#this is a point of personal frustration

[mysterycitrus]

if ur seriously trying to untangle the retcon that rewrote dick to be explicitly romani u really have to include devin grayson’s deeply unhinged brand of racism that has negatively affected his portrayal as a man of colour in the following decades, specifically in his rabid oversexualisation and dehumanisation

however….. it would also be irresponsible to say that his race is not a fixed, canonical part of his character. taylor, for his in-numerous flaws, canonised his bg. mary is romani in the gotham knights game. very occasionally he’s drawn as vaguely brown.

with that being said — it is equally as irresponsible to delegitimise discussions about his bg and his status as a prominent romani character in comic canon!!! it just also should be said that while characters like cass and duke and damian and the foxes have experienced significantly bad writing and worse visibility, dick’s race should still be part of that conversation. it should not be ignored in favour of hcs for other characters who have always been yt

[poorly-drawn-mdzs]

Heh...Literally nothing personal, kid.

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[iatethepomegranate]

If I see one more take about Orym being "secretive" in taking the sword, I swear I might start screaming. The dude walked up to Chet in front of everyone, asked for access to the Bag of Holding, took the sword out (in front of everyone) and left with it. Then he came back with the sword strapped to his back... IN FRONT OF EVERYONE. There was ample time for someone to speak up if they wanted to and Orym, quite frankly, didn't have reason to expect it would be an issue. Laudna may have used the lack of discussion as part of her cycle of justifications for her actions, but that doesn't mean it was 1) the main issue she was actually dealing with or 2) an unsolvable problem that required a rash response even if that had been Laudna's primary issue.

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[yaoiadderall]

genuinely how i feel sometimes

[fandomunsexyman]

SVSSS is a novel with a fandom.

[ID: A Scum Villain edit of the "missing the point" meme. A bullet arcs from velinxi art of child Shen Jiu kneeling while furiously glaring. The bullet says, "People are not entirely one thing or the other and holding them to these extremes ignores the complexities that come with their humanity." It arcs over the head of a person across from it, who ignores the bullet and exclaims: "Wow!! Shen Jiu's only crime was being mean and was wrongly hated!" End ID]

[moeblob]

As an attempt at a polite "going forward" comment...

I do not plan to draw for Three Houses or Hopes for a long while. I know a lot of my followers are from the past four years and I appreciate that you followed me at all! But if you are only interested in the art of those characters I wanted to be clear and say you can unfollow me at any point if what i draw no longer aligns with what you want to see.

I might draw for other FEs (like Heroes or 13/14/17) but I do not want to get involved with 3H any more. I do have other interests and across tumblr, twitter (now inactive), and sometimes on discord I've heard enough "I thought it was (FE3H character)".

This is not one person doing it and it is not simply one character being mistaken. I simply want to distance myself from 3H and have unfollowed a few people that reblog art of it because it just leaves a lingering bad taste in my mouth.

Thank you very much for your time and I hope you can find artists who can provide art for topics you like.

[cookie-nom-nom]

Reading Barrayar I felt trapped in Cordelia’s head. It’s incredibly effective for the dread of war as a civilian. Plans and machinations happening beyond you, with no input. Hearing of things happening that seem far off and like yeah that’s awful but then suddenly it dominoes in a way that destroy your life and it’s not your fault and you could've done nothing at all to prevent it. Especially the tension of being hunted in the Dendarii mountains with no idea how the war is going, if they’ve already lost, if it is already too late. Cordelia is doing actively important things in service of the war by sheltering Gregor, yet there's this pervasive feeling of helpless lack of control. She spends most of the book with this dread of not knowing when the next threat to their family will come, and I don’t think it could’ve been done so effectively if we had access to the information Aral had. I found it frustrating at times, since it felt like Cordelia was swept up in events with little agency (at first; obviously our dear captain didn’t remain there). I wanted so badly to be with Aral seeing and knowing and making the decisions.

But that’s the point! Most people have absolutely zero agency in those situations and little information and it’s terrifying. Barrayar captures the feeling of being a civilian in war where so many narratives narrow in upon the heroes and 'men of history' that control conflicts. That's what readers expect. I think that’s why I loved the ending so much. After so long trapped with Cordelia, just trying to survive the larger machinations of Barrayar’s bloody politics, it felt so, so good to finally be on the offensive, to have information the opponents don’t, to finally have power and the means to control what happens. It's a relief to the constant tension of having no agency in a giant conflict that frankly Cordelia had no business being affect by, yet was swept up in because of her love of Aral.

