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#this didnt at all go how I wanted it but here
bxeckersz · 2 days
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Broken Promises | Caitlin clark x fem! reader
warnings: toxic rls, language, cheating, caitlin being a master manipulator
summary: cait and y/n being toxic idk
A/N: thought abt this during class and its ass cause i havent wrote in so long
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“Caitlin i’m sick of this!” you yell, pacing around the living room as she just stood there looking stupid. You and caitlin have had the same repeating cycle for 3 years.
For three years you guys would argue, she’d walk out, you’d break up, she’d apologize, you’d have makeup sex, you’d get back together, and the cycle would repeat. It’s tiring.
you guys got in another argument after you went through caitlin’s phone and found out she’d been hooking up with some girl for a while.
“let me explain” She exhales out. “Explain for what Caitlin? What do you have to explain? I’ve seen it all! All those ‘late night practices’?” you shout at her. the neighbors could for sure hear us because of how loud you were yelling.
She’d been playing you like a fool. She would tell you she’d have “late night practices” or “media shit” and she’d really be fucking some slut.
“You’re out fucking some random girl while i’m at home going to bed alone, caitlin! Every night!” you yell at her, tears stifling down your face.
“Bro, let me talk” She sighs, covering her face with her large palms.
“No! You don’t get to talk anymore! Do you know what i’ve sacrificed for you? Hell- i’ve lost friends- family members have stopped talking to me because i moved to Indiana with you! it was all for you! everything. and this- this is what i get in return?”
“Okay, and what, I haven’t sacrificed shit for you?” She yells back at you.
you scoff, pushing past her and walking into the room. “Hey- don’t walk away. baby-“ She sighs.
“I’m done with you! for good! your not gonna keep playing with my heart- your not gonna keep treating me like this! You don’t even care- you’re never here anymore!” you sob, covering my face.
“Hey-hey- please don’t cry baby. please- let’s talk this out.. it’s not what it looks like i swear- she’s just a friend. you can even ask Aliyah,” She pleads, her voice cracking as she wraps her arms around your waist from behind.
“Yeah right. friend my ass.” you scoff, wiggling out her hold. “Baby- she’s really just a friend. nothing more, nothing less. i don’t want anyone but you, y/n. I can’t lose you. please- just let me explain.” She cracks.
You sigh, biting your bottom lip, tasting the saltiness from your tears. Your eyes were puffy and red from all the crying, your clothes soaked in tears.
You knew she was lying- you knew deep, deep down she was lying, but it sounded so genuine. And so- you found yourself naked- tangled in her embrace for the billionth time.
For weeks everything had been good. She was coming home on time, her phone was clean of anything suspicious-she dedicated all her time to you. Until- she didn’t.
she started coming home late again, she stopped giving you access to her phone- and worst of all- she came home with a small hickey on her right upper thigh.
she told you it was just lexie playing around with her makeup- but why was it so high up? and of course- you didnt press the issue because she did everything she could to make you stay.
It was 1:36 am and Caitlin still hadn’t returned home. you found yourself on the couch- the tv and the small overhead oven light being the inly source of light.
You made dinner after Caitlin told you she’d be home early. the food you made had been freezing cold the candles you lit being blew out ages ago.
You sighed, that familiar lump in your throat forming as you stormed into the room. You swiped your side of the room of everything, grabbing bags and suitcases. You began stuffing the various items into the bag, making sure you left nothing behind.
For 3 years, all you did was love and support that girl. and she couldn’t even give you a dinner in response.
You stormed to the closet, grabbing everything of yours. you had everything of yours packed. You slipped on your shoes, making sure you left your side nice and clean. You then made your way into the bathroom, collecting your belongings.
Once the whole house was cleared from your belongings, you grabbed your phone and blocked caitlin on everything. You grabbed your car keys off the hook, walking out the complex door.
you loaded everything in your car before calling your mom. You were done with caitlin- officially.
she played with you way too much.
“Im on my way to your house” You cried as your mom picked up the phone. “what happened? why’re you crying? calm down” she jumbled out. “I’ll explain later” You mumbled, words muffled by your cries.
“Just be careful on the road- love you” She says, her voice full of worry.
had you made the right choice??
