#things i want to draw after im free of this:

[paeliae-occasionally]

hi pae pae!!!

what is your process of designing your maps? and how do you approach lore? how does that brilliant mind of your work to create such fascinating history and complex worldbuilding?

je would like to know the trade secrets pretty pls

p.s. how far along are you on xaeren? if it’s not far enough, im afraid i’m going to have to start protesting soon… 😔

p.p.s. before you say school is taking up your time—understandable. have a great day. keep being brilliant. i just really want more xaeren content.

p.p.p.s. in my head, i imagine xaeren as so mighty fine that there’s an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him

that’s it’s. that’s all the pspspsppsss i have. miss you! have a great day! cheerios!

Hello Naveena! Lots of questions! We will go through them one at a time.

What is your process of designing your maps?

So with maps I will start by just noting down the history and current function of the city which gives me an idea of style and layout e.g. all of the cities that were part of the Laith’Edrels have lots of circular designs whereas a modern altic city may have more typical alleyways and rectangular buildings Next I plot in the districts of the city, like where the upper class live, where the high streets are etc. I also add any key buildings at this time, like a plot relevant church or a mages tower. Lastly I go back in and draw boxes and house shapes for 2 hours.

How do you approach lore?

A lot of my lore is just a set of stories where I look at a place on the map, or a group of people and go ‘what could have happened here?’ The bigger worldbuilding points like the dissolution came from me wanting to have magical decay from fewer more powerful beings to more less powerful beings, so I needed gods. However it always frustrates me when there are canonically gods in a world who just sit back and ignore the world crashing and burning as one frustrated hero has to fix the problem, so I made a reason for them to be gone

History and worldbuilding

Honestly a lot of my history writing was based off of the large amounts of real life history I read in my free time. Studying how cities and empires develop then putting my own spin on them because magic would change some things. Worldbuilding comes from my maps really. I will label different cultures on the map then come up with myths and legends for that culture, magic specific to them or their ancestors, wars and internal conflict. Then that spirals into pages of notes on the socioeconomic background for Onkairel. It is lots of fun.

“would like to know the trade secrets” she says after writing a whole book with detailed political lore and plenty of depth to the world.

You know the secrets. You also know the secrets to actually writing the book too.

So about Xaeren…

I will be writing the scene where he meets Kell soon so I will tag you in it when I do, but you are right about the school work :( so it may take a little while.

“an occult in some middle school of a suburban neighborhood with an old classroom turned into a shrine for his feral fangirls to host club meetings simping over him”

So you say that jokingly… No, to be fair he isn’t known for his an appearance but he is quite well known in Zairel as an assassin and member of house Hiresias. He is terrifying and intriguing to many because of his unique magic that Lysandri can’t explain so I would not be surprised if there was discussion of him in the lower ranks of Lysandri and Hiresias.

I will write some Xaeren soon. Have a lovely day <3

[naomistares]

sorry guys no cool new art recently im being hold hostage by finals and a 14 page mini comic abt ocs (person who can't leave wips unfinished to draw other things)

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[crescentfool]

grocery boy (a splatoon oc animatic)

audio source

[lusalemaart]

[theloopus]

it’s so beautiful how much femslash opportunity there is in buffy the vampire slayer. you have your classic friends to lovers in buffy/willow. your classic rivals to lovers in buffy/cordelia. popular girl x computer geek with willow/cordelia. you even have slayer x slayer with buffy/kendra. and this girl faith is about to be joining the mix in the next episode of my watchthrough. what a dream…..

I KNOW!!!! IVE BEEN SAYING AND PREACHING THIS. i can't believe the show has a reputation for straight ship wars when the femslash soil is this fertile. their relationships and dynamics are sooo fun and interesting and there's so much you can do with them and so many places you can take it. so many possibilities! i've only had faith for a couple of episodes and she's already engaging in some crazy dynamics with everyone but especially buffy. AND i've heard that it gets even More juicy later on (cannot wait). i love her already. and there are even MORE girls coming?! it's a feast

[sappho-rose]

~BC Sol Reunion~

[oars]

im hating everything rn

[rainyjackalope]

So I have a lot of sketches that never ever see the light of day online, as I keep a folder that I call my digital sketchbook and any time I want to doodle, I open a canvas, do whatever until I run out of steam, then toss it in there. It's pretty much entirely loose sketches, some character concepts, and lots of fursona art.

