*grabbing mlm shippers by the shoulders* guys nobody needs to be the twink. nobody needs to be the sub. nobody needs to be the femboy. they can both be big fat hairy men who bask in each others masculinity or they can both be unspeakable monstrous creatures with inhuman genitalia it’s okay I’m holding your hand. Let me show you the way
There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation
the immense psychological damage I have taken seeing multiple people claim wholeheartedly that Marcille barely tolerates Laios, much less likes him. I’m sorry but even if you’re anime only did you MISS the scene where she frantically was checking for his heartbeat or
Have we considered what it means that Laois is so good at killing monsters, the one thing he loves, and so bad at fighting humans, the thing he feels most distance from. And inverse Kabru is terrible at killing monsters, the one thing he wants to destroy, but so good at killing humans he would have killed Falin 6 different times when he tried to kill her if her anatomy had been more human, despite his love for and drive to protect humanity? Have we considered what it means to be able to kill that which you love but not that you hate? Has anyone fucking considered the imposter syndrome that has to come from only being good at killing that which you love most??? The fear of not being able to protect yourself from the thing you most think is a threat simply because you cannot find a way to understand it enough to take it's life?
how much do i have to pay you so that you can at least ATTEMPT to add frebby fazbear into the magnus protocol
This tickles me a bit, because thinking about it, we have kinda done some mascot horror in Protocol, but whereas chuck-e-cheese is the archetypical American version, we've drawn horror out of a 90s British mascot. And I'm pretty confident which of the two is more fucked up.
Five Nights at Freddie's does interest, though - I grew up when there was quite a rich array of horror stories aimed at kids: Goosebumps, Are You Afraid of the Dark, the Point Horror books. Now it seems like a lot of that stuff have been supplanted by franchises like Five Nights at Freddie's, which is aimed at kids but marketed as though it's not, and does a lot to try and launder its intended audience. It's interesting to me, though I don't feel like I have a well-developed thesis about it.
people seriously pretending EEAAO is overrated suddenly bc it swept awards? it swept awards largely because it is very very very good. I cried like someone who's just had a religious revelation BOTH times I watched it bc it touched something raw and real and beautiful but it was also just very, very funny. everyone's performance kills and the concept is creative and interesting and doesn't distract from the emotional core. you guys are just contrarian.
desperately craving weird surrealist arthurania. Knights with no faces wandering through the mists. Seams between Christian and pre-Christian Britain gaping like open wounds. Beafts and visions. Maybe a monk. Maybe the monk is gay
undead boy with "UNMARRIED" on his gravestone makes sure to put "BELOVED WIFE" on his girl's gravestone even though he knows she won't be in the ground for long
R.M. Rilke, The Man Watching // Euripides, An Oresteia (trans. Anne Carson) // Oscar Wilde // Hanya Yanagihara, A Little Life // @bitsbyt3s // Mary MacLane, "January 20", The Story of Mary MacLane // Trista Mateer // see 4 // @kafk-a // Olivia Laing, "Loneliness: coping with the gap where friends used to be"