#there are still characters who don't have one

[harmoonix]

🪄Dark Hour🖤

- Astrology Observations -

Having Venus in your 4th house can make you automatically to attract people with traditional values even if are not traditional yourself

Libra Risings can have it hard in relationship since their 7th house is ruled by Mars (Aries) which rules over war and conflicts

Cancer Placements can turn out to be manipulative if you do them wrong or if they simply just wake up and say 'lets be toxic today' and im not talking about all cancer placement natives

The dark side of a Venus in the 12th/Pisces Venus is that they tend to idolize their relationships/partners a lot, making a lot of scenarios in their head

Virgo or Cancer Venus may have a 'savior' complex in their love relationship, like trying to save themselves or trying to find someone who can save them

6th house Sun or Moon may have lots of encounters with animals, is like animals feel some kind of "calling' from you

Gemini/Leo/Taurus/ Venus may like to cosplay/playing the role of a character matches a lot with their personality

If you have unevolved Virgo Placements, you may hate when people disagree with you or when ppl come witn a counter-argument for you

Mars in the 8th house can get crazy if they don't get physical touch. Some might crave it and not have it 100% all the time

Moon in the 10th house feels like everyone is watching every single emotion of yours and may react to your sensitivity. You may get called 'over sensitive'

Moon in the 8th/12th house can struggle to talk about their feelings if they are surrounded by people with a toxic energy

Scorpio Moons can also struggle with 'feeling love' especially if they never experienced that properly. Don't press them to show their love for you early in a relationship let them feel safe first

Leo Chiron is a placement where they may nedd attention from others but not that type of "spotlight attention" rather just to be seen and understood by others

The dark side of Taurus Placements is that they tend to be very greedy and I talk here about their finances and money, of course if they are unevolved

Uranus in your 10H can make you change/switch your job more than once or twice, and can indicate having a confusing time with choosing the right job

Moon in your 2H can talk about 'working with love' and putting your heart into everything you do. You get rewards for your kindness

Unevolved 10th house placements can turn really materialistic if they have the chance, looking only for money and that's it

Capricorns are used to expect the worse in some situations since they have been thru multiple such situations in their lives

Uranus in Aquarius generation can be attached to technology 24/7. In love with technology, their phones are their world

Gemini and Virgo Moons are the first indicators of someone having anxiety/stress/panic attacks/overthinking

Pisces Placements but mostly Pisces Suns/Risings can use escapism a lot, trying to create their own reality in their head rather than living in the actual one

Scorpio Venus/Mars natives, some of their hidden fears can be betrayal/getting cheating on. This can possibly be one of the reasons why they can attach fast to people

Saturn/Pluto/Moon in the 8th/12th houses the planets become more dark in these houses, getting

Cardi B has a crazy chart because she has BOTH Jupiter and POF in the 7th house and is still still coming to the man who cheated on her??? (Never mind her Venus in the 8th house explaining everything)

A water sign in your 11th house can indicate you can understand people deeply and attach to them emotionally

Earth signs in the 1st house can indicate you tend to put a lot of pressure on themselves, being hard on themselves, criticizing themselves sometimes quite a lot

Mercury - Moon aspects natives can get therapeutic with other people, they like to talk about deep stuff with others and tend to share a lot from their live experiences

Jupiter in Sagittarius can be a good placement if you want to explore the whole world or just simply travel Jupiter can help you to manifest that

Jupiter - Mercury or Saturn in harsh aspects tend to be close-minded or afraid to open to new things/learning or knowing about them (I'm talking for the aspects generally not the people)

Moon or Venus at 5° or in the 5th house can make you have a baby fever more when you're young, like in your 20s. Wanting to be a young parent (this does not apply to all)

Mars or Neptune in the 11th house tend to attract people easily with their energy/personality. People get interested about you too

North Node aspecting Saturn in harsh aspects is not easy, actually is a very challenging position in your chart

North Node in the 8th or 12th house tends to live intense lives or have intense life situations, even near death situations

✨️🤍 Hope you all have a good Monday 🤍✨️

Harmoonix ✨️✨️✨️

[kisakis-boyfriend]

Dazai, Chuuya, & Kunikida x werewolf reader

Author's Note: Requested by the same anon who asked for this with Fyodor, Nikolai, & Sigma. I just had to break up the posts thanks to tumblr's tag limits 🙄 + bonus Kunikida because I can ✨

Pairings: Dazai, Chuuya, & Kunikida x male reader (separately)

Warnings: Male werewolf!reader, dom/top!reader, sub/bottom!characters, implied dom Chuuya as well, mentions of breeding, knotting, rough sex (Chuuya), heat cycle

Dazai

The Shameless Slut

“Ooh please fill me up, my love! I'll gladly take all of your dick uwu”

Yeah, Dazai can get a little too excited about your werewolf form sometimes…

He can be such a pillow princess too. He just likes to lay there and show off his beautiful body while you're carving your place in his insides

Scarily possessive when you pop your knot into him

As soon as Dazai feels that sudden stretch, he's locking his legs around you and pressing it further in

His fingers tangle in your coarse fur, and a groan slips out–

“Yes! Tell me I'm yours, belladonna!” he'll rasp, staring you down with enough intensity to make your heart skip a beat

If you're comfortable with it, Dazai will brag about his insanely hot werewolf boyfriend

Rip ADA members who have to hear about you every single day… and rip PM members who also hear about Dazai's horny bf every time they meet 😅

Chuuya

The Greedy Slut

That's not your massive dick, it's Chuuya's. And you'd do well to remember that

Your werewolf form does something to Chuuya's brain. The man already enjoys rough sex, but this large, canine form stirs something up in his belly

Demands to be bred. There better be no cum spillage, it has to be in his hole(s)

Definitely uses his special ability to make you hit deeper and pound harder — so much so that it's caused Chuuya to pass out before

After that first time, Chuuya asked if you kept going. And when you said of course not, he looked rather disappointed 😟

From then on, you agreed to breed him whether he was still conscious or not (within reason, though)

Calls you 'good puppy' and similar affectionate terms

You two have had conversations about buying a collar and leash — and, if you choose to incorporate that into your sex life, you won't regret it. Chuuya will make very good use of them 😏

Kunikida

The Slut in Denial

Also a total denial slut

He would never admit to this even on his deathbed; but Kunikida loves edging

If you lick the underside of his cock with your rough canine tongue, growling at your beloved to hold it all in? The only thing Kunikida will have in his vision are stars swirling around

I don't think he would admit to loving your primal sex sessions either. Not unless he was already deep in sub space

On all fours, your larger form hunched over his body while your balls slap against Kunikida's ass, your fur tickling his back — this is when he'd slur out how much he loves taking your cock 💛

Also one to keep track of the moon's cycle. It's important to know when his partner will transform or go into heat

Dating a werewolf was never a part of his ideals, but he doesn't regret a thing

Becoming your mate has improved Kuni's life in all sorts of ways — whether we're talking about the amount of love he receives, or the benefits of nasty werewolf sex 😌

[crystalizedcryolite]

Woah woah woah what's this I'm hearing about Green hate?? Is this true? Probably not, but this is a great opportunity to explain character flaws! :D (I was saving this analysis for when the entire arc is done but whatever)

A perfect, flawless character is a boring character. What fun will there be if your character did everything right in the world, no mistakes to let them grow or problems they can learn from? This helps create conflict, which helps expand on a character and develop them further.

