#things i write at 2am

[cuubism]

(from some unfinished scene that was bouncing around in my head, the premise of which was, "confessing your darkest fantasies to each other") bit nsfw, needless to say

--

"God, I had this one--" Hob scrubs a hand through his hair, torn between embarrassment and a buried longing that's still very real-- "after I met you in 1689. This recurring dream that you would just... take me with you."

"With me," Dream says.

"To faerie land, or wherever it was you came from, as I imagined it. You must've lived in some fantastical place, I thought, and life was hardly treating me well then. Would just be for a few months, mind," he adds, before Dream starts getting the idea that he hadn't wanted to live. Hob had always wanted to live. He just needed a break. "A year, maybe. But just... that you would..." he ducks his head, "take care of me. God, the things I'd do then for a loaf of bread, or a warm bed. Things I did do, for lesser men. Would do lot more for you."

"Like what?" asks Dream. His voice is... considering.

Surely Dream, being, well, Dream, won't find it strange? Hell, he's so damn princely, he'll probably just be vain about it. Still Hob takes a steeling gulp of his wine. "Anything you wanted. You were the only one that was kind to me then."

"Barely kind," says Dream.

"Still. When I was really deep in it I-- I used to imagine you'd just keep me there. Like a pet." It should be more embarrassing to admit, but Dream doesn't seem judgmental. And Hob has often found that confessing deep feelings to him is easier than it would be to any other person. "Figured I was just a curiosity to you anyway. In exchange for your kindness I'd have done anything. Knelt at your feet. Let you use me. Kept your cock warm while you conducted your-- your magical affairs of state, or what have you, God I could only imagine what you did with the rest of your time." It still stirs something in him to think of, even with no starving desperation to spur it.

He's still looking down, and hears rather than sees Dream lean forward in his seat, the shift of fabric, the creak of the table as he leans on it, letting himself have real weight. "This fantasy..." Hob looks up to meet his gaze, and the dark intent he finds there nearly knocks him out of his chair. "Is it one you would still care to indulge in?"

"To-- indulge in?" The words are barely choked out, the heat of Dream's gaze brands his throat shut.

Dream looks him up and down slowly. "If I brought you with me to the heart of the Dreaming for an evening," he purrs, "would you truly kneel at the foot of my throne? Let me show you off to guests? Would you..." he leans in closer, his fingers trip up Hob's throat, "submit, and warm my cock like a good pet, while I presided over my kingdom?"

Hob's never beating the monarchist allegations now. He nearly slides off his chair and kneels at Dream's feet right then. God, but Dream is a king like none the earth's ever seen. He's right out of a story.

Heart pattering in his chest, he says, "Would I?" It sounds less a question, more a plea. "Would you let me?"

"Dear Hob." Dream tips his chin up, studies him from under his lashes, thumbs over the corner of his mouth. An evaluation, and a caress. "You need someone to care for you. In my realm you would want for nothing. You would not need to fight, or worry about your next meal. You need only do as I tell you. And I would not steer you wrong."

Hob swallows hard. Dream is too good at this. Why did Hob think it was a good idea to share a fantasy with the King of Fucking Fantasies again?

It was a terrible idea for his sanity.

And a wonderful one, too. For as Dream spins the tale he can see it in the back of his mind, the vague and changeable sense of a dream, the all-consuming weight of Dream in his mouth, Dream's hands in his hair, his low voice above him, all else faded away as is the nature of dreams.

Dream hums in approval, and Hob remembers quite suddenly that he can sense daydreams, too.

Dream digs his hand into his hair, tips his head back just so. "This isn't fair," Hob croaks. "You didn't even share one of your fantasies yet."

"Perhaps I've adopted this as one of mine," Dream muses. He leans in and claims Hob's mouth, tipping his head further back, rises from his chair to lean over him. Hob barely suppresses a whimper. "In fact, I have a delegation from Hell due to arrive in the Dreaming for a negotiation tonight. It promises to be both dull and incredibly infuriating. Would you care to join me, and comfort your king during this trying time?"

"From Hell?" Hob squeaks. But Dream is looking at him with those dark eyes and Hob is helpless to him. Helpless to the pull of that fantasy.

"I will keep you safe," Dream says, a soothing, easy tone that makes Hob want to bend for him just as much as his intensity does. "You need not worry."

Hob's worried for his sanity more than anything else.

But he says, "Okay. All- alright then." He swallows down the lump in his throat that catches at the gleam in Dream's eye. He steels himself. Takes Dream's hand. Kisses it. "Take me to your realm, then, King of Dreams."

[lazylittledragon]

'i'll just do a couple of doodles of mombin™/platonic stobin parents' nevermind, borderline graphic novel

[dear-ao3]

i think the japan update of the f1 silly season post may in fact be the thing that kills me. this is all for you all.

[flowercrowngods]

based on this concept of steve and mike coming out to each other

🤍 also on ao3

The sun is setting in beautiful hues of pink and purple, tinging the town of Hawkins, Indiana, in a light of serenity and beauty it doesn’t really deserve. Steve’s hands are gripped tight around the steering wheel as he carefully scans the road and the houses he passes.

He almost misses the bike where it’s lying on the curb, carelessly discarded by the looks of it, and a tinge of worry shadows his frown. Worry that doesn’t quite dissipate when he spots the figure sitting on the roof, almost black against the lilac colour of the sky, but he breathes a sigh of relief. He considers grabbing the radio to let the others know he found Mike, but decides against it. Something tells him that maybe they’ll take a while. Something tells him there’s more to Will’s stunned silence and Mike’s sudden departure from where they were all hanging out at Steve’s after another successful Hellfire session. 

With a sigh, Steve cuts the engine and gets out of the car, keeping his eyes on Mike the whole time — ready for him to take off again, ready to go sit a while and wait for him to come back. But Mike doesn’t move, even after he shuts the door and approaches the Wheelers’ house. He doesn’t acknowledge Steve when he pulls himself up to the roof, easier this time than the first time he did this. 

There’s a snide comment in the air between them, a version of Mike that would have lashed out at him, made fun of and insulted him. But this one just sits there, hands in his lap, frown on his face, and stares ahead. 

“What do you want,” he asks eventually, though it doesn’t have the kind of heat that Steve expects. He barely even sounds like a teenager. Just sort of… dejected. Steve aches for him; just a little bit. 

“Just making sure you’re alright,” Steve says, shrugging, looking ahead as well so Mike doesn’t feel watched. Or seen, maybe. 

Because the thing is, Steve does see him. He sees the way he looks at Will sometimes, and the way his eyes fill with something that can only be described as yearning, or aching, followed by regret and fear. Which always, always turn into anger. Into frustration. Into snide comments and rolled eyes and walls that keep getting an inch added to them each day. It’s never directed at Will, that anger, and rarely at the rest of the Party, but Steve still sees it. Gets the worst of it and takes it, because he knows something about how that feels. 

He knows something about looking at someone like that, about feeling that fear, that regret, that worry that come with it. He knows something about never really daring to meet someone’s eyes for fear of what they would see. 

“I’m alright,” Mike says, sounding anything but. There’s a bitterness in his voice. Frustration in the way his thumb is picking at the skin of his fingers. Confusion in the tension of his shoulders, and Steve feels like he only needs to make one wrong move, say one wrong word, make a single sound that’s off key to the melody of this moment, and Mike will jump off the roof and take off again with his bike. 

So all he says, after a moment’s consideration, is, “Cool.” Like he believes him. Giving Mike room to breathe, room to pretend. He knows something about that, too. 

He knows and he sees and he feels. 

And suddenly he wants to say something he’s never said before, something he didn’t even get to tell Robin because she knew and saw and felt, too, taking something from him that he hasn’t yet been ready to reclaim for himself. 

And maybe it’s because he sees something of himself in the way Mike holds himself, in the way he snaps at anyone willing to listen, in the way he frowns in regret and barely meets anyone’s eyes except when it’s in challenge — and, most of all, in the way he never, never meets Will’s eyes. In the way he looks away when the other boy turns to him, and in the way his eyes will snap back and take in everything about his best friend when he’s not aware of it. 

Maybe it’s because the sky is pink and lilac and purple above them, allowing for a certain magic to happen, allowing for a bravery that doesn’t come easy to him; but as he sits on the roof next to Mike Wheeler, the only one of the Party he never really connected with, he closes his eyes against the breeze that catches in his hair and opens his jacket a little further, slithering beneath the fabric as if in a brief embrace, a nudge, a sign to take this leap, and takes a deep breath. 

His heart is picking up its pace inside his chest, taking this leap along wit him, and pulls up one of his legs to wrap his hands around it — just to have something to hold onto. 

He opens his mouth once, twice, three times, but the words never really come out. They don’t know how, and he’s beginning to tremble a little with it, tension building in his chest where the words are still locked away, hidden among layers of truth. 