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Thanks for reading all the way through!
might do a pt 2 to this w caits pov
felt good to write again lowk also ts is not spell checked or nun so
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vulpixisananimal · 2 days
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"And you're absolutely, positively, one-hundred percent sure about this?" (Isabeau asked, he looked at you, concerned. He had worried about you all morning, helping you get ready for the day, checking for bruises, for anything wrong at all. But no, the only issue you had was the same issue you had yesterday.)
"I'm sure, absolutely, positively, one-hundred percent sure." (You nod. It was, it was the only place you could think to go.)
(The Favor Tree.)
(You were going to be useless in the house. Drag them all down, get them killed, fail over and over again if you just ran into that brick wall called the House of Change. No, no what you needed, was, some time alone.)
(It took some convincing, but eventually, everyone agreed. Isabeau would help you to the Favor Tree, sit you down, and you'd wait for them to return. You tried to subtelty give them tips, hints on how to get through the house without you, but it was hard without giving anything away.)
(They would be the heros this loop, you'd just be another frozen soul in Dormont, unless you looped back beforehand, naturally.)
"I-I could still carry you! I wouldn't mind! I can beat sadness AND help you through the house!" (Isa was practicly begging, but you couldn't go, not this time at least.)
(You chuckled, and smiled.) "Hey don't worry, I'll be waiting for you right where you leave me, okay?"
"Ha, haha. ." (The laugh was forced. Jokes wouldn't help warm the air here.)
(Eventually, the two of you ended up at the Favore Tree. It loomed above you; imposing, menacing, taunting. You kept your forced smile, Isabeaus arm holding you up. You still. Couldn't. Fell. It.)
". . . The Favor Tree's pretty cool, isn't it?" (Isabeau says.)
"Yeah it is. . ." (Ah you knew this line.)
"Glad you agree!"
(Make the pun. Make the pun it's the one thing you gotta do each time to stay sane just, make the pun.) "One could say it's a pretty. . ."
". . Uh huh?"
"Tree-mendous tree!" (You say, just like before.)
". . Heh, hehaha! Ha!" (Isabeau laughs, you laugh. This time at least it wasn't as forced but. . . You could still tell he wasn't happy with it. With your whole situation.)
(He doesn't reach for you. Good thing too, you couldn't step back either.)
"Any place you want to be set down, or. . ." (Isa asks)
"Oh uh, just that root over there." (You gesture with a nod. Isa helps you over and sits you down, leaning your back against the tree. He steps back. He was looking at you, his face was full of, pitty? Great, it was pitty.)
"And, you're absolutely, sure?"
"I'm sure, Isa, okay? I promise." (You keep smiling.) "See you after the day's saved, okay?"
". . . Okay, I-I'll, I'll see you. Later. I'll see you later. After we're back."
"You'll do great! Isa! Big buff guy Isabeau! You'll do great!"
"Yeah!!! It'll go great!!" (Isabeau finally smiled back. As forced as it was.)
(He waved, you smiled back, he walked away. You wait untill he's gone. A beat, two, three, four. . .)
(. . .)
(. . . . . . . .)
". . . . Wow Stardust! You've really caused quite the stir!" (And in an instant that familiar voice filled your ears. You turn your head and sure enough, Loop was there. Oh Loop. Reliable, wonderful, annoying as hell. They didnt have a mouth but those eyes were all they needed to grinn.) "You have Isabeau carting you around like royalty! My, lucky you!"
"Loop. . ." (Your breathing gets heavy.)
"Was it all to get more time with me, Stardust? You know you could have just snuck out~"
"Loop I, I can't-" (Your stomach hurts.)
"What, can't move?!?" (Loop huffed, looking away.) "Come on, Stardust! You went back in time! So what if the King snapped your spine, it's fine now!"
"But, it's not-" (Why didn't they believe you?)
"It's fine!! It has to be fine!!" (Their tone changes, angry, or-) "You changed time!! Whatever you did it doesn't matter now!! It gets, turned, back!!"
"THEN WHY CAN'T I DO ANYTHING?!?" (You yell, you yell and yell. You yell and cry.) "WHY CAN'T I FEEL ANYTHING?!? WHY CAN'T I MOVE?!?! WHY AM I JUST, SO, USELESS?!?!?!"