Green's ego problem, his whole attention and fame-obsession thing, is a part of his character for a reason. Flaws in a character makes them more realistic and relatable, you feel me?

Green is actually a really complex character, and that's something I love most about him. That's why he's my favourite.

He can be kind, he can be a cocky jerk, he can be selfish, he can be selfless, he loves his friends, he doesn't understand what he's doing to them, all of it. His character flaws make him feel real.

His wanting for a bigger taste of fame, his slowly losing himself to the world of content creation? It's realistic. It happens everyday.

I, of course, hate what he's doing to his friends, hell, I've been there before, but that's simply necessary for his character arc. When he realises his mistake, he's going to grow from it. He's going to become a better person, I just know it.

How do I know? Because we've seen it time and time and time again.

Green showing off when he wins every build battle, Green getting cocky when dodging Red’s pranks, his anger when he loses? Those flaws have been established since day one.

Except he's still a good person.

He remained loyal to his friends, genuinely loves and cares about them so very much, and most definitely the type to drop everything for them.

(I hope, if my analysing skills are any good..)

And who's the one who comforted Purple after all he's done to them?

Green.

He's still including his friends, albeit a lot, lot less. He still cares about them, he's still trying to give them some spotlight, but he doesn't understand that they don't want that. Doesn't understand yet, anyway.

Sure, he's losing himself to the taste of fame, sure he's currently filled with an ego-driven, attention-seeking drive right now, but he'll learn soon.

That's what makes a character arc so darn good. Sometimes the problem isn't an outside force, or an enemy to battle, or something to stop.

Sometimes the problem is yourself, and it's something that needs to be changed.

Maybe the whole point of this fame-chasing arc is to let Green learn more about humility, in all it's glory, and the dangers of devoting your life to giving content to a bunch of strangers.

Or maybe not, who knows? There's still two episodes for the influencer arc, after all.

I can't wait to see how Green's character arc goes for it :D

(I don't mean any malice towards anyone, by the way! This is just me analysing Green's character :>

[gossippool]

so i do think it's very interesting how, at least from what i've observed, people see/depict worst logan as kind of different from the x men logan in terms of their propensity for violence, or rather how this violence is released. i think it has to do with a couple of things:

as many have pointed out, wade is the only one who has ever been able to match him in a fight. so it makes sense that people would headcanon their relationship as involving fights on the regular. but also;

most of what we see from him in the movie is him fighting, and so we assume that he has a tendency towards it, especially since the past he's trying to escape from is exactly that: him being violent towards others, including those who don't deserve it. i think this has definitely subconsciously shaped some people's perception of him in some way.

but i think it's good to remember that what we are shown isn't proportionate to who he is, because the movie necessarily can't develop his character much outside of the plot. i don't think worst logan and x-men logan are different at all in the sense of x-men logan being "gentler", because not only have we just not had the chance to see worst logan act otherwise, but x-men logan also has this same animalistic violence in him. we can see how quickly he unleashes himself in the movies when the situation calls for it, and even when he's doing it to protect, there's still that rage underneath it all.

worst logan is violent towards wade because 1. he's projecting, and 2. wade can take it. but also it's a symptom of something else that he hasn't worked through, possibly decades of trauma he hasn't worked through. i'm working on a fic that explores this rn, but my headcanon is that his post-x-men rampage was a sort of addiction for him because of the release it gave him, which he then replaced with getting shitfaced, and finding someone who could take him in a fight (wade) could be a reversion to the former addiction if he doesn't work on it. (i think that especially with superhero movies, it's so easy to brush off violence as just another normal thing, but realistically, a failure to unpack all that baggage could escalate his problems into something way worse.)

so imo i think worst logan is practically the same, if not very similar, to x-men logan, just that he's a variant that was dealt the worst card, but we interpret his character differently because all we're shown is what he became because of it. we all know logan is gentle with his lovers, and i think that unless wade shows that he enjoys it, logan would not be violent towards him just because wade can take it. just because you can doesn't mean you should, and i think he of all people would understand that

[lilacgaby]

Yay request open oh oh if youre in Gumi era just having idea can I have more of his domestic fluff like planning on their future life any kind of domestic will do (๑•́ω•̀) 💗💗

title: my heart is yours eternally

pairing: boyfriend-> husband!megumi x girlfriend->wife!reader

summary: megumi thought this life he planned was only one in fairytales, but as he looked at the life he built with you, he knew it was real.

note: i love megumi pls pls pls request him more ( ´ ▽ ` ).｡ｏ♡

"i want a small wedding." he said out of the blue as you two laid in his bed, holding your hand in his and he looked over you. "one that's intimate, i don't mind you choosing the theme or anything."

as you nodded thoughtfully, you entangled your fingers together. "mhm. just for us. and i want you to have a pretty ring too, i think you'd look nice with one in silver."

"you think?" he replied, eyebrow raised.

"i know so. and we can have a huge wedding cake-"

"vanilla."

"yes vanilla, with ice cream too. just for us."

he seemed content with that, smiling softly. until a thought crossed over his mind and he looked down at you with a look in his eye.

"i'll get you a nice ring, i promise. you just need to wait." he said, determined.

"i'll wait for you 'til the end of time, 'gumi."

he flushed and squeezed your hand tighter, he had to get the best for you. he couldn't sleep right if he didn't.

"you want any kids 'gumi?" you asked absentmindedly, not noticing the way he choked on air at the thought. images of you pregnant ran through his mind, his mind spiraling as he failed to find the words.

"megumi?"

"oh, uh.. a brother and a sister. that's all we need."