I've been thinking for a long time that I may start posting them to my kofi page and make them viewable by a membership tier, but I'm not sure what monthly payment would be fair to see some bonus art that's mostly sketches and may never get posted anywhere else (but isn't promised to be forever exclusive because I don't like to limit myself from sharing what I want. And I do post a little of it to my discord here and there. I just don't want to bombard my blog with all of them and generally don't feel like posting them all over online so I probably never will.)

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[poppy-metal]

ok OK i need to get back into the mindset to finish this p2 of dilf!Art so i need to talk to you about dilf!Art who uses you for free use but in the sense of coming up behind you with a “m’sorry just need it” before mounting you like a fucking dog and humping the shit out of you

he needs it so bad :((( especially when you're doing household tasks.... acting like a little housewife.... doing the dishes - making food - things you dont even have to do, because he's rich, he has staff, but you like to take care of him sometimes, of his home. makes you feel good. accomplished.

and art - well. hes a simple man. he's always hyped up after time on the court. its just training, exercise. but tennis always gets his blood pumping - especially now that he actually enjoys it again. a day of slamming balls across the court, working his style, perfecting it, he's drenched in sweat. his bones aching. he just wants to take a fucking nap. have dinner with you and his daughter.

when he comes into the kitchen and sees you, half bent at the waist as you rinse a pot, he just. stops and stares. he registers the oven on, and something baking inside it. his tennis bag drops.

you look over your shoulder. smile at the sight of him. flushed and tall next to the kitchen island. "hi," you tell him sweetly. "you're back!"

"im back." he echoes. swallows. puts his hand on the counter next to him with his fingers splayed out. looks behind him into the living room. "where's lily?"

you follow his gaze - "she's upstairs reading. she's halfway through percy jackson. she'll probably talk your ear off about it at dinner."

he blinks and turns back to give you his full attention. his lips are parted. he licks them. "you're cooking." he states. takes one step forward.

tilting your head, you study him. his chest is moving up and down more quickly than normal. his cheeks are pink, which could be from his activity from outside, but his eyes are dark. oh. hes turned on. by you cooking?

"i am." you tell him. "nothing fancy. im not as good as the chef you hired." you shrug. "but i thought something simple might be nice, i dunno."

"it is nice." he's covered most of the space between you now. "you're nice."

you turn back to the sink, biting your bottom lip to hide your giddy smile. being praised by art sends warmth right to your lower belly. its like sinking into a warm bath. you feel the heat of arts body behind you - "i just wanted to make you happy." you tell him softly.

arts arms come up on each side of you, caging you in. you feel his chest brush against your back and you breathe in. his forearm brushes against you as he reaches out and shuts off the running water to the sink. "im very happy." you feel his nose against the back of your neck next, trailing up, up, up, his hips meet your ass next. hes a wall of solid muscle behind you. "you smell so good. how do you always smell so good - "

you tilt your neck, letting him have access to you which he takes full advantage of. nuzzling into your throat. lips at the shell of your ear, tugging it between his teeth. "Its -" you try, fumble and try again. hard to talk in full sentences when art donaldsons hard cock is pressing against the crease of your ass. "its um. warm vanilla."

"mm." he hums. your hips are pinned between the sink and his pelvis. the short sundress you're wearing is already drawing up your thighs as he pushes forward with his body, making you bend. "i wanna tell you how much this means to me, and how much i appreciate you - but I'm distracted by how much i really, really want to fuck you."

you wiggle your butt against him. feel warm wet flood between your legs. "you know," you pant, "you know you can have anything you want - anytime - b-but the food -"

arts hands are already at your thighs, shoving your dress up and up, up around your hips, puddling it around your waist - "I'll be quick." he promises, and you hear the clink of his belt as he yanks it through the loops - the sound of his shorts hitting the ground next. "need to feel you -" you feel him, warm and hard at your inner thigh, "fuck, you're not wearing any panties. you wanted this -"

you cant even deny it. arching back into him as he finds the seam of your pussy, "i always want you." you whine, toes curling when you feel him split you open - parting you and pushing inside slick and easy. "ohhhhh-"

"you're so good." art sounds agonized. his fingers dig into your hips as he starts to thrust - smacking his hips into your ass - quick, hard pounds of his cock. he really fucking - "needed this." he groans. "needed your - fucking tight little pussy. always fucking need it-"

the pain of the counter digging into your hips just adds to the pleasure somehow. feeling completely pinned on arts cock, forced to take what you're given as he takes what he needs from your body. your warm tight body.