(Loop doesn't reply. You keep crying, you can't, you can't stop yourself.)
"I can't do anything!! I'm useless!!! A sack of rocks to be hauled around!! I can't do anything by myself, always needing help!!! Do you think I want that?!?"
"I can't move!! I CAN'T MOVE!!!! I can't check for traps!! I can't look for keys!! I can't fight I can't walk I can't eat I can't flip pages of a book I can't do ANYTHING!!!"
"We'll never make it out!!! We're STUCK here!!! AND IT'S ALL MY FAULT!!!"
(You were sobbing, you couldn't stop. You were stuck here. You couldn't move, you couldn't fight, walk, win, live, do anything. You'd never escape, you'd never get out.)
(You're doomed.)
(It's quiet. You don't know for how long it's quiet for. You sob, unable to stop, eye squeezed closed. Loop doesn't say anything. You hear the wind rustle the leaves of the Favor Tree. You feel the sun on your face.)
(You calm down, taking a few deep breaths, one, two, three, four, five, sex, seven. You're okay, you're fine, you're okay now, you're.)
(You're. Over. It.)
". . . . . . Siffrin, I. . ." (Loops voice. You don't open your eye.) ". . . . I'm sorry."
". . . It's fine."
"No! It's not fine!" (They huff.) "If- since it looks like you really are stuck like this, we need, a new plan."
". . ." (You sigh.)
"You won't be getting anywhere by moping Stardust~" (Loop giggles.) "Who knows! This could be some twisted blessing in disguise!"
"Yeah right. . ." (You roll your eye.)
". . . Well? Are you just going to sit there being sorry for yourself?"
"Sorry, let met just stand up and be sorry somewhere else." (You stick your tongue out.)
"Hah! Hahahaha!!" (Loop laughs, and claps their hands together.) "Well now that you're feeling better, how can I help you out on this wonderful new loop, Stardust?"
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angelpuns · 19 hours
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Lil Hater Au Prequel Blurb:
Leo stormed through the lair, trying his hardest not to look incredibly worried. He rushed past the living room, a sound of general confusion following him. He didn't bother looking back, he thinks by how deep the voice was it must have been Raph. 
He didn't have time to stop and he didn't have time to explain. He hurried to his room, huffing at the effort it took to slide his doors open. He needed to make a mental note to ask Donnie to oil it. Or he could himself. Whatever, he probably wouldn't remember regardless. 
Leo leaned his crutches against the wall and hurried to pull his gear on. Wraps, pants, belt, knee brace. 
He struggled with the second one, but ultimately decided to wear it. He planned to be fighting, whether it was his friend or someone else, and he'd need the support.
Leo fumbled with the cool metal of his battle shell, cursing under his breath at all the time he was wasting. He needed to hurry! He wasn't gonna make it if he didn't hurry! He quickly pressed the button to adjust the pressure and did a little stretch to test it. Perfect as always. 
One sword was slotted into the holster on His back, the other held tight as he hurriedly reached for his crutches. 
He spotted Raph poking his head in the door just as he opened a portal, shooting his older brother a (hopefully) reassuring smile before stepping inside. 
He winced at the high pitched ring of electricity that always accompanied it, his cochlear quickly readjusting as he was transported to the back room of Run of the Mill. 
It was quiet back here, the voices of patrons far enough away that even he couldn't hear it. And just as he thought, Yuichi was standing with his hand on the back door’s handle. 
He had quickly turner at Leo’s arrival, a knowing scowl already on his face. 
“ Leo, I told you not to bother,” He huffed, turning to face him fully, “ nothing you say is gonna stop me.” 
Leo gave him a once-over. Yuichi was in his old Nexus gear, though it didn't seem to fit him well anymore. In personality or in size. 
“ What you're doing is idiotic. What if you take another hit to the head? Or you have a seizure?” Leo started, slotting his sword into its holster, “ you think those guys in the arena are gonna wait and make sure you're okay?”
Yuichi didn't answer, grimacing. He didn't meet Leo's eyes, hunching in on himself further. 
Leo swallowed. The thought of it had him tossing and turning most nights, new nightmares adding to an already startling collection. He didnt want to say it in case it became a reality. 