"sounds good, i wouldn't want our baby to get lonely when we're gone after all."

he felt his mind sputter at the thought of your baby, with features from you and him.

the topic of conversation eventually changed to something different, a show you were watching. as he listened to you recount how happy you were that the characters you hated died, his mind still kept going back to the conversation you had earlier.

he fell asleep holding your hand, images of the life you'd have together running through vividly, like he could almost touch it.

since then, he was determined to make that a reality for the two of you.

he proposed to you on your anniversary, taking every possible note he could about the types of rings you liked before choosing one. as he held you hand in his and slid on the ring, kissing you with only the sunset behind you as witness, he felt truly loved.

the months spent planning your wedding weren't as stressful as you handled it together. finding the perfect venue, small like you both wanted.

going on dates to sample cakes, laughing at megumi's face of disgust. choosing the topper for the cake, opting for two loving bunnies at the top since none of them could get megumi's hair right.

choosing who to invite, megumi 'begrudgingly' inviting his old friends from jujutsu high, and you yours.

him going out with gojo and yuuji to pick the perfect suit, you choosing your dress with your most trusted friends.

walking down the aisle, megumi felt emotional since you were just so gorgeous, he never felt as luck as he did when you were announced husband and wife.

well actually, that's a lie.

when you gifted him a box, full of baby clothes and a stick with two life changing lines on it, he knew you were his good luck charm.

as he promised, he loved you through even your sickness. a lot of foods made you nauseous, so he'd started to learn how to cook because it was exhausting for you.

your bump was bigger than average, not like he'd say it to your face, but it was confirmed when you went to get your ultrasound. twins.

you squinted your eyes at him and jokingly hit him on his shoulder lightly, saying, "this is your fault!"

he only laughed. at your gender reveal, just a small thing between you two, you held hands and cut a cake slice out of the cake. to your surprise, it was blue and pink.

your stomach got huge, at 9 months you just wanted your kids out. megumi would take you out on walks everyday, well just strolls around your house technically, but it was a lot for you.

on day number 3, your water broke. you thought you'd finally feel relieved, but good thing megumi was there because you panicked. he was too but mentally.

as you delivered your babies, the son first, you squeezed his hand for dear life.

when you went home with 2 kids a couple days later, you sleeping as megumi held the two in the rocking chair he'd picked out, he felt like it was a dream.

when you awoke, and he'd matched the features of your son who took after you and your daughter after him, his heart fluttered as he felt his body soar.

this is what love is, and this is what he dreamt of.

[diminuel]

I said I'd try to write a little companion piece/ continuation to my Luffy time traveling into the past to meet a young Crocodile comic!

As a warning: I know nothing about ships and since this is just a little no pressure project to try to get out of writer's block I didn’t do a lot of research. There is also a plot discrepancy because Luffy mentions Bonney and her abilities which he shouldn’t know based on the frame story I’ve given this fic *lol* Also: I don't know how to write these characters yet.

No beta, sorry for mistakes.

This is a Crocodad AU fic of course! ♥

--

Maybe This Time Part 1 (3.5k)

“Better get down from there, Luffy!” Nami called from the upper deck. “I don’t quite trust these clouds.” Luffy turned to look over his shoulder, feet dangling over the railing. Nami stood with a hand over her brow, looking up at the sky. Luffy turned back to look out at the sea and tilted his head up. The sky had a pretty green hue, nearly blending seamlessly into a dark mist rising above them. A huge dark cloud had formed ahead, casting a shadow over the sea in the distance.

“Just-“

He titled forward, lost his grip on the railing. A swooping feeling of falling tickled his stomach but before he could make a surprised sound he hit the surface of the water. It felt like he was crashing through glass.

And then it was dark.

This wasn’t the first time Luffy woke up after having been tossed into the water, but for some reason he was bone dry. And oddly thirsty.

“Thirsty,” he wheezed, sticking out his tongue to escape the uncomfortable dryness of his mouth.

A small barrel with a straw was held out to him with a curt “here.” Luffy’s attention zeroed in on the offering and he grabbed it without second-thought. A couple of deep gulps of the water later he felt a lot better already. He heaved a sigh in relief. He took the straw into his mouth again, starting a thank you as he turned towards his savior.

Startled, he sucked in water and spit it out again before he could choke on it, right into the face of someone who looked shockingly familiar.

“BABA?!” Luffy yelled. The person in front of stared at him blanky, the water dripping off his face.

Luffy stared right back. Could it be? This wasn’t Baba as he knew him, but much younger. Sure, they hadn’t seen each other in a couple of months, but he couldn’t change that much, right? But who else could it be? The same hair, the same eyes, the same scar, the same unimpressed expression.

A thousand questions rampaged through Luffy’s minds. How was Baba here? Last they had talked he had been still on Buggy’s homebase. Had he saved him? Where was his crew? What kind of island was this? But one question seemed most important.

“Why are you so young?!” Luffy asked, staring at Baba who couldn’t be much older than Luffy was now.

“Huh?”

“Was it Bonney?” The confusion on Baba’s face only grew.

“Who?” he asked. Luffy stared back at him taking in the complete lack of recognition on Baba’s face.

What?

“Don’t you recognize me, Baba?!” Luffy shouted in horror. The corners of Baba’s mouth twitched and his brows drew down. At least that was a marginally more familiar expression on his face.

“My name isn’t Baba,” he insisted. “And no. Should I?” That hit Luffy like Grandpa’s fist of love.

“Yes!!” Luffy argued, feeling overwhelmed and his crew wasn’t even here to help figure this out. Robin or Jinbei would know what to do! Luffy looked at the sea. It was overcast, the sun faint, the air cool. It was most likely early morning. There wasn’t a single ship visible in the bay or beyond. No other people on this beach. He could feel tears form in his eyes.

“What is going on?” he yelled.

--

There were rules for unexpected situations that had been drilled into his head at an early age. Get yourself out of any immediate danger. Figure out where your people are and regroup. Figure out where you are. Eat. Everything else can wait until after you’ve eaten.

Maybe the importance placed on food was just the Monkey family’s way of dealing with problems, but Luffy wasn’t about to complain. The perfectly grilled meat and the little stick that was loaded with huge mushrooms helped to dampen the anxious pit in his stomach. But the moment he looked up and caught a glimpse of the person sitting across from him, tearing the meat straight off the bone in an unsettling lack of finesse, he felt like he was being dunked into sea water again.

Just what was going on here? Luffy had been travelling with his crew, enjoying that exhilarating part of adventuring where you were simply sailing, facing the challenges the sea of the New World threw at you, not yet knowing where the path would take you. And then the next thing he knew he was plunged into water, sank, blacked out.