Which is the second thing I deeply enjoyed in Barrayar. I love how the war is made so human. A messy tangle of human relationships control it. I can’t stop thinking about the hostages. There are just so many children being used because the war holds the future hostage. Tiny precious Miles utterly incapable of comprehending how large a pawn he is. Young grieving Gregor vital to the plans of both sides whether dead or alive. Elena, who should be of no importance but she is because that's the kid of an unimportant soldier, just like every other hostage is another piece in the web of the war. I keep thinking about the relatives of Aral’s men caught in the capital. The hostages that Aral refuses to take. Everyone just trying to take care of those they love, and the points where they must put other priorities over their relationships are heart wrenching.

Barrayar looks dead on at how little people try to survive a civil war. From the mountains where the fighting seems so far, and information is slowed to a trickle of the singular mailman. The invasion of forces that disrupts people who may not even know there’s a war yet. The scientists and the genius lost in a single blast that goes unnoticed. The urban populations trying to sneak in food and people and keep their heads down. Random citizens debating who to sell out, weighing risks and bounties, if it will get them the favor with the occupiers that will help them survive. All so small in the grand scheme of things, and yet they are who Barrayar concerns itself with.

Cordelia’s uncertainty and fear would’ve been undermined if we were allowed to see in the heads of people driving the conflict, because Barrayar isn’t about those people. It is the desperation of two mothers, powerless and kept in the dark, that topples the regime.

Addendum: Cordelia’s relationship to Aral firmly places her in an upper class position that is important to note when discussing the role of civilians/‘little people’ within this analysis. But as a woman on Barrayar she is extremely limited in the power she is allocated, especially compared to someone like Aral, which would be the military leadership POV that novels more focused on the grander scope of war would utilize. Again not to say Cordelia has no agency or power, but it is not to the degree of the people in charge. Thus I place her alongside the average people swept up in a war outside their control. Still, her position as a Vor Lady gives her some access knowledge and connections that she turns into power, which while limited are far more than the average citizen. Her significance to Vordarrian is exclusively viewed as yet another hostage, an underestimation that Cordelia readily exploits, but still afforded only due to her status. Cordelia occupies a position of importance but not power beyond the scope of the people she’s formed direct relationships with, which only further ties into the essay's thesis.

[ronkeyroo]

🔸 Relax, (ɴᴏᴛʜɪɴɢ) Is under control ▷

[mossy-aro]

being aspec is weird sometimes because exploring my boundaries and (a)sexuality in my own way is such a personal and normal thing to do as you go through life but it feels like if you do something or experience something differently than aspec people are ‘supposed to’ it puts the validity of your whole identity in danger

[dotswithbrainrot]

There's something I realised about Crystal that might have been obvious but flew over my head the first time I watched.

There were always moments where she was a little frustrating when it came to her laying out her trauma any moment she gets. I realised I wasn't alone on this as I watched the show again with my friends and they reacted the same way. I found myself asking why she's always just trauma dumping the moment she gets the chance to and why she seems to lash out at a lot of people (like that moment where she wants to go to hell with Charles to save Edwin) and end up putting herself in danger. She's also hypocritical at times like the moment when she snaps at Edwin as he compares his trauma to hers.

I was trying to think of why exactly she acted like that and then I got it.

Unlike Edwin and Charles (who are ghosts and have existed for way longer than 16 years to the point they're not really 16 year olds (not the way they look, act or their supernatural age)) Crystal is literally just a 16 year old! Sure she doesn't look like that cause the actress is older but she does act like that! She acts like a very moody teen and it makes sense.

Imagine you lost your memories to a toxic demon ex and basically had to start fresh on your personality with the combo of being a hormonal teen. It's not easy being a teen already but now there's this additional layer.

Ofc Crystal would be hypocritical, ofc she would vent a lot to try and process everything, ofc she would lash out at people for not letting her do what she deems as helpful.

She is just a teen! And honestly I love that writing, because it does show the contrast between the entire gang. They're all supposed to look like teens in story but it all depends on how long they've existed, how emotionally mature they are from the get-go and how trauma affected them.

