#theory about character

[sillycoffeewizard]

Hi everyone, and this is my post with theories and headcanons about John Titor because I love her so much and she is my daughter!! <3

❗The theories and headcanons were created with the help of my wife, who I told everything I know about this character so far (my knowledge may be incomplete). These are just our thoughts and guesses. We may be wrong on some points, sorry!!! But we have been doing a little research with John Titor's story and her voice lines in the game, and today I want to share it

John Titor's diary

In her diary entries, John Titor notes the weather on a particular day. e.g.: June 16, rain; January 29, snow, and so on. perhaps this helps her remember events better

She describes war and chaos in the world. There could be several possibilities here:

She has experienced violence in the past (abuse, abusive behavior, etc.), which traumatized her, and the war is a veiled description of her experience. This is how she conveys her feelings and perception of the world around her;

There was a war at the time (the diary does not give the year), she was a victim of warfare and violence (she was taken prisoner, sent to a concentration camp and had horrible things done to her). She kept a diary at the time or wrote about past events;

You probably know the story of John Titor, who called himself a time traveler. On a forum dedicated to creepypasta he wrote "predictions of the future", detailing events that he said might happen. Maybe John Titor (the character) was fascinated by this story and just made it all up, based on what the real John Titor predicted, because her personality was built on this mysterious person. Or...John Titor (the character) calls herself a time traveler for a reason. Maybe she really is one, and in diary she describes an event from her time (war, cancellation of the Olympics, chaos in the world) while predicting the future. These are the two reasons she has that name in the game

Fan fact: her badge looks a lot like the symbol of the existing "John Titor Foundation" that published a book about the "time traveler" that included his forum entries

1. Reverse: 1999 wiki, 2. Wikipedia

John Titor's voice lines

I was using other people's translation of her hexadecimal code phrases into words. I'm also making assumptions based on the theories i've previously described

Under "to the future" she says "crazy like me.". According to previous assumptions about her diary entries, it can be said that she is traumatized by her experiences of violence or war. she may have depression and PTSD, and this phrase is her idea of the future, which is typical of people with mental disorders;

Under "hobby" she says "Corvette 1966 black". According to Google, that's the make of the car. Why is she talking about it? Let's look at "bond: night", her phrase is "wanna go on a drive". I think these phrases are related. Maybe she doesn't sleep at night (she has bruises under her eyes) and it's at night that she can spend time doing her hobby: she's literally driving a car. Or it's in her imagination and she's just reflecting in this time;

In the "hat and hair" column she says "hey don't touch me". She may have experienced violence, it could have been bullying by someone or it could have happened during the war she wrote about in the diary. In any case, she is not tactile at all as a result of the traumatic events, she hates to be touched and doesn't let anyone touch her. You can also see that her hair is cut unevenly, which could also be due to the traumatic events;

Under "clothing and torso" she says "a soldier's physique". This description could mean that she witnessed or participated in warfare and/or, again, experienced violence. Either way, she notes her resilience. She was able to endure and survive horrific events as if she were a soldier. Or is this another reference to "time traveler" John Titor, who called himself a soldier

Why does John Titor only interact with everyone using hex code?

Given the theory that she is indeed a time traveler, we can make the assumption that code is the "language of the future," a way of interacting between people whose lives are entirely built on and dependent on technology;

Perhaps because of the traumatic events I wrote about earlier, John Titor no longer wants to associate herself with people in any way, to be like them, to speak human language. She decided to completely restructure her personality and become something like a mechanical machine

That's it for now! I hope this post is enjoyed by the likes of theory and headcanon fans in this fandom, I really tried hard to make it as good as possible. Again, I don't consider everything described above to be canon, it's just speculation and conjecture. I wanted to share my thoughts, and I'm proud of it because I love John Titor!! Also my knowledge may be incomplete and my views may differ. I welcome constructive criticism and reasoning <3

[risestarkiss]

"This Whole Situation"

Rise Ramblings #1

So as you guys know, one occurring phrase in the show between the boys and April is “This whole situation.” Although vague, and used in many other contexts, sometimes the family uses the phrase to refer to their mutations.  