Nothing after made any sense. Because the person that had saved him…

“You’re staring.” Luffy startled at the unsettlingly unfamiliar voice. He watched the person opposite him pick his teeth. “Do I really look like that Baba person?” Maybe a smart man would keep his mouth shut and Luffy had been raised to have at least a pinch of common sense between his ears but…

Just what was he supposed to do when a young version of his father was sitting opposite him?!

“You do,” he settled on saying, wary. Baba didn’t look particularly upset by his lack of an explanation, not even a hint of annoyance pinching his brow. And that was unusual too.

What was this? A hallucination? Someone’s devil fruit power? Actual time travel?

(And why not into the future so Luffy could at least see cool robots shooting lasers?)

“What did you say your name was?” Baba asked, genuinely curious, then he pointed at the food in Luffy’s hands. “More where that came from,” he promised. “Eat.” And wasn’t that just another strange thing? Why was he so nice to him if he didn’t even know who Luffy was? Luffy stuffed the food in his mouth, chewing morosely.

“Monkey D. Luffy. I’m going to be the pirate king,” he announced, though far more subdued than he usually was when introducing himself. Baba’s eyebrow lifted.

“There’s no such thing as a king of pirates,” he said, chuckling to himself. “Isn’t that the whole point? The freedom?” Luffy swallowed his food, tilting his head in confusion. Baba put his elbow on his knee, and propped his chin in his palm. He grinned at Luffy, the expression open and joyful, almost mischievous. “That’s why I set sail. I want to do things for myself, see what I can achieve on the Grandline!” His grin softened to an expression a lot more familiar to Luffy though he couldn’t exactly place it. “A big adventure before…,” he trailed off and sat up straight, still grinning but not sharing his thoughts.

It was strange to hear Baba talk of freedom and piracy like that. While Baba had given Ace, Sabo and him a lot of practical information on what to expect out of piracy, he almost never talked about how it used to be for him when he just starting out. Luffy didn’t know when he became a pirate, what motivated him or why he gave up that freedom for a warlord position.

He just knew that nowadays everything, even freedom, was shackled by conditions upon conditions. A thousand locks for Baba and Dad to pick before it could be achieved. Luffy had never quite understood it. Freedom was so easy to achieve if you just pushed your boat off the shore.

Maybe this Baba still trusted that freedom was always within reach.

“How old are you?” Luffy blurted out, putting aside the unease about the situation to admit a little bit of curiosity. Even if it was a hallucination or the work of a very capable impostor, he wanted to know more about him. He wanted to know everything about him.

“19,” Baba answered. “And you?”

“Uh, me too,” Luffy said, then lifted his fingers. “46 minus 19.”

“27,” Baba answered right away, chewing on a mushroom. It seems Baba hadn’t yet discovered the “don’t talk with your mouth full” rule.

“27 years?” Luffy repeated in dawning horror, touching his palms to his cheeks. “I’m 27 years in the past?!” He whined and let himself drop onto his back. He stared up at the overcast sky, partially visible through the sparse trees here so close to the shore. How was that possible?! Did they sail into some sort of mystical area of the Grandline and were now all scattered across time? Was that even possible?

Baba’s face appeared in his field of vision, blocking out the sky.

“What are you talking about?” he wanted to know, his hands in his hips as he bent down to study Luffy. “You can’t seriously believe that you’re from the future.”

“But I am!” Luffy insisted and jumped to his feet. Luckily Baba straightened quickly enough to not be hit by Luffy’s head. He grimaced, momentarily distracted by the fact that even now his father was nearly a head taller than him. He shrugged it off. “I know that there is no known devil fruit that will grant the user the ability to go back in time. But there has got to be an explanation for this!”

“Other than you being insane?” Baba offered but judged by his tone and the grin stretching his lips he was teasing, not mocking. Luffy groaned, then crossed his arms over his chest. “You do realize that what you’re saying is improbable.”

“But it’s still true!” Baba didn’t react to his outburst. “I’ve seen a lot of so-called improbable things before! Islands with dinosaurs! Islands that fly in the sky! Islands where people turned into living toys!” Baba lifted his eyebrows at that. Luffy waved him off. “It was just Mingo, don’t worry about it.”

“I’m not worrying about it,” Baba answered, amusement evident. “But it seems like you’ve already travelled a bit. I thought you were new to the Grandline. You look like a rookie.”

“I’m not!” Luffy protested then pointed his thumb at his chest. “I’ve been on the Grandline for 2 years! I’ve got an amazing ship and the best crew in the world!” At the mention of his crew his spirits sunk like an anchor. He hoped they were okay…!

“Where were you when you got separated from your crew? You can’t have been washed ashore from that far away,” Baba asked. Luffy hummed, trying to remember. He scratched his head.

“We’d been on sea for about three weeks after Wano,” he said. “But we hadn’t come into stable climate yet, so I don’t think we were close to an island.”

“Wano,” Baba repeated. “You were in the New World?” He seemed surprised now. Was he doubting him again?

“You’re in the New World too,” Luffy shot back.

“No! We’re on Agaricus,” Baba insisted. Luffy squinted at him. Where had he heard that name before? He was sure he had heard Baba mention it. “The next big island you might have heard of is Alabasta.” Luffy hit his balled fist into his palm in recognition.

“The autumn island where you like to go mushroom hunting!” he said then the words registered. “What?! We’re in the first half of the Grandline?!” Baba looked about as shocked as Luffy felt.

“How do you know that?” he asked and it took a moment for Luffy to realize that he looked wary all of a sudden, his stance a lot less relaxed. Luffy knew that he should be able to defend himself against a 19-year-old version of his father, but he still didn’t want to test that hypothesis if Baba actually started to believe that Luffy was a threat.

“I told you! I’m from the future! I know you!” Luffy defended himself. Baba frowned at him, but his stance shifted just a bit. A soft sound at Luffy’s feet made him look down just to see tendrils of sand slip back down on the floor. He hadn’t even realized that Baba must have manipulated the sand to grab him if needed. When Luffy looked up Baba’s expression was serious, a crease between his eyebrows.

“27 years into the future,” Baba affirmed. “When you and your crew sailed the New World. As apparently I do too.” He rubbed his arms, his face uncertain for the first time. “I’m still alive in 27 years?”

“Obviously!” Luffy insisted, angry at the suggestion that Baba would not make it on the Grandline. “You’re strong!” A small grin appeared on Baba’s face.

“Yeah? So how do we know each other? Am I your captain or something?” Luffy wrinkled his nose but at the same time Baba did too. “Do I insist on everybody calling me Baba like fucking Whitebeard wants everyone to call him Pops?” Baba made a disgusted expression at that. Luffy of course knew that Baba and Whitebeard had history, but as most things of his father’s past, this was something he kept close to his chest. Sometimes his secrecy was quite annoying and it was hard to pretend not to care about what had happened, especially since the old man had meant so much to Ace.