"its yours." you moan, soft and worshipful. "whenever you want it - its yours -"

arts teeth are sharp as they dig into the back of your neck. you think briefly of a rabbit caught in the jaws of a predator - your heart beating rapidly as you're held in place - art groans into your flesh like hes wounded. wet slaps filling the kitchen as he fucks you harder.

you tighten around him. know soon he'll be filling you up, pumping you full. you hope dinner will be salvageable. you dont think you give a fuck, though.

[iluvloganhowlett]

Feel free to reject this request since it’s kinda heavy, but maybe Hugh kissing the reader’s sh scars but it’s like friends to lovers? Preferably f reader but gen is fine too

YOU’RE BEAUTIFUL ❀˖°

in which logan draws stars around your scars

warnings: HEAVY MENTIONS OF SH⚠️⚠️ DO NOT READ IF THIS IS A TOPIC YOU CANNOT HANDLE, angst, blood

i actually love this request as someone who struggles w sh themselves so pls don’t be afraid to ask smt like this!

i also switched it to logan instead of hugh bc i feel like he just fits the part better and this isn’t friends to lovers it’s just lovers😭 sorry

“you drew stars around my scars. but now im bleeding.”

you couldn’t help it, the burning sensation of the blood dripping down over your old scars was a feeling you couldn’t resist.

for 2 years now you’ve told yourself that you’d stop, thay you’d get better. especially since logan came around and made you want to get better. but you couldn’t, no matter how hard you tried.

more sooner than later did the tears of guilt and regret begin pooling your eyes, the hot liquid dripping down your face as you held the cold towel to your wrist harder.

you knew logan would be up here any minute; his class was coming to an end soon. the last thing you needed was him walking in on you cutting yourself after you told him you’d stop.

you took a deep breath, drying your wrist and slapping a few bandaids on it before looking at yourself in the mirror; you were a mess. your face was flushed, covered in streaks of dried tears as the new ones kept coming. your hair was a ruffled mess, you were drowning in your hoodie and fuck did your wrist burn.

“y/n/n?” you heard from afar, shit. surely logan was in your bedroom, waiting for you to come out of the bathroom.

you sighed, praying that your voice would be strong. “i’m in here, just a minute!” you called out, cursing yourself for your voice cracking at the last second.

immediately logan’s concern grew higher, slowly approaching the door and leaning his head against it. your nervous sobs were hard to miss, especially from right against the door.

“y/n,” logan called firmly, “open the door f’me please.”

your eyes widened, noticing how logan’s voice grew louder. it didn’t take you long to pick up on how close logan was to you.

“i can’t,” your voice cracked, you looked down at your hands that shook rapidly, afraid of what was to come.

logan’s brows furrowed, he’d had enough. you heard one of his claws retract as he picked the lock.

quickly, you took out your box, shoving your blade into it and throwing it god knows where into the drawer just before logan barged in.

“are you okay in here?” he asked, glancing down at your exposed wrist, covered in bandaids.

you followed his eyes, yours widening when you noticed you forgot to roll down your sleeve.

logan felt like he could physically feel the pit growing in his stomach, realizing what you had done. logan had never understood why you chose to hurt yourself like this. but he did understand what it was like to endure so much pressure and emotion that you don’t know how to contain it. and so he never screamed, or yelled, or frankly even asked ‘why?,’ because not everyone has a ‘why.’

your tears were flowing once more as you moved closer to logan, “i’m sorry,” you sobbed, burying yourself in his arms.

he immediately welcomed you, wrapping his strong

arms around your shoulders, rocking you back and forth in hopes to calm you down.

he looks down at you, his own eyes glossed over slightly, he hates seeing you like this, especially when he knows he can’t do anything about it.

soon logan loosens his grip, reaching gently for your left wrist and bringing it up to his lips, planting a soft and gentle kiss on one of your old scars.

“my baby,” he mutters, kissing another one while ensuring he leaves your fresh one alone, “my sweet baby.”

you can do nothing but sob harder. you’d expected numerous reactions out of logan but this definitely wasn’t one of them.

“i love you,” kiss. “i’ll always love you, doll.” kiss. “y’know that? i’ll never stop loving you.” kiss.

your eyes dart down as you feel a drop of water on your wrist as logan continues kissing up and down your arm.

he was crying.

his confidence wavers, “you’re beautiful,” kiss. “so, so beautiful,” his voice begins to crack as he leans a head down on your shoulder.

logan takes a deep breath before dropping your wrists and instead taking your face in his hands, forcing you to look him in the eyes. “you’re always gonna be beautiful t’me, alright? the most beautiful girl i’ve ever seen.”

it was the first time you’d ever seen logan cry this hard, the hot tears pouring down his face at an unbelievable pace. you’d be a monster to say this didn’t make you tear up in the slightest.

you place your hands on his wrists, his hands still holding onto your face. slowly he leans in, closing the space between you two. kissing you in such a gentle, loving way that it makes your legs feel weak.

