just be some big blur of him groaning and the sink. not that it matters. not while you’re touching him.

“is this good?” you ask, breath tickling against his ear.

eddie nods rapidly, “good.. so good,” fingers twisting around your shirt as his eyes flutter closed. “fuck,” he gasps, the phone slipping from his hand onto the counter when your thumb circles the tip of his dick. an otherworldly feeling he had never been able to feel before.

“yeah?” you grit, pulling his hand, signalling for him to turn. his bones were jelly, body mailable and under your control. his back now pressed against the sink, foreheads pressed together.

one hand holds onto your hip while the other finds your cheek, lazily trying to connect your lips. your knee slides between his legs, spreading them just enough for your other hand to creep between and grab his balls.

“ohh shit,” eddie wails, kissing at your bottom lip, sucking at the skin.

nothing felt real, waiting for his alarm to pull him out of this fucked dream to a sticky puddle and a new perspective on your friendship.

your expert fingers fondle his balls while the other fists his dick, pre-cum making your fingers glisten and move with ease.

his throat squeaks, the most pitiful noise a grown man could’ve made, his bottom lip still latched onto yours.

ten years of friendship and yet the two of you had never even kissed before. wishing you wouldn’t have wasted so much time on actually doing it. a newfound adoration for the sweet taste of your lips and the friction of your palm rubbing against his cock.

“i’m gonna cum,” he babbles, stomach flipping, waves of pleasure crashing through his tingling limbs.

you don’t respond to his whining, your nose brushes over his as his breaths become shallow and staggered. a iron clad grip on your shirt as he teeters over the edge, hips stuttering into your palm.

“ohh fuck,” eddie mewls, bursting all over your hand, “shit.. fuck, oh god,” your eyes dark, gazing down at your hand still wrapped around him, somewhat proud of what you’ve achieved.

he lets go of his hold on your body, hurriedly trying to find the counter to ground himself. his head a million miles away on mars, his lack of thoughts disrupted by the sound of the water running.

chest still heaving as he braves a look at you, watching his release swirl down the drain. you’re chewing on your bottom lip, a sudden realisation that you had just made your best friend cum maybe. he doesn’t really want to ask. hoping you won’t regret it.

eddie picks up his phone, stopping the recording, his thumb shooting straight to the tiny trash can until you grab his wrist.

“don’t delete it,” a fire within your eyes, twisting the screen in your direction, “i wanna watch.”’

his finger hovers over the play button, looking to you though your eyes are trained on the screen, waiting for him to press play.

the video starts, shaky footage as the audio of his pathetic grunts and gasps fill the tiny bathroom. eddie can’t bring himself to watch, forcing himself to watch you rather than the video.

you’re smiling to yourself, smug at the sight of you making him crumble. he wants to be embarrassed, can feel the blood rushing to his cheeks and yet, he doesn’t turn it off.

“maybe don’t send that..” you remark, finding his eye, that mischievous sparkle that eddie hadn’t seen in years, reappearing.

he needed to feel you, in the way that you had felt him. cock already reawakening when your lips twitch into a smirk.

shit.