But how was he gonna get it through this fluffbrain's thick skull if he didn't voice It?
“ They'all kill you, Yuichi…” 
The words felt like glue in his mouth, sticking badly to his teeth. Like Leo was sentencing his friend to death with just that statement. 
“They won't! I'm… I'm not weak, Leo!” Yuichi fired back, letting out a sigh and letting his hands dall to his sides, fists clenching. 
He stood up a little straighter, eyes meeting Leo's for the first time since he'd gotten here. 
“ I have to do this. She has my sword, and I have no intention of letting her get away with keeping it for another day longer,” 
He turned to leave, Leo stumbling forward to reach out and grab his arm. It stopped him for a moment, and Leo seized the opportunity to squeeze a little tighter. 
“ Yui, come on, you're not this stupid. You know she won't give it up without a fight, “ He started. He never understood why Yuichi was always so serious about getting the sword back. Leo understood more than anyone about how it felt to lose a precious weapon, but it had never been worth his life. It had never meant making such a dogshit deal with the devil herself. 
“ Leo, let me go…” 
Yuichi pulled weakly at his arm, but Leo pulled him back a little, letting out a weak laugh. 
He was getting desperate. 
“ its just a sword, Cottontail! We can get another-”
Yuichi ripped his arm from Leo's grasp, the slider stumbling forward to catch himself at the sudden balance shift. 
Yuichi's face was shattered, tears threatening to spill and cheeks flush with anger. He bared his teeth for a second, words choked out UB angry hiss. 
“ it's not just a sword, Leo!” 
He let out a shuddery breath and quickly wiped his eyes, hand on the door handle again. 
“ you don't understand! I have to do this, I have to be the one to do this!” He opened the door, the roar of a crowd and the bright lights of the battle nexus arena suddenly flooding the dark, quiet backroom.with light and sound. 
Leo flinched at the adjustment in his tympana and grimaced, “ at least me me help you! I'm- I can help you!” 
“ NO!” Yuichi didn't even turn to look at him, “ I have to do this alone!” 
He stepped through the door, leaving it open behind him as he started through the long corridor leading out to the arena.  
Leo could only watch, heart in his throat. Whether that was because of the thudding of the arena past the door or because he as fucking terrified, he didn't know. He trued one last time, leaning and shouting through the door. 
“ YOU’RE GONNA DIE OUT THERE!” 
and in the last second before the door shut itself, he saw Yuichu turn with such a fearful look and lock eyes with him. 
He was scared. And Leo couldn't help him in the slightest. 
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voiths · 2 days
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☾ "Be a good girl and use your words" ~ Price x reader☽
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Pairing: Captain Price (also the other ops kinda)x female!reader
Warnings: Nsfw Content
Word Count: 1320
Summary: This is connected to the series on tumblr "On the run" by @devil-in-hiding but can be read without knowing the series. Reader is pent up with the fleeting touches of the team members and price is there to help but being a teasing cunt while doing so.
Note: Be gentle this is the first written out nsfw oneshot i have written.
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It's been around a month now since they "broke in" and showed up on your doorstep and it's safe to say they're starting to affect you.
The way ghost stares at your body whenever you work around the house.
The constant praises coming from Gaz whenever you do something for him.
The flirty jokes stringing out of Soap's mouth at every chance he gets.
But the thing that's been affecting you the most is their touches.
One of the first nights they were here the 5 of you sat in the living room watching an old rom con that you convinced(forced) them to watch. You were lying on the couch with your head in Gazs' lap and with your thighs over Simons'. Halfway through the movie you felt Gaz's hands slowly running through your hair absentmindedly.
You slowly realised just how touchstarved all the years by yourself on the farm made you. Breathing evening out and eyes slowly closing as you felt yourself slowly falling asleep only to be awoken by a hand softly falling on your thigh. Looking towards Ghost you saw no change in his behaviour, he was still looking towards the screen that lightly lit up the room. Trying your best to keep your breathing steady you felt his hand slowly go up on your upper thigh.
On one hand you wanted to stop his hand, embarrassed of the sounds you're trying your best to hold back. What would the others do if they saw?