However, once finishing the series it’s hard to miss that Donnie never says the phrase. Now, I could be wrong (and If I am, just comment and let me know!) but I have a theory as to why Donnie doesn’t say it… Donnie never says “this whole situation” because in his mind, there IS no situation.

The Evidence:

I started noticing something interesting about Donnie’s state of mind about himself.

He never really expresses that he’s different from other people, he’s just…him. Obviously, he knows that he’s a mutant, but it’s not something at the front of his mind. I associate it to if someone has a certain attribute, that person is just that, a person first. I believe it’s the same for Donnie. He’s a person, that just so happens to be a mutant turtle, and I live for it.

What made me solidify my theory was the use of disguises in Rise, specifically the use of disguises in April’s school.

All of the boys have visited April’s school, and all of them decided to wear disguises, except Donnie.

He just shows up in his regular clothing. One could argue that the hoodie is his disguise, but then why did the rest of the boys wear actual (silly) disguises while our boy Donnie is just like, “Hoodie? Check.” And not only that, but for the whole episode, all eyes are on him, and he just. Doesn’t. Care. It’s glorious!

Later, in the episode Donnie vs. Witch Town, we see that Donnie showing up all willy-nilly pell-mell at April’s school was not a one-time thing. It’s literally been happening for years!

Therefore, I believe that canonically Donnie doesn’t care about “this whole situation.” And if someone does, as far as he’s concerned that’s their problem, not his.

○○○○

Part Two: On His Own Terms

[beanghostprincess]

"Kuina's death is ridiculous" yes! That's the point! You do realize that falling down the stairs is a way of showing Zoro how fragile human lives are, right? You are aware that the point of Kuina's character is the unfairness of the world towards women in comparison to the privileges men have, like living in itself and fulfilling their dreams, right? You know that Kuina's death is "ridiculous and dumb" because it's meant to show that even the strongest person Zoro knew could die from something so little, right? You understand that the value Zoro gives to life is fucking immense, right? Right?? You realize Zoro can't seek revenge because nobody took her away from him and now the only thing he can do is become the world's greatest swordsman to avenge her death, right? You get that Zoro's character is an atheist because he doesn't believe in anyone and he can only rely on himself when it comes to Kuina's sudden death, right? You are aware that sometimes people die in the simplest of ways and that doesn't make them weak because death doesn't discriminate, right? You know that all of these things are what make Zoro's character so interesting and important, right? Right??? You know, right?

Well, of course you fucking don't because if you knew you wouldn't be saying her death is ridiculous <3

[myeagleexpert]

Where would you go?

And when it's all over… malleus' overblot… grim's overblot… could we finally go home?

Translated from fan to fan, see the artist's original work from the pin: https://br.pinterest.com/pin/902690319055568269/

What's your theory about the way home?

[chrxnicdaydream]

hc that Dazai made a point of calling Chuuya small when they met because Dazai was used to being the small one.

like, finally there was someone shorter than him. because let’s be real, Dazai was barely taller than Chuuya in Fifteen.

i think people forget how small Dazai was too— not just in height, but also in weight. He was underweight in Dark Era, but in Fifteen & even at present he's barely within the healthy weight range for his height. he was constantly described as a twig in Fifteen, and almost every time he's introduced in the light novels he's called lanky, slender, etc.

[poorly-drawn-mdzs]

M'lady, doth this harlot bother thee?