Mike looks over with a frown and eyes him warily. It makes Steve want to laugh, this sudden change of pace, but he just keeps staring ahead; even when Mike asks, “Are you alright?” 

“Yeah,” Steve says. And then then dam is broken and breaking further, and with another deep breath, still not meeting Mike’s eyes, instead focusing on the tree tops in the distance that shine in hues of purple, he finally says, “I’m kind of dating Eddie Munson.” 

And just like that, it’s out. He’s out. 

He doesn’t know if the world still spins, if time still passes, if he still breathes, because for a moment there is only silence. Mike stops picking at the skin of his fingers, Steve stops trembling, and neither of them moves. 

It’s both anticlimactic and momentous, this silence between them when their eyes meet. When the words unfold and grow wings, when Mike understands, his eyes growing big with something that Steve can’t quite read with how tense he is despite his best efforts. 

The silence stretches between them, surpassing comfort and overstaying its welcome, and suddenly it’s Steve who feels like he’s about to take off if Mike so much as twitches his brows. 

“You… What?” 

Forget it, Steve wants to say. Nothing. 

But also, I’m in love with Eddie Munson. And I used to be in love with Nancy. And that’s okay. Both of that, it’s okay. 

He ends up repeating his words, though, because they know what it’s like to be spoken now. “Eddie. I’m kind of dating Eddie.” 

“But…” It’s Mike now whose mouth is opening and closing without saying anything. Mike who’s blinking, trembling a little, twitching, picking at his skin again, moving further along his hand this time to pinch the skin between his thumb and pointer finger. Steve almost reaches out to stop him, but he doesn’t really dare to. 

“But?” he prompts after a while, not quite comfortable with this loaded kind of silence. 

“Eddie’s a boy.” 

But Tammy Thompson is a girl. 

“I know,” Steve says, his tone carefully neutral, wanting to see, to wait where Mike takes this, to hear what’s on his mind, to watch the wheels turn and the gears shift. He feels awfully raw and open, vulnerable with someone who hasn’t been treating that with care yet. But there’s something about this moment that feels bigger than his own fears, bigger than the light nausea settling in his gut; far more important than the way he wants to run and hide, away from the scrutiny. 

“And…” Mike continues, still battling the words inside his head. Steve wonders if there are too many or none at all. “But you… You loved Nancy.” 

Ah. Smart boy. “I did,” Steve says with a small smile. “And it was never a lie. But I found that… Yeah, I can kinda like boys, too, y’know? And that’s, like, okay.”

A beat. A frown. A confused, hopeful, small, “It is?” 

Steve just nods, smiling in reassurance and relief at equal measures. Silence settles once more, now that the sky has darkened into a deeper, darker blue; but it’s not as loaded this time, not as tense. It’s an invitation. An offering. A promise of I’m here, I’m with you, you can take as long as you need. To get down from the roof, to come back, to come out of wherever you think you need to hide from the world. 

Mike takes it. He stays, pulling up his leg, too, mirroring Steve’s pose and staring ahead, but not as far away. He seems alert, seems to be thinking rather than dwelling, seems to be gearing up for something. Steve watches and sees and knows, remaining patient beside him, his chin resting on his knee as Mike learns to deal with this new world that has been presented to him. This new world that comes with opportunities and chances and possibilities that are scary and big and difficult to make. 

“Y’know,” Mike starts at last, interrupting the silence, playing with it, his voice hushed and quiet to keep it from disappearing completely. “Lucas, when he had that championship game? He told us, Dustin and me, that we didn’t have to be the losers this time. The nerds. The outcasts. Different. And all I wanted was to scream at him, because…” 

Mike swallows his words, keeping them from tumbling out of his mouth, and Steve aches for him again. He wants to reach out, wants to say it’s okay, tell him it’s alright, to take his time. But he waits in silence, lets Mike find the bravery he needs on his own, and waits. 

“Because how could he say that, you know? How could he, when… Will wasn’t there. And all I did, all I ever did anymore, was miss him. And I loved El, I knew I did. And she was gone, too, but…” 

He trails off again, and this time Steve picks it up. To let him know he’s not alone. To let Mike know he understands what he’s saying. He understands. “But she’s not Will. You needed Will.” 

“But I shouldn’t!” Mike explodes suddenly, riled up because Steve adds fuel to the fire, because Steve has that same fire, too; and because they are so, so similar when they want to be. “And now he’s back and it should be fine, I shouldn’t be feeling like this, it doesn’t even make sense! How can I…” 

Steve looks at him, at his expression that is nothing but lost — completely and utterly. He’s seen it on the bathroom floor at the mall; high out of his mind as he was, he’ll never forget the way Robin looked at him, the sheer crestfallen expression. All that confusion, all that fear and frustration and, in the end, resignation. He’s seen it in the mirror, and he’s seen it in those pretty brown eyes that he just can’t get out of his head anymore. 

He offers, gently, “How can you need him when he’s right there? How can you love him when a year ago you loved El?”

And Mike just looks at him before he deflates completely, his shoulders falling along with his face. He nods. Shrugs. Looks away and hides his face behind his leg. 

Steve sighs softly, watching the boy and speaking the words he wants to say the sixteen year-old version of himself. “I don’t know,” he says truthfully. “I really don’t, and it sucks sometimes, having this need to, like, decide. Or understand. Or stop and be like the rest of them.” Like Robin and Eddie, or like the rest of the world. “But I like to think, sometimes, that maybe it’s a good thing. That there’s just… I don’t know, it sounds corny as hell, but like, there’s just so much love to give, we can’t even stick to only boys or girls, y’know.” 

“That does sound real corny as fuck, man,” Mike says, and back is that long suffering tone of his, back is that eye roll and the twitching elbow, ready to nudge Steve in the side. It’s still tinged with that vulnerability, not quite Mike yet, but it’s an offering.

One of many tonight, it seems.

Steve grins, a bit lopsided and raw, shoving Mike gently as he remembers something he overheard once. “Sorry, mister Heart of our group, but I don’t think you have any leg to stand on here.”

That makes Mike freeze, though, and he stares at Steve wide-eyed; caught. Exposed. Reminded.

“What did you say?”

“Uh,” Steve falters, not sure where he went wrong — or if he went wrong at all. “I overheard Will calling you that, talking about you to, uhm. Someone. I don’t know. Why, what’s— What’s wrong?”

“Nothing,” Mike says, way too quickly, pulling away again with everything he has, hiding behind those walls once more, and Steve feels whiplash from it.

“Mike,” he says, his voice quiet and gentle as he turns to face him completely.

“No.”

“It’s okay,” Steve says. Promises, as much as he can.

“Shut up!”

“You’re not wrong or bad or broken. It’s okay, you’re okay.”

“I said, shut up, Steve.”

“You should see the way he looks at you, too. You should go talk to him. You—“

Mike lashes out, finally coming out from behind those walls again, only to shove at Steve, to push him away — hard enough for him to lose his balance and almost fall off the roof, clenching one hand on the edge, the other in the rainwater gutter with a bitten-off curse.

“Shit, I’m sorry!” Mike reaches for him immediately, snapping out of whatever anger Steve caused, and pulling him back until he’s safe again, apologising over and over, dead to Steve’s promises that it’s alright. “Fuck, I’m so sorry, Steve, I’m so—“

He pulls Mike against his chest, finally reaching out to hold the boy who always pushes people away when they get too close — quite literally, too.

But he doesn’t shove this time, doesn’t move out of Steve’s grasp as the mumbled apologies become heaving sobs.

“It’s okay, you’re okay, you’re so okay, Mike,” Steve tells him over and over as he holds him. The sky above is almost black now and Steve lets Mike cry into his chest.

It takes a while for Mike to calm down, but Steve just holds him through it, ready to let go whenever Mike wants to pull back and snap out of it again — but he never does, and Steve feels a certain kind of affection for the boy that is usually reserved for Lucas or Dustin.

At last, when he’s calmed down, Mike pulls back a little. “Do you really… Does it… Is it really okay?”

Can it be okay? Can I really like both? Is that not just me, being broken and wrong and bad? Will I get the chance to not be alone?

Steve swallows hard, and his voice is hoarse when he says, “Yeah. It’s really okay. ‘N’ I’m with you, yeah? If someone gives you shit for it. Or if you need a reminder.”

And Mike — puffy eyed, snotty nosed, so, so young — looks at him with those trusting eyes and nods, like he believes Steve. Like he trusts him. Like he hopes.

“Just don’t fucking shove me off your roof again.”

Ans just like that, the spell is broken, the tension is lifted, and silence has left them, as Mike almost chokes on a laugh and shoves at him again, lightly this time, before jumping off the roof so Steve can’t retaliate.

“Asshole,” he mutters, shaking his head as he, too, jumps off the roof, dusting off his pants as he watches Mike grabbing his bike. “Hey, Micycle,” he calls, cackling when Mike flips him the bird. “You want a ride back?”