But on the other hand your skin felt like it was burning up were Ghosts rough scarred hand met your soft thighs. You cursed yourself for only wearing shorts for the movie. The movie has been gone from your mind for some time now, mind only focused of the feeling of simons hand on hour thigh, sometimes gripping it whenever something exciting happened in the movie.
So focused on Ghost's and Gaz's touch you didnt even realise that they started look at you, seeing you lightly squirming, trying your best to stay still and make no noise. Everyone understood to keep quiet, not interrupt whatever was going on.
They only stopped once the movie was over, Simon immediately having to leave to go to the toilet and shower. He definitely had to take care of himself after that.
The others asked if you were okay, worrying about how red you were even though they all knew the reason.
Situations like this only became more frequent afterwards and your need and want for them only grew bigger the more they touched you. But asking them directly for it? No you could never. You held your pride too high for that.
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But oh when one night it was just you and price, sitting on a bench on the front porch looking into the dark fields and forests in front of you. Sitting on his lap with one of his arms wrapped around your waist and the other running over your inner thigh you felt the wetness grow between your legs.
You both have been like that for at least half an hour now constantly teasing each other. Not even using words. Just you squirming on his lap "accidentally" pressing down and feeling the bulge in his pants grow.
Him running his fingers over your thigh, sometimes squeezing and every now and then getting a little higher on your skin.
But you needed him higher. You needed him closer. Needed to feel his touch more and more.
Quiet whimpers started to slip through, desperate for more. Moving around more in his lap trying more and more desperately each time to get his fingers closer to where you needed him the most.
You were so distracted you couldn't even hear him chuckle at your actions. After letting you struggle for a few more minutes he finally moves his mouth next to your ear.
"Cmon my love say what u need. Be a good girl and use ur words."
Whimpers slipping through at hearing Price's words you let your words break the silence of the quiet night.
"Touch me."
"Not good enough darling i need a bit more."
If looks could kill Price would be dead by now seeing ur death glare directed towards him. But how could he be scared by your anger when you're still pathetically squirming in his lap and whimpering like a mutt in heat.
"Please Sir touch me."
"Atta Girl."
Finally you felt his fingers teasingly move closer to your heat, moving your underwear to the side for more access you let out a whimper of relief feeling his fingers move between your folds.
You didn't even notice his other hand moving your legs apart, letting them fall on side of his legs making sure that you couldn't close yours anymore.
In a teasingly slow pace he drew circles over your clit not daring to get you close to release any time soon. As a desperate action to make him go faster you reached your own hand down but as you were about to grab his arm his other hand grabbed ur arm and pinned it to your back together with your other arm.
"Tell me if ya want me to stop or slow down but don't you dare try and pleasure yourself or try and make me go faster. I don't wanna have to punish such a good innocent little girl like you."
"No no please sir please continue i'll be good."
Chuckling at your words his hand released and moved down to your heat as well.
While one of his hands was speeding up making circles on your clit his other hand moves closer to your tight hole. Even with the fluids your body was producing his finger was struggling to get inside. When you felt the first finger going knuckle deep small moans could be heard.
"Be quiet my love or you'll wake up the others and you don't want them to see you all exposed squirming on my fingers do you."
Moans turned into quiet whimpers as you struggled to keep quiet but as soon as the second finger entered you more moans spilled from your lips.
He kept you there for what felt like an hour teasing you and bringing you so close to release but as soon as he felt you starting to shake and tighten on his fingers he stopped and took it away from you.
You were a moaning whimpering mess for him and he loved it. Loved having you shaking and squirming for him.
"Please Price i need it."
"What do you need love, tell me and address me properly."
"Please Sir make me cum."
"Good girl."
Suddenly the fingers on your clit sped up the circles it was drawing on it and those fingers inside of you curled and pressed so nicely against that spot inside of you.
"Cum for me darling."
All it took was those words and you started shaking and quivering in his lap. Eyes rolling to the back of your head while your back is arching against his chest. Price was whispering words into your ear but in your high you could only assume it was teasing words or more praise.
After letting you come down from your high and having you lean against his chest you let out a yelp of surprise when you felt him stand up. Moving you so he could pick you up bridal style he opened the door with his elbow and stepped inside.