“How can you already have a grudge against Whitebeard at 19?”

“Oh, so you don’t know everything, Monkey D. Luffy,” Baba said, his grim look dropping quickly at the supposed upper hand he fancied himself to have. Luffy wasn’t used to these quick mood changes. Still, instead of answering he grimaced. “What?”

“I don’t like when you call me by my full name. You only do that when you’re scolding me. Call me Luffy or Strawhat.”

“Strawhat?” Baba asked, laughing. Luffy pulled his hat from his back and put it onto his head demonstratively. “And you let me scold you? What am I? Your mom?” Luffy pressed his lips together, the question feeling like someone had upended a bucket of cold water onto his head. But Baba laughed in amusement as if the thought was absurd. “Am I your captain?”

For the first time a different kind of worry made a home in Luffy’s mind. He had arguably no experience in time traveling but he wondered if it was a good idea to let his father know too much. Could Luffy change the past just by being here? Could he change his own present if he messed up here?

Luffy knew that he was a “happy accident.” What if he told Baba who he was and Baba decided to be a bit more careful so that no happy accidents happened accidentally? That’d be horrible! Would Luffy just disappear?! Maybe this was the true danger of this situation!

“You’re not my captain! I’m the captain of my ship!” Luffy insisted, pride in his position winning out over the moment of panic.

“Then what’s our connection?” Crocodile asked and took a step closer to Luffy, a glint in his eyes that Luffy didn’t quite like. He didn’t have a sharp hook to hold under his nose but he had a sharp and menacing grin. “Spit it out, Strawhat.”

“I… I don’t know anything!” Luffy said through pursed lips, looking away. But other than grab him and shake him or worse (as Luffy had seen Baba do to people who annoyed him or lied to him) Baba just blinked at him. Then he threw his head back and laughed.

“I know someone who’s just as horrible as you are at lying!” he said. Luffy wrinkled his nose. Not everyone could lie professionally. “But why don’t you want to tell me?”

“Because I am from the future!” Luffy insisted. “What if I say something that changes something big?! I don’t want that! I like my life! Maybe if someone sent me into this past, this is their objective?! What if they’re trying to kill me by letting me make a mistake here in the past that leads to me not being born?!”

“That seems far too much effort,” Baba said, looking Luffy up and down. “You don’t look particularly strong, Strawhat,” he said his tone annoyingly patronizing. “A stray bullet could kill you.”

“What?! I am strong! And my bounty is higher than yours!” he protested. Luffy would never have said that to his Baba’s face but this young version of him was different. “And I’m not going to tell you what it is!” Baba rolled his eyes.

“At least tell me I didn’t choose something as stupid as Baba as my name,” he said, then he moved his hand and a wave of sand spread over the fire they had roasted their food on, dousing it at once.

“I’ve always done my best to fly under the marine’s radar and it’s hard to break the habit. I haven’t really gotten my name out there yet,” Baba continued. He pointed at Luffy. “But I will! The world will soon hear of the exploits of Crocodile!” Luffy stared at him, taking in his wide, confident grin.

Baba looked impossibly young.

“Yes,” Luffy agreed, not sure why there was a lump in his throat. Baba smiled at him, then he reached out to pat Luffy’s shoulder. “Let’s go.” Baba turned around and started packing up the rest of the cooked meat and mushrooms. He tossed Luffy a bag, then shouldered his own. When he walked away from the camp, Luffy trailed after him.

“Where are we going?” he asked. They stepped out of the outskirts of the forest and back onto the beach. There was a small ship docking on a pier that Luffy hadn’t noticed back when he had first woken up. It wasn’t much bigger than the one Luffy had initially set out on. Far too small for a crew of more than two. Not a vessel that looked suited for the Grandline.

“You’re looking for your crew, right? And a way to get back home, wherever and whenever that might be,” Baba said and then thrust his thumb behind him, towards the ship. “So what do you say, Strawhat Luffy? Want to join me?” Luffy looked at him in surprise. Baba wasn’t exactly the kind of person to make such generous offers to strangers, at least he wasn’t today.

“Fine. But I’m captain!” Luffy said and extended his arm to grab onto the ship’s mast. He pulled himself onto the ship, Baba staring after him. Luffy sat himself down at the helm of the ship. Baba cursed to himself, then undid the rope and gave his ship a powerful shove with his foot. He turned into sand and landed on the ship next to Luffy.

“No way! This is my ship!” Luffy looked up the mast, noticing the lack of a pirate flag.

“Baba-“

“Don’t call me that.”

“Crocodile, you don’t even have a pirate flag!” he said disapprovingly and for the first time Baba actually seemed embarrassed. “Does your ship have name at least?”

“Yeah, it’s the Mind Your Own Business Strawhat!” Crocodile went down into the cabin and then came back with an eternal pose. Luffy couldn’t read the name written on it. Crocodile walked to the steering wheel and then looked up at the sail. Luffy watched as sand spread from Crocodile’s body until the sails were lifted and caught the wind.

“Where are we going?” Luffy asked, inspecting the stemhead but it didn’t seem particularly comfortable to sit on. Crocodile’s ship didn’t even have a figurehead! Maybe he had a banana in his galley so Luffy could put it on the stemhead. The "Mind your Own Business Strawhat" needed least some decoration. Momentarily caught up in his musings, it took him a moment to turn back around to look up at Crocodile behind the wheel. It was strange seeing him there. He had only sailed with Crocodile on the same ship once, leaving Impel Down. He didn’t know why it seemed so strange to see him man a ship himself. He knew that his father was a pirate and yet it seemed odd to realize what that actually meant. That he hadn’t always been a warlord who tended to stay in one place or travel on marine vessels, that he hadn’t always had 2000 people under his command, that he hadn’t always been an emperor’s commander. But he looked comfortable behind the wheel, like he had never done anything else.

“Do you want to go all the way to Wano?” Luffy eventually asked and jumped up to where Crocodile was. “What about your own adventure? Don’t you want to follow the log poses and do your route around the Grandline?”

“I don’t mind making a detour,” he easily said as if it wasn’t difficult at all for him to give up his plans. “And absolutely not, I’m not going to sail into the blue like that just based on your last location in allegedly 27 years from now” Crocodile said with a scoff. “We need information.” He smiled down at the log pose. “And I might have an idea where we could get it.”

To be continued? If you find it too hard to read on here I can post it on AO3.