Mike stops, considering as Steve casually flicks his keys into the air and catches them expertly. “What kinda music do you got?”

“The Clash, ‘cause Eddie hates them.”

“Yeah, that’s because they suck!”

Steve snorts, opening the driver’s side door. “Y’know, they’re one of Will’s favourites, actually.”

He watches Mike freeze with a grin on his face, knowing there’s no way the boy would take the bike.

“You’re so annoying,” Mike sighs as he brings his bike close to the garage and carefully lays it on the grass this time before hurrying over to Steve, getting in on the front, rolling his eyes when Steve cackles. “I don’t know why Eddie would date you—“

His words are drowned out when Steve turns up Train in Vain, drumming along on the steering wheel with a shit eating grin. Though the atmosphere is wildly different now, the spell broken and the bubble burst, it’s undeniable that something happened between them. Something big, something important.

Something that makes Mike’s annoyed, long-suffering expression be broken by the smile he’s trying to hide. It makes Steve laugh, elated and feeling something that’s much, much bigger than he himself ever could be.

It’s going to be okay. So, so okay.

Before they know it, they’re pulling up to Steve’s and he turns off the car, is about to get out when Mike makes him still again.

“Hey, Steve?”

“Hm?”

“I think it’s cool. You and Eddie.”

He smiles, relief and fondness washing over him. “Yeah?”

“Yeah.”

“Thanks.” He reaches over and ruffles Mike’s hair — a wild mane these days, but they could make it work with some care and some products. “Now go get your man, lover boy.”

“God, you suck so much, you’re so annoying!”

Steve’s cackling again when the passenger door slams shut and Mike lets himself into his house.

He spots a figure in the dark, their face lighting up when they take a drag of a cigarette — and Steve’s heart stumbles in his chest. He scrambles to get out, attempting to look calm and collected, even though Eddie always manages to see right through him.

“Hello, stranger,” he says, leaning against the wall beside Eddie, hiding away in the dark, where the world won’t see their shoulders touch, or their fingers tentatively playing with each other before they can’t take it no longer and lace their hands, holding on tight.

“Hi,” Eddie breathes. “How’d it go?”

“Fine, I think. But, uhm… I told him. About me. About us. That, uh. That okay?”

Even in the dark, Steve can feel eyes on him, but he just stares ahead, opting instead to give his warm hand a squeeze. He smiles when Eddie’s thumb begins to draw patterns on his palm.

“Hmm. Very. You think they’ll be okay?”

“Yeah,” Steve breathes, stealing Eddie’s cigarette from his mouth and pulling it between his own lips. “Yeah, I think they will be.”

[wordstome]

what is it with me and school/university settings because I can't stop thinking about having a nasty one night stand with König at some frat party and he becomes obsessed with you while you don't even know his name. you're just trying to get through uni without crashing and burning while coping using drugs and sex and there's just this fucking guy who you slept with once and now he's everywhere, caring about you to an infuriating degree

[missluthorwillseeyounow]

What do you do when someone you love is a psychopath and a serial killer? How do you pick up your life and move on from it?

If you're Lionel Luthor, you don't. Your son betrays you and the legacy you built for him, and so your heart betrays you too. You sit at your desk with those damn pills your quack of a doctor prescribed and one too many drinks. You feel a warning twinge on your arm before excruciating pain, red and angry, blooms in your chest, and you never see the morning. 

The only good thing about this is that you never see your son go to trial for killing 47 people over a span of 6 years. People whisper that you are one of Lex Luthor’s victims.

If you’re Lillian Luthor, you don’t either. You clean the damned mess these Luthor men left you. You take over the company that your husband had the gall to leave you, just as he left you with your only daughter. You clean up the tatters of your family’s reputation and legacy that your son left behind. 

In the eyes of the world, you move on. You rise, finally able to flex the muscles so long held back by your husband and the rest of the world's expectations. And you bring Luthor Corp with you. 

The millstone of the trials and scandal hang heavy on your neck, but all your life you have taught yourself to walk gracefully among lesser beings with your back straight and your head held high, just as you did as a young girl with textbooks on your head. This is no different.

But once a month, you make a pilgrimage to Stryker’s Island. To Lex. To the son you loved the best way you knew how, the only way you knew how - with a firm grip and the relentless, uncompromising push to achieve excellence, the intractable determination to make him grow into his fullest potential. That this potential was realized in murder, malice and manipulation was not your intent, but the world is far too quick and vindictive in their judgement because he is a Luthor. The mightiest always fall the farthest, and those beneath them wait hungrily for the chance to pull them down.

Your daughter leaves you too. The daughter who emerged, not from your body, but from your husband's infidelity. The same one who once looked up at you with eyes full of innocent trust that you vowed you would reciprocate in the best way you knew how. And so you did your best to prepare her, to mold her in your own image - into what a Luthor woman should be in this cruel, savage world that both worships and hates Luthors. 

You’ve seen what the world does to Luthors who do or say the smallest wrong thing and you never want her to suffer those whispers and so you tell her yourself. Better she hears it from family than the mouths and forked tongues of strangers.

But she is too hard-headed and too soft-hearted to comply. She rejects your bequest, the ungrateful girl, and tries to escape the Lena Luthor you tried so hard to cultivate all these years. 

As if you don't know. As if you could forget that it was her who brought this down upon all of you. Her, and that detestable Clark Kent. 

And if you are Lena Luthor, you cannot move on. You cannot escape it. No matter how far you stray from your family. No matter how many reparations you make, no matter how hard you strive to separate yourself from the curse it brings -- it always finds you.

It finds you in the dark hours when you’re by yourself without the touch of another woman or the burn of alcohol to distract you - and suddenly you’re a scared little girl again, walking into an ominous house made of grim oak, unforgiving marble and dark shadows. And the only warmth you receive is not from a largely absent and formidable father nor from a condescending and controlling mother, but from a charismatic and mercurial brother who taught you how to play chess and promised you the world.

But it turns out his shadow was the darkest of all, and you didn't see until it was too late.

How could you not see it?

You were just a girl at that time, Agent J'onzz once tried to comfort you with that fact. Back when Lex was arrested.

Just a schoolgirl home for the holidays -- shoes polished as bright as the naivete in your eyes, uniform pressed to Lillian's exact standards, picture perfect but always with just one tiny detail you forgot that was enough to attract notice and invite criticism. This time it was the glasses sitting slightly crooked on your face. 

You were more concerned with weathering the scorching disapproval just long enough until you got back to boarding school that you failed to notice Lex's distance. You failed to recognize the signs. You failed to decode his lies.

You failed.

By the time you got back to boarding school, he would have killed 2 more people.

By the time you caught on, he'd already killed 31. Those lives are all on you, because you were so absorbed by yourself, you didn't see what was happening under your nose. And those 3 agents Lex killed because he refused to come quietly? The judge and jury he poisoned at the trial? That's on you too.

Forty-seven lives taken. Forty seven more than there should have been if you hadn't been so blind. 

If only you hadn't been comforted by the gentle hand holding yours under the table throughout Lillian's litanies of your shortcomings everytime you were home from school. If only you hadn't fallen for the "adventures" he had tricked you into that always ended with you in disgrace or punished, like that time you stole Lionel's prized pen from the King of Jordan, just for him. 

If only you hadn't believed the fairy-tale dream of the two of you escaping to the snow-covered mountain peak, of finally being free of the Luthors’ oppressive presence.

And now he's serving 20 consecutive life sentences, and you've devoted your life to studying and stopping people like him.

Now you have 10 years of experience as a profiler and an undercover operative for both the Interpol and the FBI. Your work has taken you from Toran, to Kaznia, to Corto Maltese, to Metropolis, and now to National City.

You have seen the worst humanity has to offer, from terrorists to human traffickers to serial killers. But you keep looking into the abyss.

Because you looked into it once, you stared it in the face, and you didn't recognize it for what it was. 

_________

Or, a Supercorp Criminal Minds AU

There's actually 3 major plots in this, and they all intersect in varying ways

The first is Lex as a serial killer

The second is about Sam and Reign

The third is the most vague one, which includes Lena’s birth mother and Leviathan

It starts (as the intro says) with Lex being a serial killer who killed 47 people. In one version of this story, Clark is a reporter who, like Lena,  made the connection between Lex and the murders. One night after dinner  with the Luthors, Clark sneaks into Lex’s study to find evidence he can use for his story. 

He’s rummaging in a desk when he hears a voice from the doorway.

“You  won’t find anything there.” Clark whips around to find Lena standing  there, silhouetted against the light coming from the hall. He tenses,  thinking she’s about to tell her brother what Clark was doing. 

“If  Lex really is behind these murders, and I know you think he is, you  won’t find anything there. He’s not foolish enough to hide evidence  here." 

Clark doesn’t say anything, he just stares at her.  Lena pauses, looking away. "I… I didn’t want to believe it. Not Lex… He  wouldn’t…” Steel injects itself into her green gaze. “But the more time I  spend with him, the more clearly I see the truth. You see it too, don’t  you?" 