He knew it was late at night but unfortunately that doesn't mean that everyone was asleep in the house but fortunately he managed to carry you up the stairs and into your room without anyone seeing you two.
Laying you down on your bed he handed you a bottle of water that you left on your nightstand.
"Okay little lady do you want me to stay here with you?"
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xxlady-lunaxx · 1 day
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Hehe and it's me again! So i dont know if it's late in your country or no. (In mine it's arleady 23:01 anyways so i am here to request something that was in my mind since two days, how about the hashira being totally shocked cause they find out that Obanai sanemi and giyuu are in a poly relationship, like didn't they hated Giyuu? and didnt giyuu hated them too.....
im so mad bc i answered this but then my wifi cut off and then it got deleted DHGHGJ / it’s late evening here rn idk
Hashira reacting to SaneObaGiyuu !
Shinobu Kocho:
Pure disbelief, she’s utterly flummoxed and does NOT believe it. She’s probably supportive but ever so confused, wondering how the fuck they managed this and why and what and when— She maybe suspected Giyuu’s intentions to be their ‘friends’ had ulterior motive but hadn’t even suspected that, nor thought about it long enough to consider it. She’s in a lil shock, give her time and she’ll go back to teasing them (as a whole now).
Muichiro Tokito:
He really does not give a fuck.
Tengen Uzui:
He’s a bit confused and wondering how any of them managed to pull anyone, especially with their personality clashes, but he’s all encouragement and doesn’t mind. He’s probably leaning in for alllll the details. It’s everyone’s problem if he doesn’t find out everything. Really wouldn’t have seen it coming, but then again the most unapproachable Hashira were bound to get together, right?
Kyojuro Rengoku:
(blink blink) Congratulations!!! ?? (he’s a bit confused, wondering how it came out to be like this, but 100% supportive and absolutely hoping that this will make them fight less) (thinks they’re a nice trio tho) (hopes they won’t gang up together against mutual enemies unless it’s muzan, then he hopes they go all out LMAOO)
Mitsuri Kanroji:
#1 supporter all the fucking way!! She’s relieved they got along and wants the best for them. She’s exuberant and giggling (Sanemi was trying not to punch her) and she really wants to hug them all. Feels like a proud mother watching her children grow (neither of the three see her as a mother figure in the very slightest)
Gyomei Himejima:
Glad they’re together, hopes they prosper well, probably the calmest about it. He’s happy for them and is glad they relatively get along now. Also has a little questions about how they managed to talk all of it out, but won’t pry.
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lilybug-02 · 10 months
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Wow. That could not have turned out worse.
Part 23 || First || Previous || Next
--Full Series--
This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/
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anakirui · 5 months
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
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mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
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mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
#project sekai#colorful stage#prsk#tsukasa tenma#mafuyu asahina#mafukasa#theres also obvious ones im sure you all know. like how theyre the sole sekai creators#or their designs paralleling eachother (color schemes of their eyes and hair)#or how theyre both connected to the moon and bunnies#and how theyre connected by a piano with a moon design thats only shown up in mafuyus 2nd mixed and tsukasas 2nd mixed... where they had#their first mixed events together#or how they both easily overwork theirselves#or how theyre almost always projecting onto other people as if their experiences are the norm#ex: tsukasa with rui in wonder halloween and mafuyu with niigo in main story#I CAN GO ON ABOUT THIS FOR HOURS AS YOU CAN SEE .#EDIT: HERES SOME MORE THAT I DIDNT REMEMBER AT 12 AM LAST NIGHT#theyre both connected to apples! points at tsukasa in fixer 2dmv and points at mafuyu2#literally all of their vocaloids parallel eachother.#wxs and n25 miku have a childlike sense of curiosity#wxs and n25 rin are based off someone that isnt them for the most part (saki and ena)#wxs and n25 len are both anxious and pessimistic (in island panic... wxs len has a conflicting pov from meiko and wants wxs to just stay in#the sekai instead of being stuck out on an island... which is kinda escapist as hell)#wxs and n25 meiluka have conflicts that are very similar. n25 meiluka represents mafuyus inner conflict between isolating herself and#helping everyone because she didnt know what would be better#and wxs meiluka is the conflict between tsukasas ambition and his fatigue#which is why wxs meiko always acts like wxs luka is a burden whenever she falls asleep— tsukasa himself wont rest#not when he thinks it will burden other people#and wxs and n25 kaito are both driving forces in tsukasa and mafuyu accepting their true feelings#(although tsukasa is kinda not where mafuyu is yet i think you get what i mean)#EDIT: 5/22/24 I CANT ADD ANYMORE TAGS FUCK
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mossphorescent · 2 months
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moar...MOAR
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lucabyte · 8 months
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I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.