[First] Prev <–-> Next

[niishi]

if so tho.... I genuinely love how if Sanji awakens conquerors haki, that it's gonna be like... a plot point. made obvious. but Zoro used his on punk hazard and then again in dressrosa and it's never even focused on and tbh I think it went over a lot of fans heads too, and then he uses it on onigashima and kaido acknowledges it out loud and zoros like idk wtf u mean and that's as much as we get. I love how Zoro is written like that. like you really gotta watch him or else all his development and progress and individuality etc goes straight over your head. Zoro observes everyone and he's so emotionally intelligent and so aware of changes in ppl... you gotta be like that too, to rlly see Zoro.

[cuepickle]

Camp Skull Rock: The Campers

Can’t stop thinking about summer camp AU

[mads-is-tired]

Ranboo saving Charlie while he was streaming is the direct reason Charlie died I'm not okay

Ranboo said in their stream today that there were two choices that he actively made without the audience's input. One was choosing the security code on his own, and choosing to save Charlie from the brainwashing. Obviously using the wrong code stuffed it all up (which released the wire monster) but they said that because of the time it took to pull Charlie out, by the time they reached the doors the showfall media employees were locking them. Which eventually leads to both Ranboo and Charlie's deaths, and almost mirrors the final choice of episode three, choosing to live but be under showfall's control forever, or to die, only it hadn't been realised yet. 

also SNEEG!!! The poor guy tried to get out and get help again but never made it, and died alone (because of Ranboo’s choice, ouch). While showfall probably wouldn't have allowed it but a storyline where he did make it out would be insanely cool. 

Another thing, while the theory that showfall kidnapped Charlie as a kid and raised him to be their entertainer is very cool and has a lot of potential, I don't think that's the way the story would go. Showfall was(is??) going to use Ranboo until he no longer had any use to them, like all of the other actors, combined with sneeg's death suggests that raising a child and creating a whole personality and audience for slimecicle would be overly complex when they could just take people who have already done the work for them. The slimecicle channel is canon to the genloss universe now, and they likely would have had Charlie continue to stream to keep up appearances like he's not missing. Also, when ranboo finds all the streamers he recognises Charlie by name, suggesting they knew each other before showfall got to them, because iirc the name Charlie is never used in episode 1 or 2. And there is surely enough history between the two for Ranboo to want to save him, but recognises that he can't save everyone. That or he just felt bad for ripping the man's guts out. 

Anyway, I have Too Many Thoughts about Generation Loss and desperately want to know if Charlie and Sneeg are dead dead or if they'll be coming back for more generations because they were both so good in this series.

[yhwcomeback]

The one you shouldn't have killed.

[lolomidi]

The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade

I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.

There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.

NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.

ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.

___

Part 1: Recap Analysis

This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.

“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.

“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.

“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.

More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.

Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.

I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…

“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.

But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.

Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.

It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.

*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).

“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.

After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.

“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.

And so he goes into the battle swinging and confident. Then, of course, Adam.

I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.

So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.

His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.

Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?

___

Part 2: Closing Thoughts and Future Speculation

With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.

Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.

But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.

Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.

Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.

I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).

I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.

Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.

Or maybe I’m thinking too much into it idk lmaooooo

[howlonomy]

Can we see more of the characters in Swap Monster!Clover au?

Like Starlo and Marlet?

Marlet has be called 'New Moon' or something like that as acowboy frfr

i actually really really like how these came out AGJDS

[puppyeared]

I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-

Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])

Thanks for reading and hope you have a good day/night!

Hope this is to your liking ^^

Part one here

[ziptie-bouquet]

Have you all noticed how Simon's outfit changes over the course of the show? He goes from his original outfit to his Ice King robes, to a worn suit with a blue tint, and then back to his normal Simon suit. I think this visually shows that Simon is slowly realizing he actually doesn't want to ever be Ice King again, even if he keeps saying that he has to. Considering it was his most fucked up version yet who gave him back his Simon outfit, it also probably symbolizes that he's remembering what's important in his life: finding Betty, not "fixing" Fionna and Cake's world. It was thinking about Betty that kept him relatively harmless in Adventure Time. The Winter King doesn't have that and is much more destructive than the Ice King ever was. I think this is especially explicit when he asks the Winter King about Betty and he replies he doesn't think about her anymore, and it's even more so when you consider this scene starts with Simon commenting on getting back his old suit.