Clark straightens up and nods gravely. “Yes.”

The FBI eventually becomes involved in the investigation, and the team includes a certain agent on the fast track to becoming the unit chief, J’onn J’onzz.

J’onn meets Lena only briefly, but he’s struck by the young girl’s keen intelligence and remarkable calm. (Eventually, he becomes the one who suggests that Lena consider a career in profiling and criminal psychology).

Fast forward a couple of decades later, Lena is working with the BAU. The other members of the team here are J'onn, Alex, James, Brainy and Winn. Lena is a transfer from Interpol, and she's had years of experience in profiling, suspect and victim identification, as well as infiltration, under her belt (I also hc that she worked briefly with the CIA and the MI6, mostly in intel, profiling and undercover work).

For the sake of her anonymity (and also because it was necessary for her undercover work), she's erased all connections to Lex and the Luthors (including old photographs and newspaper articles until the name Lena Luthor is but a footnote in the Luthor history with nothing to tie her to who she is now). She's also changed her last name. (I'm torn because I just don't know if I can use the name Walsh for Lena, it doesn't sound.. right? Idk So for now, she's Agent Kieran).

Lena is very professional, almost intimidating. She’s revered by the younger agents in the Bureau, well-respected by her colleagues and highly praised by her superiors. But she's very guarded and keeps everyone at arm's length, doesn't go out for after-work drinks with the others, practically sleeps with one eye open — years of working undercover and living with a serial killer will do that to you.

Until a certain promising young recruit comes along.

Kara is new in town — the adopted sister of Alex Danvers, the cousin of one of J'onn's old friends (I don't think teaming family members up is actually allowed in the FBI, so some suspension of disbelief is required here). Lena is assigned to oversee her training and transition into the team herself.

Kara's sunny demeanor couldn't clash more with Lena's icy, professional facade. Lena approaches the task with thinly-veiled impatience and something remarkably close to disdain.

However, Kara quickly proves to be more than a perky attitude and a pretty smile. She squirms at blood, which Lena is quick to exploit at first (What FBI profiler can't stand the sight of a corpse? "We profile serial killers here, not celebrities in high-waisted jeans.").

But Kara displays true empathy to the victims and their families, she's sensitive to other people's emotions and knows just what to say to get a reluctant victim or witness talking. She's extremely dedicated to catching the unsubs, and relentless in her investigation. Not to mention, she's extremely handy to have around in a crisis.

Lena finds this last part out when they're on a case, trying to find a missing girl.

The team is headed to the unsub's apartment, but on a hunch, Lena heads to an abandoned warehouse near the apartment, with only Kara as backup. They enter the warehouse, and just as they're clearing the rooms and checking for the missing girl, the unsub attacks Lena and manages to pin her to the ground, choking her. Kara gets there just in time to shoot the unsub in the leg, saving Lena's life.

Later that evening, Kara and the rest of the team go to the bar to celebrate. Lena is absent, as usual.

Just as Kara is getting another round of drinks at the bar, a low, smoky voice interrupts her. "Didn't profile you as a drinker, Danvers.”

Kara squeaks, nearly dropping the drinks, and turns to see Lena smirking behind her. “I wonder what other surprises you're hiding behind those glasses and cardigans."

"Agent Kieran! I didn’t expect to see you here— No, these aren't all for me, I— " Lena's face softens at Kara's babbling, and she takes a few of the shot glasses from Kara's hands.

"You know, I have a rule..." A wry smile lifts one corner of her lipsticked mouth. "Anyone who saves my life gets to call me Lena."

Kara blushes profusely at the other woman’s arched eyebrow. "Well then, if I'm calling you Lena..."

Lena smirks. "Kara it is, then."

For the first time — much to the gaping surprise of the rest of the team she's worked with for years — Lena joins them for a post-case drink.

To everyone's — and no one's — surprise, the pair quickly become the best of friends.

Two days into their friendship, Lena starts jokingly calling Kara Supergirl. Three weeks later, they start grabbing lunch together. Three months in, Kara sends Lena a video of herself petting a St. Bernard on the street only to be bowled over in a mass of furry paws and puppy licks — and the cadets Lena is training are even more bowled over to hear the "Ice Queen" laugh. Of course, they're later treated with a scorching glare and a sharp reprimand, but it's a revelation just to discover that she's actually physically capable of laughing.

By six months, the whole department is in a secret "will they or won't they" betting pool. A year in, and every other department has stakes in the pool (Alex publicly condemns the pool, but secretly bets a hundred bucks that "they will" by winter).

One time while they're eating lunch together, Kara tells Lena why she became a profiler when her career was in journalism.

"It just felt... too late. I'd be covering these stories about these terrible things, people who were already victims, and I thought... it's too late... Don't get me wrong, I loved being a reporter. Journalism was a way to bring truth out there, to give voices to these victims, but.... I wanted - needed - to do something more. I wanted to stop these things from happening. To keep these people from becoming victims."

But despite their growing closeness, Lena has yet to tell Kara about Lex, or about her life before the BAU.

She doesn't tell Kara about the woman she'd loved once, who hates her now because of the lies Lena told her. She doesn't tell her about Reign. She doesn’t tell Kara about the sweet young girl living far, far away, who plays soccer and loves to sing and read. The little girl Lena loves from afar, but knows only through secret updates from James, because it's for her own good.

Because that sweet little girl that Lena hasn't seen since she was a baby deserves to live a life that's whole and good — away from those who love her, but could hurt her. Whether she's thinking about Sam or herself, Lena doesn't know.

There are too many secrets, Lena decides, as she shoves them all one by one into their little boxes, clamping the lid securely shut. Kara is too good to be tainted by any of them.

Kara, who gets squeamish at the sight of blood, but resolutely hunts each killer like an avenging angel. Kara, who somehow, somehow still believes in the good in people.

And when she realizes that there is very little of that to be found in Lena Kieran or Lena Luthor, Kara will hate her as much as Lena hates herself.

But then the day comes when Lena receives a package in the mail.

She reaches in and pulls out two things: one, a chess piece — the white knight — and the other, a surveillance photo of Kara and Lena having lunch together.

On the back of the photograph are three cryptic little words that fill her with dread: “See you soon, sis.”

Panic overrides logic and years of training, and Lena stashes the package and its cursed contents into her safe. Heart racing, she calls the warden at Strykers. It takes several favors, but she manages to procure video footage confirming that her brother is still incarcerated. Despite the visual confirmation, she doesn’t sleep a wink that night, nor the night after.

Everything is quiet after that, so quiet that Lena is almost lulled, if not into a sense of complacency, then at least a state of less vigilance. Everyone needs a breather, a reprieve from paranoia at some point, and that is exactly what Lex is counting on.

A string of seemingly-unrelated murders heralds Lex's return, luring the BAU — and Lena — closer and closer. Lena knows she should leave, and leave soon. The closer the team gets to figuring out it's Lex, the more danger they're in — not just Kara, but the rest of the team that Lena has now come to care for.

But Kara, being Kara, holds onto Lena and keeps her from leaving.

Kara knows her too well now. She knows that something is wrong. She pushes without pushing, in that earnest yet respectful way, relentless in her concern for the people she cares about, yet still mindful and considerate in her efforts. It's one of the things Lena loves about her.

And then, after coming home from a case one night — Kara is shot by an intruder in her apartment.

The whole team is thrown into chaos trying to find Kara’s assailant. They all agree that the attack cannot be random, but there’s a frustrating lack of evidence anywhere.

But Lena knows.

The lack of clues is a glaring clue in and of itself. She knows this is Lex’s handiwork. Her brother’s way of getting back at her for “telling on him”, just like he used to when they were children. Except the stakes are infinitely higher this time, and he has gone too far.

And Lena — who should've known — didn't prevent it. She was too selfish, too greedy, wanting more time — more time with Kara, more time with her team, her family — and now this is the result.

Lena knows that Lex will go after everything and everyone she loves, because he wants to hurt her. Luthors are not raised on half-measures. Win the game, or burn the board. He will not stop, Lena knows this. Not until either of them is dead.

While half the team is waiting at Kara’s bedside, and the other half is delving into Kara’s case — two people are noticeably missing.

Alex can’t bear to see her sister looking so weak and vulnerable in that hospital bed.

Instead, she goes to Kara's apartment to clean her sister’s blood off the wall before Kara gets home from the hospital.

She's just getting a bucket full of soapy water when she hears movement at the door. Alert, Alex already has her gun out and trained at the door.

When the door opens, all Alex sees is a flash of black hair and wide green eyes before she gets a gun aimed at her too.

"Lena?? What the fuck?! What are you doing here??"

Alex puts her gun down slowly, her heart still hammering. Lena cautiously does the same, her hands held out to her sides.

Alex gestures at the door "How did you—?"