“i love you, logan.”

“you’re beautiful, peach.”

this is so sad☹️

taglist!!

@velvrei @spazwayy @oatmilkriver @sseleniaa @mei-simp @wittyjasontodd @wolverinesangel @realsimpbitchshit @pickuptruck01 @keigohawks @thereallchristine @zeeader @pink-jello-fish @twinky-wink @malfoys-demigod @seamlessepiphany @withafoll @lulawantmula @gigachadcowboy

[heraxic]

Hello :o

I just wanted to say thank you (and also thank crumb) for getting me back into thinking about Karl Heisenberg 24/7.

I really love your artstyle, from the amazing expressions (especially the peeved/angry ones) to the scribbly lineart. As someone that’s trying to learn to draw more digitally, I really like to observe your stuff o.o

Your Moldy Family comics are funny, cozy, sweet and comforting all at the same time, and they made me discover and appreciate Eveline (oh man I love how much of a goth tween she is), and the way you draw Heisenberg (his physicality if that makes sense, his clothes, his hair, his everything) is just *chef’s kiss*.

As a former Greek Mythology child, that AU is so so nice owagh. I love all the monster adaptations/designs, it’s all so clever: I love that Kyril is scaley, hairy AND has wings (which I feel aren’t depicted often nowadays with gorgons), Alina is so majestic, with the black tipped limbs and the blood soaked dress, and the daughters being harpies/sirens(?) is also so perfect.

Idk if you’ve already said it, but what is it about Karl’s character that made him interesting to you?

I hope it makes sense (I’m a bit tired) and thank you again for the excellent food :]

Thank you so much!!!<<<3333

he lives in my head rent free…. his crusty-ass hair and barrel-shaped bod gets me every time

im glad you like my scribbly lineart! I tend to get concerned whether it really looks like anything haha

I miss drawing the mold family but i think my forte has always been fantasy, especially cause i love mythology more than anything. That’s not to say i wont go back to the modern mold family though

For greek au karl i wanted him to look like someone had haphazardly stuck animal parts to him so it’d look deliberately unnatural for him to have a relatively normal human body under all that-

I’m not sure i can fully describe why Karl is so interesting. Surface level, being voiced by Neil Newbon is always a big plus and his face model Joel Hicks is awesome-looking. His character design matches his abilities and personality really well, and speaking of personality, queer-coded villains who make a big show out of everything are always going to be my favourite. His gritty, masculine aesthetic is really inspiring in terms of gender as well. On a deeper level, in spite of all the terrible things he’s done, i find him sympathetic and relatable. After decades spent in a highly dysfunctional family, not living on his own terms, completely alone, I need him to finally be okay and get better for his own sake, with the support of people he trusts. It’s the same reason i love Eveline. Morally dark-grey characters who deserved better and could’ve gotten better with a good support system.

[dinogoofymutated]

im 100% new to x-men(i grew up in a DC family lol) but I am just. SO down bad for remy. idk how to write requests or anything, but can I ask for headcanons for him with a touchstarved fem reader? sfw or nsfw, both, idc really he's just rotating in my brain, gambit my beloved

Gambit/GN!reader

Dude I completely get it!! I was a HUGE x-men fan as a kid and as I grew up the hyperfixation fell into the back of my mind. I too grew up mostly on DC and I feel like the reason DC became my go-to was because there's just not a ton of fanfiction for the x-men, reader inserts in particular. I'm working on fixing that! But my full-length fics are a little hard to finish/start. Anyway- Remy is definitely one of the top #3 x-men to be down bad for lol!

TWs: none that I can think of atm. Mostly fluffy goodness! Written picturing a fem! Reader but no pronouns mentioned

I definitely think that it's not a completely ridiculous idea that one of Remy's love languages could be touch, despite how his relationship with Rogue revolves around the absence of touch!

Tbh, I feel like he's just respectful of his partner's wants and needs in a relationship, and if touching and cuddling is a no-go he's perfectly fine with backing off and showing his love in other ways!

BUT! when you give him the go-ahead, he's all over you. Hugs, cuddles, kisses, PDA, all of it!