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Textless version where they're just hanging out. It's fine!
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sorry if you’ve already been asked, but what’s your favorite FNaF game?
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I’m a “Pizza Simulator” truther, it’s just the best one, though I’ll be honest “Help wanted 2” has really risen through the ranks for me, its probably my second favourite (that might update if the DLC pops off)
Sister location and FNAF 2 are close behind, they were OG faves
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vigilskeep · 2 months
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when you first start the cousland origin, you can have some conversations with arl howe, teyrn cousland, and duncan that shed some interesting light on the political situation in ferelden. it’s definitely the origin where you get the most context on the rebellion and on cailan and his father. while howe isn’t exactly the most trustworthy of sources, he is also one of the most openly critical of cailan that we have access to, which i think is worthy of interest
howe remembers maric with what the toolset describes as “genuine fondness”: “your father hasn’t spoken of our time with him? that man took care of his friends. as they say, he was large as life and twice as tall!” i think we should pay particular attention to that man took care of his friends.
what howe’s talking about is a really important aspect of kingship, where you win the consent and enthusiasm of the nobility for your rule by offering rewards like wealth, land, and prestige to the loyal. kingship is always less stable than it’s portrayed, and this is one of the ways that kings must essentially sell to the nobility that answering to them is worth their time, which would be especially important in ferelden given everything we know about its culture. fereldans believe someone only has power when it is given by the loyalty of those below them, who have the right to freely rescind that loyalty. the dao codex says that “the sight of [fereldan kings] asking for—and working to win—the support of ‘lesser’ men is a source of constant wonder to foreign ambassadors.”
i suspect howe is remembering a maric fresh from the victories of the rebellion, who was able to reward those who had followed him with the spoils of those victories. at the end of the stolen throne, we see that in the final days of the rebellion, maric was killing those who had betrayed his mother to the orlesians even when they arrived under truce to meet him on holy ground. in dao, we see no lingering orlesian nobility except for those who married in and continue to be met with marked hostility. i think we can safely surmise that maric elected to make no conciliatory measures and give everything to those who had followed him; with the orlesians on the run and his people out for blood, he was in a strong enough position to do so, and it certainly served to win the fond memories of men like howe.
by contrast, howe goes on to say, “it’s too bad cailan isn’t half that.” the toolset notes establish very clearly that it’s the same issue, elaborating on howe’s thoughts: “bitter turn, i don’t get as much from the current king”, and “disdainful, i have no use for him, he does me no favours”. this isn’t a minor character detail, if howe’s last words when killed by the player are anything to go by. “maker spit on you... i deserved... more...” whatever it is that howe feels he should have been given, by the crown or anyone else, it characterises his actions and his defining treachery.
it’s in these same conversations that we see another side of this demonstrated. there are two points where howe can openly criticise the king, and bryce immediately admonishes him for both. one even has the toolset note: “speaks sharply, as a lord to a lesser man, not a friend to an equal”. it definitely comes across that way; the way he tells howe “that’s enough” is not far off the voice he uses when the player, his child, displeases him. bryce can’t tolerate any criticism of cailan, as the couslands in dao are ardent supporters of the king. to venture some hc, i suspect that this is not merely royalist fervour, and that howe’s resentment for having been given less is matched by bryce’s awareness of the precariousness of having more.
over the centuries, the theirins have consolidated their power and eradicated almost all the teyrns (the noble rank that is second only to the king). with the only other lingering teyrn being loghain, who is essentially part and parcel of the royal family, the couslands stand alone as the only real rivals to theirin power within ferelden. there are rumours that bryce was once considered for king instead of the theirins; he too could have decided to believe he “deserved more”. but unlike howe, and perhaps understandably given his strong position and happy growing family, he is satisfied with what he has. he will not take the risk of even the slightest challenge being made within his hall
(i expect that bryce’s satisfaction with the current situation further spurred howe’s dissatisfaction to its heights, given the complicated cousland-howe history and the fact that he was expected to accept a friend he had fought beside as a superior for the rest of his life.)