[finalgirlgretchen]

if one more person tries to claim that the oh hellos are no longer christian i am going to lose my shit

[momowoah]

Okay but I really think that the worst part is that this is season seven. Unless they're planning to turn 9-1-1 into the new Grey's Anatomy the chances of us being already in the final half of the show are huge. I'm not saying that there shouldn't be any drama, but the characters should've started to go forward, and yet nearly all of them feel stuck in the same place they have been for several seasons. Or should I say 2-3 seasons?

tldr: all/most S7 storylines were either useless in the long run or recycles. The only characters who had storylines on the good side of the scale (as in, they helped the characters develop and move to a new place in their lives) were Maddie and Chimney (and maybe Buck but he's on thin ice). All the characters are back to the same place they were in s4/s5. It's probably TM's fault. This shouldn't be happening in a 7th season.

(really long post under the cut but worth it imo)

Bobby and Athena had a whole seven episodes for their storylines and yet it didn't significantly change anything about them or their relationship. The doubts of how they are when they're at peace that were brought up in ep1 ended up not being addressed at all. We started the season with what was supposed to be this huge thing in their relationship and it was just never brought up again! Instead they put bathena through distress again just for the sake of being dramatic. And while I'm extremely glad we got Amir and think there were several high points in his storyline, what difference did it make in the long run? Yes, it brought up interesting things to Bobby's storyline, such as more insight into his childhood and the chance for him to explore another side of the fire he caused, but is it going to change anything? No! Bobby will be reinstated in S8 bc that's just how these things go, and I doubt they'll put any effort to continue the survivors storyline. I'd bet it'll just be ignored in the next seasons.

Hen and Karen have been trying for YEARS AND YEARS to adopt a child and they just can't let them! As a wlw, do you know how awful that is to watch? Seeing them fail time and time again and have their family broken up once again just because??? It was one thing with Nia, she got a happy ending, but that wasn't the case with Mara. The best thing for everyone involved would be for her to stay with Hen and Karen, but they blew it up. I know she's with Madney, but it's not the fucking same. Why do they have to go through this again? Why can't they finally get the family they've spent years fighting for? Why can't the drama be about anything else, why does it have to be about failed adoptions? I've seen this enough times before. Why not let them be able to adopt???? Why? I'm genuinely upset abt this btw, probably more than about anything else that went down.

Buck got to finally come out and it was great but instead of taking it as an opportunity to let him grow into himself they just threw him right back into the hamster wheel of dating people who are either not fully into him or who he's not fully into. (if you like bt probably skip the rest of this paragraph but I'd also be upset about how they're handling them if I liked the ship bc I liked the previous bt and they did something similar to them lol) Tommy's behavior could be explained away at first, but I feel like time and time again the show goes the extra mile to make him uninterested in Buck or just straight up an asshole to him? Instead of taking the small opportunities of portraying them as a healthy happy couple they just consistently screw up their relationship? They're not the couple I support but even then I wanted them to be good together bc I want Buck to be happy, and yet all we get is this?

I don't even have words about Eddie, especially considering what rg has said about him destroying his life and possibly reverting back to military no emotions mode next season. WHY CAN'T HE BE HAPPY? We already saw him break down, WE'VE ALREADY HAD A STORYLINE ABOUT HIM REBUILDING HIS LIFE, but happiness is boring so now he has to ruin his relationship with his son too right? It just pisses me off how they go about his character sometimes. I liked that they were bringing back the Shannon storyline because he was supposed to be able to finally move on, but this wasn't about that. No, it was about retraumatizing Eddie and Chris and splitting them up at a time when they should be leaning on each other and healing, because Chris has also been suffering with the Shannon stuff. We saw it in fucking ep 1. Don't even get me started on the Marisol stuff because idek why she was there at all. Literally don't get it. We had an off-screen breakup anyways. She wasn't relevant at all to anything that happened. Why was she even there? I'm genuinely asking. The only Eddie arc that has some positive potential for next season is him dealing with his relationship with religion (especially if they tie it to the military and the way he lives his life for others' expectations), but tbh I don't trust them not to fuck it up.