"Kara gave me the key three months ago." Lena's eyes haven't lost their wary edge, but she has the decency to look a bit abashed. "She said I could come over anytime."

"Yeah, but Kara's still in the hospital. What are you doing here?"

"I know that," Lena slants her a light glare as she looks around Kara's apartment. "I just — I wanted to make sure the place is secure, and... well... I didn't want Kara to come home to that."

She gestures at the blood-spattered wall, but looks away quickly. As if she, like Alex, can't bear to stand the sight of Kara's blood.

It's funny. They're both seasoned agents, they deal with horrific things on an almost daily basis. The sight of blood rarely fazes either of them anymore. Except this is Kara's blood.

It seems impossible that Lena could get any paler, but here she is, as white as a ghost and looking just as sick as Alex feels. And yet, she's still here. Out of everyone in Kara's circle of friends and family, only Alex and Lena are here, performing a task that somehow seems more terrible than anything either of them have encountered.

It's in this moment that it begins to dawn on Alex just how special Lena is. How special she may still become.

Alex bends down and drags the bucket of soapy water to the wall. She doesn't look at Lena, and instead focuses on the wall and swallows down bile at the sight of her sister's blood. Over her shoulder, she mutters "Grab a sponge."

"That's not gonna be enough. We, um—" Lena clears her throat and chokes out. "— need bleach."

Alex nods curtly. "Under the kitchen sink."

Lena gets the bleach, and the two of them silently begin scrubbing Kara's blood off her walls, and that's that. Once they're done, Alex gets a couple of beers that Kara keeps especially for Alex in her fridge and offers one to Lena.

Then Alex gives her a mild version of a shovel talk lol

And then, two days before Kara is released from the hospital, the news breaks. Lex Luthor, convicted serial killer, has escaped from prison.

All eyes are focused on the BAU screen, except J’onn’s. He turns to his left. Lena Kieran watches the television without batting an eye.

Lena waits only until after Kara has come back home, to make sure that she's safe, that Alex is staying with her for now.

Looking at the blonde tucked into blankets on the couch, soft and vulnerable, Lena can't bring herself to say goodbye, so instead, she just leans over to kiss Kara on the forehead and says good night.

Then without a word, without even packing a bag, Lena Luthor leaves National City to lure her brother out of the shadows.

Lena makes her exit just as the team is on the cusp of finding out that Lena Kieran is Lena Luthor.

She leaves her apartment intact, knowing that Kara and the rest of the team will eventually search it. She sticks the surveillance photo of her and Kara on the bedroom mirror and writes on the glass in red lipstick: "I'm sorry. I promise I'll make this right."

J'onn is the only one who knows the truth of who Lena really is, and in the end, he's the one who tells them.

With Lena gone, it's clear to J'onn that she's about to do something monumentally stupid, like sacrifice herself for the team. He gathers everyone, and tells them the truth.

The group is gathered around the conference table, staring at pictures of young Lena on the screen.

Tiny Lena, not even 5 years old, just after she was adopted by the Luthors, her wide green eyes sad and confused, her little hands clutching a worn, well-loved teddy bear.

Six year old Lena and a teenaged Lex Luthor standing together in front of Lena's new school. The little girl in her neat uniform, holding onto the older boy's hand, looking at her big brother with an adoring smile.

Fifteen year old Lena on summer vacation, and a now-adult Lex, the young girl perched on the hood of a restored vintage car with Lex's hand on her shoulder. Lena is thinner, more gaunt, and her smile less bright, but Lex is different. He's grinning at the camera, looking every inch the charismatic billionaire playboy. You would never know from Lex Luthor's easy smile that he had already been killing for 5 years at this point.

Finally, the last Luthor family portrait, taken the year Lex was arrested. They're a beautiful family, there's no denying that. Each person in the photograph is regal and proud — but in each set face, there's a private war being waged. Lena looks far older than her sixteen years. Her face shows no emotion in each cut line, but her eyes betray all: a somber intensity that's impossible to look away from. Lex is the exact opposite. His smile is charming and draws the viewer's gaze, but his eyes are cold and dead. Within 8 months, Lex would be in prison, Lionel would be dead, Lillian would be running the company, and Lena would no longer be a Luthor.

Kara feels... she doesn't know how she feels.

There's anger, shock, confusion and... hurt. A lot of hurt, a heavy ball of it resting on the base of her spine, mixed with the ache of a longing she doesn't understand, something broken that only confuses her more. So she decides to settle on the anger.

Yes, anger is good. It gives her a sense of purpose and clarity, and it doesn't threaten to make her curl up into a tiny ball. She's angry that her best friend — one of the most important people in her life, second only to Alex — has been hiding all of this from her for years. She's angry that Lena, who has taught her so many things — not just about being a profiler, but about life and love and friendship — didn't trust her enough to tell her about any of this.

Anger is good, because it keeps the tears stinging the back of her eyes from falling, because... because Kara's always thought she knows Lena better than anyone. Had believed that out of everyone, Lena had trusted her, Kara Danvers, enough to get to know her. But now, it seems she doesn't really know Lena at all.

The screen flickers.

Everyone blinks up at the screen in confusion as it begins to glitch. Suddenly, the photos of Lena disappear from the monitors. It’s replaced by what looks like a grainy video feed. Kara turns to J’onn, who shakes his head, frowning. This was not his doing.

“What the hell?” Alex frowns up at the monitor and nudges Winn, who immediately squints into his computer screen. “Who’s doing that?”

“I have no idea...” Winn mutters. “Gimme a second...”

It looks like feed from a surveillance video, except it’s showing what looks like a cabin. Even from the pixelated image, it looks well-decorated, expensive, like something from a country home magazine. Outside the far window, Kara can see a view of snow-capped mountains. Outlined in the middle is a dark shadow of a man.

“They live soft, luxurious lives, don’t they? Your so-called friends. Oblivious, unencumbered by knowledge, and so pathetically... mortal. Fragile.” A smooth baritone voice cuts through the static, and Kara’s blood chills. That voice is familiar. “You and I, we have been trained in the hard school of danger and war. Haven’t we, sister mine?”

Another figure steps out of the shadows and into view, and Kara gasps. Even in the grainy image, Lena’s smile is sharp and icy. “Comparing yourself to Alexander the Great now, are you? But then again, you always were trying too hard, Lex.”

I don't know exactly how happens, I haven't figured it out yet, but Lena confronts Lex with the intention of killing him, except she's the one who's "killed".

And Lex, being the sadistic ass that he is, had the whole thing captured on a hidden camera and it's being broadcast on every BAU monitor, for Lena's family to see.

The whole team watches Lena "die".

But Lena had a failsafe. She told someone of her location, maybe Andrea or Jack or Jess idk, and had them standby to help her in case something happened.

The whole time Lex streams their confrontation, Kara is frantic. The table suffers under her fury, splintering with the force of her desperate grip.

Every time they get nowhere trying to track Lena and Lex, Kara punches the walls, and Alex has to hold her sister back, afraid of how Kara is losing control.

When the feed broadcasts Lena's death, it seems almost unremarkable. One second, Lena is standing, the next she's on the floor, lifeless and unmoving.

A deadly silence grips the BAU conference room. No one is moving, not even breathing. It's as if when Lena dropped dead on the feed, so did they. They wait. And wait.. and wait.

Lena doesn't move.

On the screen, Lex checks his sister's vitals and satisfied, steps over his sister's body and out of sight. The camera blacks out.

They all stare dumbly at the screen for a long moment, afraid to move, as if moving from their frozen spots would make it true.

It's Alex who stirs first. She jumps into action, frantic, ordering Winn to get the feed back, but it's impossible. The room erupts in a blaze of action, but Kara... Kara's the only one left staring at the screen, frozen in shock and disbelief, as if she can't believe it's real.

It’s not. It’s not.

In the interim between Lena's death and the reveal that she’s alive, Kara spends every waking moment hunting down Lex or secretly looking into Leviathan (which she also uncovers when she digs deeper into Lena’s life before the Luthors and learns more about Lena’s mother).

Kara goes down so deep into the rabbit hole, that Alex is genuinely afraid for her sister. She almost prays that they don't find Lex Luthor. Not because she doesn't want that man brought to justice, but because she's afraid of what Kara can and will do once she sees him.

Kara hasn't mentioned Lena's name in months. But then again, most of their team hasn't.

In the months since Lena’s death, two new members have been brought int the BAU team, William Dey and Nia Nal.

William and Nia know very little about Lena from the team itself, because her name is hardly mentioned. Nia only knows Lena through her reputation, and through what Alex and the other agents outside of their team have told her. 

Alex is the only one in the team who says Lena's name because she hates that everyone tiptoes around it.

Lena was their friend. Her friend, and it's not right that everyone flinches at her name, that they can't look at the plaque of her on the memorial wall. She knows how hard it is to look at Lena's picture there, just as hard as it was to look at Kara's blood on the walls.