[cosmerelists]

Lift Hands Out Nicknames

As requested by @onlymollygibson :)

Lift calls Dalinar "Tightbutt," Nale "Darkness," and Wyndle "Voidbringer" -- she seems to assign nicknames based on her personal impression of a guy (gender neutral). So if Lift assigned nicknames to other characters, what might those nicknames be?

Lift: Attention, everyone! I have decided to assign ALL of you nicknames.

Dalinar: Uh, Lift? This is actually a very important strategy meeting about--

Lift: Hush, Tightbutt!

Navani: [covers her mouth quickly to hold in a laugh]

Lift (turning dramatically toward Navani): And as for you!

Lift: In my head, I WAS calling you Mrs. Tightbutt, but I heard plenty of people talkin' during the invasion.

Lift: You are now The Mad Scientist.

Navani: With the "The"?

Lift: With the "The."

Lift: That's how you know you've storming made it.

Lift: (points at Kaladin) You're Longlegs.

Lift: Because you are very tall.

Kaladin: ...

Shallan: I am literally always saying that!

Lift: Thank you for your contribution! You are Strawberry.

Shallan: Because of my...hair?

Lift: Yes.

Lift: And you also have a general "jam-loving" aura about you.

Shallan: ...That's a strange thing to be able to tell at a glance.

Lift: Is it though?

Adolin: Do me! Do me!

Lift: Can do, Horse Girl.

Adolin (nodding sagely): It feels right.

Lift: Venli ain't here, but for the record, I call her Freedom.

Lift: Not allowed to talk about why.

Lift: You! (Points at Szeth, who was barely visible in the corner)

Lift: You're Shadows and your sword is Munchies.

Nightblood: Yessssss I get a nickname!!

Szeth: I know you are wise, small one, but....why?

Lift: You're always following someone else around like their shadow. You like to be in the shadow. You're dark but not dark like Darkness is dark.

Lift: It's stormin' layered.

Szeth: I had no reservations about your designation for me.

Szeth: I was more questioning Munchies.

Lift: She likes to eat. What can I say?

Lift: [To Renarin] You're Four-Eyes.

Renarin: ...Because of my...glasses? That I...no longer wear?

Lift: What? No!

Lift: Because you can see the present, the past, the future, and the truth. That's four things!

Renarin: Oh...that's, uh, actually very deep.

Lift: I don't only look at butts.

Lift: By the way, Tightbutt--the fact that you still have the best butt in the room remains highly suspicious.

Dalinar: ...

Dalinar: Can we get back to our meeting now?

Lift (shrugs): I was never stopping you.

[marzipanandminutiae]

sometimes it feels hopeless, loving beautiful old houses

like flippers and greedy landlords will get to all of them in the end, tearing out walls and stripping away every lovely artistic detail until there's only sterile whiteness left. and I'll never have the power to own and save one myself, so what's the point?

(my apartment building- a house from 1895 that still has SOME details left -is for sale. and I'm terrified of who's going to buy it. even though they probably can't renovate until we leave, it's one of the only houses in this STREET of outwardly-still-gorgeous Victorians that isn't a recessed lighting IKEA nightmarescape inside. at least based on the Zillow listings I've seen for the others. Out of at least a dozen houses...one with any character and beauty left)

(and that might get destroyed in a year, too)

there's no good reason for any of it. there just isn't. not updating building systems- was the stained glass somehow in the way of the plumbing? the ornate carved mantlepieces? the wall sconces? not even affordable housing, because they always hike the rent like crazy after the desecration (and even if it WAS becoming affordable housing, don't lower-income people deserve beauty, too?)

but they do it anyway, because it's what celebrities on TikTok tell people they should want. and that's what these soulless cash-grabbers listen to. not the actual people who would actually be renting the building

I just. I want one to save. I want more to survive, but please universe...give me the power to save one house, at least. to live in. give me one that I won't break my heart falling in love with.

[yazthebookish]

Maybe I'll spoil you guys and talk about Gwynriel and ACOTAR5 and anything related to it overall. I recently finished my HOFAS reread and have some fresh thoughts. I'll let my thoughts guide me and some of these points I've already addressed in my insta stories yesterday. I just rather share a lengthy post here since I'll only tag under #gwynriel.

I often see arguments about how Gwyn and Azriel can't move the plot forward because the series is centered on the Archeron sisters.

First, that's not true because Sarah is following what she called "a traditional romance route". She's following the same patterns of Nalini Singh, Kresley Cole, and Lisa Kleypas where they publish multiple books in the same series following different couples.

This is fitting for a series like ACOTAR because it's romance-centered. And Sarah have already said that each couple is getting one book and there will likely be more books beyond ACOTAR6.

Saying that doesn't dismiss the importance of the sisters to the story, Feyre already has a trilogy centered on her. The spin-off just follows different characters including the sisters.

I won't try hard to convince people on this because I've already posted almost everything Sarah said about the spin-off series and what's it's about. So if the next book is not centered on an Archeron sister, that's for Sarah to bamboozle the fandom with.

One thing that stuck out to me is when I compared the ending of ACOSF with the scene of Bryce giving Nesta Gwydion and seeming like she left Nesta with a new quest.

First, this is what the text says, and this is Chapter 80, the very last chapter in ACOSF:

Succeeding in the Blood Rite didn't mean the training stopped. No, after she and her friends told Cassian and Azriel most of the details of their ordeal, the two commanders had compiled a long list of mistakes that the three of them had made that needed to be corrected, and the others wanted to learn from them, too. So they would keep training, until they were all well and truly Valkyries. Gwyn, despite the Rite, had returned to living in the library.

1. The Valkyries are not yet a unit.

2. SJM only and specifically highlighted that Gwyn, despite the Rite, returned to living in the library. It was like "hey, remember all the talk Gwyn did about wanting to leave the library after two years? Yeah that's on hold a bit but keep that in mind". She didnt even add Emerie or the other priestesses to that sentence.

With Nesta being left with Gwydion to find out why the 8-pointed star was tattooed on her, I don't think the next book will start with "hey Elain take this sword and deal with it". Who are Nesta's main companions now? Gwyn and Emerie.

I'll be back to the Valkyries but let's just talk about Azriel for a bit.

It is so painfully obvious to me that Azriel is being handed the Illyrian plot on a golden platter. How big or small of a plot it is depends on SJM, but it's important based on the fact that she fleshed out the Illyrian's origins and tied them to the crossover AND making Truth-teller the knife of Enalius.

That is a big deal for an Illyrian like Azriel.