One of his favorite things to do is catch you in the kitchen, coming up behind you and snaking his hands around your waist. He'll press his face into your hair and neck, sometimes giving you kisses, but really he just does it because he wants to feel you against him.

I think he secretly enjoys how easy it is to get you melting in his embrace. He goes out of his way to fluster you, flirting until you go red, then pulls you close. He'll nuzzle you affectionately, kiss your temple and cheeks, hold you lovingly until he feels all the tension leave your body. He especially likes when you lean into his hands when he holds your face. He knows just how much you love him, and he's determined to show you all the love he knows you deserve.

    “Cher.” Remy’s chest rumbles with the words. You only respond with a hum, tucked into his side comfortably. The afternoon had started with a movie, originally. The two of you had some free time, and Gambit had a movie he really wanted to watch, so movie night it was. You were watching at first, you promise you were, but it was easy to get distracted by Remy. When the movie started, you were sitting next to him, leaning into his side with a bowl of popcorn in your lap, but that position could only be comfortable for so long. You were squirming, trying to relax as best you could, but after 45 minutes of sitting on this couch, it was like every bump and corner on the sofa was digging into you.

    Remy, being the observant sweetheart he is, didn’t hesitate to scoop you up into his lap. You squealed at first, surprised by the action, but Remy simply laughed at you, leaning back to lay down on the couch with you against his chest. Unsurprisingly, this was much more comfortable. Maybe a little too comfortable, as it didn’t take long for you to stop paying attention to the TV entirely. You snuggled closer to Remy as you started to doze off. One of his hands rested against your lower back, his other hand cupping the back of your neck, caressing and threading his fingers through his hair. It didn’t take long for you to fall asleep against him.

    “Cheerrr.” Remy says again, drawing the words out. “Movie’s been over f’ a while.” You pout at him, sighing sleepily as you tuck your face into his neck. He chuckles again, thumbs caressing your skin idly.

    “You don’t wanna cuddle anymore?” You ask, maybe a little bit more sad than you should be, or would’ve been if you were more awake.

    “Now Gambit didn’t say that.” Remy purrs. You whine again as he moves a little, adjusting a little so that he can press a kiss to your temple. You reluctantly untuck yourself from his neck, rewarded with a sweet kiss from Remy. The action makes you smile. He’s looking at you with such love and adoration, like no one has looked at you before, and it has you feeling loved beyond measure. You lean into his touch as he cups your face, holding his hand to your cheek to keep him there.

    Content couldn’t begin to explain how you felt in this moment.

[ghostbite0]

how do the 21 trio babies interact w each other… both in and out of baby mode. also what do they think of each other’s baby modes

anon i absolutely love this question. im sorry this took forever to answer, i wanted to draw something with it!!!

long answer under the cut :D feel free to ask more about this subject or anything with this au, im happy to do so!

Giyuu: hes the first to go baby mode bc hes also just the most chill. obanai & sanemi immediately realize somethings wrong when the avoidant water hashira is suddenly smiling and snuggling up in shinobu’s arms. obanai gets pissy with giyuu because giyuu tends to look out for him (since obanai is the smallest and weakest baby). if he loses his paci giyuu crawls away to retrieve it. obanai’s not eating? he’s sharing his food. sanemi can’t help but tease the hell out of the two until he is also met with giyuu’s friendship and finds himself being patted on the cheek and having a blue stuffed fox forced into his hands.

giyuu isnt really embarrassed when he snaps out of it— he’s just looking out for his friends so why would he be? if anything he just gets flustered when he remembers he fell asleep while shinobu sang to him. mention a bottle and he’ll short-circuit

Sanemi: obanai & giyuu temporarily united in their panic at seeing sanemi go from a super angry and stubborn person to a giggly baby being entertained by tengen. they watched on in shock as he willingly let tengen pick him up and kiss his little head and immediately turned to each other like what the Hell. sanemi proceeds to try and play with the other babies. shinobu checks on them later to find sanemi forcibly snuggling the two— giyuu is very conflicted and tired and obanai looks ready to jump off a cliff.

sanemi wakes up later and remembers what happened and angrily accuses the two of doing something (he knows they didnt. hes just embarrassed and pissed) and throws things and essentially just has a baby tantrum until gyomei can calm him down. the cycle continues

Obanai: cold and judgmental and sensitive guy is suddenly a little shy sweetheart who is still very very sensitive. sanemi & giyuu are fearing for their lives when obanai is suddenly bawling his eyes out because he woke up and mitsuri and/or muichiro weren’t anywhere to be found, so surely this means they want to get rid of him. sanemi ends up screaming with him so one of the two can put an end to the chaos, and hes mostly just unnerved by how different obanai is acting. giyuu finds it pretty endearing, especially because baby mode obanai actually likes him!