But Alex is not gonna be the one to look away. Lena didn't look away when they cleaned Kara's blood off the walls, and Alex will not look away from her either. She's gonna hunt Lex Luthor down like the animal that he is and make him pay for taking Lena from their family.

But Alex is getting worried about Kara.

Her sister doesn’t sleep anymore. Barely eats. Kara doesn't stop — she pores over old files of Lex's murders, goes over the old profile, possible places he might be. Alex is worried about her fixation with Lex. It's not healthy. Kara's grief — or her refusal to grieve — is gonna drive her to the ground.

So she confronts Kara about it.

They're in the BAU conference room when Alex finally speaks up, but Kara meets her gaze head on. With one hand, she points to the empty seat Lena used to favor, right across Kara's. "Lena's chair, Alex. What do you see when you look at it?... Nothing, right? We've left it empty all this time. No one can bear to sit it in. Tell me, what do you see, right now?"

Alex glances over at the chair, then back at her sister "Kara..."

"Tell me what you see, Alex."

Alex sighs. "Nothing."

"Exactly. Nothing." Kara nods, her eyes hard. "Do you wanna know what I see? I see her, Alex. I see Lena sitting across from me, just as clearly as I can see you now.”

Alex swallows at the intensity burning in her sister’s eyes.

“I see her everywhere, Alex. All the time. I see her smile, her eyes, and I—" Kara's voice cuts off with a sob. The agony in her eyes is almost too much for Alex to take. It takes a long moment before Kara can speak again.

"I can't stop, Alex. Whenever I stop and I look at her, I — I know she's - she's gone, but she looks so alive, and I— I know the only way I can get any kind of peace about it is knowing that Lex Luthor has been wiped off the face of the earth."

A frisson of fear shivers down Alex's spine. "Killing Lex won't bring Lena back, Kara."

"I know that, Alex." Kara's eyes are dark as flint. "Believe me. I know."

Sometime after Lena’s “death”, the BAU receives an unannounced visitor.

Lillian Luthor strides into the BAU bullpen, tall and imperial in her furs, her icy glare making everyone it lands on feel small and insignificant.

She strides past the bullpen, past Kara, and comes face to face with J’onn. Her cold blue eyes render everyone in the room silent. She scoffs her hatred into his face.

 "Taking my son away from me wasn't enough for you people, was it? You had to take my daughter away from me too. I warned her. I warned her this would be her undoing, and I was right. And now she's dead." 

They end up having to work with Lillian to find Lex, because as Lillian says "It takes a Luthor to find a Luthor." [And there's gonna be an interrogation lol. I just have this vague idea of Lillian talking about Lex and Lena.]

"The truth is, I lost Lena long before now.” Kara suspects that this is the closest anyone has come to hearing regret in Lillian Luthor’s voice.

“I was.... harsh on her, in a way I never was with Lex. Lex always had a sharp edge to him, but Lena — Lena was too soft, too vulnerable. A Luthor cannot be soft. Not when the world is watching, waiting for you to make the smallest mistake."

It’s not enough. It’s nowhere near enough. Kara slams her hands on the table, unable to believe the nerve of this woman. J'onn grips her arm in warning, but Kara ignores him, snarling at Lillian, her anger plain on her face. "You abused her! You made her feel unworthy of love, unable to trust anyone—"

Lillian lifts her chin. "I made sure my daughter could face a world that's hungry for Luthor blood. I made her a Luthor."

"She was just a little girl when she came to you!" Kara shouts, her fury growing by the second. "A little girl whose mother just died, who was looking for love, and instead she found you. She trusted you—"

Lillian's voice rises, a flash of heat scorching the cool, detached dignified tones. "I made her strong!" 

"She didn't need to be strong!" Kara yells, surging up to her feet, her face inches away from Lillian. J'onn grabs her shoulder, restraining, but Kara presses forward. "She needed someone to love her! And you answered that with nothing but condescension and neglect! The only one in your family who made her feel loved was a psychopath who betrayed her!"

Lillian is struck silent, her eyes wide and her face strained as she stares at Kara. Kara meets the older woman's eyes, staring her down without the fear that a younger Lena must have shown Lillian all those years ago.

Kara wishes she could've been there to hold that young Lena in her arms, wishes she could've taken her away from the family that broke her.

"The Luthor name didn't deserve Lena. You never deserved her."

[trick-of-the-troubles]

this world that has promised so much has delivered so little

because the people who made this world did not make it with us in mind

and the people who had the power to change the flawed system have instead chosen again and again to do what's easy rather than what's right

and it's hard living in a world that didn't think of you in the first place

and you deserve better than to be an afterthought

and i love you

and i'm sorry

[vegasol]

«3! 2! 1! Happy new year!» Everyone screams excitedly all around them.

Then, as they tend to do, all the couples kiss. And for a stupid second, it feels like the whole world consists of only couples. It makes Eddie feel like there’s a giant spotlight on him, pointing him out in the crowd. Look, there’s the single guy. The virgin, with no one to kiss.

He looks at Steve, who’s right next to him. Steve’s got his arms around Robin, she’s got her arms around his neck, and they’re just done giving each other a kiss too, a big ol’ smack of puckered lips. Eddie wonders if he should look away, but then they release each other and Steve turns to look at Eddie, catching him looking.

So Eddie just hovers, awkwardly frozen in place by Steve’s gaze.

“You alright, Eddie?” Steve prompts, reaching out a hand to place it comfortingly on Eddie’s lower back. It feels so warm, makes Eddie feel all fuzzy. Or maybe that’s the champagne.

“I don’t have anyone to kiss,” he blurts, tongue loosened by alcohol and way more honest than what is good for him. “I’ve never kissed anyone before,” he adds lamely, because his drunk self apparently thought that was an important amendment to be making.

“Uhh..” Steve stares at him, confused. Like his gears are grinding away ever so slowly. He’s had plenty of the champagne too, Eddie knows.

“You could kiss me? I don’t mind,” Steve offers, and it suddenly feels simple. Yeah, why shouldn’t he? Steve’s just offering to help, it doesn’t have to mean anything. He kissed Robin too, so it’s no big deal, right?

He lets Steve’s hand on his lower back pull him in gently. They’re the same height, no need for Eddie to bend his neck at an awkward angle or anything. He just steps right into Steve’s space, their lips suddenly just an inch away from touching, their breath suddenly mingling.

I don’t know how, Eddie is about to say, but he doesn’t have time to before Steve closes the rest of the gap. His lips are soft and warm and plush as he puckers them against Eddie’s. It’s nice. And Eddie thinks that’s going to be it: just a sweet, chaste, innocent kiss among friends, before Steve will pull away again. He’d be okay with that.

But instead of pulling away, Steve presses his lips harder to Eddie’s. In surprise, Eddie parts his lips, to draw a breath, to say something maybe, and again Steve surprises him by catching Eddie’s bottom lip in his. Eddie’s breath stutters and he forgets everything about everything. He forgets that people are watching, he forgets that this wasn’t going to mean anything. He forgets how to stand on his own two legs, so he sinks into Steve’s arms, holding on to him desperately as he lets Steve deepen the kiss.

It's like fireworks are going off, not just in the sky all around them, but inside Eddie, too.

When Steve finally breaks the kiss and lets him go, Eddie feels like a changed person. New year, new Eddie. Now that he’s tried it, he never wants to stop kissing Steve.

And Steve, King Steve, he’s gotta know, the way he’s looking at Eddie grinning all smugly. It must be written clearly all over Eddie’s face.

“Maybe you can return the favor next year,” Steve says, and Eddie can only nod.

“Uh huh. I will.”

[pineabble-soda]

Ref sheet for this RGB thing

The cape having wrong overlapped colors was a conscious decision

update: more info and stuff

[c0mbatchameleon]

@jegulus-microfic April 25, prompt: headlights, words: 458

He’s been sitting out on the curb down the street from his house for maybe 10 minutes when headlights and the thrum of an engine cut through the still, 3am darkness. Bag in his lap, burning in his throat; as the truck pulls up to a stop in front of him, Regulus is acutely aware of what it means once he steps inside.

It’s an ending, he thinks. It’s thick layers of dust lining the shelves in his bedroom—how quickly a room can become a relic. Can become ruins. Stale and rotting, a place where life only exists in past tense. In other words, a haunting.

To be fair, the haunting long precedes this—this crux, this threshold. To be fair, it was always more rot than anything else. To be fair, he can’t recall the last time the dark green walls enclosed something truly alive and breathing and not soured by the state decay. After all, it’s only been him for years now.

But Regulus thinks he remembers a time, just one time, when the room was much bigger than him, was everything; a time when a woman who, much the same, was much bigger than him floated into the room like an angel or an apparition, and, having heard his cry in the middle of the night, brushed his hair back behind his forehead with her ever-sharp nails and a whispered promise that everything was okay. He thinks he remembers believing it, then. He thinks it might have been a dream. He had never known his mother to be gentle.