And I quote my friend Lacie on this, it is very poetic for Azriel to be the owner of the knife that originally belonged to the person who freed his own people from the Daglan's clutches, perhaps because he saw his people are more than just slaves to the Daglan—how powerful would it be for Azriel, who loathes his own people, to parallel Enalius.

And for years some people were against Azriel dealing with this plot because he shouldn't make peace with his "abusers", its true his own family and some Illyrians failed him but he is condemning an entire population. Good people like Emerie and Balthazar. Even Rhys's mother, who had valid reasons to hate her people especially as a female, still made sure to make Rhysand connect with his Illyrian heritage and he even goes on to say that his mother didn't forget what they did to her but still loved her people.

If both Cassian and Rhysand (and by extension the author) continue to flag Azriel's hatred of the Illyrians as an issue—then it is a damn big issue for it to be addressed repeatedly.

Okay so to address my final point about Gwyn and Azriel and how they can move the plot forward.

Now I didn't detail out much about what the next book will deal with because that's another post (and I already have a post on that).

All of our theories and predictions are based on information that is available to us. Saying Azriel and Gwyn cannot move the plot forward does not make any sense because the central plot is tied to multiple characters, Archeron or not.

If SJM wants to make a character move the next book's plot forward, she can do it because she's in control of the story. She's in control of the narrative. She's in control of the characters.

The characters are puppets and this is an unfinished story. If some characters would add more value and make for a more interesting story before the others, she can decide on that. If she wants to make Eris the protagonist of the next book, she can easily do that whether the fandom wants it or not.

Let me give you an example of minor characters that pushed the plot forward and became main characters: Yrene Towers and the Hind. These kind of arguments could've been used for them in HOEAB or HOSAB and Pre-TOD. Before HOSAB/HOFAS and TOD, could we have predicted that they would have played a crucial role before those books? Not likely because they had minimal appearances and were not part of the main cast. This is what I'm talking about.

You can't know how a character will contribute to a story until you see how it all unfolds. We can make guesses on the information we have which is why I believe three characters are likely to join the main cast: Gwyn, Emerie, and Eris.

Why is it so easy to accept that Emerie might be sharing a book with an original character like Mor but it's hard to comprehend the fact that Gwyn could also share a book with Azriel? Because Emerie showed up in ACOFAS? To me that's not really a strong argument based on Sarah's writing and what we have in the books, she doesn't really pick based on who showed up the earliest. Here's a good example: Hypaxia, who showed up earlier, didn't even get her own chapters but the Hind did.

And there's one argument I recall about how I need to rely on Nesta to have a plot focused on Gwyn or the Valkyries in the next book. Nesta's arc is clearly not over based on HOFAS, but does that mean she's getting a POV? Not necessarily. I don't think she is. Gwyn is the perfect candidate for us to see what's going on with Nesta post-HOFAS and how they all deal with the Valkyries and whatever Sarah will set up with them.

There is this whole Valkyrie/Illyrian conflict that could be triggered as a result of the Blood Rite, with Ramiel definitely being an important location to explore in the next book, we also have the Pegasi and the Prison and the implications of the crossover. It makes sense to have an Illyrian and a Valkyrie POV to deal with some plots in the next book.

"Gwyn contributes to nothing" we can't know until the book is out. How sure are we that maybe SJM won't connect her to the crossover by making her mysterious father a Worldwalker? Or Prince of Hel? Or an Asteri? Maybe I'm right maybe I'm wrong.

"But Koschei! And the Human Queens!" Koschei will always be a background player pulling on the strings until the final book as it's obvious he is the big bad in the series, unless someone even worse is revealed. But no one is dismissing Koschei or the Human Queens messing around.

Literally what's the point of the story or the fun elements of surprises or plot twists if you need Sarah to list down everything that the next books will deal with. That's not how a story develops to me. I don't need to know everything in advance to just know how it will go. That's like knowing spoilers early on and checking off with each book what happened and what didn't happen. I feel like it's close to how a lot of readers were disappointed with not having enough ACOTAR in HOFAS, because Sarah implied half of the book would be set in Prythian. So by the time the book came out and it wasn't that, people were vocal about it.

In my opinion, SJM set a good foundation for Gwyn's arc to build up on in ACOSF and her arc is not over. We won't get mentions of her still carrying the guilt of her sister's death or not leaving the library after she said she's sick of being there for two years without us seeing resolution for that. She wouldn't be in Azriel's bonus chapter if she is not involved with him.

To conclude, my reread still affirms to me that the next book with an Azriel/Gwyn book. Azriel is clearly being set in the forefront.

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[tangents-within-tangents]

Me: *complaining about how it's hard for me to relate to typical girl characters bc media makes it seem like all girls are boy crazy and the universal teenager experience revolves around romance and crushes and that just wasn’t true for me*

My mom: Well that’s because you’re not normal. You know, for everyone else that is what it's like

Me: *looks at the camera*

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[tragicvampireromanceisland]

we've met our super heroes, but what about our super villains? time to meet two leaders from the evil syndicate, our heroes' greatest foe...

adélie valois, current heiress to the multimillion dollar tech and research corporation firehawk industries, appears in the public eye quite often. she's got big shoes to fill for a company so renowned...but she really doesn't seem fazed by it. either that, or she doesn't care. but what most don't know is that she's also got big shoes to fill as a supervillain. adélie is a sixth-generation psychic of a long line of supervillains, as well as the fifth to hold the family villain mantle, espritvoyant. it's...pretty clear she's only got a leadership position on the syndicate due to nepotism, given her rather nonexistent work ethic, but her powers are still a huge asset on stealth missions. although she usually just uses them to terrorize the heroes for the most part. her inherited powers have also just left her kind of numb to the thoughts and feelings of others. she readily expects how most people think and how they're going to act and gets bored easily because of it. her coworkers get pretty frustrated with her attitude, but it's not like it's her fault she's surrounded by such predictable individuals. revenge this, injustice that. she swears she's had her family motto engraved in the back of her eyelids at this point. (deep down, though, she resents her powers. she wishes for a little spontaneity in her life. she wishes she could get excited over stuff the way other people can. she wishes she wasn't like this). however, the sudden appearance of solarflare and kuiper have caught her eye as of late...especially the latter, who's surprisingly immune to her mind reading. maybe something worthwhile can come out of all of this...

and whenever she isn't just going at it solo, her partner is usually fellow syndicate leader blindside. he's often teamed with her on missions involving stealth, given his power of invisibility as well as his martial arts prowess provide the perfect balance of defense and offense. while esprit's purpose (or apathy) mostly revolves around just following her family's footsteps, blindside's motives are...a bit more murky. both the heroes and the syndicate are a bit confused about it. how did someone with such an otherwise gentle demeanor end up turning to evil? despite appearances, he doesn't seem to pull punches when it comes to heroes. why does he hate them so much? no one can seem to figure it out, given he just...doesn't talk. and while esprit is the only one he ever seems to hold conversation with given the inevitable nature of her mind reading, she hasn't pushed him on it (for which he is grateful). in the public eye, he goes by ichigo kato, an unassuming librarian with a pretty uneventful day job. well, except for that one nosy journalist who keeps coming in and giving him a near heart attack each time with the titles she keeps checking out...oh, and the fact that that one new hero, solarflare, kind of sort of knows his civilian identity now. there's that, too. he's not sure why she hasn't exposed him yet...but not like he's gonna say anything about it.

up next...we're not done with the syndicate just yet! what else does this organization have in store for our heroes...? stay tuned!