i don’t think howe’s judgement on cailan is likely to be without basis. we don’t hear about any victories the young king has to his name, from which he could have passed around spoils. (to be fair, cailan had harder luck than maric in this regard. a king who raises a successful rebellion gets to bring glory and prestige to everyone who follows him, whereas a king trying to rebuild after that rebellion mostly gets to bring, uh, taxes probably. especially on wealthy centres of trade like howe’s amaranthine, one might assume.) cailan also takes a far more diplomatic approach to the question of orlais, which perhaps predictably did not win over many nobles of howe’s generation. it makes sense that cailan’s strongest supporters would instead be men like bryce who hope for things to simply continue, peacefully, as they are. perhaps in another world where cailan had won the battle of ostagar, he might have earned wider respect. (you could actually argue on this basis that there’s more sense and purpose to cailan’s glory-seeking than he usually gets credit for.) but howe already acts before ostagar, which can only demonstrate his certainty in cailan’s failings at this point: his belief that even if cailan could win, he would not be stable enough to pursue justice for the couslands
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chompe-diem · 4 months
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hey. don't cry. audible smile in brian murphy's voice when he says "...but it's good when your friends look out for you" ok?
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opikiquu · 3 months
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(disappears for a month and reappears with a slightly obscure hyperfixation) Hey guys
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katabay · 8 months
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories#are GENIUS and also somewhat terrifying. love them! xoxox#anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun#to talk about. which. for the record. has not stopped me from talking about it at length to people#the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying#it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks#and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower#because the game is very much ALMOST about changing times and authoritarian violence and capitalism#(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here#in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top#of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting#SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT#unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable#thief the dark project#i still have no idea how to tag the game series as a whole RIP#sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know#garrett thief#basso thief
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themyscirah · 20 days
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What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)
Yeah ofc!
My Wonder Woman Starter Recs (specific style 😎)
First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:
Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick
Wonder Woman: Year One by Greg Rucka
Wonder Woman: the Hiketeia by Greg Rucka
Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.
You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.
Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.
These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.
STEP 2: WHERE NEXT?
Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.
Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez
George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.
Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.
Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.
*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.
Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.
Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.
...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.
Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3
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welcometogrouchland · 3 months
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Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.
Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).
Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**
That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???
I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.
Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.
(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)
*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench
**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious
#ramblings of a lunatic#dc comics#dc#damian wayne#bruce wayne#uhhh. not gonna tag the others i dont have time#batman#idk if the zdarsky series has its own tag#anyway yeah. i saw some interesting discussions surrounding 149 and it got me thinking#the experience of reading the issue is inoffensive until i remember how we got here and then all of a sudden i start to feel downright evil#the bruce/zur separation thing pisses me off so bad. MOTHERFUCKER YOU WERE JUST SAYING LAST ISSUE THAT NONE OF IT WAS HIM#and maybe we were meant to agree w Bruce and not Jason in that issue but if that's the case. piss poor job demonstrating it#Bruce never really faces like. interpersonal consequences from the family that last beyond an issue#which is WILD considering the shit he pulled back before they knew he was having a menty b (mental breakdown for those who dont know)#the damian thing is just like. its such clear author bias in ways both lowkey funny and also. not funny. at all#i know a lot of ppl on here didnt vibe w/ batman and robin by joshua williamson but like#i cannot stress enough how he was one of the ONLY ppl in damians corner and now hes leaving that series#he says he approves of the new creative teams assigned but also they're his coworkers. so i dont trust SHIT until its in my hands#anyway one day I'll give a more good faith reading of zdarskys Batman and i do wanna read his daredevil some day#but as it stands he suffers from terminal ''has seemingly never read a comic not abt my special white boys and refuses to try''#which means everyone is going to have to suffer through my haterism#also sorry for no images. i really want to but i just don't have the wherewithal to do alt text rn
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