And now, to open the door and cross the threshold is to relent, to find finality in the fact that he never will. He’ll never find out if something soft underlay all that ice-hot flame and sharpened teeth and barbed wire. And he’ll never know if it was a dream. And he’ll never know her, or him, or the home and the ghosts that haunt it, in the way he so desperately tried to.

His lifelong fight. And surrender is only a couple steps away.

Before he can take them, the driver’s side door opens with a click that pierces through the oppressive quiet this street has always known. And there he is, backlit by the single dim yellow streetlight like something holy, something divine, circling around the front and stopping at Regulus’ feet with an outstretched hand.

A hand. An offering. An end. A beginning.

When Regulus takes it, lets James pull him to his feet, let’s him take his bag and the weight on his shoulders to store in the backseat, he thinks that some endings might not be so bad. That maybe, some fights are worth giving up.

He thinks he wants to live.

[crow-with-a-pencil]

@naffeclipse

Them ❤️

[amvro]

pairing: amuro tooru x reader

summary: he is home late (again) but you love to stay up for him

cw: i would not say suggestive but a lot of kissing implied ? IDK IM SORRY, it’s very short

It wasn’t rare for you to be staying up waiting for him to come home, but tonight he was especially late coming home and he truly did not expect you to still be up. The clock almost ticked 3:30am and he truly wished he didn’t have to stay out so late if he knew you would still be up. He was going to ask why you were still up and tell you about how you should’ve just slept without him, but he knew you would tell him you would be too worried to fall asleep regardless. 

“I’m so sorry I was so late,” he said, apologetically. “But really, next time you shouldn’t mind me. It’s far too late.”

“And it’s far too late for you to be out with no one to greet you when you come home,” you replied with a soft smile. Gosh he was in love with you. “Waiting for you to come home is one of my happiest times, at least let me do this much. Besides, it’s a Friday we get to sleep in tomorrow.”

And you were absolutely correct. Although he’d tell you every single time to go ahead and sleep, it still warmed his heart when he saw you reading a book or scrolling through your phone with a warm tea, waiting for him to come home. The way your face would brighten up when he came home was truly the only thing that could heal him from a long day at work.

“I’ll hop in the shower real quick, so go to sleep okay? It’s still not good to be up this late,” he said as he took off his coat and put his stuff down, getting ready to step into the bathroom.

“Wait,” you said, almost subconsciously.

“What is it, love?”

“Oh, um,” you said, you hadn’t meant to say it out loud. You looked up at him slightly embarrassed. “....kiss?”

A faint blush covered his face as his eyes narrowed and lips pursed. He did not understand how you managed to make his heart flutter from such simple words after all this time, but he did understand that this wasn’t going to go away. He walked right back to you and pressed a kiss on your lips. He was going to kiss you again when he resisted the temptation and kissed you on your forehead instead. 

“Why not?” you asked quietly. You were going to kill him if you kept this up.

“Because I’m not going to be able to stop at this rate,” he said, but you went and kissed him instead.

“But I don’t want you to...” you said. That was it, he was giving in. Saving the country was a whole lot easier of a challenge than the ones you gave him it seemed.

“Okay, now you’ve done it,” he said, kissing you again. 

The shower will have to wait a little. 

[estrellami-1]

Writer prompt: “When will I get people who care the way I care?” Steve + the party hurt/comfort

Lmaooooo not you turning my own words on me (thank you I probably needed to write this ngl)

Steve made a point to remember the kids’ birthdays. To know their favorite foods, their allergies, to have their favorite tapes in his car.

And it’s not like it’s serious. Steve wouldn’t die from it. Probably.

It’s just… well. He told them he was allergic to shellfish. He remembered the day, especially, because they’d all had a long discussion about what was actually classified as shellfish.

But now someone decided to bring a clambake up to Bumfuck, Indiana, right where Steve lived, and all the kids are so excited about it, and he’s excited for them, honest.

But they don’t understand when he declines the offer to go, their request to drive them. Slowly but surely, he realizes they forgot.

Maybe he should’ve expected that. Maybe he should’ve known the expectations are different on the babysitter versus the babysat. Maybe-

“Alright,” Eddie says suddenly, one loud clap getting everyone’s attention. “Everyone out! Something’s come up. Great to see you, same time next week, untold horrors, et cerera. Get the fuck outta here.”

Eddie turns to Steve once everyone’s gone. “What’s wrong?”

Steve blinks. “What?”

“You’re making a face like something’s wrong.”

“Oh.” Steve debates not telling him, except that’s never done him any favors before, and he doubts it’ll start now. “Um. Just. Y’know the clambake?”

Eddie chuckles. “It’s practically all the kids talk about.”

“Yeah. Um. They didn’t understand why I didn’t want to go. Or why I didn’t want to take them.”

“Okay,” Eddie says slowly. “I’m all for telling the little shits no once in a while, don’t get me wrong. But… why did you tell them no?”

“I’m allergic to shellfish.”

Eddie’s mouth opens in an o. “Do they know?”

“Yeah. Or they did, I dunno. I guess they forgot. And I just… I dunno. Got in my head about it, I guess, because I remember things that are important to them, y’know? I have their tapes in my car, I know their favorite foods, I know what they’re allergic to. I know what to do to help all of them through a nightmare or a panic attack. And I spend so much of my time giving, and being what they need me to be, and… I guess it gets tiring, sometimes.” He shrugs, looks down. “I’m just wondering when I’m gonna get people who care the way I care. Who remember the little things, maybe not even cause they’re important, but because they’re part of me, y’know?”

Eddie smiles sadly, sits next to him. Turns his body to face Steve’s. “You mean like the face you make when you’re cooking and your sauce needs more salt? Or the way you dance a little, wiggle your hips, when you’ve got music playing and you’re doing the dishes? Or the way you clench your fists when you think no one’s looking, when you’re trying not to fidget or reach out and touch?” He touches one of Steve’s hands, clenched in his lap. “You can.”

Steve sighs, releases his hands. Turns one over and capture’s Eddie’s. “And the important thing,” Eddie continues. “The way you keep the pool lights turned off when the kids aren’t over. The way you hate to cook for just yourself. You ever wonder why I invite myself over so much? ‘S because I know you wouldn’t eat otherwise. The kids are assholes, I’ll give you that. They’re also kids. Let them grow up some, keep showing them the love that you are, and trust that one day they’ll show it back. Until then, can I be enough for you?”

“Eddie,” Steve whispers, chokes. “You’re always enough. More than.”

Eddie moves in closer. “Let yourself take,” he whispers back, slotting an arm over Steve’s shoulders and pulling him in. “Trust that I’m giving. That I want you to have it.”

Steve leans in. Doesn’t say thank you. Doesn’t kiss him. He doesn’t have to. He’s taking, accepting. And that says everything.

[flowercrowngods]

part 1 | part 2 (these make one big story, you won't understand this part without the others)

day 03: first kiss

a/n: not sure if I vibe with this part, but I hope it's okay. also don't think you're getting fluff

A broken heart is such a thing that will make you live either in the past or in the future; never in the present moment. Lovesickness feels like a virus is attacking the very fabric of your universe, distorting time and space and leaving you floating; directionless and hurting. 

That is how Steve feels as he goes through the motions of his life, getting his kids ready for finals, for their oral and written exams, or planning end-of-year school trips. While school provides a great distraction and he has mastered the art of switching into teacher mode almost effortlessly, he feels like he’s just an inch or two beside himself. Beside where he should be. 

He’s dwelling in the past or mourning dozens of possible futures, an infinity of them that will end up unrealised, unlived, unloved. His heart is heavy all the time, his head hurting, and his phone chiming with an endless string of messages that go unopened, unreplied. 

It’s been a few weeks since the engagement party, since he last saw Eddie — who asked if he was okay, who has been asking to see him again, to hang out, have a drink, just catch up. But every time he does, Steve just hurts, and he finds excuses. 

— Sorry, it’s finals season, I’ll be spread thin for the next few weeks :(

Eddie had replied with a litany of sad, brokenhearted emojis that were at equal measures ridiculous as they were exactly what Steve was feeling. Is feeling. Will probably always be feeling, for the rest of his life and beyond. 

So far, Eddie hasn’t asked him to be his best man. Steve sort of doesn’t want to give him the opportunity for that. He’s cowardly enough to wish he could avoid Eddie forever if only that meant he wouldn’t have to see his face fall and crumble when he tells him, No. 

No, I can’t be your best man. I can’t make it to the wedding. I can’t make it, I can’t do this, I can’t stand by and watch as you show me and the rest of the world that your dream life is not with me. Never with me. I can’t hand you over when all I wanna do is hold you. Hold your hand. Walk you down the aisle and then sweep you up in my arms, just to run out, run away; anywhere, as long as it’s with you. 