(need more context for this au? check out the other character sheets!

joy, sadness & anxiety // disgust & fear )

[hotvintagepoll]

Welcome to the HOT AND VINTAGE MOVIE STARS poll blog!

The Scrungly Little Guys (gender neutral) Contest will start THIS THURSDAY, September 26th. All contestants have now been processed and are ready to scrungle it up for your enjoyment. Reminder that this contest enshrines the weird, the off-putting, the comic, the character actor, and the strange cinema legend. If you need a reminder of what scrungle means, this picture is the golden standard.

All polls—including ongoing polls, previous rounds, old tournaments, the various shadow brackets, the Dracula Daily polls, and fun mini polls—can be found in the #hotvintagepoll tag. I am working on a more complete tagging system so people just here for the polls can navigate the blog more easily, but that's still in the works.

FAQs:

“Define scrungly?” For the purposes of this tournament, a contestant must noticeably present in some way as at least one of these: odd, bizarre, off-putting, disheveled, creeping, feral, small, filthy, silly, funny, kooky, comical, exhausted, or just plain strange. This contest presents a wide array of scrungly appeal, so not every contestant will hit every single one of these (but should, ideally, be a few of them). Scrungles were chosen based on how convincing their submitted propaganda was. This contest is all about oddball character actors, creeping henchmen, comic relief sidekicks—the side characters who never get the credit they deserve in proper rundowns of famous old movie actors.

"How do I decide who to vote for?" Vote on whoever seems scrungliest to you. Do not vote for someone based on hotness alone. The video propaganda, included under the cut, is highly encouraged for showcasing scrungles.

"Is this just like the hotness tournaments?" No. This contest is sillier.

"Hey! Some of these guys sucked and they shouldn't be here!" Yes, some of these guys sucked. I agree with you. For reasons I've gone into before, I don't exclude anyone from the contest for moral reasons, even if I personally think they were garbage. I do this because I cannot responsibly research and vet every competitor's background and legacy, and I'm not comfortable being the moral barometer for everyone, even in cases where I think it's really obvious. You are welcome to vote against people for moral reasons, but as mod I don’t post or boost negative propaganda about anyone.

If I see repetitive, trolling, or bigoted remarks in the comments, I will block you from this bracket. If you want to point out a competitor’s problematic aspects in the replies, that’s fine, but if I see bad-faith trolling, you will be blocked. I will also block if you start harassing other people voting on the polls. If you really hate that someone is winning, please post positive propaganda for their opponent instead.

I welcome additional propaganda for the scrungly little guys in reblogs or asks. I boost the best propaganda I see and try to boost equally for everyone. I don't accept propaganda that’s post-1970 or from non-film appearances. When sending your propaganda, please don't send me too many pics or videos at once (I max out at about four per ask.)

The views expressed in the propaganda are not my own. I don’t alter submissions beyond fixing obvious spelling mistakes. I do choose the poll pics, purposely trying to pick the silliest ones possible for this contest; if you think I could do even sillier, send me one I can use instead. If you think a contestant needs more propaganda, send me an ask with some and let me know if you'd like it added to the poll post if they make it to the next round.

“Who won the major hottie tournaments?” Eartha Kitt and Toshiro Mifune are the reigning hotness champions. They are both living it up by the pool in the sunshine, as far from the shadow realm as possible.

“The....the shadow realm?” All hotties who fail to continue in a hotness tournament are sent to the shadow realm, far below the crust of the earth where the sun never shines, a dark and dismal and gloomy place. (Boris Karloff keeps making everyone try his brandy-based guacamole.)

“Was [this famous person] submitted to any of the tournaments?” Try a tag search for them (ie, [#famous person name] in my search bar). If you still haven’t found your hottie, they either did not fit the criteria of working in movies from 1910-1970, weren't convincingly scrungly in their submission, or were not submitted at all.

“My FAQ isn’t on here :(” send me an ask! I love hearing from you guys—just please check these basics first.

Thank you for being here! Enjoy the polls.

Tournament schedule post-hiatus:

Ongoing: Dracula Daily casting polls

Starting September 26th: Scrungly Little Guys contest (gender neutral)

After that: Ultimate Hottie Tournament (top brackets of the hot men & hot women competing together)

TBD: Hottest On-Screen Couples (Astaire and Rogers, Bogie and Bacall, etc)

TBD: Horror Hotties (Frankensteins, Draculas, Brides, etc.)

TBD: Dandy Detectives (Marples, Sherlocks, Nancy Drews, etc.)

fun mini polls that pit sets of characters from the same movie together, like the Philadelphia Story or Seven Brides for Seven Brothers ones (these can be found in the #minis tag)

[joejhang]

one thing about me is that i will NEVER shit on nora's writing. like everyone bitching and moaning abt aftg having bad writing shut the fuck upppp take ur hater agenda elsewhere bc all i had to do was read everything post ch 11 of trk and that's what really cemented it for me. aftg's writing style may be unconventional (and i do fully believe this is bc of neil's narration NOT nora's writing go read the ec and tsc) but everything post ch 11 of trk is written SO well like the emotions are all so raw and real and it's such a good portrayal of grief and guilt and anger all from the pov of a slightly emotionally unavailable traumatised kid (neil IS still a kid he's fucking eighteen years old) who doesn't know how to process what he's just seen and been involved in. like the conversation between andrew and neil in ch 12 hurt me on so many levels. the "i told you once before didn't i? i don't feel anything." "anymore" was my last straw. anyway STOP dragging nora's writing just because it isn't "conventional" just read tsc she writes emotions and different characters with so much depth and if u don't like neil's narration just read jean's it is NOT the writing style. i DIGRESS.

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.