Finally, I don't have complaints about madney, except for why tf was Maddie so absent this season? The wedding episode was all about Chimney (who was also maybe kinda missing tbh), and although I love him and his backstory and the opportunity to see Kevin again, I really wanted it to be about their relationship, since it was their wedding, yk. Dispatch was also severely under utilized. We did get the 7x07 Maddie plotline and it might've been bc it was a shortened season but yeah, I'm still not that satisfied.

So, we have all the characters stuck in places they've been before. More specifically, in the place they were in season 4/5. Bathena relationship problems followed by a life threatening situation? Check. Henren struggling with adoption? Check. Buck getting into what was supposed to be a good relationship only for it to end up going really bad? Check. Eddie struggling with relationships and his mental health going to hell? Check. Madney in a good place with a new child and about to have an awful fucking time? Hopefully just check for the first part. And you know which question this makes me ask? It's whether Tim Minear is just reverting everyone to their s4 state out of spite for the seasons he was away. And even if it is a genuine attempt at getting the show back on the track he wanted out of good intentions, it still sucks, because it doesn't change the fact that it is just a repeat of old storylines. I actually complained at this before the show even aired, but (iirc) I ended up deleting my post because I thought that I was just overreacting. Guess what? I fucking wasn't, bc that's EXACTLY what they did.

Now, going back to the start of this post, the reason why all these storylines suck so much is not that they are bad. It's not even that they aren't original. No, it's the fact that we're doing storylines that belong in the fourth or fifth season of a show in its seventh season. Even the Gerrard plotline, which is new to 9-1-1, feels like it came too late, because the split up crew/villain captain storyline tends to happen much sooner in procedurals, and for a reason. Besides the fact that this was never really a big bad type of show and I don't get why they are making it one all of a sudden, and ignoring the fact that Gerrard being brought back as captain, especially to the 118 of all places, makes no fucking sense, that kind of plotline is one that it's obviously always temporary. No one believes he'll still be the captain by the end of 8A, much less by the end of the season. He'll hardly survive the first 3-5 episodes. That's ultimately a filler storyline. It helps the show go on for longer, it might even help in the development of a couple characters, but at the end of the day it doesn't change anything, which appears to be a recurring theme when it comes to 9-1-1 storylines.

The reason I have a problem with this is that we don't need a filler storyline, because no one knows whether the show has the luxury of taking its sweet time. Yeah, it has a huge audience and it is doing good numbers, but it is still a fucking money pit that was already cancelled once and it's unsustainable on the long run. It might not end that soon, but is it honestly going to reach season 14? Does anyone truly think that we've only seen half of it (or less) so far? Because I don't. Not many shows make it that far, and there's a reason for that. We have three huge names who are extremely important to the show. What happens if they get tired? What happens if someone gets a better offer? What happens if we're still revisiting old storylines when that happens? Do we get an incomplete story or a rushed one?

The show should be moving forward, even if there are no plans for it to end soon. We have the drama of the huge disasters 9-1-1 loves. We have the drama of the cases. We have a myriad of new possible dramatic storylines for the characters that show development without being too final. Athena could have so many different job related storylines (from moving up in her career to abandoning it), and her and Bobby's storyline from the beginning of the season about being boring together can be played in a good and dramatic line. Henren and Madney have a whole world of parenting issues that they could go through. Buck and Eddie both still need either an endgame love interest (whether it's each other or not) or to get to the point where they are fine not having one, and we have all of the relationship trouble that comes with that. This show can give us new things, storylines that are good for the characters, without losing the dramatic factor (which, if I'm being honest, would not be a deal breaker for me). Yet, it refuses to, and probably not for a good reason, because it comes down to either Tim wanting to rewrite history or just trying to drag this show for as long as possible (which apparently he only knows how to do by refusing to make the characters happy). And you know what? I'm fucking mad about it, and I think you should be too.

Btw, this is not to say the whole season sucked. We got Madney and Henren together multiple times which was great. We finally got Bi Buck. There were several amazing acting moments for both the main and recurring actors. As a standalone season, it was good. It just doesn't work when you look at the bigger picture.

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[seasideoranges]

idk if it’s just me but the whole “which atla kid in the gaang is the most mature” debates can get redundant and kind of exhausting at times. they’re kids. they’re multifaceted characters. they’re mature in some departments and immature in others. they have their strengths and weaknesses. also they’re kids lol.