It doesn’t make sense. There won’t be an aisle, there won’t be any sweeping, there won’t be a future for them. Never has been. Not like this. 

Although there was a brief moment in time where their futures almost aligned. Almost. The timing was never right, though, stumbling through the motions and currents of two lost boys’ emotions. But it was almost there, almost enough.

And it's what's been on Steve's mind all week, playing and replaying, tearing at him from the inside out, leaving him with a jigsaw puzzle of infinite pieces of could have beens, would have beens, and what ifs.

"You know," he tells Robin one evening, who has practically moved in now, claiming that broken hearts are best nursed together. "I was actually Eddie's first kiss."

To her credit, Robin doesn't drop the carton pizza at Steve's non-sequitur. She just swallows hard and looks at him in that careful way she has now, where she's trying to read him and ask his eyes to tell her what it is that she should say next. It's frustrating. It's the greatest kindness anyone has ever shown him. It makes him want to punch a wall, and it makes him want to wrap her in the warmest hug and never, ever let her go.

"You were?"

Steve just nods, his lips trembling as his throat closes up again.

"No," she says in the gentlest voice, taking his hand as she guides him to the living room couch. "I didn't know that. Do you wanna talk about it?"

He shakes his head, tucking his feet under her thigh and leaning sideways against the backrest of the couch. His head is heavy and he's tired. He's always tired, even though he doesn't cry as much anymore. It's been four weeks since the engagement party.

"No, I just, uh– Just wanted to say that."

She nods, her eyes boring into him for two, three, four seconds before she finally turns to her pizza.

He looks past her, his eyes unfocused as his mind travels back to that day when they were still in high school.

~*~

The day that Eddie told him he was gay. And Steve had asked how he knew, because he'd been wondering about his own sexuality.

"I don't know, I just know."

"Well, have you ever kissed a boy?"

And Eddie had blushed a little, charred with his feet in the dirt like he always did – still does. "No."

"Okay."

And Steve, ten years ago, had thought, why not kill two birds with one stone. "Would you like to?"

"Huh?"

"Well, I mean, I'm kinda on the fence about it? Sometimes I think I might like guys, but then other times not so much. But I've never kissed one either, so," he shrugged. "If you, like, want to? We can."

"You want me to kiss you?" Eddie sounded incredulous, but his eyes were very big, very dark, very vulnerable. And it was not a no.

"Only if you want to."

A grin split Eddie's face then and he raised his eyebrows suggestively, but there was something forced about it. "Well, what If I fall madly in love with you, Steve Harrington, hm? What then?"

"Oh, please," Steve had only snorted; the thought that Eddie would fall for him out of all people was just too absurd.

And then something had shifted between them, the air turned into something sizzling as Eddie's smile fell and he stepped closer to Steve, raising one hand to his cheek.

"Here goes my first kiss," he murmured.

"Ever?"

"If we discount Lisa from kindergarten, then yes."

Steve huffed, looking down at Eddie's lips, the moment strangely intimate – but not uncomfortably so. Being this close to Eddie wasn't something new, Steve was used to his friend's tactile nature. "Fuck Lisa from kindergarten."

"I'd really rather not," Eddie smiled before finally, finally leaning in and capturing Steve's lips in a kiss.

To this day, Steve is not sure why he went and deepened the kiss like he did. Was it because he knew this was Eddie's first and he wanted to make it good, make it last? Was it because something deep inside of him knew that he liked boys, too, and that he liked Eddie, even though that realisation wouldn't come for another year at least?

He doesn't know why, but he feels it on his lips still, the memory of their first kiss. Their only kiss. A spectacular one that ended with twin smiles after Steve showed Eddie how to move his lips, how to tilt his head, how to open his mouth to let him in. How to capture the little sigh that he would make.

Eddie had looked at him, a little dazed, and Steve grinned at him, delighted at his expression more than at the kiss itself.

"A-And did you," Eddie started, pulling his hands away from Steve and shoving them deeply into his pockets. "Did you get any closer to, uh, to finding out?"

"If I like guys?"

Eddie nodded.

Steve thought about it; about the kiss and how it wasn't as soft as making out with Nancy or Allison. How he would swallow their moans and run his hands along their soft bodies. Eddie wasn't like that. Eddie was just Eddie.

"I think I'll just stick with girls for now," he shrugged with a smile, patting Eddie on the shoulder and squeezing lightly when the other boy began to sway a little.

"Suit yourself, Harrington," Eddie said, shoving him a little. "But you're missing out."

Years later, Eddie had drunkenly confessed to him that he'd had a crush on Steve back then. For years. And Steve had wanted to ask about it, ask if it's still there, that crush, that connection on a deeper, closer level; but then Eddie told him, "Remember Chrissy? We're official now."

And all the words had died on Steve's lips. All those questions, or the confession that, Yeah, me too. Though Steve's crush on Eddie was much later, years after their first kiss, – and it never really ended.

Still hasn't. And it's not a crush. It's more. It's everything.. He's in love. In it. Caught, stuck, trapped inside, while Eddie and everyone else is on the outside, just watching him struggle.

~*~

Later that night, on his umpteenth re-run of the First Kiss Episode that's keeping him from falling asleep, leaving him frustrated and sad and wondering, his phone rings. Eddie's name pops up on the screen, the impersonal Eddie Munson feels like a knife through his heart. He couldn't bear any of the silly nicknames that Eddie's always had in his phone, and needed to go back to a clean slate.

It hurts, though. He watches, considering to let it go to voicemail – but he hasn't talked to his... to Eddie in four weeks. Barely even talked to him on his engagement party.

And even though there's a chance opening for Eddie to ask him or to talk about his wedding, Steve answers the call.

"Stevie," Eddie says, somewhere between a sigh and a hum, and immediately takes away Steve's breath.

"Hi," he rasps. His heart is racing, his hands begin to tremble and he's shaking even under the thick, warm blanket.

"Did I wake you?"

He hums a negative, not trusting himself to speak, and it comes out a pathetic croak, because God, he missed Eddie. Part of him was missing – part of him will always be missing now, he knows –, and it makes him cry. It's not a sob, not a wail, not anything that Eddie can hear or something that would alarm Robin in the other room.

They're silent tears, and he presses his face into the pillow. He should hang up.

"Stevie?" Eddie asks again, his voice so small, so gentle, so worried. "Are you okay?" And after a moment of Steve being unresponsive because he can't catch his breath without gasping, Eddie asks, "Are you crying?"

And just like a kid that tries to be brave through the pain after falling down, but breaks the moment someone asks if they're hurt, Steve lets out a tiny, broken little sob.

"Oh, Stevie baby," Eddie sighs, and he sounds so sad, so compassionate, Steve never wants to hear his name like that ever again. "Do you want me to come over?"

"No," he croaks pathetically, hitting himself once, twice, three times for not keeping it together. For not being strong enough.

I can't do this.

"What do you need?"

"Sleep," he sniffles, stupidly.

"Okay. Then I'll stay here and be silent company, yeah? Don't need to be alone. Is Robin there?" He hums again, affirmative. "Good. Want me to say something? Read to you, tell you a story? Play you some music or–"

"Eddie," Steve manages. I love you. "Just silence? But you don't have to."

"Nah, I'll stay with you," Eddie says before Steve even finished his objections. "Until you've fallen asleep, yeah?"

Steve just nods into his pillow, even though Eddie can't see or hear it.

He's watching the seconds turn into minutes as the time passes. He's so tired, but he doesn't want to let go yet. Not when Eddie is right there. Not when there's still the phantom feeling of his lips capturing Steve's, a memory that is ten years old and still as strong as the very first second.

He should have known, then. Should have leaned in for another kiss, should have told Eddie that he knows he's into boys now, too, and ask Eddie to keep kissing him.

He shouldn't have taken years.

He should have created a new world just for the two of them, with an infinite amount of futures, and all go them happy. All of them SteveAndEddie.

But he didn't. And he wants to apologise. For being so slow, for not knowing until it was too late. For pulling away these past few weeks when that's the last thing he ever wants to do. For not being strong enough; for being too weak.

I'm in love with you, he thinks. Over and over and over. Mouths it voicelessly into the silence between them. Says it out loud when after almost two hours, Eddie hangs up with a quiet, "Good night, Stevie. I miss you." He says it when Eddie's gone, the beep of an empty line the only response he gets before that cuts out, too.

And then he's all alone again.

tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @imzadidragonfly @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae and thanks to everyone who said nice things about this 🤍🌷

come back tomorrow for: here come the tears (and hurt/comfort, maybe) | read part 4 here

[existingillusion]

You lighten my days in a universe I despise.

[darklight-owl]

Wtf did Dimitri mean "molecular instability". Was Claire's body dipping in and out of the blast? Did warm breezes feel like fire on her skin? Did the cold night air smell like smoke? Did the sunrise look like the flash of an explosion? Did she feel her body turning to ash, only to realize she was still alive?

I... I need to lie down.