hes very snuggly and always has to be in someone’s arms, especially when he’s doing something as scary as eating. he also tends to be more touchy; he loves petting muichiro’s nose or playing with mitsuri or rengoku’s hair. obanai is always sucking on a pacifier or needing to put his mitten in his mouth and if he doesn't have either hes rlly weepy. cue sanemi and giyuu crawling around trying to find something to help. obanai tends to snap out of baby mode after waking up from a nap, and he’s extremely flustered and defensive. he apologizes profusely to mitsuri/rengoku/muichiro for inconveniencing them, and threatens sanemi and giyuu before hiding under a blanket until he recovers from how embarrassed he is

when they are all baby mode they are inseparable. sanemi basically drags them around and forces them to hang out with him. giyuu likes to look out for them (particularly obanai) and play patty cake with sanemi when they arent cuddled up to each other. obanai shyly observes their games and cheers them both on (alongside kaburamaru) by clapping his mittened hands. when its time for them to nap, they stay close together and cuddle. gyomei is in hysterics at this, and the other hashira must console him before he wakes up the babies with his crying. when they are out of baby mode the following morning they lose their minds and try to avoid each other as long as possible out of embarrassment and frustration

giyuu secretly wishes they will be friends by the end of this transformation, but he doesnt think he deserves it. it always makes him feel better when sanemi is dragging him into games or obanai is cooing in greeting and petting his head. 

sanemi has trouble accepting that he enjoys being with them. he cant help but think about his fallen comrades and his siblings, and its easier to push them all away then accept their care. besides, he’s supposed to be the strongest hashira! how can he outrank gyomei when he’s a baby? 

obanai hates being the smallest of the bunch, but he can’t deny how nice it is to be looked after for once. hes weaker, so he needs more special attention as well. his trust issues prevent him from accepting their kindness. what are their intentions? are they trying to mock him? he isnt used to being loved, and he is scared of loving them back)

sorry for the giant tangent hello. the demons

[greenflowerceo]

hii im suuper late to my own week ik (i'll post the rest of the days from time to time, college applications were a pain </3 but i've got most of it down

This piece is a redraw of my very first post ! This has been a wip since the start of the year so my art style unsurprisingly changed a bunch as i tweaked the lines and colors. it's not the best but it's looking as good as it can be!

as for the zine, people are free to draw up pieces for the week up until the end of september and we can compile it all together! it's not really the usual zine format but who knows.. we can maybe try to figure out a way to formally start a more structured zine project for these two

Anyway! I've decided to dedicate my greenflower week posts to my headcanons I've made up for them from the past 4 years.. I figured you guys could take a peek into my brain since I haven't really been good at that unless you catch me in a vc :") there's a buncha hcs and old ass art i never posted finally unearthing under the cut if you wanna take a peek

So, first thing: Body headcanons..

i took super long getting what i want with this waay back when I started posting cause I was still figuring out a lot with my art. i couldn't get in good details/features that would properly differentiate them or make them fun to draw. I wasn't striving to be really innovative with the designs or anything, I just wanted them to feel like characters I like looking at and thinking about

finally, i'm somewhat able to settle on these as of right now! It will most likely update as the time passes and my art changes, but this is what I got!

basically the main idea is that i wanted Lloyd to be bulkier but sharper. grew up fast and has all these edges, but then you get to know him and he's just a big ol dork. Mostly wears loose-fitting clothes that hides his figure, but he's quite built underneath

Brad's a lil taller and pretty lanky. my art style may not be able to show that properly but lloyd can snap him in half <3 he also seems hella chill but that's probably cause he got balls of steel after living through a million ninjago invasions

This thing below is an old outfit concept I have for a project that I've been working on. does not reflect my current headcanons with his physical appearance but i do like his clothes

I think he loves his role as the green ninja, saving the world and such. it came with lots of baggage and reflection but i do promise that he enjoys it for the most part. I think him wearing green is kind of like wearing work clothes so he tends to avoid it on days when he's free to keep from being too ready to jump into ninja mode

i do tend to keep him in green though cause the fandom sure does love their color-coded ninja

anyway .. that's about most of what i've got for this that looks good enough to post, so here's a bunch of other doodles/sketches, both old and new ToT

oh and a quick comic too cause why not

one more: bonus greenflower yuri

thanks for coming to read this far :) there'll be more soon