[rorah]

The mentally stable Dimitri Fire emblem 3 hopes.

It surprises me that there's still ppl claiming so, but then I remember we're talking about 3h interpretations and I have to make peace with it.

But that doesn't stop me from venting a little bit in this little space I have lol. Actually, it dries me and makes me feel bad to bring this up because I will have to talk bad about Dedue, and I don't want to talk Bad about Dedue. He's a genuinely good boy. But "Human" nonetheless, which means Flaws. I like Felix too but he's become some sort of a clown that doesn't make me feel too bad. I like Felix tho, In a different way.

Mostly talking about these two because the take that "Dimitri has better support system" baffles me because, technically, these two are his support system in HopesVerse. The persons who Dimitri relays on and seek solace/advice/support. The rest doesn't really tackle any of his personal struggles (aside from the Mage!Mitri frustrated dream, but that's out of the bad equation in our 'mentally unwell' set of pixels, and Shez only has a glimpse). Contrary, to Houses verse where the whole blue lions cast knew about his shit, didn't know what to do, but didn't leave either.

I tackled this topic with other person on Twitter who was (or still is) on board with this take and the phrase they used was They contained him better, which of course I agree and remarked that was exactly the problem. Contain him is gonna be contra productive. I used a water dam analogy, where the structure of such dam is damaged, and the pressure of water keeps accumulating. Causing a foreseeable damage for the dam itself and the surroundings. You don't need to be a genius to understand it, you need experience or knowledge for mental ill topics tho.

I really don't want to extend so much on here because it's mostly just, rant format more than a proper analysis so I just want to point out these two things in their support conversations.

First, Dedue. Encourage him to keep on the vengeful path. Which we know was the final goal of Azure Moon and if you payed attention to 3 houses message. The whole Vengeful argument was something Bad, to keep it simple. Despite Dimitri actively looking for answers/guidance for something that, in a rational state he can see clearly like vengeance will consume his life (also Shez and Felix called out this behavior). Dedue answer only encourage him to keep on that path, because he would do that 💔. Presenting 2 oposite views is a great formula for confusion and disorientation. Now, Dedue's role is primary SUPPORT, not guidance nor orientation. He will support his shit no matter what, and we are quite aware of that if played Houses.

Second, Felix. Felix is a special case. He is smart but also an idiot lacks A LOT of soft skills to actually be of help. He's the only one who knows in this verse about Dimitri having a mental issue. In their A support to say the least, so they don't close or solve anything. What makes it more worrisome is the fact that Felix conceals the issue as a secret.

"So try to keep that whole "removing their heads" thing in check, yeah? We can just call it our little secret."

this extract here makes me feel so unwell 😭help

The whole burden falls over him and his lack of skills and wisdom on the matter will be too much for him later on. He at least, will be able to recognize that the problem is beyond of his capabilities and will look for help. Felix himself has his own issues and journey where he needs to learn. He's forced to get pass beyond some of his angry teen behavior but hasn't completely get over it.

There is a lot more to tackle, but that requires more work and time. What are the topics some of you think is important to cover around understanding the Hopes verse resolution? Dimitri's route? something? Do you think the route without Byleth is better? With that being said, I would like to delve deeper into character analysis, and the role each played for the Lords too. That also requires to talk about the Byleth and needs a whole analysis on their own, which requires time (which i don't have much lol) To end this vent, I would like to encourage people to do a little research for the terminology they're using like "Support System". Who makes it up and how it operates successfully. The fact that ppl saying "he has better support system" only because he didn't go feral on the run alone is not entirely valid. A reminder that people can feel alone with or without people around them. And containing the issue within doesn't solve any problem. At best, it's presented later. At worse, it gets worse.

[notemaker]

@midoristeashop THIS bottom corner drawing you mean?