Consider for a moment: A slow-burn identity reveal “no one knows” AU with an emphasis on ghosts being taken seriously as an actual, world-changing threat.
Ghosts are treated as an exceedingly dangerous, but unavoidable force of nature. They can come and go without warning, through naturally occurring spontaneous portals. They're territorial, driven only by obsession and hunger for the living. Particularly powerful ghosts are on par with natural disasters.
Life goes on because there's simply no other option. All major buildings have varying levels of ghost shields, some stronger than others. Just about everyone has some form of personal shield, weapon, or general deterrent. For the most part, humanity takes this apocalypse in stride, barely keeping it all together because there's just enough safety to keep them all sane.
Which is why the rumors of Phantom being able to fully mimic a human body incites panic in Amity.
Phantom was already a nightmare as it was–one of the most powerful and intelligent ghosts on record. His territorial fights with other ghosts for haunting (hunting) grounds in Amity have made global news several times already. Powerful ghosts could appear more human–but to think he was transforming down to a cellular level? Hiding among them? Bypassing ghost shields and alarms? Picking them off one by one?
The focus is mostly with Lancer's class, and how the school deals with this new threat on top of everything else. Everyone is a suspect, no one is safe, and Danny Fenton in particular gets slowly more and more exhausted, apathetic, and… unnerving.
The stress, the lack of sleep, the fighting, no one to turn to, not even his best friends or family–it takes a toll on him. Starving himself doesn't help, but he refuses to do more than take small bites from the ambient life energy and emotion of the living around him. Nothing that won't actually do lasting harm. He begins to slip up more and more, which Sam and Tucker begin to notice but haven't quite connected the dots yet.
But, well. What else can Danny do when Pariah Dark comes knocking on Amity’s doorstep, and his whole class is in the line of fire?
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Many thanks to @rewuyuu for the commission!
hello everyone do you have a moment to learn about Sampo and Jing Yuan friendship propaganda because IN THIS ESSAY I WILL--
(based on that one Jason Momoa meme, because this is so their energy)
Edit: said essay--
(obligatory these are just personal headcanons of a friend and mine other interpretations are valid)
-They both go :3 they are both some of the few characters that make that face and it is adorable.
-They both conceal their true deeper feelings behind teehee funny man/lax eepy personas [this is assuming the Funny Bone video is canon to Sampo. It was made for Hoyofair but Hoyoverse showcased it in the Live concert event so I consider that canon until Hoyoverse says otherwise]
-On the topic of that both had a tight-knit group of friends they hung out with when they were younger and were ride or die with. Unfortunately, this turned out to be die as all of their friends died (some of the HCQ are still alive but are either reincarnated or so changed/driven mad from Mara the version Jing Yuan knew had died) while Sampo and Jing Yuan were the only one out of their pals to survive.
-But both had to move on and continue to anyway, whether they wanted to or not
-Due to these things in common they would understand and relate to each other in a deep, meaningful way that few others in their lives could. There would be a certain level of liberty to their friendship because of it. They'd be able to release pent-up emotions and trauma as well as sympathize and empathize with each other. They'd be able to support each other and trust each other with the burdens of their pasts because of it. While not easy for these topics to come up initially, once they did they would find a safe space in each other for these topics. And from this would form a strong bond of trust.
-Not to mention Sampo would be a great way for master strategist ™️ Jing Yuan to keep tabs on what is happening throughout the galaxy in other places or gain valuable information for the Xianzhou Alliance. AND as Jing Yuan has expressed a lot his daily life is quite boring and loves to hear tales from the Astral Express's adventures he'd also love to hear all the wild antics Sampo gets up to because you KNOW Sampo has some wild tales to tell
-In happier news Sampo is very outwardly mischievous while Jing Yuan is also hella sneaky but in a different way usually. But when put together they bring out the utter gremlin in each other and are constantly messing with each other or having a prank war but it's all in good fun. It makes them both genuinely laugh a lot, breathing new life into their days.
-Also Mimi is either really affectionate with Sampo or bullying him (safely and gently) but it freaks Sampo out because she so beeeg. Jing Yuan finds it hilarious.
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going INSANE. what is he thinking. why did he say this. why does he do all of this. i am thinking so hard.
we know he's seeking arceus to recreate the world bc in his eyes the world is cruel and unjust and it needs to be destroyed and remade. he's set himself on a mission to create the better reality he's envisioned for his whole life.
but everything else he does. the way he spends his time on pasio making people smile with togepi. even if he justifies it as something purely transactional to get more customers, we know he doesn't really take his merchant job seriously. the way he loves his pokemon so much that they will pop out of their pokeball to excitedly tell whoever will listen how much they love volo back. him trying to capture these moments of happiness tangibly because they never last long and can be wiped away any second.
he still hangs onto hope so much despite what's implied to have happened to him. in spite of all the anger and bitterness that's festered in him, he doesn't really want to destroy everything as he says.
it all started with a wish for the world to be a better place, for the good in the world to outweigh all the cruelty. he's still trying to spread what happiness he can.
but at the same time his past drags behind him and reminds him that he can't afford to trust in the goodness of the world.
that self-assigned mission to usurp arceus's power and rewrite everything.. to him, it's his duty now. he has to do it for himself and, as he rationalizes to himself, for the world.
so he ignores the flaws and holes he finds in his own reasoning. he can't help but seek out the brightness and happiness and goodness that does exist in the world, yet he has to dismiss it to justify his goals.
... all this to try and explain to myself why volo's asking all these questions and making all these comments that seem to go against what we'd expect given his ulterior motive and plans. and it's like he's asking the few friends he has to remember him as the one who seeks joy, even when he does the worst to fulfill his dreams
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I do think it's really interesting that Harry can say the same things to Kim that he said to Jean before Jean left him in Martinaise, but I think it speaks more to Harry and his current state than it says about their dynamic. Sure, it's contentious, we know this. Jean is clearly upset and bitter about it, but it really has nothing to do with him, does it?
Harry can run the same script on Kim because these are his weapon words. This is the self isolation script. These are the words that demonstratively WORK to drive people away from him. So he can finish killing himself. Even if he doesn't remember that's what he's doing.
Because it's about spinning the same tape again and again. Cycles he can't break. Dream the same dream over and over. Obliterate yourself, wake up, remember, obliterate yourself again. Drive your partner away. Now drive your new partner away. Decide to kill yourself. Change your mind, embrace the world. Be beaten down and decide to kill yourself again. Wake up. Remember.
After life--death. After death--life again.
He is the infernal engine, cycling eternally.
Unless, somehow, this time, he can escape. And this starts here, maybe. Kim will not fuck off. Kim would be glad to cramp his style. He actively enjoys style cramping, even.
(It starts in other places, too, of course.)
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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